Quotes about blackness
page 11

John Frusciante photo

“Dream that you died
It takes you out of your mind
The black walls of space
Take me all the way”

John Frusciante (1970) American guitarist, singer, songwriter and record producer

Wind Up Space
Lyrics, To Record Only Water for Ten Days (2000)

Ann Coulter photo
Max Beckmann photo
Henrik Ibsen photo

“There is a big black hat and it makes you invisible. Have you heard of that hat? You put it on and then no one can see you.”

Henrik Ibsen (1828–1906) Norwegian playwright, theatre director, and poet

Dr. Rank, Act III, speaking of death
A Doll's House (1879)

“To be Christian is to be one of those whom God has chosen. God has chosen black people!”

James H. Cone (1938–2018) American theologian

Source: Black Theology and Black Power (1969), pp. 139-140

Dinesh D'Souza photo
Warren G. Harding photo

“I want to see the time come when black men will regard themselves as full participants in the benefits and duties of American citizens. We cannot go on, as we have gone on for more than half a century, with one great section of our population... set off from real contribution to solving national issues, because of a division on race lines.”

Warren G. Harding (1865–1923) American politician, 29th president of the United States (in office from 1921 to 1923)

Speech delivered to a segregated, mixed race audience at Woodrow Wilson Park in Birmingham, Alabama on the occasion of the city's semicentennial, published in the Birmingham Post (27 October 1921).
1920s

Julian of Norwich photo
Tom McCarthy (writer) photo
Tiger Woods photo

“I don't want to be the best black golfer, I want to be the best golfer, period.”

Tiger Woods (1975) American professional golfer

http://www.imdb.com/name/nm0971329/bio

Yolanda King photo

“I was in the streets marching for civil rights while asshole southern sheriffs were swinging nail studded baseball bats at blacks' heads. Two things you can always count on: I will defend my record on race to no one (sic), under any circumstances and, I will call out any racist, any time without regard to who they are... and that includes our half white, racist President.”

Mark Williams American conservative activist, radio talk show host and author

Source: http://www.nydailynews.com/news/politics/2010/05/21/2010-05-21_nothing_is_out_of_bounds_for_national_tea_party_express_foulmouthed_leader_mark_.html#ixzz0oxS7r1Rj

Milton Bradley (baseball) photo

“I'm always OK. As long as I'm black, I'm fine.”

Milton Bradley (baseball) (1978) Major League Baseball player

Bradley: 'I'm always OK. As long as I'm black, I'm fine', ESPN, Associated Press, August 20, 2005, 2009-01-04 http://sports.espn.go.com/mlb/news/story?id=2139396,

Wiz Khalifa photo

“Yeah, Uh-huh you know what it is,(black and yellow, black and yellow, black and yellow)”

Wiz Khalifa (1987) American rapper and actor

Black and Yellow, written by Wiz Khalifa, Mikkel Eriksen, Tor Hermansen
Studio Albums, Rolling Papers (2011)

Johannes Grenzfurthner photo
William Gibson photo
Ian Fleming photo
Matt Sanchez photo

“There's no such thing as a gay Marine, or a Latino Marine, or a black Marine. It's just Marines. I think that's really important to say. I'm a Marine, first and foremost.”

Matt Sanchez (1970) writer, journalist

[Smerconish, Michael, Osama's The Enemy - Not Gays, Philadelphia Daily News, 21, March 15, 2007]

Hans Fritzsche photo
Harry V. Jaffa photo
Jack Black photo

“Y-y-you know what? Fine! Go ahead, join the Black Eyed Peas! I-I-I don't need you…I don't need anybody!”

Jack Black (1969) American actor, comedian, musician, music producer

runs away crying

Allen West (politician) photo
Hendrik Verwoerd photo
Stephen King photo
Assata Shakur photo
Yukio Mishima photo
Arthur Hugh Clough photo
James Thomson (B.V.) photo

“Yet why evoke the spectres of black night
To blot the sunshine of exultant years?”

