Quotes about antiquity
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Pierre Hadot photo
Nur Muhammad Taraki photo
Karl Wilhelm Friedrich Schlegel photo

“To live classically and to realize antiquity practically within oneself is the summit and goal of philology.”

Karl Wilhelm Friedrich Schlegel (1772–1829) German poet, critic and scholar

Philosophical Fragments, P. Firchow, trans. (1991) § 147

Thomas Browne photo

“Time which antiquates Antiquities, and hath an art to make dust of all things.”

Source: Hydriotaphia, Urn Burial (1658), Chapter V

“In this chapter I want to raise the question partly in jest but partly also in seriousness whether the concept of the image cannot become the abstract foundation of a new science, or at least a cross-disciplinary specialization. As I am indulging in the symbolic communication of an image of images I will even venture to give the science a name — Eiconics — hoping thereby to endow it in the minds of my readers with some of the prestige of classical antiquity. I run some risk perhaps of having my new science confused with the study of icons. A little confusion, however, and the subtle overtones of half-remembered associations are all part of the magic of the name.”

Kenneth E. Boulding (1910–1993) British-American economist

Robert A. Solo (1994) commented: "Curiously, and quite independently of the publication of the The Image, there did occur in the 1950s and in the decades that followed a revolutionary transformation of the social and behavioral sciences associated with the term structuralism, which hinged on the concept and study of the image (call it cognitive structure, or paradigm, or episteme, or ideology). This was the case in the work of Jean Piaget in psychology, of Thomas Kuhn and Michael Foucault in the history and philosophy of science, of Noam Chomsky in linguistics, of Claude Levi Strauss in anthropology, and others. Though The Image was the first and in my view by far the finest American structuralist essay, it had no visible impact on economics... The economist's image of his world is alas very difficult to penetrate and even more difficult to change."
Source: 1950s, The Image: Knowledge in Life and Society, 1956, p. 128

Thomas Little Heath photo
Oliver Lodge photo
Francis Escudero photo
Henry Adams photo
Thomas Carlyle photo
Theodor Mommsen photo

“.. whatever may have been the style and title, the sovereign ruler was there, and accordingly the court established itself at once with all its due accompaniments of pomp, insipidity, and emptiness. Caesar appeared in public not in the robe of the consuls which was bordered with purple stripes, but in the robe wholly of purple which was reckoned in antiquity as the proper regal attire, and received, sitting on his golden chair and without rising from it, the solemn procession of the senate. The festivals in his honour commemorative of birthday, of victories, and of vows, filled the calendar. When Caesar came to the capital, his principal servants marched forth in trips to great distances so as to meet and escort him. To be near to him began to be of such importance, that the rents rose in the quarter of the city where he lived. Personal interviews with him were rendered so difficult by the multitude of individuals soliciting audience, that Caesar found himself compelled in many cases to communicate even with his intimate friends in writing, and that persons even of the highest rank had to wait for hours in the ante-chamber. People felt, more clearly than was agreeable to Caesar himself, that they no longer approached a fellow-citizen. There arose a monarchical aristocracy, which was a remarkable manner at once new and old, and which had sprung out of the idea of casting into the shade the aristocracy of the oligarchy by that of the royalty, the nobility of the patriciate. The patrician body still subsisted, although without essential privileges as an order, in the character of a close aristocratic guild; but as it could receive no new gentes it had dwindled away more and more in the course of centuries, and in Caesar's time there were not more than fifteen or sixteen patrician gentes still in existence. Caesar, himself sprung from one of them, got the right of creating new patrician gentes conferred on the Imperator by decree of the people, and so established, in contrast to the republican nobility, the new aristocracy of the patriciate, which most happily combined all the requisites of a monarchichal aristocracy - the charm of antiquity, entire dependence on the government, and total insignificance. On all sides the new sovereignty revealed itself.”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

Vol. 4, Part 2. Translated by W.P. Dickson.
The New Court.
The History of Rome - Volume 4: Part 2

