
“A Friedman doctrine‐- The Social Responsibility Of Business Is to Increase Its Profits” (Sept. 1970)
“A Friedman doctrine‐- The Social Responsibility Of Business Is to Increase Its Profits” (Sept. 1970)
“A Friedman doctrine‐- The Social Responsibility Of Business Is to Increase Its Profits” (Sept. 1970)
“A Friedman doctrine‐- The Social Responsibility Of Business Is to Increase Its Profits” (Sept. 1970)
“A Friedman doctrine‐- The Social Responsibility Of Business Is to Increase Its Profits” (Sept. 1970)
https://v1.escapistmagazine.com/articles/view/video-games/columns/extra-punctuation/14200-Hatred-And-Postal-Are-Deliberately-Offensive-So-Stop-Caring
Other Articles
Speech in the House of Commons (24 June 1853) https://api.parliament.uk/historic-hansard/commons/1853/jun/24/government-of-india-bill-adjourned#column_758
1850s
Comedians in Cars Getting Coffee (2012 — Present), Season 3 (2014)
House of Commons, 1 June 1937. Hansard, Vol 324, Col 883 https://api.parliament.uk/historic-hansard/commons/1937/jun/01/finance-bill.
The 1930s
Embracing Death, pp. 152-153
The Ahuman Manifesto: Activism for the End of the Anthropocene (2020)
Embracing Death, p. 146
The Ahuman Manifesto: Activism for the End of the Anthropocene (2020)
Interview with Don Bluth https://www.ign.com/articles/2000/06/13/interview-with-don-bluth-part-1-of-3 (June 13, 2000)
A Chat With Don Bluth And Gary Goldman https://www.awn.com/animationworld/chat-don-bluth-and-gary-goldman-part-i (June 1, 2000)
Source: Blameless in Abaddon (1996), Chapter 10 (p. 234)
Source: Blameless in Abaddon (1996), Chapter 1 (p. 11)
Animation professor returns to roots as illustrator of Disney biography https://www.lipscomb.edu/now/animation-professor-returns-roots-illustrator-disney-biography (May 8, 2019)
The River, written by Victoria Shaw and G. Brooks.
Song lyrics, Ropin' the Wind (1991)
“Says she loves me
Yes, yes she does
Gonna show me tonight, yeah She got the way to move me, Cherry”
Cherry, Cherry
Song lyrics, The Feel of Neil Diamond (1966)
Their mother does not put "Let's pretend" into the child's mouth; she finds it there. Without it there is no play. But the pretending is always drama and never deception or self-deception.</p>
"V. Fairies", pp. 32–33
Childhood (1913)
"Cloud", pp. 16–17
The Colour of Life and Other Essays (1896)
Creep
Lyrics, Pablo Honey (1993)
Rimas, Sonnet 81 (as translated by Richard Zenith)
Listen to the poem in Portuguese https://www.youtube.com/watch?v=4ToldDy8izc&feature=youtu.be&t=33s
Lyric poetry, Não pode tirar-me as esperanças, Amor é fogo que arde sem se ver
Original: (pt) <p> Amor é um fogo qu'arde sem se ver,
É ferida que dói, e não se sente,
É um contentamento descontente,
É dor que desatina sem doer.</p><p>É um não querer mais que bem querer,
É um andar solitário entre a gente,
É nunca contentar-se de contente,
É um cuidar que ganha em se perder.</p><p>É querer estar preso por vontade,
É servir a quem vence o vencedor
É ter com quem nos mata lealdade.</p><p>Mas como causar pode seu favor
Nos corações humanos amizade,
Se tão contrário a si é o mesmo Amor?</p>
Source: Mary, the Mother of Jesus: An Essay (1912), Ch. IV. "The Mother", p. 40
The Romance of Commerce (1918), A Representative Business of the Twentieth Century
1989
Creatures who will one day vanish from the earth in the ultimate subtraction of sensuality that we call death, we spend our lives courting death, fomenting wars, watching sickening horror movies in which maniacs slash and torture their victims, hurrying our own deaths in fast cars, cigarette smoking, suicide. Death obsesses us, as well it might, but our response to it is so strange. Faced with tornadoes chewing up homes, with dust storms ruining crops, floods and earthquakes swallowing up whole cities, with ghostly diseases that gnaw at one’s bone marrow, cripple, or craze—rampant miseries that need no special bidding, but come freely, giving their horror like alms—you’d think human beings would hold out against the forces of Nature, combine their efforts and become allies, not create devastation of their own, not add to one another’s miseries. Death does such fine work without us. How strange that people, whole countries sometimes, wish to be its willing accomplices.
