Quotes about the sun
page 15

Thomas Guthrie photo
Báb photo

“Though the sun beat all day upon the mud,
Still foul the mud remains and bright the sun.”

Guido Guinizzelli (1230–1276) Italian poet

Fere lo sol lo fango tutto ’l giorno;
Vil riman, ne il sol perde colore.
Canzone. (Poeti del Primo Secolo, Firenze, 1816, p. 92).
Translation reported in Harbottle's Dictionary of quotations French and Italian (1904), p. 302.

George Meredith photo

“The sun is coming down to earth, and the fields and the waters shout to him golden shouts.”

George Meredith (1828–1909) British novelist and poet of the Victorian era

Source: The Ordeal of Richard Feverel http://www.gutenberg.org/files/4412/4412.txt (1859), Ch. 19.

Dante Gabriel Rossetti photo
Stephen King photo
Cyrano de Bergerac photo
Michelle Branch photo
George Biddell Airy photo
José Martí photo

“Peoples are made of hate and of love, and more of hate than love. But love, like the sun that it is, sets afire and melts everything.”

José Martí (1853–1895) Poet, writer, Cuban nationalist leader

Martí : Thoughts/Pensamientos (1994)

James K. Morrow photo

“Under the midnight sun, despair acquires the intensity of sex, insomnia the vehemence of art.”

Source: Towing Jehovah (1994), Chapter 12, “Father” (p. 337)

Tanith Lee photo

“The moon walks east of midnight,
The sun walks west of noon.
And though I love you, sweetheart,
I will not sing your tune.”

Source: East of Midnight (1977), Chapter 2, “Full Moon” (p. 24; often repeated)

Ramakrishna photo
Zooey Deschanel photo

“We are all made of air
There's stars in my eyes and there's sun in my hair
And I'm runnin' away, it makes me feel better”

Zooey Deschanel (1980) American actress, musician, and singer-songwriter

"Brand New Shoes".
Volume Two (2010)

Daniel Webster photo
Arundhati Roy photo
Vincent Van Gogh photo
Wallace Stevens photo

“My house has changed a little in the sun.
The fragrance of the magnolias come close,
False flick, false form, but falseness close to kin.”

Wallace Stevens (1879–1955) American poet

Notes Toward a Supreme Fiction (1942), It Must Be Abstract

Neil Young photo

“I've seen the needle and the damage done.
A little part of it in everyone.
But every junkie's like a settin' sun.”

Neil Young (1945) Canadian singer-songwriter

The Needle and the Damage Done
Song lyrics, Harvest (1972)

“A time will come, a time will come,
(Though the world will never be quite the same),
When the people sit in the summer sun,
Watching, watching the beautiful game.”

Arnold Wall (1869–1966) university professor, philologist, poet, mountaineer, botanist, writer, radio broadcaster

Poem: A Time Will Come (1915); Cited in: John Arlott, ‎Fred Trueman (1971) Arlott and Trueman on cricket. p. 173
He is referring to cricket; later, "the beautiful game" was used to describe football.

Laurent Clerc photo

“Every creature, every work of God, is admirably well made; but if any one appears imperfect in our eyes, it does not belong to us to criticise it. Perhaps that which we do not find right in its kind, turns to our advantage, without our being able to perceive it. Let us look at the state of the heavens, one while the sun shines, another time it does not appear; now the weather is fine; again it is unpleasant; one day is hot, another is cold; another time it is rainy, snowy or cloudy; every thing is variable and inconstant. Let us look at the surface of the earth: here the ground is flat; there it is hilly and mountainous; in other places it is sandy; in others it is barren; and elsewhere it is productive. Let us, in thought, go into an orchard or forest. What do we see? Trees high or low, large or small, upright or crooked, fruitful or unfruitful. Let us look at the birds of the air, and at the fishes of the sea, nothing resembles another thing. Let us look at the beasts. We see among the same kinds some of different forms, of different dimensions, domestic or wild, harmless or ferocious, useful or useless, pleasing or hideous. Some are bred for men's sakes; some for their own pleasures and amusements; some are of no use to us. There are faults in their organization as well as in that of men. Those who are acquainted with the veterinary art, know this well; but as for us who have not made a study of this science, we seem not to discover or remark these faults. Let us now come to ourselves. Our intellectual faculties as well as our corporeal organization have their imperfections. There are faculties both of the mind and heart, which education improve; there are others which it does not correct. I class in this number, idiotism, imbecility, dulness. But nothing can correct the infirmities of the bodily organization, such as deafness, blindness, lameness, palsy, crookedness, ugliness. The sight of a beautiful person does not make another so likewise, a blind person does not render another blind. Why then should a deaf person make others so also? Why are we Deaf and Dumb? Is it from the difference of our ears? But our ears are like yours; is it that there may be some infirmity? But they are as well organized as yours. Why then are we Deaf and Dumb? I do not know, as you do not know why there are infirmities in your bodies, nor why there are among the human kind, white, black, red and yellow men. The Deaf and Dumb are everywhere, in Asia, in Africa, as well as in Europe and America. They existed before you spoke of them and before you saw them.”

