Quotes about the past
page 20

Yan Lianke photo
Jared Diamond photo
Letitia Elizabeth Landon photo
Maxime Bernier photo

“Trudeau keeps pushing his “diversity is our strength” slogan. Yes, Canada is a huge and diverse country. This diversity is part of us and should be celebrated. But where do we draw the line?
Ethnic, religious, linguistic, sexual and other minorities were unjustly repressed in the past. We’ve done a lot to redress those injustices and give everyone equal rights. Canada is today one of the countries where people have the most freedom to express their identity.
But why should we promote ever more diversity? If anything and everything is Canadian, does being Canadian mean something? Shouldn’t we emphasize our cultural traditions, what we have built and have in common, what makes us different from other cultures and societies?
Having people live among us who reject basic Western values such as freedom, equality, tolerance and openness doesn’t make us strong. People who refuse to integrate into our society and want to live apart in their ghetto don’t make our society strong.
Trudeau’s extreme multiculturalism and cult of diversity will divide us into little tribes that have less and less in common, apart from their dependence on government in Ottawa. These tribes become political clienteles to be bought with taxpayers $ and special privileges.
Cultural balkanisation brings distrust, social conflict, and potentially violence, as we are seeing everywhere. It’s time we reverse this trend before the situation gets worse. More diversity will not be our strength, it will destroy what has made us such a great country.”

Maxime Bernier (1963) Canadian politician

12 August 2018 on Twitter https://twitter.com/MaximeBernier/status/1028800406535716864

Javier Marías photo

“What is truly unbearable is that the person one recalls as part of the future should suddenly become the past.”

Javier Marías (1951) Spanish writer

Lo más intolerable es que se convierta en pasado quien uno recuerda como futuro.
Source: Mañana en la batalla piensa en mí [Tomorrow in the Battle Think on Me] (1994), p. 126

Bassel Khartabil photo

“Thanks to the way your brain is wired, you're likely to screw over your future in order to stay loyal to decisions you made in the past”

Bassel Khartabil (1981–2015) free culture and democracy activist, Syrian political prisoner

Tweet Jan 21, 2010, 1:17PM https://twitter.com/basselsafadi/status/8041907590 at Twitter.com

George H. W. Bush photo
David Mermin photo

“Over the past fifty years or so, scientists have allowed the conventions of expression available to them to become entirely too confining.”

David Mermin (1935) American physicist

[N. David Mermin, Boojums all the way through: communicating science in a prosaic age, Cambridge University Press, 1990, 0-521-38880-5, xi]

“The ploughman ploughs, the fisherman dreams of fish;
Aloft, the sailor, through a world of ropes
Guides tangled meditations, feverish
With memories of girls forsaken, hopes
Of brief reunions, new discoveries,
Past rum consumed, rum promised, rum potential.”

Michael Hamburger (1924–2007) British translator, poet, critic, memoirist and academic

Lines On Brueghel's "Icarus" http://www.themediadrome.com/content/poetry/hamburger_lines_on_icarus.htm

Greg Egan photo

“Every night, at exactly a quarter past three, something dreadful happens on the street outside our bedroom window. We peek through the curtains, yawning and shivering in the life-draining chill, and then we clamber back beneath the blankets without exchanging a word, to hug each other tightly and hope for sound sleep before it's time to rise.

Usually what we witness verges on the mundane. Drunken young men fighting, swaying about with outstretched knives, cursing incoherently. Robbery, bashings, rape. We wince to see such violence, but we can hardly be shocked or surprised any more, and we're never tempted to intervene: it's always far too cold, for a start! A single warm exhalation can coat the window pane with mist, transforming the most stomach-wrenching assault into a safely cryptic ballet for abstract blobs of light.

On some nights, though, when the shadows in the room are subtly wrong, when the familiar street looks like an abandoned film set, or a painting of itself perversely come to life, we are confronted by truly disturbing sights, oppressive apparitions which almost make us doubt we're awake, or, if awake, sane. I can't catalogue these visions, for most, mercifully, are blurred by morning, leaving only a vague uneasiness and a reluctance to be alone even in the brightest sunshine.”

