Quotes about architect

A collection of quotes on the topic of architect, work, working, building.

Quotes about architect

“Nature in fact the best and wisest is an architect and urban planner. (…) The history of establishing gardens and orchards throughout the centuries in Poland is worth knowing, taking into consideration changes in fashions and the foreign influences. Unfortunately, not many objects from those days manifesting the love of nature by man have remained till the present days.”

Marek Żukow-Karczewski (1961) Polish historian, journalist and opinion journalist

Gardens and orchards in the old Poland, "Aura" 11, 1987-11, p.17-18. http://pbn.nauka.gov.pl/sedno-webapp/works/508860

Love, History, Fashion, Nature

“Time is the architect of fate,
fleeting omen, pure phantom
in enchanting light of absence,
and our life the play of love and death,
only love will never die,
because In love no longer ‘thou’ and ‘I’ exist,
only the blossom of sacred unity.”

Alexis Karpouzos (1967)

Source: https://hellopoetry.com/alexis-karpouzos/

Love, Life, Death, Fate

“[Some correspondents] rightly claimed that State patronage [for artists and authors] is a better guarantee against starvation than private patronage, but seemed to me too ready to disregard the censorship that this implies. The usual line was that it is better for the artist to be a responsible member of a community than an anarchic individualist. The issue, however, is not between irresponsible "self-expression" and discipline; it is between truth and lies. Artists don't so much object to aesthetic discipline. Architects will design theatres or churches equally readily, writers will switch from the three-volume novel to the one-volume, or from the play to the film, according to the demand. But the point is that this is a political age. A writer inevitably writes—and less directly this applies to all the arts—about contemporary events, and his impulse is to tell what he believes to be the truth. But no government, no big organization, will pay for the truth. To take a crude example: can you imagine the British Government commissioning E. M. Forster to write A Passage to India?”

George Orwell (1903–1950) English author and journalist

He could only write it because he was not dependent on State aid. "As I Please" column in The Tribune (13 October 1944) http://alexpeak.com/twr/orwell/quotes/ http://alexpeak.com/twr/ooc/#2 As I Please (1943–1947)

Truth, Age, Art, Imagination

“I allow neither the bootmaker nor the architect nor the savant to impose his authority upon me. I listen to them freely and with all the respect merited by their intelligence, their character, their knowledge, reserving always my incontestable right of criticism and censure. I do not content myself with consulting authority in any special branch; I consult several; I compare their opinions, and choose that which seems to me the soundest. But I recognize no infallible authority, even in special questions; consequently, whatever respect I may have for the honesty and the sincerity of such or such an individual, I have no absolute faith in any person. Such a faith would be fatal to my reason, to my liberty, and even to the success of my undertakings; it would immediately transform me into a stupid slave, an instrument of the will and interests of others.”

Mikhail Bakunin book God and the State

God and the State (1871; publ. 1882)
Context: Does it follow that I reject all authority? Far from me such a thought. In the matter of boots, I refer to the authority of the bootmaker; concerning houses, canals, or railroads, I consult that of the architect or engineer. For such or such special knowledge I apply to such or such a savant. But I allow neither the bootmaker nor the architect nor the savant to impose his authority upon me. I listen to them freely and with all the respect merited by their intelligence, their character, their knowledge, reserving always my incontestable right of criticism and censure. I do not content myself with consulting authority in any special branch; I consult several; I compare their opinions, and choose that which seems to me the soundest. But I recognize no infallible authority, even in special questions; consequently, whatever respect I may have for the honesty and the sincerity of such or such an individual, I have no absolute faith in any person. Such a faith would be fatal to my reason, to my liberty, and even to the success of my undertakings; it would immediately transform me into a stupid slave, an instrument of the will and interests of others.

Stupidity, Faith, Intelligence, Question

“All are architects of Fate,
Working in these walls of Time.”

Henry Wadsworth Longfellow The Builders

The Builders.
Bartlett's Familiar Quotations, 10th ed. (1919)

Fate, Time

“Repetition is the mother of learning, the father of action, which makes it the architect of accomplishment.”

Zig Ziglar (1926–2012) American motivational speaker

Learning

“A racist country like Australia says: ‘The white farmers are being killed in South Africa.’ We are not killing them. … If they want to go, they must go. They must leave the keys to their tractors because we want to work the land, they must leave the keys to their houses because we want to stay in those houses. They must leave everything they did not come here with in South Africa and go to Australia. … White farmers are the architect of their own misfortune. … Don’t make noise, because you will irritate us. Go to Australia. It is only racists who went to Australia when Mandela got out of prison. It is only racists who went to Australia when 1994 came. It is the racists again who are going back to Australia. … They are rich here because they are exploiting black people. There is no black person to be exploited in Australia, they are going to be poor. … They will come back here with their tail between their legs. We will hire them because we will be the owners of their farms when they come back to South Africa. As to what we are going to do with the land, it’s our business, it’s none of your business.”

Julius Malema (1981) South African political activist

On 21 March 2018 at a Human Rights Day rally in Mpumalanga Stadium, South African politician says Australia is a ‘racist country’, farmers should ‘leave the keys’ when they go http://www.news.com.au/finance/economy/world-economy/south-african-politician-says-australia-is-a-racist-country-farmers-should-leave-the-keys-when-they-go/news-story/e98607c4fa66d30d9b2731aa30e2a956, Frank Chung, news.com.au (22 March 2018)

People, Business, Housing, Personality

“That narrow window, I expect,
Serves but to let the dusk in - "
"But please," said I, "to recollect
'Twas fashioned by an architect
Who pinned his faith on Ruskin!”

Lewis Carroll (1832–1898) English writer, logician, Anglican deacon and photographer

Canto 3
Phantasmagoria (1869)

Faith, Fashion

“I think my best skill as an architect is the achievement of hand-to-eye coordination. I am able to transfer a sketch into a model into the building.”

Frank Gehry (1929) Canadian-American (b.1929)

Helen D. Hume (2010) The Art Teacher's Book of Lists. p. 304.

Thinking

“This most modern art discipline - Social Sculpture / Social Architecture - will only reach fruition when every living person becomes a creator, a sculptor, or architect of the social organism.”

Joseph Beuys (1921–1986) German visual artist

1970's, I Am Searching For Field Character,' 1973/74

Art, Personality

“Which brings us to the arts, whose purpose, in common with astrology, is to use frauds in order to make human beings seem more wonderful than they really are. Dancers show us human beings who move much more gracefully than human beings really move. Films and books and plays show us people talking much more entertainingly than people really talk, make paltry human enterprises seem important. Singers and musicians show us human beings making sounds far more lovely than human beings really make. Architects give us temples in which something marvelous is obviously going on. Actually, practically nothing is going on inside. And on and on.”

Kurt Vonnegut (1922–2007) American writer

Bennington College address (1970)

Love, People, Books, Art

“First of all I’m not the architect of the Yemen operation. We are a country of institutions. The decision to proceed with the operation in Yemen, this is a decision to do with the Ministry of Foreign Affairs, the Ministry of Defence, with the intelligence, the council of ministers, and the council of security and political affairs, and then all recommendations are submitted to His Majesty, and the decision to go forward is with His Majesty.”

Mohammad bin Salman (1985) Saudi crown prince and minister of defense

2016-01-06, on being called the 'architect' of the Saudi intervention in Yemen. Interview with Muhammad bin Salman, The Economist

Intelligence, Decision, Country

“It has become obvious to the new architect that by virtue of his work he is taking an active part in the building of a new world. For us the work of an artist has no value 'as such'; it does not represent an end in itself; it has no intrinsic beauty. The value of a work of art is determined by its relationship to the community... The artist, or the creative worker, invents nothing; there is no such thing as divine inspiration. Thus we understand by the term 'reconstruction' the conquest of the unresolved, of the 'mysterious,' and the chaotic. In our [Russian] architecture, as in our entire life, we are striving to create a social order, i. e., to raise the instinctive to a conscious level.”

