Quotes about accent

A collection of quotes on the topic of accent, likeness, doing, way.

Quotes about accent

Shahrukh Khan photo
Dante Alighieri photo
Arnold Schwarzenegger photo
Malcolm X photo

“Never have I witnessed such sincere hospitality and the overwhelming spirit of true brotherhood as is practiced by people of all colors and races here in this ancient Holy Land, the House of Abraham, Muhammad, and all the other Prophets of the Holy Scriptures. For the past week, I have been utterly speechless and spellbound by the graciousness I see displayed all around me by people of all colors....
You may be shocked by these words coming from me. But on this pilgrimage, what I have seen, and experienced, has forced me to rearrange much of my thought-patterns previously held, and to toss aside some of my previous conclusions. This was not too difficult for me. Despite my firm convictions, I have always been a man who tries to face facts, and to accept the reality of life as new experience and new knowledge unfolds it. I have always kept an open mind, which necessary to the flexibility that must go hand in hand with every form of intelligent search for truth.

During the past eleven days here in the Muslim world, I have eaten from the same plate, drunk from the same glass, and slept in the same bed (or on the same rug) -- while praying to the same God -- with fellow Muslims, whose eyes were the bluest of blue, whose hair was the blondest of blond, and whose skin was the whitest of white. And in the words and in the actions and in the deeds of the "white" Muslims, I felt the same sincerity that I felt among the black African Muslims of Nigeria, Sudan, and Ghana.

We were truly all the same (brothers) -- because their belief in one God had removed the "white" from their minds, the 'white' from their behavior, and the 'white' from their attitude.

I could see from this, that perhaps if white Americans could accept the Oneness of God, then perhaps, too, they could accept in reality the Oneness of Man -- and cease to measure, and hinder, and harm others in terms of their "differences" in color.

With racism plaguing America like an incurable cancer, the so-called "Christian" white American heart should be more receptive to a proven solution to such a destructive problem. Perhaps it could be in time to save America from imminent disaster -- the same destruction brought upon Germany by racism that eventually destroyed the Germans themselves.

They asked me what about the Hajj had impressed me the most.... I said, "The brotherhood! The people of all races, color, from all over the world coming to gether as one! It has proved to me the power of the One God.... All ate as one, and slept as one. Everything about the pilgrimage atmosphere accented the Oneness of Man under One God.”

Malcolm X (1925–1965) American human rights activist

Text of a letter written following his Hajj (1964)

André-Marie Ampère photo

“Listen to learned men, but do so only with one ear!… Let the other be always ready to receive the sweet accents of the voice of your heavenly Friend!”

André-Marie Ampère (1775–1836) French physicist and mathematician

Écoute les savants, mais ne les écoute que d'une oreille!... Que l'autre soit toujours prête à recevoir les doux accents de la voix de ton ami céleste!
Ampère's Meditation, September 1805

Gaston Bachelard photo
Jean Jacques Rousseau photo

“Accent is the soul of language; it gives to it both feeling and truth.”

Jean Jacques Rousseau (1712–1778) Genevan philosopher

L'accent est l'âme du discours.
English translation as quoted in A Dictionary of Thoughts: Being a Cyclopedia of Laconic Quotations from the Best Authors of the World, Both Ancient and Modern (1908) by Tryon Edwards, p. 2.

Gabriel Iglesias photo

“The next thing I know, I'm on the set of the movie Magic Mike. The movie is directed by a director named Steven Soderbergh, who's an amazing, amazing director, he's done a lot of great films. And, of course, Channing Tatum's in the movie. In addition, there's an actor by the name of Matthew McConaughey, who's attached to the movie. [Several audience members cheer] I'm a huge fan of Matthew McConaughey, okay? When I found out that I was gonna work with him, I was so excited, you know? People ask me, "Really, you get star-struck?" Hell yeah! I'm a comedian, not an actor. So, I show up, and, immediately, they send me to the makeup trailer that's outside. So, I go into the makeup trailer, I sit down, they start working on my hair, they start putting makeup on me, and in comes Matthew McConaughey, and he sits down on the chair right next to me. And I start freaking out, "Oh, my God, that's Matthew McConaughey!" [Stutters excitedly] And, now, I decide to introduce myself before I did or said something stupid, right? So, I look over to him, and I say, "Excuse me, Mr. McConaughey? How are you doing? My name's Gabriel Iglesias, I'm going to be playing the role of Tobias, the club DJ, and I just wanted to say Hello, and that it's an honor to work with you." And, in my head, I'm thinking, "I hope he's the same guy. I hope he's the same person in the movies, I hope his voice is the same, I hope his accent's the same." And he turns to me, and he says, [Imitating Matthew McConaughey] "All riiight." [Audience cheers] "How you doin' there, big man? You doin' good?" "I'm doing good." "All riiight."”

