Quotes about adaptation
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“The first commercial licensing of where CP/M was used to monitor programs in the Octopus network. Little attention was paid to CP/M for about a year. In my spare time, I worked to improve overall facilities… By this time, CP/M had been adapted for four different controllers….
In 1976”

Gary Kildall (1942–1994) Computer scientist and entrepreneur

Gary Kildall (1980) " The History of CP/M, The Evolution of an Industry: One Person's Viewpoint http://www.retrotechnology.com/dri/CPM_history_kildall.txt." Dr. Dobb's Journal of Computer Calisthenics & Orthodontia Vol. 5 (1) (41). p. 6-7

Brendan Brazier photo
Mary Midgley photo
Friedrich Hayek photo

“Our basic problem is that we have three levels, I would say, of moral beliefs. We have the first instance, our intuitive moral feelings which are adapted to the small, person-to-person society where we act for people whom we know and are served by people whom we know. Then, we have a society governed by moral traditions which, unlike what modern rationalists believe, are not intellectual discoveries of men who designed them, but as a result of a persons, which I now prefer to describe as term of 'group selection.' Those groups who had accidentally developed such as the tradition of private property and the family who did succeed, but never understood this. So we owe our present extended order of human cooperation very largely to a moral tradition which the intellectual does not approve of, because it has never been intellectually designed and it has to compete with a third level of moral beliefs, those which the morals which the intellectuals designed in the hope that they can better satisfy man's instincts than the traditional morals to do. And we live in a world where three moral traditions are in constant conflict, the innate ones, the traditional ones, and the intellectually designed ones, and ultimately, all our political conflicts of this time can be reduced as affected by a conflict between free moral tradition of a different nature, not only of different content.”

Friedrich Hayek (1899–1992) Austrian and British economist and Nobel Prize for Economics laureate

in 1985 interview https://www.youtube.com/watch?v=11AXDT5824Y with John O'Sullivan
1980s and later

Charles Lyell photo
Talal Abu-Ghazaleh photo
William H. Starbuck photo
Daniel McCallum photo
Chris Hedges photo
Johannes Grenzfurthner photo

“Contemporary art -- the field we are usually working in because there's money -- is mostly concerned with systems or systematic concepts. In the context of their work, artists adapt models of individual art-specific or economic or political systems like in a laboratory, to reveal the true nature of these systems by deconstructing them. So would it be fair to say that by their chameleon-like adaptation they are attempting to generate a similar system? Well… the corporate change in the art market has aged somewhat in the meantime and looks almost as old as the 'New Economy'. Now even the last snotty brat has realized that all the hogwash about the creative industries, sponsoring, fund-raising, the whole load of bullshit about the beautiful new art enterprises, was not much more than the awful veneer on the stupid, crass fanfare of neo-liberal liberation teleology. What is the truth behind the shifting spheres of activity between computer graphics, web design and the rest of all those frequency-orientated nerd pursuits? A lonely business with other lonely people at their terminals. And in the meantime the other part of the corporate identity has incidentally wasted whole countries like Argentina or Iceland. That's the real truth of the matter.”

Johannes Grenzfurthner (1975) Austrian artist, writer, curator, and theatre and film director

Interview on Furtherfield http://www.furtherfield.org/interviews/interview-johannes-grenzfurthner-monochrom-part-1

John Buchan photo
Erich Fromm photo
Eugène Delacroix photo
Elias Canetti photo
William H. Seward photo
Daniel Levitin photo
Octavia E. Butler photo
Wassily Leontief photo
Leo Tolstoy photo
Reinhard Selten photo
Martin Luther King, Jr. photo
Uthradom Thirunal Marthanda Varma photo
William Lisle Bowles photo

“Poetic trifles from solitary rambles whilst chewing the cud of sweet and bitter fancy.. now written from memory, confined to fourteen lines, this seemed best adapted to the unity of sentiment, the verse flowed in unpremeditated harmony as my ear directed but are far from being mere elegiac couplets.”

William Lisle Bowles (1762–1850) English priest, poet and critic

From Preface to The Poetical Works of William Lisle Bowles, Vol. 1 - With Memoir, Critical Dissertation, and Explanatory Notes by George Gilfillan (1855) Ballantyne & Co , Edinburgh , kindle ebook edition ASIN B0082VAFKO.

Thomas Henry Huxley photo

“Rousseau's writings are so admirably adapted to touch both these classes that the effect they produced, especially in France, is easily intelligible.”

