Quotes about colors (1678 quotes, page 14)

“As a people, we are fighting to maintain the Heaven-ordained supremacy of the white man over the inferior or colored race; a white flag would thus be emblematical of our cause.”

William Tappan Thompson (1812–1882) American humorist

Savannah Morning News (23 April 1863), As quoted in Our Flag: Origin and Progress of the Flag of the United States of America (1872), by George Henry Preble, Albany: Joel Munsell, pp. 416–417

People , Fight

“Sounds are indeed like colors, and my hunger for a truer palette of colors grows day to day.”

Mark Heard (1951–1992) American musician and record producer

Life in the Industry: A Musician's Diary

Hunger

“It is quite impossible, at this early date, to say with any decided emphasis what the future of the colored people will be. Speculations of that kind, thus far, have only reflected the mental bias and education of the many who have essayed to solve the problem.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

1880s, The Future of the Colored Race (1886)

People , Education , Problem , Future

“I'm interested in the mass and color, the black and the white, the edges happen because the forms get as quiet as they can be.”

Ellsworth Kelly (1923–2015) American painter, sculptor, and printmaker

Early 1960s : "Ellsworth Kelly, a Retrospective", ed. Diane Waldman, Guggenheim Museum, New York 1997, p. 11
1950 - 1968

“Summer fog. It leached all color and substance from the world, leaving only grays. Lead gray tombstone gray cobweb gray ash gray snot gray dust gray corpse gray. It was unheard-of that there be fog at this time of the year, late August. So it had to be another portent — as dire a one as the death of the One-Handed Warrior. There were many who said that the fog had its origin in the supercooled ashes of the hero: each molecule of his scattered body accreting water vapor, each tiny relic drawing to itself the air's own tears to fashion this wide-spreading shroud over the Many-Colored Land.”

Julian May (1931–2017) American science fiction, fantasy, horror, science and children's writer

The Adversary (Houghton Mifflin, 1984), ISBN 0-395-34410-7, p. 19 (opening lines of chapter 1)

Death , World , Fashion , Tear

“I want to tell the good people of this state as a judge of the 3rd Judicial Circuit, if I didn’t have what it took to treat a man fair regardless of his color, then I don’t have what it takes to be the governor of your great state.”

George Wallace (1919–1998) 45th Governor of Alabama

First gubernatorial campaign (1958), quoted in George Wallace: Conservative Populist (2004) by Lloyd Earl Rohler
1950s

People

“Today President Bush has failed the American people and especially people of color. Despite the lip service he and his party have given in recent weeks to building racial unity, his latest action seeks to perpetuate the current effects of past discrimination. … President Bush's decision to join this misguided attempt to resegregate our public institutions is regrettable.”

Jim Clyburn (1940) American politician

Reacting to Bush's decision to join the lawsuit opposing affirmative action in admitting students to the University of Michigan's law school
[16 January 2003, http://clyburn.house.gov/press/030116michiganaffirmativeaction.html, "Clyburn: Bush Administration Showing Its True Colors on Issues of Race", Representative Jim Clyburn, United States House of Representatives, 2007-07-24]

People , Decision , Past

“ Every individual word in a passage or poetry can no more be said to denote some specific referent than does every brush mark, every line in a painting have its counterpart in reality. The writer or speaker does not communicate his thoughts to us; he communicates a representation for carrying out, this function under the severe discipline of using the only materials he has, sound and gesture. Speech is like painting, a representation made out of given materials -- sound or paint. The function of speech is to stimulate and set up thoughts in us having correspondence with the speaker's desires; he has then communicated with us. But he has not transmitted a copy of his thoughts, a photograph, but only a stream of speech -- a substitute made from the unpromising material of sound. The artist, the sculptor, the caricaturist, the composer are akin in this [fact that they have not transmitted a copy of their thoughts], that they express (make representations of) their thoughts using chosen, limited materials. They make the "best" representations, within these self-imposed constraints. A child who builds models of a house, or a train, using only a few colored bricks, is essentially engaged in the same creative task.* Metaphors can play a most forceful role, by importing ideas through a vehicle language, setting up what are purely linguistic associations (we speak of "heavy burden of taxation," "being in a rut"). The imported concepts are, to some extent, artificial in their contexts, and they are by no means universal among different cultures. For instance, the concepts of cleanliness and washing are used within Christendom to imply "freedom from sin." We Westerners speak of the mind's eye, but this idea is unknown amongst the Chinese. that is, we are looking at it with the eyes of our English-speaking culture. A grammar book may help us to decipher the text more thoroughly, and help us comprehend something of the language structure, but we may never fully understand if we are not bred in the culture and society that has modeled and shaped the language. (p. 74)”

Colin Cherry (1914–1979) British scientist

See Gombrich in reference 348
On Human Communication (1957), Language: Science and Aesthetics

Books , Communication , Idea , Understanding

“But just like voices, thoughts are underpinned by physical stuff. We know this because alterations to the brain change the kinds of thoughts we can think. In a state of deep sleep, there are no thoughts. When the brain transitions into dream sleep, there are unbidden, bizarre thoughts. During the day we enjoy our normal, well-accepted thoughts, which people enthusiastically modulate by spiking the chemical cocktails of the brain with alcohol, narcotics, cigarettes, coffee, or physical exercise. The state of the physical material determines the state of the thoughts. And the physical material is absolutely necessary for normal thinking to tick along. If you were to injure your pinkie in an accident you’d be distressed, but your conscious experience would be no different. By contrast, if you were to damage an equivalently sized piece of brain tissue, this might change your capacity to understand music, name animals, see colors, judge risk, make decisions, read signals from your body, or understand the concept of a mirror—thereby unmasking the strange, veiled workings of the machinery beneath. Our hopes, dreams, aspirations, fears, comic instincts, great ideas, fetishes, senses of humor, and desires all emerge from this strange organ—and when the brain changes, so do we. So although it’s easy to intuit that thoughts don’t have a physical basis, that they are something like feathers on the wind, they in fact depend directly on the integrity of the enigmatic, three-pound mission control center.”

David Eagleman (1971) neuroscientist and author

Incognito: The Secret Lives of The Brain

People , Alcohol , Fear , Dreams

“Snake predation was no joke. It shaped our evolutionary past. We're attuned to snakes. We are really good at detecting the camouflage pattern of snakes in the lower half of our visual field. There's evidence that the reason human beings have such acute vision, which means that our eyes were opened, is because we co-evolved with snakes and we learned how to see them. And then the price we paid for seeing was that our brain grew, because you need a lot of brainpower to see. And the consequence of our brain growing was that one day we woke up and discovered the future. And the future is where all the snakes might live, instead of where they live right now. I already made the case that there's a tight link between what you eat and information - conceptual link as well as a practical link. But it's also the case that we can see colors. The question is: why? The answer is: we evolved to see ripe fruit. In the story of Adam and Eve human beings are given vision by the snake and the fruit. That turns out to be correct.”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

Concepts

Question , Learning , Past , Future

“Joni uses a lot of alternate tunings; that is, instead of tuning the guitar in the customary way, she tunes the strings to pitches of her own choosing. …Joni will talk compellingly and passionately about alternate tunings for hours, comparing them to different colors that van Gogh used in his paintings.”