James Thomson (B.V.) (1834–1882) Scottish writer (1834-1882)

Proem
The City of Dreadful Night (1870–74)

Orson Scott Card photo
Percy Bysshe Shelley photo
Michael Moore photo

“I stopped reading the comics page a long time ago. It seems that whoever is in charge of what to put on that page is given an edict that states: “For God’s sake, try to be as bland as possible and by no means offend any one!” Thus, whenever something like Doonesbury would come along, it would be continually censored and, if lucky, eventually banished to the editorial pages. The message was clear: Keep it simple, keep it cute, and don’t be challenging, outrageous or political.
And keep it white!
It’s odd that considering all the black ink that goes into making the comics section (and color on Sundays) that you rarely see any black faces on that page. Well, maybe it’s not so odd after all, considering the makeup of most newsrooms in our country. It is even more stunning when you consider that in many of our large cities like New York, Los Angeles, or Chicago where the white population is barely a third of the overall citizenry, the comics pages seem to be one of the last vestiges of the belief that white faces are just…well, you know…so much more happy and friendly and funny!
Of course, the real funnies are on the front pages of most papers these days. That’s where you can see a lot of black faces. The media loves to cover black people on the front page. After all, when you live in a society that will lock up 30 percent of all black men at some time in their lives and send more of them to prison than to college, chances are a fair number of those black faces will end up in the newspaper.
Oops, there I go playing the race card. You see, in America these days, we aren’t supposed to talk about race. We have been told to pretend that things have gotten better, that the old days of segregation and cross burnings are long gone, and that no one needs to talk about race again because, hey, we fixed that problem.
Of course, nothing could be further from the truth. Sure, the “whites only” signs are down, but they have just been replaced by invisible ones that, if you are black, you see hanging in front of the home loan department of the local bank, across the entrance of the ritzy suburban or on the doors of the U. S. Senate”

Michael Moore (1954) American filmmaker, author, social critic, and liberal activist

100 percent Caucasian and going strong!
Foreword to "The Boondocks Treasury: a Right to be Hostile" by Aaron McGruder, (2003).
2003

Donald Barthelme photo
John Mayer photo
Emily Brontë photo
Dolly Parton photo
Clarence Thomas photo
Warren Farrell photo
RuPaul photo

“Look at me--a big old black man under all of this makeup, and if I can look beautiful, so can you.”

RuPaul (1960) Actriz de Televisa, dueña y señora de los ejidos cacaoahuateros

Quoted by Joslyn Pine in: Book of African-American Quotations http://books.google.co.in/books?id=NfdBrOgz4swC&pg=PA160, Courier Dover Publications, 2 March 2012, p. 160

Allen C. Guelzo photo
Bobby Hull photo
Thom Yorke photo

“Hasan Nizami writes that after the suppression of a Hindu revolt at Kol (Aligarh) in 1193 AD, Aibak raised “three bastions as high as heaven with their heads, and their carcases became food for beasts of prey. The tract was freed from idols and idol-worship and the foundations of infidelism were destroyed.” In 1194 AD Aibak destroyed 27 Hindu temples at Delhi and built the Quwwat-ul-Islãm mosque with their debris. According to Nizami, Aibak “adorned it with the stones and gold obtained from the temples which had been demolished by elephants”. In 1195 AD the Mher tribe of Ajmer rose in revolt, and the Chaulukyas of Gujarat came to their assistance. Aibak had to invite re-inforcements from Ghazni before he could meet the challenge. In 1196 AD he advanced against Anahilwar Patan, the capital of Gujarat. Nizami writes that after Raja Karan was defeated and forced to flee, “fifty thousand infidels were despatched to hell by the sword” and “more than twenty thousand slaves, and cattle beyond all calculation fell into the hands of the victors”. The city was sacked, its temples demolished, and its palaces plundered. On his return to Ajmer, Aibak destroyed the Sanskrit College of Visaladeva, and laid the foundations of a mosque which came to be known as ADhãî Din kã JhoMpaDã. Conquest of Kalinjar in 1202 AD was Aibak’s crowning achievement. Nizami concludes: “The temples were converted into mosques… Fifty thousand men came under the collar of slavery and the plain became black as pitch with Hindus.””

