Quotes about the sun
page 8

François de La Rochefoucauld photo

“Neither the sun nor death can be looked at steadily.”

Le soleil ni la mort ne se peuvent regarder fixement.
Maxim 26. Sometimes incorrectly translated as "with a steady eye".
Reflections; or Sentences and Moral Maxims (1665–1678)

Tanith Lee photo

“The sacrifice lives, but the sun’s still shining.”

Source: East of Midnight (1977), Chapter 16, “Sorcery East of Midnight” (p. 169)

Mike Oldfield photo
Robert Jordan photo
Stevie Wonder photo
Báb photo
Aristarchus of Samos photo
Kate Bush photo

“You and me on the bobbing knee.
Didn't we cry at that old mythology he'd read!
I will come home again, but not until
The sun and the moon meet on yon hill.”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, The Kick Inside (1978)

Tom Robbins photo

“One, a poet, went babbling like a fountain
Through parks. All were jokes to children.
All had the pale unshaven stare of shuttered plants
Exposed to a too violent sun.”

Stephen Spender (1909–1995) English poet and man of letters

"Exiles From Their Land, History Their Domicile"
The Still Centre (1939)

Robert E. Howard photo
Auguste Rodin photo
Arthur C. Clarke photo
Loreena McKennitt photo
Joanna Baillie photo
Brad Paisley photo
Freeman Dyson photo
Percy Bysshe Shelley photo
Vitruvius photo
Percy Bysshe Shelley photo

“Sun-girt City, thou hast been
Ocean's child, and then his queen;
Now is come a darker day,
And thou soon must be his prey.”

Percy Bysshe Shelley (1792–1822) English Romantic poet

Lines Written among the Euganean Hills (1818)

Peter Matthiessen photo
Letitia Elizabeth Landon photo
Eleanor Farjeon photo

“Of troubles know I none,
Of pleasures know I many —
I rove beneath the sun
Without a single penny.”

Eleanor Farjeon (1881–1965) English children's writer

Vagrant Songs, II
Pan-Worship and Other Poems (1908)

Max Beckmann photo
Brigham Young photo
Henry Kirke White photo
Thomas Henry Huxley photo
Emily Brontë photo
Halldór Laxness photo
Eugène Edine Pottier photo

“Workers, peasants, we are
The great party of labourers.
The earth belongs only to men;
The idle will go to reside elsewhere.
How much of our flesh have they consumed?
But if these ravens, these vultures
Disappear one of these days,
The sun will still shine forever.”

Eugène Edine Pottier (1816–1887) French politician

Ouvriers, paysans, nous sommes
Le grand parti des travailleurs
La terre n'appartient qu'aux hommes
L'oisif ira loger ailleurs
Combien de nos chairs se repaissent
Mais si les corbeaux, les vautours
Un de ces matins disparaissent
Le soleil brillera toujours.
The Internationale (1864)

““…Mas‘ud hunted through the country around Bahraich, and whenever he passed by the idol temple of Suraj-kund, he was wont to say that he wanted that piece of ground for a dwelling-place. This Suraj-kund was a sacred shrine of all the unbelievers of India. They had carved an image of the sun in stone on the banks of the tank there. This image they called Balarukh, and through its fame Bahraich had attained its flourishing condition. When there was an eclipse of the sun, the unbelievers would come from east and west to worship it, and every Sunday the heathen of Bahraich and its environs, male and female, used to assemble in thousands to rub their heads under that stone, and do it reverence as an object of peculiar sanctity. Mas‘ud was distressed at this idolatry, and often said that, with God’s will and assistance, he would destroy that mine of unbelief, and set up a chamber for the worship of the Nourisher of the Universe in its place, rooting out unbelief from those parts…
“Meanwhile, the Rai Sahar Deo and Har Deo, with several other chiefs, who had kept their troops in reserve, seeing that the army of Islam was reduced to nothing, unitedly attacked the body-guard of the Prince. The few forces that remained to that loved one of the Lord of the Universe were ranged round him in the garden. The unbelievers, surrounding them in dense numbers, showered arrows upon them. It was then, on Sunday, the 14th of the month Rajab, in the aforesaid year 424 (14th June, 1033) as the time of evening prayer came on, that a chance arrow pierced the main artery in the arm of the Prince of the Faithful…”

