Quotes about music
page 29

“[S]o far as music ever had a "meaning" beyond the immediate and exquisite value of the sound-pattern itself, its "meaning" must be simply an emotional attitude. It could never speak directly about the objective world, or "the nature of existence"; but it might create a complex emotional attitude which might be appropriate to some feature of the objective world, or to the universe as a whole.”

Olaf Stapledon book Sirius

Source: Sirius (1944), Chapter IX Sirius and Religion.

World, Nature, Universe

“I was too independent for Mick. I wasn't proper enough for him. He's a chauvinist. I wouldn't put up with that. Keith, surprisingly, is not. Though I feel sorry for Patti [Hansen]. I love her and think she is a marvellous woman, but I would not want to be in her shoes now. It's such a lonely existence, living with a rock 'n' roller. No matter how much he loves you, he will always love his music more. I know when Keith is working on his music nothing else matters to him. He can be in a room with fifty people and he won't nothing anything but his guitar. A woman, to live with a rock star, must find her ways of independence.”

Anita Pallenberg (1942–2017) German actress, model and Rolling Stones groupie

As quoted in a Vanity Fair magazine article, September 1989.

Love, People, Shoe, Way

“I am forced to transpose until finally my picture may seem completely changed when, after successive modifications, the red has succeeded the green as the dominant color. I cannot copy nature in a servile way, I must interpret nature and submit it to the spirit of the picture – when I have found the relationship of all the tones the result must be a living harmony of tones, a harmony not unlike that of a musical composition”

Henri Matisse (1869–1954) French artist

Source: 1900s, Notes d'un Peintre (Notes of a Painter) (1908), p. 411

Color, Way, Nature, Change

“What was this dream we had, a dream of music,
Music that rose from the opening earth like magic
And shook its beauty upon us and died away?
The long cold streets extend once more before us.
The red sun drops, the walls grow grey.”

Conrad Aiken (1889–1973) American novelist and poet

The House of Dust (1916 - 1917)

Beauty, Dreams, Sun

“Out of the meaningless practical shapes of all that is living or lifeless
Joined with the artist's eye, new life, new form, new colour.
Out of the sea of sound the life of music,
Out of the slimy mud of words, out of the sleet and hail of verbal imprecisions,
Approximate thoughts and feelings, words that have taken the place of thoughts and feelings,
There spring the perfect order of speech, and the beauty of incantation.”

T.S. Eliot (1888–1965) 20th century English author

Choruses from The Rock (1934)

Life, Beauty, Feeling, Spring

“I wanted the kind of power of insight and self-command that I experienced in the works of a Jean Paul Sartre, James Baldwin, or Margaret Walker. I wanted to make that kind of music that I heard in the poetry of a Langston Hughes or the stories of James Joyce. That combination of power and beauty more than anything else is probably what made me most want to become a writer. It wasn't until I became a journalist with the U. S. Air Force that I became more objective in my literary outlook and accepted that writing professionally included responsibilities to something other than my personal desires or needs.”

Aberjhani (1957) author

(GCA Interview with Aberjhani). From Articles, Essays, and Poems, Gale Contemporary Authors http://en.wikipedia.org/wiki/Contemporary_Authors

Beauty, Personality

“Prokofiev’s creative path traversed many countries and was affected by wars and revolutions. Life brought him into contact with some of the most prominent and influential artistic figures of his time. Observing the magnificent panorama of Prokofiev’s oeuvre, one sees that the composer’s musical style evolved significantly over the course of his creative life. The reasons for the changes of direction have been much discussed and debated.”

Boris Berman (1948) Russian/American musician

Prokofiev’s piano sonatas : a guide for the listener and the performer (2008), Prokofiev: His Life and the Evolution of His Musical Language

Life, War, Change, Time

“Tennyson follows his feelings in creating each line. He follows the music in his head. If you had asked him, at the end of the day, to describe the prosody of the poem to you, he would no doubt have had to think for a moment before he could answer you, not because he was ignorant of the terms, but because he had been writing a poem, not a metrical exercise. At every point, he was exerting his free will. And the outcome of that exertion was the form.”

James Fenton (1949) poet

Source: An Introduction to English Poetry (2002), Ch. 4: The Sense of Form (pp. 24-25)

Feeling, Exercises, Thinking

“We need to recognise that the entire information sector—from music to newspapers to telecoms to internet to semiconductors and anything in-between—has become subject to a gigantic market failure in slow motion. A market failure exists when market prices cannot reach a self-sustaining equilibrium. The market failure of the entire information sector is one of the fundamental trends of our time, with far-reaching long-term effects, and it is happening right in front of our eyes.”

Eli Noam (1946) professor of Finance and Economics at the Columbia Business School

Eli Noam in: " Eli Noam: Market failure in the media sector http://www.citi.columbia.edu/elinoam/FT/2-16-04/MarketFailure.htm" at news.ft.com, February 16 2004 The context of this quote was a digression on the media, telecommunication, information technology, and internet industries.

Failure, Time

“Our intimacy was like a minuet, simply because on every possible occasion and in every possible circumstance we knew where to go, where to sit, which table we unanimously should choose; and we could rise and go, all four together, without a signal from any one of us, always to the music of the Kur orchestra, always in the temperate sunshine, or, if it rained, in discreet shelters.”

Ford Madox Ford book The Good Soldier

Part One, Ch. I (p. 6)
The Good Soldier (1915)

“When I read the script for GODZILLA VS. SPACE GODZILLA, it reminded me of teenage idol films. In addition, the movie was going to have rap music in it. So, I thought, "Well, this is not my world, so I better not score this one."”