Hasan Nizami Persian language poet and historian

Hasan Nizami, quoted from Goel, Sita Ram (2001). The story of Islamic imperialism in India. ISBN 9788185990231 Ch. 6

Scott Lynch photo
W.E.B. Du Bois photo
Clarence Thomas photo

“The large gray spiked form rising from the bottom of the picture is to me the symbol of death and ruin. And finally the black ovoid form is the symbol of fire, lava and destruction.”

William Baziotes (1912–1963) American painter

in a letter to Alfred H. Barr, Jr. 6 November, 1955; as quoted in Abstract Expressionism, Barbara Hess, Taschen, Köln, 2006, p. 34
Baziotes' quote is referring to his painting 'Pompeii', Baziotes painted in 1955
1950s

Herman Melville photo

“Flow my tears, fall from your springs,
Exil'd for ever: let me mourn
Where night's black bird her sad infamy sings,
There let me live forlorn.”

John Dowland (1563–1626) English Renaissance composer, lutenist, and singer

"Flow my tears", line 1, The Second Book of Songs (1600).

Angela Davis photo
Marcus Garvey photo

“Look for me in the whirlwind or the storm, look for me all around you, for, with God's grace, I shall come and bring with me countless millions of black slaves who have died in America and the West Indies and the millions in Africa to aid you in the fight for Liberty, Freedom and Life.”

Marcus Garvey (1887–1940) Jamaica-born British political activist, Pan-Africanist, orator, and entrepreneur

First Message to the Negroes of the World from Atlanta Prison" http://www.unia-acl.org/archive/whrlwind.htm (10 February 1925).

Edsger W. Dijkstra photo

“A convincing demonstration of correctness being impossible as long as the mechanism is regarded as a black box, our only hope lies in not regarding the mechanism as a black box.”

Edsger W. Dijkstra (1930–2002) Dutch computer scientist

Dijkstra (1970) " Notes On Structured Programming http://www.cs.utexas.edu/users/EWD/ewd02xx/EWD249.PDF" (EWD249), Section 3 ("On The Reliability of Mechanisms"), p. 5.
1970s

Richard R. Wright Jr. photo
William Cobbett photo
Martin Amis photo
Bell Hooks photo

“We resist hegemonic dominance of feminist thought by insisting that it is a theory in the making, that we must necessarily criticize, question, re-examine, and explore new possibilities. My persistent critique has been informed by my status as a member of an oppressed group, experience of sexist exploitation and discrimination, and the sense that prevailing feminist analysis has not been the force shaping my feminist consciousness. This is true for many women. There are white women who had never considered resisting male dominance until the feminist movement created an awareness that they could and should. My awareness of feminist struggle was stimulated by social circumstance. Growing up in a Southern, black, father-dominated, working class household, I experienced (as did my mother, my sisters, and my brother) varying degrees of patriarchal tyranny and it made me angry-it made us all angry. Anger led me to question the politics of male dominance and enabled me to resist sexist socialization. Frequently, white feminists act as if black women did not know sexist oppression existed until they voiced feminist sentiment. They believe they are providing black women with "the" analysis and "the" program for liberation. They do not understand, cannot even imagine, that black women, as well as other groups of women who live daily in oppressive situations, often acquire an awareness of patriarchal politics from their lived experience, just as they develop strategies of resistance (even though they may not resist on a sustained or organized basis). These black women observed white feminist focus on male tyranny and women's oppression as if it were a "new" revelation and felt such a focus had little impact on their lives. To them it was just another indication of the privileged living conditions of middle and upper class white women that they would need a theory to inform them that they were "oppressed." The implication being that people who are truly oppressed know it even though they may not be engaged in organized resistance or are unable to articulate in written form the nature of their oppression. These black women saw nothing liberatory in party line analyses of women's oppression. Neither the fact that black women have not organized collectively in huge numbers around the issues of "feminism" (many of us do not know or use the term) nor the fact that we have not had access to the machinery of power that would allow us to share our analyses or theories about gender with the American public negate its presence in our lives or place us in a position of dependency in relationship to those white and non-white feminists who address a larger audience.”

