Quotes about colors
page 7

“A tongue like yours should be burned and branded
So I can see you lie to me
I wish the air would color red when you breathed it
Oh, so I could've seen it coming
Look in my eyes when you say you love me
So I can see you lie to me”

Sara Bareilles (1979) American pop rock singer-songwriter and pianist

"Lie to Me"
Lyrics, Once Upon Another Time (2012)

Love, Lie

“The moon appeared for some time [in the Savoy, Switzerland] and the rocks seemed to be much bigger than they were. The mountains were silvery illuminated and appeared gently against the mysterious blue of the sky - that blue color with moonlight, that has such an indefinable, deep tone; actually it is not a blue.”

Gerard Bilders (1838–1865) painter from the Netherlands

Source: 1850's, Vrolijk Versterven' (from Bilders' diary & letters), p. 19 - quote of Bilder's letter to his maecenas Johannes Kneppelhout, from Savoy, near Geneva, Switzerland, September 1858

Mountain, Appearance, Time

“My blonde was here again today. This time with her little boy at her breast. I had to draw her as a mother, had to. That is her single true purpose. Marvelous, these gleaming white breasts in her fiery red blouse. The whole thing is so grand in its shape and color..”

Paula Modersohn-Becker (1876–1907) German artist

excerpt of Marianne's Journal, Worpswede 1897; as quoted in Voicing our visions, – Writings by women artists; ed. Mara R. Witzling, Universe New York, 1991, p. 193
1897

Boy, Time, Drawing

“You were both correct,” said Morningstar. “It is the same thing that you both describe, although neither of you sees it as it really is. Each of you colors reality in keeping with your means of controlling it. For if it is uncontrollable, you fear it. Sometimes then, you color it incomprehensible. In your case, a machine; in theirs, a demon.”

Roger Zelazny book Jack of Shadows

Source: Jack of Shadows (1971), Chapter 6 (p. 63)

Fear, Reality

“Electric flesh-arrows traversing the body. A rainbow of color strikes the eyelids. A foam of music falls over the ears. It is the gong of the orgasm.”

Anaïs Nin (1903–1977) writer of novels, short stories, and erotica

As quoted in French Writers of the Past (2000) by Carol A. Dingle, p. 126

Music

“What constitutes an American? Not color nor race nor religion. Not the pedigree of his family nor the place of his birth. Not the coincidence of his citizenship. Not his social status nor his bank account. Not his trade nor his profession. An American is one who loves justice and believes in the dignity of man. An American is one who will fight for his freedom and that of his neighbor. An American is one who will sacrifice… An American is one in whose heart is engraved the immortal second sentence of the Declaration of Independence. Americans have always known how to fight for their rights and their way of life. Americans are not afraid to fight. They fight joyously in a just cause.”

Harold L. Ickes (1874–1952) American politician

"What Is An American?" http://www.historyplace.com/speeches/ickes.htm (18 May 1941)

Love, Life, Family, Religion

“But the most common error among the whole-hearted abstractionists nowadays [in 1946] is to mistake the medium for an end in itself, instead of a means. On the other hand, the surrealists erred in supposing that one can do without a medium, that in attacking the medium one does not destroy just one means for getting into the unknown. Color and space relations constitute such a means because from them can be made structures which exhibit the various patterns of reality.”

Mark Rothko (1903–1970) American painter

Source: 1940's, Beyond the Aesthetics (1946), pp. 39-40

Error, Reality, Heart

“Not the least among the arguments whose consideration should dispose us to welcome among us the peoples of all countries, nationalities and colors, is the fact that all races and varieties of men are improvable. This is the grand distinguishing attribute of humanity, and separates man from all other animals. If it could be shown that any particular race of men are literally incapable of improvement, we might hesitate to welcome them here. But no such men are anywhere to be found, and if they were, it is not likely that they would ever trouble us with their presence. The fact that the Chinese and other nations desire to come and do come is a proof of their capacity for improvement and of their fitness to come.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

1860s, Our Composite Nationality (1869)

Men, People, Animals, Country

“E = mc2 really applies only to isolated bodies at rest. In general, when you have moving bodies, or interacting bodies, energy and mass aren't proportional. E = mc2 simply doesn't apply. …For moving bodies, the correct mass-energy equation is
E=\frac {mc^2} {\sqrt{1-\frac{v^2} {c^2}}}
where v is the velocity. For a body at rest (v=0), this becomes E = mc2. …we must consider the special case of particles with zero mass… examples include photons, color gluons, and gravitons. If we attempt to put m = 0 and v = c in our general mass-energy equation, both the numerator and denominator on the right-hand-side vanish, and we get the nonsensical relation E = 0/0. The correct result is that the energy of a photon can take any value. …The energy E of a photon is proportional to the frequency f of the light it represents. …they are related by the Planck-Einstein-Schrödinger equation E = hf, where h is Plank's constant.”

Frank Wilczek (1951) physicist

when the velocity <math>v</math> approaches the speed of light c, the denominator approaches 0 thus E approaches infinity, unless m = 0.
Source: The Lightness of Being – Mass, Ether and the Unification of Forces (2008), Ch. 3, p. 19 & Appendix A

Light

“[I] launched a new offensive against the fortress of painting. First, white thinned out in linseed oil as a general base. Second, color the entire surface lightly by applying very large areas of different colors that swim into one other and that must remain free of any effect of chiaroscuro. Third, a drawing, independent of and substituting for the unformulated tonal values. Then, at the end, some bass notes to ward off flabbiness, not too dark, but colored bass notes. This is the style that connects drawing and the realm of color, a saving transfer of my fundamental graphic talent into the domain of painting”

Paul Klee (1879–1940) German Swiss painter

Quote (1911), Diary # 875; as cited by Francesco Mazzaferro, in 'The Diaries of Paul Klee Part Four', : Klee as an Expressionist and Constructivist Painter http://letteraturaartistica.blogspot.nl/2015/05/paul-klee-ev27.htmlparagraph 1911 - 1914

Drawing, Painting

“The great difficulty in forming legitimate governments is in persuading those forming the governments that those who are to be their fellow citizens are equal to them in the rights, which their common government is to protect. Catholics and Protestants in sixteenth-century Europe looked upon each other as less than human, and slaughtered each other without pity and without compunction. It was impossible for there to be a common citizenship of those who did not look upon each other as possessing the same right of conscience. How one ought to worship God cannot be settled by majority rule. A majority of one faith cannot ask a minority of another faith to submit their differences to a vote. George Washington, in 1793, said that our governments were not formed in the gloomy ages of ignorance and superstition, but at a time when the rights of man were better understood than in any previous age. Washington was right, in that such rights were, in the latter part of the eighteenth century, in America, better understood. But they were not perfectly understood, as the continued existence of chattel slavery attests. A difference concerning the equal rights of persons of color made the continued existence of a common government of all Americans impossible. A great civil war had to be fought, ending the existence of slavery, reuniting the nation and rededicating it to the proposition that all men are created equal.”

Harry V. Jaffa (1918–2015) American historian and collegiate professor

2000s, The Central Idea (2006)

Men, God, War, Age

“She stood at the gate, waiting; behind her the swamp, in front of her Colored Town, beyond it, all Maxwell. Tall and slim and white in the dusk, the girl stood there, hands on the picket gate.”