Laurent Clerc (1785–1869) French-American deaf educator

Statement of 1818, quoted in Through Deaf Eyes: A Photographic History of an American Community (2007) by Douglas C. Baynton, Jack R. Gannon, and Jean Lindquist Bergey

Julian (emperor) photo
Michael Crichton photo
Henry Van Dyke photo

“To desire and strive to be of some service to the world, to aim at doing something which shall really increase the happiness and welfare and virtue of mankind,—this is a choice which is possible for all of us; and surely it is a good haven to sail for. The more we think of it, the more attractive and desirable it becomes. To do some work that is needed, and to do it thoroughly well; to make our toil count for something in adding to the sum total of what is actually profitable for humanity; to make two blades of grass grow where one grew before, or, better still, to make one wholesome idea take root in a mind that was bare and fallow; to make our example count for something on the side of honesty and cheerfulness, and courage, and good faith, and love - this is an aim for life which is very wide, and yet very definite, as clear as light. It is not in the least vague. It is only free; it has the power to embody itself in a thousand forms without changing its character. Those who seek it know what it means, however it may be expressed. It is real and genuine and satisfying. There is nothing beyond it, because there can be no higher practical result of effort. It is the translation, through many languages, of the true, divine purpose of all the work and labor that is done beneath the sun, into one final, universal word. It is the active consciousness of personal harmony with the will of God who worketh hitherto.”

Henry Van Dyke (1852–1933) American diplomat

Source: Ships and Havens https://archive.org/stream/shipshavens00vand#page/28/mode/2up/search/more+we+think+of+it (1897), p.27

Homér photo

“Helios, Sun above us, you who see all, hear all things!”

III. 277 (tr. Robert Fagles).
Iliad (c. 750 BC)

Noel Gallagher photo
Frank Wilczek photo
William Cullen Bryant photo

“The hills,
Rock-ribbed, and ancient as the sun.”

William Cullen Bryant (1794–1878) American romantic poet and journalist

Source: Thanatopsis (1817–1821), l. 37

Julian (emperor) photo
Henry Abbey photo
Mao Zedong photo
Lafcadio Hearn photo
Vincent Van Gogh photo

“Here, under a stronger sun, I have found true what Pissarro said, and what Gauguin wrote to me as well, the simplicity, the lack of color, the gravity of great sunlight effects.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote in his letter to brother Theo, from Arles, Oct. 1888; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 555) p. 28
1880s, 1888

“Half the campus was designed by Bottom the Weaver, half by Ludwig Mies van der Rohe; Benton had been endowed with one to begin with, and had smiled and sweated and and spoken for the other. A visitor looked under black beams, through leaded casements (past apple boughs, past box, past chairs like bath-tubs on broomsticks) to a lawn ornamented with one of the statues of David Smith; in the months since the figure had been put in its place a shrike had deserted for it a neighboring thorn tree, and an archer had skinned her leg against its farthest spike. On the table in the President’s waiting-room there were copies of Town and Country, the Journal of the History of Ideas, and a small magazine—a little magazine—that had no name. One walked by a mahogany hat-rack, glanced at the coat of arms on an umbrella-stand, and brushed with one’s sleeve something that gave a ghostly tinkle—four or five black and orange ellipsoids, set on grey wires, trembled in the faint breeze of the air-conditioning unit: a mobile. A cloud passed over the sun, and there came trailing from the gymnasium, in maillots and blue jeans, a melancholy procession, four dancers helping to the infirmary a friend who had dislocated her shoulder in the final variation of The Eye of Anguish.”

