Herbert Hoover, 1874-1964 (1971)
Quotes about spring
page 10
Pan-Worship
Pan-Worship and Other Poems (1908)
Section 4 : Moral Ideals
Founding Address (1876), Life and Destiny (1913)
What Hath Trump Wrought?" http://townhall.com/columnists/patbuchanan/2016/11/08/what-hath-trump-wrought-n2242718 (November 8, 2016), Townhall
2010s
A poem from the collection “Hunnutettu” (“Veiled”), translation by Rupert Moreton (1936)
"The Arab Spring started in Iraq", The New York Times (April 6, 2013)
As translated in A Cloud of Witnesses : The Greatest Men in the World for Christ and the Book (1894) by Stephen Abbott Northrop
Le génie du Christianisme (1802)
As quoted in Hans Hofmann (2000) by James Yohe
1970s and later
Source: 'Sculpture of Rotterdam', ed. Jan van Adrichem / Jelle Bouwhuis / Mariëtte Dulle, Center for the Art, 010 Publishers, Rotterdam, 2002, p. 198.
Nightingales http://www.poetry-online.org/bridges_nightingales.htm, st. 3.
Poetry
“The magic spring
that gives eternal Life,
is in your own heart
but you have blocked the flow.”
Lama’at (Divine Flashes)
“For me, a poem starts when a felicitious phrase springs to mind.”
“The little wind-flower, whose just opened eye
Is blue as the spring heaven it gazes at.”
A Winter Piece http://www.gutenberg.org/files/16341/16341-h/16341-h.htm#page24, st. 3 (1821)
The Pivot of Civilization, 1922
Reported in Donald Smith, D'une nation à l'autre: des deux solitudes à la cohabitation (Montreal: Éditions Alain Stanké, 1997), p. 61.
Other
The Nymph's Reply to the Shepherd (1599), st. 1–2
Inspired by Christopher Marlowe's The Passionate Shepherd to his Love
August 5, 1838
Journals (1838-1859)
Recalling his late brother, from "Life with Alfie," https://books.google.com/books?id=PWEEAAAAMBAJ&pg=PA233&dq=%22Alfie+was+an+organizer%22&hl=en&sa=X&ved=0CBQQ6AEwAGoVChMIiqWJ2oHaxwIVipANCh2Utw2g#v=onepage&q=%22Alfie%20was%20an%20organizer%22&f=false in Orange Coast Magazine (November 1990), pp. 233–234
Other Topics
“The public can have no rights springing from injustice to others.”
Walker v. Ware, Hadham, &c. Rail. Co. (1866), 12 Jur. (N. S.) 18.
Known as the Sermon of ash-Shiqshiqiyyah (roar of the camel), It is said that when Amir al-mu'minin reached here in his sermon a man of Iraq stood up and handed him over a writing. Amir al-mu'minin began looking at it, when Ibn `Abbas said, "O' Amir al-mu'minin, I wish you resumed your Sermon from where you broke it." Thereupon he replied, "O' Ibn `Abbas it was like the foam of a Camel which gushed out but subsided." Ibn `Abbas says that he never grieved over any utterance as he did over this one because Amir al-mu'minin could not finish it as he wished to.
Nahj al-Balagha
2010s, 2015, Remarks at the SMU 100th Spring Commencement (May 2015)
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 328.
First chorus, line 65.
Atalanta in Calydon (1865)
”But don’t you think you should have known it?” Austin Train inquired gently.
September “MINE ENEMIES ARE DELIVERED INTO MY HAND”
The Sheep Look Up (1972)
The Communistic Societies of the United States (1875)
As quoted in "The Scorebaord: Pride Drives Clemente" https://news.google.com/newspapers?id=Z0sqAAAAIBAJ&sjid=pk8EAAAAIBAJ&pg=5301,452323 by Les Biederman, in The Pittsburgh Press (Wednesday, November 16, 1966), p. 87
Baseball-related, <big><big>1960s</big></big>, <big>1966</big>
Source: Basic Verities, Prose and Poetry (1943), p. 82
Direct Art Magazine, "In Memoriam - Eugene James Martin", Fall-Winter 2006, Vol. 13, p. 87; also http://www.artnet.com/awc/eugene-j-martin.html and http://morayeel.louisiana.edu/ejMARTIN/ejMARTIN-artist.html
Address at the Opening of the Winter Relief Campaign http://www.jewishvirtuallibrary.org/adolf-hitler-address-at-the-opening-of-the-winter-relief-campaign-september-1942 (September 30, 1942)
1940s
2010s, 2015, Remarks at the SMU 100th Spring Commencement (May 2015)
In a letter to Anita Pollitzer Abiquiu, New Mexico, (May 31, 1955), from The Complete Correspondence of Georgia O'Keeffe & Anita Pollitzer, ed. Clive Giboire, Touchstone Books, Simon & Schuster Inc., New York, 1990, p. 298
1950 - 1970
“Spring” http://www.schulzian.net/translation/sanatorium/spring01.htm
His father, The seasons
“The higher they climbed in their struggle to reach the top, the harder grew their toil. When one height had been mastered, a second opens and springs up before their aching sight.”