Thomas Henry Huxley (1825–1895) English biologist and comparative anatomist

"On The Natural Inequality of Men" (January 1890) http://aleph0.clarku.edu/huxley/CE1/NatIneq.html
1890s

Roy Strong photo
Kit Carson photo
Calvin Coolidge photo

“Conscious of a strength which removes us from either fear or truculence, satisfied with dominions and resources which free us from lust of territory or empire, we see that our highest interest will be promoted by the prosperity and progress of our neighbors. We recognize that what has been accomplished here has largely been due to the capacity of our people for efficient cooperation. We shall continue prosperous at home and helpful abroad, about as we shall maintain and continually adapt to changing conditions the system under which we have come thus far. I mean our Federal system, distributing powers and responsibilities between the States and the National Government. For that is the greatest American contribution to the organization of government over great populations and wide areas. It is the essence of practical administration for a nation placed as ours is. It has become so commonplace to us, and a pattern by so many other peoples, that we do not always realize how great an innovation it was when first formulated, or how great the practical problems which its operation involves. Because of my conviction that some of these problems are at this time in need of deeper consideration, I shall take this occasion to try to turn the public mind in that direction.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

1920s, The Reign of Law (1925)

Octavia E. Butler photo
Fritjof Capra photo

“Organizations need to undergo fundamental changes, both in order to adapt to the new business environment and to become ecologically sustainable.”

Source: The Hidden Connections (2002), p. 86 Ch. 4 Life and Leadership in Organizations http://beahrselp.berkeley.edu/wp-content/uploads/2010/06/Capra-Hidden-Connections-Ch-4.pdf.

Niklaus Wirth photo
George Canning photo

“Who e'er ye are, all hail! – whether the skill
Of youthful CANNING guides the ranc'rous quill;
With powers mechanic far above his age,
Adapts the paragraph and fills the page;
Measures the column, mends what e'er's amiss,
Rejects THAT letter, and accepts of THIS;”

George Canning (1770–1827) British statesman and politician

William Lamb, 2nd Viscount Melbourne, ‘Epistle to the Editors of the Anti-Jacobin’, quoted in Wendy Hinde, George Canning (London: Purnell Books Services, 1973), p. 59.
About

Brook Taylor photo
Ervin László photo
Robert T. Bakker photo
Lloyd Kenyon, 1st Baron Kenyon photo
Patrick Matthew photo
Shona Brown photo
Paul Klee photo

“And now an altogether revolutionary discovery: to adapt oneself to the contents of the paintbox is more important than [to] nature and its study. I must some day be able to improvise freely on the chromatic keyboard of the rows of watercolor cup.”

Paul Klee (1879–1940) German Swiss painter

Quote (1911), Diary # 873; as cited by Francesco Mazzaferro, in 'The Diaries of Paul Klee Part Four', : Klee as an Expressionist and Constructivist Painter http://letteraturaartistica.blogspot.nl/2015/05/paul-klee-ev27.html
1911 - 1914

Archibald Primrose, 5th Earl of Rosebery photo
Jordan Peterson photo

“We're adapted to the meta-reality, which means that we're adapted to that which remains constant across the longest spans of time. And that's not the same things that you see around you day to day. They're just like clouds, they're just evaporating, you know? There are things underneath that that are more fundamental realities, like the dominance hierarchy, like the tribe, like the danger outside of society, like the threat that other people pose to you, and the threat that you pose to yourself. Those are eternal realities, and we're adapted to those. That's our world, and that's why we express all those things in stories. Then you might say, well how do you adapt yourself to that world? The answer, and I believe this is a neurological answer, is that your brain can tell you when you're optimally situated between chaos and order. The way it tells you that is by producing the sense of engagement and meaning. Let's say that there's a place in the environment that you should be. So what should that place be? Well, you don't want to be terrified out of your skull. What good is that? And you don't want to be so comfortable that you might as well sleep. You want to be somewhere where you are kind of on firm ground with both of your feet, but you can take a step with one leg and test out new territory. Some of you who are exploratory and emotionally stable are going to go pretty far out there into the unexplored territory without destabilizing yourself. And some people are just going to put a toe in the chaos, and that's neuroticism basically - your sensitivity to threat that is calibrated differently in different people. And some people are more exploratory than others. That's extroversion and openness, and intelligence working together. Some people are going to tolerate more chaos in their mixture of chaos and order. Those are often liberals, by the way. They're more interested in novel chaos, and conservatives are more interested in the stabilization of the structures that already exist. Who's right? It depends on the situation. That's why liberals and conservatives have to talk to each other, because one of them isn't right and the other is wrong. Sometimes the liberals are right and sometimes the liberals are right, because the environment is unpredictable and constantly changing, so that's why you have to communicate. That's what a democracy does. It allows people of different temperamental types to communicate and to calibrate their societies. So let's say you're optimally balanced between chaos and order. What does that mean? Well, you're stable enough, but you're interested. A little novelty heightens your anxiety. It wakes you up a bit. That's the adventure part of it. But it also focuses the part of your brain that does exploratory activity, and that's associated with pleasure. That's the dopamine circuit. So if you're optimally balanced - and you know you're there if you're listening to an interesting conversation or you're engaged in one…you're saying some things that you know, and the other person is saying some things that they know - and what both of you know is changing. Music can model that. It provides you with multi-level predictable forms that can transform just the right amount. So music is a very representational art form. It says, 'this is what the universe is like.' There's a dancing element to it, repetitive, and then little variations that surprise you and produce excitement in you. In doesn't matter how nihilistic you are, music still infuses you with a sense of meaning because it models meaning. That's what it does. That's why we love it. And you can dance to it, which represents you putting yourself in harmony with these multiple layers of reality, and positioning yourself properly.”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

