Quotes about architect (218 quotes, page 2)

“Architects who have aimed at acquiring manual skill without scholarship have never been able to reach a position of authority to correspond to their pains, while those who relied only upon theories and scholarship were obviously hunting the shadow, not the substance. But those who have a thorough knowledge of both, like men armed at all points, have the sooner attained their object and carried authority with them.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter I, Sec. 2

Men , Pain , Knowledge

“I have been attracted to Freemasonry of my own freewill and accord, because it is an International Brotherhood with worldwide interests and its spirit appears as comprehensive and embracing as the globe itself. This brotherhood represents an idealism in which national and racial boundaries find no place. Freemasonry places the fact of God, the Great Architect of the Universe, the Creator of all things in the forefront of its teaching. It recognizes no specific religion, but emphasizes the Universality of all religious faiths. From the limited experience, I have had of my formal admission to the Fraternity this evening, I see that there is a religious spirit underlying the whole symbolic teaching of Masonry. It seems to me that apart from the rituals and symbols peculiar to it, the object of Masonry is generally to make the world a better, brighter and happier place to live in. These are some of the more important and characteristic features of the institution, which have had the greatest appeal to me and that is how I find myself to be one with you from now onwards.”

Jayachamarajendra Wadiyar (1919–1974) Indian writer

In his address to the members of the Masonic Fraternity on the occasion of his joining as member of the Masonic Lodge. Article # 14 Initiate responds to his Toast R.W.Bro. Jaya Chamaraja Wadeyar http://masonicpaedia.org/showarticle.asp?id=14

God , World , Faith , Religion

“Essential to the Catholic mind is what I would characterize as a keen sense of the prolongation of the Incarnation throughout space and time, an extension that is made possible through the mystery of the church. Catholics see God’s continued enfleshment in the oil, water, bread, imposed hands, wine, and salt of the sacraments; they appreciate it in the gestures, movements, incensations, and songs of the Liturgy; they savor it in the texts, arguments, and debates of the theologians; they sense it in the graced governance of popes and bishops; they love it in the struggles and missions of the saints; they know it in the writings of Catholic poets and in the cathedrals crafted by Catholic architects, artists, and workers. In short, all of this discloses to the Catholic eye and mind the ongoing presence of the Word made flesh, namely Christ.”

Robert Barron (bishop) (1959) priest of the Roman Catholic Church, author, scholar and Catholic evangelist.

Father Barron, Robert. Catholicism: A Journey to the Heart of the Faith (Kindle Locations 75-81). The Crown Publishing Group. Kindle Edition.

Love , God , Sense , Water

“In fact, all kinds of men, and not merely architects, can recognize a good piece of work…”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book VI, Chapter VIII, Sec. 10

Men

“In the end, what I do is about feeling. Certain buildings, certain architects generate a strong emotion. It is hard to explain, but, if am I lucky, I can find this feeling, these emotions, slowly and quietly in the darkroom when my pictures come to light.”

Hélène Binet (1959) Swiss photographer

Source: Jonathan Glancey, in The dream life of buildings http://www.theguardian.com/culture/2002/apr/15/artsfeatures, The Guardian, 15 April 2002

Feeling , Light , Strong

“Depraved these styles are called, the one with its ever broken and twisted mouldings, the other with its rich crowded carving, and depraved we may count them, if we are of the school that thinks the purpose of architectural ornament is always to state some fact of construction. The Mexican architects and their workmen were certainly not of this school. They broke their mouldings, turned and curved them and multiplied their ornament for the pure joy it gave them to see the sparkle of the sunlight on their white walls.”

Clarence Stein (1882–1975) American architect

A Triumph of Spanish Colonial Style (1916)

School , Thinking , Joy

“The architect should be equipped with knowledge of many branches of study and varied kinds of learning, for it is by his judgement that all work done by the other arts is put to test. This knowledge is the child of practice and theory.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter I "The Education of the Architect" Sec. 1

Art , Knowledge , Study , Learning

“The word model is used as a noun, adjective, and verb, and in each instance it has a slightly different connotation. As a noun "model" is a representation in the sense in which an architect constructs a small-scale model of a building or a physicist a large-scale model of an atom. As an adjective "model" implies a degree or perfection or idealization, as in reference to a model home, a model student, or a model husband. As a verb "to model" means to demonstrate, to reveal, to show what a thing is like.”

Russell L. Ackoff (1919–2009) Scientist

Source: 1960s, Scientific method: optimizing applied research decisions, 1962, p. 108 as cited in: Charles West Churchman, Richard O. Mason (1976) World modeling: a dialogue. p. 23.

Home , Sense , Perfection

“I am obsessed with architecture. It is true, I am restless, trying to find myself as an architect, and how best to contribute in this world filled with contradiction, disparity, and inequality, even passion and opportunity.”

Frank Gehry (1929) Canadian-American (b.1929)

Source: The Pritzker Architecture Prize, 1989.

World , Passion

“Whoever lives a noble life for Christ and God — he is one of God's workmen, working on that building of which God is the supreme Architect.”

Henry Ward Beecher (1813–1887) American clergyman and activist

Source: Dictionary of Burning Words of Brilliant Writers (1895), p. 120

Life , God , Christ

“lf l am not mistaken, the words "art" and "artist" did not exist during the Renaissance and before: there were simply architects, sculptors, and painters, practicing a trade.”

M. C. Escher (1898–1972) Dutch graphic artist

1950's, On Being a Graphic Artist', 1953

Art

“This book recounts the story of the people in their struggle to maintain their way of life. Given this background of massacres, resistance, and protest, the courage they show in this current situation is remarkable. It should be an inspiration for those who maintain that progress can be made only when the rank and file of workers are the architects of the institutions in which they work and lie, just as it is a refutation of those who reject the primary role of workers in bringing about such a future”

June Nash (1927–2019) American anthropologist

We Eat the Mines and the Mines Eat Us (1979), p. xxi

Life , People , Lie , Books

“The civil engineer is the real 19th century architect.”

William Burges (1827–1881) English architect

William Burges in: The Ecclesiologist, Vol. 28, 1867, p. 156: Cited in Crook (2004)

“What we demand from the Soviet architect is that, as an artist and because of his perceptive intellect, he will fully comprehend and amplify the faintest ripple of developing energies much sooner than the masses — who tend to be shortsighted as far as their own growth is concerned — and that he will transform this energy into tangible architectural form... The club's role is to become a University of Culture. If one accepts the premise that private dwellings should strive to operate on the basis of the greatest possible austerity, then by contrast, public dwellings should provide the maximum of available luxury accessible to all. The term 'reconstruction' is therefore not applicable to this case, since there is no building precedent in the past.”

El Lissitsky (1890–1941) Soviet artist, designer, photographer, teacher, typographer and architect

Quote from: 'The Club as a social force'
1926 - 1941, Rußland: Die Rekonstruktion der Architektur in der Sowjetunion' (1929)

Universe , Past

“And then, the Earth being small, mankind will migrate into space, and will cross the airless Saharas which separate planet from planet and sun from sun. The Earth will become a Holy Land which will be visited by pilgrims from all the quarters of the Universe. Finally, men will master the forces of Nature; they will become themselves architects of systems, manufacturers of worlds.”

William Winwood Reade (1838–1875) British historian

Source: The Martyrdom of Man (1872), Chapter IV, "Intellect"

Men , World , Nature , Universe

“The design of a temple depends on symmetry, the principles of which must be most carefully observed by the architect.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book III, Chapter I, Sec. 1

Dependency

“The social trivia (what Africans call petty apartheid) continue too: ‘wives’ dinners’ (‘We’ll just let the architects meet together, my dear’); job interviews where the presence of ‘the architect’s wife’ distressed the board; dinners I must not attend because an influential member of the client group wants ‘the architect’ as her date; Italian journalists who ignore Bob’s request that they address me because I understand more Italian than he does; the tunnel vision of students toward Bob; the ‘so you’re the architect!’ to Bob, and the wellmeant ‘so you’re an architect too?’ to me.”

