Quotes about bend
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Ellen DeGeneres photo

“You just have to keep driving down the road. It's going to bend and curve and you'll speed up and slow down, but the road keeps going.”

Ellen DeGeneres (1958) American stand-up comedian, television host, and actress

Source: Seriously... I'm Kidding

Confucius photo
Lawrence Lessig photo
Scott Lynch photo
Ludovico Ariosto photo

“My master ought to have remembered what
A glittering prize can do to bend the will,
Yet at the crucial moment he forgot
And all his fortune changed from good to ill.”

Dovea in memoria avere il signor mio,
Che l'oro e 'l premio ogni durezza inchina;
Ma, quando bisognò, l'ebbe in oblio,
Ed ei si procacciò la sua ruina.
Canto XLIII, stanza 70 (tr. B. Reynolds)
Orlando Furioso (1532)

Robert F. Kennedy photo

“Few will have the greatness to bend history, but each of us can work to change a small portion of the events, and then the total — all of these acts — will be written in the history of this generation.”

Robert F. Kennedy (1925–1968) American politician and brother of John F. Kennedy

Day of Affirmation Address (1966)
Variant: Few will have the greatness to bend history, but each of us can work to change a small portion of the events, and then the total — all of these acts — will be written in the history of this generation.

Bob Seger photo
Avner Strauss photo

“To bend down for money is OK, but to bow is not.”

Avner Strauss (1954) Israeli musician

Introduction to Money, Power, and Honor, In Jerusalem, the Skies are Lower (1989).

Viktor Schauberger photo

“Wherever we look the dreadful disintegration of the bridges of life, the capillaries and the bodies they have created, is evident, which has been caused by the mechanical and mindless work of man, who has torn away the soul from the Earth's blood - water. The more the engineer endeavors to channel water, of whose spirit and nature he is today still ignorant, by the shortest and straightest route to the sea, the more the flow of water weighs into the bends, the longer its path and the worse the water will become. The spreading of the most terrible disease of all, of cancer, is the necessary consequence of such unnatural regulatory works. These mistaken activities - our work - must legitimately lead to increasingly widespread unemployment, because our present methods of working, which have a purely mechanical basis, are already destroying not only all of wise Nature's formative processes, but first and foremost the growth of the vegetation itself, which is being destroyed even as it grows. The drying up of mountain springs, the change in the whole pattern of motion of the groundwater, and the disturbance in the blood circulation of the organism - Earth - is the direct result of modern forestry practices. The pulse-beat of the Earth was factually arrested by the modern timber production industry. Every economic death of a people is always preceded by the death of its forests. The forest is the habitat of water and as such the habitat of life processes too, whose quality declines as the organic development of the forest is disturbed. Ultimately, due to a law which functions with awesome constancy, it will slowly but surely come around to our turn. Our accustomed way of thinking in many ways, and perhaps even without exception, is opposed to the true workings of Nature. Our work is the embodiment of our will. The spiritual manifestation of this work is its effect. When such work is carried out correctly, it brings happiness, but when carried out incorrectly, it assuredly brings misery.”

Viktor Schauberger (1885–1958) austrian philosopher and inventor

Viktor Schauberger: Our Senseless Toil (1934)

Kage Baker photo

“Alec is beautiful,” said Jill, bending down to kiss him.
“Like a mushroom cloud!”

scoffed Balkister.
Source: The Life of the World to Come (2004), Chapter 6, “Alec and His Friends” (p. 109)

Letitia Elizabeth Landon photo
Muhammad photo

“The example of a believer is like a fresh tender plant; from whichever direction the wind blows, it bends the plant. But when the wind dies down, (it) straightens up again.”