Daniel Levitin (1957) American psychologist

This is Your Brain on Music (2006)

Way , Passion , Painting

“Cinema has evolved in two paths. One is spectacle. Like the phantasmagoria, its goal is the creation of a total substitute sensory world. The other is peep show, which claims for its realm both the erotic and the untampered observance of real life, and imitates the keyhole or voyeur's window without need of color, noise, grandeur.”

Jim Morrison (1943–1971) lead singer of The Doors

The Lords and the New Creatures: Poems (1969), The Lords: Notes on Vision

Life , World

“Had Abraham Lincoln died from any of the numerous ills to which flesh is heir; had he reached that good old age of which his vigorous constitution and his temperate habits gave promise; had he been permitted to see the end of his great work; had the solemn curtain of death come down but gradually, we should still have been smitten with a heavy grief, and treasured his name lovingly. But dying as he did die, by the red hand of violence, killed, assassinated, taken off without warning, not because of personal hate, for no man who knew Abraham Lincoln could hate him, but because of his fidelity to union and liberty, he is doubly dear to us, and his memory will be precious forever. Fellow citizens, I end, as I began, with congratulations. We have done a good work for our race today. In doing honor to the memory of our friend and liberator, we have been doing highest honors to ourselves and those who come after us. We have been fastening ourselves to a name and fame imperishable and immortal; we have also been defending ourselves from a blighting scandal. When now it shall be said that the colored man is soulless, that he has no appreciation of benefits or benefactors; when the foul reproach of ingratitude is hurled at us, and it is attempted to scourge us beyond the range of human brotherhood, we may calmly point to the monument we have this day erected to the memory of Abraham Lincoln.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

1870s, Oratory in Memory of Abraham Lincoln (1876)

Death , Hate , Age , Memory

“[In] painting…all sensations are condensed, everyone…with a single glance [has] his soul invaded by the most profound recollections…everything is summed up in one instant. Like music, it acts on the soul through the intermediary of the senses: harmonious colors correspond to the harmonies of sound.”

Paul Gauguin (1848–1903) French Post-Impressionist artist

Quote from Gauguin's unfinished essay 'Notes Synthetiques', published in the July / September 1910 issue of ' Vers et Prose' XXII, pp. 51-55, as cited in: Shannon N. Pritchard, Gino Severini and the symbolist aesthetics of his futurist dance imagery, 1910-1915 https://getd.libs.uga.edu/pdfs/pritchard_shannon_n_200305_ma.pdf Diss. uga, 2003, p. 23
Gauguin's essay 'Notes Synthetiques' was written in Pont -Aven in 1888 and left incomplete. His essay was first published in 'Vers et Prose' XXII
1890s - 1910s

Music , Soul , Sense , Painting

“They were gunning the motorcycles. There were these little backfires. There was one noise like that. I thought it was a backfire. Then next I saw Connally grabbing his arms and saying "no, no, no, no, no," with his fist beating. Then Jack turned and I turned. All I remember was a blue-gray building up ahead. Then Jack turned back so neatly, his last expression was so neat… you know that wonderful expression he had when they'd ask him a question about one of the ten million pieces they have in a rocket, just before he'd answer. He looked puzzled, then he slumped forward. He was holding out his hand … I could see a piece of his skull coming off. It was flesh-colored, not white — he was holding out his hand … I can see this perfectly clean piece detaching itself from his head. Then he slumped in my lap, his blood and his brains were in my lap … Then Clint Hill [the Secret Service man], he loved us, he made my life so easy, he was the first man in the car … We all lay down in the car … And I kept saying, Jack, Jack, Jack, and someone was yelling "he's dead, he's dead."”

Jacqueline Kennedy Onassis (1929–1994) public figure, First Lady to 35th U.S. President John F. Kennedy

All the ride to the hospital I kept bending over him, saying "Jack, Jack, can you hear me, I love you, Jack."
The "Camelot" interview (29 November 1963)

Love , Life , Secret , Cars

“To hear never-heard sounds,
To see never-seen colors and shapes,
To try to understand the imperceptible
Power pervading the world;
To fly and find pure ethereal substances
That are not of matter
But of that invisible soul pervading reality.
To hear another soul and to whisper to another soul;
To be a lantern in the darkness
Or an umbrella in a stormy day;
To feel much more than know.
To be the eyes of an eagle, slope of a mountain;
To be a wave understanding the influence of the moon;
To be a tree and read the memory of the leaves;
To be an insignificant pedestrian on the streets
Of crazy cities watching, watching, and watching.
To be a smile on the face of a woman
And shine in her memory
As a moment saved without planning.”

Dejan Stojanovic (1959) poet, writer, and businessman

Task of a Poet http://www.poetrysoup.com/famous/poem/21367/Task_of_a_Poet
From the poems written in English

World , Smile , Feeling , Soul

“One must realize that, apart from considerations of color and form, there are two fundamentally different ways of regarding a medium of expression: one is based on taste only — an approach in which the external physical elements of expression are merely pleasingly arranged. This way results in decoration with no spiritual reaction. Arrangement is not art. The second way is based on the artist’s power of empathy, to feel the intrinsic qualities of the medium of expression. Through these qualities the medium comes to life... In this life, an intuitive artist discovers the emotive and vital substance which makes a work of art.”

Hans Hofmann (1880–1966) American artist

'Search for the Real in the Visual Arts', p. 46
Search for the Real and Other Essays (1948)

Life , Art , Way , Feeling

“My theory has been to discover the modern synthesis by methods based upon science, methods based upon the theory of colors discovered by M. Chevreul, in conformity with the experiments of Maxwell and the measurements of N. 0. Rood; to substitute the optical mingling for the mingling of pigments; in other words, the decomposition of all the colors into their constituent elements; because the optical mingling excites much more intense luminosity than the mingling of pigments. As for the execution, we regard it as nothing; it is at any rate only unimportant, art having nothing to do with it. According to us, the sole originality consists in the character of the drawing and the vision individual to each artist.”

Camille Pissarro (1830–1903) French painter

Quote in a letter, circa 1886-87; as quoted in Brush and Pencil, Vol. XIII, no. 6 , article: 'Camille Pissarro' Impressionist', by Henry G. Stephens; March, 1904, pp. 414-15
1880's

Art , Science , Drawing

“My favorite color is light pink. I also like baby blue because it brings out my eyes.”

Frances Bean Cobain (1992) American artist

Attributed to a Teen Vogue interview
" Frances Bean Cobain: 'I'm a Different Person' http://www.people.com/people/article/0,,1101912,00.html" (2005)

Light , Baby

“I would like my colors to be diamonds and to be able to make abundant use of them in my pictures so as to make them gleam with light and richness.”

