Quotes about reality
page 13

John Dewey photo
Zygmunt Vetulani photo
Allen C. Guelzo photo
Colin Wilson photo

“The unbeliever walks for a quadrillion miles, yet one moments of reality makes up for it.”

Source: The Outsider (1956), Chapter Seven, The Great Synthesis...

Jordan Peterson photo

“We're adapted to the meta-reality, which means that we're adapted to that which remains constant across the longest spans of time. And that's not the same things that you see around you day to day. They're just like clouds, they're just evaporating, you know? There are things underneath that that are more fundamental realities, like the dominance hierarchy, like the tribe, like the danger outside of society, like the threat that other people pose to you, and the threat that you pose to yourself. Those are eternal realities, and we're adapted to those. That's our world, and that's why we express all those things in stories. Then you might say, well how do you adapt yourself to that world? The answer, and I believe this is a neurological answer, is that your brain can tell you when you're optimally situated between chaos and order. The way it tells you that is by producing the sense of engagement and meaning. Let's say that there's a place in the environment that you should be. So what should that place be? Well, you don't want to be terrified out of your skull. What good is that? And you don't want to be so comfortable that you might as well sleep. You want to be somewhere where you are kind of on firm ground with both of your feet, but you can take a step with one leg and test out new territory. Some of you who are exploratory and emotionally stable are going to go pretty far out there into the unexplored territory without destabilizing yourself. And some people are just going to put a toe in the chaos, and that's neuroticism basically - your sensitivity to threat that is calibrated differently in different people. And some people are more exploratory than others. That's extroversion and openness, and intelligence working together. Some people are going to tolerate more chaos in their mixture of chaos and order. Those are often liberals, by the way. They're more interested in novel chaos, and conservatives are more interested in the stabilization of the structures that already exist. Who's right? It depends on the situation. That's why liberals and conservatives have to talk to each other, because one of them isn't right and the other is wrong. Sometimes the liberals are right and sometimes the liberals are right, because the environment is unpredictable and constantly changing, so that's why you have to communicate. That's what a democracy does. It allows people of different temperamental types to communicate and to calibrate their societies. So let's say you're optimally balanced between chaos and order. What does that mean? Well, you're stable enough, but you're interested. A little novelty heightens your anxiety. It wakes you up a bit. That's the adventure part of it. But it also focuses the part of your brain that does exploratory activity, and that's associated with pleasure. That's the dopamine circuit. So if you're optimally balanced - and you know you're there if you're listening to an interesting conversation or you're engaged in one…you're saying some things that you know, and the other person is saying some things that they know - and what both of you know is changing. Music can model that. It provides you with multi-level predictable forms that can transform just the right amount. So music is a very representational art form. It says, 'this is what the universe is like.' There's a dancing element to it, repetitive, and then little variations that surprise you and produce excitement in you. In doesn't matter how nihilistic you are, music still infuses you with a sense of meaning because it models meaning. That's what it does. That's why we love it. And you can dance to it, which represents you putting yourself in harmony with these multiple layers of reality, and positioning yourself properly.”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

"The selection pressure that women placed on men developed the entire species. There's two things that happened. The men competed for competence, since the male hierarchy is a mechanism that pushes the best men to the top. The effect of that is multiplied by the fact that women who are hypergamous peel from the top. And so the males who are the most competent are much more likely to leave offspring, which seems to have driven cortical expansion."
Concepts

Joshua Reynolds photo

“The art of seeing Nature, or in other words, the art of using Models, is in reality the great object, the point to which all our studies are directed.”

Joshua Reynolds (1723–1792) English painter, specialising in portraits

Discourse no. 12; vol. 2, p. 104.
Discourses on Art

Jane Roberts photo
Niall Ferguson photo
Nikolai Berdyaev photo
Edward Carpenter photo
Desmond Morris photo
Percy Bysshe Shelley photo
Caterina Davinio photo
Vanna Bonta photo

“Essentially Flight is just an adventure of multiple realities.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

Vanna Bonta Talks About Quantum fiction: Author Interview (2007)

Mandell Creighton photo
Gary Johnson photo
Fritjof Capra photo
Theresa May photo
Alfred Binet photo
Antoni Tàpies photo

“Reminding people what in reality it is all about, giving them a theme on which to ponder, creating a shock within them, pulling them out of the delusion of non authenticity, enabling them to become aware of their true possibilities.”

