Quotes about spring

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Native Son (1940)

Haiku: This Other World (1998)

4
Nets to Catch the Wind (1921), Wild Peaches

Walden (1854), p.49

"It Was Winter" (1964), trans. Czesław Miłosz, Robert Hass, Robert Pinsky and Renata Gorczynski
Bobo's Metamorphosis (1965)
Context: And here I am walking the eternal earth.
Tiny, leaning on a stick.
I pass a volcanic park, lie down at a spring,
Not knowing how to express what is always and everywhere:
The earth I cling to is so solid
Under my breast and belly that I feel grateful
For every pebble, and I don't know whether
It is my pulse or the earth's that I hear,
When the hems of invisible silk vestments pass over me,
Hands, wherever they have been, touch my arm,
Or small laughter, once, long ago over wine,
With lanterns in the magnolias, for my house is huge.

Directive (1947)
Context: p>This was no playhouse but a house in earnest.
Your destination and your destiny's
A brook that was the water of the house,
Cold as a spring as yet so near its source,
Too lofty and original to rage.(We know the valley streams that when aroused
Will leave their tatters hung on barb and thorn.)</p

unheard-of and unfelt effects with words.
Source: Native Son (1940), p. xxx

As quoted in German Thought, From The Seven Years' War To Goethe's Death : Six Lectures (1880) by Karl Hillebrand, p. 208
Context: [Religion should be].... successively freed from all statutes based on history, and one purely moral religion rule over all, in order that God might be all in all. The veil must fall. The leading-string of sacred tradition with all its appendices becomes by degrees useless, and at last a fetter … The humiliating difference between laymen and clergymen must disappear, and equality spring from true liberty. All this, however, must not be expected from an exterior revolution, which acts violently, and depends upon fortune In the principle of pure moral religion, which is a sort of divine revelation constantly taking place in the soul of man, must be sought the ground for a passage to the new order of things, which will be accomplished by slow and successive reforms.

Address to the Society for Psychical Research (1897)
Context: It is curious that the popular conceptions of evil and malignant beings are of the type that would be produced by increased gravitation — toads, reptiles, and noisome creeping things — while the arch fiend himself is represented as perhaps the ultimate form which could be assumed by a thinking brain and its necessary machinery were the power of gravitation to be increased to the highest point compatible with existence — a serpent crawling along the ground. On the other hand, our highest types of beauty are those which would be common under decreased gravitation.
The "daughter of the gods, divinely tall," and the leaping athlete, please us by the slight triumph over the earthward pull which their stature or spring implies.

Source: The Ordeal of Change (1963), Ch. 15: "The Unnaturalness Of Human Nature"
Context: The weak are not a noble breed. Their sublime deeds of faith, daring, and self-sacrifice usually spring from questionable motives. The weak hate not wickedness but weakness; and one instance of their hatred of weakness is hatred of self. All the passionate pursuits of the weak are in some degree a striving to escape, blur, or disguise an unwanted self. It is a striving shot through with malice, envy, self-deception, and a host of petty impulses; yet it often culminates in superb achievements. Thus we find that people who fail in everyday affairs often show a tendency to reach out for the impossible. They become responsive to grandiose schemes, and will display unequaled steadfastness, formidable energies and a special fitness in the performance of tasks which would stump superior people. It seems paradoxical that defeat in dealing with the possible should embolden people to attempt the impossible, but a familiarity with the mentality of the weak reveals that what seems a path of daring is actually an easy way out: It is to escape the responsibility for failure that the weak so eagerly throw themselves into grandiose undertakings. For when we fail in attaining the possible the blame is solely ours, but when we fail in attaining the impossible we are justified in attributing it to the magnitude of the task.

Address to the Society for Psychical Research (1897)
Context: An omnipotent being could rule the course of this world in such a way that none of us should discover the hidden springs of action. He need not make the sun stand still upon Gibeon. He could do all that he wanted by the expenditure of infinitesimal diverting force upon ultra-microscopic modifications of the human germ.

Ode interview (2009)
Context: A lot of the arguments about religion going on at the moment spring from a rather inept understanding of religious truth … Our notion changed during the early modern period when we became convinced that the only path to any kind of truth was reason. That works beautifully for science but doesn't work so well for the humanities. Religion is really an art form and a struggle to find value and meaning amid the ghastly tragedy of human life.

"Spring is Christ" in Ch. 4 : Spring Giddiness, p. 37
The Essential Rumi (1995)
Context: Spring is Christ,
Raising martyred plants from their shrouds.
Their mouths open in gratitude, wanting to be kissed.
The glow of the rose and the tulip means a lamp is inside.
A leaf trembles. I tremble in the wind-beauty like silk from Turkestan.
The censer fans into flame. This wind is the Holy Spirit.
The trees are Mary.

1930s, Address at San Diego Exposition (1935)
Context: The task of Government is that of application and encouragement. A wise Government seeks to provide the opportunity through which the best of individual achievement can be obtained, while at the same time it seeks to remove such obstruction, such unfairness as springs from selfish human motives. Our common life under our various agencies of Government, our laws and our basic Constitution, exist primarily to protect the individual, to cherish his rights and to make clear his just principles.