"The selection pressure that women placed on men developed the entire species. There's two things that happened. The men competed for competence, since the male hierarchy is a mechanism that pushes the best men to the top. The effect of that is multiplied by the fact that women who are hypergamous peel from the top. And so the males who are the most competent are much more likely to leave offspring, which seems to have driven cortical expansion."
Concepts

Bhakti Tirtha Swami photo
Jamie Bartlett photo
Brooks Adams photo
Mary Meeker photo
Alfred de Zayas photo

““The term (system-of-systems) is being applied to the creation of new systems by bringing together existing operational systems under a single umbrella and, presumably, creating or adapting links and interactions between the operational systems, which become subsystems of the higher level umbrella system.””

Derek Hitchins (1935) British systems engineer

Source: Advanced Systems Thinking, Engineering and Management (2003), p. 80 as cited in: Jung-Ho Lewe (2005) An Integrated Decision-Making Framework for Transportation Architectures https://smartech.gatech.edu/jspui/bitstream/1853/6918/1/Jung-Ho_Lewe_200505_phd.pdf. p.

Octavia E. Butler photo
Nicholas Wade photo
Alan Blinder photo

“What nevertheless subsists is the desire of an absolute ideal form, a form which can adapt itself to any setting and to any scale.”

Fritz Wotruba (1907–1975) Austrian sculptor (23 April 1907, Vienna – 28 August 1975, Vienna)

Source: The Human Form: Sculpture, Prints, and Drawings, 1977, p. 7.

Andrew S. Grove photo

“All of us in business have a responsibility to maintain the industrial base on which we depend and the society whose adaptability — and stability — we may have taken for granted.”

Andrew S. Grove (1936–2016) Hungarian-born American businessman, engineer, and author

Andrew Grove in: " Andy Grove’s Warning to Silicon Valley http://www.nytimes.com/2016/03/26/opinion/andy-groves-warning-to-silicon-valley.html?_r=0", New York Times, March 26, 2016
New millennium

Jay-Z photo

“Hand gettin the mic. Forgettin all I ever knew, convenient amnesia. I suggest you call my lawyer, I know the procedure
Lock my body, can't trap my mind
easily, explains why we adapt to crime
I'd rather die enormous than live dormant, that's how we on it.”

Jay-Z (1969) American rapper, businessman, entrepreneur, record executive, songwriter, record producer and investor

Can I Live
Reasonable Doubt (1996)

J. Doyne Farmer photo
Vyasa photo
Ernst Mach photo

“I see the expression of… economy clearly in the gradual reduction of the statical laws of machines to a single one, viz., the principle of virtual work: in the replacement of Kepler's laws by Newton's single law… and in the [subsequent] reduction, simplification and clarification of the laws of dynamics. I see clearly the biological-economical adaptation of ideas, which takes place by the principles of continuity (permanence) and of adequate definition and splits the concept 'heat' into the two concepts of 'temperature' and 'quantity of heat'; and I see how the concept 'quantity of heat' leads on to 'latent heat', and to the concepts of 'energy' and 'entropy.”

Ernst Mach (1838–1916) Austrian physicist and university educator

Mach (1910) "Die Leitgedanken meiner naturwissenschaftlichcn Erkennenislehre und ihr Aufnahme durch die Zeitgenossen", Physikalische Zeitschrift. 1, 1910, 599-606 Eng. trans. as "The Guiding Principles of my Scientific Theory of Knowledge and its Reception by my Contemporaries", in S. Toulmin ed., Physical Reality, New York : Harper, 1970. pp.28-43. Cited in: K. Mulligan & B. Smith (1988) " Mach and Ehrenfels: Foundations of Gestalt Theory http://ontology.buffalo.edu/smith/articles/mach/mach.pdf"
20th century

“Life is a constant adaptation.”