Denise Scott Brown (1931) American architect

"Sexism and the star system in architecture"

Understanding

“The architect hands over to the rich man with the keys to his palace all the ease and comfort to be found in it without being able to enjoy any of it himself. Must the artist not in this way gradually become alienated from his art, since his work, like a child that has been provided for and left home, can no longer have any effect upon its father? And how beneficial it must have been for art when it was intended to be concerned almost exclusively with what was public property, and belonged to everybody and therefore also to the artist!”

Johann Wolfgang von Goethe book Elective Affinities

Dem Reichen übergibt der Baumeister mit dem Schlüssel des Palastes alle Bequemlichkeit und Behäbigkeit, ohne irgend etwas davon mitzugenießen. Muß sich nicht allgemach auf diese Weise die Kunst von dem Künstler entfernen, wenn das Werk wie ein ausgestattetes Kind nicht mehr auf den Vater zurückwirkt? Und wie sehr mußte die Kunst sich selbst befördern, als sie fast allein mit dem öffentlichen, mit dem, was allen und also auch dem Künstler gehörte, sich zu beschäftigen bestimmt war!
Bk. II, Ch. 3, R. J. Hollingdale, trans. (1971), p. 170
Elective Affinities (1809)

Art , Way , Home

“The Chartres apse is as entertaining as all the other Gothic apses together, because it overrides the architect. You may, if you really have no imagination whatever, reject the idea that the Virgin herself made the plan; the feebleness of our fancy is now congenital, organic, beyond stimulant or strychnine, and we shrink like sensitive plants from the touch of a vision or spirit; but at least one can still sometimes feel a woman's taste, and in the apse of Chartres one feels nothing else.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

Mont Saint Michel and Chartres (1904)

Feeling , Imagination , Idea

“The Art of Seeing. It is essential to an architect to know how to see: I mean, to see in such a way that the vision is not overpowered by rational analysis.”

Luis Barragán (1902–1988) Mexican architect

In his acceptance of the Pritzker Architecture Prize, 1980

Art , Way

“[Apple] carries a valuation of an image that is over-inflated due largely to the powerful efforts of Steve Jobs who made the company appear magical. As we end the year, the valuation of the company appears to have massive downward pressure and this is largely because the architect of that massively powerful image has passed — and along with that passing Apple's apparent leadership.”

Rob Enderle (1954) American financial analyst

2013 to See HP or RIM Most Improved, Apple Falling and Facebook Toast http://itbusinessedge.com/blogs/unfiltered-opinion/2013-to-see-hp-or-rim-most-improved-apple-falling-and-facebook-toast.html in IT Business Edge (19 December 2012)

Effort , Appearance

“In developped countries, successive governments have always acted like firemen putting out fires instead of architects designing new buildings. The tax loopholes they have created are responses to emotions provoked by a given event, or an attempt to ease social tension caused by taxpayer exasperation (and/or reflecting their power). Any rational global management policy must satisfy two imperatives: simplicity; and stability.”

Éric Pichet (1960) economist

General Theory of Social and Tax Expenditures and Proposals for Recasting the French System of Tax 'Loopholes' https://papers.ssrn.com/sol3/papers.cfm?abstract_id=2841200 Article in Revue de Droit Fiscal n36 (2016).
Tax policy, Tax and Social Expenditures

Success , Country

“That it was actual and serious in France as in the Senate Chamber at Washington, proved itself at once by forcing Adams to buy an automobile, which was a supreme demonstration because this was the form of force which Adams most abominated. He had set aside the summer for study of the Virgin, not as a sentiment but as a motive power, which had left monuments widely scattered and not easily reached. The automobile alone could unite them in any reasonable sequence, and although the force of the automobile, for the purposes of a commercial traveller, seemed to have no relation whatever to the force that inspired a Gothic cathedral, the Virgin in the twelfth century would have guided and controlled both bag-man and architect, as she controlled the seeker of history.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

The Education of Henry Adams (1907)

Travel , History , Motivation , Study

“As Oliver Cromwell said to the General Assembly of the Church of Scotland, "I beseech you, in the bowels of Christ, think it possible that you might be mistaken." Life and the affairs of the living are so tangled, the world not only stranger than we imagine but stranger than we can imagine, that all questions are conundrums, no answers "correct." Is it certain that parallel lines never meet? No. Does water freeze at 32 degrees Fahrenheit? Only probably. Shall I marry? Who can say? And yet the world's work must be done. One Oblomov is enough. Thus we learn a conventional certitude, acting as though all were light by blinking the shadow. A simple proof demonstrates that parallel lines do meet, but, on the assumption that they do not, the architect builds the skyscraper. Despite his knowledge of statistical mechanics, the engineer designs the refrigerator to maintain a constant temperature of 31 degrees. Le cœur a ses raisons que la raison ne connait pas [the heart has its reasons that reason does not know], and families are raised.”

Irving Younger (1932–1988) American lawyer

Some of My Life

Life , World , Family , Imagination

“As for philosophy, it makes an architect high-minded and not self-assuming, but rather renders him courteous, just, and honest without avariciousness. This is very important, for no work can be rightly done without honesty and incorruptibility.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter I, Sec. 7

“An architect, to be a true exponent of his time, must possess first, last and always the sympathy, the intuition of a poet … this is the one real, vital principle that survives through all places and all times.”

Louis Sullivan (1856–1924) American architect

Emotional Architecture as Compared to Intellectual (1894)

Time

“Music changed more between 1963 and 1969 than it has in the 37 years since, with the Beatles among the architects of that change.”

Daniel Levitin (1957) American psychologist

The Washington Post http://www.washingtonpost.com/wp-dyn/content/article/2007/05/31/AR2007053101848.html (June 1, 2007)

Music , Change

“And now about architects in general – I have to say it, Does [= Theo van Doesburg ], when 'De Stijl' was founded I left it up to you, but I never did agree with you when you ranked the architects alongside us, alongside our 'N. B.' ( / Neo-Plasticism) I knew then that it would lead to conflict… I cannot write about architecture, because I'm not an architect. I mean, I cannot write about the way I write about painting. Later on, though, I will put forward a few ideas.”

Piet Mondrian (1872–1944) Peintre Néerlandais

In a letter to Theo van Doesburg, Paris 9 July 1918; as quoted in Mondrian, -The Art of Destruction, Carel Blotkamp, Reaktion Books LTD. London 2001, p. 139
1910's

Way , Idea , Painting

“God, say some philosophers, manifests himself in the sublunary world in particular beauties, truths and acts of benevolence; properly, the values should be conjoined to shadow their identity in the godhead, but this happens so infrequently that one must suppose divinity condones a kind of diabolic fracture or else, and perhaps my book is already giving some hint of this, he demonstrates his ineffable freedom through contriving at times a wanton inconsistency. If this is so, we need not wonder at Messalina’s failure to match her beauty with a love of truth and goodness. She was a chronic liar and she was thoroughly bad. But her beauty, we are told, was a miracle. The symmetry of her body obeyed all the golden rules of the mystical architects, her skin was without even the most minuscule flaw and it glowed as though gold had been inlaid behind translucent ivory, her breasts were full and yet pertly disdained earth’s pull, the nipples nearly always erect, and visibly so beneath her byssinos, as in a state of perpetual sexual excitation, the areolas delicately pigmented to a kind of russet. The sight of her weaving bare white arms was enough, it is said, to make a man grit his teeth with desire to be encircled by them; the smooth plain of her back, tapering to slenderness only to expand lusciously to the opulence of her perfect buttocks, demanded unending caresses.”