William Hazlitt photo
Charlotte Brontë photo

“The theatre was full — crammed to its roof: royal and noble were there; palace and hotel had emptied their inmates into those tiers so thronged and so hushed. Deeply did I feel myself privileged in having a place before that stage; I longed to see a being of whose powers I had heard reports which made me conceive peculiar anticipations. I wondered if she would justify her renown: with strange curiosity, with feelings severe and austere, yet of riveted interest, I waited. She was a study of such nature as had not encountered my eyes yet: a great and new planet she was: but in what shape? I waited her rising.She rose at nine that December night: above the horizon I saw her come. She could shine yet with pale grandeur and steady might; but that star verged already on its judgment-day. Seen near, it was a chaos — hollow, half-consumed: an orb perished or perishing — half lava, half glow.I had heard this woman termed "plain," and I expected bony harshness and grimness — something large, angular, sallow. What I saw was the shadow of a royal Vashti: a queen, fair as the day once, turned pale now like twilight, and wasted like wax in flame.For awhile — a long while — I thought it was only a woman, though an unique woman, who moved in might and grace before this multitude. By-and-by I recognized my mistake. Behold! I found upon her something neither of woman nor of man: in each of her eyes sat a devil. These evil forces bore her through the tragedy, kept up her feeble strength — for she was but a frail creature; and as the action rose and the stir deepened, how wildly they shook her with their passions of the pit! They wrote HELL on her straight, haughty brow. They tuned her voice to the note of torment. They writhed her regal face to a demoniac mask. Hate and Murder and Madness incarnate she stood.It was a marvellous sight: a mighty revelation.It was a spectacle low, horrible, immoral.Swordsmen thrust through, and dying in their blood on the arena sand; bulls goring horses disembowelled, made a meeker vision for the public — a milder condiment for a people's palate — than Vashti torn by seven devils: devils which cried sore and rent the tenement they haunted, but still refused to be exorcised.Suffering had struck that stage empress; and she stood before her audience neither yielding to, nor enduring, nor in finite measure, resenting it: she stood locked in struggle, rigid in resistance. She stood, not dressed, but draped in pale antique folds, long and regular like sculpture. A background and entourage and flooring of deepest crimson threw her out, white like alabaster — like silver: rather, be it said, like Death.”

Source: Villette (1853), Ch. XXIII: Vashi

John Gray photo

“In Leopardi’s view, the universal claims of Christianity were a licence for universal savagery. Because it is directed to all of humanity, the Christian religion is usually praised, even by its critics, as an advance on Judaism. Leopardi – like Freud a hundred years later – did not share this view. The crimes of medieval Christendom were worse than those of antiquity, he believed, precisely because they could be defended as applying universal principles: the villainy introduced into the world by Christianity was ‘entirely new and more terrible … more horrible and more barbarous than that of antiquity’. Modern rationalism renews the central error of Christianity – the claim to have revealed the good life for all of humankind. Leopardi described the secular creeds that emerged in modern times as expressions of ‘half-philosophy’, a type of thinking with many of the defects of religion. What Leopardi called ‘the barbarism of reason’ – the project of remaking the world on a more rational model – was the militant evangelism of Christianity in a more dangerous form. Events have confirmed Leopardi’s diagnosis. As Christianity has waned, the intolerance it bequeathed to the world has only grown more destructive. From imperialism through communism and incessant wars launched to promote democracy and human rights, the most barbarous forms of violence have been promoted as means to a higher civilization.”

John Gray (1948) British philosopher

The Faith of Puppets: Leopardi and the Souls of Machines (p.32-3)
The Soul of the Marionette: A Short Enquiry into Human Freedom (2015)

Thomas Gray photo

“Ye distant spires, ye antique towers,
That crown the wat'ry glade.”

