Quotes about anything
page 26

John Pilger photo

“When governments and other vested interests attack me personally I usually regard it as a vindication, otherwise they would use facts. That's why I believe in the wonderful Claud Cockburn dictum, 'Never believe anything until it is officially denied.”

John Pilger (1939) Australian journalist

It has certainly been my experience.
John Pilger, This much i know http://www.guardian.co.uk/media/2005/nov/13/pressandpublishing.observermagazine, The Observer, 13 November 2005

Syd Barrett photo
John C. Dvorak photo

“[A]s for my prediction that [the iPhone] would be a bad idea for Apple to pursue, anything can still happen. Time is a cruel mistress.”

John C. Dvorak (1952) US journalist and radio broadcaster

"Wrong? Dvorak blames his 'getting screwed over' by Apple" in NetworkWorld (27 June 2012) http://www.networkworld.com/community/blog/wrong-dvorak-blames-getting-screwed-over-apple
2010s

Beverly Sills photo

“Attachment to spiritual things is… just as much an attachment as inordinate love of anything else.”

Beverly Sills (1929–2007) opera soprano

Thomas Merton, in New Seeds of Contemplation (1961)
Misattributed

Tove Jansson photo
Linus Torvalds photo
Ogden Nash photo

“Other people, and it doesn't matter if they are Scandinavians or Celts,
Think that anything is better than theirs just because it belongs to somebody else.”

Ogden Nash (1902–1971) American poet

Versus (1949), Possessions are Nine Points of Conversation
Variant: Some people, and it doesn't matter whether they are paupers or millionaires,
Think that anything they have is the best in the world just because it is theirs.

Joe Strummer photo

“According to a stagist conception of progressive history (which is usually blind to its implicit teleology), the work of figures like Foucault, Derrida and other cutting-edge French theorists is often intuitively affiliated with a form of profound and sophisticated critique that presumably far surpasses anything found in the socialist, Marxist or anarchist traditions. It is certainly true and merits emphasis that the Anglophone reception of French theory, as John McCumber has aptly pointed out, had important political implications as a pole of resistance to the false political neutrality, the safe technicalities of logic and language, or the direct ideological conformism operative in the McCarthy-supported traditions of Anglo-American philosophy. However, the theoretical practices of figures who turned their back on what Cornelius Castoriadis called the tradition of radical critique—meaning anti-capitalist and anti-imperialist resistance—surely contributed to the ideological drift away from transformative politics. According to the spy agency itself, post-Marxist French theory directly contributed to the CIA’s cultural program of coaxing the left toward the right, while discrediting anti-imperialism and anti-capitalism, thereby creating an intellectual environment in which their imperial projects could be pursued unhindered by serious critical scrutiny from the intelligentsia.”

Gabriel Rockhill (1972) philosopher

"The CIA reads French Theory: On the Intellectual Labor of Dismantling the Cultural Left" (2017)

William Faulkner photo
M. K. Hobson photo
Corneliu Zelea Codreanu photo
Stewart Lee photo
Thomas Jefferson photo

“I am an enemy to all banks discounting bills or notes for anything but coin.”

Thomas Jefferson (1743–1826) 3rd President of the United States of America

Letter to Thomas Cooper, 1814. ME 14:61
Posthumous publications, On financial matters

Martin Amis photo
Ian Brown photo

“We started out to finish groups like U2 - that was what it was all about. And they're still the biggest band in the world, so we failed. We didn't really do anything, people wore flares for a year or two, d'you know what I mean? That's all we did.”

Ian Brown (1963) English musician and singer of The Stone Roses

Interview by Lindsay Baker, "The Unsinkable Ian Brown" http://www.guardian.co.uk/music/2002/feb/02/shopping.popandrock?INTCMP=SRCH, The Guardian, 2 February 2002, retrieved 2011-08-13

Philo photo
Frederick Buechner photo
Robert N. Proctor photo
Jerome David Salinger photo
Jeffrey Moussaieff Masson photo
Monica Keena photo
Tom Robbins photo
Albert Einstein photo
Koichi Tohei photo
Charles Mingus photo
Phil Esposito photo
Clint Eastwood photo
Alfred Hitchcock photo
Larry Niven photo

“2) Never be embarrased or ashamed about anything you choose to write. (Think of this before you send it to a market)”

Larry Niven (1938) American writer

Niven's Laws, Niven's Laws For Writers

Josh Homme photo
Lew Rockwell photo
Chauncey Depew photo
Bram van Velde photo

“I can't say or explain anything. Pictures don’t come from your head but from life... I am always looking for life. All that escapes thought or will-power.”

