Quotes about books
page 7
“The Book of the science of Mechanics must precede the Book of useful inventions.”
The Notebooks of Leonardo da Vinci (1883), I Prolegomena and General Introduction to the Book on Painting
“The world is a great book, of which they that never stir from home read only a page.”
Attributed to Augustine in "Select Proverbs of All Nations" (1824) by "Thomas Fielding" (John Wade), p. 216 http://www.archive.org/details/selectproverbsa00wadegoog, and later in the form "The World is a book, and those who do not travel read only a page", as quoted in 20,000 Quips & Quotes (1995) by Evan Esar, p. 822; this has not been located in Augustine's writings, and may be a variant translation of an expression found in Le Cosmopolite (1753) by Fougeret de Monbron: "The universe is a sort of book, whose first page one has read when one has seen only one's own country."
Misattributed
Breakfast of Champions (1973)
Source: The Graveyard Book (2008), Ch. 6
“Woe to the book you can read without constantly wondering about the author!”
Drawn and Quartered (1983)
Letter to Wolfgang Capito (9 July 1537)
John Peel Sessions 1975-1991
Others
It is a vast country, with no clearly defined objectives.
In the House of Lords, 30 May 1962 ( Hansard, Col. 227 http://hansard.millbanksystems.com/lords/1962/may/30/the-army-estimates#S5LV0241P0-00791)
Source: Speech at banquet given by the city of Glasgow to Disraeli on his inauguration as Lord Rector of Glasgow University (19 November 1870), cited in Wit and Wisdom of Benjamin Disraeli, Collected from his Writings and Speeches (1881), p. 16.
Quoted in José Saramago: il bagaglio dello scrittore, page 41, by Giulia Lanciani, published by Bulzoni, 1996 ISBN 8871199332, 9788871199337 (256 pages).
Galen, On the Doctrines of Hippocrates and Plato,: PHP III 8.35.1-11 translation: De Lacy, Phillip (1978- 1984) Galen, On the Doctrines of Hippocrates and Plato, Berlin. p. 233; cited in: Christopher Jon Elliott. "Galen, Rome and the Second Sophistic." p. 147-8.
The Perfect Matrimony
Epigraph
All Quiet on the Western Front (1929)
(ca. 1716) A Catalogue of the Portsmouth Collection of Books and Papers Written by Or Belonging to Sir Isaac Newton https://books.google.com/books?id=3wcjAAAAMAAJ&pg=PR18 (1888) Preface
Also partially quoted in Sir Sidney Lee (ed.), The Dictionary of National Biography Vol.40 http://books.google.com/books?id=NycJAAAAIAAJ (1894)
Source: Autobiography of Mark Twain, Vol. 2 (2013), p. 475
Press Conference, September 1 1992 http://www.bobby-fischer.net/Bobby_Fischer_Articles6.html
1990s
p, 125
Epistle to the Son of the Wolf
Alec Lightwood and Jace Heronale, pg. 535
The Mortal Instruments, City of Heavenly Fire (2014)
Speech, (28 March 1923), Seanad Éireann (Irish Free Senate), on the Damage to Property (Compensation) Bill http://historical-debates.oireachtas.ie/S/0001/S.0001.192303280011.html
" My Father's Suitcase", Nobel Prize for Literature lecture http://nobelprize.org/nobel_prizes/literature/laureates/2006/pamuk-lecture_en.html (December 7, 2006).
http://www.popmonk.com/actors/leonardo-dicaprio/quotes-leonardo-dicaprio.htm
As quoted in "Nabokov's Love Affairs" by R. W. Flint http://www.powells.com/review/2003_07_17.html in The New Republic (17 June 1957).
On a Book Entitled Lolita (1956)
Apologia Pro Vita Sua [A defense of one's own life] (1864)
But — this little book must be true to its title.