Akira Ifukube (1914–2006) Japanese composer

As quoted by David Milner, "Akira Ifukube Interview III" http://www.davmil.org/www.kaijuconversations.com/ifukub3.htm, Kaiju Conversations (December 1995)

World, Reading

“I think I am easy to make fun of. I try not to pay too much attention. You can't let critics dictate what you do… The thing that fascinates me, is the emotion in music, the way it can make me cry or laugh or be angry. I'm not trying to be hip or cool, and I'm not scared to put everything I have into songs. Passion is the greatest thing that music can evoke. We live in a society where I think people often find it hard to express themselves, but sometimes a song can do that for you. It might not be groundbreaking, but there is something about the simplicity of presenting songs where it's all about the lyric and the melody. People don't need to get through a whole lot of production to get to the root of the song. It's just music doing what music does best… A lot of things in the mainstream are repetitive and soulless and have been churned out without any real conviction. It is really unfair to call Coldplay insufferable, when they obviously care about what they do. James [Blunt] too. Too much of the music industry is controlled by lawyers and businessmen, making music like it's a product on the factory line. That's what I call insufferable.”

Katie Melua (1984) British singer-songwriter

[Neil McCormick, Who is right? Critics or the public?, http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2005/09/29/bmneil29.xml, The Telegraph, 2005-09-29]

People, Way, Thinking, Passion

“In Plato's Republic, when the interlocutor of Socrates appears to bring certain plausible reasons to bear upon the mathematical sciences, to show that they are useful to human life, arithmetic for reckoning, distributions, contributions, exchanges, and partnerships, geometry for sieges, the founding of cities and sanctuaries, and the partition of land, music for festivals, entertainment, and the worship of the gods, and the doctrine of the spheres, or astronomy, for farming, navigation and other undertakings, revealing beforehand the proper procedure and suitable season, Socrates, reproaching him says: "You amuse me, because you seem to fear that these are useless studies that I recommend; but that is very difficult, nay, impossible. For the eye of the soul, blinded and buried by other pursuits, is rekindled and aroused again by these and these alone, and it is better that this be saved than thousands of bodily eyes, for by it alone is the truth of the universe beheld."”

Nicomachus (60–120) Ancient Greek mathematician

Nicomachus of Gerasa: Introduction to Arithmetic (1926)

Life, God, Truth, Fear

“Music…is the vapour of art. It is to poetry what revery is to thought, what the fluid is to the liquid, what the ocean of clouds is to the ocean of waves.”

Victor Hugo book William Shakespeare

La musique...est la vapeur de l’art. Elle est à la poésie ce que la rêverie est à la pensée, ce que le fluide est au liquide, ce que l’océan des nuées est à l’océan des ondes.
Part I, Book II, Chapter IV
William Shakespeare (1864)

Art

“I can only think of music as something inherent in every human being - a birthright. Music coordinates mind, body and spirit.”

Yehudi Menuhin (1916–1999) American violinist and conductor

Quoted in: Dream It. List It. Do It!: How to Live a Bigger & Bolder Life, from the Life List Experts at 43Things.com http://books.google.co.in/books?id=_PBV0WJr9vsC&pg=PA98, Workman Publishing, 25 December 2008, p. 98

Thinking

“Eventually you cannot stop the sun from rising, the water from flowing, the moon from spreading its light and you cannot compromise the seven notes with anything else. Live your life, live the music.”

Hariprasad Chaurasia (1938) Indian bansuri player

On Ideas: Ideals: India.
Melodies of Brindavan: Pandit Hariprasad Chourasia

Life, Light, Water, Sun

“What I've learned in my life, it's a very interesting social study for me, to go back and forth between being the guy at home and being the guy on the road and being the guy in studio and being the guy in the interview. The environment around you has so much to do with your character, and when I'm home, my character really changes quite a bit. I become very domesticated, it becomes riding my bike, and the music thing — the music thing doesn't leave but it's kind of less put upon me by other people as a musician.”

John Mayer (1977) guitarist and singer/songwriter

On whether or not he misses being home with friends and family when he is on tour. Savino, Jessi, et al (2007) "John Mayer talks life on the road, latest album" http://media.www.nu-news.com/media/storage/paper600/news/2007/02/14/TheInside/John-Mayer.Talks.Life.On.The.Road.Latest.Album-2718892.shtml NU-News.com (accessed February 14, 2007)

Life, People, Guy, Home

“A neurosurgeon once told me about operating on the brain of a young man with epilepsy. As is customary in this kind of operation, the patient was wide awake, under only local anesthesia, while the surgeon delicately explored his exposed cortex, making sure that the parts tentatively to be removed were not absolutely vital by stimulating them electrically and asking the patient what he experienced. Some stimulations provoked visual flashes or hand-raisings, others a sort of buzzing sensation, but one spot produced a delighted response from the patient: "It's 'Outta Get Me' by Guns N'Roses, my favorite heavy metal [sic] band!"I asked the neurosurgeon if he had asked the patient to sing or hum along with the music, since it would be fascinating to learn how "high fidelity" the provoked memory was. Would it be in exactly the same key and tempo as the record? Such a song (unlike "Silent Night") has one canonical version, so we could simply have superimposed a recording of the patient's humming with the standard record and compare the results. Unfortunately, even though a tape recorder had been running during the operation, the surgeon hadn't asked the patient to sing along. "Why not?" I asked, and he replied: "I hate rock music!"Later in the conversation the neurosurgeon happened to remark that he was going to have to operate again on the same young man, and I expressed the hope that he would just check to see if he could restimulate the rock music, and this time ask the fellow to sing along. "I can't do that," replied the neurosurgeon, "since I cut out that part." "It was part of the epileptic focus?"”

Daniel Dennett book Consciousness Explained

I asked, and he replied, "No, I already told you — I hate rock music."
Source: Consciousness Explained (1991), p. 58-59

Hate, Hope, Learning, Memory

“The appreciation of a painting or a piece of music, for example, or even falling in love, is all about our subjectivity. But to decide that the entire universe operates in such a way, let alone to go to war because we are so convinced we are right that others must agree with us or die, that surely should demand a higher level of argument than 'It's true because I really, really feel it is.”