Source: Pictures from an Institution (1954) [novel], Chapter 1: “The President, Mrs., and Derek Robbins”, p. 3; opening paragraph of novel

Van Morrison photo
James Jeans photo
John Ruysbroeck photo
Robert Delaunay photo

“I can see the black spots of the sun [remark to Sonia Delaunay, his wife and female artist].”

Robert Delaunay (1885–1941) French painter

Quote from 'Nous irons jusqu'au soleil', Delaunay; as cited in: 'Futurism', ed. By Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 214
1915 - 1941

James Macpherson photo
Rāmabhadrācārya photo

“Neutrinos are fundamental subatomic particles produced in nuclear reactions, like those in the sun. We always talk about the fact that we can’t see neutrinos or dark matter and that basically they’re invisible, but if you think about it from the other side, we’re also invisible to them.”

Evalyn Gates (1958)

Quoted in Most Interesting People 2012: Evalyn Gates http://clevelandmagazine.com/ME2/dirmod.asp?sid=E73ABD6180B44874871A91F6BA5C249C&nm=Article+Archives&type=Publishing&mod=Publications%3A%3AArticle&mid=1578600D80804596A222593669321019&tier=4&id=1A0E4E5D5FA548418C5BA0BFFE28C6A8, Cleveland Magazine (January 2012)

Yurii Andrukhovych photo
Anthony Watts photo

“It's all about the sun. Just take a look at the picture above and notice just how small earth is compared to the sun, or even a large solar flare. Anybody whom thinks the human race has more effect on our global energy balance than an active sun does is just deluding themselves.”

Anthony Watts (1958) American television meteorologist

Scientists Predict Large Solar Cycle Coming http://wattsupwiththat.com/2006/12/23/scientists-predict-large-solar-cycle-coming/, wattsupwiththat.com, December 23, 2006.
2006

H.L. Mencken photo
Eddie Griffin photo
Pat Conroy photo
Gulzarilal Nanda photo
Mike Oldfield photo
Chuck Berry photo
Erasmus Darwin photo
Charles Barkley photo
Seth MacFarlane photo
Karl Pilkington photo
John Muir photo

“With inexpressible delight you wade out into the grassy sun-lake, feeling yourself contained in one of Nature's most sacred chambers, withdrawn from the sterner influences of the mountains, secure from all intrusion, secure from yourself, free in the universal beauty. And notwithstanding the scene is so impressively spiritual, and you seem dissolved in it, yet everything about you is beating with warm, terrestrial, human love, delightfully substantial and familiar.”

John Muir (1838–1914) Scottish-born American naturalist and author

" The Glacier Meadows of the Sierra http://books.google.com/books?id=zj2gAAAAMAAJ&pg=PA478", Scribner's Monthly, volume XVII, number 4 (February 1879) pages 478-483 (at page 479); modified slightly and reprinted in The Mountains of California http://www.sierraclub.org/john_muir_exhibit/writings/the_mountains_of_california/ (1894), chapter 7: The Glacier Meadows
1890s, The Mountains of California (1894)

James Fenimore Cooper photo
Billy Joel photo
Elaine Goodale Eastman photo
George Holmes Howison photo
John the Evangelist photo
Evelyn Waugh photo
Daniel Handler photo
Halldór Laxness photo
Thomas Browne photo
Giosuè Carducci photo
Lee Teng-hui photo
Thomas Fuller (writer) photo

“2155. He that hath a Head of Wax, must not walk in the Sun.”

Thomas Fuller (writer) (1654–1734) British physician, preacher, and intellectual

Compare Poor Richard's Almanack (1749) : If your head is wax, don't walk in the sun.
Introductio ad prudentiam: Part II (1727), Gnomologia (1732)

“It is time for students of the evolutionary process, especially those who have been misquoted and used by the creationists, to state clearly that evolution is a fact, not theory, and that what is at issue within biology are questions of details of the process and the relative importance of different mechanisms of evolution. It is a fact that the earth, with liquid water, is more than 3.6 billion years old. It is a fact that cellular life has been around for at least half of that period and that organized multicellular life is at least 800 million years old. It is a fact that major life forms now on earth were not at all represented in the past. There were no birds or mammals 250 million years ago. It is a fact that major life forms of the past are no longer living. There used to be dinosaurs and Pithecanthropus, and there are none now. It is a fact that all living forms come from previous living forms. Therefore, all present forms of life arose from ancestral forms that were different. Birds arose from nonbirds and humans from nonhumans. No person who pretends to any understanding of the natural world can deny these facts any more than she or he can deny that the earth is round, rotates on its axis, and revolves around the sun. The controversies about evolution lie in the realm of the relative importance of various forces in molding evolution.”