Marginalia http://www.easylit.com/poe/comtext/prose/margin.shtml (November 1844)
Attributed to George Boole : Des MacHale (1985) George Boole: his life and work. p. 5
Attributed from posthumous publications
T. Paine: http://www.ushistory.org/paine/reason/reason2.htm |title=The Age of Reason: Part 1 Section 2 |publisher= |author=Thomas Paine |date= |archiveurl=https://web.archive.org/web/20160821230002/http://www.ushistory.org///paine/reason/reason2.htm |deadurl=no
Stuff for legend: Athlete Milkha Singh's autobiography, 11 July 2013, 13 December 2013, Deccan herald http://www.deccanherald.com/content/344118/stuff-legend-athlete-milkha-singh039s.html,
Source: Henri Cartier-Bresson: Interviews and Conversations, 1951-1998, Only Geometricians May Enter: Interview with Yves Bourde (1974), p. 62
Reading Rockets interview http://www.readingrockets.org/books/interviews/stine/transcript
Alice's Adventures Under Ground (1886), Introduction, p. v
Cited in Awake! magazine, 1995, 8/22; article: The Evils of Nazism Exposed.
In 1933, The Golden Age carried the first of many reports of the existence of concentration camps in Germany. In 1938, Jehovah’s Witnesses published the book Crusade Against Christianity, in French, German, and Polish. It carefully documented the vicious Nazi attacks on the Witnesses and included diagrams of the Sachsenhausen and Esterwegen concentration camps.
Source: Introduction to The Closing of the American Mind (1988), p. 15
From At home with André and Simone Weil by Sylvie Weil, p. 31 https://books.google.com/books?id=OdeDlT9-GBUC&pg=PA31
Quote About
Letter to James F. Morton (10 February 1923), published in Selected Letters Vol. I (1965), p. 208
Non-Fiction, Letters, to James Ferdinand Morton, Jr.
On Friedrich Hayek's Prices and Production, in Collected Writings, vol. XII, p. 252
The Autobiography of Mark Twain (1959 edition, edited by Charles Neider).
Remarks to the National Council of La Raza (25 July 2011) http://www.whitehouse.gov/the-press-office/2011/07/25/remarks-president-national-council-la-raza
2011
From Quintin Jardine’s blog, ‘The Kindle threat’, September 29, 2010.
As quoted in an interview with Jeremy Paxman, on Newsnight, as quoted in 'Harry is a lot, lot, lot angrier in this book' in The Telegraph (20 June 2003) http://www.telegraph.co.uk/culture/books/fictionreviews/3596993/Harry-is-a-lot-lot-lot-angrier-in-this-book.html)
2000s
On Visiting Bookshops http://books.google.com/books?id=6H0hAAAAMAAJ&q=%22We+visit+bookshops+not+so+often+to+buy+any+one+special+book+but+rather+to+rediscover+in+the+happier+and+more+expressive+words+of+others+our+own+encumbered+soul%22&pg=PA82#v=onepage, Pipefuls (1921)
Abstract
Civil servants and their constitutions, 2002
“So you're the little woman who wrote the book that made this great war!”
Comment on meeting Harriet Beecher Stowe, author of Uncle Tom's Cabin, according to Charles Edward Stowe, Lyman Beecher Stowe, "How Mrs. Stowe wrote 'Uncle Tom's Cabin'", McClure's magazine 36:621 http://books.google.com/books?id=biAAAAAAYAAJ&pg=PA621&dq=%22little+woman+who+wrote+the+book+that+made+this+great+war%22 (April 1911), with a footnote stating: "Mr. Charles Edward Stowe, one of the authors of this article, accompanied his mother on this visit to Lincoln, and remembers the occasion distinctly."
Annie Fields, "Days with Mrs. Stowe", Atlantic Monthly 7:148 http://books.google.com/books?id=8F0CAAAAIAAJ&pg=PA148&dq=%22Is+this+the+little+woman+who+made+the+great+war%22 (August 1896)
Posthumous attributions
Variant: Her daughter was told that when the President heard her name he seized her hand, saying, "Is this the little woman who made the great war?"