Anthony Burgess (1917–1993) English writer

Fiction, The Kingdom of the Wicked (1985)

Love , God , Truth , Books

“Instead of designing an extension to the elegant facade of the National Gallery which complements it and continues the concept of columns and domes, it looks as if we may be presented with a kind of municipal fire station, complete with the sort of tower that contains the siren. I would understand better this type of high-tech approach if you demolished the whole of Trafalgar Square and started again with a single architect responsible for the entire layout, but what is proposed is like a monstrous carbuncle on the face of a much-loved and elegant friend.”

Charles, Prince of Wales (1948) son of Queen Elizabeth II of the United Kingdom

Prince of Wales' website http://www.princeofwales.gov.uk/speechesandarticles/a_speech_by_hrh_the_prince_of_wales_at_the_150th_anniversary_1876801621.html
Speech at the 150th anniversary of the Royal Institute of British Architects, Royal Gala Evening at Hampton Court Palace, 30 May, 1984.
The Prince had undoubtedly read "The Spencers on Spas" written the previous year by his step-mother-in-law, Raine, Countess Spencer, which included on page 14 the observation that "Monstrous carbuncles of concrete have erupted in gentle Georgian Squares".
1990s

Love , Understanding

“Mark Chmiel's Elie Wiesel and the Politics of Moral Leadership is a case study illustrating the politics of holocaust memory through examining the life of its prime architect, Elie Wiesel, who has made a successful and profitable personal career of the holocaust.”

Joseph Massad (1963) Associate Professor of Arab Studies

Ibid.
"Deconstructing Holocaust Consciousness"

Life , Study , Memory , Success

“An architect ought to be an educated man so as to leave a more lasting remembrance in his treatises.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter I, Sec. 4

Education

“Painting.... turned to the design of purely abstract volumetric forms... Since the leading exponent of the color theory was a painter (Malevich), he failed to recognize the objective reality of the world [in architecture! ]. Because he always looked at it only through his own eyes, he remained trapped in a world devoid of real objects. The broader implications of this had to be developed by us, the architects.”

El Lissitsky (1890–1941) Soviet artist, designer, photographer, teacher, typographer and architect

Quote from: 'Basic Premises'
1926 - 1941, Rußland: Die Rekonstruktion der Architektur in der Sowjetunion' (1929)

World , Color , Reality , Painting

“We pass at once into the magnificent edifice which bears the name of Panini as its architect and which justly commands the wonder and admiration of everyone who enters, and which, by the very fact of its sufficing for all the phenomenon which language presents, bespeaks at once the marvelous ingenuity of its inventor and his profound penetration of the entire material of the language.”

Pāṇini ancient Sanskrit grammarian

Albrecht Weber in: Progress in Drug Research / Fortschritte der Arzneimittelforschung / Progrès des Recherches Pharmaceutiques http://download.springer.com/static/pdf/268/bfm%253A978-3-0348-7078-8%252F1.pdf?auth66=1419562349_15c515850884730be93b3e4cadfc447d&ext=.pdf, springer.com

“I work a lot and I think a lot. I really want to try to paint on glass.. Please will you ask him [mr. architect Taut ] if there are any transparent colors, which one can use to paint on the glass directly... I want to dispose of a new technique in which the artist can paint on the glass directly instead of canvas. When one wants to reach colors spiritually-bright, then a time will come that oil-paint and canvas are no longer suitable... So, if you have time, please ask Mr. Taut if he understands my view and maybe he knows the ways how I can follow my direction.”

Jacoba van Heemskerck (1876–1923) Dutch painter

translation from German, Fons Heijnsbroek, 2018
(original version, written by Jacoba in German:)Ich arbeite sehr viel und denke sehr viel. Ich möchte so gern versuchen, auf Glas zu mahlen. .. ..bitte fragen sie ihn dann [Herr Taut] ob es transparante Farbe gibt, womit man gleich auf Glas malen kann. .. ..ich möchte eine neue Technik haben, dass der Künstler so direkt das Glas verwenden kann statt Leinwand. Wenn man die Farben leuchtend geistlich haben will, dann wird es eine Zeit kommen, dass Oelfarben und Leinwand sich dafür nicht mehr eignen.. ..So wenn Sie Zeit haben, fragen Sie dann Herrn Taut ob er meine Idee versteht und vielieich den Weg kennt, den ik gehen müsse.
in a letter to Herwarth Walden, 11 Nov. 1914; as cited by Arend H. Huussen Jr. in Jacoba van Heemskerck, kunstenares van het Expressionisme, Haags Gemeentemuseum The Hague, 1982, p. 19
It was not until April 1918 that Jacoba wrote Walden she had decided to submit a series of designs for stained glass windows for the upcoming 'Sturm' exhibition - in April 1919 she sent him ten stained-glass windows, 'Nrs. 12-26'
1910's

Color , Way , Understanding , Thinking

“There is no destiny beyond and above ourselves; we are ourselves the architects of our future.”

Chinmayananda Saraswati (1916–1993) Indian spiritual teacher

Quotations from Gurudev’s teachings, Chinmya Mission Chicago

Future

“Architect/arcetects/arcatects/arcetects/archetes”

Agnes Martin (1912–2004) American artist

Martin wrote this at the bottom of her notes, 1974; as quoted in 'AGNES MARTIN' by Mira Dayal, Artseen Nov. 2016
the rest of the page is a tangle of equations and small diagrams as start of another burst of production: her iconic striped canvases.
1970's

“Stories are the architects of the human mind.”

David Baboulene (1960) UK author

The Story Book (2010)

“The Justice Department's conclusion that Section 504 of the Rehabilitation Act of 1973 does not prohibit discrimination based on actual or perceived capacity to transmit AIDS to others has been assailed as legally or medically flawed, mean-spirited, and antagonistic toward the gay community. The criticisms are misplaced. The Department's sober examination of the Rehabilitation Act reveals a commendable dedication to the rule of law and the belief that Congress, not bureaucrats, should be the foremost architect of national public policy. … The gay community and other political minorities, as the foremost beneficiaries of the rule of law, should applaud, not condemn, the Department's opinion. By refusing to usurp policy making power from Congress, the Justice Department acted in the highest tradition of executive restraint.”

Bruce Fein (1947) American lawyer

AIDS in the workplace; the administration's impeccable logic http://www.nytimes.com/1986/07/13/business/aids-in-the-workplace-the-administration-s-impeccable-logic.html, The New York Times (July 13, 1986)

Justice , Law , Communication

“It is justified to consider the Nürnberg trials a farce. Guilt was decided in advance, and the justifications for the sentences were absurd. For an example Alber Speer (an architect) got a long sentence since he knew about the holocaust but didn't try to prevent it. As if a person living in a dictatorship should fight against the dictatorship even if it costs his life.”

Jussi Halla-aho (1971) Finnish Slavic linguist, blogger and a politician

Jussi Halla-aho (2010), on Hommaforum http://hommaforum.org/index.php/topic,38214.0.html, November 16, 2010.
2010 -

Life , Fight , Personality

“We favor hypotheses for their simplicity and explanatory power, much as the architect of the world might have done in choosing which possibility to create.”

Ian Hacking (1936) Canadian philosopher

Source: The Emergence Of Probability, 1975, Chapter 15, Inductive Logic, p. 142.

World

“[Architects and engineers] must be willing to subordinate themselves to the emerging logic of the shell’s form as it evolves through experimentation.”

