Quotes about hope
page 18

Joseph Louis Lagrange photo

“The signs on Bell’s door read “J. Bell” and “M. Bell.” I knocked and was invited in by Bell. He looked about the same as he had the last time I saw him, a couple of years ago. He has long, neatly combed red hair and a pointed beard, which give him a somewhat Shavian figura. On one wall of the office is a photograph of Bell with something that looks like a halo behind his head, and his expression in the photograph is mischievous. Theoretical physicists’ offices run the gamut from chaotic clutter to obsessive neatness; the Bells’ is somewhere in between. Bell invited me to sit down after warning me that the “visitor’s chair” tilted backward at unexpected angles. When I had mastered it, and had a chance to look around, the first thing that struck me was the absence of Mary. “Mary,” said Bell, with a note of some disbelief in his voice, “has retired.” This, it turned out, had occurred not long before my visit. “She will not look at any mathematics now. I hope she comes back,” he went on almost plaintively; “I need her. We are doing several problems together.” In recent years, the Bells have been studying new quantum mechanical effects that will become relevant for the generation of particle accelerators that will perhaps succeed the LEP. Bell began his career as a professional physicist by designing accelerators, and Mary has spent her entire career in accelerator design. A couple of years ago Bell, like the rest of the members of CERN theory division, was asked to list his physics speciality. Among the more “conventional” entries in the division such as “super strings,” “weak interactions,” “cosmology,” and the like, Bell’s read “quantum engineering.””

Jeremy Bernstein (1929) American physicist

Quantum Profiles (1991), John Stewart Bell: Quantum Engineer

Chuck Palahniuk photo
Henry Hazlitt photo

“Suppose a clothing manufacturer learns of a machine that will make men’s and women's overcoats for half as much labor as previously. He installs the machines and drops half his labor force.This looks at first glance like a clear loss of employment. But the machine itself required labor to make it; so here, as one offset, are jobs that would not otherwise have existed. The manufacturer, how ever, would have adopted the machine only if it had either made better suits for half as much labor, or had made the same kind of suits at a smaller cost. If we assume the latter, we cannot assume that the amount of labor to make the machines was as great in terms of pay rolls as the amount of labor that the clothing manufacturer hopes to save in the long run by adopting the machine; otherwise there would have been no economy, and he would not have adopted it.So there is still a net loss of employment to be accounted for. But we should at least keep in mind the real possibility that even the first effect of the introduction of labor-saving machinery may be to increase employment on net balance; because it is usually only in the long run that the clothing manufacturer expects to save money by adopting the machine: it may take several years for the machine to "pay for itself."After the machine has produced economies sufficient to offset its cost, the clothing manufacturer has more profits than before. (We shall assume that he merely sells his coats for the same price as his competitors, and makes no effort to undersell them.) At this point, it may seem, labor has suffered a net loss of employment, while it is only the manufacturer, the capitalist, who has gained. But it is precisely out of these extra profits that the subsequent social gains must come. The manufacturer must use these extra profits in at least one of three ways, and possibly he will use part of them in all three: (1) he will use the extra profits to expand his operations by buying more machines to make more coats; or (2) he will invest the extra profits in some other industry; or (3) he will spend the extra profits on increasing his own consumption. Whichever of these three courses he takes, he will increase employment.”

Economics in One Lesson (1946), The Curse of Machinery (ch. 7)

