Quotes about imagination
page 21

Roberto Mangabeira Unger photo
Rousas John Rushdoony photo

“I recall some years ago this mother and son in California who was very angry and stomped out of the meeting and I did not see her again because I said it was the duty of Christian parents to have their child in the Christian school. And she went on about how wonderful their church was, and how marvelous the youth was, and her daughter had the best kind of Christian training imaginable and she was a good witness at school. And I never saw her again but I heard from her about six, seven years later when she called me weeping. Did I know a school that would take her daughter because her daughter was now into demonism, she was out sometimes for two or three nights, was into drugs and promiscuity, if the mother tried to say anything to her the girl thought nothing about pulling a knife and backing the mother against the wall with a knife against her throat and threatening her life. And she wanted to know if there was a Christian school in town, in particular, and I told her it would take a full time guard to stand over your daughter every moment, and she wanted, she felt that it was unchristian that they wouldn’t take her daughter. And I reminded her of her stand a few years back, when she continued to whine and feel sorry for herself, someone was going to take the mess she had created and hand her back her daughter, perhaps to stick her back in the public schools again.”

Rousas John Rushdoony (1916–2001) American theologian

Audio lectures, Dangers Inherent in Public Education (March 24, 1986)

Dana Gioia photo

“I want a poetry that can learn as much from popular culture as from serious culture. A poetry that seeks the pleasure and emotionality of the popular arts without losing the precision, concentration, and depth that characterize high art. I want a literature that addresses a diverse audience distinguished for its intelligence, curiosity, and imagination rather than its professional credentials. I want a poetry that risks speaking to the fullness of our humanity, to our emotions as well as to our intellect, to our senses as well as our imagination and intuition. Finally I hope for a more sensual and physical art — closer to music, film, and painting than to philosophy or literary theory. Contemporary American literary culture has privileged the mind over the body. The soul has become embarrassed by the senses. Responding to poetry has become an exercise mainly in interpretation and analysis. Although poetry contains some of the most complex and sophisticated perceptions ever written down, it remains an essentially physical art tied to our senses of sound and sight. Yet, contemporary literary criticism consistently ignores the sheer sensuality of poetry and devotes its considerable energy to abstracting it into pure intellectualization. Intelligence is an irreplaceable element of poetry, but it needs to be vividly embodied in the physicality of language. We must — as artists, critics, and teachers — reclaim the essential sensuality of poetry. The art does not belong to apes or angels, but to us. We deserve art that speaks to us as complete human beings. Why settle for anything less?”

Dana Gioia (1950) American writer

"Paradigms Lost," interview with Gloria Brame, ELF: Eclectic Literary Forum (Spring 1995)
Interviews

Jack Vance photo

“I fear, Master Zamp, that you are a victim to your own perfervid imagination.”

Source: Showboat World (1975), Chapter 11 (p. 123)

Lois McMaster Bujold photo
Ben Jonson photo
Jane Wagner photo

“Sometimes I feel like a figment of my own imagination.”

Jane Wagner (1935) Playwright, actress

As "Chrissy"
The Search for Signs of Intelligent Life in the Universe (1985)

Clifford D. Simak photo
Jonathan Schell photo
Pío Pico photo

“If those gringos imagine for a moment they can take me back there and show me in a side tent at two bits a head they are very mistaken.<”

Pío Pico (1801–1894) Governor of Alta California

William David Estrada, Los Angeles Plaza: Sacred and contested space (2008)
Columbian Exposition