Heinz Isler (1926–2009) engineer

“New Shapes for Shells.” (1960) Bulletin of the International Association for Shell Structures, no.8, Paper C-3, taken from Tessa Maurer, Elizabeth O'Grady, Ellen Tung, "Inverse Hanging Membrane: Naturtheater Grötzingen" http://shells.princeton.edu/Grotz.html ( 2013) Evolution of German Shells Forms: Efficiency of Form, Princeton University Dept. Civil and Environmental Engineering.

“[In Mr. Zachman's view] the architect's drawings [represent] a transcription of the owner's perceptual requirements.”

John Zachman (1934) American computer scientist

In the 1987 article Zachman states: The architect’s drawings are a transcription of the owner’s perceptual requirements.
Source: A Framework for Information Systems Architecture, 1987, p. 278 cited in: David C. Hay (2003) Requirements Analysis: From Business Views to Architecture. p. 5

Drawing

“Music, also, the architect ought to understand so that he may have knowledge of the canonical and mathematical theory, and besides be able to tune ballistae, catapultae, and scorpiones to the proper key. For to the right and left in the beams are the holes in the frames through which the strings of twisted sinew are stretched by means of windlasses and bars, and these strings must not be clamped and made fast until they give the same correct note to the ear of the skilled workman.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter I, Sec. 8

Music , Mathematics , Understanding , Knowledge

“Architects and engineers are among the most fortunate of men since they build their own monuments with public consent, public approval and often public money.”

John Prebble (1915–2001) British writer

John Prebble, in Disaster at Dundee http://books.google.co.in/books?id=WSxIAAAAMAAJ, 1956. p. 16.

Men , Money

“The passive strength of materials of all kinds has been very fully investigated, and many new conclusions have been formed respecting it, which are of immediate importance to the architect and to the engineer, and which appear to contradict the results of some very elaborate calculations.”

Thomas Young (scientist) (1773–1829) English polymath

Preface
A Course of Lectures on Natural Philosophy and the Mechanical Arts (1807)

Appearance

“A Greek architect of the great epoch would no more have thought of omitting the mark of the harmonic scale of proportion, on which the design was based, than would the composer of music think of omitting the harmonic scale of his composition.”

Ernest Flagg (1857–1947) American architect

Source: Small Houses: Their Economic Design and Construction (1922), Ch. II

Music , Thinking

“Heredity is not the dark specter which some people have thought—merciless and unchangeable, the embodiment of Fate itself. This dark, pessimistic belief which tinges even the literature of to-day comes, no doubt, from the general lack of knowledge of the laws governing the interaction of these two ever-present forces of heredity and environment wherever there is life.
My own studies have led me to be assured that heredity is only the sum of all past environment, in other words environment is the architect of heredity; and I am assured of another fact: acquired characters are transmitted and—even further—that all characters which are transmitted have been acquired…”

Luther Burbank (1849–1926) American botanist, horticulturist and pioneer in agricultural science

p, 125
The Training of the Human Plant (1907)

Life , Fate , People , Law

“I stand on this rostrum with a sense of deep humility and great pride — humility in the weight of those great American architects of our history who have stood here before me; pride in the reflection that this home of legislative debate represents human liberty in the purest form yet devised.”

Douglas MacArthur (1880–1964) U.S. Army general of the army, field marshal of the Army of the Philippines

1950s, Farewell address to Congress (1951)

Home , History , Sense

“In the developed world taxation is always a political construct, a living organism that is always changing due to endless modifications imposed by lawmakers who are themselves sensitive to the public mood and to changes in social ideology. This is a haphazard scaffolding without an architect that lacks rationality and coherency, with tax and social expenditures- referred to here as social and tax expenditures - constituting a superstructure that is all the more complex given its roots in a tax system whose benchmark standards are subject to innumerable exceptions.”

Éric Pichet (1960) economist

Tax policy, Tax and Social Expenditures

World , Mood , Change

“The "Second System Effect":
An architect’s first work is apt to be spare and clean. He knows he doesn’t know what he’s doing, so he does it carefully and with great restraint.
As he designs the first work, frill after frill and embellishment after embellishment occur to him. These get stored away to be used “next time.” Sooner or later the first system is finished, and the architect, with firm confidence and a demonstrated mastery of that class of systems, is ready to build a second system.
This second is the most dangerous system a man ever designs. When he does his third and later ones, his prior experiences will confirm each other as to the general characteristics of such systems, and their differences will identify those parts of his experience that are particular and not generalizable.
The general tendency is to over-design the second system, using all the ideas and frills that were cautiously sidetracked on the first one. The result, as Ovid says, is a "big pile."”

Fred Brooks (1931) American computer scientist

Page 55.
The Mythical Man-Month: Essays on Software Engineering (1975, 1995)

Confidence , Idea , Time , Parting

“When it appears that a work has been carried out sumptuously, the owner will be the person to be praised for the great outlay which ha has authorized; when delicately, the master workmen will be approved for his execution; but when proportions and symmetry lend it an imposing effect, then the glory of it will belong to the architect.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book VI, Chapter VIII, Sec. 9

Appearance , Personality

“Without realizing it, [the architect] had given these people a means of escaping into a new life, and a pattern of social organization that would become the paradigm of all future high-rise blocks.”

J. G. Ballard book High-Rise

Source: High-Rise (1975), Ch. 3

Life , People , Future

“Hence the ancient architects, following in the footsteps of nature, perfected the ascending rows of seats in theatres from their investigations of the ascending voice, and by means of the canonical theory of the mathematicians and that of the musicians, endeavoured to make every voice uttered on the stage come with greater clearness and sweetness to the ears of the audience. For just as musical instruments are brought to perfection of clearness in the sound of their strings by means of bronze plates or horn, so the ancients devised methods of increasing the power of the voice in theatres through the application of harmonics.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book V, Chapter IV, Sec. 8

Music , Nature , Perfection

“He was not merely the organizer and architect of our freedom, he ennobled our very being. As the apostle not only of truth and ahimsa but also of purity and public conduct he raised us, and indeed the whole of mankind, to a higher level of social and political life.”

Jayachamarajendra Wadiyar (1919–1974) Indian writer

In his homage of reverence, love and thankfulness in memory of Mahatma Gandhi, at an Independence Day lecture in 1959 as Governor. Quoted in "Jayachamaraja Wodeyar – A Princely scholar".

Life , Truth , Freedom

“American communities require that new housing meet quality requirements that are very high by world or even Western European and Japanese standards. These requirements are designed by middle-class architects, planners, and citizens in conformity with what they believe is decent housing. But their concept of decency far surpasses what is necessary for human health and safety. Consequently, all new American dwellings are too costly for low-income people to occupy without direct subsidies. But subsidies are provided for only a few of the many households with incomes low enough to be eligible for them. So poor people live in unsubsidized older dwellings.”

Anthony Downs (1930) English economist and politologist

Source: Jay M. Stein (1996). Classic Readings in Real Estate and Development. p. 447

People , Health , World , Communication

“[Makes a good architect] an open mind, energy, an appetite for hard work, a willingness to explore new solutions and push boundaries. A sense of humor is also helpful.”

Norman Foster, Baron Foster of Thames Bank (1935) British architect

Harvard Business Review http://hbr.org/2011/03/lifes-work-norman-foster/ar/1

Sense , Help

“The architect should also have a knowledge of the study of medicine on account of the questions of climates, air, the healthiness and unhealthiness of sites, and the use of different waters. For without these considerations the healthiness of a dwelling cannot be assured.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter I, Sec. 10

Question , Knowledge , Study , Water

“Every great architect is — necessarily — a great poet. He must be a great original interpreter of his time, his day, his age.”