Radhanath Swami photo

“Lying down to sleep on the earthen riverbank, I thought, Vrindavan is attracting my heart like no other place. What is happening to me? Please reveal Your divine will. With this prayer, I drifted off to sleep.
Before dawn, I awoke to the ringing of temple bells, signaling that it was time to begin my journey to Hardwar. But my body lay there like a corpse. Gasping in pain, I couldn’t move. A blazing fever consumed me from within, and under the spell of unbearable nausea, my stomach churned. Like a hostage, I lay on that riverbank. As the sun rose, celebrating a new day, I felt my life force sinking. Death that morning would have been a welcome relief. Hours passed.
At noon, I still lay there. This fever will surely kill me, I thought.
Just when I felt it couldn’t get any worse, I saw in the overcast sky something that chilled my heart. Vultures circled above, their keen sights focused on me. It seemed the fever was cooking me for their lunch, and they were just waiting until I was well done. They hovered lower and lower. One swooped to the ground, a huge black and white bird with a long, curving neck and sloping beak. It stared, sizing up my condition, then jabbed its pointed beak into my ribcage. My body recoiled, my mind screamed, and my eyes stared back at my assailant, seeking pity. The vulture flapped its gigantic wings and rejoined its fellow predators circling above. On the damp soil, I gazed up at the birds as they soared in impatient circles. Suddenly, my vision blurred and I momentarily blacked out. When I came to, I felt I was burning alive from inside out. Perspiring, trembling, and gagging, I gave up all hope.
Suddenly, I heard footsteps approaching. A local farmer herding his cows noticed me and took pity. Pressing the back of his hand to my forehead, he looked skyward toward the vultures and, understanding my predicament, lifted me onto a bullock cart. As we jostled along the muddy paths, the vultures followed overhead. The farmer entrusted me to a charitable hospital where the attendants placed me in the free ward. Eight beds lined each side of the room. The impoverished and sadhu patients alike occupied all sixteen beds. For hours, I lay unattended in a bed near the entrance. Finally that evening the doctor came and, after performing a series of tests, concluded that I was suffering from severe typhoid fever and dehydration. In a matter-of-fact tone, he said, “You will likely die, but we will try to save your life.””

Radhanath Swami (1950) Gaudiya Vaishnava guru

Republished on The Journey Home website.
The Journey Home: Autobiography of an American Swami (Tulsi Books, 2010)

Letitia Elizabeth Landon photo
Thomas Hardiman photo
Dorothy Day photo
Max Wertheimer photo

“It has long seemed obvious — and is, in fact, the characteristic tone of European science — that “science” means breaking up complexes into their component elements. Isolate the elements, discover their laws, then reassemble them, and the problem is solved. All wholes are reduced to pieces and piecewise relations between pieces.
The fundamental “formula” of Gestalt theory might be expressed in this way. There are wholes, the behaviour of which is not determined by that of their individual elements, but where the part-processes are themselves determined by the intrinsic nature of the whole. It is the hope of Gestalt theory to determine the nature of such wholes…
We hear a melody and then, upon hearing it again, memory enables us to recognize it. But what is it that enables us to recognize the melody when it is played in a new key? The sum of the elements is different, yet the melody is the same; indeed, one is often not even aware that a transposition has been made… Is it really true that when I hear a melody I have a sum of individual tones (pieces) which constitute the primary foundation of my experience? Is not perhaps the reverse of this true? What I really have, what I hear of each individual note, what I experience at each place in the melody is apart which is itself determined by the character of the whole,”

Max Wertheimer (1880–1943) Co-founder of Gestalt psychology

As quoted in: George Klir (2013), Facets of Systems Science, p. 25
"Gestalt Theory," 1924

James A. Garfield photo

“Let us learn wisdom from this illustrious example. We have passed the Red Sea of slaughter; our garments are yet wet with its crimson spray. We have crossed the fearful wilderness of war, and have led our four hundred thousand heroes to sleep beside the dead enemies of the Republic. We have heard the voice of God amid the thunders of battle commanding us to wash our hands of iniquity, to 'proclaim liberty throughout all the land unto all the inhabitants thereof.' When we spurned his counsels we were defeated, and the gulfs of ruin yawned before us. When we obeyed his voice, he gave us victory. And now at last we have reached the confines of the wilderness. Before us is the land of promise, the land of hope, the land of peace, filled with possibilities of greatness and glory too vast for the grasp of the imagination. Are we worthy to enter it? On what condition may it be ours to enjoy and transmit to our children's children? Let us pause and make deliberate and solemn preparation. Let us, as representatives of the people, whose servants we are, bear in advance the sacred ark of republican liberty, with its tables of the law inscribed with the 'irreversible guaranties' of liberty. Let us here build a monument on which shall be written not only the curses of the law against treason, disloyalty, and oppression, but also an everlasting covenant of peace and blessing with loyalty, liberty, and obedience; and all the people will say, Amen.”

James A. Garfield (1831–1881) American politician, 20th President of the United States (in office in 1881)

1860s, Speech in the House of Representatives (1866)

Aimé Césaire photo

“The hope of courage lies in every heart, together with the fear that we will fail. When the test came, you did not fail.”

Romeo LeBlanc (1927–2009) Canadian politician

Source: speech at the Ceremony for Decorations for Bravery, June 23, 1995.