Quoque magis subiere iugo atque euadere nisi
erexere gradum, crescit labor. ardua supra
sese aperit fessis et nascitur altera moles.
Book III, line 528–530
Punica
What if I want to have a lot of little bipolar kids?”
"Cleft"
Seveneves (2015), Part Two
Former model recalls days filming underwater http://www.ocala.com/news/20131106/former-model-recalls-days-filming-underwater (November 6, 2013)
The Divine Milieu, p. 128
The Divine Milieu (1960)
“As a flower springs up secretly in a fenced garden, unknown to the cattle, torn up by no plough, which the winds caress, the sun strengthens, the shower draws forth, many boys, many girls, desire it.”
Ut flos in saeptis secretus nascitur hortis,
Ignotus pecori, nullo contusus aratro,
Quem mulcent aurae, firmat sol, educat imber;
Multi illum pueri, multae optavere puellae.
LXII
Carmina
“Spring in the world!
And all things are made new!”
"Spring", p. 58.
Along the Trail (1898)
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 84.
And the Greatest of These Is Love, Tambuli, Aug 1984, 1.
Introduction to "One Flesh" exibition, April 4-27, 1997
Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 54.
Source: Aphorisms and Reflections (1901), p. 243
Spring, p. 61
Anthology of Georgian Poetry (1948)
As quoted in ".280 Not Good Enough: Clemente's Bat Answers Boos" https://news.google.com/newspapers?id=TpcuAAAAIBAJ&sjid=kKEFAAAAIBAJ&pg=2309%2C1919830 by Ian McDonald, in The Montreal Gazette (Friday, May 21, 1971), p. 17
Baseball-related, <big><big>1970s</big></big>, <big>1971</big>
The Autocrat of the Breakfast Table (1858)
Book VI, lines 149–152; Glaucus to Diomedes.
Translations, Iliad (1997)
The Emerald Ring — a Superstition from The London Literary Gazette (28th December 1822) Fragments in Rhyme XI
The Improvisatrice (1824)
"Vegetarianism" (2000), from his website http://www.vegsource.com/berry/veg.html.
1840s, Heroes and Hero-Worship (1840), The Hero as Poet
“Peace in the world can only spring from peace in the hearts of men.”
Remaking the world, The Speeches of Frank N.D. Buchman, Blandford Presss 1947, revised 1958, p. 3
Moral attitude
“Flowers are immortal. You cut them in autumn and they grow again in spring—somewhere.”
the organist
Atómstöðin (The Atom Station) (1948)
Source: Superiority and Subordination as Subject-matter of Sociology (1896), p. 167
"Written in Imitation of an Ancient Bearers' Song"
Translated by William Acker; T'ao the Hermit: Sixty Poems by T'ao Ch'ien (1952), p. 102
Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book VII, Chapter III, Sec. 5
Love is Enough (1872), Song III: It Grew Up Without Heeding
“I give permission
For this slow spring rain to soak
The violet beds.”
Haiku: This Other World (1998)
Speech http://hansard.millbanksystems.com/commons/1842/mar/11/financial-statement-ways-and-means in the House of Commons (11 March 1842).
Italian Report (1955)
Context: A more rewarding approach to painting, in my opinion the only valid one, is to regard it as a deeply personal and private activity and to remember that even when the painter works directly for the public — when there is sufficient common ground to allow him to do so — the real merit of the work will depend on the personal vision of the artist and the work will only be truly understood if it is approached by each in the same spirit as the painter painted it. We must be willing to assume the same sort of responsibility and share the dilemma out of which the work was created in order to be able to feel with the artist. Since the deepest and truest dilemma, from which all good art springs, is the human condition we have every right to regard the needs of our own consciousness as the final court in judging the merit of a work of art, we have in fact a moral obligation to do so. This demands the precise honesty from the spectator as was required from the artist in making the painting. It is their common ground, the area within which communication can occur. Art in the end speaks to the secret soul of the individual and of the most secret sorrows. For this reason it is true that the development that produces great art is a moral and not an aesthetic development..
“The first day of spring is one thing, and the first spring day is another.”
Fisherman's Luck http://www.gutenberg.org/dirs/etext97/fshlk10.txt, ch. 5 (1899)
Context: The first day of spring is one thing, and the first spring day is another. The difference between them is sometimes as great as a month.