Frank Lloyd Wright (1867–1959) American architect (1867-1959)

The Future of Architecture (1953)

Age , Time

“We should take counsel of both nature and art in the consideration of this question. When the architect intends a grand structure, he makes the foundation broad and strong. We should imitate this prudence in laying the foundations of the future Republic. There is a law of harmony in all departments of nature. The oak is in the acorn. The career and destiny of individual men are enfolded in the elements of which they are composed. The same is true of a nation. It will be something or it will be nothing. It will be great, or it will be small, according to its own essential qualities. As these are rich and varied, or pure and simple, slender and feeble, broad and strong, so will be the life and destiny of the nation itself. The stream cannot rise higher than its source. The ship cannot sail faster than the wind. The flight of the arrow depends upon the strength and elasticity of the bow, and as with these, so with a nation.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

1860s, Our Composite Nationality (1869)

Life , Men , Law , Art

“Painting has turned back from the non-objective way to the object, and the development of painting has returned to the figurative part of the way that had led to the destruction of the object. But on the way back, painting came across a new object that the proletarian revolution had brought to the fore and which had to be given form, which means that it had to be raised to the level of a work of art... I am utterly convinced that if you keep to the way of Constructivism, where you are now firmly stuck, which raises not one artistic issue except for pure utilitarianism and in theater simple agitation, which may be one hundred percent consistent ideologically but is completely castrated as regards artistic problems, and forfeits half its value... If you go on as you are.... then Stanislavski will emerge as the winner in the theater and the old forms will survive. And as to architecture, if the architects do not produce artistic architecture, the Greco-Roman style of Zyeltovski will prevail, together with the Repin style in painting..”

Kazimir Malevich (1879–1935) Russian and Soviet artist of polish descent

Quote of Malevich from his letter 8 April 1932, to Meyerhold, in 'Two Letters to Meyerhold', in Kunst & Museumjournaal 6, (1990), pp. 9-10; as quoted by Paul Wood in The great Utopia, - The Russian and Soviet Avant-Garde, 1915-1932; Guggenheim Museum, New York, 1992, p. 24 – note 112
This quote clarifies Malevich's famous return to the figuration of the Russian peasant life, in the time of forced collectivization of Russian agriculture: 'for him [= Malevich] the return to figuration was not a break with the Revolution but a way of safeguarding it and preventing the return of Classicism and Naturalism' (Paul Wood in The great Utopia; Guggenheim Museum, New York, 1992, p. 24 – note 112)
1931 - 1935

Art , Way , Problem , Parting

“On the whole [the alignment of a series of stained glass windows with the interior of a villa in The Hague] I have thought about all the time... I want to focus more on the architecture of the interior in general and that should we do together [with architect Buys]... Now I was already thinking, the enormous color effect that the window will generate - and that will certainly become powerful - must be accompanied with strong colors - the hall -, otherwise the window itself will be too much isolated. For instance the staircase, could it be painted in strong colors and not [in] oak.... deep ultramarine blue or green, with a beautiful colorful carpet.... I feel I must make designs for carpets, to create in that way a beautiful unity with the stained glass as a whole.”

Jacoba van Heemskerck (1876–1923) Dutch painter

translation from Dutch, Fons Heijnsbroek, 2018
version in original Dutch / citaat van Jacoba van Heemskerck, in het Nederlands: Over het geheel [de afstemming van een serie aan Jacoba opgedragen glasramen met het interieur van een villa in Den Haag] heb ik steeds loopen denken.. ..ik wil mij veel meer op de architectuur van het binnenhuis in het algemeen toeleggen en dat moeten wij samen doen [met architect Buys].. .Nu heb ik al gedacht het enorme kleur-effekt dat het raam zal maken en dat zal zeker machtig werken, moet gedragen worden door sterke kleuren - de hal - anders staat het teveel alleen; zou de trap b.v. in de verf een sterke kleur kunnen krijgen en niet [in] eikenhout.. ..diep ultramarijn blauw of groen en dan een prachtige kleurige loper.. ..ik voel dat ik ontwerpen voor tapijten moet maken om zoo met het glas in lood een mooi geheel te hebben.
Quote in een brief van Jacoba aan architect J. Buys, 28 April 1920 in archief N.D.B., Amsterdam; as cited by Herbert Henkels, in Jacoba van Heemskerck, kunstenares van het Expressionisme, Haags Gemeentemuseum The Hague, 1982, p. 42
1920's

Beauty , Color , Way , Feeling

“It is, therefore, no exaggeration to say that the “architect of modern India” was no more than a combined embodiment of all imperialist ideologies which had flocked to this ancient land in the company of alien invaders Islam, Christianity, White Man’s Burden, and Communism.”

Sita Ram Goel (1921–2003) Indian activist

Vindicated by Time: The Niyogi Committee Report (1998)

Communication

“Through all these researches into an art that would lead to immaterialisation, Werner Ruhnau [German architect] and I came together in the architecture of the air. He was hindered by the last obstacle that even a w:Mies van der Rohe [also a German architect, famous for his reflecting glass skyscrapers in the U. S. ] hadn’t been able to overcome: the roof, the screen that separates us from the sky, from the blue sky. And I was hindered by the screen that the tangible blue on the canvas constitutes, which deprives man of a constant vision of the horizon.”

Yves Klein (1928–1962) French artist

In 1958; p. 45
before 1960, "Yves Klein, 1928 – 1962, Selected Writings"

Art

“To its neocon architects, Iraq was always about empire, hegemony, Pax Americana, global democracy – about getting hold of America’s power to make the Middle East safe for Sharon and themselves glorious and famous.”

Patrick Buchanan (1938) American politician and commentator

"Have the Neocons Destroyed the Presidency?" http://buchanan.org/blog/pjb-have-the-neocons-destroyed-the-presidency-577 (February 16, 2004), Patrick J. Buchanan
2000s

Democracy

“Often, the program ends up amazing. You'll say, "This is beautifully architected." Well, where did that architecture come from?
In this case, architecture means the systematic way we deal with diverse requirements. Architecture allows us, when we go to do work we need to do on the program, to find where things go. It is a system that was worked into the program by all the little decisions we made — little decisions that were right, and little decisions that were wrong and corrected. In a sense we get the architecture without really trying. All the decisions in the context of the other decisions simply gel into an architecture.”

Ward Cunningham (1949) American computer programmer who developed the first wiki

A Conversation with Ward Cunningham (2003), Working the Program

Way , Decision , Sense

“Let him [who would be an architect] be educated, skillful with the pencil, instructed in geometry, know much history, have followed the philosophers with attention, understand music, have some knowledge of medicine, know the opinions of the jurists, and be acquainted with astronomy and the theory of the heavens.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter I, Sec. 3

Education , Music , History , Understanding

“Women are the real architects of society.”

Harriet Beecher Stowe (1811–1896) Abolitionist, author

Source: Kabir, Hajara Muhammad (2010). Northern women development. [Nigeria]. ISBN 978-978-906-469-4. OCLC 890820657.

For women , Women

“Men have no right to profess themselves architects hastily, without having climbed from boyhood the steps of these studies and thus, nursed by the knowledge of many arts and sciences, having reached the heights of the holy ground of architecture.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter I, Sec. 11

Men , Art , Knowledge , Study

“In a sense we've come to our nation's capital to cash a check. When the architects of our republic wrote the magnificent words of the Constitution and the Declaration of Independence, they were signing a promissory note to which every American was to fall heir.
This note was a promise that all men, yes black men as well as white men, would be guaranteed the inalienable rights of life, liberty, and the pursuit of happiness. It is obvious today that America has defaulted on this promissory note insofar as her citizens of color are concerned. Instead of honoring this sacred obligation, America has given the Negro people a bad check, a check which has come back marked "insufficient funds." But we refuse to believe that the bank of justice is bankrupt. We refuse to believe that there are insufficient funds in the great vaults of opportunity of this nation. And so, we've come to cash this check, a check that will give us upon demand the riches of freedom and the security of justice.”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

1960s, (1963)

Life , Men , People , Justice

“It was her primary goal to institutionalize his work, and she was the architect of the King legacy as we know it today. The King Center was a way for her to codify the methodology and ideology of the movement and give it longevity. Even with respect to the holiday in January, she worked to define it beyond memorializing him.”