Richard C. Lewontin (1929) American evolutionary biologist

" Evolution/Creation Debate: A Time for Truth http://bioscience.oxfordjournals.org/content/31/8/local/ed-board.pdf", BioScience volume 31 (1981), p. 559; Reprinted in J. Peter Zetterberg, editor, Evolution versus Creationism, Oryx Press, Phoenix, Arizona, 1983.

John Constable photo

“The landscapes of Ruysdael present the greatest possible contrast to those of Claude, showing how powerfully, from the most opposite directions, genius may command our homage. In Claude's pictures, with scarcely an exception, the sun ever shines. Ruysdael, on the contrary, delighted in, and has made delightful to our eyes, those solemn days, peculiar to his country and to ours, when without storm, large rolling clouds scarcely permit a ray of sunlight to break the shades of the forest.”

John Constable (1776–1837) English Romantic painter

Quote from 'The History of Landscape Painting,' third lecture, Royal Institution (9 June 1836), from notes taken by C.R. Leslie; as quoted in: 'A brief history of weather in European landscape art', John E. Thornes, in Weather Volume 55, Issue 10 Oct. 2000, p. 366-67
1830s, his lectures History of Landscape Painting (1836)

W. H. Auden photo

“Acts of injustice done
Between the setting and the rising sun
In history lie like bones, each one.”

The Ascent of F6, written with Christopher Isherwood, Act II, Scene V; quoted by Richard Adams in his novel Watership Down. (1936)

T. E. Lawrence photo
Thomas Creech photo
Henry Wotton photo

“You meaner beauties of the night,
That poorly satisfy our eyes
More by your number than your light;
You common people of the skies,
What are you when the sun shall rise?”

Henry Wotton (1568–1639) English ambassador

On His Mistress, the Queen of Bohemia, stanza 1 (1624). In some versions "moon" replaces "sun". This was printed with music as early as 1624, in Est's "Sixth Set of Books", for example.

“The death of Black Jade coincided with the wedding hour of Pao-yu and Precious Virtue. Shortly after Snow Duck was taken to the wedding chambers, Black Jade had regained consciousness. During this lucid moment, which was not unlike the afterglow of the setting sun, she took Purple Cuckoo's hand and said to her with an effort, "My hour is here. You have served me for many years, and I had hoped that we should be together the rest of our lives… but I am afraid…"
The effort exhausted her and she fell back, panting. She still held Purple Cuckoo's hand and continued after a while, "Mei-mei, I have only one wish. I have no attachment here. After my death, tell them to send my body back to the south––"
She stopped again, and her eyes closed slowly. Purple Cuckoo felt her mistress' hand tighten over hers. Knowing this was a sign of the approaching end, she sent for Li Huan, who had gone back to her own apartment for a brief rest. When the latter returned with Quest Spring, Black Jade's hands were already cold and her eyes dull. They suppressed their sobs and hastened to dress her. Suddenly Black Jade cried, "Pao-yu, Pao-yu, how––" Those were her last words.
Above their own lamentations, Li Huan, Purple Cuckoo, and Quest Spring thought they heard the soft notes of an ethereal music in the sky. They went out to see what it was, but all they could hear was the rustling of the wind through the bamboos and all they could see was the shadow of the moon creeping down the western wall.”

Wang Chi-chen (1899–2001)

Source: Dream of the Red Chamber (1958), p. 307

Florbela Espanca photo

“Kiss my hands, Love, make them feel caressed
Kiss them as if we two were only siblings,
Two birds singing in the sun and in the same nest.Kiss them, Love!… The wildest fantasy is at my fingertips
To hold those kisses locked within my hands
The kisses that I dreamed were for my lips!”