El Lissitsky (1890–1941) Soviet artist, designer, photographer, teacher, typographer and architect

Quote from: 'Ideological Superstructure'
1926 - 1941, Rußland: Die Rekonstruktion der Architektur in der Sowjetunion' (1929)

Life, World, Beauty, Art

“Only when architect, bricklayer and tenant are a unity, or one and the same person, can we speak of architecture. Everything else is not architecture, but a criminal act which has taken on form.”

Friedensreich Hundertwasser (1928–2000) Austrian artist

Mould Manifesto against Rationalism in Architecture (1958)

Personality

“Some are born to invent, others to embellish; but the gilder attracts more attention than the architect.”

Luc de Clapiers, Marquis de Vauvenargues (1715–1747) French writer, a moralist

Source: Reflections and Maxims (1746), p. 190.

“A spider conducts operations that resemble those of a weaver, and a bee puts to shame many an architect in the construction of her cells. But what distinguishes the worst of architects from the best of bees is this, that the architect raises his structure in imagination before he erects it in reality.”

Karl Marx (1818–1883) German philosopher, economist, sociologist, journalist and revolutionary socialist

Vol. I, Ch. 7, pg. 198.
(Buch I) (1867)

Imagination, Reality, Bee

“The ultimate goal of all visual artistic activity is construction! Architects, painters and sculptors must learn again to know and understand the multi-faceted form of building in its entirety as well as its parts. Only then will they of their own accord fill their works with the architectonic spirit they have lost in the art of the salon. Let us establish a new guild of craftsmen without the presumption of class distinctions building a wall of arrogance between craftsmen and artists. Together let us call for, devise and create the construction of the future, comprising everything in one form: architecture, sculpture and painting.”

Walter Gropius (1883–1969) German architect (1883-1969) and founder of the Bauhaus School

Manifesto (1919)

Art, Understanding, Learning, Future

“Art itself cannot be taught, but craftsmanship can. Architects, painters, sculptors are all craftsmen in the original sense of the word. Thus it is a fundamental requirement of all artistic creativity that every student undergo a thorough training in the workshops of all branches of the crafts.”

Walter Gropius (1883–1969) German architect (1883-1969) and founder of the Bauhaus School

As quoted in Paul Klee, 1879-1940 (2000) by w:Susanna Partsch, p. 47

Art, Sense, Training

“The Great Architect of the universe built it of good stuff.”

Jules Verne book A Journey to the Center of the Earth

Source: Journey to the Center of the Earth (1864), Ch. XXXI in the French text, Tr. William Butcher (1992)

Universe

“in English: I do not consider myself a musician, rather a radar ready to pick up the symphonies coming from the sky. It's been like that since I was four years old and I hope it will continue forever. When I compose, any ingredient can be good, the problem lies in the proportions that must be harmonized. It's like the work of architects, you never invent anything.”

Vangelis (1943) Greek composer of electronic, progressive, ambient, jazz, pop rock, and orchestral music

1989

Hope, Problem

“Does it follow that I reject all authority? Far from me such a thought. In the matter of boots, I refer to the authority of the bootmaker; concerning houses, canals, or railroads, I consult that of the architect or engineer. For such or such special knowledge I apply to such or such a savant.”

Mikhail Bakunin book God and the State

But I allow neither the bootmaker nor the architect nor the savant to impose his authority upon me. I listen to them freely and with all the respect merited by their intelligence, their character, their knowledge, reserving always my incontestable right of criticism and censure. I do not content myself with consulting authority in any special branch; I consult several; I compare their opinions, and choose that which seems to me the soundest. But I recognize no infallible authority, even in special questions; consequently, whatever respect I may have for the honesty and the sincerity of such or such an individual, I have no absolute faith in any person. Such a faith would be fatal to my reason, to my liberty, and even to the success of my undertakings; it would immediately transform me into a stupid slave, an instrument of the will and interests of others.
God and the State (1871; publ. 1882)

Housing

“You are the architect of your own destiny; you are the master of your own fate; you are behind the steering wheel of your life.”

Brian Tracy (1944) American motivational speaker and writer

The 21 Success Secrets of Self-made Millionaires (2001), Conclusion : Success Is Predictable, p. 63
Context: You are the architect of your own destiny; you are the master of your own fate; you are behind the steering wheel of your life. There are no limitations to what you can do, have, or be. Except the limitations you place on yourself by your own thinking.

Life, Fate

“Instead of saying that man is the creature of circumstance, it would be nearer the mark to say that man is the architect of circumstance.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

“I consider self experimentation an architect’s obligation and duty.”

Jiri Lev (1979)

Source: Testing Ground for Sustainable Design https://www.dwell.com/article/tasmanian-house-jiri-lev-architect-cafe0e3d.

“I hate it when people let me down, when things are temporary. I think that's why I want to be an architect."
"To build something permanent," I said. "A monument to last a thousand years.”

Rick Riordan book The Last Olympian

Source: The Last Olympian

Hate, People, Thinking

“Never be a prisoner of your past. Become the architect of you future. You will never be the same.”

Robin S. Sharma (1965) Canadian self help writer

Variant: We are all here for some special reason. Stop being a prisoner of your past. Become the architect of your future.
Source: The Monk Who Sold His Ferrari: A Fable About Fulfilling Your Dreams Reaching Your Destiny

Past, Future

“My girlfriend: sophomore honors student, demigod, and—oh, yeah—head architect for redesigning the palace of the gods on Mount Olympus in her spare time.”

Rick Riordan book The Demigod Diaries

Source: The Demigod Diaries

God, Time

“Though there are things beyond our understanding, for the most part we are the architects of our own unhappiness.”

Yasmina Khadra book What the Day Owes the Night

Source: Ce que le jour doit à la nuit

Understanding, Parting

“I'll sue!" Ian sputtered. "I'll sue you AND the dog. And the country of South Korea. And… and…"
"The landscape architect?" Natalie asked.
"The landscape architect!" Ian shouted.”

Peter Lerangis book The Sword Thief

Source: The Sword Thief

Dogs, Country

“The physician can bury his mistakes, but the architect can only advise his clients to plant vines.”

Frank Lloyd Wright (1867–1959) American architect (1867-1959)

New York Times Magazine (4 October 1953) Sometimes paraphrased: "A doctor can bury his mistakes, but the architect can only advise his clients to plant vines."

“Do you mean to tell me that you're thinking seriously of building, when and if you are an architect?”
“Yes.”
“My dear fellow, who will let you?”
“That’s not the point. The point is, who will stop me?”

Ayn Rand book The Fountainhead

Source: The Fountainhead

Thinking

“A lawyer without history or literature is a mechanic, a mere working mason; if he possesses some knowledge of these, he may venture to call himself an architect.”

Walter Scott (1771–1832) Scottish historical novelist, playwright, and poet

Sir Walter Scott Collection Guy Mannering. Chap. xxxvii.
Bartlett's Familiar Quotations, 10th ed. (1919)

History, Literature, Knowledge

“The decisions of our past are the architects of our present.”

Dan Brown book Inferno

Source: Inferno

Decision, Past

“Our children may learn about the heroes of the past. Our task is to make ourselves the architects of the future.”

Jomo Kenyatta (1893–1978) First prime minister and first president of Kenya

Children, Learning, Past, Future

“The sky is absolutely empty. Beautifully pure and empty.

As if the architects and builders would live in all the houses they built! Or could live in them all. It's obvious, it stares you in the fact. Therebe a God and heknow anything about us.”