The Conspiracy of Kings (1792)
Context: In every clime, thy visage greets my eyes,
In every tongue thy kindred accents rise;
The thought expanding swells my heart with glee,
It finds a friend, and loves itself in thee. Say then, fraternal family divine,
Whom mutual wants and mutual aids combine,
Say from what source the dire delusion rose,
That souls like ours were ever made for foes;
Why earth's maternal bosom, where we tread,
To rear our mansions and receive our bread,
Should blush so often for the face she bore,
So long be drench'd with floods of filial gore;
Why to small realms for ever rest confin'd
Our great affections, meant for all mankind.
Though climes divide us; shall the stream or sea,
That forms a barrier 'twixt my friend and me,
Inspire the wish his peaceful state to mar,
And meet his falchion in the ranks of war? Not seas, nor climes, nor wild ambition's fire
In nations' minds could e'er the wish inspire;
Where equal rights each sober voice should guide,
No blood would stain them, and no war divide.
'Tis dark deception, 'tis the glare of state,
Man sunk in titles, lost in Small and Great;
'Tis Rank, Distinction, all the hell that springs
From those prolific monsters, Courts and Kings.

Source: No Treason (1867–1870), No. VI: The Constitution of No Authority, p. 12–13
Context: It is true that the theory of our Constitution is, that all taxes are paid voluntarily; that our government is a mutual insurance company, voluntarily entered into by the people with each other; that each man makes a free and purely voluntary contract with all others who are parties to the Constitution, to pay so much money for so much protection, the same as he does with any other insurance company; and that he is just as free not to be protected, and not to pay any tax, as he is to pay a tax, and be protected.But this theory of our government is wholly different from the practical fact. The fact is that the government, like a highwayman, says to a man: Your money, or your life. And many, if not most, taxes are paid under the compulsion of that threat.The government does not, indeed, waylay a man in a lonely place, spring upon him from the road side, and, holding a pistol to his head, proceed to rifle his pockets. But the robbery is none the less a robbery on that account; and it is far more dastardly and shameful.The highwayman takes solely upon himself the responsibility, danger, and crime of his own act. He does not pretend that he has any rightful claim to your money, or that he intends to use it for your own benefit. He does not pretend to be anything but a robber. He has not acquired impudence enough to profess to be merely a "protector," and that he takes men's money against their will, merely to enable him to "protect" those infatuated travellers, who feel perfectly able to protect themselves, or do not appreciate his peculiar system of protection. He is too sensible a man to make such professions as these. Furthermore, having taken your money, he leaves you, as you wish him to do. He does not persist in following you on the road, against your will; assuming to be your rightful "sovereign," on account of the "protection" he affords you. He does not keep "protecting" you, by commanding you to bow down and serve him; by requiring you to do this, and forbidding you to do that; by robbing you of more money as often as he finds it for his interest or pleasure to do so; and by branding you as a rebel, a traitor, and an enemy to your country, and shooting you down without mercy, if you dispute his authority, or resist his demands. He is too much of a gentleman to be guilty of such impostures, and insults, and villainies as these. In short, he does not, in addition to robbing you, attempt to make you either his dupe or his slave.The proceedings of those robbers and murderers, who call themselves "the government," are directly the opposite of these of the single highwayman.In the first place, they do not, like him, make themselves individually known; or, consequently, take upon themselves personally the responsibility of their acts. On the contrary, they secretly (by secret ballot) designate some one of their number to commit the robbery in their behalf, while they keep themselves practically concealed.

1860s, The Good Fight (1865)
Context: Yes, yes, caste is a glacier, cold, towering, apparently as eternal as the sea itself. But at last that glittering mountain of ice touches the edge of the Gulf Stream. Down come pinnacle and peak, frosty spire and shining cliff. Like a living monster of shifting hues, a huge chameleon of the sea, the vast mass silently rolls and plunges and shrinks, and at last utterly disappears in that inexorable warmth of water. So with us the glacier has touched the Gulf Stream. On Palm Sunday, at Appomattox Court House, the spirit of feudalism, of aristocracy, of injustice in this country, surrendered, in the person of Robert E. Lee, the Virginian slave-holder, to the spirit of the Declaration of Independence and of equal rights, in the person of Ulysses S. Grant, the Illinois tanner. So closed this great campaign in the 'Good Fight of Liberty'. So the Army of the Potomac, often baffled, struck an immortal blow, and gave the right hand of heroic fellowship to their brethren of the West. So the silent captain, when all his lieutenants had secured their separate fame, put on the crown of victory and ended civil war. As fought the Lieutenant-General of the United States, so fight the United States themselves, in the 'Good Fight of Man'. With Grant's tenacity, his patience, his promptness, his tranquil faith, let us assault the new front of the old enemy. We, too, must push through the enemy's Wilderness, holding every point we gain. We, too, must charge at daybreak upon his Spottsylvania Heights. We, too, must flank his angry lines and push them steadily back. We, too, must fling ourselves against the baffling flames of Cold Harbor. We, too, outwitting him by night, must throw our whole force across swamp and river, and stand entrenched before his capital. And we, too, at last, on some soft, auspicious day of spring, loosening all our shining lines, and bursting with wild battle music and universal shout of victory over the last desperate defense, must occupy the very citadel of caste, force the old enemy to final and unconditional surrender, and bring Boston and Charleston to sing Te Deum together for the triumphant equal rights of man.