Derren Brown (1971) British illusionist

Books, Tricks of the Mind (2006)

Love, War, Way, Feeling

“Music lets me forget bad experiences. You cannot keep ragas and regrets in your mind together.”

Bismillah Khan (1916–2006) Indian musician

Quotations by 60 Greatest Indians, Dhirubhai Ambani Institute of Information and Communication Technology http://resourcecentre.daiict.ac.in/eresources/iresources/quotations.html, Quote

Forgetting

“Music is one of the ways that God has of beating in on man.”

Charles Ives (1874–1954) American composer

Newsletter, Institute for Studies in American Music, XXI http://depthome.brooklyn.cuny.edu/isam/NewsF91.pdf (November 1, 1991).

God, Way

“This fact, the surfacing of structure in an undeliberate action, is too big to take on here, but it was enough to convince me that the structuralists—the advocates of planning music before you hear or care what the plan gives you—were right: do not rely on unplanned music; it comes out as though it were planned, but planned by someone you cross the street to avoid.”

Robert Ashley (1930–2014) American composer

liner notes to Automatic Writing (1996), referring to both automatic writing and the piece Automatic Writing.

“Ach! I know. If I were to play the Pathetique or the Moonlight Sonata for the high judges, they would let me off. But my defense unfortunately will not be musical.”

Walther Funk (1890–1960) German economist and politician

To Leon Goldensohn, March 31, 1946, from "The Nuremberg Interviews" by Leon Goldensohn, Robert Gellately - History - 2004 - Page 82

“The French archeologists Iégor Reznikoff and Michael Dauvois conducted detailed surveys of three decorated caves in the Ariège region of southwest France. …they moved slowly through the caves, stopping repeatedly to test the resonance of each section… spanning three octaves… those areas with highest resonance were also those most likely to harbor a painting or engraving. …a fascinating discovery that… Chris Scarre commented at the time, draws "new attention to the likely importance of music and singing in the rituals of our early ancestors."”

Richard Leakey (1944) Kenyan paleoanthropologist, conservationist, and politician

The Origin of Humankind (1994)

Singing, Time, Drawing, Painting

“Music should always be a means of bridging gaps and uniting people. The beauty of music is that it can -- and should -- gather a wide variety of concepts in a way that's universal.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

www.internationalspeakers.com February 1, 2007
2007, 2008

People, Beauty, Way, Universe

“How deep, how merciless, the love represt,
That robs the silent midnight of its rest;
That sees in gather'd crowds but one alone;
That hears in mingled footsteps only one;
That turns the poet's page, to only find
Some mournful image for itself design'd;
That seeks in music, but the plaining tone
Which secret sorrow whispers is its own!”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Neglected One
The Venetian Bracelet (1829)

Love, Secret

“It appears to me that the subject of music, from Machaut to Boulez, has always been its construction. Melodies of 12-tone rows just don't happen. They must be constructed…. To demonstrate any formal idea in music, whether structure or stricture, is a matter of construction, in which the methodology is the controlling metaphor of the composition…Only by 'unfixing' the elements traditionally used to construct a piece of music could the sounds exist in themselves--not as symbols, or memories which were memories of other music to begin with.”

Morton Feldman (1926–1987) American avant-garde composer

quoted in Classic Essays on Twentieth-Century Music, ISBN 0028645812

Idea, Appearance, Memory

“I've rebelled against all types of conformity throughout my life, not just Utah's conservative culture. I rebelled against the Mormon church by going to other churches. I rebelled against my parents by not eating meat. I rebelled against my friends and myself by doing drugs. And I rebelled against everything that was holding me down by playing music with these guys.”

Bert McCracken (1982) American musician

Paul Stewart (July 10, 2005) "The Used gladly sold their souls", The Sunday Telegraph, News Limited, p. 20.

Life, Guy, Parent

“You don't hear any more of, 'Hey, we did something creative and we turned a profit, how about that?' Everywhere we look, we want to make the most money possible. This is a dangerous, corrupt notion. That's where you see the advent of programming on the radio, and radio research, all these silly things. That has made pop music what it is today. Everything — morals, truth — is all going out the window in favor of profit.”

Tom Petty (1950–2017) American musician

Rolling Stone interview (2002)

Money, Truth

“In 'pure' instrumental music, the strategies chosen by composers to create unity were responsive to the tenets of Romanticism…Even in the absence of an explicit program, motivic continuity created a kind of narrative coherence. Like the chief character in a novel, the 'fortunes' of the main motive--its development, variation, and encounters with other 'protagonists'--served as a source of constancy throughout the unfolding of the musical process.”

Leonard B. Meyer (1918–2007) American composer and philosopher

Style and Music: Theory, History, and Ideology (1989), ISBN 0226521524

Motivation

“No other type of music-making contradicts itself through its recording like improvisation does.”

Mattin (1977) Spanish musician

Page 168.
"Anti-Copyright: Why Improvisation and Noise Run Against the Idea of Intellectual Property" (October 2008)

“I loved to talk about music to Nicky … His influence came from people like The Beatles and The Beach Boys, and he had these ideas about layering vocals, painting landscapes with music. Roma knew about Irish mythology, told stories, wrote poetry and had this special feeling for lyrics. My grounding came from the classics.”

Enya (1961) Irish singer, songwriter, and musician

Women's Weekly interview (2006)

Love, People, Feeling, Boy

“For the same reasons a music composer writes its own symphony, whereas others already did the same things, but differently.”

Benoît Minisini (1973) French computer programmer

Answering why he wrote an independent scripting language for Gambas. Quoted from FOSDEM interview, " http://www.madeasy.de/7/benoit.htm http://www.madeasy.de/7/benoit.htm" Mad Easy (2005-02-14)

“The music was like the memory of joys that are past, pleasant and mournful to the soul.”