Bell Hooks (1952) American author, feminist, and social activist

Source: (1984), Chapter 1: Black Women: Shaping Feminist Theory, p. 10.

David Dixon Porter photo
William T. Sherman photo
Orson Scott Card photo
Tom Jones photo
Edward R. Murrow photo

“His pear-shaped head, I could now see, was situated on top of a pear-shaped body, which his black gown caused to resemble a piece of fruit going to a funeral.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

Source: Memoirs, May Week Was in June (1990), p. 19

Mickey Spillane photo
Arthur Rimbaud photo

“Black A, white E, red I, green U, blue O: vowels,
Someday I shall recount your latent births.”

A noir, E blanc, I rouge, U vert, O bleu: voyelles,
Je dirai quelque jour vos naissances latentes !
Voyelles http://www.mag4.net/Rimbaud/poesies/Vowels.html (Vowels (1871)

Frederick Douglass photo

“At 8 o’clock, the [body] of the hall was nearly filled with an intelligent and respectable looking audience – The exercises commenced with a patriotic song by the Hutchinsons, which was received with great applause. The Rev. H. H. Garnett opened the meeting stating that the black man, a fugitive from Virginia, who was announced to speak would not appear, as a communication had been received yesterday from the South intimating that, for prudential reasons, it would not be proper for that person to appear, as his presence might affect the interests and safety of others in the South, both white persons and colored. He also stated that another fugitive slave, who was at the battle of Bull Run, proposed when the meeting was announced to be present, but for a similar reason he was absent; he had unwillingly fought on the side of Rebellion, but now he was, fortunately where he could raise his voice on the side of Union and universal liberty. The question which now seemed to be prominent in the nation was simply whether the services of black men shall be received in this war, and a speedy victory be accomplished. If the day should ever come when the flag of our country shall be the symbol of universal liberty, the black man should be able to look up to that glorious flag, and say that it was his flag, and his country’s flag; and if the services of the black men were wanted it would be found that they would rush into the ranks, and in a very short time sweep all the rebel party from the face of the country”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

Douglass Monthly https://web.archive.org/web/20160309192511/http://deadconfederates.com/tag/black-confederates/#_edn2 (March 1862), p. 623
1860s

Paul LePage photo

“You know and I know and everybody in the state knows that the overwhelming majority of the people that have been arrested this year, coming out of Connecticut and New York, have been black and Hispanic, it's not a matter of race, it's a matter of fact. Are there some white ones? Yes, there are some white people.”

Paul LePage (1948) American businessman, Republican Party politician, and the 74th Governor of Maine

At a town hall meeting in North Berwick. http://www.pressherald.com/2016/08/25/aclu-of-maine-asks-lepage-to-produce-binder-of-recent-maine-drug-arrests/ (August 25, 2016)

H. G. Wells photo

“"You don't understand," he said, "who I am or what I am. I'll show you. By Heaven! I'll show you." Then he put his open palm over his face and withdrew it. The centre of his face became a black cavity. "Here," he said. He stepped forward and handed Mrs. Hall something which she, staring at his metamorphosed face, accepted automatically. Then, when she saw what it was, she screamed loudly, dropped it, and staggered back. The nose—it was the stranger's nose! pink and shining—rolled on the floor.Then he removed his spectacles, and everyone in the bar gasped. He took off his hat, and with a violent gesture tore at his whiskers and bandages. For a moment they resisted him. A flash of horrible anticipation passed through the bar. "Oh, my Gard!" said some one. Then off they came.It was worse than anything. Mrs. Hall, standing open-mouthed and horror-struck, shrieked at what she saw, and made for the door of the house. Everyone began to move. They were prepared for scars, disfigurements, tangible horrors, but nothing! The bandages and false hair flew across the passage into the bar, making a hobbledehoy jump to avoid them. Everyone tumbled on everyone else down the steps. For the man who stood there shouting some incoherent explanation, was a solid gesticulating figure up to the coat-collar of him, and then—nothingness, no visible thing at all!”