Lillian Smith (author) book Strange Fruit

Strange Fruit (1944) First lines

Girl, Waiting

“In Europe at the beginning of the twentieth century, the Fauves – Matisse, Derain – were using bright colours in their full intensity, which continued with Kandinsky, Malevich, Kirchner, Léger and Mondrian. They employed all the colours of the spectrum. In the 1940's and 1950's the majority of the Abstract Expressionists in New York rebelled against this European use of colour and mostly used mixed colours. That is, the Abstract Expressionists did use bright colours sometimes, but they tended to paint wet-on-wet, which muddled their hues. As Matisse would say, a small patch of any one colour is far less intense than a large one of the same colour. I returned in 1954 [from Paris] to New York and showed paintings done in France at the Betty Parsons Gallery in 1956 with bright colours that wouldn’t really be used until the Pop artists in the 1960's. My idea of using colour at its full intensity, which began with Colors for a Large Wall, hasn’t changed in the 60 years that I’ve been painting.”

Ellsworth Kelly (1923–2015) American painter, sculptor, and printmaker

1981 - 2008
Source: 'Colour Chart I', interview with Christoph Grunenberg, 1 May 2009; 'Sixty years at full intensity', Tate 2009

Idea, Change, Painting

“I think it's different kinds of minds, and the recognition that certain mental deficiencies may actually have some selective advantages in terms of activities. We've lost a lot of the barriers that have to do with skin color and with various other characteristics. But there's still not sufficient recognition of mental diversities. And we don't all have to think alike to be communal and to live in a productive and satisfying world.”

Vernon L. Smith (1927) American economist

"Mildest autism has 'selective advantages'," 2005

World, Communication, Thinking

“I leave it to your discretion to strike or not, but the American colors must not be pulled down over my head today.”

Oliver Hazard Perry (1785–1819) United States Naval Officer

Final instructions to Lieutenant John Joliffe Yarnall, upon leaving the disabled Lawrence in the Battle of Lake Erie (10 September 1813)

“Of all the colors I ordered: the three chromes, the Prussian blue, the emerald, the crimson lakes, the malachite green, all the orange lead, hardly one of them is to be found on the Dutch palette, in Maris, in Mauve or Israels - [all contemporaries of Vincent, Dutch painters of the Hague School. ]”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote in his letter to brother Theo, from Arles, France, Spring 1888; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 476), p 31 1880s, 1888

School

“But there are constants. The first is anxiety, because you have to reinvent an entire personal universe from that of another, understanding the film, its form, its rhythm, its colors.”

François-Eudes Chanfrault (1974–2016) Composer and musician

CinemaFantastique.net interview (October 2, 2008)

Understanding, Universe, Personality

“Immediately and definitively [after starting a painting] I determine the effect of sunlight, day and shadow, without being concerned with any detail. This enable me to see in the started painting the whole of it, which my mind already saw before I begun to work - I see it appearing on the panel or canvas rather soon and can consider in this way the harmony of the composed objects and colors.”

Barend Cornelis Koekkoek (1803–1862) painter from the Northern Netherlands

(original Dutch, citaat van B.C. Koekkoek:) Ik bepaal dadelijk en voor vast [nadat ik een schilderij begin] het effect van zonlicht, dag en schaduw, zonder mij met eenige uitvoerigheid op te houden. Hierdoor ben ik in staat gesteld, om in mijne aangelegde schilderij een geheel, dat mijn geest reeds vóór dat ik begon te arbeiden zag, binnen korten tijd op het paneel of doek te zien, en over de harmonie de zamengestelde voorwerpen en kleuren te kunnen oordelen..
Source: Herinneringen aan en Mededeelingen van…' (1841), p. 99:

Way, Appearance, Painting

“Oh, to live on Sugar Mountain
With the barkers and the colored balloons,
You can't be twenty on Sugar Mountain
Though you're thinking that
You're leaving there too soon,
You're leaving there too soon.”

Neil Young (1945) Canadian singer-songwriter

Sugar Mountain (1969)
Song lyrics

Mountain, Thinking

“Social equality is not a subject to be legislated upon, nor shall I ask that anything be done to advance the social status of the colored man, except to give him a fair chance to develop what there is good in him, give him access to the schools, and when he travels let him feel assured that his conduct will regulate the treatment and fare he will receive.”

Ulysses S. Grant (1822–1885) 18th President of the United States

1870s, Second Inaugural Address (1873)

School, Travel, Feeling, Chance

“You look rarther rash my dear your colors dont quite match your face.”

Daisy Ashford book The Young Visiters

Chapter 2 http://books.google.com/books?id=bfwsAAAAIAAJ&q=%22You+look+rarther+rash+my+dear+your+colors+dont+quite+match+your+face%22&pg=PA28#v=onepage The Young Visiters (1919)

“That the tragical fate of Tom, also, has too many times had its parallel, there are living witnesses, all over our land, to testify. Let it be remembered that in all southern states it is a principle of jurisprudence that no person of colored lineage can testify in a suit against a white, and it will be easy to see that such a case may occur, wherever there is a man whose passions outweigh his interests, and a slave who has manhood or principle enough to resist his will. There is, actually, nothing to protect the slave's life, but the character of the master. Facts too shocking to be contemplated occasionally force their way to the public ear, and the comment that one often hears made on them is more shocking than the thing itself. It is said, "Very likely such cases may now and then occur, but they are no sample of general practice." If the laws of New England were so arranged that a master could now and then torture an apprentice to death, would it be received with equal composure? Would it be said, "These cases are rare, and no samples of general practice"? This injustice is an inherent one in the slave system, — it cannot exist without it.”

Harriet Beecher Stowe book Uncle Tom's Cabin

Uncle Tom's Cabin (1852), Concluding Remarks

Life, Death, Fate, Law

“I had to find a way in each picture to change the drawing, shaping and tactile qualities to make these elements expressive; as the color had subsumed the possibility the possibility of these parts being on a equal basis of expressiveness.”

Kenneth Noland (1924–2010) American artist

Kenneth Noland, p. 10
Conversation with Karen Wilkin' (1986-1988)

Way, Change, Parting, Drawing

“I stopped reading the comics page a long time ago. It seems that whoever is in charge of what to put on that page is given an edict that states: “For God’s sake, try to be as bland as possible and by no means offend any one!” Thus, whenever something like Doonesbury would come along, it would be continually censored and, if lucky, eventually banished to the editorial pages. The message was clear: Keep it simple, keep it cute, and don’t be challenging, outrageous or political.
And keep it white!
It’s odd that considering all the black ink that goes into making the comics section (and color on Sundays) that you rarely see any black faces on that page. Well, maybe it’s not so odd after all, considering the makeup of most newsrooms in our country. It is even more stunning when you consider that in many of our large cities like New York, Los Angeles, or Chicago where the white population is barely a third of the overall citizenry, the comics pages seem to be one of the last vestiges of the belief that white faces are just…well, you know…so much more happy and friendly and funny!
Of course, the real funnies are on the front pages of most papers these days. That’s where you can see a lot of black faces. The media loves to cover black people on the front page. After all, when you live in a society that will lock up 30 percent of all black men at some time in their lives and send more of them to prison than to college, chances are a fair number of those black faces will end up in the newspaper.
Oops, there I go playing the race card. You see, in America these days, we aren’t supposed to talk about race. We have been told to pretend that things have gotten better, that the old days of segregation and cross burnings are long gone, and that no one needs to talk about race again because, hey, we fixed that problem.
Of course, nothing could be further from the truth. Sure, the “whites only” signs are down, but they have just been replaced by invisible ones that, if you are black, you see hanging in front of the home loan department of the local bank, across the entrance of the ritzy suburban or on the doors of the U. S. Senate”

Michael Moore (1954) American filmmaker, author, social critic, and liberal activist

100 percent Caucasian and going strong!
Foreword to "The Boondocks Treasury: a Right to be Hostile" by Aaron McGruder, (2003).
2003

Love, Men, God, Happiness

“The inference to be drawn from all this is, that the made-up and dogmatic Christianity of the Constantinian period is simply an offspring of the numerous conflicting sects, half-castes themselves, born of Pagan parents. Each of these could claim representatives converted to the so-called orthodox body of Christians. And, as every newly-born dogma had to be carried out by the majority of votes, every sect colored the main substance with its own hue, till the moment when the emperor enforced this revealed olla-podrida, of which he evidently did not himself understand a word, upon an unwilling world as the religion of Christ. Wearied in the vain attempt to sound this fathomless bog of international speculations, unable to appreciate a religion based on the pure spirituality of an ideal conception, Christendom gave itself up to the adoration of brutal force as represented by a Church backed up by Constantine. Since then, among the thousand rites, dogmas, and ceremonies copied from Paganism, the Church can claim but one invention as thoroughly original with her — namely, the doctrine of eternal damnation, and one custom, that of the anathema.”

