Quotes about bed
page 9

Davey Havok photo
John Fante photo
Jack Johnson (musician) photo
Michelle Lambert photo

“Rise with the lark, and with the lark to bed.”

James Hurdis (1763–1801) British academic

The Village Curate. Compare: "To rise with the lark, and go to bed with the lamb", Nicholas Breton, Court and Country (reprint, 1618), p. 183; "Goe to bed with the Lambe, and rise with the Larke", John Lyly, Euphues and his England, p. 229.

Vladislav Doronin photo

“In any case, I am usually in bed by midnight.”

Vladislav Doronin (1962) European businessman

Interview with FT.com https://howtospendit.ft.com/travel/202189-vladislav-doronin-s-perfect-weekend-in-miami

Wilson Mizner photo

“To my embarrassment I was born in bed with a lady.”

Wilson Mizner (1876–1933) American writer

Quoted by John Burke, Rogue's Progress, G. P. Putnam's Sons, New York, 1975, ISBN 0-399-11423-8.
Wisecracks

Mary McCarthy photo
Alfred North Whitehead photo

“The worst that happened to men of science was that Galileo suffered an honorable detention and a mild reproof, before dying peacefully in his bed.”

Alfred North Whitehead (1861–1947) English mathematician and philosopher

Source: 1920s, Science and the Modern World (1925), Ch. 1: "The Origins of Modern Science"

Robert Jordan photo

“A man should never give promises in bed.”

Robert Jordan (1948–2007) American writer

Rand al'Thor
(11 October 2005)

Jean Dubuffet photo

“Art does not lie down on the bed that is made for it; it runs away as soon as one says its name; it loves to go incognito. Its best moments are when it forgets what it is called.”

Jean Dubuffet (1901–1985) sculptor from France

Quoted by Alan Magee, in Paintings, Sculpture, Graphics., Forum Gallery, New York, 2004
posthumous

Chris Martin photo
Graham Greene photo
Amitabh Bachchan photo
Nathalia Crane photo

“He'll carry me off, I know that he will,
For his hair is exceedingly red;
And the only thing that occurs to me
Is to dutifully shiver in bed.”

Nathalia Crane (1913–1998) American writer

"The Janitor's Boy"
The Janitor's Boy And Other Poems (1924)

Barney Frank photo
Bruce Springsteen photo
Plutarch photo
Thomas Carlyle photo

“I purpose now, while the impression is more pure and clear within me, to mark down the main things I can recollect of my father. To myself, if I live to after-years, it may be instructive and interesting, as the past grows ever holier the farther we leave it. My mind is calm enough to do it deliberately, and to do it truly. The thought of that pale earnest face which even now lies stiffened into death in that bed at Scotsbrig, with the Infinite all of worlds looking down on it, will certainly impel me. It is good to know how a true spirit will vindicate itself with truth and freedom through what obstructions soever; how the acorn cast carelessly into the wilder-ness will make room for itself and grow to be an oak. This is one of the cases belonging to that class, "the lives of remarkable men," in which it has been said, "paper and ink should least of all be spared." I call a man remarkable who becomes a true workman in this vineyard of the Highest. Be his work that of palace-building and kingdom-founding, or only of delving and ditching, to me it is no matter, or next to none. All human work is transitory, small in itself, contemptible. Only the worker thereof, and the spirit that dwelt in him, is significant. I proceed without order, or almost any forethought, anxious only to save what I have left and mark it as it lies in me.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1880s, Reminiscences (1881)

Halldór Laxness photo

“In the end one is no longer sure which is the greatest evildoer, the man who gets up early or the man who goes to bed late.”

Halldór Laxness (1902–1998) Icelandic author

Steinar
Paradísarheimt (Paradise Reclaimed) (1960)

Morrissey photo
John Cleveland photo

“Like an ambassador that beds a queen
With the nice caution of a sword between.”

John Cleveland (1613–1658) English poet

The Antiplatonic (1653).

Javier Marías photo

“[He] would know many nights on which he would succumb to women whom a combination of over-eagerness and alcohol would make him think desirable, only to clutch his head in the morning on discovering that he had got into bed with some vast relative of Oliver Hardy's or with some flighty Bela Lugosi look-alike.”