Ghazi Saiyyad Salar Masud (1014) semi-legendary Muslim figure from India

Awadh (Uttar Pradesh), Mir‘at-i-Mas‘udi in Elliot and Dowson, History of India as told by its own historians, Vol. II. p. 524-547

Bob Seger photo
David Attenborough photo
Krysten Ritter photo
Dylan Thomas photo
E. F. Benson photo
Robert E. Howard photo
Connie Willis photo

““How dare you contradict their opinions! You are only a common servant.”
“Yes, miss,” he said wearily.
“You should be dismissed for being insolent to your betters.”
There was a long pause, and then Baine said, “All the diary entries and dismissals in the world cannot change the truth. Galileo recanted under threat of torture, but that did not make the sun revolve round the earth. If you dismiss me, the vase will still be vulgar, I will still be right, and your taste will still be plebeian, no matter what you write in your diary.”
“Plebeian?” Tossie said, bright pink. “How dare you speak like that to your mistress? You are dismissed.” She pointed imperiously at the house. “Pack your things immediately.”
“Yes, miss,” Baine said. “E pur si muove.”
“What?” Tossie said, bright red with rage. “What did you say?”
“I said, now that finally have dismissed me, I am no longer a member of the servant class and am therefore in a position to speak freely,” he said calmly.
“You are not in a position to speak to me at all,” Tossie said, raising her diary like a weapon. “Leave at once.”
“I dared to speak the truth to you because I felt you were deserving of it,” Baine said seriously. “I had only your best interests at heart, as I have always had. You have been blessed with great riches; not only with the riches of wealth, position, and beauty, but with a bright mind and a keen sensibility, as well as with a fine spirit. And yet you squander those riches on croquet and organdies and trumpery works of art. You have at your disposal a library of the great minds of the past, and yet you read the foolish novels of Charlotte Yonge and Edward Bulwer-Lytton. Given the opportunity to study science, you converse with conjurors wearing cheesecloth and phosphorescent paint. Confronted by the glories of Gothic architecture, you admire instead a cheap imitation of it, and confronted by the truth, you stamp your foot like a spoilt child and demand to be told fairy stories.””

Source: To Say Nothing of the Dog (1998), Chapter 22 (p. 374)

Aristarchus of Samos photo
Robert Southey photo

“It was a summer evening,
Old Kaspar's work was done,
And he before his cottage door
Was sitting in the sun,
And by him sported on the green
His little grandchild Wilhelmine.”

Robert Southey (1774–1843) British poet

St. 1.
The Battle of Blenheim http://www.poetry-archive.com/s/the_battle_of_blenheim.html (1798)

Conor Oberst photo

“The sun came up with no conclusions
Flowers sleepin' in their beds
The city cemetary's hummin'
I'm wide awake, its mornin”

Conor Oberst (1980) American musician

Road To Joy
I'm Wide Awake, It's Morning (2005)

Bruce Springsteen photo
Aristarchus of Samos photo

“Proposition 9. The diameter of the sun is greater than 18 times, but less than 20 times, the diameter of the moon.”

Aristarchus of Samos ancient Greek astronomer and mathematician

p, 125
On the Sizes and Distances of the Sun and the Moon (c. 250 BC)
Variant: Proposition 7. The distance of the sun from the earth is greater than eighteen times, but less than twenty times, the distance of the moon from the earth.

Edward Young photo

“He weeps! the falling drop puts out the sun; He sighs! the sigh earth's deep foundation shakes. If in His love so terrible, what then His wrath inflamed?”

Edward Young (1683–1765) English poet

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 271.

Brandon Boyd photo

“Just undo yourself and see a second sun ascend.”

Brandon Boyd (1976) American rock singer, writer and visual artist

Lyrics, Light Grenades (2006)

Bob Seger photo
Isaac Asimov photo

“Outside intelligences, exploring the Solar System with true impartiality, would be quite likely to enter the Sun in their records thus: Star X, spectral class G0, 4 planets plus debris.”

