“They[Australians]'ve all kinds of accents, but you can never mistake their voice. It's got the sun in it. Canadians have got grinding ice in theirs, and Virginians have got butter. So have the Irish. In Britain there are no voices, only speaking-tubes.”

Afterword to The Dud Avocado (2006)
Context: The Big Personalities weighed in. Soon after its publication Irwin Shaw wrote to me praising it. Terry Southern, calling me "Miss Smarts," said I was "a perfect darling." Gore Vidal phoned one morning saying, "You’ve got the one thing a writer needs: You’ve got your own voice. Now go." Ernest Hemingway said to me, "I liked your book. I liked the way your characters all speak differently." And then added, "My characters all sound the same because I never listen." All this, and heaven too. Laurence Olivier told me that now that my book was making a lot of money we could elope and I could support us. The Financial Times ran an item which read, "Such and such stock: No dud avocado." Groucho Marx wrote me, "I had to tell someone how much I enjoyed The Dud Avocado.… If this was actually your life, I don’t know how the hell you got through it." When people ask me how autobiographical the book is I say, all the impulsive, outrageous things my heroine does, I did. All the sensible things she did, I made up.

Source: Review of Zest for Life by Johann Wöller, in Time and Tide (17 October 1936)

"Me and You".
Volume Two (2010)

"Both Sides Now"
Songs

Pt. I, st. 4
The Ballad of Reading Gaol (1898)

Source: Sylvia cartoon strip, p. 49

"Magnus and Morna", in Thirty Years, Poems New and Old (1880)
Context: And all day long, so close and near,
As in a mystic dream I hear
Their gentle accents kind and dear —
The old familiar voices.
They have no sound that I can reach —
But silence sweeter is than speech;