Source: A Natural History of the Senses (1990), Chapter 3 “Taste” (p. 170)
George Carlin: 40 Years of Comedy (HBO, 1997)
Interviews, Television Appearances
On Advice on Football, Life
“When I came in the league, I was thinking about the best guys. Not the best guys on my team—the best guys in the league. I was thinking about LT [LaDainian Tomlinson], Marshall Faulk, Portis, Larry Johnson … Thinking about how I wanted my name mentioned with them. What can I do to make that happen?"
“This was important to me … My first year [2005], late in the season, we beat the Rams. I had a long run in the fourth quarter to win the game. Marshall came up to me after the game. He said, ‘Keep working hard. You’ll be a special player in the league.’ Man, that was big. Marshall Faulk!"
“I started calling those guys. I wanted to know stuff from them. LT, Faulk, Edge [Edgerrin James]. Now it’s come around. What I am happy about now, young guys at my position—Derrick Henry, after we play the Titans, he comes up to me and says, ‘Damn, I want to train with you, man.’ Even coordinators. They say, You still got it."
“When I was young, I remember [former Niners fullback and coach] Tom Rathman said to me, ‘The only thing you should worry about is your peers’ respect.’ He’s right. If your peers respect you, you’re doing it right."
“No matter what your job is in your life, don’t listen to anyone who says you can’t do something. I can tell you: You can do it.”
On Injuries
“After the surgeries, I respected Ronnie Brown, I respected Benson, I respected Cadillac. But I told people, ‘Once I get healthy I WILL NEVER be outrushed by any of those guys. No one in my draft class will ever outrush me again. That second year I proved that.
“How I did that … I don’t know. It’s not me. It’s God. God got me here. God and hard work. Respecting the game. Love, man. Love. Love the game. Love my teammates. Every time I get ready to strap up, show the world today that no one is better.”
“Our aim is to take our art to the world and make people understand what it is to move.”
http://news.bbc.co.uk/1/hi/entertainment/tv_and_radio/1939867.stm
NEAL SHUSTERMAN’S INCLUSIVE YA AND TALKING TO THE AUTHOR ABOUT REPRESENTATION https://bookriot.com/neal-shusterman-interview/ (May 26, 2020)
Book I, Canto III, II Love a Virtue.
The Angel In The House (1854)
Source: The Boy Crisis (2018), pp. 308
“We teach boys to associate being abused with being loved.”
Source: The Boy Crisis (2018), pp. 253
“Does the new heroine mean your son won’t have to risk his life for her love?”
Source: The Boy Crisis (2018), pp. 239
Source: The Boy Crisis (2018), pp. 176
“And without love, your son’s purpose has no purpose.”
Source: The Boy Crisis (2018), pp. 77
Source: The Boy Crisis (2018), pp. 68
Source: The Boy Crisis (2018), pp. 57
Source: The Boy Crisis (2018), pp. 48
Source: https://books.google.com.pk/books?id=co3AzQEACAAJ&dq=inauthor:%22Zaman+Ali%22&hl=en&sa=X&ved=2ahUKEwjVi-2e57jtAhWToVwKHUj0D3kQ6AEwAnoECAEQAg
Inaugural address (1837)
“I give all my strength to show yourself and make your role magnificent”
'Breakout Kings' Actor Brooke Nevin Grows Up https://www.backstage.com/magazine/article/breakout-kings-actor-brooke-nevin-grows-56115/ (June 1, 2011)
‘Nashville’ Star Chris Carmack on Introspective New EP: Ram Report https://www.rollingstone.com/music/music-country/nashville-star-chris-carmack-on-introspective-new-ep-ram-report-188637/ (December 11, 2015)
Letter to the Home Secretary Henry Dundas (8 October 1793), quoted in P. J. Marshall and John A. Woods (eds.), The Correspondence of Edmund Burke, Volume VII: January 1792–August 1794 (1968), p. 445
1790s
Letter to William Cusac Smith (22 July 1791), quoted in Alfred Cobban and Robert A. Smith (eds.), The Correspondence of Edmund Burke, Volume VI: July 1789–December 1791 (1967), pp. 303-304
1790s
Letter to Charles-Jean-François Depont (November 1789), quoted in Alfred Cobban and Robert A. Smith (eds.), The Correspondence of Edmund Burke, Volume VI: July 1789–December 1791 (1967), p. 42
1780s
On striking a balance between traditional and contemporary issues in “Lila Downs Reminds Us of the Strength Women Bring to Latin America and its History” https://sheshredsmag.com/lila-downs-14/ in She Shreds (2018 May 3)
Music and culture
On the lessons that Downs’ mother instilled in her in “Lila Downs Reminds Us of the Strength Women Bring to Latin America and its History” https://sheshredsmag.com/lila-downs-14/ in She Shreds (2018 May 3)
Womanhood
On her affinity with those who were raised or reside on the U.S.-Mexico border in “Q&A: Lila Downs, A Sin and A Miracle” https://remezcla.com/music/lila-downs-sin-miracle-pecados-milagros-interview/ in Remezcla (c. 2011)
Heritage and indigenous peoples
On how the border between the U.S. and Mexico influenced her work in “Mex factor” https://www.theguardian.com/music/2003/feb/10/artsfeatures.popandrock in The Guardian (2003 Feb 10)
Heritage and indigenous peoples
On her racial heritage in “Q&A: Lila Downs, A Sin and A Miracle” https://remezcla.com/music/lila-downs-sin-miracle-pecados-milagros-interview/ in Remezcla (c. 2011)
Heritage and indigenous peoples
“Hunt, look at me, look at me. I love you, I love you.”