Bram van Velde (1895–1981) Dutch painter

short quotes, 2 April 1967; p. 63
1960's, Conversations with Samuel Beckett and Bram van Velde' (1965 - 1969)

James Jeans photo
Stephen King photo
Patrick Stump photo

“Man will take anything you like, except warning.”

Samuel Laman Blanchard (1804–1845) British author and journalist

"That a Burnt Child often Dreads the Fire".
Sketches from Life (1846)

Ben Carson photo

“By believing we are the product of random acts, we eliminate morality and the basis of ethical behavior. For if there is no such thing as moral authority, you can do anything you want. You make everything relative, and there’s no reason for any of our higher values.”

Ben Carson (1951) 17th and current United States Secretary of Housing and Urban Development; American neurosurgeon

As quoted in "Evolution? No" http://archives.adventistreview.org/2004-1509/story2.html, The Adventist Review (2004)

George Bird Evans photo
Gloria Estefan photo
Alan Rusbridger photo
Immortal Technique photo
William J. Brennan photo
Anton Chekhov photo
Walther von Brauchitsch photo

“I myself won't do anything, but I won't stop anyone else from acting.”

Walther von Brauchitsch (1881–1948) German field marshal

September 1938. Quoted in "Plotting Hitler's Death: The Story of German Resistance" - Page 128 - by Joachim C. Fest - 1997

Ken Livingstone photo

“If Voting Changed Anything They'd Abolish It”

Ken Livingstone (1945) Mayor of London between 2000 and 2008

Title of his autobiography (1987)
A variant of a slightly earlier quote: "If voting could change anything, it would be illegal" ( 1978 https://books.google.com/books?id=RPgcAQAAMAAJ&q=%22if+voting+could+change+anything%22&dq=%22if+voting+could+change+anything%22&hl=en&sa=X&ved=0ahUKEwjg4IDksJHMAhVPxWMKHc7sBikQ6AEIJTAC)
Variant: If voting changed anything, they'd abolish it.

Jesse Ventura photo
Milo Yiannopoulos photo
Eric Holder photo
Mario Bunge photo
Aldo Capitini photo
Laura Dern photo
Arnold Schwarzenegger photo

“Eventually there was a split between my parents about me. My mother obviously knew what was going on with me and the girls my friends lined up. She never came out and said anything directly, but she let me know she was concerned. Things were different between me and my father. He assumed that when I was eighteen, I would just go into the Army and they would straighten me out. He accepted some of the things my mother condemned. He felt it was perfectly all right to make out with all the girls I could. In fact, he was proud I was dating the fast girls. He bragged about them to his friends. 'Jesus Christ, you should see some of the women my son's coming up with'. He was showing off, of course. But still, our whole relationship had changed because I'd established myself by winning a few trophies and now had some girls. He was particularly excited about the girls. And he liked the idea that I didn't get involved. 'That's right, Arnold', he'd say, as though he'd had endless experience, 'never be fooled by them'. That continued to be an avenue of communication between us for a couple of years. In fact, the few nights I took girls home when I was on leave from the Army, my father was always very pleasant and would bring out a bottle of wine and a couple of glasses.”

Arnold Schwarzenegger (1947) actor, businessman and politician of Austrian-American heritage

Arnold: The Education of a Bodybuilder https://en.wikiquote.org/wiki/Special:BookSources/067122879X (1977), New York: Simon & Schuster.
1970s, Arnold: The Education of a Bodybuilder (1977)

Meher Baba photo
Cole Porter photo

“Good authors, too, who once knew better words
Now only use four-letter words
Writing prose —
Anything goes.”

Cole Porter (1891–1964) American composer and songwriter

"Anything Goes"
Anything Goes (1934)

Mickey Spillane photo
Robert Rauschenberg photo
David Horowitz photo
John Doe photo

“If I was a better poet like William Carlos Williams I’d be able to write about anything, but I’m just a minor poet. So I just write about things like moments of crisis that tend to be on the sadder, darker side. You can spend ten minutes in a really dark place and write a song about it that lasts forever.”