Bernice King (1963) American minister, daughter of Martin Luther King, Jr.

Way , Memory , Holiday

“Ladies and gentlemen, it is with no ordinary feelings, I assure you, that I rise on this occasion to thank you for the very flattering manner in which you have received the last toast, and for the good wishes expressed therein. I cannot look around me, and see this vast assemblage of my friends and workpeople, without being moved. I feel gratified at this day's proceedings; I also feel greatly honoured by the presence of the nobleman at my side. I am more than all delighted at the presence of this vast assemblage of my workpeople. Perhaps it may be permitted me to remark that ten or twelve years ago I was looking forward to this day (on which I complete my his fiftieth year) as the period when I hoped to retire from business and enjoy myself in agricultural pursuits, which would be quite congenial to my mind and inclination. As the time drew near, looking at my large family (five of them being sons) I reversed that decision, and resolved to proceed a little longer and remain at the head of the firm. Having thus determined, I at once made up my mind to leave Bradford. I did not like to be a party to increasing that already overcrowded borough, but I looked around for a site suitable for a large manufacturing establishment, and I fixed upon this, as offering every capability for a first rate manufacturing and commercial establishment. It is also, from the beauty of its situation, and the salubrity of the air, a most desirable place for the erection of dwellings. Far be it from me to do anything to pollute the air or the water of the district. I shall do my utmost to avoid these evils, and I have no doubt of being successful. I hope to draw around me a population that will enjoy the beauties of this neighbourhood—a population of well paid, contented, happy operatives. I have given instructions to my architects (who are competent to carry them out) that nothing shall be spared to render the dwellings of the operatives a pattern to the country, and if my life is spared by Divine Providence, I hope to see satisfaction, contentment, and happiness around me.”

Titus Salt (1803–1876) English industrialist and philanthropist

The speech he made to the 3,500 guests (including his workers) at the banquet on 1853-09-20, which he held to celebrate both his fiftieth birthday and the opening of his new factory at Saltaire. [Inauguration of the works at Saltaire, The Bradford Observer, 1853-09-22, 8, http://find.galegroup.com/bncn/retrieve.do?sgHitCountType=None&orientation=&scale=0.33&sort=DateAscend&docLevel=FASCIMILE&prodId=BNCN&tabID=T012&subjectParam=Locale%2528en%252C%252C%2529%253ALQE%253D%2528jn%252CNone%252C17%2529Bradford%2BObserver%253AAnd%253ALQE%253D%2528da%252CNone%252C10%252909%252F22%252F1853%2524&resultListType=RESULT_LIST&searchId=R2&searchType=BasicSearchForm&currentPosition=11&qrySerId=Locale%28en%2C%2C%29%3ALQE%3D%28jn%2CNone%2C17%29Bradford+Observer%3AAnd%3ALQE%3D%28da%2CNone%2C10%2909%2F22%2F1853%24&subjectAction=DISPLAY_SUBJECTS&retrieveFormat=MULTIPAGE_DOCUMENT&enlarge=&bucketSubId=&inPS=true&userGroupName=brad&hilite=y&docPage=article&nav=prev&sgCurrentPosition=0&docId=R3207957429, 2012-06-07 (subscription site)]
A slightly edited version (in the third person) appears in [Holroyd, Abraham, 1873, 2000, Saltaire and its Founder, Piroisms Press, ISBN 0-9538601-0-8, 14-15]

Life , Family , Beauty , Hope

“Obviously the future must be considered in the light of one's own power to influence events. The man of action cannot be a fatalist. The architect has to think of the future of the house he is building; a workman has to take measure for safeguarding his old age; a member of the Chamber has to consider the possible effects of the budget for which he is going to vote. But once decisions are made and measures taken, peace of mind must be re-established. It is absurd to try to foresee things when the means of doing it are lacking.”

André Maurois (1885–1967) French writer

Un Art de Vivre (The Art of Living) (1939), The Art of Happiness

Age , Peace , Thinking , Decision

“I believe that architects should design gardens to be used, as much as the houses they build, to develop a sense of beauty and the taste and inclination toward the fine arts and other spiritual values.”

Luis Barragán (1902–1988) Mexican architect

Contemporary Architects, St. Martins Press.

Beauty , Art , Sense , Housing

“There can be no doubt that the architects who planned and built the Ananda temple were Indians. Everything in this temple from Sikhara to the basement as well as the numerous stone sculptures found in its corridors and the terra-cotta…adoring its basement and terraces, bear the indubitable stamp of Indian genius and craftsmanship…In this sense, we may take it, therefore, that the Ananda, though built in the Burmese capital, is an Indian temple.”

R. C. Majumdar (1888–1980) Indian historian

' R. C. Majumdar, Ancient India, 1977, p. 497.

Sense

“If we think of the Titanic as symbolizing the American era, Obama wants that ship to go down. Obama is the architect of American decline, and progressivism is the ideology of American suicide.”

Dinesh D'Souza (1961) Indian-American political commentator, filmmaker, author

Source: Books, America: Imagine a World without Her (2014), Ch. 16

Thinking , Suicide

“This proof can at most, therefore, demonstrate the existence of an architect of the world, whose efforts are limited by the capabilities of the material with which he works, but not of a creator of the world, to whom all things are subject.”

Immanuel Kant book Critique of Pure Reason

A 627, B 655 (Physico-Theological Proof Impossible)
Critique of Pure Reason (1781; 1787)

World , Effort

“You know, it is life that is right and the architect who is wrong.”

Le Corbusier (1887–1965) architect, designer, urbanist, and writer

Vous savez, c'est la vie qui a raison, l'architecte qui a tort.
Le Corbusier's reply upon learning that the housing project he had designed at Pessac had been altered by its inhabitants, quoted by Philippe Boudon, Lived-In Architecture: Pessac Revisited (1969) [trans. Gerald Onn]
Attributed from posthumous publications

Life

“In the film The Belly of an Architect, an architect from Chicago organizes an exhibition of his favourite architect Etienne-Lous Boullée (1728-1799). I wrote an account of this hypothetical exhibition as though it had been seen by an unlikely Boullée contemporary -- Jane Austen (1775-1817). She made a prim but perceptive account of her progress through the corridors and halls of the Vittoriano in the centre of Rome -- a building constructed long after both of these eminent personages were dead.”

Peter Greenaway (1942) British film director

Watching Water

Dead

“The fate of the architect is the strangest of all. How often he expends his whole soul, his whole heart and passion, to produce buildings into which he himself may never enter.”

Johann Wolfgang von Goethe book Elective Affinities

Bk. II, Ch. 3
Elective Affinities (1809)

Fate , Soul , Passion , Heart

“Among these I should place, first, the broadly tolerant attitude that has been a characteristic of this country. I use the word in its most inclusive sense, to cover tolerance of religious opinion, tolerance in politics, tolerance in social relationships; in general, the liberal attitude of every citizen toward his fellows. It is this factor which has preserved to all of us that equality of opportunity which enables every American to become the architect of whatever fortune he deserves.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

1920s, The Genius of America (1924)

Sense , Country

“Music, from being an ordered succession of sounds, has become a matter of "sonorities", and anyone who can produce a brightly coloured brick of unusual shape is henceforth hailed as an architect.”

