Quotes about beauty
page 47

Arundhati Roy photo

“He is Karna, whom the world has abandoned. Karna Alone. Condemned goods. A prince raised in poverty. Born to die unfairly, unarmed and alone at the hands of his brother. Majestic in his complete despair. Praying on the banks of the Ganga. Stoned out of his skull.
Then Kunti appeared. She too was a man, but a man grown soft and womanly, a man with breasts, from doing female parts for years. Her movements were fluid. Full of women. Kunti, too, was stoned. High on the same shared joints. She had come to tell Karna a story.
Karna inclined his beautiful head and listened.
Red-eyed, Kunti danced for him. She told him of a young woman who had been granted a boon. A secret mantra that she could use to choose a lover from among the gods. Of how, with the imprudence of youth, the woman decided to test it to see if it really worked. How she stood alone in an empty field, turned her face to the heavens and recited the mantra. The words had scarcely left her foolish lips, Kunti said, when Surya, the God of Day, appeared before her. The young woman, bewitched by the beauty of the shimmering young god, gave herself to him. Nine months later she bore him a son. The baby was born sheathed in light, with gold earrings in his ears and a gold breastplate on his chest, engraved with the emblem of the sun.
The young mother loved her first-born son deeply, Kunti said, but she was unmarried and couldn't keep him. She put him in a reed basket and cast him away in a river. The child was found downriver by Adhirata, a charioteer. And named Karna.
Karna looked up to Kunti. Who was she? Who was my mother? Tell me where she is. Take me to her.
Kunti bowed her head. She's here, she said. Standing before you.
Karna's elation and anger at the revelation. His dance of confusion and despair. Where were you, he asked her, when I needed you the most? Did you ever hold me in your arms? Did you feed me? Did you ever look for me? Did you wonder where I might be?
In reply Kunti took the regal face in her hands, green the face, red the eyes, and kissed him on his brow. Karna shuddered in delight. A warrior reduced to infancy. The ecstasy of that kiss. He dispatched it to the ends of his body. To his toes. His fingertips. His lovely mother's kiss. Did you know how much I missed you? Rahel could see it coursing through his veins, as clearly as an egg travelling down an ostrich's neck.
A travelling kiss whose journey was cut short by dismay when Karna realised that his mother had revealed herself to him only to secure the safety of her five other, more beloved sons - the Pandavas - poised on the brink of their epic battle with their one hundred cousins. It is them that Kunti sought to protect by announcing to Karna that she was his mother. She had a promise to extract.
She invoked the Love Laws.”

pages 232-233.
The God of Small Things (1997)

Russell L. Ackoff photo
John Muir photo
John Archibald Wheeler photo

“Of all heroes, Spinoza was Einstein's greatest. No one expressed more strongly than he a belief in the harmony, the beauty, and most of all the ultimate comprehensibility of nature.”

John Archibald Wheeler (1911–2008) American physicist

"Albert Einstein" in Biographical Memoirs (1980) Vol. 51, National Academy of Sciences.

Henri Poincaré photo

“It is because simplicity and vastness are both beautiful that we seek by preference simple facts and vast facts; that we take delight, now in following the giant courses of the stars, now in scrutinizing the microscope that prodigious smallness which is also a vastness, and now in seeking in geological ages the traces of a past that attracts us because of its remoteness.”

C’est parce que la simplicité, parce que la grandeur est belle, que nous rechercherons de préférence les faits simples et les faits grandioses, que nous nous complairons tantôt à suivre la course gigantesque des astres, tantôt à scruter avec le microscope cette prodigieuse petitesse qui est aussi une grandeur, tantôt à rechercher dans les temps géologiques les traces d’un passé qui nous attire parce qu’il est lointain.
Part I. Ch. 1 : The Selection of Facts, p. 23
Science and Method (1908)

Dante Gabriel Rossetti photo
Jacopone da Todi photo
Henry Liddon photo
Corneliu Zelea Codreanu photo
Giacomo Casanova photo
Charlotte Salomon photo

“Franziska (mother of Charlotte): 'In Heaven everything is much more beautiful than here in earth – and when your Mummy has turned into a little angel she'll.... bring a letter, telling her what's like in Heaven..”

Charlotte Salomon (1917–1943) German painter

Franziska was of somewhat sentimental disposition.
written text with brush, in her painting JHM no. 4175 https://commons.wikimedia.org/wiki/Category:Charlotte_Salomon#/media/File:Charlotte_Salomon_-_JHM_4175.jpg: in 'Life? or Theater..', p. 66
her mother committed suicide when Charlotte was still a young girl - as many in her family did, before or later
Charlotte Salomon - Life? or Theater?