John Doe (1954) American singer, songwriter, actor, poet, guitarist and bass player

http://www.npr.org/templates/story/story.php?storyId=11304560, John Doe: The 'X' Man Returns, 2008-06-02, Wertheimer, Linda, 2007-06-23, audio, Weekend Edition Saturday, National Public Radio

John Ruysbroeck photo
John Varley photo

“They understood the basic principles of morals: that nothing is moral always, and anything is moral under the right circumstances.”

John Varley (1947) American science fiction author

"The Persistence of Vision", The Magazine of Fantasy & Science Fiction (March 1978), reprinted as the title story in The Persistence of Vision (1978)

Trip Hawkins photo
William Shockley photo
Woody Allen photo

“You know, the whole American culture is going down the drain, you can't turn on a television set and see anything, or walk in the street and not find garbage, or neighborhoods that were formerly beautiful now have McDonald's in them, and it's all a part of an enormous degeneration of culture in the United States. People that exist in that culture are forced to make moral decisions all the time about their lives, their occupations, their love-lives, and they make decisions that are commensurate with what's happening to them in this culture, and it's too bad that that's happening because that's what Manhattan is about, that New York used to be such a great city, so wonderful, and it has to fight every day for its survival against the encroachment of all this terrible ugliness that is gradually overcoming all the big cities in America.
This ugliness comes from a culture that has no spiritual center, a culture that has money and education, but no sense of being at peace with the world, no sense of purpose in life. They don't know what they're doing, or why they're here. They have no religious center, they have no philosophical center, and so they act, they do what's expedient at the moment. They have no long view of society. They only have the view of quick money, and kill the pain of the moment, and so instead of dealing with the real problems that exist, that are complicated, they sweep them under the rug by turning on the television set, or taking cocaine, or doing many things that enable them to escape confrontation with the unpleasant realities of the world.”

Woody Allen (1935) American screenwriter, director, actor, comedian, author, playwright, and musician

[Allen, Woody, France Roche, Woody Allen, ou L'Anhedoniste; le Plus Drole du Monde, New York, 1979, France 2, 05 January 2013]
Others

Michael Moorcock photo

“It is many years since I have wielded a weapon larger than a pen, borne anything weightier than a difficult problem in philosophy.”

Book 3, Chapter 5 “Five Heroes and a Heroine” (p. 467)
The Runestaff (1969)

Henry Ward Beecher photo
Greil Marcus photo
James Bryce, 1st Viscount Bryce photo
Ken Livingstone photo
Michael Swanwick photo
George Ohsawa photo

“Macrobiotic living is the process of changing ourselves so that we can eat anything we like without fear of becoming ill; it enables us to live a joyful life during which we can achieve anything we choose.”

George Ohsawa (1893–1966) twentieth century Japanese philosopher

Source: Essential Ohsawa - From Food to Health, Happiness to Freedom - Understanding the Basics of Macrobiotics (1994), p. 82

Franklin D. Roosevelt photo
Jean Baudrillard photo
Otto Weininger photo

“Great men take themselves and the world too seriously to become what is called merely intellectual. Men who are merely intellectual are insincere; they are people who have never really been deeply engrossed by things and who do not feel an overpowering desire for production. All that they care about is that their work should glitter and sparkle like a well-cut stone, not that it should illuminate anything. They are more occupied with what will be said of what they think than by the thoughts themselves.”

Große Männer nehmen sich selbst und die Dinge zu ernst, um öfter als gelegentlich »geistreich« zu sein. Menschen, die nichts sind als eben »geistreich«, sind unfromme Menschen; es sind solche, die, von den Dingen nicht wirklich erfüllt, an ihnen nie ein aufrichtiges und tiefes Interesse nehmen, in denen nicht lang und schwer etwas der Geburt entgegenstrebt. Es ist ihnen nur daran gelegen, daß ihr Gedanke glitzere und funkle wie eine prächtig zugeschliffene Raute, nicht, daß er auch etwas beleuchte! Und das kommt daher, weil ihr Sinnen vor allem die Absicht auf das behält, was die anderen zu eben diesen Gedanken wohl »sagen« werden—eine Rücksicht, die durchaus nicht immer »rücksichtsvoll« ist.
Source: Sex and Character (1903), p. 104.