Albert Camus photo
Archibald Hill photo

“In the last few years there has been a harvest of books and lectures about the "Mysterious Universe." The inconceivable magnitudes with which astronomy deals produce a sense of awe which lends itself to a poetic and philosophical treatment. "When I consider thy heavens, the work of thy hands, the moon and the starts, whuch thou hast ordained: what is man that thou art mindful of him? The literary skill with which this branch of science has been exploited compels one's admiration, but alos, a little, one's sense of the ridiculous. For other facts than those of astronomy, oother disciplines than of mathematics, can produce the same lively feelings of awe and reverence: the extraordinary finenness of their adjustments to the world outside: the amazing faculties of the human mind, of which we know neither whence it comes not whither it goes. In some fortunate people this reverence is produced by the natural bauty of a landscape, by the majesty of an ancient building, by the heroism of a rescue party, by poetry, or by music. God is doubtless a Mathematician, but he is also a Physiologist, an Engineer, a Mother, an Architect, a Coal Miner, a Poet, and a Gardener. Each of us views things in his own peculiar war, each clothes the Creator in a manner which fits into his own scheme. My God, for instance, among his other professions, is an Inventor: I picture him inventing water, carbon dioxide, and haemoglobin, crabs, frogs, and cuttle fish, whales and filterpassing organisms ( in the ratio of 100,000,000,000,000,000,000,000 to 1 in size), and rejoicing greatly over these weird and ingenious things, just as I rejoice greatly over some simple bit of apparatus. But I would nor urge that God is only an Inventor: for inventors are apt, as those who know them realize, to be very dull dogs. Indeed, I should be inclined rather to imagine God to be like a University, with all its teachers and professors together: not omittin the students, for he obviously possesses, judging from his inventions, that noblest human characteristic, a sense of humour.”

Archibald Hill (1886–1977) English physiologist and biophysicist

The Ethical Dilemma of Science and Other Writings https://books.google.com.mx/books?id=zaE1AAAAIAAJ&printsec=frontcover#v=onepage&q&f=false (1960, Cap 1. Scepticism and Faith, p. 41)

John F. Kennedy photo

“The green beret' is again becoming a symbol of excellence, a badge of courage, a mark of distinction in the fight for freedom. I know the United States Army will live up to its reputation for imagination, resourcefulness, and spirit as we meet this challenge.”

John F. Kennedy (1917–1963) 35th president of the United States of America

"Letter to the United States Army" (11 April 1962) http://www.jfklibrary.org/Research/Research-Aids/Ready-Reference/JFK-Quotations.aspx; Box 5, President's Outgoing Executive Correspondence, White House Central Chronological Files, Papers of John F. Kennedy, John F. Kennedy Presidential Library
1962

Sara Malakul Lane photo

“Imagine my surprise one day in February 1951 to read in the newspaper that John J. McCloy, the high commissioner to Germany, had restored all the Krupp properties that had been ordered confiscated.”

William J. Wilkins, judge at the Nuremberg Trial of War Criminals source: NYT http://www.nytimes.com/1995/09/14/obituaries/w-j-wilkins-98-was-judge-at-trial-of-nazi-industrialists.html

Robert M. Price photo

“Various hearers of Jesus may well be imagined as unwittingly embellishing their Lord’s teachings as they meant to do nothing but pass them along. I cannot be too severe with the man in Monty Python's Life of Brian (of Nazareth) who thought he had heard Jesus say, “Blessed are the cheese makers,” nor of his neighbor who glossed the saying to include “any manufacturers of dairy products.””

Robert M. Price (1954) American theologian

[Price, Robert M., w:Robert M. Price, James K. Beilby, Paul Rhodes Eddy, The Historical Jesus: Five Views, https://books.google.com/books?id=O33P7xrFnLQC&lpg=PA227&pg=PA227#v=onepage&q&f=false, 4 February 2010, InterVarsity Press, 978-0-8308-7853-6, 227, Response to James D. G. Dunn]

Camille Paglia photo
Arthur Schopenhauer photo
Letitia Elizabeth Landon photo
Richard Feynman photo

“You know, the most amazing thing happened to me tonight. I was coming here, on the way to the lecture, and I came in through the parking lot. And you won't believe what happened. I saw a car with the license plate ARW 357. Can you imagine? Of all the millions of license plates in the state, what was the chance that I would see that particular one tonight? Amazing!”

Richard Feynman (1918–1988) American theoretical physicist

from a public lecture, as quoted in David L. Goodstein, "Richard P. Feynman, Teacher," Physics Today, volume 42, number 2 (February 1989) p. 70-75, at p. 73
Republished in the "Special Preface" to Six Easy Pieces (1995), p. xxi.
Republished also in the "Special Preface" to the "definitive edition" of The Feynman Lectures on Physics, volume I, p. xiv.