~1973 by Beau Biden when Hunter was 3 years old, as narrated by Joe Biden in interview with Stephen Colbert as transcribed 11 September 2015 by Jonathan Allen of Vox https://www.vox.com/2015/9/11/9309931/colbert-biden-late-show
About
26 July 2018 to Natalie Biden
Address on the opening of the Eton Library (1833) as quoted in A History of Inventions, Discoveries and Origins (1846) by John Beckmann, Tr. William Johnston, Vol. 1, frontispiece. https://archive.org/details/historyofinventi01unse/page/n5/mode/2up
Source: Michel Henry, Material Phenomenology, Fordham University Press, 2008, p. 120
Source: Books on Phenomenology and Life, Material Phenomenology (1990)
Source: Nancy Knowlton https://web.archive.org/web/20081008104046/http://www.smithsonianmag.com:80/specialsections/ocean-hall/atm-qa-200809.html (September 2008)
2020, December
Source: Michel Henry, Material Phenomenology, Fordham University Press, 2008, p. 2-3
Source: Books on Phenomenology and Life, Material Phenomenology (1990)
Source: Michel Henry, Material Phenomenology, Fordham University Press, 2008, p. 2
Source: Books on Phenomenology and Life, Material Phenomenology (1990)
Dorothy Thompson’s Political Guide: A Study of American Liberalism and its Relationship to Modern Totalitarian States (1938)
Source: A Study of American Liberalism and its Relationship to Modern Totalitarian States (1938)
p. 102
As quoted in "The best quotes from Ralph Klein’s colourful public life" http://www.theglobeandmail.com/news/national/the-best-quotes-from-ralph-kleins-colourful-public-life/article10577310/, The Globe and Mail
p. 96
Dorothy Thompson’s Political Guide: A Study of American Liberalism and its Relationship to Modern Totalitarian States (1938)
Dorothy Thompson’s Political Guide: A Study of American Liberalism and its Relationship to Modern Totalitarian States (1938)
Source: A Study of American Liberalism and its Relationship to Modern Totalitarian States (1938)
p. 90
A Study of American Liberalism and its Relationship to Modern Totalitarian States (1938)
pp. 52-53
Dorothy Thompson’s Political Guide: A Study of American Liberalism and its Relationship to Modern Totalitarian States (1938)
Dorothy Thompson’s Political Guide: A Study of American Liberalism and its Relationship to Modern Totalitarian States (1938)
Source: A Study of American Liberalism and its Relationship to Modern Totalitarian States (1938)
p. 35
Dorothy Thompson’s Political Guide: A Study of American Liberalism and its Relationship to Modern Totalitarian States (1938)
Source: A Study of American Liberalism and its Relationship to Modern Totalitarian States (1938)
pp. 33-34
Dorothy Thompson’s Political Guide: A Study of American Liberalism and its Relationship to Modern Totalitarian States (1938)
Source: A Study of American Liberalism and its Relationship to Modern Totalitarian States (1938)
p. 33
Dorothy Thompson’s Political Guide: A Study of American Liberalism and its Relationship to Modern Totalitarian States (1938)
Source: A Study of American Liberalism and its Relationship to Modern Totalitarian States (1938)
p. 31
He is not yet able to see truly in the larger sweeps of consciousness; the group glamour and, of course, the world glamour remain to him as yet a binding and bewildering mystery, but his own immediate way begins to clear, and he stands relatively free from the fog of his ancient and distorting emotional miasmas. Alignment, contact with his soul, and then steadfastness, are the keynotes to success.
Source: Glamour: A World Problem (1950), The Nature of Glamor
Source: Glamour: A World Problem (1950), Certain Preliminary Clarifications
Source: Glamour: A World Problem (1950), Certain Preliminary Clarifications
Innkeeper's wife
Source: A Child is Born (1942)
Innkeeper's wife
Source: A Child is Born (1942)
Source: Litany for Dictatorships (1935)
Source: Young Adventure (1918), The Quality of Courage
Source: The Expanse, Tiamat's Wrath (2019), Chapter 13 (p. 136)
The Expanse, Tiamat's Wrath (2019), Prologue (p. 5)
Source: Speech in Doncaster (19 June 1971), quoted in The Common Market: Renegotiate or Come Out (1973), p. 119