Thomas Gray (1716–1771) English poet, historian

St. 1
Ode on a Distant Prospect of Eton College http://www.thomasgray.org/cgi-bin/display.cgi?text=odec (written 1742–1750)

Theodor Mommsen photo

“Let us look back on the events which fill up the ten years of the Sullan restoration. No one of the movements, external or internal, which occurred during this period - neither the insurrection of Lepidus, nor the enterprises of the Spanish emigrants, nor the wars in Thrace and Macedonia and in Asia Minor, nor the risings of the pirates and the slaves - constituted of itself a mighty danger necessarily affecting the vital sinews of the nation; and yet the state had in all these struggles well-night fought for its very existence. The reason was that the tasks were left everywhere unperformed, so long as they might still have been performed with ease; the neglect of the simplest precautionary measures produced the most dreadful mischiefs and misfortunes, and transformed dependent classes and impotent kings into antagonists on a footing of equality. The democracy and the servile insurrection were doubtless subdued; but such as the victories were, the victor was neither inwardly elevated nor outwardly strengthened by them. It was no credit to Rome, that the two most celebrated generals of the government party had during a struggle of eight years marked by more defeats than victories failed to master the insurgent chief Sertorius and his Spanish guerrillas, and that it was only the dagger of his friends that decided the Sertorian war in favour[sic] of the legitimate government. As to the slaves, it was far less an honour[sic] to have confronted them in equal strive for years. Little more than a century had elapsed since the Hannibalic war; it must have brought a blush to the cheek of the honourable[sic] Roman, when he reflected on the fearfully rapid decline of the nation since that great age. Then the (the Roman) Italian slaves stood like a wall against the veterans of Hannibal; now the Italian militia were scattered like chaff before the bludgeons of their runaway serfs. Then every plain captain acted in case of need as general, and fought often without success, but always with honour, not it was difficult to find among all the officers of rank a leader of even ordinary efficiency. Then the government preferred to take the last farmer from the plough rather than forgo the acquisition of Spain and Greece; now they were on the eve of again abandoning both regions long since acquired, merely that they might be able to defend themselves against the insurgent slaves at home. Spartacus too as well as Hannibal had traversed Italy with an army from the Po to the Sicilian Straights, beaten both consuls, and threatened Rome with a blockade; the enterprise which had needed the greatest general of antiquity to conduct it against the Rome of former days could be undertaken against the Rome of the present by a daring captain of banditti. Was there any wonder that no fresh life sprang out of such victories over insurgents and robber-chiefs?”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

Vol. 4, Pt. 1, Chapter 2. "Rule of the Sullan Restoration"
The Government of the Restoration as a Whole
The History of Rome - Volume 4: Part 1

Ogden Nash photo

“This poem has widely been credited to Nash as a poem with the title "Fleas", but is actually the work of Strickland Gillilan and was originally titled "Lines on the Antiquity of Microbes.”

Ogden Nash (1902–1971) American poet

It has been dated to at least 1927 http://www.fun-with-words.com/shortest_poem.html, as published in the Mt Rainier Nature News Notes (1 July 1927).
Misattributed

E. M. S. Namboodiripad photo
Jean-François Millet photo

“What do I care? 'I don't come here to please anybody. I come because there are antiques and models to teach me, that is all. Do I object to your figures, made of butter and honey [to Alfred Boisseau]?”

Jean-François Millet (1814–1875) French painter

Quote of Millet, c. 1839; as cited by biographer , in Jean-Francois Millet – Peasant and Painter, transl. Helena de Kay; publ. Macmillan and Co., London, 1881, p. 54
Boisseau criticized Millet on making his own plan; he was one of the master's pets of art-teacher Paul Delaroche in Paris, that time
1835 - 1850

Lloyd deMause photo
Helena Petrovna Blavatsky photo
Marcus Tullius Cicero photo

“History is truly the witness of times past, the light of truth, the life of memory, the teacher of life, the messenger of antiquity; whose voice, but the orator's, can entrust her to immortality?”
Historia vero testis temporum, lux veritatis, vita memoriae, magistra vitae, nuntia vetustatis, qua voce alia nisi oratoris immortalitati commendatur?

Marcus Tullius Cicero (-106–-43 BC) Roman philosopher and statesman

De Oratore Book II; Chapter IX, section 36

Thomas Warton photo

“Nor rough, nor barren, are the winding ways
Of hoar antiquity, but strown with flowers.”