James Macpherson (1736–1796) Scottish writer, poet, translator, and politician

"The Death of Cuthullin"
The Poems of Ossian

Soul, Memory, Past, Joy

“[About Pinkie's inability to empathise] The imagination hadn't awoken. That was his strength. He couldn't see through other people's eyes, or feel with their nerves. Only the music made him uneasy.”

Graham Greene book Brighton Rock

Brighton Rock (1938)

People, Feeling, Imagination

“The music ends. The screen grows dark. We hurry
To go our devious secret ways, forgetting
Those many lives... We loved, we laughed, we killed,
We danced in fire, we drowned in a whirl of sea-waves.
The flutes are stilled, and a thousand dreams are stilled.”

Conrad Aiken (1889–1973) American novelist and poet

The House of Dust (1916 - 1917)

Love, Secret, Dreams, Way

“Folk music is not so much a body of art as it is a process, an attitude, and a way of life; its distinguishing features lie not within the songs themselves, but in the relations of those songs to a folk culture.”

Sam Hinton (1917–2009) folk singer, artist, marine biologist

"The Singer of Folk Songs and His Conscience"

Life, Lie, Art, Way

“Music is a strange thing. I would almost say it is a miracle.”

Heinrich Heine (1797–1856) German poet, journalist, essayist, and literary critic

Letters on the French Stage (1837)

“The swarm of thoughts, the swarm of dreams
Of inaccessible Utopia.
A mountainous music always seemed
To be falling and to be passing away.”

Wallace Stevens (1879–1955) American poet

The Man With the Blue Guitar (1937)

Dreams, Mountain

“The microphone-amplifier-loudspeaker combination is having an enormous effect on our civilization. Not all of it is good! Consider to what heights of impudence and tyranny, and to what depths of moral depravity, has radio broadcasting and the loudspeaker attained in that recent monstrosity, Transit Radio, Inc. Almost incredible is the loathsome fact that already in 21 cities bus riders must listen to never-ending, blatant advertising and unwelcome jitterbug and bop music.”

Lee De Forest (1873–1961) American inventor

"Dawn of the Electronic Age" http://blog.modernmechanix.com/2006/03/20/dawn-of-the-electronic-age/, Popular Mechanics, January 1952

“Religion can never reform mankind because religion is slavery. It is far better to be free, to leave the forts and barricades of fear, to stand erect and face the future with a smile. It is far better to give yourself sometimes to negligence, to drift with wave and tide, with the blind force of the world, to think and dream, to forget the chains and limitations of the breathing life, to forget purpose and object, to lounge in the picture gallery of the brain, to feel once more the clasps and kisses of the past, to bring life's morning back, to see again the forms and faces of the dead, to paint fair pictures for the coming years, to forget all Gods, their promises and threats, to feel within your veins life's joyous stream and hear the martial music, the rhythmic beating of your fearless heart. And then to rouse yourself to do all useful things, to reach with thought and deed the ideal in your brain, to give your fancies wing, that they, like chemist bees, may find art's nectar in the weeds of common things, to look with trained and steady eyes for facts, to find the subtle threads that join the distant with the now, to increase knowledge, to take burdens from the weak, to develop the brain, to defend the right, to make a palace for the soul. This is real religion. This is real worship.”

Robert G. Ingersoll (1833–1899) Union United States Army officer

What Is Religion? (1899) is Ingersoll's last public address, delivered before the American Free Religious association, Boston, June 2, 1899. Source: The Works of Robert G. Ingersoll, Dresden Memorial Edition Volume IV, pages 477-508, edited by Cliff Walker. http://www.positiveatheism.org/hist/ingwhatrel.htm

Life, God, World, Fear

“To understand what music has to be, you have to live for music. Who's ready to do that?”

Morton Feldman (1926–1987) American avant-garde composer

Quoted in a 1976 interview, published in Desert Plants by Walter Zimmermann.

Understanding

“Not many people know this, but on top of writing regularly for every known newspaper and magazine, Anthony Burgess writes regularly for every unknown one, too. Pick up a Hungarian quarterly or a Portuguese tabloid - and there is Burgess, discoursing on goulash or test-driving the new Fiat 500. 'Wedged as we are between two eternities of idleness, there is no excuse for being idle now.' Even today, at seventy, and still producing book after book, Burgess spends half his time writing music. He additionally claims to do all the housework.”

Martin Amis (1949) Welsh novelist

Opening paragraph of his review of Little Wilson and Big God: Being the First Part of the Confessions of Anthony Burgess, p. 123
The War Against Cliché: Essays and Reviews 1971-2000 (2001)

People, Books, Time

“Dancing is an important function of music, but so is crying.”

Katie Melua (1984) British singer-songwriter

[Jasper Gerard, Me and my motors, http://driving.timesonline.co.uk/tol/life_and_style/driving/features/article522083.ece, The Sunday Times, 2005-05-19]

Dance, Cry

“When the full magnetic rapport of Karezza has been realized, in which the two souls and bodies seem as one, supported and floating on some divine stream in Paradise, all sense of restraint and difficulty gone, and succeeded by a heavenly ease, power, exaltation, pure and perfect bliss, diffused throughout the entire being, it is then that the eyes and faces shine as though transfigured, every tone becomes music, every emotion poetry.”

John William Lloyd (1857–1940) American anarchist, sexologist, utopian theorist and author (1857-1940)

The Karezza Method : Or Magnetation, the Art of Connubial Love (1931) Ch. 17 : Karezza the Beautifier http://www.reuniting.info/karezza_method_lloyd/karezza_the_beautiful

Soul, Support, Sense, Perfection

“It's an updated version of what's being talked about or danced to today but still with my classic grit to it. Good part about it is the 1990s are back so this was da best time to do it. A lot of artist samplin' Three 6 now, our music was before its time.”

