Quotes about imagination

page 37

O interview (2003)
Context: I want to direct a movie in Mexico, in Spanish. The story is about how when we're really young, our dreams are colorful and big and abstract and interesting and imaginative. As the realities of life hit, our dreams become so common. To dream big doesn't necessarily mean to imagine becoming the biggest movie star in the world. Dreaming big is about taking the simplest thing in life and enjoying it — and seeing it as the biggest thing that can possibly exist. … I work in an industry that is the first to kill this ability because everything is so celebrity oriented. I am part of a cancer. In my world, you have to be so beautiful, so skinny, so rich, so famous — and I don't believe you really have to be any of those things. You simply have to be who you are.

A New View of Society (1813-1816)
Context: All that is now requisite, previous to withdrawing the last mental bandage by which hitherto the human race has been kept in darkness and misery, is, by calm and patient reasoning to tranquillize the public mind, and thus prevent the evil effects which otherwise might arise from the too sudden prospect of freely enjoying rational liberty of mind. To withdraw that bandage without danger, reason must be judiciously applied to lead men of every sect (for all have been in part abused to reflect that if untold myriads of beings, formed like themselves, have been so grossly deceived as they believe them to have been, what power in nature was there to prevent them from being equally deceived? Such reflections, steadily pursued by those who are anxious to follow the plain and simple path of reason, will soon make it obvious that the inconsistencies which they behold in all other sects out of their own pale, are precisely similar to those which all other sects can readily discover within that pale. It is not, however, to be imagined, that this free and open exposure of the gross errors in which the existing generation has been instructed, should be forthwith palatable to the world; it would be contrary to reason to form any such expectations. Yet, as evil exists, and as man cannot be rational, nor of course happy, until the cause of it shall be removed; the writer, like a physician who feels the deepest interest in the welfare of his patient, has hitherto administered of this unpalatable restorative the smallest quantity which he deemed sufficient for the purpose. He now waits to see the effects which that may produce. Should the application not prove of sufficient strength to remove the mental disorder, he promises that it shall be increased, until sound health to the public mind be firmly and permanently established.

The Other World (1657)
Context: You imagine that what you can't understand is either spiritual or does not exist. The conclusion is quite wrong; rather there are obviously a million things in the universe that we would need a million quite different organs to understand. For example, I perceive by my senses what makes a magnet point north, what makes tides rise and fall, and what becomes of an animal after death. Your people are not proportioned to perceive such miracles, just as someone blind from birth cannot imagine the beauty of a landscape, the colors of a painting or the shadings of an iris. He will imagine them as something palpable, edible, audible or olfactory. Likewise, if I were to explain to you what I perceive by the senses you do not have, you would interpret it as something that could be heard, seen, touched, smelled or tasted; but it is not like that.

Source: The Courage to Create (1975), Ch. 6 : On the Limits of Creativity, p. 119
Context: When you write a poem, you discover that the very necessity of fitting your meaning into such and such a form requires you to search in your imagination for new meanings. You reject certain ways of saying it; you select others, always trying to form the poem again. In your forming, you arrive at new and more profound meanings than you had even dreamed of. Form is not a mere lopping off of meaning that you don't have room to put into your poem; it is an aid to finding new meaning, a stimulus to condensing your meaning, to simplifying and purifying it, and to discovering on a more universal dimension the essence you wish to express.

interview with Joan Gordon
Context: Although we revolutionary socialists are always accused of being Utopian, nothing strikes me as more Utopian than the reformist belief that with a bit of tinkering and some good faith, we can systematically improve the world. You have to ask how many decades of broken promises and failed schemes it will take to disprove that hope. Marxism isn’t about saying you’ll get a perfect world: it’s about saying we can get a better world than this one, and it’s hard to imagine, no matter how many mistakes we make, that it could be much worse than the mass starvation, war, oppression, and exploitation we have now. In a world where 30,000 to 40,000 children die of malnutrition daily while grain ships are designed to dump food into the sea if the price dips too low, it’s worth the risk.

