The Nuts of Knowledge (1903)
Quotes about the sun
page 8
“Neither the sun nor death can be looked at steadily.”
Le soleil ni la mort ne se peuvent regarder fixement.
Maxim 26. Sometimes incorrectly translated as "with a steady eye".
Reflections; or Sentences and Moral Maxims (1665–1678)
“The sacrifice lives, but the sun’s still shining.”
Source: East of Midnight (1977), Chapter 16, “Sorcery East of Midnight” (p. 169)
from the introduction to Music of the Spheres
Dalá’Il-I-Sab‘ih
p, 125
On the Sizes and Distances of the Sun and the Moon (c. 250 BC)
Song lyrics, The Kick Inside (1978)
"Exiles From Their Land, History Their Domicile"
The Still Centre (1939)
We'll Never Conquer Space (1960)
The Mask and Mirror (1994), The Dark Night of The Soul
De Montfort (1798), Act I, scene 2; in A Series of Plays.
I'm Gonna Miss Her (The Fishin' Song), written by Brad Paisley and Frank Rogers
Song lyrics, Part II (2001)
Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter II, Sec. 5
Lines Written among the Euganean Hills (1818)
Inez from The London Literary Gazette (24th May 1823)
The Improvisatrice (1824)
“Of troubles know I none,
Of pleasures know I many —
I rove beneath the sun
Without a single penny.”
Vagrant Songs, II
Pan-Worship and Other Poems (1908)
1930s, On my Painting (1938)
Journal of Discourses 1:88 (June 13, 1852)
1850s
1860s, On a Piece of Chalk (1868)
Wynford Dewhurst, 'What is Impressionism?' in Contemporary Review. vol. XCIX, 1911, p. 300.
Heimsljós (World Light) (1940), Book Two: The Palace of the Summerland
"War of the Worldviews", p. 352
Leonardo's Mountain of Clams and the Diet of Worms (1998)
Ouvriers, paysans, nous sommes
Le grand parti des travailleurs
La terre n'appartient qu'aux hommes
L'oisif ira loger ailleurs
Combien de nos chairs se repaissent
Mais si les corbeaux, les vautours
Un de ces matins disparaissent
Le soleil brillera toujours.
The Internationale (1864)
Awadh (Uttar Pradesh), Mir‘at-i-Mas‘udi in Elliot and Dowson, History of India as told by its own historians, Vol. II. p. 524-547
Opening words
The Trials of Life (1990)
"I Interviewed Krysten Ritter about Vamps (and Living Kind)" by Alicia Silverstone, TheKindLife.com (30 October 2012) http://thekindlife.com/blog/2012/10/i-interviewed-krysten-ritter-about-vamps-and-living-kind/.
Note "is less than a quadrant..." is less than 90° by l/30th of 90° or 3°, and is therefore equal to 87°.
On the Sizes and Distances of the Sun and the Moon (c. 250 BC)
St. 1.
The Battle of Blenheim http://www.poetry-archive.com/s/the_battle_of_blenheim.html (1798)
"Lonesome Day"
Song lyrics, The Rising (2002)
p, 125
On the Sizes and Distances of the Sun and the Moon (c. 250 BC)
Variant: Proposition 7. The distance of the sun from the earth is greater than eighteen times, but less than twenty times, the distance of the moon from the earth.
Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 271.
“Just undo yourself and see a second sun ascend.”
Lyrics, Light Grenades (2006)
"By Jove!" in View from a Height (1963); often misquoted as "Jupiter plus debris".
General sources
Fakhruddin Iraqi: Divine Flashes (1982)
Source: Atma Bodha (1987), p. 121: Quote nr. 67.
His scientific explanation with regard to the position of sun closer to the west horizon, and the sun was going up, which he had noticed.
When Prof Jayant Narlikar saw the sun rise in the west
“If you come out of the sun the german will never see you coming.”
Mackenzie 2008 p. 39.
Lucas 1981, p. 95.
Variant: If you came out of the sun, the enemy could not see you.