Helena Petrovna Blavatsky book Isis Unveiled

Source: Isis Unveiled (1877), Volume II, Chapter VII

World, Religion, Understanding, Parent

“The inequities in human relationships are many, but the lot of the Negro is one of the worst. Here in the south this fact is tragically evident. The poor colored people are kicked from pillar to post, condemned, cussed, ridiculed, accorded no respect, permitted no sense of human dignity. What can be done I don't know. Nearly everyone, particularly the southerners, seem to think the only problem involved is seeing to it that they keep their place, whatever that may be. We supposedly are fighting this war to obliterate the malignant idea of racial supremacy and master-slave relationships. When this war is over the colored problem is apt to be more difficult than ever. May wisdom, justice, brotherly love guide our steps to the right solution.”

Nile Kinnick (1918–1943) College football player

Journal entry (March 12, 1942)

Love, Wisdom, War, People

“Gandhi arrived in South Africa in 1893 at the age of 23. Within a week he collided head on with racism. His immediate response was to flee the country that so degraded people of color, but then his inner resilience overpowered him with a sense of mission, and he stayed to redeem the dignity of the racially exploited, to pave the way for the liberation of the colonized the world over and to develop a blueprint for a new social order.
He left 21 years later, a near maha atma (great soul). There is no doubt in my mind that by the time he was violently removed from our world, he had transited into that state.
He was no ordinary leader. There are those who believe he was divinely inspired, and it is difficult not to believe with them. He dared to exhort nonviolence in a time when the violence of Hiroshima and Nagasaki had exploded on us; he exhorted morality when science, technology and the capitalist order had made it redundant; he replaced self-interest with group interest without minimizing the importance of self. In fact, the interdependence of the social and the personal is at the heart of his philosophy. He seeks the simultaneous and interactive development of the moral person and the moral society.”

Nelson Mandela (1918–2013) President of South Africa, anti-apartheid activist

2000s, The Sacred Warrior (2000)

People, Age, World, Way

“On the other hand, the artist has much to do in the realm of color construction, which is so little explored and so obscure, and hardly dates back any farther than to the beginning of Impressionism.”

Robert Delaunay (1885–1941) French painter

Quote in: Herschel Browning Chipp Theories of Modern Art: A Source Book by Artists and Critics http://books.google.co.in/books?id=zvbyDtOaNVgC&pg=PA318, University of California Press, 1968, p. 318 1915 - 1941

“The real world with its common logic pushes us toward catastrophe. The artists seek in his work to free himself from this weight. Art is being transformed into politics, love into trade, education into an apparatus for stifling the mind. In the midst of such horrors, clearly only the dream within me has life. But how do other people live? -There is color, virginal expression - new, without a cage, without routine, without limit, a bath of sun and light. We must realize that nothing man does is of any value. The trouble is that people want to be paid. Only sick men can be artists. Their suffering pushes them into the accomplishment of deeds which reinvest the world with meaning. The sensitive man or the artist can only be a sick man in our civilized life, so full of lies. To think of art as a profession, how appealing!”

Bram van Velde (1895–1981) Dutch painter

Painting is man in the face of his downfall.
1960's
Source: Abstract Painting, Michel Seuphor, Dell Publishing Co., 1964, p. 134

Love, Life, Men, People

“As I wanted to suggest a luxuriant and untamed type of nature, a tropical sun that sets aglow everything around it, I was obliged to give my figures a suitable setting.It is indeed the outdoor life — yet intimate at the same time, in the thickets and the shady streams, these women whispering in an immense palace decorated by nature itself, with all the riches that Tahiti has to offer. This is the reason behind all these fabulous colors, this subdued and silent glow."But none of this exists!""Oh yes it does, as an equivalent of the grandeur, the depth, the mystery of Tahiti, when you have to express it on a canvas measuring only one square meter."Very subtle, very knowing in her naïveté is the Tahitian Eve. The riddle hiding in the depth of her childlike eyes is still incommunicable to me.”

Paul Gauguin (1848–1903) French Post-Impressionist artist

Source: 1890s - 1910s, The Writings of a Savage (1996), p. 137: Diverse Choses, his notebook (1896 - 1898)

Life, Women, Nature, Time

“Color doesn't work unless it works in space. Color alone is just decoration - you might as well be making a shower curtain.”

Helen Frankenthaler (1928–2011) American artist

1970s - 1980s, interview with Deborah Salomon in 'New York Times', 1989

“As paint I use lightfast printing ink, usually pure, but also mixed. Mixing is not difficult at all, it but can happen in very different ways. Secret means are not applied, but I can not work on them, except in solitude (at sunshine). No one works in this way. I believe that no one else can obtain the same color effects, except after a lot of practice and experience. Sometimes one print goes up to 50 times under the printing-press. [I make] Never more than one piece per day.”

Hendrik Werkman (1882–1945) Dutch artist

version in original Dutch (origineel citaat van Hendrik Werkman, in het Nederlands):Als verf gebruik ik lichtechte drukinkt, meestal puur, ook wel gemengd. Het mengen is wel geen kunst maar kan zeer verschillend gebeuren. Geheime middelen worden niet toegepast, maar ik kan er niet aan werken, dan alleen in eenzaamheid (bij zonneschijn). Door niemand wordt op deze wijze gewerkt., ik geloof dat ook niemand anders dezelfde kleureffecten zou kunnen krijgen dan na veel oefening en ervaring. Soms gaat één druk tot 50 maal onder de pers. Nooit meer dan één ex. Per dag.
Quote from Werkman's letter (6.) to August Henkels, 24 Jan. 1941; as cited in H. N. Werkman - Leven & Werk - 1882-1945, ed. A. de Vries, J. van der Spek, D. Sijens, M. Jansen; WBooks, Groninger Museum / Stichting Werkman, 2015 (transl: Fons Heijnsbroek), p. 134
1940's

Secret, Way, Solitude, Time

“People have different professions, different points of view. They are like observers looking at the world through the narrow windows of an otherwise closed structure. Occasionally they assemble at the center and discuss what they have seen; then one observer will talk about a beautiful landscape with red trees, a red sky, and a red lake in the middle; the next one about an infinite blue plane without articulation; and the third about an impressive, five-floor-high building; they will quarrel. The observer on top of the structure (me) can only laugh at their quarrels-but for them the quarrels will be real and he (the observer on top) will be an unworldly dreamer. Real life… is exactly like that. Every person has his own well-defined opinions, which color the section of the world he percieves. And when people come together, when they try to discover the nature of the whole which they belong, they are bound to talk past each other; they will understand neither themselves nor their companions.”