Rousas John Rushdoony photo
Henry Adams photo
Tad Williams photo

“It was impossible to see warfare as anything other than what Morgenes had once termed it: a kind of hell on earth that impatient mankind had arranged so it would not have to wait for the afterlife.”

Tad Williams (1957) novelist

Source: Memory, Sorrow, and Thorn, To Green Angel Tower (1993), Part 1, Chapter 12, “Raven’s Dance” (p. 392).

“Her point of view about student work was that of a social worker teaching finger-painting to children or the insane.
I was impressed with how common such an attitude was at Benton: the faculty—insofar as they were real Benton faculty, and not just nomadic barbarians—reasoned with the students, “appreciated their point of view”, used Socratic methods on them, made allowances for them, kept looking into the oven to see if they were done; but there was one allowance they never under any circumstances made—that the students might be right about something, and they wrong. Education, to them, was a psychiatric process: the sign under which they conquered had embroidered at the bottom, in small letters, Canst thou not minister to a mind diseased?—and half of them gave it its Babu paraphrase of Can you wait upon a lunatic? One expected them to refer to former students as psychonanalysts do: “Oh, she’s an old analysand of mine.” They felt that the mind was a delicate plant which, carefully nurtured, judiciously left alone, must inevitably adopt for itself even the slightest of their own beliefs.
One Benton student, a girl noted for her beadth of reading and absence of coöperation, described things in a queer, exaggerated, plausible way. According to her, a professor at an ordinary school tells you “what’s so”, you admit that it is on examination, and what you really believe or come to believe has “that obscurity which is the privilege of young things”. But at Benton, where education was as democratic as in “that book about America by that French writer—de, de—you know the one I mean”; she meant de Tocqueville; there at Benton they wanted you really to believe everything they did, especially if they hadn’t told you what it was. You gave them the facts, the opinions of authorities, what you hoped was their own opinion; but they replied, “That’s not the point. What do you yourself really believe?” If it wasn’t what your professors believed, you and they could go on searching for your real belief forever—unless you stumbled at last upon that primal scene which is, by definition, at the root of anything….
When she said primal scene there was so much youth and knowledge in her face, so much of our first joy in created things, that I could not think of Benton for thinking of life. I suppose she was right: it is as hard to satisfy our elders’ demands of Independence as of Dependence. Harder: how much more complicated and indefinite a rationalization the first usually is!—and in both cases, it is their demands that must be satisfied, not our own. The faculty of Benton had for their students great expectations, and the students shook, sometimes gave, beneath the weight of them. If the intellectual demands were not so great as they might have been, the emotional demands made up for it. Many a girl, about to deliver to one of her teachers a final report on a year’s not-quite-completed project, had wanted to cry out like a child, “Whip me, whip me, Mother, just don’t be Reasonable!””

Source: Pictures from an Institution (1954) [novel], Chapter 3, pp. 81–83

Zisi photo

“Therefore the moral man, even when he is not doing anything, is serious; and, even when he does not speak, is truthful.”

Zisi (-481–-402 BC) Chinese philosopher

Source: The Doctrine of the Mean, p. 126

Dave Barry photo
John Ruskin photo
Tanith Lee photo
Bram van Velde photo
John Holt (Lord Chief Justice) photo

“No counsel in the world that understand themselves, can argue anything against what has been often settled and always practised.”

John Holt (Lord Chief Justice) (1642–1710) English lawyer and Lord Chief Justice of England

Parkyn's Case (1696), 13 How. St. Tr. 134.

Emilio De Bono photo

“If you know anything, deny, deny, deny. I want to save Fascism.”

Emilio De Bono (1866–1944) Italian General

To Dumini. Quoted in "The Terror in Europe" - Page 223 - by Hubert Hessell Tiltman - 1932

Josh Groban photo
John Dear photo

“I’ve worked very hard for everything I’ve ever had. But it’s my journey. And I don’t regret anything.”

Erika Jayne (1969) American singer, actress and television personality

Erika Girardi interview to People http://people.com/tv/rhobh-erika-girardi-painful-past-wealthy-coma/ (2018)

“My conclusion is that today we are in chaos as far as the metropolis is concerned and do not do anything in the right direction.”

Constantinos Apostolou Doxiadis (1914–1975) Greek architect

Source: Building Entopia - 1975, Chapter 12, Metropolis, p. 171

John Wallis photo