Gabriel Iglesias (1976) American actor

And, I'm spazzing out. [Gives excited gibberish]
Aloha, Fluffy (2013)

Lee Evans photo
Joel Barlow photo

“In every clime, thy visage greets my eyes,
In every tongue thy kindred accents rise;
The thought expanding swells my heart with glee,
It finds a friend, and loves itself in thee.”

Joel Barlow (1754–1812) American diplomat

The Conspiracy of Kings (1792)
Context: In every clime, thy visage greets my eyes,
In every tongue thy kindred accents rise;
The thought expanding swells my heart with glee,
It finds a friend, and loves itself in thee. Say then, fraternal family divine,
Whom mutual wants and mutual aids combine,
Say from what source the dire delusion rose,
That souls like ours were ever made for foes;
Why earth's maternal bosom, where we tread,
To rear our mansions and receive our bread,
Should blush so often for the face she bore,
So long be drench'd with floods of filial gore;
Why to small realms for ever rest confin'd
Our great affections, meant for all mankind.
Though climes divide us; shall the stream or sea,
That forms a barrier 'twixt my friend and me,
Inspire the wish his peaceful state to mar,
And meet his falchion in the ranks of war? Not seas, nor climes, nor wild ambition's fire
In nations' minds could e'er the wish inspire;
Where equal rights each sober voice should guide,
No blood would stain them, and no war divide.
'Tis dark deception, 'tis the glare of state,
Man sunk in titles, lost in Small and Great;
'Tis Rank, Distinction, all the hell that springs
From those prolific monsters, Courts and Kings.

Richelle Mead photo
Chelsea Handler photo

“I don't know what it is about accents that makes me want to get undressed and high-five myself.”

Chelsea Handler (1975) American comedian, actress, author and talk show host

Source: My Horizontal Life: A Collection of One-Night Stands

Richelle Mead photo
Shannon Hale photo
James Patterson photo
Cassandra Clare photo
Gabriel García Márquez photo
Richelle Mead photo
Rachel Caine photo
Wallace Stevens photo

“I know noble accents
And lucid, inescapable rhythms;
But I know, too,
That the blackbird is involved
In what I know.”

"Thirteen Ways of Looking at a Blackbird"
Harmonium (1923)

Richelle Mead photo
Maureen Johnson photo
Orson Scott Card photo
Tom Robbins photo
Margaret Mitchell photo
John Buchan photo
Mel Brooks photo

“Robin Hood: Because unlike some other Robin Hoods, I can speak with a English accent.”

Mel Brooks (1926) American director, writer, actor, and producer

Robin Hood: Men in Tights

Harold Wilson photo

“We have not been pushed around either abroad or at home and we are not going to be. This is government of the people; it is government for all the people, and the accent is on government.”

Harold Wilson (1916–1995) Former Prime Minister of the United Kingdom

Speech to the Labour Party Conference in Blackpool (28 September 1965), quoted in The Times (29 September 1965), p. 5.
Prime Minister

Norman Tebbit photo
Miley Cyrus photo

“I've already fallen in love with 20 guys since I've been here. The accents sound so intelligent. I love the way the guys are so classy and wear trench coats.”