Paul Auster photo

“We only have now! Everything else is either imagination or memory.”

Source: Life, the Truth, and Being Free (2010), p. 131

Jennifer Beals photo

“[Her message to women and girls of the world] You are more powerful than you can possibly imagine. You are more powerful than you can possibly imagine. And it is incumbent upon you to use that power--not only for yourself, but for everyone else around you.”

Jennifer Beals (1963) American actress and a former teen model

Global Health TV Interview at Women Deliver Conference (16 June 2010) http://www.globalhealthtv.com/news/v/jennifer_beals_attends_women_deliver_as_guest_of_united_nations_fund/to/latest_news/.

Orson Welles photo

“My father once told me that the art of receiving a compliment is, of all things, the sign of a civilized man. He died soon afterwards, leaving my education in this important matter sadly incomplete; I'm only glad that, on this, the occasion of the rarest compliment he ever could have dreamed of, that he isn't here to see his son so publicly at a loss. In receiving a compliment, or in trying to, the words are all worn out by now. They're polluted by ham and corn. And, when you try to scratch around for some new ones, it's just an exercise in empty cleverness. What I feel this evening, is not very clever. it's the very opposite of emptiness. The corny old phrase is the only one I know to say it: my heart is full; with a full heart, with all of it, I thank you. This is Samuel Johnson, on the subject of what he calls contrarieties: "there are goods, so opposed that we cannot seize both, and, in trying, fail to seize either. Flatter not yourself, he says, with contrarieties. Of the blessings set before you, make your choice. No man can, at the same time, fill his cup from the source, and from the mouth of the nile." For this business of contrarieties has to do with us. With you, who are paying me this compliment, and for me, who has strayed so far from this hometown of ours. Not that I am alone in this, or unique, I am never that; but there are a few of us left in this conglomerated world of us who still trudge stubbornly along this lonely rocky road; and this is in fact our contrariety. We don't move nearly as fast as our cousins on the freeway; we don't even get as much accomplished just as the family sized farm can't possibly raise as many crops or get as much profit as the agricultural factory of today. What we do come up with has no special right to call itself better it's just.. different. No if there's any excuse for us it all, it's that we're simply following the old American tradition of the maverick, and we are a vanishing breed. This honor I can only accept in the name of all the mavericks. And also, as a tribute to the generosity of all the rest of you; to the givers, to the ones with fixed addresses. A maverick may go his own way but he doesn't think that it's the only way, or ever claim that it's the best one, except maybe for himself. And don't imagine that this raggle-taggle gypsy-o is claiming to be free. It's just that some of the necessities to which I am a slave are different from yours. As a director, for instance, I pay myself out of my acting jobs. I use my own work to subsidize my work (in other words I'm crazy). But not crazy enough to pretend to be free. But it's a fact that many of the films you've seen tonight could never have been made otherwise. Or, if otherwise, well, they might have been better, but certainly they wouldn't have been mine. The truth is I don't believe that this great evening would ever have brightened my life if it wasn't for this: my own, particular, contrariety. Let us raise our cups, then, standing as some of us do on opposite ends of the river, to what really matters to us all: to our crazy, beloved profession, to the movies — to good movies, to every possible kind.”

Orson Welles (1915–1985) American actor, director, writer and producer

Speech given upon his acceptance of the AFI Lifetime Achievement award. Viewable http://www.youtube.com/watch?v=oXJnxClGamA&list=HL1349840607&feature=mh_lolz

“Boredom comes simply from ignorance and lack of imagination.”

Susan Ertz (1887–1985) British writer

Anger in the Sky (New York: Harper & Brothers, 1943), p. 134.

Tristan Tzara photo
Neal D. Barnard photo
James K. Morrow photo
Samuel Taylor Coleridge photo

“Milton had a highly imaginative, Cowley a very fanciful mind.”