Constant Lambert (1905–1951) British composer and conductor

"Toute réaction est vraie", p. 91.
Music, Ho! (1934)

Music , Success

“Harry Thaw shot the wrong architect.”

Wilson Mizner (1876–1933) American writer

Disparaging the work of Joseph Urban, his brother Addison's architectural rival. Harry Thaw was a wealthy man of the times who had shot and killed architect Stanford White over his earlier involvement with Thaw's wife Evelyn Nesbit.
Quoted by Alva Johnston, The Legendary Mizners, 1953, Farrar Straus and Young, New York. Johnston allows that the quote has been attributed to many others, but makes a good case that Mizner said it first.
Wisecracks

“Unfortunately, there are no memorials erected anywhere in Kodungallur, or Trichur, or Alwaye to honour Dharma Raja who gave shelter in his state to thousands of Hindus escaping from the Islamic brutalities of the fanatic Tipu Sultan; or Ayyappan Marthanda Pillai who was the architect of the historic Nedumkotta; or Raja Keshavadas under whose direct command a comparatively small army humbled and defeated the invading army of Tipu Sultan; or scores of valiant Hindu soldiers who laid down their lives to protect their country and faith. The most despicable and shameful act of the anti-Hindu secularist government of Kerala since Independence was that instead of honouring the legendary heroes of the land, a memorial in the form of a flagstaff was erected near the historic Trichur Palace to perpetuate the memory of the Islamic bigot Tipu Sultan who was instrumental in the forcible mass circumcision and killing of Hindus, destruction of Hindu temples, and devastation of the Malabar, Trichur, Alwaye and Kodungallur regions.”

Sita Ram Goel (1921–2003) Indian activist

Tipu Sultan - Villain or Hero (1993)

Faith , Memory , Country

“He who rejects change is the architect of decay. The only human institution which rejects progress is the cemetery.”

Harold Wilson (1916–1995) Former Prime Minister of the United Kingdom

Speech to the Consultative Assembly of the Council of Europe, Strasbourg, France (23 January 1967), quoted in The New York Times (24 January 1967), p. 12.
Prime Minister

Change

“There is nothing to which an architect should devote more thought than to the exact proportions of his building with reference to a certain part selected as the standard.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book VI, Chapter II, Sec. 1

Parting

“If Peter Mandelson has an historical parallel, it is Robespierre, the architect of the Terror. Without his zeal and cool passion for the right of the French people, the ancien regime would almost certainly have reasserted itself in some way. His defence of the ideals of the revolution was absolute and unmoving. It won him no friends, and eventually swallowed him. It would be a tragedy for Labour if it were to do the same to the architect of its own revolution.”

Trevor Phillips (1953) British television producer

The Independent, 30 August 1997

People , Way , Passion

“Architects have always hoped to find a way to skip that stage between design and finished building.”

Anish Kapoor (1954) British contemporary artist of Indian birth

Quoted in Sculptor Anish Kapoor’s works an eye-opener for us, 25 November 2011, 18 December 2013, Economic Times http://articles.economictimes.indiatimes.com/2010-11-25/news/27630725_1_anish-kapoor-sky-mirror-warehouse,

Hope , Way

“Architecture has been a domain of architects, a discipline presumably dominated by immaculately dressed bookish pedants that have a stream of thought well displaced from regular human thought.”

Rem Koolhaas (1944) Dutch architect (b.1944)

Rem Koolhaas Interview with Jennifer Sigler in Index Magazine http://www.indexmagazine.com/interviews/rem_koolhaas.shtml, (2000)

“… if my ideology is a hand, then that's just two fingers. I incorporate a lot of Christian morality into what I do and in fact a lot of my beliefs are very conservative – like my desire for the world to be a better place where people use more intelligence. If you had to condense all that I believe in, it's that responsible, intelligent people should be allowed to do what they want. That artists and performers and architects, people who contribute something to the world, that actually have something to say as opposed to a business man or a politician, say, people who actually contribute to society, the power should be traded. The creators are always suppressed – other than the placebo "fame" that they're always given. I don't really suggest any solution – that we could all kick them out of their positions of power and take over. It's just the idea that if you enjoy what you do, that's why you should do it.”

Marilyn Manson (1969) American rock musician and actor

As quoted in NME (30 August 1997).
1990s

People , World , Intelligence , Idea

“In all matters but particularly in architecture …that which is signified is the subject of which we may be speaking and that which gives significance is a demonstration on scientific principles. …One who professes himself an architect should be well versed in both directions.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter I, Sec. 3

“In my life as an architect, I found that the single thing which inhibits young professionals, new students most severely, is their acceptance of standards that are too low.”

Christopher Alexander (1936) architect

Source: Foreword to Richard P. Gabriel, Patterns of Software

Life

“A writer who writes straight is the architect of history.”

John Dos Passos (1896–1970) novelist, playwright, poet, journalist, painter

Introduction to 1932 Modern Library edition of Three Soldiers
Context: The mind of a generation is its speech. A writer makes aspects of that speech enduring by putting them in print. He whittles at the words and phrases of today and makes of them forms to set the mind of tomorrow's generation. That's history. A writer who writes straight is the architect of history.

History

“The Flag links up the past and the present. It is the legacy bequeathed to us by the architects of our liberty.”

Sarvepalli Radhakrishnan (1888–1975) Indian philosopher and statesman who was the first Vice President and the second President of India

Address on the Flag of India (22 July 1947), as recorded in the Constituent Assembly Of India Vol. IV http://parliamentofindia.nic.in/ls/debates/vol4p7.htm
Context: The Flag links up the past and the present. It is the legacy bequeathed to us by the architects of our liberty. Those who fought under this Flag are mainly responsible for the arrival of this great day of Independence for India. Pandit Jawaharlal has pointed out to you that it is not a day of joy unmixed with sorrow. The Congress fought for unity and liberty. The unity has been compromised; liberty too. I feel, has been compromised, unless we are able to face the tasks which now confront us with courage, strength and vision. What is essential to-day is to equip ourselves with new strength and with new character if these difficulties are to be overcome and if the country is to achieve the great ideal of unity and liberty which it fought for. Times are hard. Everywhere we are consumed by phantasies. Our minds are haunted by myths. The world is full of misunderstandings, suspicions and distrusts. In these difficult days it depends on us under what banner we fight.
Here we are Putting in the very centre the white, the white of the Sun's rays. The white means the path of light. There is darkness even at noon as some People have urged, but it is necessary for us to dissipate these clouds of darkness and control our conduct-by the ideal light, the light of truth, of transparent simplicity which is illustrated by the colour of white.
We cannot attain purity, we cannot gain our goal of truth, unless we walk in the path of virtue. The Asoka's wheel represents to us the wheel of the Law, the wheel Dharma. Truth can be gained only by the pursuit of the path of Dharma, by the practice of virtue. Truth,—Satya, Dharma —Virtue, these ought to be the controlling principles of all those who work under this Flag. It also tells us that the Dharma is something which is perpetually moving. If this country has suffered in the recent past, it is due to our resistance to change. There are ever so many challenges hurled at us and if we have not got the courage and the strength to move along with the times, we will be left behind. There are ever so many institutions which are worked into our social fabric like caste and untouchability. Unless these things are scrapped we cannot say that we either seek truth or practise virtue. This wheel which is a rotating thing, which is a perpetually revolving thing, indicates to us that there is death in stagnation. There is life in movement. Our Dharma is Sanatana, eternal, not in the sense that it is a fixed deposit but in the sense that it is perpetually changing. Its uninterrupted continuity is its Sanatana character. So even with regard to our social conditions it is essential for us to move forward.
The red, the orange, the Bhagwa colour, represents the spirit of renunciation. All forms of renunciation are to be embodied in Raja Dharma. Philosophers must be kings. Our leaders must be disinterested. They must be dedicated spirits. They must be people who are imbued with the spirit of renunciation which that saffron, colour has transmitted to us from the beginning of our history. That stands for the fact that the World belongs not to the wealthy, not to the prosperous but to the meek and the humble, the dedicated and the detached.
That spirit of detachment that spirit of renunciation is represented by the orange or the saffron colour and Mahatma Gandhi has embodied it for us in his life and the Congress has worked under his guidance and with his message. If we are not imbued with that spirit of renunciation in than difficult days, we will again go under.
The green is there, our relation to the soil, our relation to the plant life here, on which all other life depends. We must build our Paradise, here on this green earth. If we are to succeed in this enterprise, we must be guided by truth (white), practise virtue (wheel), adopt the method of self-control and renunciation (saffron). This flag tells us "Be ever alert, be ever on the move, go forward, work for a free, flexible, compassionate, decent, democratic society in which Christians, Sikhs, Muslims, Hindus, Buddhists will all find a safe shelter." Let us all unite under this banner and rededicate ourselves to the ideas our flag symbolizes.