Paul Karl Feyerabend book Killing Time

Pg 48.
Killing Time (1995)

Life, People, World, Beauty

“Maia lifted her gaze to watch low clouds briefly occult a brightly speckled, placid sea, its green shoals aflicker with silver schools of fish and the flapping shadows of hovering swoop-birds. The variegated colors were lush, voluptuous. Mixing with scents carried by the moist, heavy wind, they made a stew for the senses, spiced with fecund exudates of life.
The beauty was heavy-handed, adamantly consoling. She got the point—that life goes on.”

David Brin book Glory Season

Source: Glory Season (1993), Chapter 4 (p. 80)

Life, School, Beauty, Bird

“One shining morning, at the head of the Pacheco Pass, a landscape was displayed that after all my wanderings still appears as the most divinely beautiful and sublime I have ever beheld. There at my feet lay the great central plain of California, level as a lake thirty or forty miles wide, four hundred long, one rich furred bed of golden Compositae. And along the eastern shore of this lake of gold rose the mighty Sierra, miles in height, in massive, tranquil grandeur, so gloriously colored and so radiant that it seemed not clothed with light, but wholly composed of it, like the wall of some celestial city. Along the top, and extending a good way down, was a rich pearl-gray belt of snow; then a belt of blue and dark purple, marking the extension of the forests; and stretching along the base of the range a broad belt of rose-purple, where lay the miners' gold and the open foothill gardens — all the colors smoothly blending, making a wall of light clear as crystal and ineffably fine, yet firm as adamant. Then it seemed to me the Sierra should be called, not the Nevada or Snowy Range, but the Range of Light. And after ten years in the midst of it, rejoicing and wondering, seeing the glorious floods of light that fill it, — the sunbursts of morning among the mountain-peaks, the broad noonday radiance on the crystal rocks, the flush of the alpenglow, and the thousand dashing waterfalls with their marvelous abundance of irised spray, — it still seems to me a range of light.”

John Muir (1838–1914) Scottish-born American naturalist and author

" The Treasures of the Yosemite http://books.google.com/books?id=ZzWgAAAAMAAJ&pg=PA483", The Century Magazine, volume XL, number 4 (August 1890) pages 483-500 (at page 483) 1890s

Beauty, Way, Mountain, Light

“the possibility of dispersing colors through a given layout naturally appealed to me. The idea of putting a lot of color on the panel surfaces didn't. It would probably have been too strong an effect to live with. I wanted something more woven in. the interstices – that was suggested by I. M. Pei – suited me better because if one chose to look at them the eye would be moved along by the differences in color.”

Kenneth Noland (1924–2010) American artist

Kenneth Noland, p. 18
Conversation with Karen Wilkin' (1986-1988)

Idea, Nature, Strong

“You know well enough what I mean by youth and age;—something in the soul, which has no more to do with the color of the hair than the vein of gold in a rock has to do with the grass a thousand feet above it.”

Oliver Wendell Holmes (1809–1894) Poet, essayist, physician

The Autocrat of the Breakfast Table (1858)

Youth, Age, Soul, Grass

“A new view of the role of art and science in cartography is clearly needed. It is probably a mistake to view maps as objects that contain varied amounts of scientific or artistic content for which we must determine an appropriate balance (as both Keates, 1984, and Robinson, 1952, seem to, with Keates arguing for more art and Robinson for more science). Instead, it makes more sense to consider complementary artistic and scientific approaches to studying and improving maps, both of which can be applied to any given cartographic problem. The artistic approach is intuitive and holistic, achieving improvements through experience supplemented by critical examination (where critical examination implies expert appraisal of the results of our cartographic decision-making efforts). It draws on science in using perspective, understanding of human vision, color theory, and so on.”

Alan MacEachren (1952) American geographer

Source: How Maps Work: Representation, Visualization, and Design (1995), p. 9

Art, Understanding, Problem, Decision

“To work and create "for nothing," to sculpture in clay, to know one's creation has no future, to see one's work destroyed in a day while being aware that fundamentally this has no more importance than building for centuries — this is the difficult wisdom that absurd thought sanctions. Performing these two tasks simultaneously, negating on the one hand and magnifying on the other, it the way open to the absurd creator. He must give the void its colors.”

Albert Camus book The Myth of Sisyphus

The Myth of Sisyphus (1942), Absurd Creation

Wisdom, Way, Future

“I want to combine the NAACP with Mothers Against Drunk Driving. It's called Mothers Against the Advancement of Colored People.”

Zach Galifianakis (1969) American actor and comedian

Live at the Purple Onion (2007)

People

“If you saw the first painted color-studies that I made when I came here to Nuenen [1883] - and the present canvas [1885] - side by side - I think you'd see that as far as colour is concerned - things have livened up. I think that the question of the breaking of colours in the relationships of the colours will occupy you too one day. For as an art expert and critic, one must also, it seems to me - be sure of one's ground and have certain convictions. At least for one's own pleasure and to be able to give reasons, and at the same time one must be able to explain it in a few words to others, who sometimes turn to someone like you for enlightenment when they want to know something more about art.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote in his letter to Theo, from Amsterdam, 30 April 1885, http://vangoghletters.org/vg/letters/let497/letter.html Vincent refers to his famous painting Eaters' https://upload.wikimedia.org/wikipedia/commons/1/12/Vincent_van_Gogh_-_The_potato_eaters_-_Google_Art_Project.jpg'Potato 1880s, 1885

Pleasure, Art, Question, Thinking

“The alien stood in shadow and he looked, Enoch thought, more than ever like the cruel clown. His lithe, flowing body had the look of smoked, tanned buckskin. The patchwork color of his hide seemed to shine with a faint luminescence and the sharp, hard angles of his face, the smooth baldness of his head, the flat, pointed ears pasted tight against the skull lent him a vicious fearsomeness.
If one did not know him for the gentle character that he was, Enoch told himself, he would be enough to scare a man out of seven years of growth.”

Clifford D. Simak book Way Station

Source: Way Station (1963), Ch. 19

Past

“The means of expression is the optical mixture of tones, of tints (of local color and the illuminating color: sun, oil lamp, gas, etc.), that is, of the lights and of their reactions (shadows) following the laws of contrast, of gradation, of irradiation.”

Georges Seurat (1859–1891) French painter

Quotes, 1881 - 1890, Letter to Maurice Beaubourg', August 1890

Law, Light, Sun

“I had seen … the mistreatment and abuse of these elephants … and I was brought to tears. When you look at something like the circus and everyone's laughing and there's color and there's music and everything seems so great, but when you go right behind that door and they're in these crates all day long and then they're getting shocked and beat just so they can get up and dance around on a ball — it was just so sickening. … Stop going to the circus, don’t buy real fur, don’t buy a dog, go rescue a dog. You can’t keep supporting people who are doing this to helpless animals, at all.”

Olivia Munn (1980) American actress, comedian, model, television personality and author

“Olivia Munn's Exclusive Interview for PETA,” video on PETA's YouTube channel (27 April 2010) https://www.youtube.com/watch?v=v9Qcq2j2tKA.