Source: Kavanagh: A Tale (1849), Chapter 13.
Context: Ah, how wonderful is the advent of spring! — the great annual miracle of the blossoming of Aaron's rod, repeated on myriads and myriads of branches! — the gentle progression and growth of herbs, flowers, trees, — gentle and yet irrepressible, — which no force can stay, no violence restrain, like love, that wins its way and cannot be withstood by any human power, because itself is divine power. If spring came but once in a century, instead of once a year, or burst forth with the sound of an earthquake, and not in silence, what wonder and expectation there would be in all hearts to behold the miraculous change! But now the silent succession suggests nothing but necessity. To most men only the cessation of the miracle would be miraculous and the perpetual exercise of God's power seems less wonderful than its withdrawal would be.

Opening lines, Ch. 1, "The River Bank"
The Wind in the Willows (1908)
Context: The Mole had been working very hard all the morning, spring-cleaning his little home. First with brooms, then with dusters; then on ladders and steps and chairs, with a brush and a pail of whitewash; till he had dust in his throat and eyes, and splashes of whitewash all over his black fur, and an aching back and weary arms. Spring was moving in the air above and in the earth below and around him, penetrating even his dark and lowly little house with its spirit of divine discontent and longing.

"Irreverent Heart"
Rhymes for the Irreverent (1965)
Context: My heart is like the willow
That bends, but never breaks.
It sighs when summer jilts her,
It sings when April wakes. So you, who come a-smiling
With summer in your eyes,
Think not that your beguiling
Will take me by surprise. My heart's prepared for aching
The moment you take wing.
But not, my friend, for breaking
While there's another spring.

Preface to The Autumn in the Spring (May 1932) http://www.learn-chinese.org/modernprose1/bachun/chunt01.htm
Context: In the past several years, my hard work, my books which I wrote through blood and tears, and the purpose of my life all has been focused on: helping everyone to have a spring, so that everyone's heart will be bright, everyone will have a happy life, and everyone will have the freedom to develop in any way they want. I aroused people to have thirst for, thirst for brightness; I put a cause in front of people, a cause which is worthy of people's devotion. But all of my hard work was destroyed by another power. After arousing a young soul, it only made him or her suffer more unbearable trampling torment.

The Legend of Jubal (1869)
Context: Wouldst thou have asked aught else from any god
Whether with gleaming feet on earth he trod
Or thundered through the skies — aught else for share
Of mortal good, than in thy soul to bear
The growth of song, and feel the sweet unrest
Of the world's spring-tide in thy conscious breast?
No, thou hadst grasped thy lot with all its pain,
Nor loosed it any painless lot to gain
Where music's voice was silent; for thy fate
Was human music's self incorporate:
Thy senses' keenness and thy passionate strife
Were flesh of her flesh and her womb of Life.

Video farewell (2002)
Context: I have lived my whole life on the stage and screen before you. I found purpose and meaning in your response. For an actor that is no greater loss than the loss of his audience. I can part the Red Sea, but I can't part with you, which is why I won't exclude you from this stage in my life.
For now, I'm not changing anything. I will insist on work when I can; the doctors will insist on rest when I must. If you see a little less spring in my step, if your name fails to leap to my lips, you will know why. And if I tell you a funny story for the second time, please laugh anyway.

Closing words of graveside oration at the funeral of Jeremiah O'Donovan Rossa, 1 August 1915. The Cause Of Ireland, Liz Curtis, Beyond the Pale Publications, Belfast 1994, pg 266
Context: Our foes are strong and wise and wary; but, strong and wise and wary as they are, they cannot undo the miracles of God Who ripens in the hearts of young men the seeds sown by the young men of a former generation. And the seeds sown by the young men of '65 and '67 are coming to their miraculous ripening today. Rulers and Defenders of the Realm had need to be wary if they would guard against such processes. Life springs from death; and from the graves of patriot men and women spring living nations. The Defenders of this Realm have worked well in secret and in the open. They think that they have pacified Ireland. They think that they have purchased half of us and intimidated the other half. They think that they have foreseen everything, think that they have provided against everything; but, the fools, the fools, the fools! — They have left us our Fenian dead, and while Ireland holds these graves, Ireland unfree shall never be at peace.

Source: Kavanagh: A Tale (1849), Chapter 13.
Context: Ah, how wonderful is the advent of spring! — the great annual miracle of the blossoming of Aaron's rod, repeated on myriads and myriads of branches! — the gentle progression and growth of herbs, flowers, trees, — gentle and yet irrepressible, — which no force can stay, no violence restrain, like love, that wins its way and cannot be withstood by any human power, because itself is divine power. If spring came but once in a century, instead of once a year, or burst forth with the sound of an earthquake, and not in silence, what wonder and expectation there would be in all hearts to behold the miraculous change! But now the silent succession suggests nothing but necessity. To most men only the cessation of the miracle would be miraculous and the perpetual exercise of God's power seems less wonderful than its withdrawal would be.