Miley Cyrus (1992) American actor and singer-songwriter

Vancouver Sun http://www.canada.com/vancouversun/news/arts/story.html?id=15a746f1-2e8b-40d4-8185-0bd221d2a442 (October 15, 2008)

Alex Jones photo
Goran Višnjić photo
Burkard Schliessmann photo

“The trends that produced Schumann’s early piano works started out not so much from Weber’s refined brilliance as from Schubert’s more intimate and deeply soul-searching idiom. His creative imagination took him well beyond the harmonic sequences known until his time. He looked at the fugues and canons of earlier composers and discovered in them a Romantic principle. In the interweaving of the voices, the essence of counterpoint found its parallel in the mysterious relationships between the human psyche and exterior phenomena, which Schumann felt impelled to express. Schubert’s broad melodic lyricism has often been contrasted with Schumann’s terse, often quickly repeated motifs, and by comparison Schumann is often erroneously seen as short-winded. Yet it is precisely with these short melodic formulae that he shone his searchlight into the previously unplumbed depths of the human psyche. With them, in a complex canonic web, he wove a dense tissue of sound capable of taking in and reflecting back all the poetical character present. His actual melodies rarely have an arioso form; his harmonic system combines subtle chromatic progressions, suspensions, a rapid alternation of minor and major, and point d’orgue. The shape of Schumann’s scores is characterized by contrapuntal lines, and can at first seem opaque or confused. His music is frequently marked by martial dotted rhythms or dance-like triple time signatures. He loves to veil accented beats of the bar by teasingly intertwining two simultaneous voices in independent motion. This highly inde-pendent instrumental style is perfectly attuned to his own particular compositional idiom. After a period in which the piano had indulged in sensuous beauty of sound and brilliant coloration, in Schumann it again became a tool for conveying poetic monologues in musical terms.”

Burkard Schliessmann classical pianist

Talkings about Chopin and Schumann

Hilary Hahn photo
Shamini Flint photo
Hector Berlioz photo

“A singer who is able to sing even sixteen measures of good music in a natural and engaging way, effortlessly and in tune, without distending the phrase, without exaggerating accents to the point of caricature, without platitude, affectation, or coyness, without making grammatical mistakes, without illicit slurs, without hiatus or hiccup, without making insolent changes in the text, without barks or bleats, without sour notes, without crippling the rhythm, without absurd ornaments and nauseating appoggiaturas – in short, a singer able to sing these measures simply and exactly as the composer wrote them – is a rare, very rare, exceedingly rare bird.”

Un chanteur ou une cantatrice capable de chanter seize mesures seulement de bonne musique avec une voix naturelle, bien posée, sympathique, et de les chanter sans efforts, sans écarteler la phrase, sans exagérer jusqu'à la charge les accents, sans platitude, sans afféterie, sans mièvreries, sans fautes de français, sans liaisons dangereuses, sans hiatus, sans insolentes modifications du texte, sans transposition, sans hoquets, sans aboiements, sans chevrotements, sans intonations fausses, sans faire boiter le rhythme, sans ridicules ornements, sans nauséabondes appogiatures, de manière enfin que la période écrite par le compositeur devienne compréhensible, et reste tout simplement ce qu'il l'a faite, est un oiseau rare, très-rare, excessivement rare.
À travers chants, ch. 8 http://www.hberlioz.com/Writings/ATC08.htm; Elizabeth Csicsery-Rónay (trans.) The Art of Music and Other Essays (Bloomington: Indiana University Press, 1994) p. 69.

Kamal Haasan photo
Jeremy Hardy photo

“On Vince Cable: But he's charming and northern; he's the man tasked with crushing the poor in their own accent, isn't he really?”

Jeremy Hardy (1961–2019) British comedian

The News Quiz series 72 episode 1, BBC Radio 4, 24 September 2010

David Dixon Porter photo
Tracey Ullman photo

“I never worked with a dialogue coach before, but I'd hate it if an American did a British accent and didn't do it well. It would be insulting.”

Tracey Ullman (1959) English-born actress, comedian, singer, dancer, screenwriter, producer, director, author and businesswoman

Quoted in 1989 in The New York Times article "Tracy Ullman Makes A Face" http://www.nytimes.com/1989/10/15/magazine/tracy-ullman-makes-a-face.html?pagewanted=all

Bill Whittle photo
William Jones photo

“Go boldly forth, my simple lay,
Whose accents flow with artless ease,
Like orient pearls at random strung.”

William Jones (1746–1794) Anglo-Welsh philologist and scholar of ancient India

A Persian Song of Hafiz, reported in Bartlett's Familiar Quotations, 10th ed. (1919). Compare: "'T was he that ranged the words at random flung, Pierced the fair pearls and them together strung", Eastwick: Anvari Suhaili. (Translated from Firdousi).