People, Dogs, Music, Support

“At 8 o’clock, the [body] of the hall was nearly filled with an intelligent and respectable looking audience – The exercises commenced with a patriotic song by the Hutchinsons, which was received with great applause. The Rev. H. H. Garnett opened the meeting stating that the black man, a fugitive from Virginia, who was announced to speak would not appear, as a communication had been received yesterday from the South intimating that, for prudential reasons, it would not be proper for that person to appear, as his presence might affect the interests and safety of others in the South, both white persons and colored. He also stated that another fugitive slave, who was at the battle of Bull Run, proposed when the meeting was announced to be present, but for a similar reason he was absent; he had unwillingly fought on the side of Rebellion, but now he was, fortunately where he could raise his voice on the side of Union and universal liberty. The question which now seemed to be prominent in the nation was simply whether the services of black men shall be received in this war, and a speedy victory be accomplished. If the day should ever come when the flag of our country shall be the symbol of universal liberty, the black man should be able to look up to that glorious flag, and say that it was his flag, and his country’s flag; and if the services of the black men were wanted it would be found that they would rush into the ranks, and in a very short time sweep all the rebel party from the face of the country”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

Douglass Monthly https://web.archive.org/web/20160309192511/http://deadconfederates.com/tag/black-confederates/#_edn2 (March 1862), p. 623 1860s

Men, War, Exercises, Intelligence

“One of our fan-coloring biographers, who paints small men as very great, inquired of me lately with real affection too, whether he might consider as authentic, the change of my religion much spoken of in some circles. Now this supposed that they knew what had been my religion before, taking for it the word of their priests, whom I certainly never made the confidants of my creed. My answer was "say nothing of my religion. It is known to my God and myself alone. Its evidence before the world is to be sought in my life; if that has been honest and dutiful to society, the religion which has regulated it cannot be a bad one."”

Thomas Jefferson (1743–1826) 3rd President of the United States of America

Letter to John Adams (11 January 1817), published in The Works of Thomas Jefferson in Twelve Volumes http://oll.libertyfund.org/ToC/0054.php, Federal Edition, Paul Leicester Ford, ed., New York: G. P. Putnam's Sons, 1904, Vol. 12 http://oll.libertyfund.org/Texts/Jefferson0136/Works/0054-12_Bk.pdf, pp. 48–49 1810s

Life, Men, God, World

“Among all the disputes and uncertainties of the ethnographers about the races of Europe, one fact stands out clearly – namely, that we can distinguish a race of northerly distribution and origin, characterized physically by fair color of hair and skin and eyes, by tall stature and dolichocephaly (i. e. long shape of head), and mentally by great independence of character, individual initiative, and tenacity of will. Many names have been used to denote this type, …. It is also called the Nordic type.”

William McDougall (1871–1938) british psychologist

The Group Mind (p.159, Arno Press, 1973).

“Among the thirteenth-century windows the Western Rose alone seems to affect a rivalry in brilliance with the lancets, and carries it so far that the separate medallions and pictures are quite lost,— especially in direct sunshine,— blending in a confused effect of opals, in a delirium of color and light, with a result like a cluster of stones in jewelry. Assuming as one must, in want of the artist's instruction, that he knew what he wanted to do, and did it, one must take for granted that he treated the Rose as a whole, and aimed at giving it harmony with the three precious windows beneath. The effect is that of a single large ornament; a round breastpin, or what is now called a sun-burst, of jewels, with three large pendants beneath.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

Mont Saint Michel and Chartres (1904)

Light, Sun

“Government by thugs in the Bloody Centuries gave Barrayar many colorful historical incidents, suitable for high drama. I don't think it's a drama we wish to return to in real life.”

Lois McMaster Bujold Vorkosigan Saga

Vorkosigan Saga, A Civil Campaign (1999)

Life, Thinking

“Two hundred years ago there were two distinct and separate streams of human life running through this country. They stood at opposite extremes of ethnological classification: all black on the one side, all white on the other. Now, between these two extremes, an intermediate race has arisen, which is neither white nor black, neither Caucasian nor Ethiopian, and this intermediate race is constantly increasing. I know it is said that marital alliance between these races is unnatural, abhorrent and impossible; but exclamations of this kind only shake the air. They prove nothing against a stubborn fact like that which confronts us daily and which is open to the observation of all. If this blending of the two races were impossible we should not have at least one-fourth of our colored population composed of persons of mixed blood, ranging all the way from a dark-brown color to the point where there is no visible admixture. Besides, it is obvious to common sense that there is no need of the passage of laws, or the adoption of other devices, to prevent what is in itself impossible.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

1880s, The Future of the Colored Race (1886)

Life, Law, Way, Sense

“The black people I knew came from different places and backgrounds- social, economic, even ethnic- yet the color of our skin was somehow supposed to make us identical in spite of our differences. I didn't buy it. Of course we had all experienced racism in one way or another, but did that mean that we had to think alike?”

Clarence Thomas (1948) Associate Justice of the Supreme Court of the United States

Page 62
2000s, (2008)

People, Way, Thinking

“I met Sophie Taeuber in Zurich in 1915. Even then she already knew how to give direct and palpable shape to her inner reality. In those days this kind of art was called 'abstract art'. Now it is known as 'concrete art,' for nothing is more concrete than the psychic reality it expresses. Like music this art is tangible inner reality she was already dividing the surface of a watercolor into squares and rectangles which she juxtaposed horizontally and perpendicularly. She constructed her painting like a work of masonry. The colors are luminous, going from rawest yellow to deep red or…. blue.”

Hans Arp (1886–1966) Alsatian, sculptor, painter, poet and abstract artist

Arp's quote on his wife, in 'Sophie Taeuber-Arp', Hans Arp; in Arp on Arp: Poems, Essays, Memories, ed. Marcel Jean, transl. Joachim Neugroschel; Viking Press, New York 1972, p. 222
1910-20s

Art, Music, Reality, Painting

“It was truly revealing. The strength of the intervention, the intensity of colors and the happiness of this work, has never left me.”

Bram van Velde (1895–1981) Dutch painter

Quote about the painting 'Piano lesson' of Matisse, Van Velde saw around 1925 for the first time and inspired him strongly during the 1930's
1970's
Source: article Schilder Bram van Velde in Dordrecht, by Paul Groot, newspaper NRC Handelsblad, 1979 (English translation: Charlotte Burgmans)

Happiness

“You are what is keeping and making the black race look bad. Wake up fool. Do not glorify this half a man, he has worked for nothing. He chose to keep himself where he is, not the white people. It is time to take responsibility for your own actions, and not act like a stinking fool. Kids and young black men and women look at this site, and believe that they are abused. That is a bold-faced lie. It is out of the mouths of cheap thugs like you that are hurting our young and taking away the chances they have to make themselves a productive part of society. Brothers and sisters, the only slavery in America now is the one you put yourself into. Rise up like Doctor King as taught us, and be a real human being. We are all in this togehter, white and black. Peace to all, and I hope this stupid fake hate stops real soon. We are all brothers and sisters. Do not be fooled by the tyranny of evil men like this. Lift yourself up, educate yourselves, and work hard for a good life. No one owes you anything. Stand proud as a person of color, and do something meaningful with your life. I did and I am the best at what I do! Peace out, R. Sherman.”

Richard Sherman (American football) (1988) American football player

Posted on a website under the alias "RSherman25", quoted in "Richard Sherman Blasts 'Black Lives Matter' Activist" https://web.archive.org/web/20150916235759/http://newsbusters.org/blogs/culture/dylan-gwinn/2015/09/14/richard-sherman-blasts-black-lives-matter-activist (14 September 2015), by Dylan Gwinn, NewsBusters (2015), Reston, Virginia: Media Research Center. Sherman has said that although he agreed with some of the sentiments expressed, he did not write or say this http://www.seattletimes.com/sports/seahawks/video-richard-sherman-speaks-passionately-on-black-lives-matter/. Misattributed

Life, Women, Men, Hate

“Christianity is a love relationship with Christ far below—or above, if you like—differences of belief or different ways of worshiping, far above differences of language or of color.”