DJ Paul (1977) American rapper and record producer

Interview with DJ Paul – Stream DJ Paul Kom's 'Undergroud, Vol. 17 – For da Summa Album http://www.xxlmag.com/news/2017/09/dj-paul-underground-vol-17-for-da-summa-album/

Time, Dance, Parting

“As long as there is music there will not be the end of the world.”

Wong Ka Kui (1962–1993) Hong Kong singer-songwriter

Accept the song fans say [citation needed]

World

“On media consideration to be a reluctant rock star: I'm not a reluctant rock star, I am not one at all. I haven't an ounce of rock star in me. […] What I despise about the rock star lifestyle is the lack of music in it. The average day is spent travelling to hotels, giving interviews, being nice to people you're told to be nice to, and maybe if you're lucky you might squeeze a bit of music in. The musician's day is music. […] I am in that unique little club, where I went into music because I love music, not because I wanted to be rich and famous. I've always knocked on the door of the musicians' room, not the rock stars' room. The British press refuses to see the difference between them, mainly because of the capers of people like Phil Collins, a musician who behaves like a rock star. But there are people who love music and have no interest in being a rock star at all.”

Chris Rea (1951) English singer-songwriter

John Henry Walsh (1997 May 2) " The reluctant rocker https://www.independent.co.uk/life-style/the-reluctant-rocker-1259348.html" by The Independent 1997

Love, People, Travel, Star

“Her heart and lip were music, albeit one
Who marvell'd at what her sweet self had done;
Who breathed for Love, and pined to find that Fame
In answer to her lute's soft summons came;
See, the eye droops in sadness, as to shun
That which it dared not gaze on, Glory's sun.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(1825-2) Ideal Likenesses. Erinna
The Monthly Magazine

Love, Sadness, Sun, Heart

“O child! dear child!
Above the clouds I lift my wing
To hear the bells of Heaven ring;
Some of their music, though my flights be wild,
To Earth I bring;
Then let me soar and sing!”

Edmund Clarence Stedman (1833–1908) American poet, critic, and essayist

"The Singer" (1860).

Singing

“No matter how complete the despair, no matter how bitter the cynicism, a possibility beckons of a world more beautiful and a life more magnificent than what we know today. Though we may rationalize it, it is not rational. We become aware of it in moments, gaps in the rush and press of modern life. These moments come to us alone in nature, or with a baby, making love, playing with children, caring for a dying person, making music for the sake of music or beauty for the sake of beauty. At such times, a simple and easy joy shows us the futility of the vast, life-consuming program of management and control.”

Charles Eisenstein (1967) American writer

The Ascent of Humanity (2007)

Love, Life, Children, World

“Seated one day at the organ,
I was weary and ill at ease,
And my fingers wandered idly
Over the noisy keys. I do not know what I was playing,
Or what I was dreaming then;
But I struck one chord of music,
Like the sound of a great Amen.”

Adelaide Anne Procter (1825–1864) English poet and songwriter

"A Lost Chord".
Legends and Lyrics: Second Series (1861)

Dreams

“Music, from being an ordered succession of sounds, has become a matter of "sonorities", and anyone who can produce a brightly coloured brick of unusual shape is henceforth hailed as an architect.”

Constant Lambert (1905–1951) British composer and conductor

"Toute réaction est vraie", p. 91.
Music, Ho! (1934)

Success

“p>The sportive hopes that used to chase their shifting shadows on,
Like children playing in the sun, are gone—for ever gone;
And on a careless, sullen peace, my double-fronted mind,
Like Janus, when his gates are shut, looks forward and behind.Apollo placed his harp, of old, awhile upon a stone,
Which has resounded since, when struck, a breaking harp string's tone;
And thus my heart, though wholly now from early softness free,
If touch'd, will yield the music yet, it first received of thee.

Edward Coote Pinkney A Picture Song

A Picture Song.

Children, Peace, Hope, Sun

“With respect to excellence of Style and Composition, it may perhaps be said that to practised ears the most pleasing Music is such as has the merit of novelty, added to refinement, and ingenious contrivance; and to the ignorant, such as is most familiar and common.”

Charles Burney (1726–1814) English music historian

A General History of Music ([1776-89] 1935) vol. 1, page 22

“For beauty with sorrow
Is a burden hard to be borne:
The evening light on the foam, and the swans, there;
That music, remote, forlorn.”

Walter de la Mare (1873–1956) English poet and fiction writer

The Old Summerhouse.

Beauty, Light

“Others may be regularly more flashy, though few can dazzle so dependably; and none can match him for power and refinement. He plays very loudly and very beautifully, very softly and thoroughly clean, straightforwardly, elegantly, and with a care for both the amenities of musical discourse and the clear transmission of musical thought. He is a master pianist and a master musician. There has not been his like since Busoni.”

Arthur Rubinstein (1887–1982) Polish-American classical pianist

Virgil Thomson, "King of Pianists" (1949)
About

Dependency

“If I could only impress on the soul of every friend of music, and on high personages in particular, how inimitable are Mozart's works, how profound, how musically intelligent, how extraordinarily sensitive! (for this is how I understand them, how I feel them) — why then the nations would vie with each other to possess such a jewel within their frontiers. Prague should hold him fast — but should reward him, too: for without this, the history of great geniuses is sad indeed, and gives but little encouragement to posterity to further exertions; and unfortunately this is why so many promising intellects fall by the wayside.”

Joseph Haydn (1732–1809) Austrian composer

Letter to Franz Rott (December 1787), from The collected correspondence, and London notebooks of Joseph Haydn, ed. H.C. Robbins Landon (1959), p. 73

Sadness, Feeling, Soul, History

“Everything has a time; it’s not necessary that everyone gets a break at the age of 16. There are so many renowned actors and singers who have got their break much later in life. Don’t hurry and let the music remain pure.”