Source: Biographia Literaria (1817), Ch. IV

Aga Khan III photo
Jean Giraudoux photo
Roger Raveel photo

“Hugo [Claus], Now you should see my recent works. A drawing in ink, three pencil drawings and two sketches in oil-paint: a still-life and a landscape in the strongest colors you can imagine. I still have to work on the landscape, but I really think it will be the best of my paintings till now.... but the happiest thing is, I have acquired much more freedom.”

Roger Raveel (1921–2013) painter

version in original Flemish (citaat van Roger Raveel, in het Vlaams): Hugo [Claus], nu zoudt U eens moeten mijn laatste werk zien, een pentekening, drie potloodtekeningen en twee studies met olieverf: een stilleven en een landschap in de hevigste kleuren die Ge U kunt indenken. Aan dat landschap moet ik nog werken maar ik denk dat het mijn beste werk zal zijn, van mijn schilderwerk, en drie tekeningen vind ik mijn beste maar het gelukkigste is dat ik een veel grotere vrijheid heb verworven.
Quote of Raveel, in a letter to his friend Hugo Claus, from Machelen aan de Leie, 20-24 March 1948; as cited in Hugo Claus, Roger Raveel; Brieven 1947 – 1962, ed. Katrien Jacobs, Ludion; Gent Belgium, 2007 - ISBN 978-90-5544-665-0, p. 50 (translation: Fons Heijnsbroek)
1945 - 1960

Letitia Elizabeth Landon photo
Linus Torvalds photo
George Holmes Howison photo
Vanessa Redgrave photo
Damian Pettigrew photo
Elfriede Jelinek photo
Roger Fry photo
Ralph Waldo Emerson photo
Albert Gleizes photo
William McGonagall photo
Orson Scott Card photo

“He hated the way they thought. He hated the way they didn't think. It was hard to imagine which of them he hated more.”

Orson Scott Card (1951) American science fiction novelist

Homecoming saga, Earthfall (1995)

Khushwant Singh photo
David Graeber photo
Geoffrey Moore photo
Michael Bloomberg photo
Michelangelo Antonioni photo
Bernard Mandeville photo
Donald J. Trump photo

“People want me to [run for president] all the time … I don't like it. Can you imagine how controversial I'd be? You think about [Bill Clinton] and the women. How about me with the women? Can you imagine?”

Donald J. Trump (1946) 45th President of the United States of America

On Hardball with Chris Matthews, as quoted in the New York Post. http://nypost.com/1999/07/12/trump-toys-with-prez-run
1990s

Tam Dalyell photo
Denis Diderot photo
John Donne photo

“When God's hand is bent to strike, it is a fearful thing to fall into the hands of the living God; but to fall out of the hands of the living God is a horror beyond our expression, beyond our imagination.”

John Donne (1572–1631) English poet

No. 76 http://books.google.com/books?id=eypXAAAAYAAJ&q=%22When+God's+hand+is+bent+to+strike+it+is+a+fearful+thing+to+fall+into+the+hands+of+the+living+God+but+to+fall+out+of+the+hands+of+the+living+God+is+a+horror+beyond+our+expression+beyond+our+imagination%22&pg=PA386#v=onepage, preached at Sion to The Earl of Carlisle and company (c. 1622)
LXXX Sermons (1640)

Colin Wilson photo
Revilo P. Oliver photo
Sergio Leone photo

“Even in the greatest Westerns, the woman is imposed on the action, as a star, and is generally destined to be “had” by the male lead. But she does not exist as a woman. If you cut her out of the film, in a version which you can imagine, the film becomes much better. In the desert, the essential problem was to survive. Women were an obstacle to survival! Usually, the woman not only holds up the story, but she has no real character, no reality. She is a symbol. She is there without having any reason to be there, simply because one must have a woman, and because the hero must prove, in some way or another, that he has "sex-appeal."”