Source: The Invisible Man (1897), Chapter 7: The Unveiling of the Stranger

“Rage:
Sing, Goddess, Achilles' rage,
Black and murderous, that cost the Greeks
Incalculable pain.”

Stanley Lombardo (1943) Philosopher, Classicist

Book I, opening lines
Translations, Iliad (1997)

Ernest Hemingway photo
Muammar Gaddafi photo
James I of England photo
Freeman Dyson photo
Rush Limbaugh photo
Winston S. Churchill photo
Frederick Douglass photo
Horace photo

“He will through life be master of himself and a happy man who from day to day can have said, "I have lived: tomorrow the Father may fill the sky with black clouds or with cloudless sunshine."”
Ille potens sui laetusque deget, cui licet in diem dixisse "vixi: cras vel atra nube polum pater occupato vel sole puro."

Horace book Odes

Book III, ode xxix, line 41
John Dryden's paraphrase:
Happy the man, and happy he alone,
He, who can call to day his own:
He who, secure within, can say,
To-morrow do thy worst, for I have lived to-day.
Odes (c. 23 BC and 13 BC)

Charles Darwin photo
Clarence Thomas photo
Glenn Beck photo
H. G. Wells photo
Richard Sherman (American football) photo

“You are what is keeping and making the black race look bad. Wake up fool. Do not glorify this half a man, he has worked for nothing. He chose to keep himself where he is, not the white people. It is time to take responsibility for your own actions, and not act like a stinking fool. Kids and young black men and women look at this site, and believe that they are abused. That is a bold-faced lie. It is out of the mouths of cheap thugs like you that are hurting our young and taking away the chances they have to make themselves a productive part of society. Brothers and sisters, the only slavery in America now is the one you put yourself into. Rise up like Doctor King as taught us, and be a real human being. We are all in this togehter, white and black. Peace to all, and I hope this stupid fake hate stops real soon. We are all brothers and sisters. Do not be fooled by the tyranny of evil men like this. Lift yourself up, educate yourselves, and work hard for a good life. No one owes you anything. Stand proud as a person of color, and do something meaningful with your life. I did and I am the best at what I do! Peace out, R. Sherman.”

Richard Sherman (American football) (1988) American football player

Posted on a website under the alias "RSherman25", quoted in "Richard Sherman Blasts 'Black Lives Matter' Activist" https://web.archive.org/web/20150916235759/http://newsbusters.org/blogs/culture/dylan-gwinn/2015/09/14/richard-sherman-blasts-black-lives-matter-activist (14 September 2015), by Dylan Gwinn, NewsBusters (2015), Reston, Virginia: Media Research Center. Sherman has said that although he agreed with some of the sentiments expressed, he did not write or say this http://www.seattletimes.com/sports/seahawks/video-richard-sherman-speaks-passionately-on-black-lives-matter/.
Misattributed

Muammar Gaddafi photo
St. Vincent (musician) photo
Colin Wilson photo
Allen C. Guelzo photo
Joseph Chamberlain photo

“I say that this Bill has been changed in its most vital features, and yet it has always been found perfect by hon. Members behind the Treasury Bench. The Prime Minister [William Gladstone] calls "black," and they say, "it is good": the Prime Minister calls "white," and they say "it is better." It is always the voice of a god. Never since the time of Herod has there been such slavish adulation.”

Joseph Chamberlain (1836–1914) British businessman, politician, and statesman

Cheers, cries of "Progress!" and "Judas!"
Speech https://api.parliament.uk/historic-hansard/commons/1893/jul/27/committee-progress-new-clauses-26th-july#column_724 in the House of Commons (27 July 1893) against the Irish Home Rule Bill
1890s

Michael Powell photo

“The truth lies in black and white.”

Michael Powell (1905–1990) English film director

Attributed