Thomas Warton (1728–1790) English literary historian, critic, poet

"Sonnet Written in a Blank Leaf of Dugdale's Monasticon" (1777), line 13.

George Santayana photo
Francis Bacon photo

“[I]n the system of Copernicus there are found many and great inconveniences; for both the loading of the earth with triple motion is very incommodious, and the separation of the sun from the company of the planets, with which it has so many passions in common, is likewise a difficulty, and the introduction of so much immobility into nature, by representing the sun and stars as immovable, especially being of all bodies the highest and most radiant, and making the moon revolve about the earth in an epicycle, and some other assumptions of his, are the speculations of one who cares not what fictions he introduces into nature, provided his calculations answer. But if it be granted that the earth moves, it would seem more natural to suppose that there is no system at all, but scattered globes… than to constitute a system of which the sun is the centre. And this the consent of ages and of antiquity has rather embraced and approved. For the opinion concerning the motion of the earth is not new, but revived from the ancients… whereas the opinion that the sun is the centre of the world and immovable is altogether new… and was first introduced by Copernicus. …But if the earth moves, the stars may either be stationary, as Copernicus thought or, as it is far more probable, and has been suggested by Gilbert, they may revolve each round its own centre in its own place, without any motion of its centre, as the earth itself does… But either way, there is no reason why there should not be stars above stars til they go beyond our sight.”

Francis Bacon (1561–1626) English philosopher, statesman, scientist, jurist, and author

Descriptio Globi Intellectualis (1653, written ca. 1612) Ch. 6, as quoted in "Description of the Intellectual Globe," The Works of Francis Bacon (1889) pp. 517-518, https://books.google.com/books?id=lsILAAAAIAAJ&pg=PA517 Vol. 4, ed. James Spedding, Robert Leslie Ellis, Douglas Denon Heath.

Adolphe Quetelet photo
Mandell Creighton photo
Thomas Little Heath photo
James Macpherson photo
Joan Miró photo

“In the current struggle I see the antiquated forces of fascism on one side, and on the other, those of the people, whose immense creative resources will give Spain a drive that will amaze the world.”

Joan Miró (1893–1983) Catalan painter, sculptor, and ceramicist

1961 and later
Source: Revelations', Luis Permanyer, April 1978; as quoted in Calder Miró, ed. Elizabeth Hutton Turner / Oliver Wick; Philip Wilson Publishers, London 2004, p. 81 note 10

Richard Mead photo

“Modern Slavs, both Bulgarians and Macedonians, cannot establish a link with antiquity, as the Slavs entered the Balkans centuries after the demise of the ancient Macedonian kingdom. Only the most radical Slavic factions—mostly émigrés in the United States, Canada, and Australia—even attempt to establish a connection to antiquity […] The twentieth-century development of a Macedonian ethnicity, and its recent evolution into independent statehood following the collapse of the Yugoslav state in 1991, has followed a rocky road. In order to survive the vicissitudes of Balkan history and politics, the Macedonians, who have had no history, need one. They reside in a territory once part of a famous ancient kingdom, which has borne the Macedonian name as a region ever since and was called ”Macedonia” for nearly half a century as part of Yugoslavia. And they speak a language now recognized by most linguists outside Bulgaria, Serbia, and Greece as a south Slavic language separate from Slovenian, Serbo-Croatian, and Bulgarian. Their own so-called Macedonian ethnicity had evolved for more than a century, and thus it seemed natural and appropriate for them to call the new nation “Macedonia” and to attempt to provide some cultural references to bolster ethnic survival..”

