Quotes about the sea
page 8

Ben Croshaw photo
Philip Roth photo

“Each year she taught him the names of the flowers in her language and in his, and from one year to the next he could not even remember the English. For nearly thirty years Sabbath had been exiled in these mountains, and still he could name hardly anything. They didn't have this stuff where he came from. All these things growing were beside the point there. He was from the shore. There was sand and ocean, horizon and sky, daytime and nighttime - the light, the dark, the tide, the stars, the boats, the sun, the mists, the gulls. There were the jetties, the piers, the boardwalk, the booming, silent, limitless sea. Where he grew up they had the Atlantic. You could touch with your toes where America began. They lived in a stucco bungalow two short streets from the edge of America. The house. The porch. The screens. The icebox. The tub. The linoleum. The broom. The pantry. The ants. The sofa. The radio. The garage. The outside shower with the slatted wooden floor Morty had built and the drain that always clogged. In summer, the salty sea breeze and the dazling light; in September, the hurricanes; in January, the storms. They had January, February, March, April, May, June, July, August, September, November, December. And then January. And then again January, no end to the stockpile of Januaries, of Mays, of Marches. August, December, April - name a month, and they had it in spades. They'd had endlessness. He had grown up on endlessness and his mother - in the beginning they were the same thing. His mother, his mother, his mother, his mother, his mother… and then there was his mother, his father, Grandma, Morty, and the Atlantic at the end of the street. The ocean, the beach, the first two streets in America, then the house, and in the house a mother who never stopped whistlîg until December 1944. If Morty had come alive, if the endlessness had ended naturally instead of with the telegram, if after the war Morty had started doing electrical work and plumbing for people, had become a builder at the shore, gone into the construction business just as the boom in Monmouth County was beginning…Didn't matter. Take your pick. Get betrayed by the fantasy of endlessness or by the fact of finitude. No, Sabbath could only have wound up Sabbath, begging for what he was begging, bound to what he was bound, saying what he did not wish to stop himself from saying.”

Sabbath's Theater (1995)

Ralph Waldo Emerson photo

“A ruddy drop of manly blood
The surging sea outweighs;
The world uncertain comes and goes,
The lover rooted stays.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

Epigraph to Friendship
Bartlett's Familiar Quotations, 10th ed. (1919), Essays, First Series
Variant: A ruddy drop of manly blood
The surging sea outweighs;
The world uncertain comes and goes,
The lover rooted stays.

Sylvia Earle photo

“The ocean is large and resilient, but it is not too big to fail. What we are taking out of the sea, what we are putting into the sea are actions that are undermining the most important thing the ocean delivers to humankind – our very existence.”

Sylvia Earle (1935) American oceanographer

[Earle, Sylvia, BREAKING: Dr. Sylvia Earle Boldly Addresses the UN To Urge Legal Protection for High Seas, http://mission-blue.org/2015/01/breaking-dr-sylvia-earle-boldly-addresses-the-un-to-urge-legal-protection-for-high-seas/, www.missionblue.org, Mission Blue, 28 January 2015]

“The salt said, look by the sea,
Your tears are not enough praise,
You will find no comfort here,
In the kingdom of bang and blab.”

Theodore Roethke (1908–1963) American poet

The Lost Son, ll. 32 - 35
The Lost Son and Other Poems (1948)

Joseph Conrad photo

“And giving men power to steer their path across the sea with heaven as their guide.”
Et dedit aequoreos caelo duce tendere cursus.

Source: Argonautica, Book I, Line 483

Stephen Crane photo
Stephen Crane photo
Paul Cézanne photo
Esaias Tegnér photo

“Autumn has come;
Storming now heaveth the deep sea with foam,
Yet would I gratefully lie there,
Willingly die there.”