The Tragic Sense of Life (1913), VIII : From God to God
Context: Not only are we unable to conceive of the full and living God as masculine simply, but we are unable to conceive of Him as individual simply, as the projection of a solitary I, an unsocial I, an I that is in reality an abstract I. My living I is an I that is really a We; my living personal I lives only in other, of other, and by other I's; I am sprung from a multitude of ancestors. I carry them within me in extract, and at the same time I carry within me, potentially, a multitude of descendants, and God, the projection of my I to the infinite — or rather I, the projection of God to the finite — must also be a multitude. Hence, in order to save the personality of God — that is to say, in order to save the living God — faith's need — the need of the feeling and the imagination — of conceiving Him and feeling Him as possessed of a certain internal multiplicity.

A Conversation With The Legendary J.M. DeMatteis! (2004)
Context: As I’ve mentioned elsewhere, I’m a Total Disnoid. Walt Disney is one of my heroes: it’s extraordinary what one man, armed only with will and imagination, accomplished. To be a part of that history, that legacy — in any small way — is really an honor.

"Learning and Science", speech at a dinner of the Harvard Law School Association in honor of Professor C. C. Langdell (June 25, 1895); reported in Speeches by Oliver Wendell Holmes (1896). p. 67-68.
1890s

On adolescence
1990s, Moab is My Washpot (autobiography, 1997)
Context: Didn't Woody Allen say that all literature was a footnote to Faust? Perhaps all adolescence is a dialogue between Faust and Christ. We tremble on the brink of selling that part of ourselves that is real, unique, angry, defiant and whole for the rewards of attainment, achievement, success and the golden prizes of integration and acceptance; but we also in our great creating imagination, rehearse the sacrifice we will make: the pain and terror we will take from others' shoulders; our penetration into the lives and souls of our fellows; our submission to willingness to be rejected and despised for the sake of truth and love and, in the wilderness, our angry rebuttals of the hypocrisy, deception and compromise of a world which we see to be so false. There is nothing so self-righteous nor so right as an adolescent imagination.

Prelude
Middlemarch (1871)
Context: Some have felt that these blundering lives are due to the inconvenient indefiniteness with which the Supreme Power has fashioned the natures of women: if there were one level of feminine incompetence as strict as the ability to count three and no more, the social lot of women might be treated with scientific certitude. Meanwhile the indefiniteness remains, and the limits of variation are really much wider than any one would imagine from the sameness of women's coiffure and the favorite love-stories in prose and verse. Here and there a cygnet is reared uneasily among the ducklings in the brown pond, and never finds the living stream in fellowship with its own oary-footed kind. Here and there is born a Saint Theresa, foundress of nothing, whose loving heart-beats and sobs after an unattained goodness tremble off and are dispersed among hindrances, instead of centring in some long-recognizable deed.

O, The Oprah Magazine (November 2003) http://www.oprah.com/omagazine/200311/omag_200311_toni_b.jhtml
Context: The idea of a wanton woman is something I have inserted into almost all of my books. An outlaw figure who is disallowed in the community because of her imagination or activity or status — that kind of anarchic figure has always fascinated me. And the benefits they bring with them, in spite of the fact that they are either dismissed or upbraided — something about their presence is constructive in the long run.

A Poets View (1984)
Context: Acknowledgement, and celebration, of mystery probably constitutes the most consistent theme of my poetry from its very beginnings. Because it is a matter of which I am conscious, it is possible, however imprecisely, to call it an intellectual position; but it is one which emphasizes the incapacity of reason alone (much though I delight in elegant logic) to comprehend experience, and considers Imagination the chief of human faculties. It must therefore be by the exercise of that faculty that one moves toward faith, and possibly by its failure that one rejects it as delusion. Poems present their testimony as circumstantial evidences, not as closing argument. Where Wallace Stevens says, "God and the imagination are one," I would say that the imagination, which synergizes intellect, emotion and instinct, is the perceptive organ through which it is possible, though not inevitable, to experience God.