Eugene N. Borza (1935) American historian

"Macedonia Redux", in "The Eye Expanded: life and the arts in Greco-Roman Antiquity", ed. Frances B Tichener & Richard F. Moorton, University of California Press, 1999

Letitia Elizabeth Landon photo

“There is an antique gem, on which her brow
Retains its graven beauty even now.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Erinna
The Golden Violet (1827)

Francis Parkman photo
Everett Dean Martin photo
Robert E. Howard photo
Walter Pater photo

“The presence that thus rose so strangely beside the waters, is expressive of what in the ways of a thousand years men had come to desire. Hers is the head upon which all "the ends of the world are come," and the eyelids are a little weary. It is a beauty wrought out from within upon the flesh, the deposit, little cell by cell, of strange thoughts and fantastic reveries and exquisite passions. Set it for a moment beside one of those white Greek goddesses or beautiful women of antiquity, and how would they be troubled by this beauty, into which the soul with all its maladies has passed! All the thoughts and experience of the world have etched and moulded there, in that which they have of power to refine and make expressive the outward form, the animalism of Greece, the lust of Rome, the reverie of the middle age with its spiritual ambition and imaginative loves, the return of the Pagan world, the sins of the Borgias. She is older than the rocks among which she sits; like the vampire, she has been dead many times, and learned the secrets of the grave; and has been a diver in deep seas, and keeps their fallen day about her; and trafficked for strange webs with Eastern merchants: and, as Leda, was the mother of Helen of Troy, and, as Saint Anne, the mother of Mary; and all this has been to her but as the sound of lyres and flutes, and lives only in the delicacy with which it has moulded the changing lineaments, and tinged the eyelids and the hands. The fancy of a perpetual life, sweeping together ten thousand experiences, is an old one; and modern thought has conceived the idea of humanity as wrought upon by, and summing up in itself, all modes of thought and life. Certainly Lady Lisa might stand as the embodiment of the old fancy, the symbol of the modern idea.”

Walter Pater (1839–1894) essayist, art and literature critic, fiction writer

On the Mona Lisa, in Leonardo da Vinci
The Renaissance http://www.authorama.com/renaissance-1.html (1873)

Revilo P. Oliver photo
Paul Klee photo
William Harvey photo
Bram Stoker photo

“Some persons in Europe carry their notions about cruelty to animals so far as not to allow themselves to eat animal food. Many very intelligent men have, at different times of their lives, abstained wholly from flesh; and this too with very considerable advantage to their health. … The most attentive research which I have been able to make into the health of all these persons induces me to believe that vegetable food is the natural diet of man; I tried it once with very considerable advantage: my strength became greater, my intellect clearer, my power of continued exertion protracted, and my spirits much higher than they were when I lived on a mixed diet. I am inclined to think that the inconvenience which some persons experience from vegetable food is only temporary; a few repeated trials would soon render it not only safe but agreeable, and a disgust to the taste of flesh, under any disguise, would be the result of the experiment. The Carmelites and other religious orders, who subsist only on the productions of the vegetable world, live to a greater age than those who feed on meat, and in general herbivorous persons are milder in their dispositions than other people. The same quantity of ground has been proved to be capable of sustaining a larger and stronger population on a vegetable than on a meat diet; and experience has shewn that the juices of the body are more pure and the viscera much more free from disease in those who live in this simple way. All these facts, taken collectively, point to a period, in the progress of civilization, when men will cease to slay their fellow mortals in the animal world for food, and will tend thereby to realize the fictions of antiquity and the Sybilline oracles respecting the millennium or golden age.”

Thomas Ignatius Maria Forster (1789–1860) British astronomer

Philozoia; or Moral Reflections on the Actual Condition of the Animal Kingdom, and on the Means of Improving the same, Brussels: Deltombe and W. Todd, 1839, pp. 42 https://books.google.it/books?id=hdVq93Ypgu0C&pg=PA42-43.

Charles Lamb photo

“When my sonnet was rejected, I exclaimed, 'Damn the age; I will write for Antiquity!”