John Fowles book The Collector

Source: The Collector

God, Housing

“Our units of temporal measurement, from seconds on up to months, are so complicated, asymmetrical and disjunctive so as to make coherent mental reckoning in time all but impossible. Indeed, had some tyrannical god contrived to enslave our minds to time, to make it all but impossible for us to escape subjection to sodden routines and unpleasant surprises, he could hardly have done better than handing down our present system. It is like a set of trapezoidal building blocks, with no vertical or horizontal surfaces, like a language in which the simplest thought demands ornate constructions, useless particles and lengthy circumlocutions. Unlike the more successful patterns of language and science, which enable us to face experience boldly or at least level-headedly, our system of temporal calculation silently and persistently encourages our terror of time.
…
It is as though architects had to measure length in feet, width in meters and height in ells; as though basic instruction manuals demanded a knowledge of five different languages. It is no wonder then that we often look into our own immediate past or future, last Tuesday or a week from Sunday, with feelings of helpless confusion.”

Robert Grudin (1938) American writer

Time and the Art of Living (1982)

God, Feeling, Knowledge, Science

“So, my brethren, let us do our work, that others entering on it may carry it forward through after generations. Thus shall the work of the fathers become the glory of fheir children; and in the end, when the mystery of God shall be finished, we shall see, in its completed beauty and proportion, the great fabric into which we put our little all; and we shall rejoice at once in the skill of the Architect and the diligence of the successive builders.”

William Mackergo Taylor (1829–1895) American theologian

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 126.

God, Children, Beauty, Success

“I believe we made the most beautiful thing in the world. Nobody would criticize a renowned architect's blueprint that the position of a gate is wrong. It's the same as that.”

Ken Kutaragi (1950) Japanese businessman

In response to the original PSP units' square button problems https://www.gamespot.com/articles/gamers-report-psp-malfunction/1100-6116985/

World, Beauty

“Architects know that some kinds of design problems are more personal than others. One of the cleanest, most abstract design problems is designing bridges. There your job is largely a matter of spanning a given distance with the least material. The other end of the spectrum is designing chairs. Chair designers have to spend their time thinking about human butts.”

Paul Graham (1964) English programmer, venture capitalist, and essayist

"Five Questions about Language Design" http://www.paulgraham.com/langdes.html, May 2001

Problem, Thinking, Time, Personality

“[ Brancusi ] has had more influence on my work than most architects.”

Frank Gehry (1929) Canadian-American (b.1929)

Frank Gehry in: Caroline Evensen Lazo (2005) Frank Gehry. p. 43.

“Many is the mirage I chased. Always I was overreaching myself. The oftener I touched reality, the harder I bounced back to the world of illusion, which is the name for everyday life. 'Experience! More experience!' I clamored. In a frantic effort to arrive at some kind of order, some tentative working program, I would sit down quietly now and then and spend long, long hours mapping out a plan of procedure. Plans, such as architects and engineers sweat over, were never my forte. But I could always visualize my dreams in a cosmogonic pattern. Though I could never formulate a plot I could balance and weigh opposing forces, characters, situations, events, distribute them in a sort of heavenly lay-out, always with plenty of space between, always with the certitude that there is no end, only worlds within worlds ad infinitum, and that wherever one left off one had created a world, a world finite, total, complete.”

Henry Miller book Plexus

The Rosy Crucifixion II : Plexus (1953)

Life, World, Dreams, Reality

“I took down my portfolio, to select a drawing to copy in oil. He had never seen my works before, and appeared astonished as his eyes ranged over the sheets. He expressed the warmest admiration, and said, "How hopeless must be the task of my giving any instruction to one who can draw like this?" I pointed out to him that nature is the great study for the artist, and assured him that the reason why my works pleased him was because they are all exact copies of the works of God, — who is the great Architect and perfect Artist; and impressed on his mind this fact, that nature indifferently copied is far superior to the best idealities.”

John James Audubon (1785–1851) American ornithologist, naturalist, and painter

On a meeting with a young artist, Mr. J. B. Kidd, Ch. X, p. 140
The Life and Adventures of John James Audubon, the Naturalist (1868)

God, Nature, Study, Appearance

“[Engineering] is a great profession. There is the fascination of watching a figment of the imagination emerge through the aid of science to a plan on paper. Then it moves to realization in stone or metal or energy. Then it brings jobs and homes to men. Then it elevates the standards of living and adds to the comforts of life. That is the engineer’s high privilege.

The great liability of the engineer compared to men of other professions is that his works are out in the open where all can see them. His acts, step by step, are in hard substance. He cannot bury his mistakes in the grave like the doctors. He cannot argue them into thin air or blame the judge like the lawyers. He cannot, like the architects, cover his failures with trees and vines. He cannot, like the politicians, screen his shortcomings by blaming his opponents and hope that the people will forget. The engineer simply cannot deny that he did it. If his works do not work, he is damned. That is the phantasmagoria that haunts his nights and dogs his days. He comes from the job at the end of the day resolved to calculate it again. He wakes in the night in a cold sweat and puts something on paper that looks silly in the morning. All day he shivers at the thought of the bugs which will inevitably appear to jolt its smooth consummation.

On the other hand, unlike the doctor his is not a life among the weak. Unlike the soldier, destruction is not his purpose. Unlike the lawyer, quarrels are not his daily bread. To the engineer falls the job of clothing the bare bones of science with life, comfort, and hope. No doubt as years go by people forget which engineer did it, even if they ever knew. Or some politician puts his name on it. Or they credit it to some promoter who used other people’s money with which to finance it. But the engineer himself looks back at the unending stream of goodness which flows from his successes with satisfactions that few professions may know. And the verdict of his fellow professionals is all the accolades he wants.”

Herbert Hoover (1874–1964) 31st President of the United States of America

Excerpted from Chapter 11 "The Profession of Engineering"
The Memoirs of Herbert Hoover: Years of Adventure, 1874-1929 (1951)

Life, Men, Money, People

“But experience has shown that to be true which Appius says in his verses, that every man is the architect of his own fortune.”
Sed res docuit id verum esse, quod in carminibus Appius ait, fabrum esse suae quemque fortunae.

Appius Claudius Caecus Roman politician

Sallust, Epistulae ad Caesarem senem, I.1.2

“We would wish to discover the Plan of the Universe, and the means employed by the Eternal Architect in the execution of his magnificent design. We will first contemplate the System of which we make a part, and of which our Sun is the center. Thence we will ascend towards those Suns and those innumerable Worlds which are scattered through the immensity of space.”

Johann Heinrich Lambert (1728–1777) German mathematician, physicist and astronomer

Introduction, p. xxxix
The System of the World (1800)

World, Universe, Sun, Parting

“As for principles of law, he should know those which are necessary in the case of buildings having party walls, with regard to water dripping from the eaves, and also the laws about drains, windows, and water supply. And other things of this sort should be known to architects, so that… they may be careful not to leave disputed points for the householders to settle after the works are finished, and so that in drawing up contracts the interests of both employer and contractor may be wisely safe-guarded.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter I, Sec. 10

Law, Water, Drawing

“The world is changing dramatically and architecture, and especially cities, need to move with these changes. What can we do to help as architects? Architecture as a way of thinking — as the title of our first exhibition in 1989 suggested — is more relevant than ever.”

Jacques Herzog (1950) Swiss architect

places.designobserver.com http://places.designobserver.com/feature/an-interview-with-jacques-herzog/32118/.

World, Way, Thinking, Change

“Almost 2000 years ago, the Roman architect Vitruvius recorded what makes a design good: durability (firmitas), utility (utilitas), and charm (venustas). These quality requirements still hold, for buildings as well as software systems. A well-designed system is easy to implement, is understandable and reliable, and allows for smooth evolution. Badly-designed systems may work at first, but they are hard to maintain, difficult to test, and unreliable.”

Hans van Vliet (1949) Dutch computer scientist

Source: Software Engineering: Principles and Practice, 2007, p. 279

Understanding

“A large number of us have developed a feeling that architects tend to design houses for the approval of fellow architects and critics, not for the tenants.”