Gino Severini (1883–1966) Italian painter

Quote in a letter to Umberto Boccioni, 1910; as cited in Gino Severini, the Dance, 1909 – 1916, by Daniele Fonti, Peggy Guggenheim Collection, Venice; 2001, p. 15

Light

“Just as soon as the great and glorious Revolution broke out [1918 - after World War 1. ] I gave notice and now live entirely for art. For a while, I tried to create new forms of art from the remains of the old culture. From this Merz painting emerged, painting that happily used every material – Pelikan [was a famous ink mark, then] colors or the rubbish from the rubbish heap. So I experienced the Revolution in the most delightful way and pass for a Dadaist, without being one. As a result, I could introduce Dadaism in Holland [together with Theo van Doesburg and his wife Nele] with complete impartiality. In Holland I became familiar with architecture for the first time.”

Kurt Schwitters (1887–1948) German artist

In his 'Autobiography of Kurt Schwitters' (6 June 1926), sent to Hans Hilderbrandt; as quoted in I is Style, ed. Siegfried Gohr & Gunda Luyken, NAI Publishers, Rotterdam 2000, p. 92.
1920s

War , World , Art , Way

“The roses are a form of gratitude, it is my memory to the public. And the white clothes already comes from a long time. The white is the unification of all the colors and it symbolizes my spiritual master, that accompanies me always.”

Simone Bittencourt de Oliveira (1949) Brazilian singer

Jornal Paraná On-Line, 28 de setembro de 2007

Memory , Time , Clothes , Gratitude

“The male is colored much more gorgeously than the female so that he can be shot and made into feather embroidery.”

Will Cuppy (1884–1949) American writer

The Hummingbird
How to Tell Your Friends from the Apes (1931)

“Often I think of that excellent painter Monticelli,... when I come back myself from the mental labor of balancing the six essential colors.... sheer work and calculation, with one's mind utterly on the stretch, like an actor on the stage in a difficult part, with a hundred things at once to think of in a single half-hour.
Don't think that I would artificially keep up a feverish condition, but do understand that I am in the midst of a complicated calculation which results in quick succession in canvases quickly executed, but calculated long beforehand. So now, when anyone says that such and such is done too quickly, you can reply that they have looked at it too quickly.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote in his letter to brother Theo, from Arles, Summer 1888; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 507) p. 32
1880s, 1888

Understanding , Thinking , Success , Parting

“I use colors that have already been experienced through the light of day and through the state of mind of the total man. In other words, my colors are not colors that are laboratory tools which are isolated from all accidentals or impurities so that they have a specified identity or purity.”

Mark Rothko (1903–1970) American painter

Source: after 1970, posthumous, Abstract Expressionism, Creators and Critics', 1990, p. 173 : working notes, undated

Light

“Once the visitor was told rather repetitively that this city was the melting pot; never before in history had so many people of such varied languages, customs, colors and culinary habits lived so amicably together. Although New York remains peaceful by most standards, this self-congratulation is now less often heard, since it was discovered some years ago that racial harmony depended unduly on the willingness of the blacks (and latterly the Puerto Ricans) to do for the other races the meanest jobs at the lowest wages and then to return to live by themselves in the worst slums.”

John Kenneth Galbraith (1908–2006) American economist and diplomat

The United States (1971)

People , Peace , History , Dependency

“I see that the flagpole still stands. Have your troops hoist the colors to its peak, and let no enemy ever haul them down.”

Douglas MacArthur (1880–1964) U.S. Army general of the army, field marshal of the Army of the Philippines

To Colonel George M. Jones and the 503rd Regimental Combat Team, who recaptured Corregidor (2 March 1945), as quoted in Bureau of Navigation News Bulletin (1945), p. 40

“[My] publicity agent … went to hear Father Divine and he had a sermon and his subject was 'you got to accentuate the positive and eliminate the negative.' And I said 'Wow, that's a colorful phrase!”

Johnny Mercer (1909–1976) American lyricist, songwriter, singer and music professional

And I said 'Wow, that's a colorful phrase!'

Interviewed 1971 https://findingaids.library.unt.edu/?p=collections/findingaid&id=959&q=&rootcontentid=204947 by [Gilliland, John, Pop Chronicles the 40's: The Lively Story of Pop Music in the 40's, 978-1-55935-147-8, 31611854] Tape 1, side B.

Quoted by PDF, '40s Sounds Return to Radio, 1972-10-29, Oakland Tribune, Bob, MacKenzie, 2009-04-03, http://web.archive.org/web/20120209175145/http://www.sfradiomuseum.com/audio/ksfo/1972/Trib_Pop-Chronicles-Article-2_1972.pdf, 2012-02-09 http://www.bayarearadio.org/audio/ksfo/1972/Trib_Pop-Chronicles-Article-2_1972.pdf,

“During the war of the Revolution, and in 1788, the date of the adoption of our national Constitution, there was but one State among the thirteen whose constitution refused the right of suffrage to the negro. That State was South Carolina. Some, it is true, established a property qualification; all made freedom a prerequisite; but none save South Carolina made color a condition of suffrage. The Federal Constitution makes no such distinction, nor did the Articles of Confederation. In the Congress of the Confederation, on the 25th of June, 1778, the fourth article was under discussion. It provided that 'the free inhabitants of each of these States — paupers, vagabonds, and fugitives from justice excepted — shall be entitled to all privileges and immunities of free citizens in the several States.' The delegates from South Carolina moved to insert between the words 'free inhabitants' the word 'white', thus denying the privileges and immunities of citizenship to the colored man. According to the rules of the convention, each State had but one vote. Eleven States voted on the question. One was divided; two voted aye; and eight voted no. It was thus early, and almost unanimously, decided that freedom, not color, should be the test of citizenship.”

James A. Garfield (1831–1881) American politician, 20th President of the United States (in office in 1881)

1860s, Oration at Ravenna, Ohio (1865)

War , Justice , Question , Freedom

“We separate color and drawing because we have to. But nature doesn't. She doesn't give something a shape, for coloring it only afterwards. Form and color are inherent properties of the object that we have got as thing to paint. If we neglect one of both, we only give half.”

Willem Roelofs (1822–1897) Dutch painter and entomologist (1822-1897)

translation from original Dutch: Fons Heijnsbroek
(original Dutch: citaat van Willem Roelofs, in het Nederlands:) Wij scheiden kleur en teekening af, omdat wij dat wel moeten. Maar de natuur doet dat niet. Zij geeft niet iets een vorm, om het daarna te kleuren. Vorm en kleur zijn inhaerente eigenschappen van het voorwerp, dat ons te schilderen is gegeven. Verwaarloozen wij een van beide, dan geven wij slechts de helft.
Quote of Roelofs, in Elsevier's geïllustreerd maandschrift..., Oct. / Nov. 1891; as cited in an excerpt in the RKD Archive https://rkd.nl/explore/excerpts/219, The Hague
undated quotes

Nature , Drawing , Painting

“It is in a sculptor's interest that there should exist a close relationship between his art and that of the poet. Otherwise, his sculpture may lack human or emotional content and become too strictly architectural. We sculptors pay a heavy price for the limited freedom that we enjoy as a result of our being able to create in three dimensions; we must sacrifice color and whole realms of subject matter, such as landscape, that scarcely lend themselves to a representation in three dimensions.”