The Conspiracy of Kings (1792)
Context: Of these no more. From Orders, Slaves and Kings,
To thee, O Man, my heart rebounding springs.
Behold th' ascending bliss that waits your call,
Heav'n's own bequest, the heritage of all.
Awake to wisdom, seize the proffer'd prize;
From shade to light, from grief to glory rise.
Freedom at last, with Reason in her train,
Extends o'er earth her everlasting reign…
Pseudo-Aristotle, De Mundo, 399a https://archive.org/stream/worksofaristotle03arisuoft#page/n181/mode/2up/search/heavenly
Disputed
Pt. III, sec. 2, ch. 24 Lectures on the History of History Vol 1 p. 21 John Sibree translation (1857), 1914
Lectures on the Philosophy of History (1832), Volume 1
Context: Although Freedom is, primarily, an undeveloped idea, the means it uses are external and phenomenal; presenting themselves in History to our sensuous vision. The first glance at History convinces us that the actions of men proceed from their needs, their passions, their characters and talents; and impresses us with the belief that such needs, passions and interests are the sole springs of action — the efficient agents in this scene of activity. Among these may, perhaps, be found aims of a liberal or universal kind — benevolence it may be, or noble patriotism; but such virtues and general views are but insignificant as compared with the World and its doings. We may perhaps see the Ideal of Reason actualized in those who adopt such aims, and within the sphere of their influence; but they bear only a trifling proportion to the mass of the human race; and the extent of that influence is limited accordingly. Passions, private aims, and the satisfaction of selfish desires, are on the other hand, most effective springs of action. Their power lies in the fact that they respect none of the limitations which justice and morality would impose on them; and that these natural impulses have a more direct influence over man than the artificial and tedious discipline that tends to order and self-restraint, law and morality. When we look at this display of passions, and the consequences of their violence; the Unreason which is associated not, only with them, but even (rather we might say especially) with good designs and righteous aims; when we see the evil, the vice, the ruin that has befallen the most flourishing kingdoms which the mind of man ever created, we can scarce avoid being filled with sorrow at this universal taint of corruption: and, since this decay is not the work of mere Nature, but of the Human Will — a moral embitterment — a revolt of the Good Spirit (if it have a place within us) may well be the result of our reflections.
"Winter", p. 5
The Land (1926)
Context: The country habit has me by the heart,
For he's bewitched for ever who has seen,
Not with his eyes but with his vision, Spring
Flow down the woods and stipple leaves with sun,
As each man knows the life that fits him best,
The shape it makes in his soul, the tune, the tone,
And after ranging on a tentative flight
Stoops like the merlin to the constant lure.
"Prologue"
Poems (1898), Rhymes And Rhythms
Context: p>Those incantations of the Spring
That made the heart a centre of miracles
Grow formal, and the wonder-working bours
Arise no more — no more.Something is dead...
'Tis time to creep in close about the fire
And tell grey tales of what we were, and dream
Old dreams and faded, and as we may rejoice
In the young life that round us leaps and laughs,
A fountain in the sunshine, in the pride
Of God's best gift that to us twain returns,
Dear Heart, no more — no more.</p
The Tragic Sense of Life (1913), IX : Faith, Hope, and Charity
Context: Faith makes us live by showing us that life, although it is dependent upon reason, has its well spring and source of power elsewhere, in something supernatural and miraculous. Cournot the mathematician, a man of singularly well-balanced and scientifically equipped mind has said that it is this tendency towards the supernatural and miraculous that gives life, and that when it is lacking, all the speculations of reason lead to nothing but affliction of the spirit.... And in truth we wish to live.
“The most productive novelties often spring”
Essay on Atomism: From Democritus to 1960 (1961)
Context: The most productive novelties often spring, in thought as in biological evolution, from more primitive and simpler forms, rather than from differentiated ones which, through their elaboration, have become too specialized to be adaptable to new tasks.<!--p.8
As quoted by John Ward, The lives of the professors of Gresham college (1740) p. 171. https://books.google.com/books?id=jp5bAAAAQAAJ&pg=PA171
Context: About this time, 1655, having an opportunity of acquainting myself with astronomy by the kindness of Dr. Ward, I apply'd myself to the improving of the pendulum for such observations, and in the year 1656, or 1657, I contriv'd a way to continue the motion of the pendulum, so much commended by Ricciolus in his Almagestum which Dr. Ward had recommended to me to peruse. I made some trials to this end, which I found to succeed to my wish. The success of these made me further think of improving it for finding the longitude; and the method I had made for myself for mechanick inventions, quickly led me to the use of springs, instead of gravity, for the making a body vibrate in any posture. Whereupon I did first in great, and afterwards in smaller modules, satisfy myself of the practicableness of such an invention; and hoping to have made great advantage thereby, I acquainted divers of my freinds, and particularly Mr. Boyle, that I was possessed of such an invention, and crav'd their assistance for improving the use of it to my advantage. Immediately after his majesty's restoration Mr. Boyle was pleased to acquaint the lord Brouncher and Sir with it, who advis'd me to get a patent for the invention, and propounded very probable ways of making considerable advantage by it. To induce them to a belief of my performance, I shewed a pocket watch, accommodated with a spring, apply'd to the arbor of the ballance, to regulate the motion thereof, concealing the way I had for finding the longitude. This was so well approv'd of, that Sir Robert Moray drew me up the form of a patent, the principal part whereof, viz. the description of the watch so regulated, is his own hand writing, which I have yet by me. The discouragement I met with in the management of this affair, made me desist for that time.