The Dominant Idea (1910)
Context: In everything that lives, if one looks searchingly, is limned the shadow line of an idea — an idea, dead or living, sometimes stronger when dead, with rigid, unswerving lines that mark the living embodiment with the stern immobile cast of the non-living. Daily we move among these unyielding shadows, less pierceable, more enduring than granite, with the blackness of ages in them, dominating living, changing bodies, with dead, unchanging souls. And we meet, also, living souls dominating dying bodies — living ideas regnant over decay and death. Do not imagine that I speak of human life alone. The stamp of persistent or of shifting Will is visible in the grass-blade rooted in its clod of earth, as in the gossamer web of being that floats and swims far over our heads in the free world of air.
Regnant ideas, everywhere! Did you ever see a dead vine bloom? I have seen it.

Source: Discourses (1967), Vol. I, Ch. 15 : The Life of the Spirit.
Context: The essence of spirituality does not consist in a specialised or narrow interest in some imagined part of life, but in a certain enlightened attitude to all the various situations which obtain in life. It covers and includes the whole of life. All the material things of this world can be made subservient to the divine game, and when they are thus subordained they become auxiliary to the self-affirmation of the spirit.

Foreword to The Beach Book by Gloria Steinem (1963); reprinted in Galbraith's A View from the Stands (1986)
Context: Total physical and mental inertia are highly agreeable, much more so than we allow ourselves to imagine. A beach not only permits such inertia but enforces it, thus neatly eliminating all problems of guilt. It is now the only place in our overly active world that does.

Source: The Yardley Oak (1791), Lines 9-11

The above statements have been widely published in the above format as lines of verse attributed to Brooks, usually as a poem titled "Corners on the Curving Sky" — but one website http://web.archive.org/20090809112040/www.geocities.com/juscurious/anon.html indicated that she declared she did not write them. The words actually occur as an introduction to the "Corners on the Curving Sky" section of the book Soulscript (1970) compiled by June Jordan, in which other poems of Brooks were included, and thus is apparently the work of Jordan. It appears simply in paragraph form and reads thus:
Misattributed, "Corners on the Curving Sky"
Context: Our earth is round, and, among other things
That means that you and I can hold completely different
Points of view and both be right.
The difference of our positions will show
Stars in your window I cannot even imagine.
Your sky may burn with light,
While mine, at the same moment,
Spreads beautiful to darkness.

Writing and Being (1991)
Context: I have said that nothing factual that I write or say will be as truthful as my fiction. The life, the opinions, are not the work, for it is in the tension between standing apart and being involved that the imagination transforms both. Let me give some minimal account of myself. I am what I suppose would be called a natural writer. I did not make any decision to become one. I did not, at the beginning, expect to earn a living by being read. I wrote as a child out of the joy of apprehending life through my senses — the look and scent and feel of things; and soon out of the emotions that puzzled me or raged within me and which took form, found some enlightenment, solace and delight, shaped in the written word.

Notes Toward a Supreme Fiction (1942), It Must Change
Context: p>Two things of opposite natures seem to depend
On one another, as a man depends
On a woman, day on night, the imaginedOn the real. This is the origin of change.
Winter and spring, cold copulars, embrace
And forth the particulars of rapture come.</p

The Evolution of Physics (1938) (co-written with Leopold Infeld) <!-- later published by Simon & Schuster (1967) -->
1930s
Context: Physical concepts are free creations of the human mind, and are not, however it may seem, uniquely determined by the external world. In our endeavor to understand reality we are somewhat like a man trying to understand the mechanism of a closed watch. He sees the face and the moving hands, even hears its ticking, but he has no way of opening the case. If he is ingenious he may form some picture of a mechanism which could be responsible for all the things he observes, but he may never be quite sure his picture is the only one which could explain his observations. He will never be able to compare his picture with the real mechanism and he cannot even imagine the possibility or the meaning of such a comparison. But he certainly believes that, as his knowledge increases, his picture of reality will become simpler and simpler and will explain a wider and wider range of his sensuous impressions. He may also believe in the existence of the ideal limit of knowledge and that it is approached by the human mind. He may call this ideal limit the objective truth.