Angela Davis photo
André Breton photo
Irvin D. Yalom photo

“One of the most important things was from a patient who said to me what a pity it was that he had to wait until now, when he was riddled with death, to learn how to live. And I have used that phrase many times: hoping that if you introduce people, in an appropriate way, to their mortality that might change the way they live and allow them to trivialise the trivia in their life.”

Irvin D. Yalom (1931) American psychotherapist and writer

The grand old man of American psychiatry on what he has learnt about life (and death) in his still-flourishing career, The Independent http://www.independent.co.uk/news/people/profiles/irvin-d-yalom-interview-the-grand-old-man-of-american-psychiatry-on-what-he-has-learnt-about-life-10134092.html

Emily Brontë photo
Kofi Annan photo

“I hope we do not see another Iraq-type operation for a long time — without UN approval and much broader support from the international community.”

Kofi Annan (1938–2018) 7th Secretary-General of the United Nations

"Iraq war illegal, says Annan" BBC News (16 September 2004) http://news.bbc.co.uk/1/hi/world/middle_east/3661134.stm; when asked if the invasion of Iraq was illegal, he replied "Yes, if you wish. I have indicated it was not in conformity with the UN charter from our point of view, from the charter point of view, it was illegal."

Lyndon B. Johnson photo

“I hope that you of the IPA will go out into the hinterland and rouse the masses and blow the bugles and tell them that the hour has arrived and their day is here; that we are on the march against the ancient enemies and we are going to be successful.”

Lyndon B. Johnson (1908–1973) American politician, 36th president of the United States (in office from 1963 to 1969)

Remarks to the International Platform Association (August 3, 1965); reported in Public Papers of the Presidents of the United States: Lyndon B. Johnson, 1965, book 2, p. 822.
1960s

Grant Morrison photo
William Wordsworth photo
Paul McCartney photo
Gouverneur Morris photo
Sören Kierkegaard photo
Ayumi Hamasaki photo

“Surely, no one hoped for so many things.
Hold the flowers close to your heart;
they may someday bloom.”

Ayumi Hamasaki (1978) Japanese recording artist, lyricist, model, and actress

A Song Is Born
Lyrics, I am...

Antonin Scalia photo
T.S. Eliot photo
Thomas Brooks photo
Jacques Ellul photo
Arthur Schopenhauer photo
Derren Brown photo

“(DVD introduction) Well, welcome to your very own DVD of me, DVB, and ‘Mind Control’. If you weren’t expecting me and thought you were buying Reginald Perrin, then press eject now before you begin vomiting. Otherwise, please, please ensure that you are sitting in an extreme level of comfort, preferably in pre-worn slippers and, I trust, with your extended family around you. If you have seen the film ‘Signs’ and would like to wear the pointy tin foil hats now would be a good time to put them on you can’t be too careful. Well, pphhh, goodness me, er, it’s been a meteoric rise over these last years. The money and sex are exhausting and I have you the viewer to thank. Thanks. We’ve put together some of the pieces from the specials and series in glistening digital format, each pixel hand picked and gently polished and brought to you in wide-sound, surround-screen enjoyment. I hope you enjoy watching them as much as I’ll enjoy the royalties from this, which is enormously. If you don’t like it and HMV won’t take it back because you’ve got sticky all over it then the disc makes an excellent beer coaster or wheels for a space truck or can be immense fun just putting it on your finger and [waggling it], like that. But I hope you do like it. When I first started developing these techniques I had no idea that they were going to prove at all popular and for all my nancing about and staring I’m actually really excited to have a DVD out and can’t wait to go and find it in Discount Books & Puzzles next to the Dizzie Gillespie CD box sets and disappointing erotica. I hope you like it and if you do, please go and buy another one.”

Derren Brown (1971) British illusionist

TV Series and Specials (Includes DVDs), Mind Control (1999–2000) or Inside Your Mind on DVD

Charles Dickens photo
Edwin Abbott Abbott photo

“Had the acute-angled rabble been all, without exception, absolutely destitute of hope and of ambition, they might have found leaders in some of their many seditious outbreaks, so able as to render their superior numbers and strength too much even for the wisdom of the Circles. But a wise ordinance of Nature has decreed that, in proportion as the working-classes increase in intelligence, knowledge, and all virtue, in that same proportion their acute angle (which makes them physically terrible) shall increase also and approximate to the comparatively harmless angle of the Equilateral Triangle. Thus, in the most brutal and formidable of the soldier class — creatures almost on a level with women in their lack of intelligence — it is found that, as they wax in the mental ability necessary to employ their tremendous penetrating power to advantage, so do they wane in the power of penetration itself.