Heaven and Earth (2009)
"An Elementary School Classroom In A Slum"
Ruins and Visions (1942)
Quote of Th. Rousseau, Sept. 1867; recorded by fr:Alfred Sensier; as cited by Charles Sprague Smith, in Barbizon days, Millet-Corot-Rousseau-Barye; publisher, A. Wessels Company, New York, July 1902, p. 164
In September 1867 (two months before Rousseau’s death, when already half paralyzed), Th. Rouseau took a ride with Sensier to look once more at the heather. He was pointing to the Sully, a giant of the wood
1851 - 1867
In Wonder and Skepticism, Skeptical Enquirer (Jan-Feb 1995), 19, No. 1.
translation, Fons Heijnsbroek, 2018
version in original Dutch / citaat van Jopie Huisman, in het Nederlands: In 1946 zag ik voor het eerst een Van Gogh, uit z'n Franse tijd. Dàt was wat ik hier [in Friesland] altijd gevoeld had: de oneindigheid, het onvoorstelbare. Ik was verbouwereerd, [en] dacht: wie is hier in godsnaam bezig geweest? Roze strepen in een groene lucht, moet je es nagaan. Ultramarijn en karmijn in de bodem, een grote gele zon erachter..
Mens & Gevoelens: Jopie Huisman', 1993
" The Temple http://www.poemhunter.com/poem/the-temple/"
Quote of an entry in his Diary (22 January 1892), on the experience which inspired his famous painting, '(The Scream)' ('Shrik'), originally titled: 'Der Schrei der Natur' ('The Cry of Nature')
1880 - 1895
Collected Works, Vol. 18, pp. 163–169.
Collected Works
translation from the Dutch original: Fons Heijnsbroek
version in original Dutch / citaat van Paul Gabriël, in Nederlands: Alhoewel ik er zelf wat knorrig uit kan zien houd ik er veel van dat het zonnetje in het water schijnt, maar buiten dat ik vind mijn land gekleurd en wat mij bijzonder opviel wanneer ik uit den vreemde kwam: ons land is gekleurd sappig vet, vandaar onze schoone gekleurde en gebouwde runderen, hun vleesch melk en boter, nergens vind men dat zoo maar ze worden ook door dat sappige vette en gekleurde land gevoed - ik heb vreemdelingen dikwijls horen zeggen, die Hollandsche schilders schilderen allemaal grijs en hun land is groen.. ..hoe meer ik opserveer hoe gekleurder en transparanter de natuur word en dan de lucht erbij gezien een heel ander iets en toch zoo in harmonie, het is verrukkelijk wanneer men heeft leeren zien, want ook dat moet geleerd worden, ik herhaal het ons land is niet grijs, zelfs niet bij grijs weer, de duinen zijn ook niet grijs.
written note of Paul Gabriël, 1901; as cited in De Haagse School. Hollandse meesters van de 19de eeuw, ed. R. de Leeuw, J. Sillevis en C. Dumas); exhibition. cat. - Parijs, Grand Palais / Londen, Royal Academy of Arts / Den Haag, Haags Gemeentemuseum, Parijs, Londen, Den Haag 1983, p.183 - 23
after 1900
You Are, co-written with Brenda Harvey Richie.
Song lyrics, Lionel Richie (1982)
Geological Sketches (1870), ch. 2, pp. 31–32 https://babel.hathitrust.org/cgi/pt?id=hvd.32044018968388;view=1up;seq=49
“For a world with so much sun we live in a dark place, in a dark time.”
ibid
The Rahotep series, Book 2: Tutankhamun
Quote in his letter to brother Theo, from Saint-Rémy-de-Provence, 10 Sept. 1889; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 605), pp. 33-34
1880s, 1889
Heaven and Earth (2009)
Speech in Philadelphia (1776)
Source: Autobiography of a Brown Buffalo (1972), p. 54.
www.nytimes.com (February 2, 2007)
2007, 2008
Introduction, p. xxxix
The System of the World (1800)
Venom and Eternity (1951), Danielle's Monologue
Pilgrimage (Calcutta: Savitri Devi Mukherji, 1958, p. 327, http://www.savitridevi.org/pilgrimage-09.html)
VIII, 1
The Persian Bayán
"The Songs of Selma"
The Poems of Ossian
Pandu to Kunti
The Mahabharata/Book 1: Adi Parva/Section CXXIII
No! http://www.poemhunter.com/p/m/poem.asp?poet=3153&poem=27392.
1830s
“Yonder stands your orphan with his gun, crying like a fire in the sun.”
Song lyrics, Bringing It All Back Home (1965), It's All Over Now, Baby Blue
quote in 1942
1942 - 1948
Source: text for MoMA, describing the 'Garden in Sochi' - series, 26 June 1942
Source: Liberty, Equality, Fraternity (1873-1874), Ch. 5
Livejournal comment http://james-nicoll.livejournal.com/226271.html?thread=2139359#t2139359
2000s
"Thirty-three Happy Moments"
Lama’at (Divine Flashes)