Amusing Ourselves to Death: Public Discourse in the Age of Show Business (1985)
Context: In a world populated by people who believe that through more and more information, paradise is attainable, the computer scientist is king. But I maintain that all of this is a monumental and dangerous waste of human talent and energy. Imagine what might be accomplished if this talent and energy were turned to philosophy, to theology, to the arts, to imaginative literature or to education? Who knows what we could learn from such people — perhaps why there are wars, and hunger, and homelessness and mental illness and anger.

Sermon 37 "The Nature of Enthusiasm"
Sermons on Several Occasions (1771)
Context: Beware, lastly, of imagining you shall obtain the end without using the means conducive to it. God can give the end without any means at all; but you have no reason to think He will. Therefore constantly and carefully use all those means which He has appointed to be the ordinary channels of His grace. Use every means which either reason or Scripture recommends, as conducive (through the free love of God in Christ) either to the obtaining or increasing any of the gifts of God. Thus expect a daily growth in that pure and holy religion which the world always did, and always will, call “enthusiasm;” but which, to all who are saved from real enthusiasm, from merely nominal Christianity, is “the wisdom of God, and the power of God;” the glorious image of the Most High; “righteousness and peace;” a “fountain of living water, springing up into everlasting life!”

Sect. V : An Enquiry into the Duty of Christians in general, and what Means ought to be used, in order to promote this Work.
An Enquiry into the Obligations of Christians (1792)
Context: Many can do nothing but pray, and prayer is perhaps the only thing in which Christians of all denominations can cordially, and unreservedly unite; but in this we may all be one, and in this the strictest unanimity ought to prevail. Were the whole body thus animated by one soul, with what pleasure would Christians attend on all the duties of religion, and with what delight would their ministers attend on all the business of their calling.
We must not be contented however with praying, without exerting ourselves in the use of means for the obtaining of those things we pray for. Were the children of light, but as wise in their generation as the children of this world, they would stretch every nerve to gain so glorious a prize, nor ever imagine that it was to be obtained in any other way.

1950s, The Chance for Peace (1953)
Context: The details of such disarmament programs are manifestly critical and complex. Neither the United States nor any other nation can properly claim to possess a perfect, immutable formula. But the formula matters less than the faith -- the good faith without which no formula can work justly and effectively. The fruit of success in all these tasks would present the world with the greatest task, and the greatest opportunity, of all. It is this: the dedication of the energies, the resources, and the imaginations of all peaceful nations to a new kind of war. This would be a declared total war, not upon any human enemy but upon the brute forces of poverty and need. The peace we seek, founded upon decent trust and cooperative effort among nations, can be fortified, not by weapons of war but by wheat and by cotton, by milk and by wool, by meat and timber and rice. These are words that translate into every language on earth. These are the needs that challenge this world in arms.

Conversation in Moscow

The Fantastic Imagination (1893)
Context: "But a man may then imagine in your work what he pleases, what you never meant!"
 Not what he pleases, but what he can. If he be not a true man, he will draw evil out of the best; we need not mind how he treats any work of art! If he be a true man, he will imagine true things: what matter whether I meant them or not? They are there none the less that I cannot claim putting them there! One difference between God's work and man's is, that, while God's work cannot mean more than he meant, man's must mean more than he meant. For in everything that God has made, there is layer upon layer of ascending significance; also he expresses the same thought in higher and higher kinds of that thought: it is God's things, his embodied thoughts, which alone a man has to use, modified and adapted to his own purposes, for the expression of his thoughts; therefore he cannot help his words and figures falling into such combinations in the mind of another as he had himself not foreseen, so many are the thoughts allied to every other thought, so many are the relations involved in every figure, so many the facts hinted in every symbol. A man may well himself discover truth in what he wrote; for he was dealing all the time with things that came from thoughts beyond his own.