Ossip Zadkine (1890–1967) French sculptor

c. 1960, in France
Source: 1960 - 1968, Dialogues – conversations with.., quotes, c. 1960, p. 153

Art , Freedom

“If we look at the parpens piled up on the building site or at the block of bronze, nothing about them manifests that they are suited to being a house or a statue. … Aristotle speaks of the materials considered as such in terms of "the buildable" (I, 201a 16, b Bf), coining an adjective whose suffix expresses capacity (what he calls dunamis). This capacity, as we have seen, cannot be grasped after the manner of that with which perception provides us (color, hardness, etc.); it requires a gaze capable of probing more deeply, of proceeding from the real to the possible—as when Michelangelo "sees" a David in the formless block abandoned by other sculptors.”

Rémi Brague (1947) French historian

"Aristotle's Definition of Motion and its Ontological Implications," Graduate Faculty Philosophy Journal, vol. 13, no. 2, p. 12

Housing

“Nature is a wary wily long-breathed old Witch, tough-lived as a Turtle and divisible as the Polyp, repullulative in a thousand Snips and Cuttings, integra et in toto! She is sure to get the better of Lady MIND in the long run, and to take her revenge too — transforms our To Day into a Canvass dead-colored to receive the dull featureless Portait of Yesterday.”

Samuel Taylor Coleridge (1772–1834) English poet, literary critic and philosopher

Letter to James Gillman (9 October 1825)
Letters

Revenge , Nature , Dead

“In a sense we've come to our nation's capital to cash a check. When the architects of our republic wrote the magnificent words of the Constitution and the Declaration of Independence, they were signing a promissory note to which every American was to fall heir.
This note was a promise that all men, yes black men as well as white men, would be guaranteed the inalienable rights of life, liberty, and the pursuit of happiness. It is obvious today that America has defaulted on this promissory note insofar as her citizens of color are concerned. Instead of honoring this sacred obligation, America has given the Negro people a bad check, a check which has come back marked "insufficient funds." But we refuse to believe that the bank of justice is bankrupt. We refuse to believe that there are insufficient funds in the great vaults of opportunity of this nation. And so, we've come to cash this check, a check that will give us upon demand the riches of freedom and the security of justice.”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

1960s, (1963)

Life , Men , People , Justice

“An early morning may look superficially gray, but it is not…. the dew is much more colorful than one would believe, often so strongly that the palette fails. (translation from the Dutch original: Fons Heijnsbroek)”

Paul Gabriël (1828–1903) painter (1828-1903)

version in original Dutch / citaat van Paul Gabriël, in Nederlands: Een vroege morgen kan er oppervlakkig grijs uitzien, maar ze is het niet.. ..de dauw is veel gekleurder dan men wel zou geloven, dikwijls zo sterk dat het palet te kort schiet.
Quote of Paul Gabriël, in a letter to a befriended art-critic; as cited in 'Dauw heeft meer kleur dan men denkt', by Truus Ruiter https://www.volkskrant.nl/cultuur-media/dauw-heeft-meer-kleur-dan-men-denkt~b14d3e3c/; newspaper 'de Volkskrant', 27 July 1998
Gabriël avoided to use frequently grey in his work, because he loved natural colors
undated quotes

“Julia Hayden, the colored school teacher, one of the latest victims of the White man's League, was only seventeen years of age. She was the daughter of respectable parents in Maury County, Tennessee, and had been carefully educated at the Central College, Nashville, a favorite place for the instruction of youth of both sexes of her race. She is said to have possessed unusual personal attractions as well as intelligence. Under the reign of slavery as it is defined and upheld by Davis and Toombs, Julia Hayden would probably have been taken from her parents and sent in a slave coffle to New Orleans to be sold on its auction block. But emancipation had prepared for her a different and less dreadful fate. With that strong desire for mental cultivation which marked the colored race since their freedom, in all circumstances where there is an opportunity left them for its exhibition, the young girl had so improved herself as to become capable of teaching others. She went to Western Tennessee and took charge of a school. Three days after her arrival at Hartsville, at night, two white men, armed with their guns, appeared at the house where she was staying, and demanded the school teacher. She fled, alarmed, to the room of the mistress of the house. The White Leaguers pursued. They fired their guns I through the floor of the room and the young girl fell dead within. Her murderers escaped.”

Jefferson Davis (1808–1889) President of the Confederate States of America

"Louisiana and the Rule of Terror" http://cdnc.ucr.edu/cgi-bin/cdnc?a=d&d=EL18741010.2.9#, The Elevator (10 October 1874), Volume 10, Number 26.

Men , Fate , Youth , Age

“I will say to you and to the colored race that men who bore arms and followed the flag of the Confederacy are, with very few exceptions, your friends. I have an opportunity of saying what I have always felt - that I am your friend, for my interests are your interests, and your interests are my interests. We were born on the same soil, breathe the same air, and live in the same land. Why, then, can we not live as brothers? I will say that when the war broke out I felt it my duty to stand by my people. When the time came I did the best I could, and I don't believe I flickered. I came here with the jeers of some white people, who think that I am doing wrong. I believe that I can exert some influence, and do much to assist the people in strengthening fraternal relations, and shall do all in my power to bring about peace. It has always been my motto to elevate every man- to depress none.”

Nathan Bedford Forrest (1821–1877) Confederate Army general

1870s, Speech before the Pole-Bearers Association (1875)

Men , War , People , Peace

“In our private conversations, Judge Cedarbaum has pointed out to me that seminal decisions in race and sex discrimination cases have come from Supreme Courts composed exclusively of white males. I agree that this is significant but I also choose to emphasize that the people who argued those cases before the Supreme Court which changed the legal landscape ultimately were largely people of color and women.”

Sonia Sotomayor (1954) U.S. Supreme Court Justice

Address to the Raising the Bar symposium (2001)

Women , People , Sex , Decision

“Nature's purpose in relation to the visual arts is to provide stimulus — not imitation... From its ceaseless urge to create springs all Life — all movement and rhythm — time and light, color and mood — in short, all reality in Form and Thought.”

Hans Hofmann (1880–1966) American artist

As quoted in Hans Hofmann (2000) by James Yohe
1970s and later

Life , Art , Spring , Mood

“And they took twenty seven eight-by-ten color glossy photographs with circles and arrows and a paragraph on the back of each one explaining what each one was to be used as evidence against us. Took pictures of the approach, the getaway, the northwest corner the southwest corner and that's not to mention the aerial photography.”

Arlo Guthrie (1947) American folk singer

Alice's Restaurant Massacree

“I think that the American people are never going to elect a president who insults Mexicans, who insults Muslims, who insults women, who insults African-Americans. And let us not forget that several years ago, Trump was in the middle of the so- called birther movement, trying to delegitimize the president of the United States of America. You know, I find it very interesting, Karen, my dad was born in Poland. I know a little bit about the immigrant experience. Nobody has ever asked me for my birth certificate. Maybe it has something to do with the color of my skin.”

Bernie Sanders (1941) American politician, senator for Vermont

2010s, 2016, Democratic Presidential Debate in Miami (9 March 2016)

Women , People , Birth , Thinking

“For the translator of poetry, there is no activity that brings you into a closer, more intimate contact with language, both the second language and your own language, which translation allows you to experience freshly. Of course, translation is the impossible art which is why it attracts often the best minds, at least those driven by difficulty. The best metaphor I know for translation is from my friend Eamon Grennan, who translated the poems of Leopardi. It's like walking in a clear mountain stream, looking at colorful stones in the water. You find one so gorgeous, you put it in your pocket, take it home and put it on a shelf. In the morning you are surprised that the stone looks so dull and without luster. You have the stone, but you have removed it from the water of its home language so it has lost its luster.”