Wyndham Lewis photo
Mikhail Bakhtin photo
Robin Lane Fox photo
Richard Burton photo
Aneurin Bevan photo
Nathan Lane photo
Donnie Dunagan photo

“I was not a great match to be the little boy of the very British Basil Rathbone's character, I'm born and raised in San Antonio, Texas, and I had this southern accent. We were on these huge wide-open castle sets and they kept telling me how the microphones were 'way up there' and how I had to talk extra loud.”

Donnie Dunagan (1934) actor and United States Marine

Child star Donnie Dunagan, aka voice of 'Bambi,' wasn't afraid to face Frankenstein http://www.nwitimes.com/entertainment/columnists/offbeat/offbeat-child-star-donnie-dunagan-aka-voice-of-bambi-wasn/article_f81013d1-e67c-587b-aecb-da893dab25c2.html (Marh 2, 2011)

Tracey Ullman photo

“From an early age. I used to dress up and impersonate our next-door neighbor, Miss Cox. She wore rubber boots, a wool hat, and her nose always dripped. My father died when I was 6 and we were really sad, so I put on a show for my mum. [In a mocking American accent] Looking back now, it was a kind of therapy.”

Tracey Ullman (1959) English-born actress, comedian, singer, dancer, screenwriter, producer, director, author and businesswoman

"Q&A: Tracey Ullman" http://www.newsweek.com/newsmakers-127011 (Newsweek, 19 September 2004)

Ann Richards photo

“I am delighted to be here with you this evening, because after listening to George Bush all these years, I figured you needed to know what a real Texas accent sounds like.”

Ann Richards (1933–2006) American politician

1988 Democratic National Convention keynote address
1988
Source: Transcript of the Keynote Address by Ann Richards, the Texas Treasurer, The New York Times, July 19, 1988, 2006-09-16 http://www.nytimes.com/1988/07/19/us/text-richards.html?pagewanted=print,

Hector Berlioz photo

“That is, in fact, the true female voice of the orchestra – a voice at once passionate and chaste, heart-rending, yet soft, which can weep, sigh, and lament, chant, pray, and muse, or burst forth into joyous accents, as none other can do.”

Hector Berlioz (1803–1869) French Romantic composer

C'est la vraie voix féminine de l'orchestre, voix passionnée et chaste en même temps, déchirante et douce, qui pleure et crie et se lamente, ou chante et prie et rêve, ou éclate en accents joyeux, comme nulle autre pourrait le faire.
Grand Traité d'Instrumentation et d'Orchestration Modernes (1844) http://www.hberlioz.com/Scores/BerliozTraite.html#Violon; Mary Cowden Clarke (trans.) A Treatise upon Modern Instrumentation and Orchestration (London: J. Alfred Novello, 1856) p. 25.
Of the violin.

Stephen Fry photo

“A cut glass English accent can fool unsuspecting Americans into detecting a brilliance that isn't there.”

Stephen Fry (1957) English comedian, actor, writer, presenter, and activist

2010s

Ethan Hawke photo

“A lot of American actors when they do Shakespeare put on a phoney English accent and it drives me crazy. You're always fighting against the idea that only the British know how to do Shakespeare.”

Ethan Hawke (1970) American actor and writer

New York Daily News http://www.nydailynews.com/archives/entertainment/2000/05/11/2000-05-11_a_renaissance_man_tackles_sh.html (2000-05-11)
2000–2004

Nathaniel Hawthorne photo

“In a word, the heavy weight upon his spirits kept everything in order, not merely within his own system, but wheresoever the iron accents of the church clock were audible.”

Nathaniel Hawthorne (1804–1864) American novelist and short story writer (1804 – 1879)

"The Artist of the Beautiful" (1844)

Christopher Titus photo
J. Proctor Knott photo

“Duluth! The word fell upon my ear with a peculiar and indescribable charm, like the gentle murmur of a low fountain stealing forth in the midst of roses, or the soft sweet accent of an angel’s whisper in the bright, joyous dream of sleeping innocence. ’T was the name for which my soul had panted for years, as the hart panteth for the water-brooks.”

J. Proctor Knott (1830–1911) American politician

Speech on the St. Croix and Bayfield Railroad Bill, Jan. 27, 1871; Knott made this satirical speech, sometimes titled as Duluth! or The Untold Delights of Duluth, while serving in the United States House of Representatives; the speech lampooned Western boosterism by portraying Duluth, Minnesota, in fantastical and glowing language.