Leslie Weatherhead (1893–1976) English theologian

Source: The Christian Agnostic (1965), p.28

Love, Way, Christ

“It is a melancholy reflection that our modes of population have been more destructive to the Indian natives than the conduct of the conquerors of Mexico and Peru. The evidence of this is the utter extirpation of nearly all the Indians in the most populous parts of the Union. A future historian may mark the causes of this destruction of the human race in sable colors. Although the present Government of the United States cannot with propriety be involved in the oppropbrium, yet it seems necessary however, in order to render their attention upon this subject strongly characteristic of their justice, that some powerful attempts should be made to tranquilize the frontiers, particularly those south of the Ohio.”

Henry Knox (1750–1806) Continental Army and US Army general, US Secretary of War

Report by then Secretary of War Henry Knox to the president http://www2.hawaii.edu/~rrath/hist281/IndianPolicyNewNation.html, 1790.

Justice, Future, Parting

“The subject reports itself, it is never looked for. Afterwards a small drawing will follow for the color-planes which are determined immediately. These colors will be printed by large logs and updated and enlivened with the hand-roller. For pressing I use an old hand-press with lever (from c. 1800)... Sometimes it is necessary to press heavily, other times only very light. Sometimes one half of the block is rolled in [with ink] bold, the other half only skimpy. By first printing sometimes the first layer of paint on a piece of paper, a gentle tint appears which is then printed on the original. Another time I print the first print of the paper back on the original... As soon as the color-planes have been applied, the first state is reached, so to say..
.. Of course all kinds of side-steps can be made, while working. In case of enlivening the picture - both in terms of color or decoration - the main goal I always keep in mind.”

Hendrik Werkman (1882–1945) Dutch artist

version in original Dutch (origineel citaat van Hendrik Werkman, in het Nederlands): Het onderwerp meldt zichzelf en wordt nooit gezocht, daarna volgt een kleine tekening voor de kleurvlakken die meteen vaststaan. Deze kleuren worden met groote houtblokken gedrukt en met de handrol bijgewerkt en verlevendigt. Als pers gebruik ik een oude handpers met hefboom (c. 1800).. .Soms is het noodig zwaar te drukken, soms heel licht; soms wordt de ene helft van het blok vet ingerold [met inkt], de andere helft schraal, ook wordt door eerst op een stuk papier de eerste laag verf af te drukken een lichte tint gekregen die dan op het origineel afgedrukt wordt, een andere keer druk ik de eerste druk van het papier weer op het origineel af.. Zijn de kleurvlakken aangebracht, dan is als het ware de eerste staat bereikt..
.Het spreekt vanzelf dat onder het werk verschillende zijsprongetjes gemaakt kunnen worden. Ter verlevendiging, zowel wat kleur als wat versiering aangaat: het hoofddoel staat steeds voor oogen.
Quote from Werkman's letter (6.) to August Henkels, 24 Jan. 1941; as cited in H. N. Werkman - Leven & Werk - 1882-1945, ed. A. de Vries, J. van der Spek, D. Sijens, M. Jansen; WBooks, Groninger Museum / Stichting Werkman, 2015 (transl: Fons Heijnsbroek), p. 134
1940's

Light, Appearance, Time, Drawing

“Color is one of the great things in the world that makes life worth living to me and as I have come to think of painting it is my effort to create an equivalent with paint color for the world – life as I see it.”

Georgia O'Keeffe (1887–1986) American artist

1930s

Life, World, Thinking, Effort

“Ever since my extraordinary encounter with that big cream-colored wolf in the zoo near Thetford, I had wanted to see and know more about these creatures that had so preyed on my imagination as a child. I began reading natural history books, and a lot of what I had learned about foxes from years of watching them seemed applicable to what I was reading about wolves. Foxes were being cruelly and systematically persecuted because of a reputation I knew they didn't deserve; mankind had gone one further with wolves and exterminated them from most parts of the world. I began to wonder whether all the negative stories I had heard about wolves as I was growing up were any more reliable than the falsehoods I had been told about their small, red cousins.”

Shaun Ellis (1977) American football player, defensive end

The Man who lives with Wolves (2010)

Books, World, Imagination, History

“Translation:I have spend a long time thinking, the arbitrators who holds the power calling others cheap, I don't see how elegant they are, for example, it is cheap to go for a $100 prostitute, but to spend one million on a show girl(singers or actress) is elegant, looking at porno is cheap, reading Red Head documents(all Communist documents have red color heading) is elegant, it is cheap to buy a replica gun, it is elegant to gun down two men in one go, it is cheap to play World of Warcraft, it is elegant to have sex with fashion models…”

Han Han (1982) Chinese writer and racing driver

From Han Han's blog: Beginning from today, I shall be a cheap man. 从今天起，做一个低俗的人 http://blog.sina.com.cn/s/blog_4701280b0100gnj4.html

Men, World, Sex, Girl

“The colored people of this country know and understand the white people better than the white people know and understand them.”

James Weldon Johnson book The Autobiography of an Ex-Colored Man

The Autobiography of an Ex-Colored Man, ch. 2 (1912).

People, Understanding, Country

“It is only after years of preparation that the young [artist] should touch color — not color used descriptively, that is, but as a means of personal expression.”

Henri Matisse (1869–1954) French artist

As quoted by Theodore F. Wolff in The Christian Science Monitor (25 March 1985)
Posthumous quotes

Personality

“The Irish moved from semi-slavery in Ireland to freedom in America only a few years before the Negro gained emancipation. After a century and a quarter, or less, the Irish are a leading power in the United States, and the Negroes remain on the lowest strata. The basic difference between the Irish and the Negro has not been color: it has been character. The Negroes demand more aid, i. e., more slavery and slave-care, and dwell on their sufferings. The Irish have instead looked to the present and future and helped shape America. It is a significant difference that cannot be explained altogether by color or environment. The Chinese also came to the United States under very difficult circumstances and similarly overcame them.”

Rousas John Rushdoony (1916–2001) American theologian

Source: Writings, Politics of Guilt and Pity (1978), p. 19

Freedom, Suffering, Future, Help

“A colorful hanging chart with no lines.
A pure algebra problem with no solution.”

Shu Ting (1952) Chinese writer

"Missing You" (1978), in Out of the Howling Storm: The New Chinese Poetry, ed. Tony Barnstone (Wesleyan University Press, 1993), p. 61

Problem

“Listen, can anyone deviate from his real nature? If he does, it cannot be called his real nature; for it is changeable. Man's real nature is covered by a dense cloud of ignorance, and consequently he appears to be something different, but that does not mean he has deviated from his real nature…. Haven't you seen those polishing shops at Mechuabazar in Calcutta where they have glass jars filled with colored liquids? The metal worker takes a tarnished brass pot and dips it into a jar, and instantly all the tarnish goes away and the pot starts to glitter. Then he dips it into another jar and it turns a golden color. Similarly, dip your mind in the jar of the Lord's name, and all the unclean stuff will be washed away. Then dip it in the jar of the Lord's grace. You will see how beautifully your real nature will shine forth.”