Antoni Tàpies (1923–2012) Catalan painter, sculptor and art theorist

quote from 1976
1945 - 1970
Source: Tàpies, Werke auf Papier 1943 – 2003, Achim Sommer, Kunsthalle Emden, Altana 2004, p. 25

Joseph Nechvatal photo

“The phrase "an idea whose time has come" captures a fundamental reality about an irresistible movement that sweeps over the politics and our society, pushing aside everything that might stand in its path.”

John W. Kingdon (1940) American political scientist

Source: Agendas, Alternatives, and Public Policies - (Second Edition), Chapter 1, How Does an Idea's Time Come?, p. 1

Ilana Mercer photo

“The Big-Media collective is slow, stupid and shackled by ideology. Reality must bite them before they'll recognize it, much less report it.”

Ilana Mercer South African writer

"President Pinicchio’s Growing Proboscis" http://www.wnd.com/2013/10/president-pinocchios-growing-proboscis WorldNetDaily.com, October 31, 2013.
2010s, 2013

Edward Albee photo

“What people really want in the theater is fantasy involvement and not reality involvement.”

Edward Albee (1928–2016) American playwright

Quote (4 June 1967)

Linus Torvalds photo
Joanne B. Freeman photo
Abu Musab Zarqawi photo

“When recalling historical experience, the testimony of ancient times, the proofs of the present reality, and the things that we are experiencing today, we begin to truly understand God's words: "They are the enemies; so beware of them. The curse of Allah be on them!" Ibn Taymiyyah was right in his description of these people when they repudiated the people of Islam. He said: This is why they cooperated with the infidels and the Tartars… They were the main cause of the invasion of Muslim countries by Genghis Khan… Some of them cooperated with the Tartars and Franks (European Crusaders)… some of them (Shiites) backed the Christians….. They (Shiites) harbor more evil and rancor against Muslims, big and small, devout and non-devout, than anyone else…. They enjoy repudiating and cursing Muslim leaders, especially the orthodox caliphs and the ulema (clerics). To them, anyone who does not believe in the infallible Imam (Al-Mahdi) is a nonbeliever in God and the prophet… whenever Christians and infidels triumphed over, it was a day of jubilation… This is the end of what Shaykh-al-Islam Ibn Taymiyyah said about them. It is as if he is living among us today, an eyewitness of what is taking place, and saying… They always support infidels, including Jews and Christians. They help them in killing Muslims.”

Abu Musab Zarqawi (1966–2006) Jordanian jihadist

Zarqawi Letter February 2004 Coalition Provisional Authority English translation of terrorist Musab al Zarqawi letter obtained by United States Government in Iraq https://2001-2009.state.gov/p/nea/rls/31694.htm, (April 6, 2004)

Michael Moorcock photo
Jack Vance photo
Daniel Barenboim photo

“The Declaration of Independence was a source of inspiration to believe in ideals that transformed us from Jews to Israelis. … I am asking today with deep sorrow: Can we, despite all our achievements, ignore the intolerable gap between what the Declaration of Independence promised and what was fulfilled, the gap between the idea and the realities of Israel? Does the condition of occupation and domination over another people fit the Declaration of Independence? Is there any sense in the independence of one at the expense of the fundamental rights of the other? Can the Jewish people whose history is a record of continued suffering and relentless persecution, allow themselves to be indifferent to the rights and suffering of a neighboring people? Can the State of Israel allow itself an unrealistic dream of an ideological end to the conflict instead of pursuing a pragmatic, humanitarian one based on social justice. I believe that despite all the objective and subjective difficulties, the future of Israel and its position in the family of enlightened nations will depend on our ability to realize the promise of the founding fathers as they canonized it in the Declaration of Independence. I have always believed that there is no military solution to the Jewish Arab conflict, neither from a moral nor a strategic one and since a solution is therefore inevitable I ask myself, why wait?”

Daniel Barenboim (1942) Israeli Argentine-born pianist and conductor

Statement at the Knesset upon receiving the Wolf Prize, May 9, 2004, transcript online https://electronicintifada.net/content/daniel-barenboims-statement-knesset-upon-receiving-wolf-prize-may-9-2004/5080 (16 May 2004) at The Electronic Intifada.