Le quedaban por conocer muchas noches en las que sucumbiría a mujeres que su avidez y el alcohol le harían juzgar deseables, para llevarse a la mañana siguiente las manos a la cabeza al descubrir que se había metido en la cama con descomedidas parientes de Oliver Hardy o con casquivanas émulas de Bela Lugosi.
Source: Tu rostro mañana, 1. Fiebre y lanza [Your Face Tomorrow, Vol. 1: Fever and Spear] (2002), p. 59

Torquato Tasso photo

“High state, the bed is where misfortune lies,
Mars most unfriendly, when most kind he seems,
Who climbeth high, on earth he hardest lights,
And lowest falls attend the highest flights.”

Torquato Tasso (1544–1595) Italian poet

Chè fortuna quaggiù varia a vicenda,
Mandandoci venture or triste, or buone:
A' voli troppo alti e repentini
Sogliono i precipizi esser vicini.
Canto II, stanza 70 (tr. Fairfax)
Gerusalemme Liberata (1581)

Siegfried Sassoon photo
Frida Kahlo photo
Alan Moore photo

“If you wear black, then kindly, irritating strangers will touch your arm consolingly and inform you that the world keeps on turning.
They're right. It does.
However much you beg it to stop.
It turns and lets grenadine spill over the horizon, sends hard bars of gold through my window and I wake up and feel happy for three seconds and then I remember.
It turns and tips people out of their beds and into their cars, their offices, an avalanche of tiny men and women tumbling through life…
All trying not to think about what's waiting at the bottom.
Sometimes it turns and sends us reeling into each other's arms. We cling tight, excited and laughing, strangers thrown together on a moving funhouse floor.
Intoxicated by the motion we forget all the risks.
And then the world turns…
And somebody falls off…
And oh God it's such a long way down.
Numb with shock, we can only stand and watch as they fall away from us, gradually getting smaller…
Receding in our memories until they're no longer visible.
We gather in cemeteries, tense and silent as if for listening for the impact; the splash of a pebble dropped into a dark well, trying to measure its depth.
Trying to measure how far we have to fall.
No impact comes; no splash. The moment passes. The world turns and we turn away, getting on with our lives…
Wrapping ourselves in comforting banalities to keep us warm against the cold.
"Time's a great healer."
"At least it was quick.”

Alan Moore (1953) English writer primarily known for his work in comic books

"The world keeps turning.
Oh Alec—
Alec's dead."
Swamp Thing (1983–1987)

Lana Turner photo
Bill Burr photo
Charan Singh photo
Robert Louis Stevenson photo
Tao Yuanming photo
Luís de Camões photo

“Who has seen on so small a theatre as my poor bed, such a representation of the disappointments of fortune? And I, as if she could not herself subdue me, I have yielded and become of her party; for it were wild audacity to hope to surmount such accumulated evils.”

Luís de Camões (1524–1580) Portuguese poet

Quem ouviu dizer que em tão pequeno teatro como o de um pobre leito, quizesse a fortuna representar tão grandes desventuras? E eu, como se elas não bastassem, me ponho ainda da sua parte; porque procurar resistir a tantos males pareceria espécie de desavergonhamento.
Letter "written a little before his death", as quoted in The Lusiad; Or, The Discovery of India: An Epic Poem (1776) by William Julius Mickle, p. cxvi
Letters

“With strength and patience all his grievous loads are borne,
And from the world's rose-bed he only asks a thorn.”

William R. Alger (1822–1905) American clergyman and poet

"Mussud's Praise of the Camel", p. 257.
Poetry of the Orient, 1893 edition

Al Sharpton photo
Henry Adams photo

“I turn green in bed at midnight if I think of the horror of a year's warfare in the Philippines … We must slaughter a million or two foolish Malays in order to give them the comforts of flannel petticoats and electric railways.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

Letter to Elizabeth Cameron (22 January 1899), in J. C. Levinson et al. eds., The Letters of Henry Adams, Volume IV: 1892–1899 (Cambridge, MA: Belknap Press, 1988), p. 670

Jeremy Corbyn photo
Ambrose Bierce photo
Jacqueline Kennedy Onassis photo
Nick Cave photo

“Well, ah tied on, percht on mah bed ah was,
Sticken' a needle in mah arm, Ah tied off,
Fucken wings burst out mah back!”