Charles Lamb (1775–1834) English essayist

Letter to Proctor (January 22, 1829), in Oxford Dictionary of Quotations by Subject (2000), p. 526

Robert E. Howard photo
Woody Allen photo
Auguste Rodin photo

“In sculpture the projection of the fasciculi must be accentuated, the foreshortening forced, the hollows deepened; sculpture is the art of the hole and the lump, not of clear, well-smoothed, unmodelled figures. Ignorant people, when they see close-knitted true surfaces, say that 'it is not finished.' No notion is falser than that of finish unless it be that of elegance; by means of these two ideas people would kill our art. The way to obtain solidity and life is by work carried out to the fullest, not in the direction of achievement and of copying détails, but in that of truth in the successive schemes. The public, perverted by académie préjudices, confounds art with neatness. The simplicity of the 'École' is a painted cardboard ideal, A cast from life is a copy, the exactest possible copy, and yet it has neither motion nor eloquence. Art intervenes to exaggerate certain surfaces, and also to fine down others. In sculpture everything depends upon the way in which the modelling is carried out with a constant thought of the main line of the scheme, upon the rendering of the hollows, of the projections and of their connections; thus it is that one may get fine lights, and especially fine shadows that are not opaque. Everything should be emphasised according to the accent that it is desired to render, and the degree of amplification is personal, according to the tact and the temperament of each sculptor; and for this reason there is no transmissible process, no studio recipe, but only a true law. I see it in the antique and in Michael Angelo. To work by the profiles, in depth not by surfaces, always thinking of the few geometrical forms from which all nature proceeds, and to make these eternal forms perceptible in the individual case of the object studied, that is my criterion. That is not idealism, it is a part of the handicraft. My ideas have nothing to do with it but for that method; my Danaids and my Dante figures would be weak, bad things. From the large design that I get your mind deduces ideas.”

Auguste Rodin (1840–1917) French sculptor

Source: Auguste Rodin: The Man, His Ideas, His Works, 1905, p. 61-63

James Tod photo

“If we compare the antiquity and illustrious descent of the dynasties which have ruled, and some which continue to rule, the small sovereignties of Rajasthan, with many of celebrity in Europe, superiority will often attach to the Rajput.”

James Tod (1782–1835) 1782-1835, English officer of the British East India Company and an Oriental scholar

Annals and Antiquities of Rajasthan by James Tod

Frederick II of Prussia photo
Michael Moorcock photo
Mark Rothko photo
Richard Rodríguez photo
Cass Elliot photo
Guillaume Apollinaire photo

“At last you're tired of this elderly world
Shepherdess O Eiffel Tower this morning the bridges are bleating
You're fed up living with antiquity”

A la fin tu es las de ce monde ancien
Bergère ô tour Eiffel le troupeau des ponts bêle ce matin
Tu en as assez de vivre dans l'antiquité grecque et romaine
"Zone", line 1; translation from Donald Revell (trans.) Alcools (Hanover, NH: Wesleyan University Press, 1995) p. 3.
Alcools (1912)

Arthur Schopenhauer photo

“The view of things [called Pantheism] … — that all plurality is only apparent, that in the endless series of individuals, passing simultaneously and successively into and out of life, generation after generation, age after age, there is but one and the same entity really existing, which is present and identical in all alike; — this theory … may be carried back to the remotest antiquity. It is the alpha and omega of the oldest book in the world, the sacred Vedas, whose dogmatic part, or rather esoteric teaching, is found in the Upanishads. There, in almost every page this profound doctrine lies enshrined; with tireless repetition, in countless adaptations, by many varied parables and similes it is expounded and inculcated. That such was, moreover, the fount whence Pythagoras drew his wisdom, cannot be doubted … That it formed practically the central point in the whole philosophy of the Eleatic School, is likewise a familiar fact. Later on, the New Platonists were steeped in the same … In the ninth century we find it unexpectedly appearing in Europe. It kindles the spirit of no less a divine than Johannes Scotus Erigena, who endeavours to clothe it with the forms and terminology of the Christian religion. Among the Mohammedans we detect it again in the rapt mysticism of the Sufi. In the West Giordano Bruno cannot resist the impulse to utter it aloud; but his reward is a death of shame and torture. And at the same time we find the Christian Mystics losing themselves in it, against their own will and intention, whenever and wherever we read of them! Spinoza's name is identified with it.”

Part IV, Ch. 2, pp. 269 https://archive.org/stream/basisofmorality00schoiala#page/269/mode/2up-272
On the Basis of Morality (1840)

Bal Gangadhar Tilak photo

“…its ultimate origin is still lost in geological antiquity.”