Swami Adbhutananda Disciple

Source: God Lived with Them, p.434

Nature, Appearance

“Living with the conditions of slavery and then later segregation, many Negroes lost faith in themselves. Many came to feel that perhaps they were less than human, perhaps they were inferior. But then something happened to the Negro. Circumstances made it possible and necessary for him to travel more. The coming of the automobile, the upheavals of two world wars, the great depression. So his rural plantation background gradually gave way to urban industrial life. His economic life was gradually rising and even his cultural life was gradually rising through the steady decline of crippling illiteracy. All of these forces conjoined to cause the Negro to take a new look at himself. His religion revealed to him that God loves all of his children and that all men are made in His image. That the basic thing about a man is not his specificity but his fundamental. Not the texture of his hair or the color of his skin but his eternal dignity and worth.”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

"Social Justice and the Emerging New Age" address at the Herman W. Read Fieldhouse, Western Michigan University (18 December 1963)
1960s

Love, Life, Men, God

“The dinosaurs are not extinct. The colorful and successful diversity of the living birds is a continuing expression of basic dinosaur biology.”

Robert T. Bakker (1945) American paleontologist

"Dinosaur Renaissance", Scientific American 232, no. 4 (April 1975), 58—78
Dinosaur Renaissance (1975)

Bird, Success

“I believe it is a mistake for Marxists to lose sight of the value of the Black feminist tradition--including the concept of intersectionality, both in its contribution to combatting the oppression of women of color, working-class women and the ways in which it can help to advance Marxist theory and practice.”

Sharon Smith (writer) (1956) American historian

A Marxist Case For Intersectionality (2017)

Women, Way, Help

“This blue is the light that got lost. Light at the blue end of the spectrum does not travel the whole distance from the sun to us. It disperses among the molecules of the air, it scatters in water. Water is colorless, shallow water appears to be the color of whatever lies underneath it, but deep water is full of this scattered light, the purer the water the deeper the blue. The sky is blue for the same reason, but the blue at the horizon, the blue of land that seems to be dissolving into the sky, is a deeper, dreamier, melancholy blue, the blue at the farthest reaches of the places where you see for miles, the blue of distance. This light that does not touch us, does not travel the whole distance, the light that gets lost, gives us the beauty of the world, so much of which is in the color blue.”

Rebecca Solnit (1961) Author and essayist from United States

A Field Guide to Getting Lost (2005)

World, Beauty, Travel, Light

“I was not more than thirteen years old, when in my loneliness and destitution I longed for some one to whom I could go, as to a father and protector. The preaching of a white Methodist minister, named Hanson, was the means of causing me to feel that in God I had such a friend. He thought that all men, great and small, bond and free, were sinners in the sight of God: that they were by nature rebels against His government; and that they must repent of their sins, and be reconciled to God through Christ. I cannot say that I had a very distinct notion of what was required of me, but one thing I did know well: I was wretched and had no means of making myself otherwise. I consulted a good old colored man named Charles Lawson, and in tones of holy affection he told me to pray, and to 'cast all my care upon God'. This I sought to do; and though for weeks I was a poor, broken-hearted mourner, traveling through doubts and fears, I finally found my burden lightened, and my heart relieved. I loved all mankind, slaveholders not excepted, though I abhorred slavery more than ever. I saw the world in a new light, and my great concern was to have everybody converted. My desire to learn increased, and especially, did I want a thorough acquaintance with the contents of the Bible”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

Source: 1880s, Life and Times of Frederick Douglass (1881), pp. 110–111.

Love, Men, God, World

“I insist on establishing the following dates indicating my prior paternity, [and the discussions that I held]
1884, 'Grande Jatte' study, exhibition of the Independants
1884-1885, 'Grande Jatte' composition
1885, studies at the 'Grande Jatte' and at Grandcamp; I took up again the 'Grande Jatte' composition October 1886. 4 October [18]85 I make Pissarro's acquaintance at Durand-Ruel's.
1886, January or February, a small canvas by Pissarro, divided and pure color, at Clozet's, the dealer on the Rue de Chateaudun.”

Georges Seurat (1859–1891) French painter

Quotes, 1881 - 1890, Letter to Félix Fénéon', June 1890

Study

“(When asked who the three finest old time guitarists were) Well, I would have to pick Travis, you know; I think he's a great man with his music, and there's been many a man that's copied from Merle. You know, they say he learned from a man in Kentucky. Well, I know this Mose Rager he learned from, he learned from Arnold Shultz, the man I speak of, a colored man, in playing the blues. So I think it all leads back to this old colored man back in Kentucky.”

Bill Monroe (1911–1996) American bluegrass musician

Music, Thinking, Learning, Time

“One very hot day when he and I were out with Mom, we got very thirsty and started to walk over to a public water fountain. Mom reminded us that we must use the "coloreds" fountain. Being somewhat rambunctious, however, we made sure no one was watching us, and then we drank, first from the forbidden "whites only" fountain, and after that from the "coloreds" fountain. Then we looked at each other and said, "You know what? The 'whites only' water tastes just the same as the 'coloreds' does!"”

Herman Cain (1945) American writer, businessman and activist

pp. 24-25 http://books.google.com/books?id=hdhWF9bVqXwC&pg=PA24 2010s, This is Herman Cain!: My Journey to the White House (2011)

Moms, Water

“Our visual discrimination is far better than our linguistic system at dealing with complex ratios and continuous variations in space, line, shape, and color.”

Jay Lemke (1946) American academic

Source: Textual politics: Discourse and social dynamics, 1995, p. 110

“A man shows a narrowness of mind and becomes unworthy of his humanity by refusing any privilege to his fellow man because he is colored. Every prejudice entertained, every breach of justice and charity against a fellow-citizen because of color is a stain flung upon the banner of our liberty that floats over us.”

John Ireland (bishop) (1838–1918) Catholic bishop

Sermon at St. Augustine Catholic Church (1890)

Justice

“Negroes are not the only poor in the nation. There are nearly twice as many white poor as Negro, and therefore the struggle against poverty is not involved solely with color or racial discrimination but with elementary economic justice….”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

1960s, Address to Local 815, Teamsters and the Allied Trades Council (1967)

Justice

“In the name of the dogma of struggle for existence and natural selection, they paint for us in the saddest colors this primitive humanity whose hunger and thirst, always badly satisfied, were their only passions; those sombre times when men had no other care and no other occupation than to quarrel with one another over their miserable nourishment. To react against those retrospective reveries of the philosophy of the eighteenth century and also against certain religious doctrines, to show with some force that the paradise lost is not behind us and that there is in our past nothing to regret, they believe we ought to make it dreary and belittle it systematically. Nothing is less scientific than this prejudice in the opposite direction. If the hypotheses of Darwin have a moral use, it is with more reserve and measure than in other sciences. They overlook the essential element of moral life, that is, the moderating influence that society exercises over its members, which tempers and neutralizes the brutal action of the struggle for existence and selection. Wherever there are societies, there is altruism, because there is solidarity.”

Émile Durkheim (1858–1917) French sociologist (1858-1917)

Source: The Division of Labor in Society (1893), p. 153

Life, Men, Hunger, Exercises

“So I think we need a new plan. Next time a country wants to take us on, 'stead of sending bombs, let's try this: send everyone in the country a color television and a satellite dish. And give 'em the basic package, not HBO — screw those people. And before the war starts, we make them all sit down. "Okay, we'll go to war with you. You want a piece of us, fine, fine. Before we go, I want you guys to understand us a little better, so you have to sit down and watch ESPN2 for 24 hours. 'Cause you watch ESPN2 for a full day, you're gonna understand America a lot better. 'Hi, we're America! We build monster trucks for fun! We developed the top fuel dragster, zero to three hundred thirty miles an hour in under five seconds, cause, pfft, we were bored. Piss us off, heh, and see what we build! And we may feel bad about it later! Ask Japan. But before we feel bad…we're gonna jack you up! And then we're gonna send you FOOD! 'Cause we're America; we're schizophrenic. Don't mess with a nation that needs medication!'"”