Muhammad (570–632) Arabian religious leader and the founder of Islam

Fiqh-us-Sunnah, Volume 4, Number 1
Sunni Hadith

Neal Stephenson photo
Louise Chandler Moulton photo
Benjamin R. Barber photo
Joshua Lawrence Chamberlain photo

“The momentous meaning of this occasion impressed me deeply. I resolved to mark it by some token of recognition, which could be no other than a salute of arms. Well aware of the responsibility assumed, and of the criticisms that would follow, as the sequel proved, nothing of that kind could move me in the least. The act could be defended, if needful, by the suggestion that such a salute was not to the cause for which the flag of the Confederacy stood, but to its going down before the flag of the Union. My main reason, however, was one for which I sought no authority nor asked forgiveness. Before us in proud humiliation stood the embodiment of manhood: men whom neither toils and sufferings, nor the fact of death, nor disaster, nor hopelessness could bend from their resolve; standing before us now, thin, worn, and famished, but erect, and with eyes looking level into ours, waking memories that bound us together as no other bond;—was not such manhood to be welcomed back into a Union so tested and assured? Instructions had been given; and when the head of each division column comes opposite our group, our bugle sounds the signal and instantly our whole line from right to left, regiment by regiment in succession, gives the soldier's salutation, from the "order arms" to the old "carry"—the marching salute. Gordon at the head of the column, riding with heavy spirit and downcast face, catches the sound of shifting arms, looks up, and, taking the meaning, wheels superbly, making with himself and his horse one uplifted figure, with profound salutation as he drops the point of his sword to the boot toe; then facing to his own command, gives word for his successive brigades to pass us with the same position of the manual, honor answering honor. On our part not a sound of trumpet more, nor roll of drum; not a cheer, nor word nor whisper of vain-glorying, nor motion of man standing again at the order, but an awed stillness rather, and breath-holding, as if it were the passing of the dead!”

Joshua Lawrence Chamberlain (1828–1914) Union Army general and Medal of Honor recipient

The Passing of the Armies: An account of the Army of the Potomac, based upon personal reminiscences of the Fifth Army Corps (1915), p. 260

Billy Joel photo
Yves Klein photo
Ingrid Newkirk photo
James Russell Lowell photo

“In vain we call old notions fudge,
And bend our conscience to our dealing;
The Ten Commandments will not budge,
And stealing will continue stealing.”

James Russell Lowell (1819–1891) American poet, critic, editor, and diplomat

Motto of the American Copyright League. (Written Nov. 20, 1885).
Bartlett's Familiar Quotations, 10th ed. (1919)

Eduardo Torroja photo
Theodore Parker photo

“Look at the facts of the world. You see a continual and progressive triumph of the right. I do not pretend to understand the moral universe; the arc is a long one, my eye reaches but little ways; I cannot calculate the curve and complete the figure by the experience of sight; I can divine it by conscience. And from what I see I am sure it bends towards justice.”

Theodore Parker (1810–1860) abolitionist

This portion of Parker's sermon is thought to have inspired Martin Luther King, Jr.‎'s famous assertion of similar sentiments: "The arc of the moral universe is long, but it bends towards justice".
Ten Sermons of Religion (1853), III : Of Justice and the Conscience https://en.wikisource.org/wiki/Ten_Sermons_of_Religion/Of_Justice_and_the_Conscience

Pearl S.  Buck photo
Ralph Waldo Emerson photo
Sylvia Plath photo
Letitia Elizabeth Landon photo
Harry Chapin photo

“No straight lines make up my life;
And all my roads have bends;
There's no clear-cut beginnings;
And so far no dead-ends.”

Harry Chapin (1942–1981) American musician

Circle
Song lyrics, Sniper and Other Love Songs (1972)

Harry Chapin photo
Bert Blyleven photo
Margaret Thatcher photo
Stephen Foster photo
Frederick Douglass photo