Arthur Schopenhauer photo
John Campbell Shairp photo

“Since I was a child, I’ve used my imagination to escape from life. At the same time, my imagination has plagued me with both reality-based anxieties as well as anxieties based entirely in the imagination, such as the fear of Hell I was taught to have by the Catholic Church. Paired with a talent for literary composition, a talent that it took me over ten years to refine, I became a writer of horror stories. To my mind, writing is the most important form of human expression, not only artistic writing but also philosophical writing, critical writing, etc. Art as such, especially programmatic music such as operas, seems trivial to me by comparison, however much pleasure we may get from it. Writing is the most effective way to express and confront the full range of the realities of life. I can honestly say that the primary stature I attach to writing is not self-serving. I’ve been captivated to some degree by all forms of creativity and expression—the visual arts, film, design of any sort, and especially music. In college I veered from literature to music for a few years, which is the main reason it took me six years to get an undergraduate degree in liberal arts. I’ve loved music for as long as I can remember. Since my instrument is the guitar, I know every form and style in its history and have written the classical, acoustic, and electric forms of this instrument. I think because I have had such a love and understanding of music do I realize, to my grief, its limitations. Writing is less limited in the consolations it offers to those who have lost a great deal in their lives. And it continues to console until practically everything in a person’s life has been lost. Words and what they express have the best chance of returning the baneful stare of life.”

Thomas Ligotti (1953) American horror author

Wonderbook Interview with Thomas Ligotti http://wonderbooknow.com/interviews/thomas-ligotti/

Piet Mondrian photo
Ilana Mercer photo
Philip K. Dick photo
Rosa Luxemburg photo

“When all this is eliminated, what really remains? In place of the representative bodies created by general, popular elections, Lenin and Trotsky have laid down the soviets as the only true representation of political life in the land as a whole, life in the soviets must also become more and more crippled. Without general elections, without unrestricted freedom of press and assembly, without a free struggle of opinion, life dies out in every public institution, becomes a mere semblance of life, in which only the bureaucracy remains as the active element. Public life gradually falls asleep, a few dozen party leaders of inexhaustible energy and boundless experience direct and rule. Among them, in reality only a dozen outstanding heads do the leading and an elite of the working class is invited from time to time to meetings where they are to applaud the speeches of the leaders, and to approve proposed resolutions unanimously – at bottom, then, a clique affair – a dictatorship, to be sure, not the dictatorship of the proletariat but only the dictatorship of a handful of politicians, that is a dictatorship in the bourgeois sense, in the sense of the rule of the Jacobins”

Rosa Luxemburg (1871–1919) Polish Marxist theorist, socialist philosopher, and revolutionary

the postponement of the Soviet Congress from three-month periods to six-month periods!

Chapter Six, "The Problem of Dictatorship"
The Russian Revolution (1918)

Hermann Hesse photo

“Then came those years in which I was forced to recognize the existence of a drive within me that had to make itself small and hide from the world of light. The slowly awakening sense of my own sexuality overcame me, as it does every person, like an enemy and terrorist, as something forbidden, tempting, and sinful. What my curiosity sought, what dreams, lust and fear created — the great secret of puberty — did not fit at all into my sheltered childhood. I behaved like everyone else. I led the double life of a child who is no longer a child. My conscious self lived within the familiar and sanctioned world; it denied the new world that dawned within me. Side by side with this I lived in a world of dreams, drives and desires of a chthonic nature, across which my conscious self desperately built its fragile bridges, for the childhood world within me was falling apart. Like most parents, mine were no help with the new problems of puberty, to which no reference was ever made. All they did was take endless trouble in supporting my hopeless attempts to deny reality and to continue dwelling in a childhood world that was becoming more and more unreal. I have no idea whether parents can be of help, and I do not blame mine. It was my own affair to come to terms with myself and to find my own way, and like most well-brought-up children, I managed it badly.”

Source: Demian (1919), p. 135

“Reality is far more complex and messy than many of the grander themes and explanations would have us believe.”