Christopher Titus (1964) actor, writer, podcaster

The Fifth-Annual End-of-the-World Tour (2007)

War, People, Food, Guy

“We started out in the middle ages creating music which had certain desirable physical properties (for example, a major chord sounds "nice" because the frequencies are in integer ratios to each other). And then as society evolved, we created these emotional contexts for certain instruments and progressions. Major-chord arpeggios sound "happy", minor chords sound "sad", chromatic scales can sound "scary", et cetera. In the 20th century, film soundtracks reinforced this point as people associated certain kinds of music with certain visual and emotional experiences. It's a giant feedback loop, really; once you grow up in a given culture, it leaves this musical fingerprint on you which colors your experiences.”

Andrew Sega (1975) musician from America

Andrew Sega Shrine interview, 2011

Happiness, People, Age, Sadness

“You can always tell an old battlefield where many men have lost their lives. The next spring the grass comes up greener and more luxuriant than on the surrounding countryside; the poppies are redder, the corn-flowers more blue. They grow over the field and down the sides of the shell holes and lean, almost touching, across the abandoned trenches in a mass of color that ripples all day in the direction that the wind blows. They take the pits and scars out of the torn land and make it a sweet, sloping surface again. Take a wood, now, or a ravine: In a year's time you could never guess the things which had taken place there.”

William March book Company K

Company K (1933)

Men, Spring, Flowers, Grass

“The future painter must feel what is useful for his development – drawing or even sculpture everything that will let him become one with Nature, identify himself with her, by entering into the things – which is what I call Nature – that arouse his feelings. I believe study by means of drawing is most essential. If drawing is of the Spirit and color of the Senses, you must draw first, to cultivate the spirit and to be able to lead color into spiritual paths.”

Henri Matisse (1869–1954) French artist

In a letter to Mr. Clifford, February 14, 1948; as quoted in Letters of the great artists – from Ghiberti to Gainsborough, Richard Friedenthal, Thames and Hudson, London, 1963, pp. 238-239
1940s

Feeling, Nature, Sense, Study

“He [Tinky Winky] is purple—the gay-pride color, and his antenna is shaped like a triangle—the gay pride symbol.”

Jerry Falwell (1933–2007) American evangelical pastor, televangelist, and conservative political commentator

"Parents Alert: Tinky Winky Comes Out of the Closet" (February 1999), National Liberty Journal, quoted in [1999-02-15, Gay Tinky Winky bad for children, BBC News, http://news.bbc.co.uk/2/hi/entertainment/276677.stm]
about Tinky Winky, a character on the children's program Teletubbies

“There's colors on the street
Red, white and blue
People shufflin' their feet
People sleepin' in their shoes
But there's a warnin' sign
On the road ahead
There's a lot of people sayin'
We'd be better off dead.
Don't feel like Satan,
But I am to them.
So I try to forget it,
Any way I can.”

Neil Young (1945) Canadian singer-songwriter

Rockin' in the Free World
Song lyrics, Freedom (1989)

People, Shoe, Way, Feeling

“When your whole world is shaken from all the risks we have taken,
Dance with me, dance with me into the colors of the dusk.”

Ben Harper (1969) singer-songwriter and musician

Into the Colors.
Song lyrics, Lifeline (2007)

World, Dance

“He had thought the army would pay for the voyage, but the army had refused, saying that Sharpe was accepting an invitation to join the 95th Rifles and if the 95th Rifles refused to pay his passage then damn them, damn their badly colored coats, and damn Sharpe. […] Britain had sent Sharpe to India, and Britain, Sharpe reckoned, should fetch him back.”

Bernard Cornwell (1944) British writer

Lieutenant Richard Sharpe, p. 11
Sharpe (Novel Series), Sharpe's Trafalgar (2000)

“As a man I ain’t never been much for sunny days.
I’m as calm as a fruit stand in New York and maybe as strange.
But when the color goes out of my eyes, it’s usually the change.
But damn, Sam, I love a woman that rains.”

Ryan Adams (1974) American alt-country/rock singer-songwriter

Damn Sam
29 (2005)

Love, Change

“Something traumatic happened to me when I was younger. I was with this old black woman, and she was very wise, very Alice Walker, The Color Purple…she looked at me and she says, "Baby…you know I used to be able to fly but I can't fly no more, baby. But baby, you…? You too fat to fly."”

Margaret Cho (1968) American stand-up comedian

From Her Tours and CDs, Drunk With Power CD

Baby, Flying

“Autumn colors remind us we are all one dancing in the wind.”

Lorin Morgan-Richards (1975) American poet, cartoonist, and children's writer

Quote included in list https://www.simonandschuster.com/getliterary/our-favorite-literary-quotes-about-autumn/ "11 of Our Favorite Literary Quotes about Autumn” (23 September 2019).

Autumn, Dance

“Actors work and slave — and it is the color of your hair that can determine your fate in the end.”

Helen Hayes (1900–1993) actress

Source: On Reflection (1968), Ch. 4

Fate

“He was learning that power—the great power that shattered lives and twisted the course of nations—was like a fog over a meadow at evening. From any distance, it seemed to have a shape, a substance, a color, an edge, yet as you approached it, it seemed to recede before you. Finally, when common sense said you were at its very center, it still seemed just as far away, only by this time it was on all sides, obscuring any vision of the world beyond it.”

Samuel R. Delany book Tales of Nevèrÿon

Section 2 (p. 37)
Tales of Nevèrÿon (1979)

World, Sense, Learning, Time

“As many colors of the rainbow are an outcome of one pure light, the many religions of the world are an expression of one divine source.”

Sadhguru (1957) Yogi, mystic, visionary and humanitarian

Pebbles of Wisdom

World, Religion, Light

“One of the deep mysteries to me is our logo, the symbol of lust and knowledge, bitten into, all crossed with the colors of the rainbow in the wrong order. You couldn't dream a more appropriate logo: lust, knowledge, hope and anarchy.”

Jean-Louis Gassée (1944) French businessman

Apple Confidential: The Real Story of Apple Computer, 1999
As President of Apple Products, speaking on the Apple logo

Dreams, Hope, Knowledge

“When a novel department store called Gigantti was opened in the capitol area a year or two ago, which promised gadgets of many colors for the stinking cheap price of 9:90, 99:90, 999:90; the parking field's rafts of metal plated beetles reached the horizon, and the human lines wriggling midst them in tens of thousands surpassed all the records of the good old Soviet Union. As I looked at those newspaper pictures, a tormented scream erupted from my lips: no democracy, for heaven's sake, no democracy! No common voting right, never! No, no, no!”

Pentti Linkola (1932) Finnish ecologist

Thoughts And Memories About The Old Educated Class - A View Into The Century's Ideological History (2000)

Democracy

“Certainly it is okay for them to play. I see no reason in the world why we shouldn't compete with colored athletes as long as they conduct themselves with politeness and gentility. Let me say also that no white man has the right to be less of a gentleman than a colored man, in my book that goes not only for baseball but in all walks of life.”

Ty Cobb (1886–1961) American baseball player

Responding to the impending integration of the Dallas Rangers, as quoted in "Between the Lines" http://www.mediafire.com/view/e8dga7hnpbb7tzk/BETWEEN_THE_LINES_THE_GREAT_T(2).jpg by Dean Gordon Hancock (ANP), in The Atlanta Daily World (February 10, 1952); reproduced in "The Knife in Ty Cobb’s Back" http://www.smithsonianmag.com/history/the-knife-in-ty-cobbs-back-65618032/ (30 August 2011), Smithsonian, by Gilbert King.

Life, Books, World