Isaac Asimov (1920–1992) American writer and professor of biochemistry at Boston University, known for his works of science fiction …

"By Jove!" in View from a Height (1963); often misquoted as "Jupiter plus debris".
General sources

Adi Shankara photo
Jayant Narlikar photo

“We all know that sun rises in the east and sets in the west, and earth spins on its axis from west to east. But on that day my jet plan was at 60 degree latitude near Greenland and the plane exceeded the speed of rotation of the earth on its axis so the sun was found moving from west towards east.”

Jayant Narlikar (1938) Indian physicist

His scientific explanation with regard to the position of sun closer to the west horizon, and the sun was going up, which he had noticed.
When Prof Jayant Narlikar saw the sun rise in the west

Douglas Bader photo

“If you come out of the sun the german will never see you coming.”

Douglas Bader (1910–1982) British World War II flying ace

Mackenzie 2008 p. 39.
Lucas 1981, p. 95.
Variant: If you came out of the sun, the enemy could not see you.

David Hume photo

“That original intelligence, say the MAGIANS, who is the first principle of all things, discovers himself immediately to the mind and understanding alone; but has placed the sun as his image in the visible universe; and when that bright luminary diffuses its beams over the earth and the firmament, it is a faint copy of the glory which resides in the higher heavens. If you would escape the displeasure of this divine being, you must be careful never to set your bare foot upon the ground, nor spit into a fire, nor throw any water upon it, even though it were consuming a whole city. Who can express the perfections of the Almighty? say the Mahometans. Even the noblest of his works, if compared to him, are but dust and rubbish. How much more must human conception fall short of his infinite perfections? His smile and favour renders men for ever happy; and to obtain it for your children, the best method is to cut off from them, while infants, a little bit of skin, about half the breadth of a farthing. Take two bits of cloth, say the Roman catholics, about an inch or an inch and a half square, join them by the corners with two strings or pieces of tape about sixteen inches long, throw this over your head, and make one of the bits of cloth lie upon your breast, and the other upon your back, keeping them next your skin: There is not a better secret for recommending yourself to that infinite Being, who exists from eternity to eternity.”

Part VII - Confirmation of this doctrine
The Natural History of Religion (1757)

Vincent Van Gogh photo
Don Marquis photo
Théodore Rousseau photo

“Do you see all those beautiful trees there? I sketched them all thirty years ago; I have had all their portraits. Look at that beech there, the sun lights it up and makes of it a marble column, a column that has muscles, limbs, hands and a fair skin, white and pallid... See the modest green of the heath and its plants, rosy, amaranthine, which distil honey for the bees and fragrance for the butterflies. The sun lights them up and gives them a diapason of extraordinary color. Ah, the sun..”

Théodore Rousseau (1812–1867) French painter (1812-1867)

Quote of Th. Rousseau, Sept. 1867; recorded by fr:Alfred Sensier; as cited by Charles Sprague Smith, in Barbizon days, Millet-Corot-Rousseau-Barye; publisher, A. Wessels Company, New York, July 1902, p. 164
In September 1867 (two months before Rousseau’s death, when already half paralyzed), Th. Rouseau took a ride with Sensier to look once more at the heather. He was pointing to the Sully, a giant of the wood
1851 - 1867

Carl Sagan photo
Jopie Huisman photo

“In 1946 it was the first time I saw a Van Gogh, a painting from his years in France. It was excactly what I had always felt here [in the fields of Friesland]: infinity, the unimaginable. I was bewildered and thought: who has been painting here for God's sake? Pink stripes in a green sky, you can't imagine! Ultramarine and carmine in the soil with a big yellow sun behind it..”