Peter Dicken (1938) British geographer

Source: Global Shift (2003) (Fourth Edition), Chapter 2, A New Geo-Economy, p. 14

Victoria Woodhull photo

“If Congress refuse to listen to and grant what women ask, there is but one course left then to pursue. Women have no government. Men have organized a government, and they maintain it to the utter exclusion of women…. [¶] Under such glaring inconsistencies, such unwarrantable tyranny, such unscrupulous despotism, what is there left [for] women to do but to become the mothers of the future government? [¶] There is one alternative left, and we have resolved on that. This convention is for the purpose of this declaration. As surely as one year passes from this day, and this right is not fully, frankly and unequivocally considered, we shall proceed to call another convention expressly to frame a new constitution and to erect a new government, complete in all its parts and to take measures to maintain it as effectually as men do theirs. [¶] We mean treason; we mean secession, and on a thousand times grander scale than was that of the south. We are plotting revolution; we will overslough this bogus republic and plant a government of righteousness in its stead, which shall not only profess to derive its power from consent of the governed, but shall do so in reality.”

Victoria Woodhull (1838–1927) American suffragist

A Lecture on Constitutional Equality, also known as The Great Secession Speech, speech to Woman's Suffrage Convention, New York, May 11, 1871, excerpt quoted in Gabriel, Mary, Notorious Victoria: The Life of Victoria Woodhull, Uncensored (Chapel Hill, N.Car.: Algonquin Books of Chapel Hill, 1st ed. 1998 ISBN 1-56512-132-5, pp. 86–87 & n. [13] (ellipsis or suspension points in original & "[for]" so in original) (author Mary Gabriel journalist, Reuters News Service). Also excerpted, differently, in Underhill, Lois Beachy, The Woman Who Ran for President: The Many Lives of Victoria Woodhull (Bridgehampton, N.Y.: Bridge Works, 1st ed. 1995 ISBN 1-882593-10-3, pp. 125–126 & unnumbered n.

Hillary Clinton photo
Nisargadatta Maharaj photo
George Steiner photo
Carlo Rovelli photo
Patrick Modiano photo
Aldo Capitini photo
Nadine Gordimer photo
Jessica Lange photo
Alex Salmond photo
Émile Durkheim photo
Theodore Dalrymple photo

“Unilateral tolerance in a world of intolerance is like unilateral disarmament in a world of armed camps: it regards hope as a better basis for policy than reality.”

Theodore Dalrymple (1949) English doctor and writer

Why Theo Van Gogh Was Murdered http://www.city-journal.org/html/eon_11_15_04td.html (November 15, 2004).
City Journal (1998 - 2008)

Mark Strand photo
Parker Palmer photo
David Icke photo
Mukesh Ambani photo

“I dream of India becoming one of four most powerful economies of the world. I believe this dream can be made a reality within our life times.”

Mukesh Ambani (1957) Indian business magnate

Quoted in page=30
Mukesh Dhirajlal Ambani, Anil Dhirajlal Ambani

Jeremy Clarkson photo
Anthony Burgess photo

“…reality’s always dull, you know…”

Anthony Burgess (1917–1993) English writer

Fiction, Time for a Tiger (1956)

Gene Roddenberry photo
Karl Barth photo
John Howard Yoder photo
Letitia Elizabeth Landon photo
Heinrich Heine photo

“The whole system of symbolism impressed on the art and the life of the Middle Ages must awaken the admiration of poets in all times. In reality, what colossal unity there is in Christian art, especially in its architecture! These Gothic cathedrals, how harmoniously they accord with the worship of which they are the temples, and how the idea of the Church reveals itself in them! Everything about them strives upwards, everything transubstantiates itself; the stone buds forth into branches and foliage, and becomes a tree; the fruit of the vine and the ears of corn become blood and flesh; the man becomes God; God becomes a pure spirit. For the poet, the Christian life of the Middle Ages is a precious and inexhaustibly fruitful field. Only through Christianity could the circumstances of life combine to form such striking contrasts, such motley sorrow, such weird beauty, that one almost fancies such things can never have had any real existence, and that it is all a vast fever-dream the fever-dream of a delirious deity. Even Nature, during this sublime epoch of the Christian religion, seemed to have put on a fantastic disguise; for oftentimes though man, absorbed in abstract subtilties, turned away from her with abhorrence, she would recall him to her with a voice so mysteriously sweet, so terrible in its tenderness, so powerfully enchanting, that unconsciously he would listen and smile, and become terrified, and even fall sick unto death.”

Heinrich Heine (1797–1856) German poet, journalist, essayist, and literary critic

Religion and Philosophy in Germany, A fragment https://archive.org/stream/religionandphilo011616mbp#page/n5/mode/2up, p. 26

Enver Hoxha photo
Cédric Villani photo
Margaret Drabble photo

“The human mind can bear plenty of reality but not too much unintermittent gloom.”