Address to the Society for Psychical Research (1897)
Context: Popular imagination presupposes spiritual beings to be utterly independent of gravitation, while retaining shapes and proportions which gravitation originally determined, and only gravitation seems likely to maintain.
When and if spiritual beings make themselves visible either to our bodily eyes or to our inward vision, their object would be thwarted were they not to appear in a recognizable form; so that their appearance would take the shape of the body and clothing to which we have been accustomed. Materiality, form, and space, I am constrained to believe, are temporary conditions of our present existence. It is difficult to conceive the idea of a spiritual being having a body like ours, conditioned by the exact gravitating force exerted by the earth, and with organs which presuppose the need for food and necessity for the removal of waste products. It is equally difficult, hemmed in and bound round as we are by materialistic ideas, to think of intelligence, thought, and will existing without form or matter and untrammeled by gravitation or space.

The Principles of Success in Literature (1865)
Context: I wish to call special attention to the psychological fact, that fairies and demons, remote as they are from experience, are not created by a more vigorous effort of imagination than milk maids and poachers. The intensity of vision in the artist and of vividness in his creations are the sole tests of his imaginative power.

Preface
The Origin of the Universe (1997)

Opposition to the slave trade did come in time, in the principles of the American Revolution, but not before slavery had formed deep roots in the economy and polity of the United States. The foreign slave trade was outlawed by the United States in 1808, and it was made a capital crime in 1820, but the trade continued right up until the Civil War. It is good however to remind ourselves that no black slave was sold to a white slave trader, on the west coast of Africa, who had not already been enslaved by a black African. Slavery was an equal opportunity employer!
2000s, God Bless America (2008), Slavery and the Human Story

Original French: La lutte elle-même vers les sommets suffit à remplir un cœur d'homme; il faut imaginer Sisyphe heureux.
Variant translation: The fight itself towards the summits suffices to fill a heart of man; it is necessary to imagine Sisyphus happy.
The Myth of Sisyphus (1942), The Myth of Sisyphus
Context: I leave Sisyphus at the foot of the mountain! One always finds one's burden again. But Sisyphus teaches the higher fidelity that negates the gods and raises rocks. He too concludes that all is well. This universe henceforth without a master seems to him neither sterile nor futile. Each atom of that stone, each mineral flake of that night filled mountain, in itself forms a world. The struggle itself toward the heights is enough to fill a man's heart. One must imagine Sisyphus happy.

On The Algebra of Logic (1885)
Context: I have taken pains to make my distinction of icons, indices, and tokens clear, in order to enunciate this proposition: in a perfect system of logical notation signs of these several kinds must all be employed. Without tokens there would be no generality in the statements, for they are the only general signs; and generality is essential to reasoning. … But tokens alone do not state what is the subject of discourse; and this can, in fact, not be described in general terms; it can only be indicated. The actual world cannot be distinguished from a world of imagination by any description. Hence the need of pronoun and indices, and the more complicated the subject the greater the need of them.

Reflections on the Guillotine (1957)
Context: When the imagination sleeps, words are emptied of their meaning: a deaf population absent-mindedly registers the condemnation of a man. … there is no other solution but to speak out and show the obscenity hidden under the verbal cloak.

The Tragic Sense of Life (1913), VII : Love, Suffering, Pity
Context: Imagination, which is the social sense, animates the inanimate and anthropomorphizes everything; it humanizes everything and even makes everything identical with man. And the work of man is to supernaturalize Nature — that is to say, to make it divine by making it human, to help it to become conscious of itself, in short. The action of reason, on the other hand, is to mechanize or materialize.