St. 1 & 2
Miscellaneous Poems (1773), Divine Love, The Essential Characteristic of True Religion
Context: Religion's Meaning when I would recall,
Love is to me the plainest Word of all.
Plainest, — because that what I love, or hate,
Shews me directly my internal State;
By its own Consciousness is best defin'd
Which way the Heart within me stands inclin'd. On what it lets its Inclination rest,
To that its real Worship is address'd;
Whatever Forms or Ceremonies spring
From Custom's Force, there lies the real Thing;
Jew, Turk or Christian be the Lover's Name,
If same the Love, Religion is the same.

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter IX "Timber" Sec. 1
Context: In Spring all trees become pregnant, and they are all employing their natural vigor in the production of leaves and of the fruits that return every year. The requirements of that season render them empty and swollen, and so they are weak and feeble because of their looseness of texture. This is also the case with women who have conceived. Their bodies are not considered perfectly healthy until the child is born.

Quote, First State of the Union Address (1865)
Context: Our Government springs from and was made for the people — not the people for the Government. To them it owes allegiance; from them it must derive its courage, strength, and wisdom. But while the Government is thus bound to defer to the people, from whom it derives its existence, it should, from the very consideration of its origin, be strong in its power of resistance to the establishment of inequalities. Monopolies, perpetuities, and class legislation are contrary to the genius of free government, and ought not to be allowed. Here there is no room for favored classes or monopolies; the principle of our Government is that of equal laws and freedom of industry. Wherever monopoly attains a foothold, it is sure to be a source of danger, discord, and trouble. We shall but fulfill our duties as legislators by according "equal and exact justice to all men," special privileges to none.

Poems and Ballads (1866-89), The Triumph of Time
Context: In the change of years, in the coil of things,
In the clamour and rumour of life to be,
We, drinking love at the furthest springs,
Covered with love as a covering tree,
We had grown as gods, as the gods above,
Filled from the heart to the lips with love,
Held fast in his hands, clothed warm with his wings,
O love, my love, had you loved but me!

"To David in Heaven", St. 14.
Undertones (1883)
Context: Tho' the world could turn from you,
This, at least, I learn from you:
Beauty and Truth, tho' never found, are worthy to be sought,
The singer, upward-springing,
Is grander than his singing,
And tranquil self-sufficing joy illumes the dark of thought.
This, at least, you teach me,
In a revelation:
That gods still snatch, as worthy death, the soul in its aspiration.

"July"
Context: What comes now? The earth awaits
What fierce wonder from the skies?
Thunder, trampling through the night?
Morning, with illustrious eyes?
Morning, from the springs of light:
Thunder, round Heaven's opening gates..

Curtains (1961)
Context: Art and ideology often interact on each other; but the plain fact is that both spring from a common source. Both draw on human experience to explain mankind to itself; both attempt, in very different ways, to assemble coherence from seemingly unrelated phenomena; both stand guard for us against chaos.

The Myth of Sisyphus (1942), The Myth of Sisyphus
Context: One does not discover the absurd without being tempted to write a manual of happiness. "What! — by such narrow ways —?" There is but one world, however. Happiness and the absurd are two sons of the same earth. They are inseparable. It would be a mistake to say that happiness necessarily springs from the absurd discovery. It happens as well that the feeling of the absurd springs from happiness.

" Heaven-Haven http://www.bartleby.com/122/2.html", lines 1-8
Wessex Poems and Other Verses (1918)

Translated by Irina Zheleznova
Context: O let the organ, many-voiced, sing boldly,
O let it roar like spring's first thunderstorm!
My half-closed eyes over your young bride's shoulder
Will meet your eyes just once and then no more.

Source: Book of Ki (1976), p. 106
Context: !-- We would cease to exist if removed from the laws of nature. For instance, we would be totally unable to maintain stability on the surface of the earth without the force of gravity. --> Only those with their eyes open to the world of nature are capable of uncovering its truth. Everything springs from a sense of gratitude toward nature. Aikido, though praised as a healthful system of self-defense techniques, would be nothing apart from the laws of the great universe. The martial way begins and ends with courtesy, itself an attitude of thankfulness to and reverence for nature. To be mistaken on this basic point is to make of the martial arts no more than weapons of injury and death.
The very name Aikido indicates its dependence on the laws of nature, which we term ki. Aikido means the way to harmony with ki. That is to say, Aikido is a discipline to make the heart of nature our own heart, to understand love for all things, and to become one with nature. Techniques and physical strength have limits; the great way of the universe stretches to infinity.

Chips from a German Workshop (1866)

'Lament of the Frontier Guard' (From Cathay, 1915)

Torsten Manns interview <!-- p. 40 -->
Bergman on Bergman (1970)
Context: Now let's get this Devil business straight, once and for all. To begin at the beginning: the notion of God, one might say, has changed aspect over the years, until it has either become so vague that it has faded away altogether or else has turned into something entirely different. For me, hell has always been a most suggestive sort of place; but I've never regarded it as being located anywhere else than on earth. Hell is created by human beings — on earth!
What I believed in those days — and believed in for a long time — was the existence of a virulent evil, in no way dependent upon environmental or hereditary factors. Call it original sin or whatever you like — anyway an active evil, of which human beings, as opposed to animals, have a monopoly. Our very nature, qua human beings, is that inside us we always carry around destructive tendencies, conscious or unconscious, aimed both at ourselves and at the outside world.
As a materialization of this virulent, indestructible, and — to us — inexplicable and incomprehensble evil, I manufactured a personage possessing the diabolical traits of a mediaeval morality figure. In various contexts I'd made it into a sort of private game to have a diabolic figure hanging around. His evil was one of the springs in my watch-works. And that's all there is to the devil-figure in my early films... Unmotivated cruelty is something which never ceases to fascinate me; and I'd very much like to know the reason for it. Its source is obscure and I'd very much like to get at it.

