Quotes about block
page 2

“When a new building block is discovered, the result is usually a range of innovations.”

John H. Holland (1929–2015) US university professor

Source: Hidden Order - How Adaptation Builds Complexity (1995), Ch 2. Adaptive Systems, p. 62

Daniel Kahneman photo
Sun Myung Moon photo
Ani DiFranco photo
Chris Cornell photo

“RockNet: Were you terribly uncomfortable at the recent Grammy Award Show?
Cornell: I don't know. It's just a strange subject. It's almost as if the music industry is patting itself on the back in a way. This was the seventh Grammy nomination for us and had we won one for our first nomination I would have had a really cool attitude about it because it would have meant that the people who were actually voting were paying attention to music for music's sake as opposed to some other reason.
I was happy that we were nominated because it was an independent record company and it was a low-profile record. We didn't win a Grammy until we'd sold several millions and it seems that what sells a lot is what wins, even though the record may or may not be any good, but that seems to be the requirement.
I'm not critical of the people who work in the music industry, and I appreciate the Grammy. (But) to me it's their party and it's not really mine. It's not for the musicians. It has more to do with the industry. You can tell after a Grammy period all the record labels and artists who won a bunch take out full-page ads in the trades gloating. That's fine. That's what they do, they sell records and they work really hard to develop careers. If they're into it, I'm not going to be disrespectful, but I'd hate for anyone to think that it's something that was a necessity for me or the rest of the band, or that it was a benchmark to us of legitimacy for us because it's not. It doesn't really matter that much to us. It seems like it's for someone else. I'd never get up and say that. If I was totally not into it, the best thing to do is to not show up.
Maybe ten years from now I'll reflect and say "wow, that happened and it was pretty unusual. Not every kid on the block gets to go up and pick up a Grammy Award."”

Chris Cornell (1964–2017) American singer-songwriter, musician

It's just one more thing to take the focus away from what we like to do, which is to write music and make records and try not to think about anything whether it's how many records we sell or what people think of us.
For us, I think the key to success for being a band and always making good records is always going to be forgetting about everything else outside our own little band.
RockNet Interview: Chris Cornell of Soundgarden, May 1, 1996 https://web.archive.org/web/19961114054327/http://www.rocknet.com/may96/soundgar.html,
Soundgarden Era

Caspar David Friedrich photo

“Gently rising hills block the view into the distance; line the wishes and desires of the children, who enjoy the blissful moments of the present without wanting to know what lies beyond. Bushes in bloom, nourishing herbs, and sweet-smelling flowers surround the quiet clear stream in which the pure blue of the cloudless sky is reflected like the glorious image of God in the souls of the children... There is no stone to be seen here, no withered branch, no fallen leaves. The whole of nature breathes, peace, joy, innocence and life.”

Caspar David Friedrich (1774–1840) Swedish painter

Quote from Friedrich's Diary entry, written Aug. 1803 at Loschwitz; as cited in Religious Symbolism in Caspar David Friedrich, by Colin J. Bailey https://www.escholar.manchester.ac.uk/api/datastream?publicationPid=uk-ac-man-scw:1m2225&datastreamId=POST-PEER-REVIEW-PUBLISHERS-DOCUMENT.PDF, paper; Oct. 1988 - Edinburgh College of Art, pp. 11-12
Friedrich is describing here his first composition of the painting 'Spring', 1803 (a later version he painted in 1808, viewed and described then by Gotthilf Heinrich von Schubert)
1794 - 1840

Joseph Beuys photo
Robert Ley photo

“Workers of all lands, unite — to smash the rule of English capitalism! You young upward-striving nations of the earth, combine to annihilate the old English dragon who blocks the treasures of the earth and withholds from you the riches of the world.”

Robert Ley (1890–1945) Nazi politician

Quoted in Metapolitics: From Wagner and the German Romantics to Hitler - Page 140 by Peter Robert Edwin Viereck, Peter Viereck - Political Science - 2004

Suzanne Collins photo
Matt Ridley photo
Ken Livingstone photo
Nick Drake photo

“And at the chime of the city clock
Put up your road block.
Hang on to your crown.
For a stone in a tin can
Is wealth to the city man
Who leaves his armour down.”