Arrowsmith (1925)
Context: Perhaps I am a crank, Martin. There are many who hate me. There are plots against me—oh, you t'ink I imagine it, but you shall see! I make many mistakes. But one thing I keep always pure: the religion of a scientist.
To be a scientist—it is not just a different job, so that a man should choose between being a scientist and being an explorer or a bond-salesman or a physician or a king or a farmer. It is a tangle of ver-y obscure emotions, like mysticism, or wanting to write poetry; it makes its victim all different from the good normal man. The normal man, he does not care much what he does except that he should eat and sleep and make love. But the scientist is intensely religious—he is so religious that he will not accept quarter-truths, because they are an insult to his faith.
He wants that everything should be subject to inexorable laws. He is equal opposed to the capitalists who t'ink their silly money-grabbing is a system, and to liberals who t'ink man is not a fighting animal; he takes both the American booster and the European aristocrat, and he ignores all their blithering. Ignores it! All of it! He hates the preachers who talk their fables, but he iss not too kindly to the anthropologists and historians who can only make guesses, yet they have the nerf to call themselves scientists! Oh, yes, he is a man that all nice good-natured people should naturally hate! ~ Gottlieb, Ch. 26

The Stainless Steel Rat's Revenge (1970)
The Stainless Steel Rat
Context: Cold-blooded killing is just not my thing. I've killed in self-defence, I'll not deny that, but I still maintain an exaggerated respect for life in all forms. Now that we know that the only thing on the other side of the sky is more sky, the idea of an afterlife has finally been slid into the history books alongside the rest of the quaint and forgotten religions. With heaven and hell gone we are faced with the necessity of making a heaven or hell right here. What with societies and metatechnology and allied disciplines we have come a long way and life on the civilised worlds is better than it was during the black days of superstition. But with the improving of here and now comes the stark realisation that here and now is all we have. Each of us has only this one brief experience with the bright light of consciousness in that endless dark night of eternity and must make the most of it. Doing this means we must respect the existence of everyone else and the most criminal act imaginable is the terminating of one of these conscious existences.

Meaning of Life interview (2008)
Context: Well, God answers of course come in every flavor imaginable these days so God can be process-God can be mind-God … so there are all of these ways that God is now configured as well as the ones that come to us from traditional religions where God has much more power — then there's the whole personal God part which I do talk about in there at some point. So I don't think that even that there is a God framework out there at this point that I am either accepting or rejecting. My response is that I call myself a non-theist as opposed to an atheist because as I see an atheist as having a belief about God, i. e. that there isn't one. And my I've never been actually very interested in the question I guess is one way to put it. I see it as a question That can be summarized in the aphorism "Why is there anything at all rather than nothing." And science doesn't have any answer to That so what I articulated in the book and continued to do is what I call a covenant with mystery where mystery is itself a … noun but I am using it as literally in absence of category. It's not like I have a mystery then I put attributions onto it it just … I don't know the answers.

Nobel Prize Lecture (1993)
Context: The vitality of language lies in its ability to limn the actual, imagined and possible lives of its speakers, readers, writers. Although its poise is sometimes in displacing experience it is not a substitute for it. It arcs toward the place where meaning may lie. When a President of the United States thought about the graveyard his country had become, and said, "The world will little note nor long remember what we say here. But it will never forget what they did here," his simple words are exhilarating in their life-sustaining properties because they refused to encapsulate the reality of 600, 000 dead men in a cataclysmic race war. Refusing to monumentalize, disdaining the "final word", the precise "summing up", acknowledging their "poor power to add or detract", his words signal deference to the uncapturability of the life it mourns.

Orthodoxy (1884)
Context: You can remember, so can I, when the old allopathists, the bleeders and blisterers, reigned supreme. If there was anything the matter with a man they let out his blood. Called to the bedside, they took him on the point of a lancet to the edge of eternity, and then practiced all their art to bring him back. One can hardly imagine how perfect a constitution it took a few years ago to stand the assault of a doctor.

(2008) http://news.arseblog.com/2014/03/arsene-wenger-at-1000-in-stats-and-quotes/
Arsenal (1996–present)
Context: If I go into a season and I say, ‘For fuck’s sake, if we don’t win anything, they will all leave,’ I have already lost. The problem of the media is always to imagine the worst. The problem of the manager is always to imagine the best.