Brown : The Last Discovery of America (2003)

Source: A Wild Sheep Chase: A Novel (1982), Chapter 10, Counting Sheep
Context: We can, if we so choose, wander aimlessly over the continent of the arbitrary. Rootless as some winged seed blown about on a serendipitous spring breeze. Nonetheless, we can in the same breath deny that there is any such thing as coincidence. What's done is done, what's yet to be is clearly yet to be. In other words, sandwiched as we are between the "everything" that is behind us and the "zero" beyond us, ours is an ephemeral existence in which there is neither coincidence nor possibility. In actual practice, however, distinctions between the two interpretations amount to precious little. A state of affairs (as with most face-offs between interpretations) not unlike calling the same food by two different names. So much for metaphors.

"I Think of Those Who Were Truly Great"
Poems (1933)
Context: What is precious is never to forget
The delight of the blood drawn from ancient springs
Breaking through rocks in worlds before our earth;
Never to deny its pleasure in the simple morning light,
Nor its grave evening demand for love;
Never to allow gradually the traffic to smother
With noise and fog the flowering of the spirit.

¶ 8 - 9.
An Humble, Earnest and Affectionate Address to the Clergy (1761)
Context: God could not make the creature to be great and glorious in itself; this is as impossible, as for God to create beings into a state of independence on himself. "The heavens," saith David, "declare the glory of God"; and no creature, any more than the heavens, can declare any other glory but that of God. And as well might it be said, that the firmament shows forth its own handiwork, as that a holy divine or heavenly creature shows forth its own natural power.
But now, if all that is divine, great, glorious, and happy, in the spirits, tempers, operations, and enjoyments of the creature, is only so much of the greatness, glory, majesty, and blessedness of God, dwelling in it, and giving forth various births of his own triune life, light, and love, in and through the manifold forms and capacities of the creature to receive them, then we may infallibly see the true ground and nature of all true religion, and when and how we may be said to fulfill all our religious duty to God. For the creature's true religion, is its rendering to God all that is God's, it is its true continual acknowledging all that which it is, and has, and enjoys, in and from God. This is the one true religion of all intelligent creatures, whether in heaven, or on earth; for as they all have but one and the same relation to God, so though ever so different in their several births, states or offices, they all have but one and the same true religion, or right behavior towards God. Now the one relation, which is the ground of all true religion, and is one and the same between God and all intelligent creatures, is this, it is a total unalterable dependence upon God, an immediate continual receiving of every kind, and degree of goodness, blessing and happiness, that ever was, or can be found in them, from God alone. The highest angel has nothing of its own that it can offer unto God, no more light, love, purity, perfection, and glorious hallelujahs, that spring from itself, or its own powers, than the poorest creature upon earth. Could the angel see a spark of wisdom, goodness, or excellence, as coming from, or belonging to itself, its place in heaven would be lost, as sure as Lucifer lost his. But they are ever abiding flames of pure love, always ascending up to and uniting with God, for this reason, because the wisdom, the power, the glory, the majesty, the love, and goodness of God alone, is all that they see, and feel, and know, either within or without themselves. Songs of praise to their heavenly Father are their ravishing delight, because they see, and know, and feel, that it is the breath and Spirit of their heavenly Father that sings and rejoices in them. Their adoration in spirit and in truth never ceases, because they never cease to acknowledge the ALL of God; the ALL of God in the whole creation. This is the one religion of heaven, and nothing else is the truth of religion on earth.

Source: Oresteia (458 BC), Agamemnon, lines 1388–1392 (tr. Ian Johnston)

Source: Morals and Dogma of the Ancient and Accepted Scottish Rite of Freemasonry (1871), Ch. XIX : Grand Pontiff, p. 316
Context: If not for slander and persecution, the Mason who would benefit his race must look for apathy and cold indifference in those whose good he seeks, in those who ought to seek the good of others. Except when the sluggish depths of the Human Mind are hroken up and tossed as with a storm, when at the appointed time a great Reformer comes, and a new Faith springs up and grows with supernatural energy, the progress of Truth is slower than the growth of oaks; and he who plants need not expect to gather. The Redeemer, at His death, had twelve disciples, and one betrayed and one deserted and denied Him. It is enough for us to know that the fruit will come in its due season. When, or who shall gather it, it does not in the least concern us to know. It is our business to plant the seed. It is God's right to give the fruit to whom He pleases; and if not to us, then is our action by so much the more noble.