Nothing Will Die (1830)
Context: Nothing will die;
All things will change
Thro’ eternity.
‘Tis the world’s winter;
Autumn and summer
Are gone long ago;
Earth is dry to the centre,
But spring, a new comer,
A spring rich and strange,
Shall make the winds blow
Round and round,
Thro’ and thro’,
Here and there,
Till the air
And the ground
Shall be fill’d with life anew.
“With most men, unbelief in one thing springs from blind belief in another.”
Bei den meisten Menschen gründet sich der unglaube in einer Sache auf blinden Glauben in einer anderen.
http://books.google.com/books?id=oK1LAAAAcAAJ&q=%22Bei+den+meisten+Menschen+gr%C3%BCndet+sich+der+unglaube+in+einer+Sache+auf+blinden+Glauben+in+einer+anderen%22&pg=PA104#v=onepage
L 81
Variant translation: With most people disbelief in a thing is founded on a blind belief in some other thing.
Aphorisms (1765-1799), Notebook L (1793-1796)
Preface to the Second Edition.
The Open Society and Its Enemies (1945)
Context: I see now more clearly than ever before that even our greatest troubles spring from something that is as admirable and sound as it is dangerous — from our impatience to better the lot of our fellows. For these troubles are the by-products of what is perhaps the greatest of all moral and spiritual revolutions of history, a movement which began three centuries ago. It is the longing of uncounted unknown men to free themselves and their minds from the tutelage of authority and prejudice. It is their attempt to build up an open society which rejects the absolute authority to preserve, to develop, and to establish traditions, old or new, that measure up to their standards of freedom, of humaneness, and of rational criticism. It is their unwillingness to sit back and leave the entire responsibility for ruling the world to human or superhuman authority, and their readiness to share the burden of responsibility for avoidable suffering, and to work for its avoidance. This revolution has created powers of appalling destructiveness; but they may yet be conquered.
“For it is always the reality of the particular that provides the occasion and the spring of art”
"The Painter in the Press", X magazine, Vol. I, No.4 (October 1960).
Context: Art on the other hand speaks to us of resignation and rejoicing in reality, and does so through a transformation of our experience of the world into an order wherein all facts become joyous; the more terrible the material the greater the artistic triumph. This has nothing at all to do with "a constant awareness of the problems of our time" or any other vague public concern. It is a transformation that is mysterious, personal and ethical. And the moral effect of art is only interesting when considered in the particular. For it is always the reality of the particular that provides the occasion and the spring of art — it is always "those particular trees/ that caught you in their mysteries" or the experience of some loved object. Not that the matter rests here. It is the transcendent imagination working on this material that releases the mysterious energies which move and speak of deepest existence.
Source: Computing Machinery and Intelligence (1950), p. 451.
Context: The view that machines cannot give rise to surprises is due, I believe, to a fallacy to which philosophers and mathematicians are particularly subject. This is the assumption that as soon as a fact is presented to a mind all consequences of that fact spring into the mind simultaneously with it. It is a very useful assumption under many circumstances, but one too easily forgets that it is false. A natural consequence of doing so is that one then assumes that there is no virtue in the mere working out of consequences from data and general principles.
Independence Day speech (1828)
Context: Liberty means, not the mere voting at elections, but the free and fearless exercise of the mental faculties, and that self-possession which springs out of well-reasoned opinions and consistent practice. It is for them to honour principles rather than men — to commemorate events rather than days; when they rejoice, to know for what they rejoice, and to rejoice only for what has brought, and what brings, peace and happiness to men. The event we commemorate this day has procured much of both, and shall procure, in the onward course of human improvement, more than we can now conceive of. For this — for the good obtained, and yet in store for our race — let us rejoice! But let us rejoice as men, not as children — as human beings, rather than as Americans — as reasoning beings, not as ignorants. So shall we rejoice to good purpose and in good feeling; so shall we improve the victory once on this day achieved, until all mankind hold with us the jubilee of independence.