Margaret Drabble (1939) Novelist, biographer and critic

The Realms of Gold (1975; New York: Ivy Books, 1989) p. 140

Poul Anderson photo

“Too far a retreat from reality is insanity.”

Source: Brain Wave (1954), Chapter 10 (p. 82)

George Soros photo
James Baldwin photo
Czeslaw Milosz photo

“What is this enigmatic impulse that does not allow one to settle down in the achieved, the finished? I think it is a quest for reality.”

Czeslaw Milosz (1911–2004) Polish, poet, diplomat, prosaist, writer, and translator

Nobel lecture (8 December 1980)

Charles Stross photo
Buckminster Fuller photo

“The wellspring of reality is the family of weightless generalized principles.”

Buckminster Fuller (1895–1983) American architect, systems theorist, author, designer, inventor and futurist

1970s, Synergetics: Explorations in the Geometry of Thinking (1975), The Wellspring of Reality

James Allen photo
Lee Smolin photo
Eliezer Yudkowsky photo

“Your strength as a rationalist is your ability to be more confused by fiction than by reality. If you are equally good at explaining any outcome, you have zero knowledge.”

Eliezer Yudkowsky (1979) American blogger, writer, and artificial intelligence researcher

Your Strength As A Rationalist http://lesswrong.com/lw/if/your_strength_as_a_rationalist/ (August 2007)

Georg Wilhelm Friedrich Hegel photo

“Universal History Spirit displays itself in its most concrete reality.”

Lectures on the History of History Vol 1 p. 17 John Sibree translation (1857), 1914
Lectures on the Philosophy of History (1832), Volume 1
Context: The enquiry into the essential destiny of Reason as far as it is considered in reference to the World is identical with the question, what is the ultimate design of the World? And the expression implies that that design is destined to be realised! Two points of consideration suggest themselves: first, the import of this design its abstract definition; and secondly, its realization. It must be observed at the outset, that the phenomenon we investigate Universal History belongs to the realm of Spirit. The term “World" includes both physical and psychical Nature. Physical Nature also plays its part in the World's History, and attention will have to be paid to the fundamental natural relations thus involved. But Spirit, and the course of its development, is our substantial object. Our task does not require us to contemplate Nature as a Rational System in itself though in its own proper domain it proves itself such but simply in its relation to Spirit. On the stage on which we are observing it, Universal History Spirit displays itself in its most concrete reality. Notwithstanding this (or rather for the very purpose of comprehending the general principles which this, its form of concrete reality, embodies) we must premise some abstract characteristics of the nature of Spirit. Such an explanation, however, cannot be given here under any other form than that of bare assertion. The present is not the occasion for unfolding the idea of Spirit speculatively; for whatever has a place in an Introduction, must, as already observed, be taken as simply historical; something assumed as having been explained and proved elsewhere; or whose demonstration awaits the sequel of the Science of History itself.

Thomas Carlyle photo

“At bottom, as was said above, we are to consider Luther as a Prophet Idol-breaker; a bringer-back of men to reality. It is the function of great men and teachers.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1840s, Heroes and Hero-Worship (1840), The Hero as Priest

Ayaan Hirsi Ali photo
Lawrence M. Schoen photo
Hans Arp photo

“Structures of lines, surfaces, forms, colours. They try to approach the eternal, the inexpressible above men. They are a denial of human egotism. They are the hatred of human immodesty, the hatred of images, of paintings.. Wisdom [is] the feeling for the coming reality, the mystical, the definite indefinite, the greatest definite.”

Hans Arp (1886–1966) Alsatian, sculptor, painter, poet and abstract artist

Arp's quote from his text in a catalogue of his exhibition, in Zürich 1915; quoted by Arp himself in his text 'Abstract Art, Concrete Art,' Hans Arp, c. 1942; as quoted in Theories of Modern Art: A Source Book by Artists and Critics, by Herschel Browning Chipp, Peter Selz, p. 390
1910-20s

Glen Cook photo

“Life with me and the Company has not been anything like happily ever after. Reality has a way of slow-roasting romance.”

Source: Soldiers Live (2000), Chapter 5, “An Abode of Ravens: Headquarters” (p. 383)

Jerry Coyne photo
Henry Moore photo
Jane Roberts photo
Caterina Davinio photo