Remarks on the nuclear arms race, on ABC News Viewpoint — "The Day After" (20 November 1983) http://www.fuzzymemories.tv/screen.php?c=1817&m=xxdayafterxx&p=3
Context: Imagine, a room, awash in gasoline. And there are two implacable enemies in that room. One of them has 9,000 matches. The other has 7,000 matches. Each of them is concerned about who’s ahead, who’s stronger. Well, that's the kind of situation we are actually in. The amount of weapons that are available to the United States and the Soviet Union are so bloated, so grossly in excess of what's needed to dissuade the other that if it weren't so tragic, it would be laughable.

2013, "Satyameva Jayate: Truth Alone Triumphs", 2013
Context: However, as if all the suffering was not enough, I was also accused of the death and misery of my own loved ones, my Gujarati brothers and sisters. Can you imagine the inner turmoil and shock of being blamed for the very events that have shattered you!

Preface to Villa Rubein and Other Stories (1923)
Context: Writing not long ago to my oldest literary friend, I expressed in a moment of heedless sentiment the wish that we might have again one of our talks of long-past days, over the purposes and methods of our art. And my friend, wiser than I, as he has always been, replied with this doubting phrase "Could we recapture the zest of that old time?"
I would not like to believe that our faith in the value of imaginative art has diminished, that we think it less worth while to struggle for glimpses of truth and for the words which may pass them on to other eyes; or that we can no longer discern the star we tried to follow; but I do fear, with him, that half a lifetime of endeavour has dulled the exuberance which kept one up till morning discussing the ways and means of aesthetic achievement. We have discovered, perhaps with a certain finality, that by no talk can a writer add a cubit to his stature, or change the temperament which moulds and colours the vision of life he sets before the few who will pause to look at it. And so — the rest is silence, and what of work we may still do will be done in that dogged muteness which is the lot of advancing years.
Other times, other men and modes, but not other truth. Truth, though essentially relative, like Einstein's theory, will never lose its ever-new and unique quality — perfect proportion; for Truth, to the human consciousness at least, is but that vitally just relation of part to whole which is the very condition of life itself. And the task before the imaginative writer, whether at the end of the last century or all these aeons later, is the presentation of a vision which to eye and ear and mind has the implicit proportions of Truth.

The Weight of Glory (1949)
Context: Indeed, if we consider the unblushing promises of reward and the staggering nature of the rewards promised in the Gospels, it would seem that Our Lord finds our desires, not too strong, but too weak. We are half-hearted creatures, fooling about with drink and sex and ambition when infinite joy is offered us, like an ignorant child who wants to go on making mud pies in a slum because he cannot imagine what is meant by the offer of a holiday at the sea. We are far too easily pleased.

VIII. On Mind and Soul, and that the latter is immortal.
On the Gods and the Cosmos
Context: First, we must consider what soul is. It is, then, that by which the animate differs from the inanimate. The difference lies in motion, sensation, imagination, intelligence. Soul therefore, when irrational, is the life of sense and imagination; when rational, it is the life which controls sense and imagination and uses reason. The irrational soul depends on the affections of the body; it feels desire and anger irrationally. The rational soul both, with the help of reason, despises the body, and, fighting against the irrational soul, produces either virtue or vice, according as it is victorious or defeated.

Thatcher, Margaret (2002). Statecraft: Strategies for a Changing World. New York: HarperCollins. ISBN 0-06-095912-6.

12 Rules for Life: An Antidote to Chaos, Rule 1: Stand up straight with your shoulders back

Islam and Revolution, Writings and Declarations of Imam Khomeini, Translated and Annotated by Hamid Algar, Mizan Press, Berkley, pp 36.
Islam and civilization

A Single Eye, All Light, No Darkness; or Light and Darkness One (1650)

Harish-Chandra, cited in: Robert Langlands, "Harish-Chandra. 11 October 1923-16 October 1983." http://rsbm.royalsocietypublishing.org/content/31/198, in: Biographical Memoirs of Fellows of the Royal Society of London, 31 (1985), 199-225.