Love's Voice (c.1935–1939)
Context: Such fable ours! However sweet,
That earlier hope had, if fulfilled,
Been but child's pap and toothless meat
— And meaning blunt and deed unwilled,
And we but motes that dance in light
And in such light gleam like the core
Of light, but lightless, are in right
Blind dust that fouls the unswept floor

For, no: not faith by fable lives,
But from the faith the fable springs
— It never is the song that gives
Tongue life, it is the tongue that sings;
And sings the song. Then, let the act
Speak, it is the unbetrayable
Command, if music, let the fact
Make music's motion; us, the fable.

"Bin Laden’s death and the debate over torture" in The Washington Post (11 May 2011)
2010s, 2011
Context: Though it took a decade to find bin Laden, there is one consolation for his long evasion of justice: He lived long enough to witness what some are calling the Arab Spring, the complete repudiation of his violent ideology.
As we debate how the United States can best influence the course of the Arab Spring, can’t we all agree that the most obvious thing we can do is stand as an example of a nation that holds an individual’s human rights as superior to the will of the majority or the wishes of government? Individuals might forfeit their life as punishment for breaking laws, but even then, as recognized in our Constitution’s prohibition of cruel and unusual punishment, they are still entitled to respect for their basic human dignity, even if they have denied that respect to others.

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 449.
Context: It is a union with a Higher Good by love, that alone is endless perfection. The only sufficient object for man must be something that adds to and perfects his nature, to which he must be united in love; somewhat higher than himself, yea, the highest of all, the Father of spirits. That alone completes a spirit and blesses it, — to love Him, the spring of spirits.

Preface to Cromwell (1827) http://www.bartleby.com/39/41.html
Context: Behold, then, a new religion, a new society; upon this twofold foundation there must inevitably spring up a new poetry. Previously following therein the course pursued by the ancient polytheism and philosophy, the purely epic muse of the ancients had studied nature in only a single aspect, casting aside without pity almost everything in art which, in the world subjected to its imitation, had not relation to a certain type of beauty. A type which was magnificent at first, but, as always happens with everything systematic, became in later times false, trivial and conventional. Christianity leads poetry to the truth. Like it, the modern muse will see things in a higher and broader light. It will realize that everything in creation is not humanly beautiful, that the ugly exists beside the beautiful, the unshapely beside the graceful, the grotesque on the reverse of the sublime, evil with good, darkness with light. It will ask itself if the narrow and relative sense of the artist should prevail over the infinite, absolute sense of the Creator; if it is for man to correct God; if a mutilated nature will be the more beautiful for the mutilation; if art has the right to duplicate, so to speak, man, life, creation; if things will progress better when their muscles and their vigour have been taken from them; if, in short, to be incomplete is the best way to be harmonious. Then it is that, with its eyes fixed upon events that are both laughable and redoubtable, and under the influence of that spirit of Christian melancholy and philosophical criticism which we described a moment ago, poetry will take a great step, a decisive step, a step which, like the upheaval of an earthquake, will change the whole face of the intellectual world. It will set about doing as nature does, mingling in its creations — but without confounding them — darkness and light, the grotesque and the sublime; in other words, the body and the soul, the beast and the intellect; for the starting-point of religion is always the starting-point of poetry. All things are connected.
Thus, then, we see a principle unknown to the ancients, a new type, introduced in poetry; and as an additional element in anything modifies the whole of the thing, a new form of the art is developed. This type is the grotesque; its new form is comedy.

Journal entry (22 February1959, 8:15 P.M.)
Working and Thinking on the Waterfront (1969)
Context: There is, for instance, the fact that there is a greater readiness to work in a society with a high standard of living than in one with a low standard. We are more ready to strive and work for superfluities than for necessities. People who are clear-sighted, undeluded, and sober-minded will not go on working once their reasonable needs are satisfied. A society that refuses to strive for superfluities is likely to end up lacking in necessities. The readiness to work springs from trivial, questionable motives. … A vigorous society is a society made up of people who set their hearts on toys, and who would work for superfluities than for necessities. The self-righteous moralists decry such a society, yet it is well to keep in mind that both children and artists need luxuries more than they need necessities.

Attribution reported in Respectfully Quoted: A Dictionary of Quotations (1989), which states that this is not verified in works about him nor in Magnificent Yankee, the film about him. Holmes expressed a similar sentiment in a letter to Sir Frederick Pollock (May 24, 1929): "For sixty years she made life poetry for me". Mark De Wolfe Howe, ed., Holmes-Pollock Letters (1941), vol. 2, p. 243.
Attributions

"Spring and All"
Spring and All (1923)
Context: Lifeless in appearance, sluggish
dazed spring approaches —
They enter the new world naked,
cold, uncertain of all
save that they enter. All about them
The cold, familiar wind — Now the grass, tomorrow
the stiff curl of wildcarrot leaf
One by one objects are defined —
It quickens: clarity, outline of leaf But now the stark dignity of
entrance — Still, the profound change
has come upon them: rooted, they
grip down and begin to awaken.

As translated in Haiku : Spring (1950) by Reginald Horace Blyth
Context: In the scenery of spring,
nothing is better, nothing worse;
The flowering branches are
of themselves, some short, some long.

" Spring http://www.bartleby.com/122/9.html", stanza 1
Wessex Poems and Other Verses (1918)
Context: Nothing is so beautiful as Spring—
When weeds, in wheels, shoot long and lovely and lush;
Thrush’s eggs look little low heavens, and thrush
Through the echoing timber does so rinse and wring
The ear, it strikes like lightning to hear him sing.