Variant: So you are the little woman who caused this great war!
The Crucible (1953)
Source: The Wind in the Willows (1908), Ch. 10, "The Further Adventures Of Toad"
1910s, The New Nationalism (1910)
Source: Reforming Education: The Opening of the American Mind (1990), p. 316
“To all those who by accident or design, have not been included in this book.”
Dedication page
Dear Me (1977)
Robert: Act 1, Scene 1
Beyond the Horizon (1918)
"Now you get it."
Jace Herondale and Jordan Kyle, pg. 29
The Mortal Instruments, City of Heavenly Fire (2014)
...eu já estava na vigésima parte do livro, triste, quando senti que o livro podia ser escrito. Percebi que só seria capaz de escrevê-lo se o fizesse como se contasse. Não passando para a escrita o chamado discurso oral, porque isso é impossível, mas introduzindo na escrita um me-canismo de aparente prolixidade, aparente desor-ganização do discurso. Digo aparente porque sei o trabalho que me deu fazer de conta que era tudo assim.
Interview in Idéias, no. 107 (15 October 1988), trans. Margaret Jull Costa.
Radio Interview, January 27 2002 http://www.geocities.jp/bobbby_b/mp3/F_20_1.MP3
2000s
Source: The rise of the western world, 1973, p. vii, Preface
“A book in which there were no lies would be a curiosity.”
Napoleon : In His Own Words (1916)
1860s, A Short Autobiography (1860)
Context: Abraham now thinks that the aggregate of all his schooling did not amount to one year. He was never in a college or academy as a student, and never inside of a college or academy building till since he had a law license. What he has in the way of education he has picked up. After he was twenty-three and had separated from his father, he studied English grammar — imperfectly of course, but so as to speak and write as well as he now does. He studied and nearly mastered the six books of Euclid since he was a member of Congress. He regrets his want of education, and does what he can to supply the want. In his tenth year he was kicked by a horse, and apparently killed for a time.<!--pp. 9-10
Referring to the lack of established culture and the established institution of slavery in the United States, in "Review of Seybert’s Annals of the United States", published in The Edinburgh Review (1820)
Context: In the four quarters of the globe, who reads an American book? Or goes to an American play? or looks at an American picture or statue? What does the world yet owe to American physicians or surgeons? What new substances have their chemists discovered? Or what old ones have they advanced? What new constellations have been discovered by the telescopes of Americans? Who drinks out of American glasses? Or eats from American plates? Or wears American coats or gowns? or sleeps in American blankets? Finally, under which of the old tyrannical governments of Europe is every sixth man a slave, whom his fellow-creatures may buy and sell and torture?
"Lettre XII: sur M. Pope et quelques autres poètes fameux," Lettres philosophiques (1756 edition)
Variants:
He looked on everything as imitation. The most original writers, he said, borrowed one from another. Boyardo has imitated Pulci, and Ariofio Boyardo. The instruction we find in books is like fire; we fetch it from our neighbour, kindle it as home, communicate it to others, and it becomes the property of all.
Historical and Critical Memoirs of the Life and Writings of M. de Voltaire (1786) by Louis Mayeul Chaudon, p. 348
What we find in books is like the fire in our hearths. We fetch it from our neighbors, we kindle it at home, we communicate it to others, and it becomes the property of all.
As translated in Geary's Guide to the World's Great Aphorists (2008), by James Geary, p. 373
Context: Thus, almost everything is imitation. The idea of The Persian Letters was taken from The Turkish Spy. Boiardo imitated Pulci, Ariosto imitated Boiardo. The most original minds borrowed from one another. Miguel de Cervantes makes his Don Quixote a fool; but pray is Orlando any other? It would puzzle one to decide whether knight errantry has been made more ridiculous by the grotesque painting of Cervantes, than by the luxuriant imagination of Ariosto. Metastasio has taken the greatest part of his operas from our French tragedies. Several English writers have copied us without saying one word of the matter. It is with books as with the fire in our hearths; we go to a neighbor to get the embers and light it when we return home, pass it on to others, and it belongs to everyone
“This book is my fiftieth-birthday present to myself.”