Bal Gangadhar Tilak (1856–1920) Indian independence activist

“The Arctic Home in the Vedas” on dating of the Vedas to 3000 to 1400 BC [Ganga Prasad, The Fountainhead of Religion: A Comparative Study of the Principle Religions of the World and a Manifestation of Their Common Origin from the Vedas, http://books.google.com/books?id=0QO_zed25R4C&pg=PA222, 1 January 2000, Book Tree, 978-1-58509-054-9, 222–]

Samuel Taylor Coleridge photo

“The book of Job is pure Arab poetry of the highest and most antique cast.”

Samuel Taylor Coleridge (1772–1834) English poet, literary critic and philosopher

9 May 1830
Table Talk (1821–1834)

William McKinley photo

“Without competition we would be clinging to the clumsy antiquated processes of farming and manufacture and the methods of business of long ago, and the twentieth would be no further advanced than the eighteenth century.”

William McKinley (1843–1901) American politician, 25th president of the United States (in office from 1897 to 1901)

Speech delivered at the Pan-American Exposition, Buffalo, New York (September 5, 1901).
1900s

Michel Foucault photo
Ivan Goncharov photo
Edward Everett photo
Karen Armstrong photo
Paula Modersohn-Becker photo
Joseph Strutt photo

“Posthumous fame, book fame, nerd fame is not like the good kind of fame. It might last for centuries and let antique egg heads torture the young from the grave, but it just doesn't pay the bills.”

Laura Penny (1975) Canadian journalist

Source: More Money than Brains (2010), Chapter Seven, If You're So Smart, Why Ain't You Rich?, p. 206 (See also: Henry David Thoreau, Karl Marx, James Joyce, Herman Mellville...)

Edward Thomson photo
Max Tegmark photo
Thomas Browne photo
Guillaume Apollinaire photo

“You see before you a man in his right mind
Worldly-wise and with access to death
Having tested the sorrow of love and its ecstasies
Having sometimes even astonished the professors
Good with languages
Having travelled a great deal
Having seen battle in the Artillery and the Infantry
Wounded in the head trepanned under chloroform
Having lost my best friends in the butchery
As much of antiquity and modernity as can be known I know”

Me voici devant tous un homme plein de sens
Connaissant la vie et de la mort ce qu'un vivant peut connaître
Ayant éprouvé les douleurs et les joies de l'amour
Ayant su quelquefois imposer ses idées
Connaissant plusieurs langages
Ayant pas mal voyagé
Ayant vu la guerre dans l'Artillerie et l'lnfanterie
Blessé à la tête trépané sous le chloroforme
Ayant perdu ses meilleurs amis dans l'effroyable lutte
Je sais d'ancien et de nouveau autant qu'un homme seul pourrait des deux savoir
"La jolie rousse" (The Pretty Redhead), line 1; p. 133.
Calligrammes (1918)

Neil deGrasse Tyson photo
Alain photo
Henry James photo
Thomas Babington Macaulay, 1st Baron Macaulay photo

“There is not, and there never was on this earth, a work of human policy so well deserving of examination as the Roman Catholic Church. The history of that Church joins together the two great ages of human civilisation. No other institution is left standing which carries the mind back to the times when the smoke of sacrifice rose from the Pantheon, and when camelopards and tigers bounded in the Flavian amphitheatre. The proudest royal houses are but of yesterday, when compared with the line of the Supreme Pontiffs. That line we trace back in an unbroken series, from the Pope who crowned Napoleon in the nineteenth century to the Pope who crowned Pepin in the eighth; and far beyond the time of Pepin the august dynasty extends, till it is lost in the twilight of fable. The republic of Venice came next in antiquity. But the republic of Venice was modern when compared with the Papacy; and the republic of Venice is gone, and the Papacy remains. The Papacy remains, not in decay, not a mere antique, but full of life and youthful vigour. The Catholic Church is still sending forth to the farthest ends of the world missionaries as zealous as those who landed in Kent with Augustin, and still confronting hostile kings with the same spirit with which she confronted Attila. The number of her children is greater than in any former age. Her acquisitions in the New World have more than compensated for what she has lost in the Old. Her spiritual ascendency extends over the vast countries which lie between the plains of the Missouri and Cape Horn, countries which a century hence, may not improbably contain a population as large as that which now inhabits Europe. The members of her communion are certainly not fewer than a hundred and fifty millions; and it will be difficult to show that all other Christian sects united amount to a hundred and twenty millions. Nor do we see any sign which indicates that the term of her long dominion is approaching. She saw the commencement of all the governments and of all the ecclesiastical establishments that now exist in the world; and we feel no assurance that she is not destined to see the end of them all. She was great and respected before the Saxon had set foot on Britain, before the Frank had passed the Rhine, when Grecian eloquence still flourished at Antioch, when idols were still worshipped in the temple of Mecca. And she may still exist in undiminished vigour when some traveller from New Zealand shall, in the midst of a vast solitude, take his stand on a broken arch of London Bridge to sketch the ruins of St. Paul's.”