“Although I cannot accuse myself of being remarkably unstable, I do not pretend that I have never altered my opinion both in respect to men and things. Indeed, I have been very much modified both in feeling and opinion within the last fourteen years. When I escaped from slavery, and was introduced to the Garrisonians, I adopted very many of their opinions, and defended them just as long as I deemed them true. I was young, had read but little, and naturally took some things on trust. Subsequent experience and reading have led me to examine for myself. This had brought me to other conclusions. When I was a child, I thought and spoke as a child. But the question is not as to what were my opinions fourteen years ago, but what they are now. If I am right now, it really does not matter what I was fourteen years ago. My position now is one of reform, not of revolution. I would act for the abolition of slavery through the Government — not over its ruins. If slaveholders have ruled the American Government for the last fifty years, let the anti-slavery men rule the nation for the next fifty years. If the South has made the Constitution bend to the purposes of slavery, let the North now make that instrument bend to the cause of freedom and justice. If 350,000 slaveholders have, by devoting their energies to that single end, been able to make slavery the vital and animating spirit of the American Confederacy for the last 72 years, now let the freemen of the North, who have the power in their own hands, and who can make the American Government just what they think fit, resolve to blot out for ever the foul and haggard crime, which is the blight and mildew, the curse and the disgrace of the whole United States.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

1860s, The Constitution of the United States: Is It Pro-Slavery or Anti-Slavery? (1860)

Kate Bush photo

“I cannot sit and let
Something happen I'll regret.
Ooh, he scares me!
There's a man behind those eyes.
I catch him when I'm bending.”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, Never for Ever (1980)

Jaron Lanier photo

“Software breaks before it bends, so it demands perfection in a universe that prefers statistics.”

Jaron Lanier (1960) American computer scientist, musician, and author

"One Half of a Manifesto," The New Humanists: Science at the Edge (2003)

Craig Ferguson photo

“[bends over] *errgh* Sorry for making that noise, but … that's what happens when you get older. One day what happens is that you bend over, and you never come back.”

Craig Ferguson (1962) Scottish-born American television host, stand-up comedian, writer, actor, director, author, producer and voice a…

2009-07-24 broadcast
The Late Late Show with Craig Ferguson (2005–2014)

James D. Watson photo

“I suspect that in the beginning Maurice hoped that Rosy would calm down. Yet mere inspection suggested that she would not easily bend. By choice she did not emphasize her feminine qualities. Though her features were strong, she was not unattractive and might have been quite stunning had she taken even a mild interest in clothes. This she did not. There was never lipstick to contrast with her straight black hair, while at the age of thirty-one her dresses showed all the imagination of English blue-stocking adolescents. So it was quite easy to imagine her the product of an unsatisfied mother who unduly stressed the desirability of professional careers that could save bright girls from marriages to dull men. But this was not the case. Her dedicated austere life could not be thus explained — she was the daughter of a solidly comfortable, erudite banking family.
Clearly Rosy had to go or be put in her place. The former was obviously preferable because, given her belligerent moods, it would be very difficult for Maurice to maintain a dominant position that would allow him to think unhindered about DNA. Not that at times he'd didn't see some reason for her complaints — King's had two combination rooms, one for men, the other for women, certainly a thing of the past. But he was not responsible, and it was no pleasure to bear the cross for the added barb that the women's combination room remained dingily pokey whereas money had been spent to make life agreeable for him and his friends when they had their morning coffee.
Unfortunately, Maurice could not see any decent way to give Rosy the boot. To start with, she had been given to think that she had a position for several years. Also there was no denying that she had a good brain. If she could keep her emotions under control, there was a good chance she could really help him. But merely wishing for relations to improve was taking something of a gamble, for Cal Tech's fabulous chemist Linus Pauling was not subject to the confines of British fair play. Sooner or later Linus, who had just turned fifty, was bound to try for the most important of all scientific prizes. There was no doubt he was interested. … The thought could not be avoided that the best home for a feminist was in another person's lab.”

Description of Rosalind Franklin, whose data and research were actually key factors in determining the structure of DNA, but who died in 1958 of ovarian cancer, before the importance of her work could be widely recognized and acknowledged. In response to these remarks her mother stated "I would rather she were forgotten than remembered in this way." As quoted in "Rosalind Franklin" at Strange Science : The Rocky Road to Modern Paleontology and Biology by Michon Scott http://www.strangescience.net/rfranklin.htm
The Double Helix (1968)

Sonia Sotomayor photo

“I don't believe we should bend the Constitution under any circumstance. It says what it says. We should do honor to it.”