Nick Cave (1957) Australian musician

Song lyrics, Mutiny (1993), Mutiny in Heaven

“Shykh Nuruddin Mubarak Ghaznavi was the most important disciple of Shykh Shihabuddin Suhrawardi, founder of the second most important sufi silsila after the Chishtiyya, who died in Baghdad in 1235 AD. Ghaznavi had come and settled down in India where he passed away in 1234-35 AD. He served as Shykh-ul-Islam in the reign of Shamsuddin Iltutmish (AD 1210-1236), and propounded the doctrine of Din Panahi. Barani quotes the first principle of this doctrine as follows in his Tarikh-i-Firuzshahi. “The kings should protect the religion of Islam with sincere faith… And kings will not be able to perform the duty of protecting the Faith unless, for the sake of God and the Prophet’s creed, they overthrow and uproot kufr and kafiri (infidelity), shirk (setting partners to God) and the worship of idols. But if the total uprooting of idolatry is not possible owing to the firm roots of kufr and the large number of kafirs and mushriks (infidels and idolaters), the kings should at least strive to insult, disgrace, dishonour and defame the mushrik and idol-worshipping Hindus, who are the worst enemies of God and the Prophet. The symptom of the kings being the protectors of religion is this:- When they see a Hindu, their eyes grow red and they wish to bury him alive; they also desire to completely uproot the Brahmans, who are the leaders of kufr and shirk and owning to whom kufr and shirk are spread and the commandments of kufr are enforced… Owing to the fear and terror of the kings of Islam, not a single enemy of God and the Prophet can drink water that is sweet or stretch his legs on his bed and go to sleep in peace.””

Ziauddin Barani (1285–1357) Indian Muslim historian and political thinker (1285–1357)

Quoted from Goel, Sita Ram (2001). The story of Islamic imperialism in India. ISBN 9788185990231
Tarikh-i-Firuz Shahi

Pat Condell photo

“This guy (Pat Robertson) obviously wants to be a prophet so bad. I wonder if he walks around at home dressed up in a bed sheet, talking Aramaic, maybe parting the waters in the bathtub occasionally, just to keep in practice?”

Pat Condell (1949) Stand-up comedian, writer, and Internet personality

"Hook, line and rapture" (8 January 2008) http://youtube.com/watch?v=HXdwcIWIB_o
2008

Robert Graves photo
Anthony Burgess photo

“…of course, keep-fit people are no good in bed…”

Anthony Burgess (1917–1993) English writer

Fiction, The Right to an Answer (1960)

Letitia Elizabeth Landon photo
Karen Blixen photo
Thomas Hood photo

“Oh bed! oh bed! delicious bed!
That heaven upon earth to the weary head.”

Thomas Hood (1799–1845) British writer

Miss Kilmansegg and Her Precious Leg. Her Dream http://www.gerald-massey.org.uk/eop_hood_poetical_works_4.htm#146, st. 7.
1840s

Yury Dombrovsky photo
Howard Stern photo
Harlan Ellison photo

“I go to bed angry and I get up angrier every morning.”

Harlan Ellison (1934–2018) American writer

1990 interview, as quoted in The New York Times (28 June 2018) https://www.nytimes.com/aponline/2018/06/28/us/ap-us-obit-harlan-ellison.html

Harry Chapin photo
Richard Burton photo
John Fante photo
Elliott Smith photo
John Fletcher photo

“And he that will to bed go sober
Falls with the leaf in October.”

John Fletcher (1579–1625) English Jacobean playwright

Act II, scene ii. The following well-known catch, or glee, is formed on this song: "He who goes to bed, and goes to bed sober, Falls as the leaves do, and dies in October; But he who goes to bed, and goes to bed mellow, Lives as he ought to do, and dies an honest fellow".
Rollo, Duke of Normandy, or The Bloody Brother, (c. 1617; revised c. 1627–30; published 1639)

Svetlana Alexievich photo
Elizabeth Hand photo
Klaus Kinski photo
Joanna Newsom photo
Jerome K. Jerome photo

“I can understand the ignorant masses loving to soak themselves in drink—oh, yes, it's very shocking that they should, of course—very shocking to us who live in cozy homes, with all the graces and pleasures of life around us, that the dwellers in damp cellars and windy attics should creep from their dens of misery into the warmth and glare of the public-house bar, and seek to float for a brief space away from their dull world upon a Lethe stream of gin. But think, before you hold up your hands in horror at their ill-living, what "life" for these wretched creatures really means. Picture the squalid misery of their brutish existence, dragged on from year to year in the narrow, noisome room where, huddled like vermin in sewers, they welter, and sicken, and sleep; where dirt-grimed children scream and fight and sluttish, shrill-voiced women cuff, and curse, and nag; where the street outside teems with roaring filth and the house around is a bedlam of riot and stench. Think what a sapless stick this fair flower of life must be to them, devoid of mind and soul. The horse in his stall scents the sweet hay and munches the ripe corn contentedly. The watch-dog in his kennel blinks at the grateful sun, dreams of a glorious chase over the dewy fields, and wakes with a yelp of gladness to greet a caressing hand. But the clod-like life of these human logs never knows one ray of light. From the hour when they crawl from their comfortless bed to the hour when they lounge back into it again they never live one moment of real life. Recreation, amusement, companionship, they know not the meaning of. Joy, sorrow, laughter, tears, love, friendship, longing, despair, are idle words to them. From the day when their baby eyes first look out upon their sordid world to the day when, with an oath, they close them forever and their bones are shoveled out of sight, they never warm to one touch of human sympathy, never thrill to a single thought, never start to a single hope. In the name of the God of mercy; let them pour the maddening liquor down their throats and feel for one brief moment that they live!”