Breakfast of Champions (1973)
Context: This book is my fiftieth-birthday present to myself. I feel as though I am crossing the spine of a roof — having ascended one slope.
I am programmed at fifty to perform childishly — to insult “The Star-Spangled Banner,” to scrawl pictures of a Nazi flag and an asshole and a lot of other things with a felt-tipped pen. To give an idea of the maturity of my illustrations for this book, here is my picture of an asshole:
“Don’t read a book out of its right time for you.”
Introduction (1971)
The Golden Notebook (1962)
Context: There is only one way to read, which is to browse in libraries and bookshops, picking up books that attract you, reading only those, dropping them when they bore you, skipping the parts that drag — and never, never reading anything because you feel you ought, or because it is part of a trend or a movement. Remember that the book which bores you when you are twenty or thirty will open doors for you when you are forty or fifty — and vice versa. Don’t read a book out of its right time for you.
Source: A Passage to India (1924), Ch. 14
Context: Most of life is so dull that there is nothing to be said about it, and the books and talks that would describe it as interesting are obliged to exaggerate, in the hope of justifying their own existence. Inside its cocoon of work or social obligation, the human spirit slumbers for the most part, registering the distinction between pleasure and pain, but not nearly as alert as we pretend. There are periods in the most thrilling day during which nothing happens, and though we continue to exclaim, “I do enjoy myself", or, “I am horrified,” we are insincere.
The Second Part, Chapter 26, p. 143.
Leviathan (1651)
Context: The Interpretation of the Laws of Nature in a Common-wealth, dependeth not on the books of Moral Philosophy. The Authority of writers, without the Authority of the Commonwealth, maketh not their opinions Law, be they never so true.
Saul Green in "The Golden Notebook"
The Golden Notebook (1962)
The Hitchhiker's Guide to the Future (2001)
Context: It's important to remember that the relationship between different media tends to be complementary. When new media arrive they don't necessarily replace or eradicate previous types. Though we should perhaps observe a half second silence for the eight-track. — There that's done. What usually happens is that older media have to shuffle about a bit to make space for the new one and its particular advantages. Radio did not kill books and television did not kill radio or movies — what television did kill was cinema newsreel. TV does it much better because it can deliver it instantly. Who wants last week's news?
Vol. I, Ch. 13: Of the King who did according to his will, and magnified himself above every God, and honored Mahuzzims, and regarded not the desire of women
Observations upon the Prophecies of Daniel, and the Apocalypse of St. John (1733)
Context: The Cataphrygians brought in also several other superstitions: such as were the doctrine of Ghosts, and of their punishment in Purgatory, with prayers and oblations for mitigating that punishment, as Tertullian teaches in his books De Anima and De Monogamia. They used also the sign of the cross as a charm. So Tertullian in his book de Corona militis... All these superstitions the Apostle refers to, where he saith: Now the Spirit speaketh expressly, that in the latter times some shall depart from the faith, giving heed to seducing spirits, and doctrines of devils, the Dæmons and Ghosts worshiped by the heathens, speaking lies in hypocrisy, about their apparitions, the miracles done by them, their relics, and the sign of the cross, having consciences seared with a hot iron; forbidding to marry, and commanding to abstain from meats, &c. 1 Tim. iv. 1,2,3. From the Cataphrygians these principles and practices were propagated down to posterity. For the mystery of iniquity did already work in the Apostles days in the Gnostics, continued to work very strongly in their offspring the Tatianists and Cataphrygians, and was to work till that man of sin should be revealed; whose coming is after the working of Satan, with all power and signs, and lying wonders, and all deceivableness of unrighteousness; colored over with a form of Christian godliness, but without the power thereof, 2 Thess. ii. 7-10.