How admirable is this Law of Compensation! And how perfect a proof of the natural fitness and, I may almost say, the divine origin of the aristocratic constitution of the States in Flatland! By a judicious use of this Law of Nature, the Polygons and Circles are almost always able to stifle sedition in its very cradle, taking advantage of the irrepressible and boundless hopefulness of the human mind. Art also comes to the aid of Law and Order. It is generally found possible — by a little artificial compression or expansion on the part of the State physicians — to make some of the more intelligent leaders of a rebellion perfectly Regular, and to admit them at once into the privileged classes; a much larger number, who are still below the standard, allured by the prospect of being ultimately ennobled, are induced to enter the State Hospitals, where they are kept in honourable confinement for life; one or two alone of the more obstinate, foolish, and hopelessly irregular are led to execution.”

Source: Flatland: A Romance of Many Dimensions (1884), PART I: THIS WORLD, Chapter 3. Concerning the Inhabitants of Flatland

Lawrence M. Schoen photo

“It all seemed like madness, but was madness anything other than desperation blended with hope?”

Lawrence M. Schoen (1959) American writer and klingonist

Source: Barsk: The Elephants' Graveyard (2015), Chapter 29, “Choice and Sacrifice” (p. 270)

Mary Midgley photo
Michael Oakeshott photo
William the Silent photo

“We may see how miraculously God defends our people, and makes us hope that, in spite of the malice of our enemies, He will bring our cause to a good and happy end, to the advancement of His glory and the deliverance of so many Christians from unjust oppression.”

William the Silent (1533–1584) stadtholder of Holland, Zeeland and Utrecht, leader of the Dutch Revolt

On his second invasion of the Netherlands, to his brother John (1572), as quoted in William the Silent (1897) by Frederic Harrison, p. 62

Kurien Kunnumpuram photo

“If there is a hereafter, the Democrats will burn because they were the Doers that killed the republic, the Republicans because they were the Talkers who abetted its murder. And such will be a well deserved fate for both. It is enough to make an agnostic hope there is a God.”

Michael Scheuer (1952) American counterterrorism analyst

As quoted in "Obama and his party offer America's young … death, misery, and slavery" http://non-intervention.com/1143/obama-and-his-party-offer-america%E2%80%99s-young-%E2%80%A6-death-misery-and-slavery/ (2013), by M. Scheuer, Michael Scheuer's Non-Intervention.
2010s

William Hazlitt photo

“Hope is the best possession. None are completely wretched but those who are without hope; and few are reduced so low as that.”

William Hazlitt (1778–1830) English writer

No. 34
Characteristics, in the manner of Rochefoucauld's Maxims (1823)

Richard Dawkins photo
E. W. Hobson photo

“The first period embraces the time between the first records of empirical determinations of the ratio of the circumference to the diameter of a circle until the invention of the Differential and Integral Calculus, in the middle of the seventeenth century. This period, in which the ideal of an exact construction was never entirely lost sight of, and was occasionally supposed to have been attained, was the geometrical period, in which the main activity consisted in the approximate determination of π by the calculation of the sides or the areas of regular polygons in- and circum-scribed to the circle. The theoretical groundwork of the method was the Greek method of Exhaustions. In the earlier part of the period the work of approximation was much hampered by the backward condition of arithmetic due to the fact that our present system of numerical notation had not yet been invented; but the closeness of the approximations obtained in spite of this great obstacle are truly surprising. In the later part of this first period methods were devised by which the approximations to the value of π were obtained which required only a fraction of the labour involved in the earlier calculations. At the end of the period the method was developed to so high a degree of perfection that no further advance could be hoped for on the lines laid down by the Greek Mathematicians; for further progress more powerful methods were required.”

E. W. Hobson (1856–1933) British mathematician

Source: Squaring the Circle (1913), pp. 10-11

Mohammad Reza Pahlavi photo
Dido photo
Christopher Hitchens photo
Joel Barlow photo
Alan Moore photo
Cyrano de Bergerac photo
Neil Young photo
Morrissey photo

“So when you say it's gonna happen now.
Well when exactly do you mean?
See I've already waited too long.
And all my hope is gone!”