Nick Drake (1948–1974) British singer-songwriter

At the Chime of a City Clock
Song lyrics, Bryter Later (1970)

Jordan Peterson photo
Alfred de Zayas photo
Rollo May photo
Brian K. Vaughan photo

“"Writer's block" is just another word for video games. If you want to be a writer, get writing, you lazy bastards.”

Brian K. Vaughan (1976) American screenwriter, comic book creator

MySpace blog, 09 April 2007

Patrick Modiano photo
Bryant Jennings photo
Theo van Doesburg photo
Amitabh Bachchan photo
Rollo May photo
Jeff Koons photo

“My work will use everything that it can to communicate. It will use any trick; it'll do anything — absolutely anything — to communicate and to win the viewer over. Even the most unsophisticated people are not threatened by it; they aren't threatened that this is something they have no understanding of. They can look at it and they can participate with it. And also somebody who has been very highly educated in art and deals with more esoteric areas can also view it and find that the work is open as far as being something that wants to add more to our culture. The work wants to meet the needs of' the people. It tries to bring down all the barriers that block people From their culture. that shield and hide them. It tells them to embrace the moment instead of always feeling that they're being indulged by things that they do not participate in. It tells them to believe in something and to eject their will. The idea of St. John and baptism right now is that there are greater things to come. And it's about embracing guilt and shame and moving forward instead of letting this negative society always thwart us — always a more negative society, always more negative.”

Jeff Koons (1955) American artist

Partly cited in: Linda Weintraub, Arthur Coleman Danto, Thomas McEvilley. Art on the edge and over: searching for art's meaning in contemporary society, 1970s-1990s. Art Insights, Inc., 1996. p. 201; And cited in Kristine Stiles, ‎Peter Howard Selz (1996). Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings. p. 381
"From Full Phantom Five," 1988

Margaret Thatcher photo
Stanisław Lem photo
Lupe Fiasco photo

“The building blocks of poetry itself are elements if fiction -fable, 'image', metaphor-all the material if the nonliteral.”

John Hollander (1929–2013) American poet

'Rhymes's Reason':a guide to English Verse Yale University Press, 1981

Michael Bloomberg photo
Mickey Spillane photo
Charles Babbage photo

“There are in the Exhibition some beautiful examples of such lace amongst the productions of other countries as well as of our own. They are made by the united labour of many women. The cost of a piece of lace will consist of:
# The remuneration to the artist who designs the pattern.
# The cost of the raw material.
# The cost of the labour of a large number of women working on it for many months.
Let us compare this with the cost of a piece of statuary, which is undoubtedly of a much higher class of art; it will consist of:
# The remuneration to the artist who makes the model.
# The cost of the raw material.
# The cost of labour, by assistants in cutting the block to the pattern of the model.
# Finishing the statue by the artist himself.
In lace making the skill of the artist is required only for the production of the first example. Every succeeding copy is made by mere labour: each copy may be considered as an individual, and will cost the same amount of time.
In sculpture the three first processes are quite analogous to those in lace-making. But the fourth process requires the taste and judgment of the artist. It is this which causes it to retain its rank amongst the fine arts, whilst lacemaking must still be classed amongst the industrial.”

Charles Babbage (1791–1871) mathematician, philosopher, inventor and mechanical engineer who originated the concept of a programmable c…

Source: The Exposition of 1851: Views Of The Industry, The Science, and the Government Of England, 1851, p. 49-50

Merlin Mann photo

“Write your way out of a thinking block—because you'll never think your way out of a writing block.”

Merlin Mann (1966) American blogger

Wired Magazine https://archive.is/20130630162633/www.wired.com/techbiz/people/magazine/17-08/pl_brown
Tweeting as @hotdogsladies

Christopher Titus photo
Alexander Pope photo

“To endeavour to work upon the vulgar with fine sense, is like attempting to hew blocks with a razor.”

Alexander Pope (1688–1744) eighteenth century English poet

Thoughts on Various Subjects (1727)

Nisargadatta Maharaj photo
Tommy Franks photo
Tawakkol Karman photo
Aron Ra photo
Richard Brautigan photo

“Everybody wants to go to bed
with everybody else, they're
lined up for blocks, so I'll
go to bed with you. They won't
miss us.”