Source: Journey Within (1947), Ch. 2 : The Three Revelations
Context: No one ever reads a book. He reads himself through books, either to discover or to control himself. And the most objective books are the most deceptive. The greatest book is not the one whose message engraves itself on the brain, as a telegraphic message engraves itself on the ticker-tape, but the one whose vital impact opens up other viewpoints, and from writer to reader spreads the fire that is fed by the various essences, until it becomes a vast conflagration leaping from forest to forest.
The Duty of Owning Books (1859)
Context: Books are the windows through which the soul looks out. A house without books is like a room without windows. No man has a right to bring up his children without surrounding them with books, if he has the means to buy them. It is a wrong to his family. He cheats them! Children learn to read by being in the presence of books. The love of knowledge comes with reading and grows upon it.
Explaining his symbol of the within the human heart, in Libri Apologetici (1730), Book I, as quoted in The Secret Teachings of All Ages (1928) by Manly P. Hall, "The Human Body in Symbolism" http://www.sacred-texts.com/eso/sta/sta17.htm
Context: We men have one book in common which points to God. Each has it within himself, which is the priceless Name of God. Its letters are the flames of His love, which He out of His heart in the priceless Name of Jesus has revealed in us. Read these letters in your hearts and spirits and you have books enough. All the writings of the children of God direct you unto that one book, for therein lie all the treasures of wisdom. … This book is Christ in you.
“The deity is within you, not in ideas and books. Truth is lived, not taught.”
The Glass Bead Game (1943)
Context: "If only there were a dogma to believe in. Everything is contradictory, everything tangential; there are no certainties anywhere. Everything can be interpreted one way and then again interpreted in the opposite sense. The whole of history can be explained as development and progress and can also be seen as nothing but decadence and meaninglessness. Isn't there any truth? Is there no real and valid doctrine?"
The Master had never heard him speak so fervently. He walked on in silence for a little, then said, "There is truth, my boy. But the doctrine you desire, absolute, perfect dogma that alone provides wisdom, does not exist. Nor should you long for a perfect doctrine, my friend. Rather, you should long for the perfection of yourself. The deity is within you, not in ideas and books. Truth is lived, not taught. Be prepared for conflicts, Joseph Knecht — I can see they have already begun."
The Vision: Reflections on the Way of the Soul (1994)
Context: All that you see was and is for your sake. The numerous books, uncanny markings, and beautiful thoughts are the ghosts of souls who preceded you. The speech they weave is a link between you and your human siblings. The consequences that cause sorrow and rapture are the seeds that the past has sown in the field of the soul, and by which the future shall profit.
Preface
Sylvie and Bruno (1889)
Context: I do not know if 'Alice in Wonderland' was an original story — I was, at least, no conscious imitator in writing it — but I do know that, since it came out, something like a dozen story-books have appeared, on identically the same pattern. The path I timidly explored believing myself to be 'the first that ever burst into that silent sea' — is now a beaten high-road: all the way-side flowers have long ago been trampled into the dust: and it would be courting disaster for me to attempt that style again.
"The Case for the Ephemeral"
All Things Considered (1908)
Context: I cannot understand the people who take literature seriously; but I can love them, and I do. Out of my love I warn them to keep clear of this book. It is a collection of crude and shapeless papers upon current or rather flying subjects; and they must be published pretty much as they stand. They were written, as a rule, at the last moment; they were handed in the moment before it was too late, and I do not think that our commonwealth would have been shaken to its foundations if they had been handed in the moment after. They must go out now, with all their imperfections on their head, or rather on mine; for their vices are too vital to be improved with a blue pencil, or with anything I can think of, except dynamite.
Their chief vice is that so many of them are very serious; because I had no time to make them flippant. It is so easy to be solemn; it is so hard to be frivolous.