Anthony Burgess photo
John Buchan photo
Anthony Crosland photo
Whittaker Chambers photo
John Banville photo
Venkatraman Ramakrishnan photo

“I was quite insistent. We have quite a few pranksters in the lab and I thought this was one of them. I even congratulated the man, ironically, on his Swedish accent.”

Venkatraman Ramakrishnan (1952) Nobel prize winning American and British structural biologist

When he refused to believe the telephonic news about his Nobel Prize and accused his caller a poor hoaxer.
Venkatraman Ramakrishnan interview: 'It takes courage to tackle very hard problems in science

George W. Bush photo
Alfred P. Sloan photo

“My father was in the wholesale tea, coffee, and cigar business, with a firm called Bennett-Sloan and Company. In 1885 he moved the business to New York City, on West Broadway, and from the age of ten I grew up in Brooklyn. I am told I still have the accent. My father's father was a schoolteacher. My mother's father was a Methodist minister. My parents had five children, of whom I am the oldest. There is my sister, Mrs. Katharine Sloan Pratt, now a widow. There are my three brothers — Clifford, who was in the advertising business; Harold, a college professor; and Raymond, the youngest, who is a professor, writer, and expert on hospital administration. I think we have all had in common a capability for being dedicated to our respective interests.
I came of age at almost exactly the time when the automobile business in the United States came into being. In 1895 the Duryeas, who had been experimenting with motor cars, started what I believe was the first gasoline-automobile manufacturing company in the United States. In the same year I left the Massachusetts Institute of Technology with a a BS. in electrical engineering, and went to work for the Hyatt Roller Bearing Company of Newark, later of Harrison, New Jersey. The Hyatt antifriction bearing was later to become a component of the automobile, and it was through this component that I came into the automotive industry. Except for one early and brief departure from it, I have spent my life in the industry.”

Alfred P. Sloan (1875–1966) American businessman

Source: My Years with General Motors, 1963, p. 37

Miley Cyrus photo
Gerald of Wales photo

“Giraldus mingles in the crowd, catches its accents, is borne along by its changing passions, and thus becomes a very mirror of that fighting, chaffering, praying age.”

Gerald of Wales (1146) Medieval clergyman and historian

Sir John E Lloyd A History of Wales from the Earliest Times to the Edwardian Conquest (1912) Vol. 1, p. 564.
Criticism

Claire Holt photo
David Lee Roth photo
Edgar Degas photo

“I later saw Afande Tugume on television saying funny things. I don't know whether it was his accent or he meant it but instead of saying: "The match was unfair!", he said: "The match was an affair!". Now my girlfriend wants to call off our kwanjula because of his statements on national television.”

Moses Golola (1980) Kick Boxer, Eating Champion

After knocking out Titus Tugume http://www.observer.ug/index.php?option=com_content&view=article&id=27455:golola-moses-of-uganda-replies-pablo&catid=47:pablo-humour in 10 seconds at Freedom City on Entebbe Road (August 2013)

Lennox Lewis photo
Samuel Daniel photo

“And who (in time) knows whither we may vent
The treasure of our tongue? To what strange shores
This gain of our best glory shall be sent
T' enrich unknowing nations with our stores?
What worlds in the yet unformed Occident
May come refin'd with th' accents that are ours?”

Musophilus (1599), Stanza 163, reported in Bartlett's Familiar Quotations, 10th ed. (1919). Compare: "Westward the course of empire takes its way", George Berkeley, On the Prospect of Planting Arts and Learning in America.

Tom Petty photo

“There's a southern accent, where I come from.
The young 'uns call it country, the Yankees call it dumb.”

Tom Petty (1950–2017) American musician

Southern Accents
Lyrics, Southern Accents (1985)

Joe Biden photo

“You cannot go to a 7-11 or a Dunkin Donuts unless you have a slight Indian accent … I'm not joking.”