Morrissey (1959) English singer

from the 1984 song "How Soon Is Now?"
From songs

Emil Nolde photo

“I want so much for my work to grow forth out of the material, just as in nature the plants grow forth out of the earth, which corresponds to their character. In the print 'Lebensfreude' [Joy of living] I worked for the most part with my finger, and the effect I hoped for was achieved. There is hidden in the print a bit of wantonness, in the representation as well as in the boldness of the technique. If I were to make the "ragged and moving" contours "correctly" in the academic sense, this effect would not nearly be achieved.”

Emil Nolde (1867–1956) German artist

in a letter to his friend Gustav Schiefler, 1906, in 'Gustav Schiefler and Christel Mosel', Emil Nolde: Das graphische Werk, vol. 2.; M. DuMont Schauberg, Cologne, 1966-67, p. 8; as quoted in 'The Revival of Printmaking in Germany', I. K. Rigby; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, p.50
Nolde described how the exhilarating new sense of collaboration with the medium had freed him from the constraints of traditional etching techniques and encouraged a bolder, freer expression
1900 - 1920

Raheem Kassam photo

“All across the continent of Europe, and more recently in the United States, we have seen acts of the most heinous depravity and barbarity committed in the name of this religion. All the while, the reformist and moderating voices are shut down by hard-line Sunnis and their useful idiot, fellow travellers. Groups like the Soros-funded Hope not Hate demonise even practising Muslims for daring to oppose Shariah law.”

Raheem Kassam (1986) British journalist and politician

Tommy Robinson vs. Quilliam Shows How the Establishment’s Grip on Political Narratives is Slipping http://www.breitbart.com/london/2017/05/07/kassam-tommy-robinson-vs-quilliam-shows-how-the-establishments-grip-on-political-narratives-is-slipping/ (May 7, 2017)

William Montgomery Watt photo

“I am not a Muslim in the usual sense, though I hope I am a “Muslim” as “one surrendered to God”; but I believe that embedded in the Qur’an and other expressions of the Islamic vision are vast stores of divine truth from which I and other occidentals have still much to learn.”

William Montgomery Watt (1909–2006) Scottish historian

Islam and Christianity Today: A Contribution to Dialogue https://books.google.com/books?id=4YlTAQAAQBAJ&printsec=frontcover&hl=fr&source=gbs_ge_summary_r&cad=0#v=onepage&q&f=false, Routledge Library Editions, 1983, p. IX.

Friedrich Hayek photo

“Our basic problem is that we have three levels, I would say, of moral beliefs. We have the first instance, our intuitive moral feelings which are adapted to the small, person-to-person society where we act for people whom we know and are served by people whom we know. Then, we have a society governed by moral traditions which, unlike what modern rationalists believe, are not intellectual discoveries of men who designed them, but as a result of a persons, which I now prefer to describe as term of 'group selection.' Those groups who had accidentally developed such as the tradition of private property and the family who did succeed, but never understood this. So we owe our present extended order of human cooperation very largely to a moral tradition which the intellectual does not approve of, because it has never been intellectually designed and it has to compete with a third level of moral beliefs, those which the morals which the intellectuals designed in the hope that they can better satisfy man's instincts than the traditional morals to do. And we live in a world where three moral traditions are in constant conflict, the innate ones, the traditional ones, and the intellectually designed ones, and ultimately, all our political conflicts of this time can be reduced as affected by a conflict between free moral tradition of a different nature, not only of different content.”

Friedrich Hayek (1899–1992) Austrian and British economist and Nobel Prize for Economics laureate

in 1985 interview https://www.youtube.com/watch?v=11AXDT5824Y with John O'Sullivan
1980s and later

Vincent Van Gogh photo

“.. by going on drawing those types of working people, etc., I hope to arrive at the point of being able to do illustration work for papers and books.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

In his letter to brother Theo, from Brussels, Belgium (January 1881, letter 140); as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, p. 19
being art student in Brussels
1880s, 1881

Chuck Klosterman photo

“If invited, you would go to this person's wedding and give them a spice rack, but you would secretly hope that their marriage ends in a bitter, public divorce.”

Chuck Klosterman (1972) Author, Columnist

Chuck Klosterman IV: A Decade of Curious People and Dangerous Ideas (2006), Recognizing Your Nemesis

Charles Brockden Brown photo
Philip Hammond photo
Ted Williams photo

“I hope somebody hits.400 soon. Then people can start pestering that guy with questions about the last guy to hit.400.”