Richard Brautigan (1935–1984) American novelist, poet, and short story writer

"-2"
Rommel Drives on deep into Egypt

Will Eisner photo
Italo Svevo photo

“Present-day life is polluted at the roots. Man has put himself in the place of trees and animals and has polluted the air, has blocked free space. Worse can happen. The sad and active animal could discover other forces and press them into his service. There is a threat of this kind in the air. It will be followed by a great gain…in the number of humans. Every square meter will be occupied by a man. Who will cure us of the lack of air and of space?”

La vita attuale è inquinata alle radici. L'uomo s'è messo al posto degli alberi e delle bestie ed ha inquinata l'aria, ha impedito il libero spazio. Può avvenire di peggio. Il triste e attivo animale potrebbe scoprire e mettere al proprio servizio delle altre forze. V'è una minaccia di questo genere in aria. Ne seguirà una grande chiarezza... nel numero degli uomini. Ogni metro quadrato sarà occupato da un uomo. Chi ci guarirà dalla mancanza di aria e di spazio?
Source: La coscienza di Zeno (1923), P. 364; p. 436.

Jodi Benson photo
Clifford D. Simak photo
Peggy Noonan photo
Jacques Maritain photo
Bill Bryson photo
Richard Rumelt photo
John Rogers Searle photo
Frederick Douglass photo
John Banville photo
Anna Akhmatova photo

“Such grief might make the mountain stoop,
reverse the waters where they flow,
but cannot burst these ponderous bolts
that block us from the prison cells
crowded with mortal woe…”

Anna Akhmatova (1889–1966) Russian modernist poet

The mountains bow before this anguish,
The great river does not flow.
In mortal sadness the convicts languish;
The bolts stay frozen.
Translated by D. M. Thomas
Requiem; 1935-1940 (1963; 1987), Dedication

Hendrik Werkman photo

“The subject reports itself, it is never looked for. Afterwards a small drawing will follow for the color-planes which are determined immediately. These colors will be printed by large logs and updated and enlivened with the hand-roller. For pressing I use an old hand-press with lever (from c. 1800)... Sometimes it is necessary to press heavily, other times only very light. Sometimes one half of the block is rolled in [with ink] bold, the other half only skimpy. By first printing sometimes the first layer of paint on a piece of paper, a gentle tint appears which is then printed on the original. Another time I print the first print of the paper back on the original... As soon as the color-planes have been applied, the first state is reached, so to say..
.. Of course all kinds of side-steps can be made, while working. In case of enlivening the picture - both in terms of color or decoration - the main goal I always keep in mind.”

Hendrik Werkman (1882–1945) Dutch artist

version in original Dutch (origineel citaat van Hendrik Werkman, in het Nederlands): Het onderwerp meldt zichzelf en wordt nooit gezocht, daarna volgt een kleine tekening voor de kleurvlakken die meteen vaststaan. Deze kleuren worden met groote houtblokken gedrukt en met de handrol bijgewerkt en verlevendigt. Als pers gebruik ik een oude handpers met hefboom (c. 1800).. .Soms is het noodig zwaar te drukken, soms heel licht; soms wordt de ene helft van het blok vet ingerold [met inkt], de andere helft schraal, ook wordt door eerst op een stuk papier de eerste laag verf af te drukken een lichte tint gekregen die dan op het origineel afgedrukt wordt, een andere keer druk ik de eerste druk van het papier weer op het origineel af.. Zijn de kleurvlakken aangebracht, dan is als het ware de eerste staat bereikt..
.Het spreekt vanzelf dat onder het werk verschillende zijsprongetjes gemaakt kunnen worden. Ter verlevendiging, zowel wat kleur als wat versiering aangaat: het hoofddoel staat steeds voor oogen.
Quote from Werkman's letter (6.) to August Henkels, 24 Jan. 1941; as cited in H. N. Werkman - Leven & Werk - 1882-1945, ed. A. de Vries, J. van der Spek, D. Sijens, M. Jansen; WBooks, Groninger Museum / Stichting Werkman, 2015 (transl: Fons Heijnsbroek), p. 134
1940's