Greg Egan (1961) Australian science fiction writer and former computer programmer

Scatter My Ashes http://gregegan.customer.netspace.net.au/HORROR/SCATTER/Scatter.html, published in Interzone (Spring 1988)
Fiction

Stephen M. Walt photo

“So here’s the puzzle: Realist advice has performed better than its main rivals over the past two-and-a-half decades, yet realists are largely absent from prominent mainstream publications.”

Stephen M. Walt (1955) American political scientist

"What Would a Realist World Have Looked Like?", Foreign Policy (January 8, 2016)

Sarah Orne Jewett photo
Jim Butcher photo
Walker Percy photo
Gregory Benford photo

“The past was a jigsaw puzzle and you never had all the pieces.”

Part 1, Chapter 1 (p. 10)
Artifact (1985)

Ken Ham photo
Phil Brooks photo

“Punk: Wow, everybody, it's John Cena. He comes out here every Monday night, he's excitable, he throws his hat at somebody, everybody loves it. I am so impressed at how you do that. You get all these people to believe you're that friendly, smiling, everyday man, when I know the truth. And the truth, John Cena, is you're thoughtless, you're heartless, and above all else, you are dishonest. I'm sure there's millions of people worldwide, including yourself, that would love to believe this is over a spilled diet soda, but John, this goes way beyond my spilled diet soda. Yeah. John, you were fired from the WWE. You were gone. You gave a very tear-inducing speech in the middle of the ring about how you finally get to see your mom and hang out with your little brother, and you said you were gonna go away. You were gonna be a man of your way, but what happened? You came back later that night, and then you came back the next week, and then you came back the next week, showing all of these people who aren't intelligent to see through your facade what I have known all along—that your word is absolutely worthless. And then there's TLC, you have the man beaten. Wade Barrett, a very tough individual, and you have him beat in a chairs match, but that's not good enough for you. You don't take the high ground, you can't walk off into the sunset with your victory; you drag the man off to the side of the stage and you drop fifteen steel chairs on him, and I wanna know exactly why you think that's acceptable behavior. I wanna know why you think it's okay to show up the next night on Raw and humiliate the poor guy…
Cena: That is balderdash! Fifteen steel chairs? That's insane. It was 23 steel chairs. And in case you forgot, Wade Barrett and the Nexus gave me about five thousand beat-downs, made me their personal slave, and ended my career.
Punk: You wanna talk about ended careers, you hypocrite? This is exactly what I'm talking about. You ended the career of my good friend Dave Batista. John! John, look at me when I'm talking to you. This is a reoccurring pattern with you. Once again, you have the man beaten—last man standing, he verbally submits, how humiliating, the match is won. But, no, you AA him off a car through the very steel ramp that I'm sitting on, which facilitated the end of his career. Now we'll talk about Vickie Guerrero. I'm surprised the lovely Vickie Guerrero doesn't up and quit based on all the abuse you heap on her. It's not just the physical things to the Wade Barretts and the Dave Batistas, but it's the name-calling, it's the mental abuse to somebody as gorgeous and beautiful as Vickie Guerrero.
Cena: "It's the this… it's the that." Okay, CM Punk is gonna play Mr. Fingerpointer. Well…1.—Dave Batista broke my neck; 2.—He showed up on Raw the next night and quit on his own terms. And C—I didn't just single out Vickie Guerrero. In case you haven't been watching for the past… eight years, I talk about everybody. Uh… Michael Cole. Michael Cole has an anonymous fetish with Justin Bieber and has the word "The Miz" man-scaped right below his belly button. Me! Look at me. I look like the crazy sex child of the Incredible Hulk and Grimace. And then there's you.
Punk: Yeah, and then there's me, who happens to not be laughing. I don't know if you noticed that. You're not funny.”

Phil Brooks (1978) American professional wrestler and mixed martial artist

December 27, 2010
WWE Raw

Daniel Bell photo

“I do not compare the past with the present without a prejudice for either, but, great as the improvement in country life is in many respects, it seems a pity the old cheap, wholesome dishes have gone to make way for tinned and preserved foods.”

Flora Thompson (1876–1947) English author and poet

August Chapter The Peverel Papers - A yearbook of the countryside ed Julian Shuckburgh Century Hutchinson 1986
The Peverel Papers

Letitia Elizabeth Landon photo
Clint Eastwood photo

“Civilization is a scar tissue from a past of violence and destruction.”