Shreya Ghoshal (1984) Indian playback singer

‘Don’t hurry’ http://www.khaleejtimes.com/article/20140716/ARTICLE/307169979/1057

Life, Age, Time

“I know that people are interested, and I understand why, but I don't want that stuff to overshadow my life. It's just the way it is. I'm a singer, I'm in a band, I've been out with musicians, I've had children with two different musicians. To me, it's no big deal. I only get upset because I want people to listen to the songs. Listen to the LP or come and see my band. I don't like it when people write about my life and don't even mention the music.”

Lisa Moorish (1972) British singer

Source: " A life on the edge http://www.theguardian.com/music/2004/aug/20/popandrock8" at The Guardian, 20 August 2004

Life, Children, People, Way

“Jazz today can be spiritual, cerebral, motivating or moving. It can evoke tension, relaxation, laughter, tears. Surely jazz is truly the music of the era, combining stature, dignity and emotion with the highest musical ideals.”

John Dankworth (1927–2010) British musician

Jazz in Revolution (1998), concluding words.

Motivation, Tear, Laughter

“Sometimes it's hard to concentrate these days. I was thinking about the history of this building [Eventim Apollo] and the Bowie history. So I started to think about that and my mind began to wander. It's not a good…So I haven't really been talking about some things and I kind of… now it feels like it's conspicuous because I lost a really close friend of mine, somebody who…I'll say this too, I grew up as 4 boys, 4 brothers, and I lost my brother 2 years ago tragically like that in an accident and after that and losing a few other people, I'm not good at it, meaning I'm not…I have not been willing to accept the reality and that's just how I'm dealing with it (applause starts). No, no, no, no. So I want to be there for the family, be there for the community, be there for my brothers in my band, certainly the brothers in his band. But these things will take time but my friend is going to be gone forever and I will just have to…These things take time and I just want to send this out to everyone who was affected by it and they all back home and here appreciate it so deeply the support and the good thoughts of a man who was a… you know he wasn't just a friend he was someone I looked up to like my older brother. About two days after the news, I think it was the second night we were sleeping in this little cabin near the water, a place he would've loved. And all these memories started coming in about 1:30am like woke me up. Like big memories, memories I would think about all the time. Like the memories were big muscles. And then I couldn't stop the memories. And trying to sleep it was like if the neighbors had the music playing and you couldn't stop it. But then it was fine because then it got into little memories. It just kept going and going and going. And I realized how lucky I was to have hours worth of…you know if each of these memories was quick and I had hours of them. How fortunate was I?! And I didn't want to be sad, wanted to be grateful not sad. I'm still thinking about those memories and I will live with these memories in my heart and I will…love him forever.”

Eddie Vedder (1964) musician, songwriter, member of Pearl Jam

Talking about Chris Cornell for the first time since his death during a concert in London on June 6, 2017.

Love, People, Sadness, Family

“Music has no subject beyond the combinations of notes we hear, for music speaks not only by means of sounds, it speaks nothing but sound.”

Eduard Hanslick (1825–1904) austrian musician and musicologist

Eduard Hanslick, quoted by Wolfgang Sandberger (1996) in the liner notes to the Juilliard String Quartet's Intimate Letters. Sony Classical SK 66840.

“I am interested in music that, while being experimental, is still great and fun to listen to.”

Jesper Kyd (1972) musician

Teamxbox, Audiophile interview, 2003

“If the listener does eventually come to the point where he makes the ultimate performance by splicing tapes from other musicians' recordings, he will eventually become just as bored with it as with other recordings, for it will still always be the same. Look, for instance, at electronic music. The boys are already becoming bored with what they do because they put it irrevocably on tape. The best indication of this is that more and more they are mixing the live performance element with their tapes.”

Aaron Copland (1900–1990) American composer, composition teacher, writer, and conductor

Classic Essays on Twentieth-Century Music, ISBN 0028645812.

Boy

“No art can be judged by purely aesthetic standards, although a painting or a piece of music may appear to give a purely aesthetic pleasure. Aesthetic enjoyment is an intensification of the vital response, and this response forms the basis of all value judgements. The existentialist contends that all values are connected with the problems of human existence, the stature of man, the purpose of life. These values are inherent in all works of art, in addition to their aesthetic values, and are closely connected with them.”

Colin Wilson (1931–2013) author

The Chicago Review (Volume 13, no. 2, 1959, p. 152-181)

Life, Pleasure, Art, Problem

“For myself I know that, as long as I can summarize my experience in words, I would certainly not make any music about it.”

Gustav Mahler (1860–1911) late-Romantic Austrian composer

Ich weiß für mich, daß ich, solang ich mein Erlebnis in Worten zusammenfassen kann, gewiß keine Musik hierüber machen würde.
Letter to Max Marschalk (26 March 1896). Original German text cited from: Blaukopf, Herta (ed.). Gustav Mahler. Briefe. 2nd edition. Zsolnay, Vienna 1996, ISBN 3-552-04810-3, p. 171.
Variant: If a composer could say what he had to say in words he would not bother trying to say it in music.

“[I've] written all original music [for the forthcoming Spanish-language CD], as was [1993's] "Mi tierra" -- years back. It's very organic. It's really down to the roots. I'm in love with that record. It's very rhythmic. It's a very passionate record, and I'm thrilled. It should come out next [2007] summer. And a single probably early on in the summer. The album probably will be [out] around September”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

2007
BBC radio interview (December 13, 2006)
2006

Love, Passion, Summer

“Once in garden then in friends’ company,
Once in music and then in philosophy,
Once with family and then in silence,
Experience Brahman- Mankuthimma”

D. V. Gundappa (1887–1975) Indian writer

A Kagga {Quatrian) of Manku Thimmana Kagga in pages=191-92
The Wisdom Of Vasistha A Study On Laghu Yoga Vasistha From A Seeker`S Point Of View