Charles, Prince of Wales (1948) son of Queen Elizabeth II of the United Kingdom

Prince of Wales' website http://www.princeofwales.gov.uk/speechesandarticles/a_speech_by_hrh_the_prince_of_wales_at_the_150th_anniversary_1876801621.html Speech at the 150th anniversary of the Royal Institute of British Architects, Royal Gala Evening at Hampton Court Palace, 30 May, 1984. 1980s

Feeling, Housing

“As a child, I wanted to become a scientist, a magician, a poet, an architect, an illustrator, a sculptor, an actor, a philosopher, a photographer, a playwright and an animator. So by the time I was 13 or 14, I was convinced that it would be possible to a be of all of these if I made films.”

Anand Gandhi (1980) Indian film director

"One-on-one with Ship of Theseus’ Anand Gandhi" at film army (3 September 2012) http://www.blog.filmarmy.ca/2012/09/11076/

Time, Animals

“We know that the simplistic, almost childlike naivety or perhaps the intellectual senility of the architects of this concept have not taken into consideration the practical difficulties and impracticalities of sharing power for the sake of sharing power in our society with political parties that are diametrical opposed to each other.”

Manasa Tugia Fijian politician

Parliamentary speech, 5 August 2003

Naivety

“Why are the architects of the family-values agenda so eager to punish into the next generation? What is being served by seeking, quite literally, a tooth for a tooth?”

Ayelet Waldman (1964) American- Israeli writer

Salon.com column http://www.salon.com/mwt/col/waldman/2005/05/23/prison/index1.html On Republican opposition to a bill legislating dental care for pregnant prisoners.

Family

“From the intrinsic evidence of his creation, the Great Architect of the Universe now begins to appear as a pure mathematician.”

James Jeans book The Mysterious Universe

Source: The Mysterious Universe (1930), p. 134, 1930 ed.

Universe, Appearance

“Give them the old Trump bullshit," he told the architect Der Scutt before a presentation of the Trump Tower design at a press conference in 1980. "Tell them it is going to be a million square feet, sixty-eight stories.”

Donald J. Trump (1946) 45th President of the United States of America

'After the Gold Rush', in Vanity Fair, by Marie Brenner, September 1, 1990
1980s

“Christopher Wren, the leading architect of London's reconstruction after the great fire of 1666, lies buried beneath the floor of his most famous building, St. Paul's cathedral. No elaborate sarcophagus adorns the site. Instead, we find only the famous epitaph written by his son and now inscribed into the floor: “si monumentum requiris, circumspice”—if you are searching for his monument, look around. A tad grandiose, perhaps, but I have never read a finer testimony to the central importance—one might even say sacredness — of actual places, rather than replicas, symbols, or other forms of vicarious resemblance.”

Stephen Jay Gould book The Lying Stones of Marrakech

"A Tale of Two Work Sites", p. 251
The Lying Stones of Marrakech (2001)

Search, Reading

“To God, truly, the Giver and Architect of Forms, and it may be to the angels and higher intelligences, it belongs to have an affirmative knowledge of forms immediately, and from the first contemplation. But this assuredly is more than man can do, to whom it is granted only to proceed at first by negatives, and at last to end in affirmatives, after exclusion has been exhausted.”

Francis Bacon book Novum Organum

Aphorism XV
Novum Organum (1620), Book II

God, Angels, Intelligence, Knowledge

“Perhaps it is the human imagination that is the monster,’ he said. ‘I believe no animal suffers from the torments of the imagination. Only man…’
‘The imagination is capable of enacting the very best in us, and the very worst,’ agreed Hor, ‘and I know what mine would like to do to some people.’
‘Your verse is torment enough,’ quipped the architect.
‘And that is why civilized life, morality, ethics and so on, matter. We are half-enlightened, and half-monstrous,’ said Nakht assertively. ‘We must build our civility upon reason and mutual benefit.’
Sobek raised his cup.
‘I salute your reason. I wish it every success.”

Nick Drake (poet) (1961) British writer

ibid
The Rahotep series, Book 2: Tutankhamun

Life, People, Imagination, Suffering

“In America the architect has a direct and continuing relationship with technology. Perhaps this is why he does not ask more from technology than it can offer. In our country [Russia] it is still impossible to have such urban complexes as are found in Paris, Chicago, or Berlin. It is through technology that we can build a bridge to all the most recent achievements, which is what made it possible for our country to pass directly from the hoe to the tractor without having to travel the long path of historical development. That is why we want to introduce the most modern methods of building and construction into our country — and why we see the works and designs of both the 'formalists' and the 'constructivists' as a radical experiment in the manipulation of construction.”

El Lissitsky (1890–1941) Soviet artist, designer, photographer, teacher, typographer and architect

Quote from: 'Basic Premises'
1926 - 1941, Rußland: Die Rekonstruktion der Architektur in der Sowjetunion' (1929)

Travel, Country

“Furthermore, we are instructed, when we do come across instances of temple destruction, as in the case of Aurangzeb, we have to be circumspect in inferring what has happened and why…. the early monuments – like the Quwwat-ul-Islam mosque in Delhi – had to be built in ‘great haste’, we are instructed…Proclamation of political power, alone! And what about the religion which insists that religious faith is all, that the political cannot be separated from the religious? And the name: the Quwwat-ul-Islam mosque, the Might of Islam mosque? Of course, that must be taken to be mere genuflection! And notice: ‘available materials were assembled and incorporated’, they ‘clearly came from Hindu sources’ – may be the materials were just lying about; may be the temples had crumbled on their own earlier; may be the Hindus voluntarily broke their temples and donated the materials? No? After all, there is no proof they didn’t! And so, the word ‘plundered’ is repeatedly put within quotation marks!
In fact, there is more. The use of such materials – from Hindu temples – for constructing Islamic mosques is part of ‘a process of architectural definition and accommodation by local workmen essential to the further development of a South Asian architecture for Islamic use’. The primary responsibility thus becomes that of those ‘local workmen’ and their ‘accommodation’. Hence, features in the Qutb complex come to ‘demonstrate a creative response by architects and carvers to a new programme’. A mosque that has clearly used materials, including pillars, from Hindu temples, in which undeniably ‘in the fabric of the central dome, a lintel carved with Hindu deities has been turned around so that its images face into the rubble wall’ comes ‘not to fix the rule’. ‘Rather, it stands in contrast to the rapid exploration of collaborative and creative possibilities – architectural, decorative, and synthetic – found in less fortified contexts.’ Conclusions to the contrary have been ‘misevaluations’. We are making the error of ‘seeing salvaged pieces’ – what a good word that, ‘salvaged ’: the pieces were not obtained by breaking down temples; they were lying as rubble and would inevitably have disintegrated with the passage of time; instead they were ‘salvaged ’, and given the honour of becoming part of new, pious buildings – ‘seeing salvaged pieces where healthy collaborative creativity was producing new forms’.”

Arun Shourie (1941) Indian journalist and politician

Eminent Historians: Their Technology, Their Line, Their Fraud

Faith, Religion, Error, Lying

“God is the architect of the event; you are the interpreter of the moment.”

Steve Maraboli (1975)

Source: Life, the Truth, and Being Free (2010), p. 32

God

“First were the thick stone walls, the arches, then the domes and vaults — of the architect, searching out for wider spaces.
Now it is concrete-reinforced that gives our imagination flight with its soaring spans and uncommon cantilevers. Concrete, to which architecture is integrated, through which it is able to discard the foregone conclusions of rationalism, with its monotony and repetitious solutions.
A concern for beauty, a zest for fantasy, and an ever-present element of surprise bear witness that today's architecture is not a minor craft bound to straight-edge rules, but an architecture imbued with technology: light, creative and unfettered, seeking out its architectural scene.”