“Well, I've worried some about, you know, why write books”
"A Talk with Kurt Vonnegut. Jr." by Robert Scholes in The Vonnegut Statement (1973) edited by Jerome Klinkowitz and John Somer October 1966), later published in Conversations With Kurt Vonnegut (1988), p. 123
Various interviews
Context: Well, I've worried some about, you know, why write books … why are we teaching people to write books when presidents and senators do not read them, and generals do not read them. And it's been the university experience that taught me that there is a very good reason, that you catch people before they become generals and presidents and so forth and you poison their minds with … humanity, and however you want to poison their minds, it's presumably to encourage them to make a better world.
Context: The fact that so many books still name the Beatles "the greatest or most significant or most influential" rock band ever only tells you how far rock music still is from becoming a serious art. Jazz critics have long recognized that the greatest jazz musicians of all times are Duke Ellington and John Coltrane, who were not the most famous or richest or best sellers of their times, let alone of all times. Classical critics rank the highly controversial Beethoven over classical musicians who were highly popular in courts around Europe. Rock critics are still blinded by commercial success: the Beatles sold more than anyone else (not true, by the way), therefore they must have been the greatest. Jazz critics grow up listening to a lot of jazz music of the past, classical critics grow up listening to a lot of classical music of the past. Rock critics are often totally ignorant of the rock music of the past, they barely know the best sellers. No wonder they will think that the Beatles did anything worth of being saved.
Jean-Christophe (1904 - 1912), Journey's End: The Burning Bush (1911)
Context: The slaughter accomplished by man is so small a thing of itself in the carnage of the universe! The animals devour each other. The peaceful plants, the silent trees, are ferocious beasts one to another. The serenity of the forests is only a commonplace of easy rhetoric for the literary men who only know Nature through their books!... In the forest hard by, a few yards away from the house, there were frightful struggles always toward. The murderous beeches flung themselves upon the pines with their lovely pinkish stems, hemmed in their slenderness with antique columns, and stifled them. They rushed down upon the oaks and smashed them, and made themselves crutches of them. The beeches were like Briareus with his hundred arms, ten trees in one tree! They dealt death all about them. And when, failing foes, they came together, they became entangled, piercing, cleaving, twining round each other like antediluvian monsters. Lower down, in the forest, the acacias had left the outskirts and plunged into the thick of it and, attacked the pinewoods, strangling and tearing up the roots of their foes, poisoning them with their secretions. It was a struggle to the death in which the victors at once took possession of the room and the spoils of the vanquished. Then the smaller monsters would finish the work of the great. Fungi, growing between the roots, would suck at the sick tree, and gradually empty it of its vitality. Black ants would grind exceeding small the rotting wood. Millions of invisible insects were gnawing, boring, reducing to dust what had once been life.... And the silence of the struggle!... Oh! the peace of Nature, the tragic mask that covers the sorrowful and cruel face of Life!
A Hero of Our Time (1840; rev. 1841)
“The art of writing books is not yet invented. But it is at the point of being invented.”
Fragment No. 114
Blüthenstaub (1798)
Context: The art of writing books is not yet invented. But it is at the point of being invented. Fragments of this nature are literary seeds. There may be many an infertile grain among them: nevertheless, if only some come up!
Letter to an unidentified friend (1489), as translated in Collected Works of Erasmus (1974), p. 58
Fiction, The Other Gods (1921)
Context: The moon is dark, and the gods dance in the night; there is terror in the sky, for upon the moon hath sunk an eclipse foretold in no books of men or of earth's gods...' There is unknown magic on Hatheg-Kla, for the screams of the frightened gods have turned to laughter, and the slopes of ice shoot up endlessly into the black heavens whither I am plunging... Hei! Hei! At last! In the dim light I behold the gods of earth!
“Men are not accustomed to buy books unless they want them.”
The Duty of Owning Books (1859)
Context: Men are not accustomed to buy books unless they want them. If, on visiting the dwelling of a man of slender means, I find the reason why he has cheap carpets and very plain furniture to be that he may purchase books, he rises at once in my esteem. Books are not made for furniture but there is nothing else that so beautifully furnishes a house.