Family, Silence

“I found, once I passed the age of forty, that I have a good sense of humor. It’s only through that I can keep stuﬀ oﬀ and go through my life. If you sit and try to take on everything that is going on out there, you’re going to end up with problems. That’s where I feel music. And music becomes the way in which I express feelings. And, because it allows me to have contact with my emotions, it’s a constant catharsis, not just playing and writing. By doing that, you alleviate something inside of you. And who knows where that comes from?”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

As quoted in "Meet Clare Fischer" http://cdassassin.wordpress.com/2010/10/28/1999-interview-at-allaboutjazz-com/

Life, Age, Way, Feeling

“Well, when music "moves" someone, it doesn't necessarily have to be in a positive direction. Some people certainly get moved by darker music, and there are all sorts of emotions which music can create that are interesting -- aggression, foreboding, anger, fear. Not everyone wants to feel happy all the time :)”

Andrew Sega (1975) musician from America

Andrew Sega Shrine interview, 2011

Happiness, People, Fear, Feeling

“You could argue that there's maybe some mathematical interest in a Bach fugue, say, but the only thing that music does really well is "move" people -- make them feel something.”

Andrew Sega (1975) musician from America

Andrew Sega Shrine interview, 2011

People, Feeling, Mathematics

“Films and gramophone records, music, books and buildings show clearly how vigorously a man's life and work go on after his death, whether we feel it or not, whether we are aware of the individual names or not. There is no such thing as death according to our view!”

Martin Bormann (1900–1945) Nazi leader and private secretary to Adolf Hitler

Quoted in "The Columbia Dictionary of Quotations" - Page 446 - by Robert Andrews - Reference - 1993.

Life, Death, Books, Feeling

“TW: I must ask you, what right does the fact that you are a popular and successful popstar give you to comment on political and…
M: Well, I feel that, if popular singers don’t say these things, who does? We can’t have any faith in playwrights any more, we can’t have any faith in filmstars, young people don’t care about those things, they’re dying arts. And if you say, what ‘right’ do you have, the implication there to me is that popular music is quite a low art, it should be hidden, it can be there but let’s not say anything terribly important, let’s just make disco records or whatever. So I really feel that we do have an obligation and I know that people respect it and they want it and it’s working to great effect.”

Morrissey (1959) English singer

from "Granada Reports", interview by Tony Wilson, Granada TV February 1985
In interviews etc., About politics and society

People, Faith, Art, Feeling

“Book-to-screen adaptations must always strive for two things: First, you must find a way to tell the broad story of the original plot; second, you must somehow reflect the spirit and texture of the novel—that is, you must transform a lot of words into a few pictures. All those digressions, inner monologues, thought processes, turns of phrase, all those word pictures, and especially all that un-photographable stuff that made the novel so delicious, must somehow be represented onscreen by use of the filmmaker's tools: moving pictures, dialogue and performance, sets, costumes, music and all the other tricks of the trade. That's the process a writer must go through to create a successful blueprint for a film.”

Tommy Lee Wallace (1949) American film director

Tommy Lee Wallace on Crafting His Miniseries Masterpiece, IT https://dailydead.com/stephen-king-week-tommy-lee-wallace-on-crafting-his-miniseries-masterpiece-it/ (October 27, 2015)

Books, Way, Success

“So, I was to talk about "Opera as Related to Literature", was I not? And because the subject is so vast, I have wandered here and there, trying to illuminate, as if with a candle, a vast chamber full of fascinating corners, mysterious with mirrors, and echoing with some of the loveliest music ever written. I have not succeeded on any high level, but then, I never expected to do so. But perhaps I have thrown out an idea or two which you would like to consider for yourselves.”

Robertson Davies (1913–1995) Canadian journalist, playwright, professor, critic, and novelist

Opera for the Man Who Reads Hamlet (1989).

Literature, Idea

“When you hear the music ringin' in your soul
And you feel it in your heart and it grows and grows
And it comes from the backstreet rock & roll and the healing has begun
I want you to put on your pretty summer dress
You can wear your Easter bonnet and all the rest
And I wanna make love to you yes, yes, yes and the healing has begun.”

Van Morrison (1945) Northern Irish singer-songwriter and musician

And the Healing Has Begun
Song lyrics, Into the Music (1979)

Love, Making love, Feeling, Soul

“Music that I really love and believe in and think is extraordinarily honest and beautiful doesn't always become popular.”

Anthony Kiedis (1962) American singer

Oct, 1994 interview

Love, Beauty, Thinking

“I am now satisfied that the future music of this country must be founded upon what are called negro melodies. This must be the real foundation of any serious and original school of composition to be developed in the United States.”

Antonín Dvořák (1841–1904) Czech composer

Interviewed by James Creelman, New York Herald, May 21, 1893. http://web.archive.org/20060923062509/homepage.mac.com/rswinter/DirectTestimony/Pages/62.html

School, Future, Country

“Maslow's psychology, firmly based upon Freud and Watson, simply points out that the optimistic side of the picture has been overlooked; the deterministic laws of our 'lower nature' hold sway in their won field; but there are other laws. Man's freedom is a reality -- a reality that makes a difference to his physical, as well as his mental health. When Frankl's prisoners ceased to believe in the possibility of freedom, they grew sick and died. On the other hand, when they saw that Dachau had no chimney, standing out all night in the rain seemed no great hardship; they laughed and joked. The conclusion needs to be stated in letters ten feet high. In order to realise his possibilities, man must believe in an open future; he must have a vision of something worth doing. And this will not be possible until all the determinism and pessimism that we have inherited from the 19th century -- and which has infected every department of our culture, from poetry to atomic physics -- has been dismissed as fallacious and illogical. Twentieth century science, philosophy, politics, literature -- even music -- has been constructed upon a weltanschauung that leaves half of human nature out of account.”

Colin Wilson (1931–2013) author

p 219-220
New Pathways In Psychology: Maslow and the Post-Freudian Revolution (1972)

Health, Law, Literature, Nature

“Whether it's in relation to the sort of music that is played there or not, in any event, it's tragic for the families involved here.”