Florbela Espanca (1894–1930) Portuguese poet

Beija-me as mãos, Amor, devagarinho...
Como se os dois nascessemos irmãos,
Aves cantando, ao sol, no mesmo ninho...<p>Beija-mas bem!... Que fantasia louca
Guardar assim, fechados, nestas mãos,
Os beijos que sonhei pra minha boca!
Quoted in Presença literária (2001), p. 70
Translated by John D. Godinho
Book of Sorrows (1919), "Amiga"

Francis Bacon photo

“[I]n the system of Copernicus there are found many and great inconveniences; for both the loading of the earth with triple motion is very incommodious, and the separation of the sun from the company of the planets, with which it has so many passions in common, is likewise a difficulty, and the introduction of so much immobility into nature, by representing the sun and stars as immovable, especially being of all bodies the highest and most radiant, and making the moon revolve about the earth in an epicycle, and some other assumptions of his, are the speculations of one who cares not what fictions he introduces into nature, provided his calculations answer. But if it be granted that the earth moves, it would seem more natural to suppose that there is no system at all, but scattered globes… than to constitute a system of which the sun is the centre. And this the consent of ages and of antiquity has rather embraced and approved. For the opinion concerning the motion of the earth is not new, but revived from the ancients… whereas the opinion that the sun is the centre of the world and immovable is altogether new… and was first introduced by Copernicus. …But if the earth moves, the stars may either be stationary, as Copernicus thought or, as it is far more probable, and has been suggested by Gilbert, they may revolve each round its own centre in its own place, without any motion of its centre, as the earth itself does… But either way, there is no reason why there should not be stars above stars til they go beyond our sight.”

Francis Bacon (1561–1626) English philosopher, statesman, scientist, jurist, and author

Descriptio Globi Intellectualis (1653, written ca. 1612) Ch. 6, as quoted in "Description of the Intellectual Globe," The Works of Francis Bacon (1889) pp. 517-518, https://books.google.com/books?id=lsILAAAAIAAJ&pg=PA517 Vol. 4, ed. James Spedding, Robert Leslie Ellis, Douglas Denon Heath.

John Newton photo

“When we've been there ten thousand years,
Bright shining as the sun,
We've no less days to sing God's praise
Than when we'd first begun.”

John Newton (1725–1807) Anglican clergyman and hymn-writer

These lines were not written by Newton. They have often been accreted to various hymns, including "Amazing Grace", since the mid-nineteenth century.
Misattributed

Richard Dawkins photo

“Today the theory of evolution is about as much open to doubt as the theory that the earth goes round the sun.”

Source: The Selfish Gene (1976, 1989), Ch. 1. Why Are People?

William Wordsworth photo
Julian (emperor) photo
Anthony Burgess photo
John Masefield photo

“What is this creature, Music, save the Art,
The Rhythm that the planets journey by?
The living Sun-Ray entering the heart,
Touching the Life with that which cannot die?”

John Masefield (1878–1967) English poet and writer

" Where does the uttered Music go? http://www.williamwalton.net/works/choral/where_does_the_uttered_music_go.html" (1946)

Upton Sinclair photo
George William Russell photo
Helen Blackwood, Baroness Dufferin and Claneboye photo
Agnes Mary Clerke photo
Bill Nye photo

“Without clouds we wouldn't have rain. Without rain there is no water, no crops and no food for you and me. Humans would not exist without the sun, heat, water and oxygen from plants.”

Bill Nye (1955) American science educator, comedian, television host, actor, writer, scientist and former mechanical engineer

[NewsBank, 03I, Science Guy Wants You to Ask, 'Why?', The Columbus Dispatch, Ohio, October 24, 2001, Connie A. Higgins]

Claude Rains photo

“God felt sorry for actors, so he gave them a place in the sun and a lot of money. All they had to sacrifice was their talent.”

Claude Rains (1889–1967) English-born actor

Of Hollywood; Halliwell's Who's Who in the Movies (2001 ed): Art. Claude Rains p. 362

Robert Frost photo
H. Havelock Ellis photo

“The sun and the moon and the stars would have disappeared long ago…had they happened to be within the reach of predatory human hands.”

H. Havelock Ellis (1859–1939) British physician, writer, and social reformer

Source: The Dance of Life http://www.gutenberg.net.au/ebooks03/0300671.txt (1923), Ch. 7

James K. Morrow photo
Bob Dylan photo

“We're going all the way, till the wheels fall off and burn, till the sun peels the paint and the seat covers fade and the water moccasins die.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Song lyrics, Knocked Out Loaded (1986), Brownsville Girl (with Sam Shepard)

Kalle Päätalo photo