Joe Biden (1942) 47th Vice President of the United States (in office from 2009 to 2017)

Biden Say What?, National Journal/C-SPAN, July 6, 2006, 2008-08-22 http://hotlineblog.nationaljournal.com/archives/2006/07/biden_say_what.html,
2000s

Kathy Griffin photo
Daniel Hannan photo
Auguste Rodin photo

“The landscape painter, perhaps, goes even further. It is not only in living beings that he sees the reflection of the universal soul; it is in the trees, the bushes, the valleys, the hills. What to other men is only wood and earth appears to the great landscapist like the face of a great being. Corot saw kindness abroad in the trunks of the trees, in the grass of the fields, in the mirroring water of the lakes. But there Millet read suffering and resignation.
Everywhere the great artist hears spirit answer to his spirit. Where, then, can you find a more religious man?
Does not the sculptor perform his act of adoration when he perceives the majestic character of the forms that he studies? — when, from the midst of fleeting lines, he knows how to extricate the eternal type of each being? — when he seems to discern in the very breast of the divinity the immutable models on which all living creatures are moulded? Study, for example, the masterpieces of the Egyptian sculptors, either human or animal figures, and tell me if the accentuation of the essential lines does not produce the effect of a sacred hymn. Every artist who has the gift of generalizing forms, that is to say, of accenting their logic without depriving them of their living reality, provokes the same religious emotion; for he communicates to us the thrill he himself felt before the immortal verities.”

Auguste Rodin (1840–1917) French sculptor

Art, 1912, Ch. Mystery in Art

Joseph McCarthy photo
Anthony Crosland photo

“Militant leftism in politics appears to have its roots in broadly analogous sentiments. Every labour politician has observed that the most indignant members of his local Party are not usually the poorest, or the slum-dwellers, or those with most to gain from further economic change, but the younger, more self-conscious element, earning good incomes and living comfortably in neat new council houses: skilled engineering workers, electrical workers, draughtsmen, technicians, and the lower clerical grades. (Similarly the most militant local parties are not in the old industrial areas, but either in the newer high-wage engineering areas or in middle-class towns; Coventry or Margate are the characteristic strongholds.) Now it is people such as these who naturally resent the fact that despite their high economic status, often so much higher than their parents’, and their undoubted skill at work, they have no right to participate in the decisions of their firm, no influence over policy, and far fewer non-pecuniary privileges than the managerial grades; and outside their work they are conscious of a conspicuous educational handicap, of a style of life which is still looked down on by middle-class people often earning little if any more, of differences in accent, and generally of an inferior class position.”

The Future of Socialism by Anthony Crosland
The Future of Socialism (1956)

Goran Višnjić photo
Vyjayanthimala photo

“She says she was the only south Indian actress who could speak Hindi without a South Indian accent, at the time.”

Vyjayanthimala (1936) Indian actress, politician & dancer

In "There's no slowing down for Vyjayanthimala".

Dylan Moran photo
Auguste Rodin photo

“In sculpture the projection of the fasciculi must be accentuated, the foreshortening forced, the hollows deepened; sculpture is the art of the hole and the lump, not of clear, well-smoothed, unmodelled figures. Ignorant people, when they see close-knitted true surfaces, say that 'it is not finished.' No notion is falser than that of finish unless it be that of elegance; by means of these two ideas people would kill our art. The way to obtain solidity and life is by work carried out to the fullest, not in the direction of achievement and of copying détails, but in that of truth in the successive schemes. The public, perverted by académie préjudices, confounds art with neatness. The simplicity of the 'École' is a painted cardboard ideal, A cast from life is a copy, the exactest possible copy, and yet it has neither motion nor eloquence. Art intervenes to exaggerate certain surfaces, and also to fine down others. In sculpture everything depends upon the way in which the modelling is carried out with a constant thought of the main line of the scheme, upon the rendering of the hollows, of the projections and of their connections; thus it is that one may get fine lights, and especially fine shadows that are not opaque. Everything should be emphasised according to the accent that it is desired to render, and the degree of amplification is personal, according to the tact and the temperament of each sculptor; and for this reason there is no transmissible process, no studio recipe, but only a true law. I see it in the antique and in Michael Angelo. To work by the profiles, in depth not by surfaces, always thinking of the few geometrical forms from which all nature proceeds, and to make these eternal forms perceptible in the individual case of the object studied, that is my criterion. That is not idealism, it is a part of the handicraft. My ideas have nothing to do with it but for that method; my Danaids and my Dante figures would be weak, bad things. From the large design that I get your mind deduces ideas.”

Auguste Rodin (1840–1917) French sculptor

Source: Auguste Rodin: The Man, His Ideas, His Works, 1905, p. 61-63

Bill Bryson photo