Billy Collins (1941) American poet

Interview with Kritya: In the Name of Poetry

Art , Home , Mountain , Water

“The chief aim of color should be to serve expression as well as possible. I put down my colors without a preconceived plan. If at the first step and perhaps without my being conscious of it one tone has particularly pleased me, more often then not when the picture is finished, I will notice that I have respected this tone while I have progressively altered and transformed the others. I discover the quality of colors in a purely instinctive way.”

Henri Matisse (1869–1954) French artist

Source: 1900s, Notes d'un Peintre (Notes of a Painter) (1908), p. 412

Way

“Colors are ghosts, they only start to exist when light is perceived on the retina as a stimulus and is processed into color perception in our brain.”

Gianni Sarcone (1962) Italian author, artist, designer, and researcher in visual perception and cognitive psychology

Tangente Magazine (2013).

Light

“A work of art must carry in itself its complete significance and impose it upon the beholder even before he can identify the subject-matter. When I see the Giotto frescoes at Padua I do not trouble to recognize which scene of the life of Christ I have before me, but I perceive instantly the sentiment which radiates from it and which is instinct in the composition in every line and color.”

Henri Matisse (1869–1954) French artist

Source: 1900s, Notes d'un Peintre (Notes of a Painter) (1908), p. 413

Life , Art , Christ

“During my youth, I was fascinated by the colors of Van Goth's paintings”

Joseph Pisani (1971) American artist and photographer

As quoted in "Ein Nomade mit satändigem Sitz in Zürich" by Natalie Isenring Tages Anzeiger (January 24, 2008), p. 58

Youth , Painting

“If you were a crayon, what color would you most like to make out with?”

Hank Green (1980) American vlogger

July 24th: More Harry Potter?! https://www.youtube.com/watch?v=cfGQ3taOIBg
Youtube

“Space expands or contracts in the tensions and functions through which it exists. Space is not a static, inert thing. Space is alive; space is dynamic; space is imbued with movement expressed by forces and counterforces; space vibrates and resounds with color, light and form in the rhythm of life.”

Hans Hofmann (1880–1966) American artist

'Excerpts from the Teaching of Hans Hofmann', p. 66
Search for the Real and Other Essays (1948)

Life , Light

“I'm a clown with brush and color.”

Ralf Metzenmacher (1964) German artist, designer and painter

Nürnberger Nachrichten, August 17, 2007

“In my painting, negative space is never arbitrary. (I believe lithographs to be colored marks printed on a ground – the paper and the measure of the ground and the marks are to be considered of equal importance). In my painting, the painting is the subject rather than the subject the painting.”

Ellsworth Kelly (1923–2015) American painter, sculptor, and printmaker

Source: 1969 - 1980, In: "Ellsworth Kelly: Works on Paper," 1987, p. unknown : 'Notes from 1969'

Painting

“If America is about anything, she is about freedom. We have seen in the burgeoning Department of Homeland Security and at our airports and in the color-coded alerts the beginning of the erosion of that freedom.”

Patrick Buchanan (1938) American politician and commentator

2000s, Where the Right Went Wrong (2004)

Freedom

“A second hard truth: Much research points to the widespread existence of unconscious bias. Many people in our white-majority culture have unconscious racial biases and react differently to a white face than a black face. In fact, we all, white and black, carry various biases around with us. I am reminded of the song from the Broadway hit, Avenue Q: “Everyone’s a Little Bit Racist.” Part of it goes like this: Look around and you will find. No one’s really color blind. Maybe it’s a fact. We all should face. Everyone makes judgments. Based on race. You should be grateful I did not try to sing that.”

James Comey (1960) American lawyer and the seventh director of the Federal Bureau of Investigation (FBI)

2010s, Hard Truths: Law Enforcement (2015)

People , Truth , Singing , Parting

“Animation in itself is an art form, and that's the point I think always needs clarification. True animation exists without any background, or any color, or any sound, or anything else; it exists in your hand. And you can take it and flip it. […] What makes animation is the fact that you have a series of drawings that move. You don't even have to have a camera, you see; animation exists without it. If you want to broaden your audience, or make it more colorful or add music, then you put it under a camera one frame at a time, and then you run it at the same speed as you flip it, and then you have animation. If it depends basically upon soundtrack, or basically upon music, or color, graphic design, or anything else to sustain itself, then it is not unique to animation.”

Chuck Jones (1912–2002) American animator, cartoon artist, screenwriter, producer, and director of animated films

Joe Adamson, "Witty Birds and Well-Drawn Cats: An Interview with Chuck Jones [1971]", in Chuck Jones: conversations, ed. Chuck Jones and Maureen Furniss (Univ. Press of Mississippi, 2005), 63.

Art , Music , Thinking , Time

“I'm actually very sensitive about those things, and it's personally painful…You know, whenever they made fun of my makeup, it was because the newspapers colorized my photograph.”

Katherine Harris (1957) U.S. politician

On Sean Hannity's talk radio program, August 1, 2005, responding to Hannity asking Harris whether the jokes bothered her.

Pain , Personality

“So, to answer the question, “What did God do before the Creation?” there was no “before the Creation.” God actually created time for us to live in. He’s not in time like we are, so the question is invalid. Think on that one for a few years (or since 1969, like I’ve been doing!). I can say it but I still can’t understand it. I’m one blind man trying to tell another blind man about colors. Once we get to Heaven, we will say, “O-o-o-o-h! So That’s how it works!” Once God gives us eyes to see and ears to hear in Heaven, I’m sure many more things will make sense! I’m ready for that day! I hope you are, too.”

Kent Hovind (1953) American young Earth creationist

Source: What On Earth Is About To Happen… For Heaven’s Sake? (2013), p. 29

God , Hope , Understanding , Question

“[On the attendees at the launch of Apollo 11] Those people were not a stampeding herd, nor a manipulated mob; they did not wreck the Florida communities, they did not devastate the countryside, they did not throw themselves, like whining thugs, at the mercy of their victims - they did not create any victims. They came as responsible individuals able to project the reality of two or three days ahead, and to provide for their own needs. There were people of every age, creed, color, educational level and economic status. They lived and slept in tents, or in their cars, some for several days, in great discomfort and unbearable heat; they did it gamely, cheerfully, gaily; they projected a general feeling of confident goodwill, the bond of a common enthusiasm; they created a public spectacle of responsible privacy - and they departed as they had come, without benefit of press agents.”

Ayn Rand (1905–1982) Russian-American novelist and philosopher

Apollo and Dionysus (1969)

People , Age , Education , Cars

“Much of this he strove to express to Ruth, and shocked her and made it clear that more remodelling was necessary. Hers was that common insularity of mind that makes human creatures believe that their color, creed, and politics are best and right and that other human creatures scattered over the world are less fortunately placed than they. It was the same insularity of mind that made the ancient Jew thank God he was not born a woman, and sent the modern missionary god-substituting to the ends of the earth; and it made Ruth desire to shape this man from other crannies of life into the likeness of the men who lived in her particular cranny of life.”