§8, p. 139
Surveillance society

Interview with Joan Gordon

p. 110 https://babel.hathitrust.org/cgi/pt?id=yale.39002032470974;view=1up;seq=126
English Voyages of the Sixteenth Century (1906)

Volume II, chapter VI, section 12
The Stones of Venice (1853)

Source: Four Hundred Billion Stars (1988), Chapter 2 “The Hold” (pp. 131-132)

Introductory
The Grammar of Science (1900)

Introductory
The Grammar of Science (1900)

Introductory
The Grammar of Science (1900)

Introduction
The Grammar of Science (1900)

Introductory
The Grammar of Science (1900)

The Ethic of Freethought (Mar 6, 1883)

Exclusive Interview: Composer Jason Graves Discusses Dead Space, F.E.A.R. 3 and Resistance: Burning Skies http://www.dreadcentral.com/news/33744/exclusive-interview-composer-jason-graves-discusses-dead-space-f-e-a-r-3-and-resistance-burning-skies (May 14, 2012)

On how library research helps her write accurately in “Caught Between Two Worlds – Diana Gabaldon Interview” https://www.scotsmagazine.com/articles/diana-gabaldon-outlander-inspiration/ in The Scots Magazine (2018 Mar 2)

On adapting a literary masterpiece for the big screen in “Interview: Benjamin Bratt” https://www.cinemablend.com/new/Interview-Benjamin-Bratt-6673.html in Cinema Blend

On how activism was present in his upbringing in “Mr. Morales is currently running for SAG-AFTRA President” https://www.latinheat.com/spotlight-news/the-essential-esai-morales-interview/ in Latin Heat Entertainment (2013 Jul 31)

On the thematic constraints of Puerto Rican literature in “Luis Rafael Sánchez: Counterpoints" https://ufdc.ufl.edu/UF00096005/00024/14j (Sargasso, 1984)

415
Leaves of Morya’s Garden: Book One (The Call) (1924)

On her novel The Other Americans in “Migrant State of Mind: A Q&A With Novelist Laila Lalami” https://www.thenation.com/article/laila-lalami-interview-the-other-americans/ in The Nation (2019 Apr 23)

Aratus, sec. 1
Parallel Lives

On how physics fits into his works in “In the Author’s Universe: Interview with Sci-Fi Author Cixin Liu” https://vocal.media/futurism/in-the-authors-universe-interview-with-sci-fi-author-cixin-liu in Vocal (2016)

The Transhumanism Handbook, 2019

quoted in Vikram Sampath - Savarkar, Echoes from a Forgotten Past, 1883–1924 (2019)

1790s, Letter to Revd. Dr. Trusler (1799)

“How indeed.”
Source: The Laundry Files, The Annihilation Score (2015), Chapter 14, “Infected” (p. 284)

2010s, Why Most Jews Aren't Bothered By The Times' Anti-Semitic Cartoon (2019)

Letter to Aurangzeb

Source: Caliban's War (2012), Chapter 30 (pp. 329-330)

Un être à demi stupide, mais attentif, mais prudent tous les jours, goûte très-souvent le plaisir de triompher des hommes à imagination.
Source: La Chartreuse de Parme (The Charterhouse of Parma) (1839), Ch. 10

Source: The Jungles of Randomness: A Mathematical Safari (1997), Chapter 10, “Lifetimes of Chance” (p. 188)

http://zeenews.india.com/entertainment/celebrity/men-should-always-change-diapers-chris-martin_5266.html source

The Way of Men (2012), The Bonobo Masturbation Society

The Pale King (2011)

"Good Old Neon", Oblivion: Stories
Short stories

On how creating characters is easier when you don’t have a personal involvement in “LYNN NOTTAGE’S SWEAT AND BLOOD” https://www.interviewmagazine.com/culture/lynn-nottage-sweat in Interview Magazine (2016 Dec 13)

On her parents in “Unraveling the Landscape: A Conversation With Adrienne Kennedy” https://www.americantheatre.org/2019/09/04/unraveling-the-landscape-a-conversation-with-adrienne-kennedy/ in American Theatre (September 2019)