Russell Jacoby (1945) American historian

Source: Social Amnesia: A Critique of Conformist Psychology from Adler to Laing (1975), p. 31

Swami Vivekananda photo

“The past was great no doubt, but I sincerely believe that the future will be more glorious still.”

Swami Vivekananda (1863–1902) Indian Hindu monk and phylosopher

Pearls of Wisdom

“The past is rich in lessons from which we would greatly profit except that the present is always so full of Special Circumstances.”

Mignon McLaughlin (1913–1983) American journalist

The Complete Neurotic's Notebook (1981), Unclassified

Anu Partanen photo

“The present enables us to understand the past, not the other way round.”

A.J.P. Taylor (1906–1990) Historian

Mon the Rangers
The Trouble Makers: Dissent over Foreign Policy, 1792-1939 (1957)

Ricky Hatton photo

“I’ve got a problem with my legs, they just can’t walk past a chippy.”

Ricky Hatton (1978) English former professional boxer

Ricky Hatton has his demons too http://www.bbc.co.uk/dna/606/A19096149?s_fromedit=1

David Lloyd George photo
Jeremy Corbyn photo
Albert A. Michelson photo
Charles Taze Russell photo
Neal Stephenson photo
Bernard Lewis photo

“What we have now come to regard as typical of Middle Eastern regimes is not typical of the past. The regime of Saddam Hussein, the regime of Hafiz al Assad, this kind of government, this kind of society, has no roots either in the Arab or in the Islamic past. It is due and let me be quite specific and explicit it is due to an importation from Europe, which comes in two phases.
Phase one, the 19th century, when they are becoming aware of their falling behind the modern world and need desperately to catch up, so they adopt all kinds of European devices with the best of intentions, which nevertheless have two harmful effects. One, they enormously strengthen the power of the state by placing in the hands of the ruler, weaponry and communication undreamt of in earlier times, so that even the smallest petty tyrant has greater powers over his people than Harun al-Rashid or Suleyman the Magnificent, or any of the legendary rulers of the past.
Second, even more deadly, in the traditional society there were many, many limits on the autocracy, the ruler. The whole Islamic political tradition is strongly against despotism. Traditional Islamic government is authoritarian, yes, but it is not despotic. On the contrary, there is a quite explicit rejection of despotism. And this wasn't just in theory; it was in practice too because in Islamic society, there were all sorts of established orders in society that acted as a restraining factor. The bazaar merchants, the craft guilds, the country gentry and the scribes, all of these were well organized groups who produced their own leaders from within the group. They were not appointed or dismissed by the governments. And they did operate effectively as a constraint.”

Bernard Lewis (1916–2018) British-American historian

Books, Islam and the West: A Conversation with Bernard Lewis (2006)

John McCain photo

“While I don't in any way question your honor, your patriotism or your service to our country, I do question some of the decisions, the judgments you’ve made over the past two and a half years. During that time things have gotten markedly and progressively worse.”

John McCain (1936–2018) politician from the United States

To General George Casey in his confirmation hearing as the nominee for Army Chief of Staff, before the Senate Armed Services Committee (1 February 2007) http://www.msnbc.msn.com/id/16915520/
2000s, 2007

Moby photo

“I got a phone call from Ricky Martin's management asking me if I'd like to do something with him in Florida around the winter music conference. My answer is as follows: 'I would consider doing something with Ricky Martin if and only if he publicly apologizes for performing at George W's inauguration and if he confirms that when he danced next to George W. Bush at the inauguration he could smell brimstone and that George W. Bush is in fact the spawn of Satan. So if Ricky Martin goes on national television to confirm that George W. is the spawn of Satan then I will perform with him. Otherwise no deal. And only if we can do a cover of 'In a Gadda-da-vida', but The Simpsons version, 'In the garden of Eden' (to which reverend Lovejoy responds ""that sounds like rock and or roll""). And, by the way, I'm a pretty easygoing young-ish person, so if you ever see me walking down the street just stop me and say hello. We're all in the same boat, right? of course you'll have to make it past my phalanx of security guards who are all ex-NFL linebackers, and the cadre of dobermans, and the perma-moat that I wear that's filled with electric eels and vicious sea monkeys. So if you see me just come and say hi. I'm normal.”