Idle Thoughts of an Idle Fellow (1886)

Michael Foot photo
Charles Krauthammer photo
Kent Hovind photo
Carlos Fuentes photo
Fred Shero photo
Christopher Vokes photo

“I was not going to go to bed forever with his unwarranted death on my conscience.”

Christopher Vokes (1904–1985) Canadian general

The Occupation, p. 208
Vokes - My Story (1985)

Tam Dalyell photo
David Whitmer photo
John Fante photo
Margrethe II of Denmark photo
John Keats photo
Anthony Burgess photo

“I know what is love. Love is man and woman in bed.”

Anthony Burgess (1917–1993) English writer

Fiction, Beds in the East (1959)

Halldór Laxness photo
Nigel Cumberland photo

“Do you enjoy your work? Are you happy to get out of bed each morning and dress for the office? If you answered ‘no’ to either of these questions, you are not alone. In a 2014 Conference Board survey, 52 per cent of Americans claimed to be unhappy at work and in a recent CIPD study 23 per cent of Britons claimed to be looking for a new job. In the same survey only about one-third claim to feel engaged with their work. You can see the effects of this in absence, stress and depression. In fact, you can see it in the rush hour in the tired and sad-looking faces of so many commuters.”

Nigel Cumberland (1967) British author and leadership coach

Your Job-Hunt Ltd – Advice from an Award-Winning Asian Headhunter (2003), Successful Recruitment in a Week (2012) https://books.google.ae/books?idp24GkAsgjGEC&printsecfrontcover&dqnigel+cumberland&hlen&saX&ved0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIGjAA#vonepage&qnigel%20cumberland&ffalse, 100 Things Successful People Do: Little Exercises for Successful Living (2016) https://books.google.ae/books?idnu0lCwAAQBAJ&dqnigel+cumberland&hlen&saX&ved0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIMjAE

Christopher Hitchens photo
Daisy Ashford photo
Victor Villaseñor photo
Thomas Browne photo
Dave Barry photo
Narcisse Virgilio Díaz photo

“You cannot imagine the pleasure you are giving me. This woman and this infant [of an old picture, made in his early years] are my own family. The baby was in its cradle one fine summer day; the mother had fallen asleep beside it. In one hour I did the sketch from nature. It used to hang over my bed, and it cheered my awakening every day for years. Then arrived a morning when we were more in want of necessaries than usual. A dealer came along and offered me a hundred and fifty francs.... he insisted on taking that one in particular. As ill luck would have it, my rent was due next day. I was not in a position to be too particular. He gave me a bank note of one hundred francs, and ten hundred-sous pieces. I made him out a receipt, and he never perceived that he was carrying off a bit of my heart. Ah!, it was hard.”

Narcisse Virgilio Díaz (1807–1876) French painter

Quote of Diaz, late 1860's, recorded by Albert Wolff, in Notes upon certain masters of the XIX century, - printed not published MDCCCLXXXVI (1886), The Art Age Press, 400 N.Y. (written after the exhibition 'Cent Chefs-d'Oeuvres: the Choiche of the French Private Galleries', Petit, Paris / Baschet, New York, 1883, p. 45-46
Albert Wolff, the interviewer, owned this little panel, painted by a young Diaz. It was fifteen centimeters big, and presented a baby lying in a cradle with the mother, guarding it. Wolff returned it to the old Diaz
Quotes of Diaz

Rachel Trachtenburg photo
Han-shan photo
Edvard Munch photo
Nick Cave photo

“I tried to kill it in my bed,
I gagged it with a pillow,
But awoke the nuns inside my head.”

Nick Cave (1957) Australian musician

Song lyrics, Prayers on Fire (1981), Just You and Me

Charles Lightoller photo
Louis Agassiz photo
Theodore L. Cuyler photo
Tom Robbins photo
W. H. Auden photo
Amy Hempel photo
James Anthony Froude photo
W. Somerset Maugham photo