Jack London Martin Eden

Source: Martin Eden (1909), Ch. VIII

Life , Men , God , World

“Harmony…. it is all embracing and should reign throughout—harmony in purpose, harmony in dimensions, harmony in form and harmony in color. In good design discord can have no place…. all may unite to form a complete, harmonious, and well-rounded composition…”

Ernest Flagg (1857–1947) American architect

Small Houses: Their Economic Design and Construction (1922)

“What people report is not properties of their image but of the objects they are imagining. Such properties as color, shape, size and so on are clearly properties of the objects that are being imagined. This distinction is crucial. The seemingly innocent scope slip that takes image of object X with property Pro mean (image of object X) with property P instead of the correct image of (object X with property P) is probably the most ubiquitous and damaging conclusion in the whole imagery literature.”

Zenon Pylyshyn (1937) Canadian philosopher

Pylyshyn (1981, 18-19), as cited in: Ken Clements, "Visual imagery and school mathematics." For the learning of mathematics 2.2 (1981): 2-9.

People , Imagination , Literature

“Suppose a surface to be part red and part blue; so that every point on it is either red or blue, and of course, no part can be both red and blue. What then, is the color of the surface in the immediate neighborhood of the point. …it follows that the boundary is half red and half blue. In like manner, we find it necessary to hold that consciousness essentially occupies time… Thus, the present is half past and half time to come. …Take another case: the velocity of a particle at any instant of time is its mean velocity during an infinitesimal instant in which that time is consumed. Just so, my immediate feeling is my feeling through an infinitesimal duration containing the present instant.”

Charles Sanders Peirce (1839–1914) American philosopher, logician, mathematician, and scientist

The Law of Mind (1892)

Feeling , Time , Past , Parting

“Remember that a picture, before being a battle horse, a female nude or some sort of anecdote, is essentially a flat surface covered with colors assembled in a certain order.”

Maurice Denis (1870–1943) French painter

1890 - 1920

Horse

“Looking eastward from the summit of Pacheco Pass one shining morning, a landscape was displayed that after all my wanderings still appears as the most beautiful I have ever beheld. At my feet lay the Great Central Valley of California, level and flowery, like a lake of pure sunshine, forty or fifty miles wide, five hundred miles long, one rich furred garden of yellow Compositae. And from the eastern boundary of this vast golden flower-bed rose the mighty Sierra, miles in height, and so gloriously colored and so radiant, it seemed not clothed with light but wholly composed of it, like the wall of some celestial city…. Then it seemed to me that the Sierra should be called, not the Nevada or Snowy Range, but the Range of Light. And after ten years of wandering and wondering in the heart of it, rejoicing in its glorious floods of light, the white beams of the morning streaming through the passes, the noonday radiance on the crystal rocks, the flush of the alpenglow, and the irised spray of countless waterfalls, it still seems above all others the Range of Light.”

John Muir (1838–1914) Scottish-born American naturalist and author

The Yosemite http://www.sierraclub.org/john_muir_exhibit/writings/the_yosemite/ (1912), chapter 1: The Approach to the Valley
1910s

Beauty , Flowers , Light , Appearance

“What I want to produce is something compelling, something full, an excitement and intoxication of color – something powerful. The paintings I did in Paris are too cool, too solitary and empty. They are the reaction to a restless and superficial period in my life and seem to strain for a simple, grand effect. I wanted to conquer Impressionism by trying to forget it. What happened was that it conquered me. We must work with digested and assimilated Impressionism..”

Paula Modersohn-Becker (1876–1907) German artist

In a letter to Bernhard Hoetger, from Paris, Summer 1907; as quoted in Voicing our visions, – Writings by women artists; ed. Mara R. Witzling, Universe New York, 1991, p. 207
1906 + 1907

Life , Painting , Forgetting

“A man may as well hew marble without tools, or paint without colors or instruments, or build without materials, as perform any acceptable service without the graces of the Spirit, which are both the materials and instruments in the work.”

Joseph Alleine (1634–1668) Pastor, author

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 320.

Painting

“Our aid has humanitarian objectives only; it is never governed by politics or limited by the geography, race, color or religion of the beneficiary.”

Mohammed bin Rashid al-Maktoum (1949) Emirati politician

Quotes on Philanthropy, http://www.sheikhmohammed.co.ae/vgn-ext-templating/v/index.jsp?vgnextoid=99c18960a5a11310VgnVCM1000004d64a8c0RCRD&appInstanceName=default, sheikhmohammed.ae.

Religion

“[JawlenskyPickWerefkin] Yes, we [ Marianne Werefkin and Gabriéle] shared very much the same tastes and ideas, when we lived together in this house (the so-called 'Russian house' in Murnau]. She was extremely perceptive and intelligent, but Jawlensky [living with Marianne Werefkin] didn't always approve her work... Suddenly Jawlensky would pick on some tiny detail of one of Marianne's best and most original pictures and exclaim: 'That patch of color, there, is laid on much too flat and smoothly. It's just like old Riepin' [famous Russian painter Ilya Repin ] and their common former teacher in Russia]. Of course it was nonsense and he was only saying it to annoy her. But Jawlensky really was a devotee of the 'touche de peinture' of the French Fauvists, rather than an innovator, a believer in a new kind of art of the future.”

Gabriele Münter (1877–1962) German painter

Source: Interview by Edouard Roditi (1958), pp. 118-119

Art , Intelligence , Idea , Teachers

“I was raised by parents who taught me to love and respect people regardless of their race or background, so I am saddened and frustrated by the divisive rhetoric and racial tensions that seem to be getting worse as of late. I know this country is better than that, and I can no longer stay silent. We need to find solutions that ensure people of color receive fair and equal treatment AND that police officers – who put their lives on the line every day to protect us all – are respected and supported.”

Michael Jordan (1963) American retired professional basketball player and businessman

Love , People , Support , Parent

“Someone gave me a pig heart in a mason jar. It was in the context of art, I believe. It was chained to a gourd and spattered with the expected colors of paint. And it was indeed, really and truly, a pig’s heart. I’m vegan and so it was kind of upsetting and pretty ironic, really, because it was the type of person I would want to guess was infatuated or obsessed.”

Davey Havok (1975) American singer

http://web.archive.org/web/20101014172908/http://rocknrolltales.com/read/afi

Art , Heart , Painting , Personality

“So many young men of color become part of that officer’s life experience because so many minority families and communities are struggling, so many boys and young men grow up in environments lacking role models, adequate education, and decent employment—they lack all sorts of opportunities that most of us take for granted. A tragedy of American life—one that most citizens are able to drive around because it doesn’t touch them—is that young people in “those neighborhoods” too often inherit a legacy of crime and prison. And with that inheritance, they become part of a police officer’s life, and shape the way that officer—whether white or black—sees the world. Changing that legacy is a challenge so enormous and so complicated that it is, unfortunately, easier to talk only about the cops. And that’s not fair.”