Moby (1965) Activist, American musician, DJ and photographer

"predictions" http://www.moby.com/journal/2001-02-15/predictions.html, journal entry (15 February 2001) at Moby's website, moby.com http://www.moby.com/

Agnes Repplier photo
O. Henry photo

“Busy as a one-armed man with the nettle-rash pasting on wallpaper.”

O. Henry (1862–1910) American short story writer

"The Ethics of Pig"
The Gentle Grafter (1908)

Thomas Moore photo

“This narrow isthmus 'twixt two boundless seas,
The past, the future,—two eternities!”

Thomas Moore (1779–1852) Irish poet, singer and songwriter

Part II.
Lalla Rookh http://www.columbia.edu/itc/mealac/pritchett/00generallinks/lallarookh/index.html (1817), Part I-III: The Veiled Prophet of Khorassan

George W. Bush photo
Czeslaw Milosz photo
Oriana Fallaci photo
John Allen Fraser photo

“The very structures, the corridors, the rooms and offices, are eloquent testimony to our past.”

John Allen Fraser (1931) Canadian politician

Source: The House Of Commons At Work (1993), Chapter 2, The Parliament Buildings, p. 28

Nikolai Gogol photo
Warren Buffett photo
Toni Morrison photo
Arnold Toynbee photo

“Party historians go to the past for party purposes; they seek to read into the past the controversies of the present.”

Arnold Toynbee (1852–1883) British economic historian

Source: Lectures on The Industrial Revolution in England (1884), p. 32

Gaston Bachelard photo

“Ideas are invented only as correctives to the past. Through repeated rectifications of this kind one may hope to disengage an idea that is valid.”

Gaston Bachelard (1884–1962) French writer and philosopher

A Retrospective Glance at the Lifework of a Master of Books
Fragments of a Poetics of Fire (1988)

Richard Leakey photo
Calvin Coolidge photo
Gerard Bilders photo

“I have seen pictures [on the Salon of Brussel, 1860], of which I had never dreamed and in which I found all that my heart desires, all that I nearly always miss in the Dutch painters. Troyon, Courbet, Diaz, Dupré [all painters of the School of Barbizon, Robert Fleury have made a great impression on me. I am a good Frenchman, therefore; but, as Simon van den Berg says, it is just because I am a good Frenchman that I am a good Dutchman, since the great Frenchmen of today and the great Dutchmen of the past have much in common. Unity, restfulness, earnestness and, above all, an inexplicable intimacy with nature are what struck me most in these pictures. There were certainly also a few good Dutch pieces, but, generally speaking, when you place them next to the great Parisians, they lack that mellowness, that quality which, so to speak, resembles the deep tones of an organ. And yet this luxurious manner came originally from Holland, from our steaming, fat-coloured Holland! They were courageous pictures; there was a heart and a soul in them.”

Gerard Bilders (1838–1865) painter from the Netherlands

Quote from Bilders in his letter (End of 1860); as cited in Dutch Art in the Nineteenth Century – 'The Hague School; Introduction' https://en.wikisource.org/wiki/Dutch_Art_in_the_Nineteenth_Century/The_Hague_School:_Introduction, by G. Hermine Marius, transl. A. Teixera de Mattos; publish: The la More Press, London, 1908
1860's

“The story begins with a somewhat disgruntled hero, who perceived of the world as populated with stupid people, everywhere committing the environmental fallacy. The fallacy was a case not merely of the “mind’s falling into error,” but rather of the mind leading all of us into incredible dangers as it first builds crisis and then attacks crisis.
Like all heroes, this one looked about for resources, for aids that would help in a dangerous battle, and he found plenty of support – in both the past and the present. It won’t hurt to summarize the story thus far. If the intellect is to engage in the heroic adventure of securing improvement in the human condition, it cannot rely on “approaches,” like politics and morality, which attempt to tackle problems head-on, within the narrow scope. Attempts to address problems in such a manner simply lead to other problems, to an amplification of difficulty away from real improvement. Thus the key to success in the hero’s attempt seems to be comprehensiveness. Never allow the temptation to be clear, or to use reliable data, or to “come up to the standards of excellence,” divert you from the relevant, even though the relevant may be elusive, weakly supported by data, and requiring loose methods.
Thus the academic world of Western twentieth century society is a fearsome enemy of the systems approach, using as it does a politics to concentrate the scholars’ attention on matters that are scholastically respectable but disreputable from a systems-planning point of view.”