Oscar Niemeyer (1907–2012) Brazilian architect

Acceptance speech, Pritzker Architecture Prize http://www.pritzkerprize.com/bunnei.htm#Oscar%20Niemeyer's%20Acceptance%20Speech (1988).

Beauty, Imagination, Search, Light

“Globalization is a trend with many gurus; not all have been wise. Some, writing during the economic euphoria of the Clinton years, predicted that global trade would translate into global peace. In The Lexus and the Olive Tree: Understanding Globalization, Thomas Friedman even dismissed terrorists like Ramzi Youssef, architect of the 1993 World Trade Center bombing, as ineffectual "Yahoos" who were not the wave of the future. We know now that the Ramzi Youssefs of the world are not ineffectual; that they will threaten us for decades to come; and that they will seek to acquire weapons of mass destruction and use them against us.”

Mark Riebling (1963) American writer

The New Paradigm: Merging Law Enforcement and Intelligence Strategies (2006)

World, Peace, Understanding, Tree

“To all our Lieutenants, Castellains, Captains, Condottieri, Officers, Soldiers and Subjects, to whom these presents may be known, we commit and command that to our Most Excellent and Most Beloved Private Architect and General Engineer Leonardo Vinci, bearer of the same, and who has our Commission to survey the holds and fortresses of our States, in order that according to their exigencies and his judgment we may equip them, they are to give free pass, exempt from all public toll to himself and his company, and friendly reception; and to allow him to see, measure and estimate all he may wish. And to this effect they shall order men on his requisition and lend him all the help, assistance and favours he may request, it being our wish that for all works to be done in our Dominions any engineer be compelled to consult him and to conform to his opinion; and to this may none presume to act in opposition, if it be his pleasure not to incur our indignation.”

Cesare Borgia (1475–1507) Duke of Romagna and former Catholic cardinal

Vellum folded as letter describing Leonardo da Vinci as Borgia's Military Engineer, bears the seal of Cesare as Duke and the seal of Alessandro Borgia on the back (July 1502). (The vellum was recently made available to the public by the Duchess Josephine Melzi d'Eril Barbo) Source: http://www.oldandsold.com/articles11/italy-35.shtml

Men, Pleasure, Help

“Montreal Star – it is one of the very foremost architects of the Canadian nationality that we mourn. In the dark days of ’73 Canadians were in a state of panic, distrusting the stability of their newly-built Dominion; no one can tell what would have happened had not the stalwart form of Alexander Mackenzie lifted itself above the screaming, vociferating and denying mass of politicians, and all Canada felt at once, there was a man who could be trusted.”

Alexander Mackenzie (1822–1892) 2nd Prime Minister of Canada

Buckingham and Ross 1892, p. 661
His Character

Star

“If these Commentaries shall but inspire in the rising generation a more ardent love of their country, an unquenchable thirst for liberty, and a profound reverence for the constitution and the union, then they will have accomplished all that their author ought to desire. Let the American youth never forget that they possess a noble inheritance, bought by the toils, and sufferings, and blood of their ancestors; and capable, if wisely improved, and faithfully guarded, of transmitting to their latest posterity all the substantial blessings of life, the peaceful enjoyment of liberty, property, religion, and independence. The structure has been erected by architects of consummate skill and fidelity; its foundations are solid; its compartments are beautiful as well as useful; its arrangements are full of wisdom and order; and its defences are impregnable from without. It has been reared for immortality, if the work of man may justly aspire to such a title. It may, nevertheless, perish in an hour by the folly, or corruption, or negligence of its only keepers, THE PEOPLE. Republics are created by the virtue, public spirit, and intelligence of the citizens. They fall, when the wise are banished from the public councils, because they dare to be honest, and the profligate are rewarded, because they flatter the people in order to betray them.”

Joseph Story book Commentaries on the Constitution of the United States

Commentaries on the Constitution of the United States, 2d ed. (1851), vol. 2, chapter 45, p. 617. This passage was not in the first edition, but in all later editions.

Love, Life, Wisdom, People

“I think all these new sculptors [after World War 2. ] – he Anthony Caro is not all that young though – are taking stand against abominable architecture since the war and I think rightly so. But again I feel it's not enough to be against something. You have to do something that will damn well replace it. Where do you put these sculptures?... I like to think that time is timeless and I wouldn't want to make a work which wouldn't last for more than ten years – nor a work that wouldn't go anywhere. It would make me terrible mad. Mind you, I have to wait to find for my work. It doesn't happen all that easily, but it does happen. It slips in somewhere. Before the war the architects were very much one with the sculptors, painters, everybody. We thought alike. Then the war was over.... the architects gave up coming to look at sculpture and painting.”

Barbara Hepworth (1903–1975) English sculptor

Source: 1961 - 1975, Art Talk, conversations with 15 woman artists', (1975), p. 22

War, World, Feeling, Thinking

“Just as a biplane and a jet share common features of wings, body, tires, engine, controls, etc.,… does not require that one must have evolved from the other naturally, without a maker. They argue it’s more reasonable to conclude that similar design indicates a common, intelligent designer. An architect typically uses similar building materials for numerous buildings, and a car manufacturer commonly uses the same parts in various models. So if creation had a common designer, we could expect to find a similar “blueprint” used in many different creatures.”

Ray Comfort (1949) New Zealand-born Christian minister and evangelist

The Origin of Species: 150th Anniversary Edition (2009)

Cars, Intelligence, Nature, Parting

Sallust (-86–-34 BC) Roman historian, politician

I.i.2
Epistulae ad Caesarem senem

“When I asked Amin [Husain] and Katie [Davison] what Occupy Wall Street’s ultimate goal was, they said, “A government accountable to the people, freed up from corporate influence.” … Organizers described Occupy Wall Street as “a way of being,” of “sharing your life together in assembly.” … The ambitions of the core group of activists were more cultural than political, in the sense that they sought to influence the way people think about their lives. “Ours is a transformational movement,” Amin told me with a solemn air. Transformation had to occur face to face; what it offered, especially to the young, was an antidote to the empty gaze of the screen.
In meetings and elsewhere, this Tolstoyan experience of undergoing a personal crisis of meaning, both political and of the soul, seemed deeply shared. Apart from Amin, I’ve met an architect, a film editor, an advertising consultant, an unemployed stock trader, a spattering of lawyers, and people with various other jobs who, after joining OWS, found themselves psychologically unable to go about their lives as before. … Michael Ellick, the minister at Judson Memorial Church in Greenwich Village, said that when he first visited Zuccotti Park he was reminded of his years at a monastery. “When people enter a monastery, they don’t know why they’ve come,” said Ellick. “They are there to find out why they are there, why they were compelled to leave the other world.””

Michael Greenberg (1952) American author

“What Future for Occupy Wall Street?” The New York Review of Books, vol. 59, no. 2, February 9, 2012

Life, People, World, Way

“Geometry is that of mathematical science which is devoted to consideration of form and size, and may be said to be the best and surest guide to study of all sciences in which ideas of dimension or space are involved. Almost all the knowledge required by navigators, architects, surveyors, engineers, and opticians, in their respective occupations, is deduced from geometry and branches of mathematics. All works of art constructed according to the rules which geometry involves; and we find the same laws observed in the works of nature. The study of mathematics, generally, is also of great importance in cultivating habits of exact reasoning; and in this respect it forms a useful auxiliary to logic.”