Jopie Huisman (1922–2000) Dutch painter

translation, Fons Heijnsbroek, 2018
version in original Dutch / citaat van Jopie Huisman, in het Nederlands: In 1946 zag ik voor het eerst een Van Gogh, uit z'n Franse tijd. Dàt was wat ik hier [in Friesland] altijd gevoeld had: de oneindigheid, het onvoorstelbare. Ik was verbouwereerd, [en] dacht: wie is hier in godsnaam bezig geweest? Roze strepen in een groene lucht, moet je es nagaan. Ultramarijn en karmijn in de bodem, een grote gele zon erachter..
Mens & Gevoelens: Jopie Huisman', 1993

Stephen King photo
James Howard Kunstler photo
Edvard Munch photo

“I was walking along a path with two friends — the sun was setting — suddenly the sky turned blood red — I paused, feeling exhausted, and leaned on the fence — there was blood and tongues of fire above the blue-black fjord and the city — my friends walked on, and I stood there trembling with anxiety — and I sensed an infinite scream passing through nature.”

Edvard Munch (1863–1944) Norwegian painter and printmaker

Quote of an entry in his Diary (22 January 1892), on the experience which inspired his famous painting, '(The Scream)' ('Shrik'), originally titled: 'Der Schrei der Natur' ('The Cry of Nature')
1880 - 1895

Zoroaster photo
Vladimir Lenin photo
Larry Wall photo

“Tcl long ago fell into the Forth trap, and is now trying desperately to extricate itself (with some help from Sun's marketing department).”

Larry Wall (1954) American computer programmer and author, creator of Perl

Usenet postings, 1997

Paul Gabriël photo

“Although I can look a bit grumpy myself, I love it when the sun shines in the water, but besides that I think my country is colored and what I particularly noticed when I came from abroad: our country is colored sappy fat, that's why our beautiful- colored and built cattle, their flesh, milk and butter, nowhere you can find this, but they [the cows] are also fed by that sappy, greasy and colored land - I have often heard strangers say, those Dutch painters all paint gray and their land is green.... the more I observe the more colored and transparent nature becomes and then the air seen altogether, something very different and yet so [strong] in harmony, it is delightful when one has learned to see, because that too must be learned, I repeat, our country is not gray, even not in gray weather, the dunes aren't gray either.”

Paul Gabriël (1828–1903) painter (1828-1903)

translation from the Dutch original: Fons Heijnsbroek
version in original Dutch / citaat van Paul Gabriël, in Nederlands: Alhoewel ik er zelf wat knorrig uit kan zien houd ik er veel van dat het zonnetje in het water schijnt, maar buiten dat ik vind mijn land gekleurd en wat mij bijzonder opviel wanneer ik uit den vreemde kwam: ons land is gekleurd sappig vet, vandaar onze schoone gekleurde en gebouwde runderen, hun vleesch melk en boter, nergens vind men dat zoo maar ze worden ook door dat sappige vette en gekleurde land gevoed - ik heb vreemdelingen dikwijls horen zeggen, die Hollandsche schilders schilderen allemaal grijs en hun land is groen.. ..hoe meer ik opserveer hoe gekleurder en transparanter de natuur word en dan de lucht erbij gezien een heel ander iets en toch zoo in harmonie, het is verrukkelijk wanneer men heeft leeren zien, want ook dat moet geleerd worden, ik herhaal het ons land is niet grijs, zelfs niet bij grijs weer, de duinen zijn ook niet grijs.
written note of Paul Gabriël, 1901; as cited in De Haagse School. Hollandse meesters van de 19de eeuw, ed. R. de Leeuw, J. Sillevis en C. Dumas); exhibition. cat. - Parijs, Grand Palais / Londen, Royal Academy of Arts / Den Haag, Haags Gemeentemuseum, Parijs, Londen, Den Haag 1983, p.183 - 23
after 1900

Lionel Richie photo

“You are the sun,
You are the rain
That makes my life this foolish game.
You need to know
I love you so.
And I'd do it all again and again.”

Lionel Richie (1949) American singer-songwriter, musician, record producer and actor

You Are, co-written with Brenda Harvey Richie.
Song lyrics, Lionel Richie (1982)

Louis Agassiz photo

“The eye of the trilobite tells us that the sun shone on the old beach where he lived; for there is nothing in nature without a purpose, and when so complicated an organ was made to receive light, there must have been light to enter it.”

Louis Agassiz (1807–1873) Swiss naturalist

Geological Sketches (1870), ch. 2, pp. 31–32 https://babel.hathitrust.org/cgi/pt?id=hvd.32044018968388;view=1up;seq=49

Lucy Larcom photo

“For a world with so much sun we live in a dark place, in a dark time.”