James Comey (1960) American lawyer and the seventh director of the Federal Bureau of Investigation (FBI)

2010s, Hard Truths: Law Enforcement (2015)

Life , Men , People , World

“About one-fifth of all the heat that enters the average house comes through windows. …external shading is by far the most efficient method for controlling interior heat build-up. The air-wash between the shading screen and the window is also very effective. The screen should have a light-colored finish… Insulation boards placed next to the window pane at night, will help prevent heat losses through glazed openings. Overhangs and horizontal sunshades placed above south-facing windows serve effectively as heat reducers.”

Ken Kern American writer

The Owner Built Home: A How-to-do-it Book (1972)

Light , Loss , Help , Housing

“Schools have no use except for discerning the analytic procedures of art. No school is capable of pressing on to a synthesis in isolation. Painting can not, without falling into abstraction, let a partial aspect of art dominate, whether it be drawing, color, composition, or any other one of the extraordinary multiplicity of means the totality of which alone constitutes this art.”

Gustave Courbet (1819–1877) French painter

1860s, Realist Manifesto' - an open letter, 1861

School , Art , Drawing , Painting

“There is silver blue, sky blue and thunder blue. Every color holds within it a soul, which makes me happy or repels me, and which acts as a stimulus. To a person who has no art in him, colors are colors, tones tones.... and that is all. All their consequences for the human spirit, which range between heaven to hell, just go unnoticed.”

Emil Nolde (1867–1956) German artist

Nolde's written note in 1942; as quoted in Nolde: Forbidden Pictures [exhibition catalog], Marlsborough Fine Art Ltd., London, 1970, p. 9
1921 - 1956

Art , Soul , Hell , Personality

“Because the white genes are mutations of the genes of the original men of color - and males are mutations of the original females - we can finally answer the question "Is God black?"”

Luboš Motl (1973) Czech physicist and translator

The answer is "Yes, She is."
http://motls.blogspot.com/2007/10/skin-color-gene.html
The Reference Frame http://motls.blogspot.com/

Men , God , Question

“Their right(colored Americans), like that of their white fellow-citizens, dates back to the dread arbitrament of war. Their bones whiten every stricken field of the Revolution; their feet tracked with blood the snows of Jersey; their toil built up every fortification south of the Potomac; they shared the famine and nakedness of Valley Forge, and the pestilential horrors of the old Jersey prison ship.”

John Greenleaf Whittier (1807–1892) American Quaker poet and advocate of the abolition of slavery

Quoted in The Colored Patriots of the American Revolution, by William Cooper Nell, p. 339. (1855)

War

“The mainstream feminist movement of the 1960s and 1970s demanded abortion on the basis of made the issue far more complicated for Black women and other women of color--who have been the historic targets of racist sterilization abuse.”

Sharon Smith (writer) (1956) American historian

A Marxist Case For Intersectionality (2017)

Women

“I am forced to transpose until finally my picture may seem completely changed when, after successive modifications, the red has succeeded the green as the dominant color. I cannot copy nature in a servile way, I must interpret nature and submit it to the spirit of the picture – when I have found the relationship of all the tones the result must be a living harmony of tones, a harmony not unlike that of a musical composition”

Henri Matisse (1869–1954) French artist

Source: 1900s, Notes d'un Peintre (Notes of a Painter) (1908), p. 411

Music , Way , Nature , Change

“The Negro cannot stand the present reactionary tendencies and unreasoning drawing of the color line indefinitely without discouragement and retrogression. And the condition of the Negro is ever the cause for further discrimination.”

W.E.B. Du Bois book The Souls of Black Folk

Source: The Souls of Black Folk (1903), Ch. IX: Of the Sons of Master and Man

Drawing

“The men seldom have any real, concrete notions of what combat is like. Their minds are full of romanticized, Hollywood versions of their future activity in combat, colored with vague ideas of being a hero and winning ribbons and decorations.”

Roy R. Grinker, Sr. (1900–1993) American psychiatrist and neurologist

Source: Men Under Stress, 1945, p. 44

Men , Idea , Future

“As for the value of color I am close to the philosophy of Fauvists: Matisse, Raoul Dufy, and Vlaminck. In other words, color for me is the most important constituent of painting. The composition and form extract themselves from the depth of color. My colors are the spirit of my paintings. For example, when the space is sad it is my pallet of colors that convey this sadness first.”

Guity Novin (1944) artist

Source: Negin (1971), p. 57

Sadness , Painting

“This new plastic idea will ignore the particulars of appearance, that is to say, natural form and color. On the contrary, it should find its expression in the abstraction of form and color, that is to say, in the straight line and the clearly defined primary color.”

Piet Mondrian (1872–1944) Peintre Néerlandais

1910's, Natural Reality and Abstract Reality', 1919

Idea , Nature , Appearance

“Her complexion seemed slowly to be losing its olive color, and the set of her mouth hardened as though interior shifts were taking place she herself didn't know about but which had already corrected her outlook toward the rest of the world.”

Richard Ford (1944) American novelist and short story writer

Source: A Piece of My Heart (1976), p. 262

World

“The progress of the colored people on this continent is one of the marvels of modern history. We are perhaps even yet too near to this phenomenon to be able fully to appreciate its significance. That can be impressed on us only as we study and contrast the rapid advancement of the colored people in America with the slow and painful upward movement of humanity as a whole throughout the long human story.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

1920s, The Progress of a People (1924)

Pain , People , History , Study

“The first two things to study are form and values. For me, these are the bases of what is serious art. Color and finish put charm into one’s work.... it seems to me very important to begin by an indication of the darkest values (assuming that the canvas is white), and to continue in order to the lightest value. From the darkest to the lightest I would establish twenty shades... Never lose sight of that first impression by which you were moved. Begin by determining your composition. Then the values – the relation of the forms to the values. These are the basis. Then the color, and finally the finish.”

Jean-Baptiste-Camille Corot (1796–1875) French landscape painter and printmaker in etching

Quote from Corot's 'Notebooks', ca. 1828, as quoted in Artists on Art – from the 14th – 20th centuries, ed. by Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, p. 240
1820 - 1850

Art , Study

“The color is repellent, almost revolting: a smouldering unclean yellow, strangely faded by the slow-turning sunlight.”

Charlotte Perkins Gilman book The Yellow Wall Paper

The Yellow Wallpaper (1891)

“.. the sort of white crepe dough with which the person is thickly buttered [in the 'Haute Pâtes' series, Dubuffet made in 1946] was, by its proximity to the tar, dyed the color of burnt bread like a used Meerschaum pipe.”