Ted Williams (1918–2002) American professional baseball player

As quoted in "The Braves' Chipper Jones carries weight of .400" in The Los Angeles Times (13 June 2008) http://articles.latimes.com/2008/jun/13/sports/sp-jones13

Linus Torvalds photo
Gerard Manley Hopkins photo
Don Marquis photo

“well boss
mehitabel the cat
has reappeared in her old
haunts with a
flock of kittens

archy she said to me
yesterday
the life of a female
artist is continually
hampered what in hell
have i done to deserve
all these kittens
i look back on my life
and it seems to me to be
just one damned kitten
after another
i am a dancer archy
and my only prayer
is to be allowed
to give my best to my art
but just as i feel
that i am succeeding
in my life work
along comes another batch
of these damned kittens
it is not archy
that i am shy on mother love
god knows i care for
the sweet little things
curse them
but am i never to be allowed
to live my own life
i have purposely avoided
matrimony in the interests
of the higher life
but i might just
as well have been a domestic
slave for all the freedom
i have gained
i hope none of them
gets run over by
an automobile
my heart would bleed
if anything happened
to them and i found it out
but it isn t fair archy
it isn t fair
these damned tom cats have all
the fun and freedom
if i was like some of these
green eyed feline vamps i know
i would simply walk out on the
bunch of them and
let them shift for themselves
but i am not that kind
archy i am full of mother love
my kindness has always
been my curse
a tender heart is the cross i bear
self sacrifice always and forever
is my motto damn them
i will make a home
for the sweet innocent
little things
unless of course providence
in his wisdom should remove
them they are living
just now in an abandoned
garbage can just behind
a made over stable in greenwich
village and if it rained
into the can before i could
get back and rescue them
i am afraid the little
dears might drown
it makes me shudder just
to think of it
of course if i were a family cat
they would probably
be drowned anyhow
sometimes i think
the kinder thing would be
for me to carry the
sweet little things
over to the river
and drop them in myself
but a mother s love archy
is so unreasonable
something always prevents me
these terrible
conflicts are always
presenting themselves
to the artist
the eternal struggle
between art and life archy
is something fierce
yes something fierce
my what a dramatic
life i have lived
one moment up the next
moment down again
but always gay archy always gay
and always the lady too
in spite of hell
well boss it will
be interesting to note
just how mehitabel
works out her present problem
a dark mystery still broods
over the manner
in which the former
family of three kittens
disappeared
one day she was talking to me
of the kittens
and the next day when i asked
her about them
she said innocently
what kittens
interrogation point
and that was all
i could ever get out
of her on the subject
we had a heavy rain
right after she spoke to me
but probably that garbage can
leaks so the kittens
have not yet
been drowned”

Don Marquis (1878–1937) American writer

mehitabel and her kittens http://donmarquis.com/reading-room/kittens/
archy and mehitabel (1927)

John Bright photo
Bob Dylan photo
Justin Martyr photo
Patricia A. McKillip photo
Letitia Elizabeth Landon photo

“As an appeal to hope the symbol of the kingdom of God is utopic.”

Roger Haight (1936) American theologian

Source: Dynamics Of Theology, Chapter Eight, Symbolic Religious Communication, p. 155

Václav Havel photo
Joe Biden photo

“People ask if I can compete with the money of Hillary and Barack. I hope at the end of the day, they can compete with my ideas and my experience.”

Joe Biden (1942) 47th Vice President of the United States (in office from 2009 to 2017)

Biden officially running for president, MSNBC.com, January 31, 2007, 2007-02-01 http://www.msnbc.msn.com/id/16901147/,
2000s

Roy Blount Jr. photo

“I do hope you realize that every time you use disinterested to mean uninterested, an angel dies.”

Roy Blount Jr. (1941) American writer

Alphabet Juice (2008), p. 7.

“One lives in the hope of becoming a memory.”

Antonio Porchia (1885–1968) Italian Argentinian poet

Se vive con la esperanza de llegar a ser un recuerdo.
Voces (1943)

Arthur Jones (inventor) photo
Lyndon B. Johnson photo
Anthony Burgess photo
John Betjeman photo

“No hope. And the X-ray photographs under his arm
Confirm the message. His wife stands timidly by.
The opposite brick-built house looks lofty and calm,
Its chimneys steady against the mackerel sky.”