Enda Kenny (1951) Irish Fine Gael politician and Taoiseach

On the stabbings in Phoenix Park during an electronic music event. Evening Herald http://www.herald.ie/breaking-news/national-news/phoenix-park-gig-scenes-appalling-3164889.html 2010s

Family

“Sometimes it makes your hips move. Sometimes it makes you rock your head. Sometimes it helps you just kick back and relax and soak it in. But no matter what form it comes in, you know this music always comes straight from the heart. You know you’re listening to someone who’s found her own unique voice, and isn’t afraid to show it to the world. And these women are perfect examples of just that.”

Michelle Obama (1964) lawyer, writer, wife of Barack Obama and former First Lady of the United States

Statements at "I'm every woman: The History of Women in Soul" event (06 March 2014) http://abcnews.go.com/blogs/politics/2014/03/michelle-obama-hangs-out-with-soul-sisters-melissa-etheridge-and-pattie-labelle/ 2010s

Women, World, Help, Heart

“We don't want teenagers to write violent poems, horrifying stories, explicit lyrics and rhymes; they're ugly, in precisely the way that we are ugly, and out of protectiveness and hypocrisy, even out of pity and love and tenderness, we try to force young people to be innocent of everything but the effects of that ugliness.So we censor the art they consume and produce, and prosecute and suspend and expel them, and when, once in a great while, a teenager reaches for an easy gun and shoots somebody or himself, we tell ourselves that if we had only censored his journals and curtailed his music and video games, that awful burst of final ugliness could surely have been prevented. As if art caused the ugliness, when of course all it can ever do is reflect and, perhaps, attempt to explain it.Let teenagers languish, therefore, in their sense of isolation, without outlet or nourishment, bereft of the only thing that makes it all bearable: knowing that somebody else has felt the way that you feel, has faced it, run from it, rued it, lamented it and transformed it into art; has been there, and returned, and lived, for the only good reason we have: to tell the tale.How confident we shall be, once we have done this, of never encountering the ugliness again! How happy our children will be, and how brave, and how safe!”

Michael Chabon (1963) Novelist, short story writer, essayist

Nanny Nation

Love, Happiness, Children, People

“Mozart had extensive training from his father, who was widely considered the greatest living music teacher in all of Europe at the time.”

Daniel Levitin (1957) American psychologist

This is Your Brain on Music (2006)

Teachers, Time, Training

“Music, states of happiness, mythology, faces belabored by time, certain twilights and certain places try to tell us something, or have said something we should not have missed, or are about to say something; this imminence of a revelation which does not occur is, perhaps, the aesthetic phenomenon.”

Jorge Luis Borges book Other Inquisitions

"The Wall and the Books" ["La muralla y los libros"] (1950)
Variant translation: Music, feelings of happiness, mythology, faces worn by time, certain twilights and certain places, want to tell us something, or they told us something that we should not have missed, or they are about to tell us something; this imminence of a revelation that is not produced is, perhaps, the esthetic event.
Other Inquisitions (1952)

Happiness, Time

“Into the Music was about the first album where I felt, 'I'm starting here'… the Wavelength thing, I didn't really feel that was me.”

Van Morrison (1945) Northern Irish singer-songwriter and musician

As quoted in Can You Feel the Silence? Van Morrison: A New Biography (2003) by Clinton Heylin

Feeling

“A heart without music is like beauty without melancholy.”

Emil M. Cioran (1911–1995) Romanian philosopher and essayist

Tears and Saints (1937)

Beauty, Heart

“Sweet bird, that shunn'st the noise of folly,
Most musical, most melancholy!”

John Milton (1608–1674) English epic poet

Source: Il Penseroso (1631), Line 61

Bird

“If you follow a certain road for some time, it takes an enormous willpower to leave, although you might recognize that the road was not good. But in my case I believed and was convinced that I was serving and helping the people until the last. However, it is a terrible fate that has befallen me. If I had remained with my writing and my music I would be working now and not a criminal in the Nuremburg prison.”

Walther Funk (1890–1960) German economist and politician

To Leon Goldensohn, May 12, 1946, from "The Nuremberg Interviews" by Leon Goldensohn, Robert Gellately - History - 2004

Fate, People, Time, Help

“he took a few, the tribe of Abraham. He established a perfect despotism—with no schools, with no philosophy, with no art, with no music—nothing but the sacrifices of dumb beasts—nothing but the abject worship of a slave. Not a word upon geology, upon astronomy; nothing, even, upon the science of medicine. Thus God spent hours and hours with Moses upon the top of Sinai, giving directions for ascertaining the presence of leprosy and for preventing its spread, but it never occurred to Jehovah to tell Moses how it could be cured. He told them a few things about what they might eat—prohibiting among other things four-footed birds, and one thing upon the subject of cooking. From the thunders and lightnings of Sinai he proclaimed this vast and wonderful fact: “Thou shalt not seethe a kid in its mother’s milk.””

Robert G. Ingersoll (1833–1899) Union United States Army officer

Some Reasons Why (1881)

God, School, Art, Bird

“I would like to have been present, if I could have my choice of all moments in music history, when Stokowski suddenly became conscious of his beautiful hands. That must have been a moment. Like stout Cortez [sic] on a peak in Darien (I know it was Balboa) he saw before him a limitless expanse, a whole uncharted sea that might be subjected to his influence, free from the encumbrance of a baton.”

Oscar Levant (1906–1972) American comedian, composer, pianist and actor

In "Music in Aspic," Harper's Magazine (October 1939) and A Smattering of Ignorance (1940); as quoted in "Lightning Wit Plays On American Musical Scene; Oscar Levant Answers Unspoken Request for 'Information, Please' With Uncensored Comments on Exalted Persons" by Ray C. B. Brown, in The Washington Post (January 14, 1940), p. E4

Beauty, History, Sea