Esaias Tegnér (1782–1846) Swedish poet, professor and bishop

"Ingeborg's Lament".
Fridthjof's Saga (1820-1825)

Sidney Lanier photo
Oliver Stone photo
Vinayak Damodar Savarkar photo
James A. Garfield photo

“Mister Speaker, let us learn a lesson from the dealing of God with the Jewish nation. When his chosen people, led by the pillar of cloud and fire, had crossed the Red Sea and traversed the gloomy wilderness with its thundering Sinai, its bloody battles, disastrous defeats, and glorious victories; when near the end of their perilous pilgrimage they listened to the last words of blessing and warning from their great leader before he was buried with immortal honors by the angel of the Lord; when at last the victorious host, sadly joyful, stood on the banks of the Jordan, their enemies drowned in the sea or slain in the wilderness, they paused and made solemn preparation to pass over and possess the land of promise. By the command of God, given through Moses and enforced by his great successor, the ark of the covenant, containing the tables of the law and the sacred memorials of their pilgrimage, was borne by chosen men two thousand cubits in advance of the people. On the further shore stood Ebal and Gerizim, the mounts of cursing and blessing, from which, in the hearing of all the people, were pronounced the curses of God against injustice and disobedience, and his blessing upon justice and obedience. On the shore, between the mountains and in the midst of the people, a monument was erected, and on it were written the words of the law, 'to be a memorial unto the children of Israel forever and ever.”

James A. Garfield (1831–1881) American politician, 20th President of the United States (in office in 1881)

1860s, Speech in the House of Representatives (1866)

James Montgomery photo

“Distinct as the billows, yet one as the sea.”

James Montgomery (1771–1854) British editor, hymn writer, and poet

The Ocean, Line 54.
Bartlett's Familiar Quotations, 10th ed. (1919).

Emily Dickinson photo
Abdul Halim of Kedah photo

“To the youths, utilise all the spaces and chances available with tact, as the saying goes, become a garuda if high up in space, become an island if fall down to the sea.”

Abdul Halim of Kedah (1927–2017) King of Malaysia

Royal address at the opening of the fifth session of the 12th Parliament http://www.parlimen.gov.my/files/hindex/pdf/DR-12032012.pdf, 13/12/2011

Daniel Dennett photo
Michael Oakeshott photo
Loreena McKennitt photo

“As we cast our gaze on the tumbling sea
A vision came o'er me
Of thundering hooves and beating wings
In clouds above.”

Loreena McKennitt (1957) Canadian musician and composer

The Visit (1991), The Old Ways

Stevie Nicks photo

“The clouds, never expect it,
When it rains
But the sea changes color,
But the sea does not change”

Stevie Nicks (1948) American singer and songwriter, member of Fleetwood Mac

Edge of Seventeen
Bella Donna (album) (1981)

Hermann Weyl photo

“[Physicists and philosophers] stick stubbornly to the principles of a mechanistic interpretation of the world after physics has, in its factual structure, already outgrown the latter. They have the same excuse as the inhabitant of the mainland who for the first time travels on the open sea: he will desperately try to stay in sight of the vanishing coast line, as long as there is no other coast in sight, towards which he steers.”

Hermann Weyl (1885–1955) German mathematician

"Wissenschaft als symbolische Konstruktion des Menschen" Eranos-Jahrbuch (1948) GA IV, as quoted/translated by Erhard Scholz, "Philosophy as a Cultural Resource and Medium of Reflection for Hermann Weyl" http://arxiv.org/abs/math/0409596 (2004)