Sergio Leone (1929–1989) Italian film director, screenwriter and producer

Christopher Frayling, Spaghetti Westerns: Cowboys and Europeans from Karl May to Sergio Leone (1981), p. 129. Quoted in The Worlding Project: Doing Cultural Studies in the Era of Globalization (2007), ed. R. Wilson, ‎C. L. Connery, Ch. 6: "'But I Did Not Shoot the Deputy': Dubbing the Yankee Frontier" by Louis Chude-Sokei, pp. 158–159, as well as in The A to Z of Westerns in Cinema (2009) by Paul Varner, p. 198, and in The Quick, the Dead and the Revived: The Many Lives of the Western Film (2016) by Joseph Maddrey, p. 104.

Ai Weiwei photo

“The individual under this kind of life, with no rights, has absolutely no power in this land. How can they even ask you for creativity? Or imagination, or courage or passion?”

Ai Weiwei (1957) Chinese concept artist

“ House Arrest in China: Orwell, Kafka, and Ai Weiwei http://www.economist.com/blogs/analects/2012/04/house-arrest-china.” Economist, April 13, 2012
2010-, 2012

Albert Camus photo
George Steiner photo
Jean Chrétien photo
Max Beckmann photo
John Green photo
Harvey Milk photo
Philip D. Zelikow photo

“One reason you tend to doubt conspiracy theories when you've worked in government is because you know government is not nearly competent enough to carry off elaborate theories. It's a banal explanation, but imagine how efficient it would need to be.”

Philip D. Zelikow (1954) American diplomat

Quoted in [Conspiracy Theories Flourish on the Internet, Morello, Carol, The Washington Post, http://www.washingtonpost.com/wp-dyn/articles/A13059-2004Oct6.html, 2004-10-07, B1]

Nouri al-Maliki photo
Helmut Schmidt photo

“It is an irony of history that the public sector union, my union, in which I am a member for over 50 years, that imagines that the public service should be the pacemaker in the wage increase. One must be crazy.”

Helmut Schmidt (1918–2015) Chancellor of West Germany 1974-1982

speech "The catch-up process of the East has gone to end in 1996 - What to do?" at the 10. May 2004 for the "Erfurt Dialogues", thueringen.de http://www.thueringen.de/de/tsk/veranstaltungen/dialog/archiv/schmidt/

Wallace Stevens photo

“Light the first light of evening, as in a room
In which we rest and, for small reason, think
The world imagined is the ultimate good.”

Wallace Stevens (1879–1955) American poet

"Final Soliloquy of the Interior Paramour"
Collected Poems (1954)

Mao Zedong photo

“New things always have to experience difficulties and setbacks as they grow. It is sheer fantasy to imagine that the cause of socialism is all plain sailing and easy success, without difficulties and setbacks or the exertion of tremendous efforts.”

Mao Zedong (1893–1976) Chairman of the Central Committee of the Communist Party of China

On the Correct Handling of Contradictions Among the People
Source: (zh-CN) 任何新生事物的成长都是要经过艰难曲折的。在社会主义事业中,要想不经过艰难曲折,不付出极大努力,总是一帆风顺,容易得到成功,这种想法,只是幻想。

John Gray photo
Louisa May Alcott photo
Elon Musk photo
Anton Mauve photo

“.. the longer I am here Laren, the more beautiful it becomes for me and now that I feel myself more comfortable, I can judge it better... It is touching beautiful here [ Laren ], with a delicacy of lines and lovely poetry radiates from everywhere, interior houses, roads, fields, beautiful heath and bushes, and people are of the sweetest kind to imagine... Usually after dinner we make a little walk, what I enjoy a lot. I don't know how to say it, but I would like to live here for ever.”

Anton Mauve (1838–1888) Dutch painter (1838–1888)

translation from original Dutch, Fons Heijnsbroek, 2018
(version in original Dutch / origineel citaat van Anton Mauve, uit zijn brief:) ..hoe langer ik hier nl:Laren (Noord-Holland) ben, hoe mooijer het voor mij wordt en nu ik een beetje meer op mijn gemak kom, kan ik er beter over oordelen.. .'t Is aandoenlijk mooi hier, van een fijnheid van lijnen en lieflijke poëzie straalt alles uit, binnenhuizen, wegen, akkers, prachtige heide en boschjes en de menschen is van het liefste soort dat te bedenken is.. .Wij maken doorgaans na den eten een loopje en wat ik geniet. Ik kan het niet zeggen maar ik zou hier altijd willen wonen.
Quote of Mauve in a letter, Juin 1882 to his wife Jet Carbentus; Mauve Archive of RKD, Den Haag
1880's