The Haunted Bookshop (1919)
Context: Printer's ink has been running a race against gunpowder these many, many years. Ink is handicapped, in a way, because you can blow up a man with gunpowder in half a second, while it may take twenty years to blow him up with a book. But the gunpowder destroys itself along with its victim, while a book can keep on exploding for centuries.
Under Fire (1916), Ch. 24 - The Dawn
Context: There are all those things against you. Against you and your great common interests which as you dimly saw are the same thing in effect as justice, there are not only the sword-wavers, the profiteers, and the intriguers.
There is not only the prodigious opposition of interested parties — financiers, speculators great and small, armorplated in their banks and houses, who live on war and live in peace during war, with their brows stubbornly set upon a secret doctrine and their faces shut up like safes.
There are those who admire the exchange of flashing blows, who hail like women the bright colors of uniforms; those whom military music and the martial ballads poured upon the public intoxicate as with brandy; the dizzy-brained, the feeble-minded, the superstitious, the savages.
There are those who bury themselves in the past, on whose lips are the sayings only of bygone days, the traditionalists for whom an injustice has legal force because it is perpetuated, who aspire to be guided by the dead, who strive to subordinate progress and the future and all their palpitating passion to the realm of ghosts and nursery-tales.
With them are all the parsons, who seek to excite you and to lull you to sleep with the morphine of their Paradise, so that nothing may change. There are the lawyers, the economists, the historians — and how many more? — who befog you with the rigmarole of theory, who declare the inter-antagonism of nationalities at a time when the only unity possessed by each nation of to-day is in the arbitrary map-made lines of her frontiers, while she is inhabited by an artificial amalgam of races; there are the worm-eaten genealogists, who forge for the ambitious of conquest and plunder false certificates of philosophy and imaginary titles of nobility. The infirmity of human intelligence is short sight. In too many cases, the wiseacres are dunces of a sort, who lose sight of the simplicity of things, and stifle and obscure it with formulae and trivialities. It is the small things that one learns from books, not the great ones.
And even while they are saying that they do not wish for war they are doing all they can to perpetuate it. They nourish national vanity and the love of supremacy by force. "We alone," they say, each behind his shelter, "we alone are the guardians of courage and loyalty, of ability and good taste!" Out of the greatness and richness of a country they make something like a consuming disease. Out of patriotism — which can be respected as long as it remains in the domain of sentiment and art on exactly the same footing as the sense of family and local pride, all equally sacred — out of patriotism they make a Utopian and impracticable idea, unbalancing the world, a sort of cancer which drains all the living force, spreads everywhere and crushes life, a contagious cancer which culminates either in the crash of war or in the exhaustion and suffocation of armed peace.
They pervert the most admirable of moral principles. How many are the crimes of which they have made virtues merely by dowering them with the word "national"? They distort even truth itself. For the truth which is eternally the same they substitute each their national truth. So many nations, so many truths; and thus they falsify and twist the truth.
Those are your enemies. All those people whose childish and odiously ridiculous disputes you hear snarling above you — "It wasn't me that began, it was you!" — "No, it wasn't me, it was you!" — "Hit me then!" — "No, you hit me!" — those puerilities that perpetuate the world's huge wound, for the disputants are not the people truly concerned, but quite the contrary, nor do they desire to have done with it; all those people who cannot or will not make peace on earth; all those who for one reason or another cling to the ancient state of things and find or invent excuses for it — they are your enemies!
They are your enemies as much as those German soldiers are to-day who are prostrate here between you in the mud, who are only poor dupes hatefully deceived and brutalized, domestic beasts. They are your enemies, wherever they were born, however they pronounce their names, whatever the language in which they lie. Look at them, in the heaven and on the earth. Look at them, everywhere! Identify them once for all, and be mindful for ever!
“Do not be guilty of possessing a library of learned books while lacking learning yourself.”
Letter to Christian Northoff (1497), as translated in Collected Works of Erasmus (1974), p. 115
Source: Don Quixote de la Mancha (1605–1615), Part I, Book III, Ch. 4.