Alauddin Khalji photo
Scott Ritter photo

“I'll say this about nuclear weapons. You know I'm not sitting on the Joint Chiefs of Staff, I'm not in on the planning. I'll take it at face value that the Chairman of the Joint Chiefs of Staff successfully eliminated nuclear weapons in the first phase of the operation.But keep in mind this. That the Bush Administration has built a new generation of nuclear weapons that we call 'usable nukes.' And they have a nuclear posture now, which permits the pre-emptive use of nuclear weapons in a non-nuclear environment, if the Commander in Chief deems U. S. forces to be in significant risk.If we start bombing Iran, I'm telling you right now, it's not going to work. We're not going to achieve decapitation, regime change, all that. What will happen is the Iranians will respond, and we will feel the pain instantaneously, which will prompt the Bush administration to phase two, which will have to be boots on the ground. And we will put boots on the ground, we will surge a couple of divisions in, probably through Azerbaijan, down the Caspian Sea coast, in an effort to push the regime over. And when they don't push over, we now have 40,000 troops trapped. We have now reached the definition of significant numbers of U. S. troops in harm's way, and there is no reserve to pull them out! There's no more cavalry to come riding to the rescue. And at that point in time, my concern is that we will use nuclear weapons to break the backbone of Iranian resistance, and it may not work.But what it will do is this: it will unleash the nuclear genie. And so for all those Americans out there tonight who say, 'You know what - taking on Iran is a good thing.' I just told you if we take on Iran, we're gonna use nuclear weapons. And if we use nuclear weapons, the genie ain't going back in the bottle, until an American city is taken out by an Islamic weapon in retaliation. So, tell me, you want to go to war with Iran. Pick your city. Pick your city. Tell me which one you want gone. Seattle? L. A.? Boston? New York? Miami. Pick one. Cause at least one's going. And that's something we should all think about before we march down this path of insanity that George Bush has us headed on.</p”

Scott Ritter (1961) American weapons inspector and writer

October 16, 2006
2006

Alauddin Khalji photo
Luís de Camões photo

“Arms and the Heroes, who from Lisbon's shore,
Through Seas where sail was never spread before,
Beyond where Ceylon lifts her spicy breast,
And waves her woods above the watery waste,
With prowess more than human forced their way
To the fair kingdoms of the rising day:
What wars they waged, what seas, what dangers passed,
What glorious empire crowned their toils at last!”

Luís de Camões (1524–1580) Portuguese poet

As armas e os Barões assinalados
Que da Ocidental praia Lusitana
Por mares nunca de antes navegados
Passaram ainda além da Taprobana,
Em perigos e guerras esforçados
Mais do que prometia a força humana,
E entre gente remota edificaram
Novo Reino, que tanto sublimaram.
Stanza 1 (as translated by William Julius Mickle, 1776)
Epic poetry, Os Lusíadas (1572), Canto I

Torquato Tasso photo

“Lovely Nymphs, ye sister Nymphs of the river Po,
And ye from out the greenwood and where the sea-waves beat,
And ye who live by fountains and on hill-tops high.”

Torquato Tasso (1544–1595) Italian poet

Vaghe Ninfe del Po, Ninfe sorelle,
E voi de' boschi e voi d'onda marina
E voi de' fonti e de l'alpestri cime.
Rime d'amore ("Rhymes of Love"), 175.

Conrad Aiken photo

“Death is a meeting place of sea and sea.”

Conrad Aiken (1889–1973) American novelist and poet

The House of Dust (1916 - 1917)

Voltairine de Cleyre photo
Taliesin photo
Paul Cézanne photo
Ludovico Ariosto photo

“The traveller, he, whom sea or mountain sunder
From his own country, sees things strange and new;
That the misjudging vulgar, which lies under
The mist of ignorance, esteems untrue.”

Chi va lontan da la sua patria, vede
Cose, da quel che già credea, lontane;
Che narrandole poi, non se gli crede,
E stimato bugiardo ne rimane.
Canto VII, stanza 1 (tr. W. S. Rose)
Orlando Furioso (1532)

Charlotte Salomon photo

“.. Thus in the presence of the scorching sun, purple sea, and luxuriant blossoms, the memory of an experience of her fervid early love [Daberlohn = Alfred Wolfsohn ] came back to her. And she tried to visualize that face, that figure. And Io, she succeeded, and she noticed that this was a very interesting occupation. For she discovered that that figure…”

Charlotte Salomon (1917–1943) German painter

Charlotte's 6th ending, written page in brush, related to JHM no. 4922v https://charlotte.jck.nl/detail/M004922/part/character/theme/keyword/M004922: (553) 'Life? or Theater..', p. 818
Charlotte Salomon - Life? or Theater?