Hayley Jensen photo
Benjamín Netanyahu photo

“Fortunately, President Obama and most world leaders understand that the idea that Iran's goal is not to develop nuclear weapons is ridiculous. Yet incredibly, some are prepared to accept an idea only slightly less preposterous: That we should accept a world in which the Ayatollahs have atomic bombs. Sure, they say, Iran is cruel, but it's not crazy. It's detestable but it's deterrable. Responsible leaders should not bet the security of their countries on the belief that the world's most dangerous regime won't use the world's most dangerous weapons. And I promise you that as Prime Minister, I will never gamble with the security of Israel. From the beginning, the Ayatollah regime has broken every international rule and flouted every norm. It has seized embassies, targeted diplomats and sent its own children through mine fields. It hangs gays and stones women. It supports Assad's brutal slaughter of the Syrian people. Iran is the world's foremost sponsor of terror. It sponsors Hezbollah in Lebanon, Hamas in Gaza and terrorists throughout the Middle East, Africa, and South America. Iran's proxies have dispatched hundreds of suicide bombers, planted thousands of roadside bombs, and fired over twenty thousand missiles at civilians. Through terror from the skies and terror on the ground, Iran is responsible for the murder of hundreds, if not thousands, of Americans. In 1983, Iran's proxy Hezbollah blew up the Marine barracks in Lebanon, killing 240 American servicemen. In the last decade, its been responsible for murdering and maiming American soldiers in Afghanistan and Iraq. Just a few months ago, it tried to assassinate the Saudi Ambassador in a restaurant just a few blocks from here. The assassins didn't care that several Senators and members of Congress would have been murdered in the process. Iran accuses the American government of orchestrating 9/11, and it denies the Holocaust. Iran brazenly calls for Israel's destruction, and they work for its destruction – each day, every day. This is how Iran behaves today, without nuclear weapons. Think of how they will behave tomorrow, with nuclear weapons. Iran will be even more reckless and far more dangerous.”

Benjamín Netanyahu (1949) Israeli prime minister

Speech at the American Israel Public Affairs Committee Policy Conference http://www.aipac.org/pc/videos/2012/monday-gala-plenary/prime-minister-benjamin-netanyahu (March 2012).
2010s, 2012

Tom McCarthy (writer) photo
Paulo Coelho photo
William S. Burroughs photo

“blocked. blocked. blocked. youre all blocked. none of you are free of sin”

Dril Twitter user

[ Link to tweet https://twitter.com/dril/status/473706394009759744]
Tweets by year, 2014

Madison Grant photo
John Dewey photo
Richard Kalich photo

“Matrimony must be like a sound flogging, for it makes the veriest block-heads learn something.”

Alessandro Pepoli (1757–1796) Italian writer

Il matrimonio bisogna che sia un vero castigo, poichè fa diventar savi anche i matti.
La Scomessa, Act III., Sc. IV. — (Desiderio.). Translation reported in Harbottle's Dictionary of quotations French and Italian (1904), p. 316.

Winston S. Churchill photo
William S. Burroughs photo
Marsha Norman photo
Colin Meloy photo
Roberto Saviano photo
St. Vincent (musician) photo
Aron Ra photo
Carl Ludwig Siegel photo

“I am afraid that mathematics will perish by the end of this century if the present trend for senseless abstractin — as I call it: theory of the empty set — cannot be blocked up.”

Carl Ludwig Siegel (1896–1981) German mathematician

in a 1964 letter to L. J. Mordell as quoted by [C. S. Yogananda, The Life and Times of Bourbaki, June 2015, Resonance, 556–559, http://www.ias.ac.in/article/fulltext/reso/020/06/0556-0559] (quote from p. 558)

Bono photo
Anna Sui photo

“We do all the first samples here and all the production in the garment center, within these few blocks… I love the process.”

Anna Sui (1964) American fashion designer

New York Times Interview (November 11, 2010)

Lars Løkke Rasmussen photo

“Growth and prosperity. These are the blocks with which we must build our welfare society.”

Lars Løkke Rasmussen (1964) Danish politician

From the Opening Address to the Folketing (The Danish Parliament) on Tuesday 6 October 2009.
2000s, 2009

Jane Roberts photo
Carole King photo
Kent Hovind photo
Wilt Chamberlain photo
Franklin D. Roosevelt photo

“I hope your committee will not permit doubts as to constitutionality, however reasonable, to block the suggested legislation.”