Sonia Sotomayor (1954) U.S. Supreme Court Justice

1997 Senate confirmation hearing, reported in Deborah Tedford, " "Senate Will Have To Confirm Court Choice http://www.npr.org/templates/story/story.php?storyId=104532843&ft=1&f=3", NPR (26 May 2009).

Park Chung-hee photo

“Like a Long Magnolia Blossom Bending to the Wind. Under heavy silence. Of a house in mourning. Only the cry of cicadas. Ma'am, ma'am, ma'am. Seem to long for you who is now gone. Under the August sun. The Indian Lilacs turn crimson. As if trying to heal the wounds of the mind. My wife has departed alone. Only I am left. Like a lone magnolia blossom bending to the wind. Where can I appeal. The sadness of a broken heart.”

Park Chung-hee (1917–1979) Korean Army general and the leader of South Korea from 1961 to 1979

Poem (August 1974), as quoted in Brothers at War: The Unending Conflict in Korea https://en.wikiquote.org/wiki/Special:BookSources/9781846680670 (2013), by Sheila Miyoshi Jager, London: Profile Books, p. 414.
1970s

Vitruvius photo
Iris DeMent photo
Robert G. Ingersoll photo
Yukio Mishima photo
Isaac D'Israeli photo

“To bend and prostrate oneself to express sentiments of respect, appears to be a natural motion.”

Isaac D'Israeli (1766–1848) British writer

Modes of Salutation, and Amicable Ceremonies, Observed in Various Nations.
Curiosities of Literature (1791–1834)

Douglas Adams photo
Giovanni Pico della Mirandola photo

“Let a certain saving ambition invade our souls so that, impatient of mediocrity, we pant after the highest things and (since, if we will, we can) bend all our efforts to their attainment.”
Invadat animum sacra quaedam ambitio ut mediocribus non contenti anhelemus ad summa, adque illa (quando possumus si volumus) consequenda totis viribus enitamur.

10. 50; translation by A. Robert Caponigri
Variant translation by Robert Hooker:
Let a holy ambition enter into our souls; let us not be content with mediocrity, but rather strive after the highest and expend all our strength in achieving it.
Oration on the Dignity of Man (1496)

Sara Teasdale photo
James Thomson (poet) photo
Winston S. Churchill photo
Georg Brandes photo
Connie Willis photo
David D. Friedman photo
Paul Klee photo
John Calvin photo
Russell Brand photo
Walter Savage Landor photo
Haruo Nakajima photo

“Playing Godzilla for GODZILLA - KING OF THE MONSTERS was very difficult. Playing Rodan also was difficult because the legs of birds, unlike those of human beings, bend backward.”

Haruo Nakajima (1929–2017) Japanese actor

As quoted by David Milner, "Haruo Nakajima Interview" http://www.davmil.org/www.kaijuconversations.com/nakajima.htm, Kaiju Conversations (March 1995)

Martin Heidegger photo
Mark Akenside photo
Paul Krugman photo

“I do not think that word “compromise” means what Mr. Ryan thinks it means. Above all, he failed to offer the one thing the White House won’t, can’t bend on: an end to extortion over the debt ceiling. Yet even this ludicrously unbalanced offer was too much for conservative activists, who lambasted Mr. Ryan for basically leaving health reform intact.Does this mean that we’re going to hit the debt ceiling? Quite possibly; nobody really knows, but careful observers are giving no better than even odds that any kind of deal will be reached before the money runs out. Beyond that, however, our current state of dysfunction looks like a chronic condition, not a one-time event. Even if the debt ceiling is raised enough to avoid immediate default, even if the government shutdown is somehow brought to an end, it will only be a temporary reprieve. Conservative activists are simply not willing to give up on the idea of ruling through extortion, and the Obama administration has decided, wisely, that it will not give in to extortion.So how does this end? How does America become governable again?”