David Lloyd George photo
Sara Teasdale photo
Wallace Stevens photo
Isaac Leib Peretz photo

“We are like fish
In this vast sea.
And Satan fishes
For you and me.”

Isaac Leib Peretz (1852–1915) Yiddish language author and playwright

"Monish" (translated in J. Leftwich. Golden Peacock. Sci-Art, 1939, p. 56.), 1888.

Anne Morrow Lindbergh photo
Winston S. Churchill photo
Peter Weiss photo

“Fight on land and sea
All men want to be free
If they don't
never mind
we'll abolish all mankind”

Singers and Patients, act 2, scene 31 (p. 98)
Marat/Sade (1963)

Walter Dornberger photo

“The history of technology will record that for the first time a machine of human construction, a five-and-a-half-ton missile, covered a distance of a hundred and twenty miles with a lateral deflection of only two and a half miles from the target. Your names, my friends and colleagues, are associated with this achievement. We did it with automatic control. From the artilleryman's point of view, the creation of the rocket as a weapon solves the problem of the weight of heavy guns. We are the first to have given a rocket built on the principles of aircraft construction a speed of thirty-three hundred miles per hour by means of rocket propulsion. Acceleration throughout the period of propulsion was no more than five times that of gravity, perfectly normal for maneuvering of aircraft. We have thus proved that it is quite possible to build piloted missiles or aircraft to fly at supersonic speed, given the right form and suitable propulsion. Our automatically controlled and stabilized rocket has reached heights never touched by any man-made machine. Since the tilt was not carried to completion our rocket today reached a height of nearly sixty miles. We have thus broken the world altitude record of twenty-five miles previously held by the shell fired from the now almost legendary Paris Gun.
The following points may be deemed of decisive significance in the history of technology: we have invaded space with our rocket and for the first time--mark this well--have used space as a bridge between two points on the earth; we have proved rocket propulsion practicable for space travel. To land, sea, and air may now be added infinite empty space as an area of future intercontinental traffic, thereby acquiring political importance. This third day of October, 1942, is the first of a new era in transportation, that of space travel....
So long as the war lasts, our most urgent task can only be the rapid perfection of the rocket as a weapon. The development of possibilities we cannot yet envisage will be a peacetime task. Then the first thing will be to find a safe means of landing after the journey through space…”

Walter Dornberger (1895–1980) German general

[Dornberger, Walter, Walter Dornberger, V2--Der Schuss ins Weltall, 1952 -- US translation V-2 Viking Press:New York, 1954, Bechtle Verlag, Esslingan, p17,236]

Thomas Moore photo

“Sound the loud timbrel o'er Egypt's dark sea!
Jehovah has triumphed—his people are free.”

Thomas Moore (1779–1852) Irish poet, singer and songwriter

Sacred Songs, Sound the Loud Timbrel, st. 1.

Winston S. Churchill photo
Carl Safina photo

“Most of the oxygen we breathe is made by ocean plankton. And when animals left the seas in which life arose, they took seawater with them, in their bodies — an internal environment crucial for cellular survival. We are, in a sense, soft vessels of seawater.”

Carl Safina (1955) American biologist

Source: [A sea ethic: floating the Ark, Blue Ocean Institute, 2005, http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.495.177&rep=rep1&type=pdf]

Thomas Browne photo

“A little water makes a sea, a small puff of wind a Tempest.”

Thomas Browne (1605–1682) English polymath

On Dreams

Ulysses S. Grant photo
Prem Rawat photo
George Gordon Byron photo

“My boat is on the shore,
And my bark is on the sea;
But, before I go, Tom Moore.
Here's a double health to thee!”