Robert Chambers (publisher, born 1802) (1802–1871) Scottish publisher and writer

Robert Chambers, Chambers's Information for the People (1875) Vol. 2 https://books.google.com/books?id=vNpTAAAAYAAJ

Law, Art, Mathematics, Idea

“But the projects with which the architects of Russian proletarian architecture present us are not only based on pure imagination, but their construction would, if they were fitted for realization, entail enormous waste of space and materials. The dwelling complex 'Wolkenbügel' [architecture, designed by Lissitzky, with the help of [ w:Emil Roth - Swiss architect, 1924] (assuming that one could live here without either freezing or melting!), shaped like a 4, stands in a very un-constructive way on three legs in which the elevators are located. The latter take up as much space as would one or more skyscrapers. And these 'architects' are to teach the West what architecture is!”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

Quote of Theo van Doesburg, in Architecture and revolution — Revolutionary architecture? Utopian designs by Tatlin, Lissitzky, and others, Theo van Doesburg, in 'Het Bouwbedrijf' (1928)
1926 – 1931

Way, Imagination, Help

“By making this chair five times as expensive, three times heavier, half as comfortable, and only a fraction as beautiful, an architect can make a good name for himself.”

Poul Henningsen (1894–1967) Danish architect

cited in: Eric Reiss (2012), Usable Usability: Simple Steps for Making Stuff Better, p. 17: About the iconic Bentwood chair from Thonet.

Beauty, Time

“If the people at large be not already convinced that a sufficient general case has been made out for Administrative Reform, I think they never can be, and they never will be…. Ages ago a savage mode of keeping accounts on notched sticks was introduced into the Court of Exchequer, and the accounts were kept, much as Robinson Crusoe kept his calendar on the desert island. In the course of considerable revolutions of time, the celebrated Cocker was born, and died; Walkinghame, of the Tutor's Assistant, and well versed in figures, was also born, and died; a multitude of accountants, book-keepers and actuaries, were born, and died. Still official routine inclined to these notched sticks, as if they were pillars of the constitution, and still the Exchequer accounts continued to be kept on certain splints of elm wood called "tallies." In the reign of George III an inquiry was made by some revolutionary spirit, whether pens, ink, and paper, slates and pencils, being in existence, this obstinate adherence to an obsolete custom ought to be continued, and whether a change ought not to be effected.
All the red tape in the country grew redder at the bare mention of this bold and original conception, and it took till 1826 to get these sticks abolished. In 1834 it was found that there was a considerable accumulation of them; and the question then arose, what was to be done with such worn-out, worm-eaten, rotten old bits of wood? I dare say there was a vast amount of minuting, memoranduming, and despatch-boxing on this mighty subject. The sticks were housed at Westminster, and it would naturally occur to any intelligent person that nothing could be easier than to allow them to be carried away for fire-wood by the miserable people who live in that neighbourhood. However, they never had been useful, and official routine required that they never should be, and so the order went forth that they were to be privately and confidentially burnt. It came to pass that they were burnt in a stove in the House of Lords. The stove, overgorged with these preposterous sticks, set fire to the panelling; the panelling set fire to the House of Lords; the House of Lords set fire to the House of Commons; the two houses were reduced to ashes; architects were called in to build others; we are now in the second million of the cost thereof, the national pig is not nearly over the stile yet; and the little old woman, Britannia, hasn't got home to-night…. The great, broad, and true cause that our public progress is far behind our private progress, and that we are not more remarkable for our private wisdom and success in matters of business than we are for our public folly and failure, I take to be as clearly established as the sun, moon, and stars.”

Charles Dickens (1812–1870) English writer and social critic and a Journalist

"Administrative Reform" (June 27, 1855) Theatre Royal, Drury Lane Speeches Literary and Social by Charles Dickens https://books.google.com/books?id=bT5WAAAAcAAJ (1870) pp. 133-134

Wisdom, People, Books, Age

“Sociobiology is not just any statement that biology, genetics, and evolutionary theory have something to do with human behavior. Sociobiology is a specific theory about the nature of genetic and evolutionary input into human behavior. It rests upon the view that natural selection is a virtually omnipotent architect, constructing organisms part by part as best solutions to problems of life in local environments. It fragments organisms into “traits,” explains their existence as a set of best solutions, and argues that each trait is a product of natural selection operating “for” the form or behavior in question. Applied to humans, it must view specific behaviors (not just general potentials) as adaptations built by natural selection and rooted in genetic determinants, for natural selection is a theory of genetic change. Thus, we are presented with unproved and unprovable speculations about the adaptive and genetic basis of specific human behaviors: why some (or all) people are aggressive, xenophobic, religious, acquisitive, or homosexual.”

Stephen Jay Gould book Hen's Teeth and Horse's Toes

"Our Natural Place", p. 243
Hen's Teeth and Horse's Toes (1983)

Life, People, Behavior, Question

“In 1935 I was appointed leading artist of the All-Soviet Agricultural Exhibition. I opposed the errors of the first leader, and resigned. Afterwards, while I was still in the sanatorium, I took over the design of the main building. The design of the main hall has been done according to my idea until now. From 1931 on, I was leading artist-architect of the 'Permanent Building Exhibition'. But as the years went by, my health deteriorating, I had less and less energy left for this type of commission, such as the realization of large-scale exhibitions. I still succeeded in designing the project for the museum-exhibition of the Ministry of 'Social Security'.”

El Lissitsky (1890–1941) Soviet artist, designer, photographer, teacher, typographer and architect

1926 - 1941, Autobiography of the artist' (1941)

Health, Error, Idea

“It cannot be very difficult to determine who have been the contrivers of this whole mercantile system; not the consumers, we may believe, whose interest has been entirely neglected; but the producers, whose interests has been so carefully attended to; and among this later class our merchants and manufactures have been by far the principal architects. In the mercantile regulations, which have been taken notice of in this chapter, the interest of our manufacturers has been most peculiarly attended to; and the interest, not so much of the consumers, as that of some other sets of producers, has been sacrificed to it.”

Adam Smith (1723–1790) Scottish moral philosopher and political economist

Source: The Wealth of Nations (1776), Book IV, Chapter VIII, p. 721.

“It seems to me that the comprehension and enjoyment of the reader, as opposed to the viewer, is best served in printing this version rather than a slavish definitive transcription. Besides, what film is truly definitive? By the time you see the film it may very well be sub-titled, re-edited, shortened, even censored, and every film is viewed at the discretion of the projectionist, the cinema manager, the architect of the cinema, the comfort of your seat and the attention of your neighbour.”

Peter Greenaway (1942) British film director

From the Author's Note to the published script.
A Zed and Two Noughts

Time

“Part of the art of being an architect is to be a good listener. But I also believe in always providing strong leadership. Something that is designed by committee, in the end, tends to be compromised.”

Norman Foster, Baron Foster of Thames Bank (1935) British architect

Harvard Business Review http://hbr.org/2011/03/lifes-work-norman-foster/ar/1

Art, Strong, Parting

“Composer, sculptor, painter, poet, prophet, sage, these are the makers of the after-world, the architects of heaven.”

James Allen (1864–1912) British philosophical writer

As A Man Thinketh (1902), Visions and Ideals

World

“For summer tourists to handle these intricate problems in a theological spirit would be altogether absurd; but for us these great theologians were also architects who undertook to build a Church Intellectual, corresponding bit by bit to the Church Administrative, both expressing — and expressed by — the Church Architectural. Alexander Hales, Albert the Great, Thomas Aquinas, Duns Scotus, and the rest, were artists.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

Mont Saint Michel and Chartres (1904)

Problem, Summer

“The Futurists were the first painters, poets, and architects who exalted modern work with their art—
they painted speeding automobiles—
they painted lamps bursting with light—
they painted steaming locomotives and swift bicyclists—
the Futurists stylized their compositions, adopting a violently colored look; with synoptic and geometric shapes they multiplied and decomposed the rhythms of objects and landscapes in order to increase their dynamic qualities and to give an effective rendering of their swift ideas, the states of mind, their conceptions.”