Carlos Gershenson (1978) Mexican researcher

Zire Notes (May 2004 - December 2006)

A. P. Herbert photo
Georges Bataille photo

“Man's secret horror of his foot is one of the explanations for the tendency to conceal its length and form as much as possible. Heels of greater or lesser height, depending on the sex, distract from the foot's low and flat character. Besides the uneasiness is often confused with a sexual uneasiness; this is especially striking among the Chinese who, after having atrophied the feet of women, situate them at the most excessive point of deviance. The husband himself must not see the nude feet of his wife, and it is incorrect and immoral in general to look at the feet of women. Catholic confessors, adapting themselves to this aberration, ask their Chinese penitents "if they have not looked at women's feet.
The same aberration is found among the Turks (Volga Turks, Turks of Central Asia), who consider it immortal to show their nude feet and whoe ven go to bed in stockings.
Nothing similar can be cited from classical antiquity (apart from the use of very high soles in tragedies). The most prudish Roman matrons constantly allowed their nude toes to be seen. On the other hand, modesty concerning feet developed excessively in the modern ea and only started to disappear in the nineteenth century. M. Salomon Reinarch has studied this development in detail in the article entitled Pieds pudiques [Modest Feet], insisting on the role of Spain, where women's feet have been the object of most dreaded anxiety and thus were the cause of crimes. The simple fact of allowing the shod foot to be seen, jutting up from under a skirt, was regarded as indecent. Under no circumstances was it possible to touch the foot of a woman.”

Georges Bataille (1897–1962) French intellectual and literary figure

Source: Visions of Excess: Selected Writings 1927-1939, p.21-22

Nyanaponika Thera photo
Richard Dawkins photo

“Fine Art then, records by idealised imitation the glorious works of good men, whilst it holds those of bad men up to our abhorrence — it gives to posterity their images, either on the tinted canvass or the sculptured marble — it imitates the beautiful effects of nature as seen in the glowing landscape or the rising storm, and perpetuates the appearance of those beauteous gems of the seasons — flowers and fruits, which, though fading whilst the painter catches their tints, yet live after decay by and through his genius.
Industrial Art, on the contrary, aims at the embellishment of the works of man, by and through that power which is given to the artist for the investigation of the beautiful in nature; and in transferring it to the loom, the printing machine, the potter's wheel, or the metal worker's mould, he reproduces nature in a new form, adapting it to his purpose by an intelligence arising out of his knowledge as an artist and as a workman. In short, the adaptation of the natural type to a new material compels him to reproduce, almost create, as well as imitate — invent as well as copy”

design as well as draw!
George Wallis. " Art Education for the people. No IV. The principles of Fine Art as Applied to Industrial Purposes http://books.google.com/books?id=l55GAQAAIAAJ&pg=PA231." In: People's & Howitt's Journal: Of Literature, Art, and Popular Progress, Vol. 3. John Saunders ed. 1847, p. 231.

Emil M. Cioran photo
Vanna Bonta photo
Georg Brandes photo

“The absence of a golden rule for mattress flipping is a disappointment, but it does not pertend the demise of civilization. We can adapt; we can learn to live with it.”

Brian Hayes (scientist) (1900) American scientist, columnist and author

Source: Group Theory in the Bedroom (2008), Chapter 12, Group Theory In The Bedroom, p. 229

Piet Mondrian photo

“You should remember that my things are still intended to be paintings, that is to say, they are plastic representations, in and by themselves, not part of a building. Furthermore, they have been made in a small room. Also, that I use subdued colours for the time being, adapting myself to the present surroundings and to the outer world; this does not mean that I should not prefer a pure colouring. Otherwise you might think that I contradict myself in my work.”

Piet Mondrian (1872–1944) Peintre Néerlandais

Quote of Mondrian in a letter to Theo van Doesburg, 13 Feb. 1917; as cited in 'Stijl' catalogue, 1951, p. 72; in De Stijl 1917-1931 - The Dutch Contribution to Modern Art, by H.L.C. Jaffé http://www.dbnl.org/tekst/jaff001stij01_01/jaff001stij01_01.pdf; J.M. Meulenhoff, Amsterdam 1956, pp 13-14
1910's

Stanisław Lem photo
Rudolf Steiner photo

“A pattern of basic assumptions--invented, discovered, or developed by a given group as it learns to cope with its problems of external adaptation and internal integration--that has worked well enough to be considered valid and, therefore, to be taught to new members as the correct way to perceive, think, and feel in relation to those problems.”

Edgar H. Schein (1928) Psychologist

Variant: [ Organizational culture is] a pattern of shared basic assumptions that the group learned as it solved its problems of external adaptation and internal integration, that has worked well enough to be considered valid and, therefore, to be taught to new members as the correct way to perceive, think, and fell in relation to those problems.
Source: Organizational Culture and Leadership, 1985, p. 6