George Gordon Byron (1788–1824) English poet and a leading figure in the Romantic movement

To Thomas Moore http://readytogoebooks.com/LB-TomMoore.htm, st. 1 (1817).

Letitia Elizabeth Landon photo
George Santayana photo

“No doubt the spirit or energy of the world is what is acting in us, as the sea is what rises in every little wave; but it passes through us, and cry out as we may, it will move on. Our privilege is to have perceived it as it moves.”

George Santayana (1863–1952) 20th-century Spanish-American philosopher associated with Pragmatism

Source: Winds of Doctrine: Studies in Contemporary Opinion (1913), p. 199

Roger Ebert photo
Ken Livingstone photo
W. S. Gilbert photo
Robert Graves photo

“There’s a cool web of language winds us in,
Retreat from too much joy or too much fear:
We grow sea-green at last and coldly die
In brininess and volubility.”

Robert Graves (1895–1985) English poet and novelist

"The Cool Web," lines 9–12, from Poems 1914-1926 (1927).
Poems

Thomas Hardy photo

“In a solitude of the sea
Deep from human vanity,
And the Pride of Life that planned her, stilly couches she.”

Thomas Hardy (1840–1928) English novelist and poet

"The Convergence of the Twain" (Lines on the loss of the Titanic) http://rpo.library.utoronto.ca/poem/916.html (1912), lines 1-3, from Satires of Circumstance (1914)

Ben Harper photo
Wilhelm II, German Emperor photo
Tanith Lee photo
Pope Sixtus V photo

“What a valiant woman. She braves the two greatest kings by land and sea. If she were not a heretic she would be worth a whole world.”

Pope Sixtus V (1520–1590) pope

On Queen Elizabeth I of England, in 1587; reported in Colin Bingham, Men and Affairs: A Modern Miscellany (1967), p. 48.
Attributed

Francis Turner Palgrave photo
John Green photo
John Mayer photo
Gideon Mantell photo
Massoud Barzani photo

“I am against driving Israel into the sea. This policy is wrong, illogical, and unreasonable. Why annihilate a people?”

Massoud Barzani (1946) Iraqi Kurdish politician

On Israel's right to exist
Source: Jerusalem Post http://www.jpost.com/servlet/Satellite?apage=2&cid=1176152838812&pagename=JPost%2FJPArticle%2FShowFull April 2007

Karl Pilkington photo

“In the sea you've got to be constantly sort of alert. It's worse in the sea [than anywhere else in the animal kingdom]. In the sea you've got an enemy behind every rock.”

Karl Pilkington (1972) English television personality, social commentator, actor, author and former radio producer

Podcast Series 3 Episode 2
On Nature

William Roscoe Thayer photo
Julia Ward Howe photo

“In the beauty of the lilies Christ was born across the sea,
With a glory in his bosom that transfigures you and me:
As he died to make men holy, let us die to make men free,
While God is marching on.”

Julia Ward Howe (1819–1910) American abolitionist, social activist, and poet

Published version, in the Atlantic Monthly (February 1862)
In the whiteness of the lilies he was born across the sea,
With a glory in his bosom that shines out on you and me,
As he died to make men holy, let us die to make men free,
Our God is marching on.
First manuscript version (19 November 1861).
The Battle Hymn of the Republic (1861)

