Kenneth Noland (1924–2010) American artist
Source: Color, Format and Abstract Art' (1977), pp. 99 – 105
Source: Semiology of graphics (1967/83), p. 61, as cited in: Jörg von Engelhardt (2002). The Language of Graphics: : A Framework for the Analysis of Syntax and Meaning in Maps, Charts and Diagrams. p. 27
Kenneth Noland (1924–2010) American artist
Source: Color, Format and Abstract Art' (1977), pp. 99 – 105
Umberto Boccioni (1882–1916) Italian painter and sculptor
in a letter of 12 Feb. 1912 from Paris, to his friend Nino Barbantini (director of the Ca' Pesaro in Venice); as cited in: Shannon N. Pritchard, Gino Severini and the symbolist aesthetics of his futurist dance imagery, 1910-1915 https://getd.libs.uga.edu/pdfs/pritchard_shannon_n_200305_ma.pdf Diss. uga, 2003, p. 67 <br class="br">1912
“Value perception dominates color perception.”
Jacques Bertin (1918–2010) French geographer and cartographer
Source: Semiology of graphics (1967/83), p. 87
Hans Hofmann (1880–1966) American artist
'Terms' p. 74
Search for the Real and Other Essays (1948)
Giovanni Morassutti (1980) Italian actor, theatre director and cultural entrepreneur.
Stated in the description of Video artwork Ribolla https://artelaguna.world/videoart/ribolla.30318/ , Arte Laguna World https://artelaguna.world/. Also quoted on visual art work Sauvignon https://www.wikiart.org/en/giovanni-morassutti/sauvignon, Series Wine & Art https://www.wikiart.org/en/giovanni-morassutti/all-works#!#filterName:Series_wine-art,resultType:masonry, Wikiart.org (28 April, 2020) https://www.wikiart.org/
Robert Delaunay (1885–1941) French painter
Quote in: 'Nous irons jusqu'au soleil', Delaunay; as cited in 'Futurism', ed. By Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 217
1915 - 1941
Kenneth Noland (1924–2010) American artist
Kenneth Noland, p. 22
Conversation with Karen Wilkin' (1986-1988)
Michael Harrington book The Other America
Source: The Other America (1962), p. 71
Context: The laws against color can be removed, but that will leave the poverty that is the historic and institutionalized consequence of color. As long as this is the case, being born Negro will continue to be the most profound disability that the United States imposes upon a citizen.