St. 14
Thyrsis (1866)
Context: Yes, thou art gone! and round me too the night
In ever-nearing circle weaves her shade.
I see her veil draw soft across the day,
I feel her slowly chilling breath invade
The cheek grown thin, the brown hair sprent with grey;
I feel her finger light
Laid pausefully upon life’s headlong train; —
The foot less prompt to meet the morning dew,
The heart less bounding at emotion new,
And hope, once crush’d, less quick to spring again.

Cosmic Imagery: Key Images in the History of Science (2008)

Source: The Occult: A History (1971), p. 28
Context: Religion, mysticism and magic all spring from the same basic 'feeling' about the universe: a sudden feeling of meaning, which human beings sometimes 'pick up' accidentally, as your radio might pick up some unknown station. Poets feel that we are cut off from meaning by a thick, lead wall, and that sometimes for no reason we can understand the wall seems to vanish and we are suddenly overwhelmed with a sense of the infinite interestingness of things.

Source: The Obstacle Race (1979), Chapter VII: The Disappearing Oeuvre (p. 134)
Context: Great artists are products of their own time: they do not spring forth fully equipped from the head of Jove, but are formed by the circumstances acting upon them since birth. These circumstances include the ambiance created by the other, lesser artists of their own time, who have all done their part in creating the pressure that forces up an exceptional talent. Unjustly, but unavoidably, the very closeness of a great artist to his colleagues and contemporaries leads to their eclipse.

The Conspiracy of Kings (1792)
Context: Once draw the sword; its burning point shall bring
To thy quick nerves a never-ending sting;
The blood they shed thy weight of wo shall swell,
And their grim ghosts for ever with thee dwell. Learn hence, ye tyrants, ere ye learn too late,
Of all your craft th' inevitable fate.
The hour is come, the world's unclosing eyes
Discern with rapture where its wisdom lies;
From western heav'ns th' inverted Orient springs,
The morn of man, the dreadful night of kings.
Dim, like the day-struck owl, ye grope in light,
No arm for combat, no resource in sight;
If on your guards your lingering hopes repose,
Your guards are men, and men you've made your foes;
If to your rocky ramparts ye repair,
De Launay's fate can tell your fortune there.
No turn, no shift, no courtly arts avail,
Each mask is broken, all illusions fail;
Driv'n to your last retreat of shame and fear,
One counsel waits you, one relief is near :
By worth internal, rise to self-wrought fame,
Your equal rank, your human kindred claim;
'Tis Reason's choice, 'tis Wisdom's final plan,
To drop the monarch and assume the man.

Book IV, Part 2, Section 4
Immanuel Kant, Religion Within the Boundary of Pure Reason 1793 translated by James W Semple, Advocate ,Edinburgh 1838 p. 255-257
Religion within the Limits of Reason Alone (1793)
Context: Although individuals who have begun to awake to freedom of cogitation, after having long unconsciously slumbered under the yoke of a belief (e. g. Protestants), do straightway deem themselves ennobled, in proportion to their articles of belief are scanty; yet, singularly enough, they whose understandings still lie dormant, cling to a very different principle of safety. “Better Believe Too Much Than Believe Too Little,” is here the adage; for whatever is done beyond and above what is duty, cannot in any event harm, but may perchance to good. Upon this delusive dream, which would make dishonesty the very spirit and soul of religious confession, is based on the well-known argumentum a tuto, which obtains a more easy and extended currency, because religion compensates for every fault, and hence also for dishonesty in adopting it. If, says the sciolist https://en.wiktionary.org/wiki/sciolist, what I profess to believe concerning the Godhead is correct, then I have precisely hit the very truth. Should, on the other hand, the articles contain an error, still, as there is nothing in them morally improper, then have I merely assented to something superfluous and unnecessary, by all which I have no doubt molested, but certainly not incriminated myself. The peril arising out of the improbity of his profession – The Lesson of Conscience-necessarily undergone, when what is declared in the presence of God to be certain, which mankind must nevertheless know not to be so constituted as to admit of being affirmed with unconditioned certainty, are all overlooked by this dishonest maxim, And Indeed Pass With The Hypocrite For Nothing. The genuine safety-principle of true religion is contrariwise as follows. Whatever is a mean or condition of future bliss, unknown to naked reason, and promulgated singly by revelation, can strike root in my conviction, just like any other history; and so far forth as it does not militate against morality, cannot be absolutely false. Besides leaving this point totally undecided, I may unquestionably trust, that whatever of salutary there may lie in a document, will stand me in good stead, provided I do not by my moral short-coming make myself unworthy of it. In this maxim, there is a real moral safety, viz. That conscience be not violated; and more cannot be demanded from mankind. There is, moreover, an utmost danger and insecurity in that lauded stratagem of expediency, whereby we think astutely to evade any disadvantageous sequents that may spring from unbelieving nonconformity. Thus tampering with either party, we destroy our credit with both.

The True Grounds Of Eternal And Immutable Rectitude" St. 6
Miscellaneous Poems (1773)
Context: From the Divine, Eternal Spirit springs
Order and Rule and Rectitude of Things,
Thro' outward Nature, His Apparent Throne,
Visibly seen, intelligibly known, —
Proofs of a Boundless Pow'r, a Wisdom's Aid,
By Goodness us'd, Eternal and Unmade.