Paul Krugman (1953) American economist

Regarding the ongoing 2013 U.S. government shutdown
[Paul Krugman, http://www.nytimes.com/2013/10/14/opinion/krugman-the-dixiecrat-solution.html?adxnnl=1&adxnnlx=1381867276-0uKEJS5eBZAKIo/by2ipKQ, The Dixiecrat Solution, New York Times, October 13, 2013, October 15, 2013]
The New York Times Columns

Eugene V. Debs photo
George Eliot photo
Yasser Arafat photo

“We will not bend or fail until the blood of every last Jew from the youngest child to the oldest elder is spilt to redeem our land!”

Yasser Arafat (1929–2004) former Palestinian President, and Nobel Peace Prize recipient

In his speech "The Impending Total Collapse of Israel" at the Grand Hotel in Stockholm, Sweden, January 30, 1996 as quoted in “The Legacy of Islamic AntiSemitism: From Sacred Texts to Solemn History”, by Andrew Bostom, Prometheus Books, c.2008, pg. 682.
1990s

Gordon R. Dickson photo
Brian Keith photo
James Macpherson photo
Ben Gibbard photo
Ahad Ha'am photo
Orson Scott Card photo
Samuel Taylor Coleridge photo

“And looking to the Heaven, that bends above you,
How oft! I bless the Lot, that made me love you.”

Samuel Taylor Coleridge (1772–1834) English poet, literary critic and philosopher

"The Presence of Love" (1807), lines 10-11

Amit Ray photo

“Life is not always perfect. Like a road, it has many bends, ups and down, but that’s its beauty.”

Amit Ray (1960) Indian author

World Peace: The Voice of a Mountain Bird (2014) https://books.google.co.uk/books?id=KkYtBgAAQBAJ,

Samuel Taylor Coleridge photo

“Saints will aid if men will call:
For the blue sky bends over all!”

Part I, l. 330
Christabel (written 1797–1801, published 1816)

John F. Kerry photo
Mark Zuckerberg photo
Orson Scott Card photo
Richard Ashcroft photo
Wentworth Dillon, 4th Earl of Roscommon photo
Sylvia Plath photo
George W. Bush photo
Joseph Arch photo
Johnny Cash photo
George Eliot photo
Sienna Guillory photo
Joseph Conrad photo

“Then, on the slight turn of the Lower Hope Reach, clusters of factory chimneys come distinctly into view, tall and slender above the squat ranges of cement works in Grays and Greenhithe. Smoking quietly at the top against the great blaze of a magnificent sunset, they give an industrial character to the scene, speak of work, manufactures, and trade, as palm-groves on the coral strands of distant islands speak of the luxuriant grace, beauty and vigour of tropical nature. The houses of Gravesend crowd upon the shore with an effect of confusion as if they had tumbled down haphazard from the top of the hill at the back. The flatness of the Kentish shore ends there. A fleet of steam-tugs lies at anchor in front of the various piers. A conspicuous church spire, the first seen distinctly coming from the sea, has a thoughtful grace, the serenity of a fine form above the chaotic disorder of men’s houses. But on the other side, on the flat Essex side, a shapeless and desolate red edifice, a vast pile of bricks with many windows and a slate roof more inaccessible than an Alpine slope, towers over the bend in monstrous ugliness, the tallest, heaviest building for miles around, a thing like an hotel, like a mansion of flats (all to let), exiled into these fields out of a street in West Kensington. Just round the corner, as it were, on a pier defined with stone blocks and wooden piles, a white mast, slender like a stalk of straw and crossed by a yard like a knitting-needle, flying the signals of flag and balloon, watches over a set of heavy dock-gates. Mast-heads and funnel-tops of ships peep above the ranges of corrugated iron roofs. This is the entrance to Tilbury Dock, the most recent of all London docks, the nearest to the sea.”

Hope Point to Tilbury / Gravesend
The Mirror of the Sea (1906), On the River Thames, Ch. 16

Shashi Tharoor photo