Franklin D. Roosevelt (1882–1945) 32nd President of the United States

Letter to Samuel B. Hill, Chairman of the House Ways and Means Committee http://www.presidency.ucsb.edu/ws/index.php?pid=14894 (6 July 1935)
1930s

Shepard Smith photo

“J. Lo's new song 'Jenny From the Block', all about Lopez' roots. About how she's still a neighborhood gal at heart. But folks from that street in New York, the Bronx section, sound more likely to give her a curb job than a blow job. Or, uh. A block party. […] Sorry about that slip-up there. I have no idea how that happened, but it won't happen again. And that's your news and the G Block as Fox reports this Monday, November the 4th, 2002.”

Shepard Smith (1964) television news anchor from the United States

"The G Block" https://www.youtube.com/watch?v=Ra7MTconlEE (November 4, 2002), Fox Report, Fox News. As quoted in "Trading places" https://web.archive.org/web/20140820072850/http://www.salon.com/2002/11/12/nptues_108/ (November 12, 2002), by Amy Reiter, Salon, Salon Media Group, Inc.
2000s

Gerd von Rundstedt photo
Stewart Brand photo
Gjorge Ivanov photo

“A potential EU membership for Macedonia has been discussed seven times already, but there was always an obstruction, caused by Greece. What would you do if someone blocked any paths for your country for over 25 years?”

Gjorge Ivanov (1960) President of Macedonia

Mr Ivanov also spoke of his anger at Greece’s “obstruction” of Macedonia’s accession to the EU, quoted on Independent, Refugee crisis: Macedonia tells Germany they've 'completely failed' http://www.independent.co.uk/news/world/europe/macedonia-tells-germany-youve-completely-failed-a6927576.html, March 12, 2016.

Camille Paglia photo
Hector Berlioz photo

“Poor devils! Where do these unfortunate creatures come from? On what butcher's block will they meet their end? What reward does municipal munificence allot them for thus cleaning (or dirtying) the pavements of Paris? At what age are they sent to the glue factory? What becomes of their bones (their skin is good for nothing)?”

Hector Berlioz (1803–1869) French Romantic composer

Pauvres diables!... D'où sortent ces malheureux êtres ?... À quel Montfaucon vont-ils mourir ?... Que leur octroie la munificence municipale pour nettoyer (ou salir) ainsi le pavé de Paris ?... À quel âge les envoie-t-on à l'équarrissage ?... Que fait-on de leurs os ? (leur peau n'est bonne à rien.)
Les Grotesques de la Musique (Paris: A. Bourdilliat, 1859) p. 89; Alastair Bruce (trans.) The Musical Madhouse (Rochester, NY: University of Rochester Press, 2003) pp. 54-56.
Of critics

Eugene Jarvis photo

“Oh, wow, what a scene that place was - that heavenly drug down sexual perversion get their rocks off health spa. I was already so bombed I don't know how I got there. I got down to the pool, where all the freaks were. I met Paul America at the pool and I told him we were probably in danger if we stayed, but we were so blasted we forgot what was good for us and what wasn't, and the whole place turned into a giant orgy... every kind of sex freak, from homosexuals to nymphomaniacs... oh, everybody eating each other on the raft, and drinking, guzzling tequila and vodka and Scotch and bourbon and shooting up every other second... losing syringes down the pool drains, the needles of the mainline scene, blocking the water infiltration system with broken syringes. Oh, it was really some night just going on an incredible sexual tailspin. Gobble, gobble, gobble. Couldn't get enough of it. It was one of the wildest scenes I've ever been in or ever hope to be in. I should be ashamed of myself. I'm not, but I should be. Sex and speed, wow! Like, oh God. A twenty-four-hour climax that can go on for days. And there's no way to explain it unless you've been through it; there's no way to tell anyone who hasn't tasted it. I'd like to turn on the whole world for just a moment... just for a moment. I'm greedy; I'd like to keep most of it for myself and a few others, a few of my friends... to keep that superlative high, just on the cusp of each day... so that I'd radiate sunshine.”

Edie Sedgwick (1943–1971) Socialite, actress, model

Ciao! Manhattan tapes, recalling its pool spa orgy scene
Edie : American Girl (1982)