Fortunato Depero (1892–1960) Italian painter, writer, sculptor and graphic designer

Depero (1931) "Futurism and Adverticing Art"; Republished in: Futurism : an anthology http://modernistarchitecture.files.wordpress.com/2011/09/ebooksclub-org__futurism__an_anthology__henry_mcbride_series_in_modernism_.pdf. edited by Lawrence Rainey, Christine Poggi, and Laura Wittman, (2011), p. 290

Art, Color, Idea, Light

“In the last few years there has been a harvest of books and lectures about the "Mysterious Universe." The inconceivable magnitudes with which astronomy deals produce a sense of awe which lends itself to a poetic and philosophical treatment. "When I consider thy heavens, the work of thy hands, the moon and the starts, whuch thou hast ordained: what is man that thou art mindful of him? The literary skill with which this branch of science has been exploited compels one's admiration, but alos, a little, one's sense of the ridiculous. For other facts than those of astronomy, oother disciplines than of mathematics, can produce the same lively feelings of awe and reverence: the extraordinary finenness of their adjustments to the world outside: the amazing faculties of the human mind, of which we know neither whence it comes not whither it goes. In some fortunate people this reverence is produced by the natural bauty of a landscape, by the majesty of an ancient building, by the heroism of a rescue party, by poetry, or by music. God is doubtless a Mathematician, but he is also a Physiologist, an Engineer, a Mother, an Architect, a Coal Miner, a Poet, and a Gardener. Each of us views things in his own peculiar war, each clothes the Creator in a manner which fits into his own scheme. My God, for instance, among his other professions, is an Inventor: I picture him inventing water, carbon dioxide, and haemoglobin, crabs, frogs, and cuttle fish, whales and filterpassing organisms ( in the ratio of 100,000,000,000,000,000,000,000 to 1 in size), and rejoicing greatly over these weird and ingenious things, just as I rejoice greatly over some simple bit of apparatus. But I would nor urge that God is only an Inventor: for inventors are apt, as those who know them realize, to be very dull dogs. Indeed, I should be inclined rather to imagine God to be like a University, with all its teachers and professors together: not omittin the students, for he obviously possesses, judging from his inventions, that noblest human characteristic, a sense of humour.”

Archibald Hill (1886–1977) English physiologist and biophysicist

The Ethical Dilemma of Science and Other Writings https://books.google.com.mx/books?id=zaE1AAAAIAAJ&printsec=frontcover#v=onepage&q&f=false (1960, Cap 1. Scepticism and Faith, p. 41)

God, War, People, Books

“Orthodox Modern architects have tended to recognize complexity insufficiently or inconsistently. In their attempt to break with tradition and start all over again, they idealized the primitive and elementary at the expense of the diverse and the sophisticated.”

Robert Venturi book Complexity and Contradiction in Architecture

2. Complexity and Contradiction vs. Simplification or Picturesqueness
Complexity and Contradiction in Architecture (1966)

“It is not as a very great philosopher, nor as an eloquent rhetorician, nor as a grammarian trained in the highest principles of his heart, that I have striven to write this work, but as an architect who has had only a dip into those studies.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter I, Sec. 17

Study, Heart, Training

“The other aspect of this tape is the business of what should happen if there is an assassination. I cannot prevent some people from feeling angry and frustrated and mad, but I hope they will take that frustration and that madness and instead of demonstrating or anything of that type, I would hope they would take the power and I would hope that five, ten, one hundred, a thousand would rise. I would like to see every gay doctor come out, every gay lawyer, every gay architect come out, stand up and let that world know. That would do more to end prejudice overnight than anybody would imagine. I urge them to do that, urge them to come out. Only that way will we start to achieve our rights.”

Harvey Milk (1930–1978) American politician who became a martyr in the gay community

From a tape recording (1977-11-18) to be played in the event of his assassination, quoted in Randy Shilts, The Mayor of Castro Street: The Life and Times of Harvey Milk (1982), pp. 276-277

People, World, Hope, Way

“Thus by such victory, not by machines but in oppositions to the principle to the principles of machines, has the freedom of states been preserved by the cunning of architects.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book X, Chapter XVI, Sec. 12

Freedom, Victory

“His strange appearance made the people turn round, and this led Alexander to look at him. In astonishment he gave orders to make way for him to draw near, and asked who he was. "Dinocrates," quoth he, "a Macedonian architect, who brings thee ideas and designs worthy of thy renown. I have made a design for the shaping of Mount Athos into the statue of a man, in whose left hand I have represented a very spacious fortified city, and in his right a bowl to receive the water of all the streams which are in that mountain, so that it may pour from the bowl into the sea."”

Vitruvius book De architectura

Introduction, Sec. 2
De architectura (The Ten Books On Architecture) (~ 15BC), Book II

People, Way, Mountain, Idea

“If a ship runs into a large bridge, destroying both the bridge and ship, as happened recently in Tasmania, it is very difficult to see what either the naval architect or the bridge designer could have been expected to do about it from the structural point of view. The problem is not one for the structural engineer but for the local Pilotage Association. Again, aircraft cannot be designed to be flown into mountains.”

J.E. Gordon (1913–1998) Materials scientist

Source: Structures (or, Why Things Don't Fall Down) (1978), Chapter 15, A Chapter of accidents

Mountain, Problem

“We’re still growing — slowly — but we’ve got a better handle on it now. We could take on even more projects, but we want to remain very selective. Switzerland is still a country that has good conditions for architects compared to most other countries we’re involved with — both in quality and quantity. Here, architects are even closer to the client and realization.”

Jacques Herzog (1950) Swiss architect

places.designobserver.com http://places.designobserver.com/feature/an-interview-with-jacques-herzog/32118/.

Country

“How and among whom this Palladian taste became formed it will be our business presently to inquire. The first point to note is that it had nothing to do with Wren, Vanbrugh, Hawksmoor, or Archer except in so far as, by excluding the works of these architects from salvation, it was better able to distinguish its own particular sort of grace. The second point to note is that, once formulated, the Palladian taste became the taste of the second generation of the Whig aristocracy, the sons of that Whiggery which dated its accession to power from 1688 and to which, in Anne’s time, artistic and intellectual leadership, once centred at the Court, had passed. This second Whig generation had strong beliefs and strong dislikes, conspicuous among the latter being the Stuart dynasty, the Roman Church, and most things foreign. In architectural terms that meant the Court taste of the previous half-century, the works of Sir Christopher Wren in particular and anything in the nature of Baroque.”

John Summerson (1904–1992) British architectural historian

Architecture in Britain, 1530–1830

Business, Nature, Strong, Time

“The true greatness of Mr. Jefferson was his fitness for revolution. He was the genius of innovation, the architect of ruin, the inaugurator of anarchy. His mission was to pull down, not to build up… He proposed to govern boys without the authority of masters or the control of religion, supplying their places with Laissez-faire philosophy, and morality from the pages of Lawrence Sterne. His character, like a philosophy, is exceptional—invaluable in urging on revolution, but useless, if not dangerous, in quiet times.”

George Fitzhugh (1806–1881) American activist

Source: Cannibals All!, or Slaves Without Masters (1857), pp. 201-202

Religion, Boy, Time

“The painters have every advantage over us today…Besides being able to tear up their failures—we never can seem to grow ivy fast enough—their materials cost them nothing. They have no committees of laymen telling them what to do. They have no deadlines, no budgets. We are all sickeningly familiar with the final cuts to our plans at the last moment. Why not take out the landscaping, the retaining walls, the colonnades? The building would be just as useful and much cheaper. True, an architect leads a hard life—for an artist.”

Philip Johnson (1906–2005) American architect

Heyer, Paul, ed. (1966). Architects on Architecture: New Directions in America, p. 279. New York: Walker and Company.