C. West Churchman (1913–2004) American philosopher and systems scientist

Source: 1960s - 1970s, The Systems Approach and Its Enemies (1979), p. 145; cited in C. WEST CHURCHMAN: CHAMPION OF THE SYSTEMS APPROACH http://filer.case.edu/nxb41/churchman.html, 2004-2007 Case Western Reserve University

Stephen Vizinczey photo
Winston S. Churchill photo

“For my part, I consider that it will be found much better by all Parties to leave the past to history, especially as I propose to write that history myself.”

Winston S. Churchill (1874–1965) Prime Minister of the United Kingdom

Speech in the House of Commons (January 23, 1948), cited in The Yale Book of Quotations (2006), Fred R. Shapiro, Yale University Press, p. 154 ISBN 0300107986
This quote may be the basis for a statement often attributed to Churchill : History will be kind to me. For I intend to write it.
Post-war years (1945–1955)

Jeremy Corbyn photo
Ambrose Bierce photo
Frances Kellor photo

“A first proposition, therefore, in Americanization is to find a way to satisfy the creative instinct in men and their sense of home, by giving them and their native-born sons the widest possible knowledge of America, including a pictorial geography, a simple history of the United States, the stories of successful Americans including those of foreign-born origin; a knowledge of American literature, of our political ideals and institutions, and of oiy: free educational opportunities. A systematic effort should be made to give them a land interest and a home stake and to get them close to the soil, not alone in the day's work but also in their cultural life. The men most likely to desert America at the close of the war will be workers with job stakes and wage rates, and not those with a home stake and investments. I would carry this campaign of information into every foreign language publication, every newspaper, every shop, and every racial center in America. The land interpreter of the future will be the government, and Franklin K. Lane, Secretary of the Interior, has foreseen this in his appeal for the use of the land for the rehabilitation of men returning from the front. It is the land that will make the life of the maimed livable and will connect the past with the future. This will not be achieved by forced "back-to-the-land movements" and colonization. Each individual American who interprets the beauty of America and its meaning, and who, wherever he can, personally puts the foreign-born in touch with the soil and helps him to a plot of ground which he can call his own, is doing effective Americanization. Loyalty and efficiency are inherent in this land sense, and they are the strength of a nation.”

Frances Kellor (1873–1952) American sociologist

What is Americanization? (1919)

Eduardo Torroja photo
John Dos Passos photo
Colin Meloy photo
Giorgio Morandi photo
Djuna Barnes photo

“Of course I think of the past and of Paris, what else is there to remember?”

Djuna Barnes (1892–1982) American Modernist writer, poet and artist

In a 1960 letter to Natalie Barney, as quoted in Paris Was a Woman (1995) by Andrea Weiss, p. 173 http://www.case.edu/artsci/engl/VSALM/mod/brandelmcdaniel/index/library.htm

G. K. Chesterton photo
Henry Wadsworth Longfellow photo

“This is the place. Stand still, my steed,—
Let me review the scene,
And summon from the shadowy past
The forms that once have been.”

Henry Wadsworth Longfellow (1807–1882) American poet

A Gleam of Sunshine, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Clive Staples Lewis photo
Max Ernst photo
Sri Aurobindo photo
Vanna Bonta photo

“You won't feel under-dressed when with your naked heart you come to me, for mine is past the point to dress for company.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

"Eeeeeee"
Rewards of Passion (Sheer Poetry) (1981)

K. R. Narayanan photo
Johannes Grenzfurthner photo
Michael Moorcock photo

“Her smile was all pride. I had seen many like her in the past. She believed herself cleverer than she was because it suited others to let her maintain that delusion.”

Michael Moorcock (1939) English writer, editor, critic

Book 2, Chapter 4 (p. 561)
The Dragon in the Sword (1986)

Friedrich Engels photo

“The Mercantile System still had a certain artless Catholic candour and did not in the least conceal the immoral nature of trade. … But when the economic Luther, Adam Smith, criticised past economics things had changed considerably. … Protestant hypocrisy took the place of Catholic candour.”