John Betjeman (1906–1984) English poet, writer and broadcaster

"Devonshire Street W.1" line 1, from A Few Late Chrysanthemums (1954).
Poetry

Jozef Israëls photo

“As I hear, you are the possessors of one of my favorite paintings 'The children on the beach' and I can tell you that few pictures by me, have so much figures, busy in the subject. Therefore I mean that this picture is an unicum and I hope you will give it a good light and place in your gallery.”

Jozef Israëls (1824–1911) Dutch painter

Israels in his letter to Amercian art-sellers Moulton & Ricketts, 27 June 1910; as cited in Jozef Israëls, 1824 – 1911, ed. Dieuwertje Dekkers; Waanders, Zwolle 1999, p. 188
Quotes of Jozef Israels, after 1900

Sigitas Tamkevičius photo
John Constable photo

“My art flatters nobody by imitation, it courts nobody by smoothness, nobody by petitelieness without either fal-de-lal or fiddle-de-dee; how then can I hope to be popular?”

John Constable (1776–1837) English Romantic painter

Quote from John Constable's letter to Mr. C.R. Leslie 22 June 1832
1830s

Robert E. Howard photo
Calvin Coolidge photo
Christopher Hitchens photo

“It [Obama's Nobel peace prize] would be like giving someone an Oscar in the hope that it would encourage them to make a decent motion picture.”

Christopher Hitchens (1949–2011) British American author and journalist

2009-10-12
Morning Joe
MSNBC, quoted in * 2009-10-12
http://www.huffingtonpost.com/2009/10/12/christopher-hitchens-pans_n_317373.html
Christopher Hitchens Pans Obama's Nobel Prize
Huffington Post
Nicholas
Graham
2000s, 2009

Tina Fey photo
Noel Gallagher photo
Jane Austen photo
Anna Laetitia Barbauld photo

“It is to hope, though hope were lost.”

Anna Laetitia Barbauld (1743–1825) English author

Come here, Fond Youth. Compare: "Who against hope believed in hope", Romans iv, 18; "Hope against hope, and ask till ye receive", James Montgomery, The World before the Flood.
Bartlett's Familiar Quotations, 10th ed. (1919)

Charlotte Brontë photo

“Liberty lends us her wings and Hope guides us by her star.”

Source: Villette (1853), Ch. VI: London

Roger Ebert photo

“A thorough understanding of game theory, should dim these greedy hopes. Knowledge of game theory does not make one a better card player, businessman or military strategist.”

Anatol Rapoport (1911–2007) Russian-born American mathematical psychologist

Source: 1960s, "The Use and Misuse of Game Theory," 1962, p. 108

William Fitzsimmons photo

“I suppose I should hope that it turns out fine.”

William Fitzsimmons (1978) American musician

Until When We Are Ghosts (2006), Funeral Dress

Eric Hoffer photo
Nigel Cumberland photo

“Knowing ourselves is one of the most important skills that we must possess if we hope to improve how we work and interact with others.”

Nigel Cumberland (1967) British author and leadership coach

Source: Your Job-Hunt Ltd – Advice from an Award-Winning Asian Headhunter (2003), Successful Recruitment in a Week (2012) https://books.google.ae/books?idp24GkAsgjGEC&printsecfrontcover&dqnigel+cumberland&hlen&saX&ved0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIGjAA#vonepage&qnigel%20cumberland&ffalse, Managing Teams in a Week (2013) https://books.google.ae/books?idqZjO9_ov74EC&printsecfrontcover&dqnigel+cumberland&hlen&saX&ved0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIIDAB#vonepage&qnigel%20cumberland&ffalse, Secrets of Success at Work – 50 techniques to excel (2014) https://books.google.ae/books?id4S7vAgAAQBAJ&printsecfrontcover&dqnigel+cumberland&hlen&saX&ved0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIJjAC#vonepage&qnigel%20cumberland&ffalse, p.6

Calvin Coolidge photo
Vincent Van Gogh photo

“And my aim in my life is to make picture and drawings, as many and as well as I can, then, at the end of my life, I hope to pass away, looking back with love and tender regret, and thinking: "Oh, pictures I might have made!" Theo, I declare I prefer to think how arms, legs, head are attached to the trunk, rather than whether I myself am or am not more or less an artist.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote in his letter to brother Theo, from Drenthe, The Netherlands, Autumn 1883; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 338) p. 21
1880s, 1883

Halldór Laxness photo