Life, Failure, Tear

“For with what eyes of the mind was your Plato able to see that workhouse of such stupendous toil, in which he makes the world to be modelled and built by God? What materials, what bars, what machines, what servants, were employed in so vast a work? How could the air, fire, water, and earth, pay obedience and submit to the will of the architect? From whence arose those five forms, of which the rest were composed, so aptly contributing to frame the mind and produce the senses? It is tedious to go through all, as they are of such a sort that they look more like things to be desired than to be discovered.”
Quibus enim oculis animi intueri potuit vester Plato fabricam illam tanti operis, qua construi a deo atque aedificari mundum facit; quae molitio, quae ferramenta, qui vectes, quae machinae, qui ministri tanti muneris fuerunt; quem ad modum autem oboedire et parere voluntati architecti aer, ignis, aqua, terra potuerunt; unde vero ortae illae quinque formae, ex quibus reliqua formantur, apte cadentes ad animum afficiendum pariendosque sensus? Longum est ad omnia, quae talia sunt, ut optata magis quam inventa videantur.

Marcus Tullius Cicero (-106–-43 BC) Roman philosopher and statesman

Book I, section 19
De Natura Deorum – On the Nature of the Gods (45 BC)

God, World, Sense, Water

“Hadrian… as you know an architect of note… put a lot of faith in stones… died peacefully… planning a Temple to Wisdom… still, he's dead. Nero -- best not to talk about him -- burnt Rome, caused untold misery, deserved to die; died screaming in a summerhouse.”

Peter Greenaway (1942) British film director

The Belly of An Architect

Wisdom, Faith, Dead

“Faced with unmeasurables, people steer their way by magic. Before the invention of navigational instruments, a lady was carved on the prow of the boat to help sailors cross the ocean; and architects, grappling with the intangibles of design, select a guru whose work gives them personal help in areas where there are few rules to follow. The guru, as architectural father figure, is subject to intense hate and love; either way, the relationship is personal, it can only be a one-to-one affair. This accounts for the intensely ad hominem stance of some of ‘Venturi’s’ critics. If the attribution were correct the tone would be more even, as one cannot easily wax emotional over several people. I suspect, too, that for male architects the guru must be male. There can be no Mom and Pop gurus in architecture. The architectural prima donnas are all male.”

Denise Scott Brown (1931) American architect

"Sexism and the star system in architecture"

Love, Hate, People, Way

“One is that we are all responsible for our actions, our behavior, and our words, and we must take responsibility for everything we say and do. When you get your head wrapped around that, you can no longer think of life as a series of random events - you participate in life in a way you didn't previously. I am the architect of my destiny. I am in charge. I bring that to me, or I push that away. You can no longer blame other people for things that happened to you. The other is that there is order in the universe, even though it looks like chaos. We separate the world into categories: this is good and this is bad. But life is set up to trick us. It's a series of illusions we invest in. And ultimately those investments don't serve our understanding, because physicality is always going to let you down, because physicality doesn't last.”

Madonna (1958) American singer, songwriter, and actress

Madonnarama!, Vanity Fair, 2008-05-01 http://www.vanityfair.com/news/2008/05/madonna200805, About Kabbalah

Life, People, World, Way

“Architects and painters know precisely what they are about as long as they deal with material phenomena. … But when they come to the aesthetics of their work, when they aim at a particular effect on the mind or on the senses, the rules dissolve into nothing but vague ideas.”

Carl von Clausewitz book On War

On War (1832), Book 2

Idea, Sense

“Even before computers existed, we already knew that natural selection can, -and often will- produce results which look like trial-and-error experiments, including elements of seemingly-intentional fine tuning. But for all the implications of apparent design, there is never any indication of any intended goal or final product, nor any hint of infallibility on the part of the designer. In fact, so many errors of so many types are known that even if there was an unnatural architect using miraculous means instead of natural ones, then it seems that entity must either be blind and barely competent, or there are whole teams of designers working on separate lines competing against each other.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

"7th Foundational Falsehood of Creationism" https://www.youtube.com/watch?v=g8Q2Db17v5U, Youtube (February 27, 2008) Youtube, Foundational Falsehoods of Creationism

Error, Nature, Parting

“You were compelled to?' he repeated. 'You mean you weren't sufficiently powerful to resist?'
'In order to seize power,' replied the dictator, 'I had to take it from those that had it, and in order to keep it I had to employ it against those that sought to deprive me of it.'
The chef's hat gave a nod. 'An old, old story. It has been repeated a thousand times, but no one believes it. That's why it will be repeated a thousand times more.'
The dictator felt suddenly exhausted. He would gladly have sat down to rest, but the old man and the children walked on and he followed them.
'What about you?' he blurted out, when he had caught the old man up. 'What do you know of power? Do you seriously believe that anything great can be achieved on earth without it?'
'I?' said the old man. 'I cannot tell great from small.'
'I wanted power so that I could give the world justice,' bellowed the dictator, and blood began to trickle afresh from the wound in his forehead, 'but to get it I had to commit injustice, like anyone who seeks power. I wanted to end oppression, but to do so I had to imprison and execute those who opposed me - I became an oppressor despite myself. To abolish violence we must use it, to eliminate human misery we must inflict it, to render war impossible we must wage it, to save the world we must destroy it. Such is the true nature of power.'
Chest heaving, he had once more barred the old man's path with his pistol ready.'
'Yet you love it still,' the old man said softly.
'Power is the supreme virture!' The dictator's voice quavered and broke. 'But its sole shortcoming is sufficient to spoil the whole: it can never be absolute - that's what makes it so insatiable. The only true form of power is omnipotence, which can never be attained, hence my disenchantment with it. Power has cheated me.'
'And so,' said the old man, 'you have become the very person you set out to fight. It happens again and again. That is why you cannot die.'
The dictator slowly lowered his gun. 'Yes,' he said, 'you're right. What's to be done?'
'Do you know the legend of the Happy Monarch?' asked the old man.
…
'When the Happy Monarch came to build the huge, mysterious palace whose planning alone had occupied ten whole years of his life, and to which marvelling crowds made pilgrimage long before its completion, he did something strange. No one will ever know for sure what made him do it, whether wisdom or self-hatred, but the night after the foundation stone had been laid, when the site was dark and deserted, he went there in secret and buried a termites' nest in a pit beneath the foundation stone itself. Many decades later - almost a life time had elapsed, and the many vicissitudes of his turbulent reign had long since banished all thought of the termites from his mind - when the unique building was finished at last and he, its architect and author, first set foot on the battlements of the topmost tower, the termites, too, completed their unseen work. We have no record of any last words that might shed light on his motives, because he and all his courtiers were buried in the dust and rubble of the fallen palace, but long-enduring legend has it that, when his almost unmarked body was finally unearthed, his face wore a happy smile.”

Michael Ende (1929–1995) German author

"Mirror in the Mirror", page 193

Love, Life, Wisdom, War

“Even the last scintillating assembly of the leaders of the Reich could scarcely distract me from my cares. That was the gala celebration of Goering's birthday on January 12, 1944, which he held at Karinhall. We all came with expensive presents, such as Goering expected: cigars from Holland, gold bars from the Balkans, valuable paintings and sculptures. Goering had let me know that he would like to have a marble bust of Hitler, more than life size, by Breker. The overladen gift table had been set up in the big library. Goering displayed it to his guests and spread out on it the building plans his architect had prepared for his birthday. Goering's palace-like residence was to be more than doubled in size. At the magnificently set table in the luxurious dining room flunkies in white livery served a somewhat austere meal, in keeping with the conditions of the time. Funk, as he did every year, delivered the birthday speech at the banquet. He lauded Goering's abilities, qualities, and dignities and offered the toast to him as "one of the greatest Germans."”

Albert Speer (1905–1981) German architect, Minister of Armaments and War Production for Nazi Germany

Funk's extravagant words contrasted grotesquely with the actual situation. The whole thing was a ghostly celebration taking place against a background of collapse and ruin.
Source: Inside the Third Reich: Memoirs (1970), p. 322

Life, Birthday, Time, Painting