Friedrich Engels (1820–1895) German social scientist, author, political theorist, and philosopher

Das Merkantilsystem hatte noch eine gewisse unbefangene, katholische Geradheit und verdeckte das unsittliche Wesen des Handels nicht im mindesten. ... Als aber der ökonomische Luther, Adam Smith, die bisherige Ökonomie kritisierte, hatten sich die Sachen sehr geändert. ... An die Stelle der katholischen Geradheit trat protestantische Gleisnerei.
Outlines of a Critique of Political Economy (1844)

William Hazlitt photo
Narendra Modi photo

“(About the Lisbon Treaty): Small Member-States will inevitably be marginalised. The bigger states will not need to listen to their arguments as they did in the past.”

Declan Ganley (1968) Irish businessman, entrepreneur, and activist

Source: The Fight for Democracy – The Libertas Voice in Europe. (2009), p. 41

Jane Roberts photo

“Civilizations, both past and present represent projections of inner selfhood, and mirror the state of the mass psyche at any given time.”

Jane Roberts (1929–1984) American Writer

Source: Psychic Politics: An Aspect Psychology Book (1976), p. 277

Herbert Marcuse photo

“The world of their [the bourgeois’] predecessors was a backward, pre-technological world, a world with the good conscience of inequality and toil, in which labor was still a fated misfortune; but a world in which man and nature were not yet organized as things and instrumentalities. With its code of forms and manners. with the style and vocabulary of its literature and philosophy. this past culture expressed the rhythm and content of a universe in which valleys and forests, villages and inns, nobles and villains, salons and courts were a part of the experienced reality. In the verse and prose of this pre-technological culture is the rhythm of those who wander or ride in carriages. who have the time and the pleasure to think, contemplate, feel and narrate. It is an outdated and surpassed culture, and only dreams and childlike regressions can recapture it. But this culture is, in some of its decisive elements. also a post-technological one. Its most advanced images and positions seem to survive their absorption into administered comforts and stimuli; they continue to haunt the consciousness with the possibility of their rebirth in the consummation of technical progress. They are the expression of that free and conscious alienation from the established forms of life with which literature and the arts opposed these forms even where they adorned them. In contrast to the Marxian concept, which denotes man's relation to himself and to his work in capitalist society, the artistic alienation is the conscious transcendence of the alienated existence—a “higher level” or mediated alienation. The conflict with the world of progress, the negation of the order of business, the anti-bourgeois elements in bourgeois literature and art are neither due to the aesthetic lowliness of this order nor to romantic reaction—nostalgic consecration of a disappearing stage of civilization. “Romantic” is a term of condescending defamation which is easily applied to disparaging avant-garde positions, just as the term “decadent” far more often denounces the genuinely progressive traits of a dying culture than the real factors of decay. The traditional images of artistic alienation are indeed romantic in as much as they are in aesthetic incompatibility with the developing society. This incompatibility is the token of their truth. What they recall and preserve in memory pertains to the future: images of a gratification that would dissolve the society which suppresses it”

Source: One-Dimensional Man (1964), pp. 59-60

James McCosh photo
George W. Bush photo
Jefferson Davis photo
Thomas Carlyle photo
Leonid Brezhnev photo

“Under the dictatorship of the proletariat, revisionists and opportunists reflect the pressure of nonproletarian, bourgeois and petty-bourgeois strata, the pressure that results from the force of habit, from the views and vestiges of the past, particularly those that are nationalistic.”

Leonid Brezhnev (1906–1982) General Secretary of the Communist Party of the Soviet Union

Cited in Socialist Internationalism: Theory and Practice of International Relations of A New Type http://leninist.biz/en/1982/SI507/4.2-Nationalism.in.the.Socialist.Countries

David Morrison photo
Martin Luther King, Jr. photo
Harry Turtledove photo
Anne Morrow Lindbergh photo
Jiddu Krishnamurti photo
Alastair Reynolds photo

“The present has its élan because it is always on the edge of the unknown and one misunderstands the past unless one remembers that this unknown was once part of its nature.”

V.S. Pritchett (1900–1997) British writer and critic

"Boris Pasternak: Unsafe Conduct", p. 14
The Myth Makers: European and Latin American Writers (1979)

Eric Hobsbawm photo
Roger Wolcott Sperry photo