Nick Drake (poet) (1961) British writer

ibid
The Rahotep series, Book 2: Tutankhamun

Vincent Van Gogh photo

“What a queer thing touch is, the stroke of the brush. In the open air, exposed to wind, to sun, to the curiosity of the people, you work as you can, you feel your canvas anyhow... But when after a time you take up again this study and arrange your brush strokes in the direction of the objects - certainly it is more harmonious and pleasant to look at, and you add whatever you have of serenity and cheerfulness.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote in his letter to brother Theo, from Saint-Rémy-de-Provence, 10 Sept. 1889; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 605), pp. 33-34
1880s, 1889

Samuel Adams photo
Gloria Estefan photo
Robert Wilson Lynd photo
Emily Brontë photo
Emily Brontë photo
Nadine Gordimer photo
Thomas Hardy photo
Johann Heinrich Lambert photo
Conrad Aiken photo
Isidore Isou photo
Savitri Devi photo
Báb photo

“The acts of Him Whom God shall make manifest are like unto the sun, while the works of men, provided they conform to the good-pleasure of God, resemble the stars or the moon… Thus, should the followers of the Bayán observe the precepts of Him Whom God shall make manifest at the time of His appearance, and regard themselves and their own works as stars exposed to the light of the sun, then they will have gathered the fruits of their existence; otherwise the title of ‘starship’ will not apply to them. Rather it will apply to such as truly believe in Him, to those who pale into insignificance in the day-time and gleam forth with light in the night season.
Such indeed is the fruit of this precept, should anyone observe it on the Day of Resurrection. This is the essence of all learning and of all righteous deeds, should anyone but attain unto it. Had the peoples of the world fixed their gaze upon this principle, no Exponent of divine Revelation would ever have, at the inception of any Dispensation, regarded them as things of naught. However, the fact is that during the night season everyone perceiveth the light which he himself, according to his own capacity, giveth out, oblivious that at the break of day this light shall fade away and be reduced to utter nothingness before the dazzling splendour of the sun.”

Báb (1819–1850) Iranian prophet; founder of the religion Bábism; venerated in the Bahá'í Faith

VIII, 1
The Persian Bayán

James Macpherson photo
Kunti photo
Thomas Hood photo
Bob Dylan photo

“Yonder stands your orphan with his gun, crying like a fire in the sun.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Song lyrics, Bringing It All Back Home (1965), It's All Over Now, Baby Blue

Arshile Gorky photo
James A. Michener photo
James Fitzjames Stephen photo

“Know yourself: a cloud
drifting before your sun.
Cut yourself off from your senses
and behold your sun of intimacy.”

Fakhruddin 'Iraqi (1213–1289) Persian philosopher

Lama’at (Divine Flashes)

Robert A. Heinlein photo

“Mercifully, we stay our hand. Earth’s cities will not be bombed. The free citizens of Venus Republic have no wish to slaughter their cousins still on Terra. Our only purpose is to establish our own independence, to manage our own affairs, to throw off the crushing yoke of absentee ownership and taxation without representation which has bleed us poor.
In doing so, in so taking our stand as free men, we call on all oppressed and impoverished nations everywhere to follow our lead, accept our help. Look up into the sky! Swimming there above you is the very station from which I now address you. The fat and stupid rulers of the Federation have made of Circum-Terra an overseer’s whip. The threat of this military base in the sky has protected their empire from the just wrath of their victims for more then five score years.
We now crush it.
In a matter of minutes this scandal in the clean skies, this pistol pointed at the heads of men everywhere on your planet, will cease to exist. Step out of doors, watch the sky. Watch a new sun blaze briefly, and know that its light is the light of Liberty inviting all of Earth to free itself.
Subject peoples of Earth, we free men of the free Republic of Venus salute you with that sign!”

Source: Between Planets (1951), Chapter 6, “The Sign in the Sky” (p. 74) - Speech given before the destruction of the nuclear-armed satellite Circum-Terra.

Emily Dickinson photo