Jean Dubuffet (1901–1985) sculptor from France

Quote of Jean Dubuffet, in Indications descriptives, in Michel Tapie, Mirobolus, Macadam & Cie. (Paris, 1946). Dubuffet, 'More Modest, (1946) trans. Joachim Neugroschel in Tracks: A Journal of Artist's Writings 1:2 (Spring 1975), p 26-29
1940's

Personality

“My spring has been much better than every travelling springs of the last two years — I have been working — or trying to work my garden into a kind of permanent shape... At the moment I have three rose bushes so full of red and yellow roses that they look on fire — they are really astonishing — You would really laugh to see them — two are very tall — the other smaller — It is a rose that is the reddest red on top and yellow underneath — then sometimes a few spots that are deep butter yellow — and an odd iris — dirty lavender petals reaching up — a pale lavender mixed with yellow that greys it and yellow petals mixed with a little lavender drooping down — very handsome — There are lots of ordinary colors too — many kinds. Well — that's my life”

Georgia O'Keeffe (1887–1986) American artist

In a letter to Anita Pollitzer Abiquiu, New Mexico, (May 31, 1955), from The Complete Correspondence of Georgia O'Keeffe & Anita Pollitzer, ed. Clive Giboire, Touchstone Books, Simon & Schuster Inc., New York, 1990, p. 298
1950 - 1970

Life , Travel , Spring

“The television screen, so unlike the movie screen, sharply reduced human beings, revealed them as small, trivial, flat, in two banal dimensions, drained of color. Wasn’t there something reassuring about it! — that human beings were in fact merely images of a kind registered in one another’s eyes and brains, phenomena composed of microscopic flickering dots like atoms. They were atoms — nothing more. A quick switch of the dial and they disappeared and who could lament the loss?”

Joyce Carol Oates book You Must Remember This

You Must Remember This (1987), pt. 1, ch. 13

Loss

“The color gauge theory postulates the existence of eight massless particles, sometimes called gluons, that are the carriers of the strong force just as the photon is the carrier of the electromagnetic force.”

Sheldon L. Glashow (1932) American theoretical physicist

Source: The Charm of Physics (1991), p. 151

Gauge , Strong

“In keeping with the WXLT practice of presenting the most immediate and complete reports of local blood and guts news, TV 40 presents what is believed to be a television first. In living color, an exclusive coverage of an attempted suicide.”

Christine Chubbuck (1944–1974) American television news reporter

On July 15, 1974 at 9:38 AM, 8 minutes into her talk show, Suncoast Digest, on WXLT-TV. Moments later, Chubbuck produced a pistol from beneath her newsdesk and fatally shot herself in the head.

Suicide

“The defects of rationalistic, critical philosophy are much more important than they appear at first sight. By failing to take into account political faculties and the art of eloquence, this philosophy disregards two of the most important branches of human activity. … Vico formulates this idea clearly in De studiorum ratione: “But this order of studies brings with it the disadvantage for young people, that in the future they will neither show intelligence in civil life, not be able to enliven a speech with characteristic colors and warm it with the fire of emotions.””

Ernesto Grassi (1902–1991) Italian philosopher

Source: Rhetoric as Philosophy (1980), p. 40

Life , People , Art , Intelligence

“From the walls of Baidi high in the colored dawn
To Jiangling by night-fall is three hundred miles,
Yet monkeys are still calling on both banks behind me
To my boat these ten thousand mountains away.”

Li Bai (701–762) Chinese poet of the Tang dynasty poetry period

[33] "Through the Yangzi Gorges"

Mountain , Night

“Crossing color, class, gender, and generational lines, the communities of addiction and recovery are as democratic as America gets. Twelve-step meetings are in fact downright radical: nonprofit and nonhierarchical, with a fierce etiquette of listening to and caring about everyone who wanders into the rooms.”

John Leonard (1939–2008) American critic, writer, and commentator

"Can't Get Enough" http://nymag.com/nymetro/arts/tv/reviews/2386/, New York Magazine (23 May 1998)

Communication

“The leaves in autumn do not change color from the blighting touch of frost, but from the process of natural decay. They fall when the fruit is ripened, and their work is done. And their splendid coloring is but their graceful and beautiful surrender of life when they have finished their summer offering of service to God and man. And one of the great lessons the fall of the leaf teaches is this : Do your work well, and then be ready to depart when God shall call.”

Tryon Edwards (1809–1894) American theologian

Source: A Dictionary of Thoughts, 1891, p. 33.

Life , God , Beauty , Autumn

“In all the relations of life and death, we are met by the color line.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

Speech at the Convention of Colored Men, Louisville, Kentucky (24 September 1883).
1880s, Speech at the Convention of Colored Men (1883)

Life , Death

“And if I ever lose my hands,
Lose my power, lose my land.
Oh, if I ever lose my hands,
Ooh, I won't have to work no more.And if I ever lose my eyes,
If my colors all run dry.
Yes, if I ever lose my eyes,
Ooh, I won't have to cry no more.Yes, I'm bein' followed by a moon shadow,
Moon shadow, moon shadow.
Leapin' and hoppin' on a moon shadow,
Moon shadow, moon shadow.”

Cat Stevens (1948) British singer-songwriter

Moonshadow
Song lyrics, Teaser and the Firecat (1971)

Cry

“Racism is simply an ugly form of collectivism, the mindset that views humans only as members of groups and never as individuals. Racists believe that all individuals who share superficial physical characteristics are alike; as collectivists, racists think only in terms of groups. By encouraging Americans to adopt a group mentality, the advocates of so-called 'diversity' actually perpetuate racism. Their intense focus on race is inherently racist, because it views individuals only as members of racial groups. Conservatives and libertarians should fight back and challenge the myth that collectivist liberals care more about racism. Modern liberalism, however, well-intentioned, is a byproduct of the same collectivist thinking that characterizes racism. The continued insistence on group thinking only inflames racial tensions. The true antidote to racism is liberty. Liberty means having a limited, constitutional government devoted to the protection of individual rights rather than group claims. Liberty means free-market capitalism, which rewards individual achievement and competence, not skin color, gender, or ethnicity. In a free market, businesses that discriminate lose customers, goodwill, and valuable employees- while rational businesses flourish by choosing the most qualified employees and selling to all willing buyers. More importantly, in a free society every citizen gains a sense of himself as an individual, rather than developing a group or victim mentality. This leads to a sense of individual responsibility and personal pride, making skin color irrelevant. Rather than looking to government to correct what is essentially a sin of the heart, we should understand that reducing racism requires a shift from group thinking to an emphasis on individualism.”

Ron Paul (1935) American politician and physician

What Really Divides Us https://web.archive.org/web/20120127094927/http://www.ronpaularchive.com/2002/12/what-really-divides-us/ (23 December 2002).
2000s, 2001-2005

Understanding , Business , Thinking , Sense

“Everything depends, of course, on the shape of the hand, and it must be stressed that there is no type of hand which is more suited to the piano than another. One of the greatest pianists that I ever heard—certainly the most remarkable in his control of the widest possible range and variety of tone color—was Josef Hoffman, who had a hand so small that he could reach no more than an octave; Steinway built him a special piano in which the ivories were slightly narrower so that he could reach a ninth. His friend Sergei Rachmaninov had a very large hand, as did Rudolf Serkin, and Sviatoslav Richter could not only reach a twelfth but could play the last chord of the Schumann Toccata without arpeggiation—an effect which would certainly have astonished the composer. My teacher, Moriz Rosenthal, famous for his technique, had a small hand with stubby fingers; Vladimir Horowitz's fingers were exceptionally long, while Robert Casadesus had fingers so thick that he had trouble fitting them in between the black keys. There is no such thing as an ideal pianist's hand.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: Piano Notes: The World of the Pianist (2002), Ch. 1 Body and Mind

Teachers , Dependency