Acceptance speech of the National Book Award for Nonfiction (1952); also in Lost Woods: The Discovered Writing of Rachel Carson (1999) edited by Linda Lear, p. 91
Context: The winds, the sea, and the moving tides are what they are. If there is wonder and beauty and majesty in them, science will discover these qualities. If they are not there, science cannot create them. If there is poetry in my book about the sea, it is not because I deliberately put it there, but because no one could write truthfully about the sea and leave out the poetry.
Author, Third Day. Change of Position<!--p.153 [190]-->
Dialogues and Mathematical Demonstrations Concerning Two New Sciences (1638)
Context: My purpose is to set forth a very new science dealing with a very ancient subject. There is, in nature, perhaps nothing older than motion, concerning which the books written by philosophers are neither few nor small; nevertheless I have discovered by experiment some properties of it which are worth knowing and which have not hitherto been either observed or demonstrated. Some superficial observations have been made, as, for instance, that the free motion [naturalem motum] of a heavy falling body is continuously accelerated; but to just what extent this acceleration occurs has not yet been announced; for so far as I know, no one has yet pointed out that the distances traversed, during equal intervals of time, by a body falling from rest, stand to one another in the same ratio as the odd numbers beginning with unity.
“They were doing their best to live like people invented in story books.”
Breakfast of Champions (1973)
Context: I thought Beatrice Keedsler had joined hands with other old-fashioned storytellers to make people believe that life had leading characters, minor characters, significant details, insignificant details, that it had lessons to be learned, tests to be passed, and a beginning, a middle, and an end.
As I approached my fiftieth birthday, I had become more and more enraged and mystified by the idiot decisions made by my countrymen. And then I had come suddenly to pity them, for I understood how innocent and natural it was for them to behave so abominably, and with such abominable results: They were doing their best to live like people invented in story books. This was the reason Americans shot each other so often: It was a convenient literary device for ending short stories and books.
Why were so many Americans treated by their government as though their lives were as disposable as paper facial tissues? Because that was the way authors customarily treated bit-part players in their madeup tales.
And so on.
Once I understood what was making America such a dangerous, unhappy nation of people who had nothing to do with real life, I resolved to shun storytelling. I would write about life. Every person would be exactly as important as any other. All facts would also be given equal weightiness. Nothing would be left out. Let others bring order to chaos. I would bring chaos to order, instead, which I think I have done.
If all writers would do that, then perhaps citizens not in the literary trades will understand that there is no order in the world around us, that we must adapt ourselves to the requirements of chaos instead.
It is hard to adapt to chaos, but it can be done. I am living proof of that: It can be done.
"Poetry" (1977)
Card XI : Justice http://www.sacred-texts.com/tarot/sot/sot22.htm
The Symbolism of the Tarot (1913)
Context: When I possessed the keys, read the book and understood the symbols, I was permitted to lift the curtain of the Temple and enter. its inner sanctum. And there I beheld a Woman with a crown of gold and a purple mantle. She held a sword in one hand and scales in the other. I trembled with awe at her appearance, which was deep and mysterious, and drew me like an abyss.
"You see Truth," said the voice. "On these scales everything is weighed. This sword is always raised to guard justice, and nothing can escape it."
"But why do you avert your eyes from the scales and the sword? They will remove the last illusions. How could you live on earth without these illusions?
"You wished to see Truth and now you behold it! But remember what happens to the mortal who beholds a Goddess!"
Source: Demian (1919), p. 9 Prologue
Context: I do not consider myself less ignorant than most people. I have been and still am a seeker, but I have ceased to question stars and books; I have begun to listen to the teachings my blood whispers to me. My story is not a pleasant one; it is neither sweet nor harmonious, as invented stories are; it has the taste of nonsense and chaos, of madness and dreams — like the lives of all men who stop deceiving themselves.
Each man's life represents the road toward himself, and attempt at such a road, the intimation of a path. No man has ever been entirely and completely himself. Yet each one strives to become that — one in an awkward, the other in a more intelligent way, each as best he can.