Carl Sagan photo
Thiruvalluvar photo
Adyashanti photo
Glen Cook photo

“A teacher?”
“Yes. He argued that we are the gods, that we create our own destiny. That what we are determines what will become of us. In a peasantlike vernacular, we all paint ourselves into corners from which here is no escape simply by being ourselves and interacting with other selves.”
“Interesting.”
“Well. Yes. There is god of sorts, Croaker. Do you know? Not a mover and shaker, though. Simply a negator. An ender of tales. He has a hunger that cannot be sated. The universe itself will slide down his maw.”
“Death?”
“I do not want to die, Croaker. All that I am shrieks against the unrighteousness of death. All that I am, was, and probably will be, is shaped by my passion to evade the end of me.” She laughed quietly, but there was a thread of hysteria there. She gestured, indicating the shadowed killing ground below. “I would have built a world in which I was safe. And the cornerstone of my citadel would have been death.”
The end of the dream was drawing close. I could not imagine a world without me in it, either. And the inner me was outraged. Is outraged. I have no trouble imagining someone becoming obsessed with escaping death.
“I understand.”

“Maybe. We’re all equals at the dark gate, no? The sands run for us all. Life is but a flicker shouting into the jaws of eternity. But it seems so damned unfair!”
Source: The White Rose (1985), Chapter 39, “A Guest at Charm” (p. 625)

Jerry Coyne photo
Satyajit Ray photo

“I never imagined that any of my films, especially Pather Panchali, would be seen throughout this country or in other countries. The fact that they have is an indication that, if you're able to portray universal feelings, universal relations, emotions, and characters, you can cross certain barriers and reach out to others, even non-Bengalis.”

Satyajit Ray (1921–1992) Indian author, poet, composer, lyricist, filmmaker

The Cineaste Interviews: On the Art and Politics of the Cinema, ed. Dan Georgakas and Lenny Rubenstein, Chicago: Lake View Press, 1982, Vol. 1, Ch. 34 ( eprint at satyajitray.org http://www.satyajitray.org/about_ray/ray_on_ray.htm)

Ursula K. Le Guin photo

“All of us have to learn how to invent our lives, make them up, imagine them. We need to be taught these skills; we need guides to show us how. If we don't, our lives get made up for us by other people.”

Ursula K. Le Guin (1929–2018) American writer

The Operating Instructions in The Wave in the Mind: Talks and Essays on the Writer, the Reader, and the Imagination (2004)

Keiji Nishitani photo
Peter Tatchell photo
Robert A. Heinlein photo
Alan Moore photo
Richard Feynman photo

“The imagination of nature is far, far greater than the imagination of man.”

Richard Feynman (1918–1988) American theoretical physicist

The Value of Science (1955)

Walter Pater photo

“We need some imaginative stimulus, some not impossible ideal such as may shape vague hope, and transform it into effective desire, to carry us year after year, without disgust, through the routine-work which is so large a part of life.”

Walter Pater (1839–1894) essayist, art and literature critic, fiction writer

Source: Marius the Epicurean http://www.gutenberg.org/dirs/etext03/8mrs110.txt (1885), Ch. 25

Edward O. Wilson photo

“To search for unasked questions, plus questions to put to already acquired but unsought answers, it is vital to give full play to the imagination. That is the way to create truly original science.”

Edward O. Wilson (1929) American biologist

Source: Letters to a Young Scientist (2013), chapter 16, "Searching for New Worlds on Earth", page 177.

Perry Anderson photo
Walter Scott photo
Charles Lamb photo
Max Beerbohm photo

“Men of genius are not quick judges of character. Deep thinking and high imagining blunt that trivial instinct by which you and I size people up.”

Max Beerbohm (1872–1956) English writer

Quia Imperfectum
And Even Now http://www.gutenberg.org/dirs/etext99/evnow10.txt (1920)