Past

“Labor is the truest emblem of God, the Architect and Eternal Maker; noble Labor, which is yet to be the King of this Earth, and sit on the highest Throne.”

Albert Pike book Morals and Dogma of the Ancient and Accepted Scottish Rite of Freemasonry

Source: Morals and Dogma of the Ancient and Accepted Scottish Rite of Freemasonry (1871), Ch. XXII : Knight of the Royal Axe, or Prince of Libanus, p. 341
Context: Whatsoever of morality and intelligence; what of patience, perseverance, faithfulness, of method, insight, ingenuity, energy; in a word, whatsoever of Strength a man has in him, will lie written in the Work he does. To work is to try himself against Nature and her unerring, everlasting laws: and they will return true verdict as to him. The noblest Epic is a mighty Empire slowly built together, a mighty series of heroic deeds, a mighty conquest over chaos. Deeds are greater than words. They have a life, mute, but undeniable; and grow. They people the vacuity of Time, and make it green and worthy.
Labor is the truest emblem of God, the Architect and Eternal Maker; noble Labor, which is yet to be the King of this Earth, and sit on the highest Throne. Men without duties to do, are like trees planted on precipices; from the roots of which all the earth has crumbled. Nature owns no man who is not also a Martyr. She scorns the man who sits screened from all work, from want, danger, hardship, the victory over which is work; and has all his work and battling done by other men; and yet there are men who pride themselves that they and theirs have done no work time out of mind. So neither have the swine.

God

“I am much more a gardener than an architect.”

George Raymond Richard Martin (1948) American writer, screenwriter and television producer

Audio Interview http://www.geekson.com/archives/archiveepisodes/2006/episode080406.htm with Geekson http://www.geekson.com in Episode 54, (4 August 2006)
Context: There are many different kinds of writers, I like to use the analogy of architects and gardeners. There are some writers who are architects, and they plan everything, they blueprint everything, and they know before the drive the first nail into the first board what the house is going to look like and where all the closets are going to be, where the plumbing is going to run, and everything is figured out on the blueprints before they actually begin any work whatsoever. And then there are gardeners who dig a little hole and drop a seed in and water it with their blood and see what comes up, and sort of shape it. They sort of know what seed they've planted — whether it's an oak or an elm, or a horror story or a science fiction story, but they don't how big it's going to be, or what shape it's going to take. I am much more a gardener than an architect.

“Furthermore, the younger members of our society have for some time been in growing rebellion against paternal authority and the paternal state. For one reason, the home in an industrial society is chiefly a dormitory, and the father does not work there, with the result that wife and children have no part in his vocation. He is just a character who brings in money, and after working hours he is supposed to forget about his job and have fun. Novels, magazines, television, and popular cartoons therefore portray "Dad" as an incompetent clown. And the image has some truth in it because Dad has fallen for the hoax that work is simply something you do to make money, and with money you can get anything you want.
It is no wonder that an increasing proportion of college students want no part in Dad's world, and will do anything to avoid the rat-race of the salesman, commuter, clerk, and corporate executive. Professional men, too—architects, doctors, lawyers, ministers, and professors—have offices away from home, and thus, because the demands of their families boil down more and more to money, are ever more tempted to regard even professional vocations as ways of making money. All this is further aggravated by the fact that parents no longer educate their own children. Thus the child does not grow up with understanding of or enthusiasm for his father's work. Instead, he is sent to an understaffed school run mostly by women which, under the circumstances, can do no more than hand out mass-produced education which prepares the child for everything and nothing. It has no relation whatever to his father's vocation.”

Alan Watts (1915–1973) British philosopher, writer and speaker

Source: The Book on the Taboo Against Knowing Who You Are (1966), p. 111

Women , Men , Money , Children

“There are many different kinds of writers, I like to use the analogy of architects and gardeners.”

George Raymond Richard Martin (1948) American writer, screenwriter and television producer

Audio Interview http://www.geekson.com/archives/archiveepisodes/2006/episode080406.htm with Geekson http://www.geekson.com in Episode 54, (4 August 2006)
Context: There are many different kinds of writers, I like to use the analogy of architects and gardeners. There are some writers who are architects, and they plan everything, they blueprint everything, and they know before the drive the first nail into the first board what the house is going to look like and where all the closets are going to be, where the plumbing is going to run, and everything is figured out on the blueprints before they actually begin any work whatsoever. And then there are gardeners who dig a little hole and drop a seed in and water it with their blood and see what comes up, and sort of shape it. They sort of know what seed they've planted — whether it's an oak or an elm, or a horror story or a science fiction story, but they don't how big it's going to be, or what shape it's going to take. I am much more a gardener than an architect.

“Instead, therefore, of saying that Man is the creature of Circumstance, it would be nearer the mark to say that Man is the architect of Circumstance. It is Character which builds an existence out of Circumstance.”

George Henry Lewes (1817–1878) British philosopher

The Life and Works of Goethe (1855; repr. Boston: Ticknor and Fields, 1856) vol. 1, p. 30, often misattributed to Thomas Carlyle.
Context: Instead, therefore, of saying that Man is the creature of Circumstance, it would be nearer the mark to say that Man is the architect of Circumstance. It is Character which builds an existence out of Circumstance. Our strength is measured by our plastic power. From the same materials one man builds palaces, another hovels, one warehouses, another villas.

“You must try first to rid your mind of the traditional idea that the gothic is an intentional expression of religious gloom. The necessity for light was the motive of the gothic architects. They needed light and always more light, until they sacrificed safety and common-sense in trying to get it. They converted their walls into windows, raised their vaults, diminished their piers, until their churches could no longer stand.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

Mont Saint Michel and Chartres (1904)
Context: If you are to get the full enjoyment of Chartres, you must, for the time, believe in Mary as Bernard and Adam did, and feel her presence as the architects did, in every stone they placed, and in every touch they chiseled. You must try first to rid your mind of the traditional idea that the gothic is an intentional expression of religious gloom. The necessity for light was the motive of the gothic architects. They needed light and always more light, until they sacrificed safety and common-sense in trying to get it. They converted their walls into windows, raised their vaults, diminished their piers, until their churches could no longer stand. You will see the limit at Beauvais; at Chartres we have not got so far, but even here in places where the Virgin wanted it — as above the high altar — the architect has taken all the light there was to take.

Motivation , Idea , Sense , Light

Quotes about architect page 2

Quotes about architect
page 2