"Essay on Ludwig von Ranke's 'History of the Popes', in "Critical and Historical Essays", iii, (London; Longman, 7th Edn. 1952), 100-1.
Attributed

Robert Chambers (publisher, born 1802) photo
John Palfrey photo
James Madison photo
William Ewart Gladstone photo
John Dalberg-Acton, 1st Baron Acton photo
Hillary Clinton photo
Lucio Russo photo

“Today Eratosthenes' method [of calculating the circumference of the earth] seems almost banal … yet it is inaccessible to prescientific civilizations, and in all of Antiquity not a single Latin author succeeded in stating it coherently.”

Lucio Russo (1944) Italian historian and scientist

3.2, "Geodesy and Mathematical Geography", p. 68
The Forgotten Revolution: How Science Was Born in 300 BC and Why It Had to Be Reborn (2004)

Edward Gibbon photo
James Macpherson photo

“All hail, Macpherson! hail to thee, Sire of Ossian! The Phantom was begotten by the suing embrace of all impudent Highlander upon a cloud of tradition—it travelled southward, where it was greeted with acclamation, and the thin Consistence took its course through Europe, upon the breath of popular applause. […] Having had the good fortune to be born and reared in a mountainous country, from my very childhood I have felt the falsehood that pervades the volumes imposed upon the world under the name of Ossian. From what I saw with my own eyes, I knew that the imagery was spurious. In Nature everything is distinct, yet nothing defined into absolute independent singleness. In Macpherson's work, it is exactly the reverse; every thing (that is not stolen) is in this manner defined, insulated, dislocated, deadened,—yet nothing distinct. It will always be so when words are substituted for things. […] Yet, much as those pretended treasures of antiquity have been admired, they have been wholly uninfluential upon the literature of the Country. No succeeding writer appears to have taught from them a ray of inspiration; no author, in the least distinguished, has ventured formally to imitate them—except the boy, Chatterton, on their first appearance. […] This incapacity to amalgamate with the literature of the Island, is, in my estimation, a decisive proof that the book is essentially unnatural; nor should I require any other to demonstrate it to be a forgery, audacious as worthless.”

James Macpherson (1736–1796) Scottish writer, poet, translator, and politician

William Wordsworth, "Essay Supplementary to the Preface" http://spenserians.cath.vt.edu/TextRecord.php?textsid=35963 in Poems by William Wordsworth, Vol. I (1815), pp. 363–365.
Criticism

Philip Sidney photo
Charles Lyell photo
Dan Brown photo

“Have confidence in yourself, you are the only one of its kind in the World, never compare yourself to any body. Improve yourself in every field be it a education, training, antiquates, attire, mannerism, knowledge, communication. Your competition should be with you.”

Nikita Gokhale (1990) Indian Actress, Indian Model

Shah,Sanjay. " “Nikita Ghokale on the Board of Asian School of Fashion And Design” http://blogs.rediff.com/asiannewsagency/2016/11/28/nikita-ghokale-on-the-board-of-asian-school-of-fashion-and-design/.Rediff.com. November 28, 2016.