Leaves Of Morya's Garden (1924 - 1925), Book I : The Call (1924)
Context: Into the New World my first message. You who gave the Ashram,
And you who gave two lives,
Proclaim.
Builders and warriors, strengthen the steps.
Reader, if you have not grasped — read again,
after a while.
The predestined is not accidental,
The leaves fall in their time.
And winter is but the harbinger of spring.
All is revealed; all is attainable.
I will cover you with My shield, if you but tend to your labors.
I have spoken.

Diary of an unfinished journey (2012), Page 56, verse I-II.

Section 2.2
Workers Councils (1947)

i
Leaves of Morya’s Garden: Book One (The Call) (1924)

"On Revolutionary Morality" (1958)
1950's, On Revolutionary Morality (1958)

Source: Hunter/Victim (1988), Chapter 60 (p. 247)

Principles to Form the Basis of the Administration of the Republic (February 1794)

Him (1927)

On how he explores the revue as a playwriting form in “GEORGE C. WOLFE” https://www.interviewmagazine.com/culture/george-c-wolfe in Interview Magazine (2016 May 9)

Source: The Laundry Files, The Apocalypse Codex (2012), Chapter 10, “Things To Do in Denver When You’re Doomed” (pp. 182-183)

"The School of Nature", p. 67
Savage Survivals (1916), Wild Survivals in Domesticated Animals

54 min 25 sec
Cosmos: A Personal Voyage (1990 Update), Who Speaks for Earth? [Episode 13]

Kant's Inaugural Dissertation (1770), Section V On The Method Respecting The Sensuous And The Intellectual In Metaphysics

Young India (4 January 1926)
1920s

Letter to the Sheriffs of Bristol (1777)

Epistulae Morales ad Lucilium (Moral Letters to Lucilius), Letter CIV: On Care of Health and Peace of Mind

19 December 1749
Letters to His Son on the Art of Becoming a Man of the World and a Gentleman (1774)

Election address (25 October 1931), quoted in The Times (26 October 1931), p. 14
Later life

He has no need to seek it in anguish, to invent it, to scrutinize it patiently when he has found it, to prove it in action, to verify it by its consequences, or, finally, to shoulder he responsibilities of the moral choice be has made. It is not by chance that the great outbursts of anti‐Semitic rage conceal a basic optimism. The anti‐Semite as cast his lot for Evil so as not to have to cast his lot for Good. The more one is absorbed in fighting Evil, the less one is tempted to place the Good in question. One does not need to talk about it, yet it is always understood in the discourse of the anti‐Semite and it remains understood in his thought. When he has fulfilled his mission as holy destroyer, the Lost Paradise will reconstitute itself. For the moment so many tasks confront the anti‐Semite that he does not have time to think about it. He is in the breach, fighting, and each of his outbursts of rage is a pretext to avoid the anguished search for the Good.
Pages 31-32
Anti-Semite and Jew (1945)

The Tragic Sense of Life (1913), VIII : From God to God

Source: The Dietetics of the Soul; Or, True Mental Discipline (1838), pp. 136-137

View by H.R. Prasad quoted in [Critical Response To Indian Poetry In English, http://books.google.com/books?id=4NcHdrqUJpYC&pg=PA11, 1 January 2008, Sarup & Sons, 978-81-7625-825-8, 11–]

Preface
A Course of Lectures on Natural Philosophy and the Mechanical Arts (1807)

Source: Robinson Crusoe (1719), Ch. 9, A Boat.

Phantastes (1858)

Fiction, Tremor of Intent (1966)

Source: The Story of Philosophy (1926), p. 87. The quoted phrases within the quotation are from the Nicomachean Ethics, Book II, 4; Book I, 7

Translated by C. J. Lyall, quoted in Arabian Poetry, p. 41-42. First Stanza, lines 1-10 https://archive.org/details/arabianpoetryfo00clougoog/page/n127/mode/2up
The Poem of Labīd (translated by C. J. Lyall in 1881)

1920s, Excerpt, Statement on Wire Sculpture (1929)

Of course not! Those who wrote our Constitution understood that these rights are not granted by the government, but rather by our Creator. Thus it was never a question as to when or under what conditions they could be suspended: the government had no authority to suspend them at all because it did not grant them in the first place.
2020, End the Shutdown; It’s Time for Resurrection!

with very little knowledge of just how deadly is this disease.
2020, End the Shutdown; It’s Time for Resurrection!

‘To Mr. Attwood’, Political Register (5 May 1821), p. 343
1820s

State Capitalism and World Revolution (1950)

VI : Conclusion
Der Judenstaat [The Jewish State] (1896)

(zh-CN) 春风又绿江南岸，明月何时照我还？

《泊船瓜洲》

[The travels of William Bartram, An American Bookshelf, volume 3, 236, https://babel.hathitrust.org/cgi/pt?id=uc1.$b281934&view=1up&seq=242]
Travels of William Bartram (1791)

"All flesh is one: what matter scores?" in When Elephants Last In The Dooryard Bloomed : Celebrations For Almost Any Day In The Year (1973)