Warren G. Harding photo
George William Curtis photo

“A few years after the Constitution was adopted Alexander Hamilton said to Josiah Quincy that he thought the Union might endure for thirty years. He feared the centrifugal force of the system. The danger, he said, would proceed from the States, not from the national government. But Hamilton seems not to have considered that the vital necessity which had always united the colonies from the first New England league against the Indians, and which, in his own time, forced the people of the country from the sands of a confederacy to the rock of union, would become stronger every year and inevitably develop and confirm a nation. Whatever the intention of the fathers in 1787 might have been, whether a league or confederacy or treaty, the conclusion of the children in 1860 might have been predicted. Plant a homogeneous people along the coast of a virgin continent. Let them gradually overspread it to the farther sea, speaking the same language, virtually of the same religious faith, inter- marrying, and cherishing common heroic traditions. Suppose them sweeping from end to end of their vast domain without passports, the physical perils of their increasing extent constantly modified by science, steam, and the telegraph, making Maine and Oregon neighbors, their trade enormous, their prosperity a miracle, their commonwealth of unsurpassed importance in the world, and you may theorize as you will, but you have supposed an imperial nation, which may indeed be a power of evil as well as of good, but which can no more recede into its original elements and local sources than its own Mississippi, pouring broad and resistless into the Gulf, can turn backward to the petty forest springs and rills whence it flows. 'No, no', murmurs the mighty river, 'when you can take the blue out of the sky, when you can steal heat from fire, when you can strip splendor from the morning, then, and not before, may you reclaim your separate drops in me.”

George William Curtis (1824–1892) American writer

'Yes, yes, my river,' answers the Union, 'you speak for me. I am no more a child, but a man; no longer a confederacy, but a nation. I am no more Virginia, New York, Carolina, or Massachusetts, but the United States of America'.
1860s, The Good Fight (1865)

“Reason has moons, but moons not hers
Lie mirror'd on her sea,
Confounding her astronomers,
But, O! delighting me.”

Ralph Hodgson (1871–1962) British writer

"Reason Has Moons", p. 64.
Poems (1917)

Jacopone da Todi photo
Piet Mondrian photo

“If the masc. [masculine] is the vertic. [vertical] line, then a man will recognize this element in the rising line of a forest; in the horizont. [horizontal] lines of the sea he will see his complement. Woman, with the horizont. line as element, sees herself in the recumbent lines of the sea, and her complement in the vert. lines of the forest.”

Piet Mondrian (1872–1944) Peintre Néerlandais

[on his two paintings 'Sea' and ' Trees', both made in 1912 https://upload.wikimedia.org/wikipedia/commons/6/65/Trees%2C_1912%2C_Mondrian.jpg
note in his sketchbook, undated but c. 1912; as quoted in Mondrian, - The Art of Destruction, Carel Blotkamp, Reaktion Books LTD. London 2001, p. 70
1910's

Aphra Behn photo

“No friend to Love like a long voyage at sea.”

The Rover, Part I, Act I, sc. ii (1677).

Max Beckmann photo

“Saw the English [pilots] coming from the sea in huge bands like the bristling hair of Zeus Jupiter. Heard all destroyed in Frankfurt. Sad…”

Max Beckmann (1884–1950) German painter, draftsman, printmaker, sculptor and writer

12 April 1944
notes in his diary, 1944, Amsterdam; as quoted on: 'Arts in exile' http://kuenste-im-exil.de
1940s

Hans Christian Andersen photo
John Muir photo
Letitia Elizabeth Landon photo

“The dream on the pillow,
That flits with the day,
The leaf of the willow
A breath wears away;
The dust on the blossom,
The spray on the sea;
Ay,—ask thine own bosom—
Are emblems of thee.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(29th March 1823) Song - The dream on the pillow.
The London Literary Gazette, 1823

Eugène Delacroix photo
Niall Ferguson photo
John Paul Jones photo
William Frederick Halsey, Jr. photo

“It was the sea and I. And the sea was alone and I was alone. One of the two was missing.”

Antonio Porchia (1885–1968) Italian Argentinian poet

Éramos yo y el mar. Y el mar estaba solo y solo yo. Uno de los dos faltaba.
Voces (1943)

Ken Ham photo
Zisi photo
George MacDonald photo
A. P. Herbert photo

“How proud upon your quarterdeck you stand,
Conductor, Captain of the mighty bus!
Like some Columbus you survey the Strand,
A calm newcomer in a sea of fuss.”

A. P. Herbert (1890–1971) British politician

"Seeing It Through", London Transport poster by Eric Kennington (1944).

Gideon Mantell photo
Calvin Coolidge photo