“The Hindus of this region had been victims of Muslim high-handedness for a long time, particularly in respect of their women. Murshid Qulî Khãn, the faujdãr of Mathura who died in 1638, was notorious for seizing “all their most beautiful women” and forcing them into his harem. “On the birthday of Krishna,” narrates Ma’sîr-ul-Umara, “a vast gathering of Hindu men and women takes place at Govardhan on the Jumna opposite Mathura. The Khan, painting his forehead and wearing dhoti like a Hindu, used to walk up and down in the crowd. Whenever he saw a woman whose beauty filled even the moon with envy, he snatched her away like a wolf pouncing upon a flock, and placing her in the boat which his men kept ready on the bank, he sped to Agra. The Hindu [for shame] never divulged what had happened to his daughter.” Another notorious faujdãr of Mathura was Abdu’n Nabî Khãn. He plundered the people unscrupulously and amassed great wealth. But his worst offence was the pulling down of the foremost Hindu temple in the heart of Mathura and building a Jãmi‘ Masjid on its site. This he did in AD 1660-61. Soon after, in 1665, Aurangzeb imposed a pilgrim tax on the Hindus. In 1668, he prohibited celebration of all Hindu festivals, particularly Holi and Diwali. The Jats who rightly regarded themselves as the defenders of Hindu hounour were no longer in a mood to take it lying. (Jadunath Sarkar, History of Aurangzeb, Vol. III, Calcutta, 1972 )”

Sita Ram Goel (1921–2003) Indian activist

Hindu Temples – What Happened to Them, Volume II (1993)

David Bentley Hart photo
Harry Turtledove photo
Kunti photo
Barbara Hepworth photo
Alfred Noyes photo

“Beauty is a fading flower,
Truth is but a wizard's tower,
Where a solemn death-bell tolls,
And a forest round it rolls.”

Alfred Noyes (1880–1958) English poet

Epilogue
The Flower of Old Japan and Other Poems (1907), The Flower of Old Japan

Eliza Farnham photo
Albert Einstein photo

“The most beautiful fate of a physical theory is to point the way to the establishment of a more inclusive theory, in which it lives on as a limiting case.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

1917) as quoted by Gerald Holton, The Advancement of Science, and Its Burdens: the Jefferson Lecture and other Essays (1986
1910s

“I made the mistake that I wanted to manipulate the truth and make the world just a little more beautiful than it is.”

Diederik Stapel (1966) Dutch social psychologist

Stapel's own statement in De Volkskrant on 31 October 2011.

Andrei Tarkovsky photo
Letitia Elizabeth Landon photo
Joyce Kilmer photo

“The most beautiful home on earth is just a dump compared to the magnificent mansion Jesus is building for you up in heaven.”

Jack T. Chick (1924–2016) Christian comics writer

Chick tracts, " Why Should I? http://www.chick.com/reading/tracts/1079/1079_01.asp" (2012)

Edward Steichen photo

“Photography records the gamut of feelings written on the human face, the beauty of the earth and skies that man has inherited, and the wealth and confusion man has created. [It is] a major force in explaining man to man.”

Edward Steichen (1879–1973) American photographer, artist and curator

Quoted in Time Magazine, "To Catch the Instant" http://content.time.com/time/magazine/article/0,9171,874339,00.html, 7 April 1961

Giacomo Casanova photo

“I saw that everything famous and beautiful in the world, if we judge by the descriptions and drawings of writers and artists, always loses when we go to see it and examine it closely.”

Giacomo Casanova (1725–1798) Italian adventurer and author from the Republic of Venice

History of My Life (trans. Trask 1967), 1997 reprint, vol. 11, chap. 4, p. 112

Vitruvius photo
John Galsworthy photo

“Love of beauty is really only the sex instinct, which nothing but complete union satisfies.”

John Galsworthy (1867–1933) English novelist and playwright

Saint's Progress (1919)

Gerrit Benner photo

“I love nature, what is not beautiful in nature, there are no ugly things. Sometimes the world oppresses me and then I always go back to nature, the source of all things. (translation from Dutch: Fons Heijnsbroek, 2018)”

Gerrit Benner (1897–1981) Dutch painter

version in original Dutch (citaat van Gerrit Benner, in het Nederlands:) Ik hou van de natuur, wat is niet mooi in de natuur, er zijn geen lelijke dingen. Soms benauwt de wereld me en dan kom ik altijd terug bij de natuur, de bron van alle dingen.
as cited on website De Canon: ‘Gerrit Benner’ http://www.11en30.nu/de-canon-vensters/gerrit-benner
undated quotes

Madison Cawein photo

“What magic shall solve us the secret
Of beauty that’s born for an hour?”

Madison Cawein (1865–1914) poet from Louisville, Kentucky

Interpreted.
Bartlett's Familiar Quotations (1919)

Henry Flynt photo
Nick Cave photo
Marianne von Werefkin photo
Ernst Ludwig Kirchner photo

“The beautiful, architectonically constructed, severely formed bodies of these women [his girlfriend in Berlin and life companion, Erna with her sister Gerda] replaced the soft Saxon physique.”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

In an unpublished manuscript 'Die Arbeit E. L. Kirchners', by E. L. Kirchner 1925–1926; as quoted in Kirchner and the Berlin street, ed. Deborah Wye, Moma, New York, 2008, p. 36
1920's

Matthew Arnold photo

“The power of the Latin classic is in character, that of the Greek is in beauty. Now character is capable of being taught, learnt, and assimilated: beauty hardly.”

Matthew Arnold (1822–1888) English poet and cultural critic who worked as an inspector of schools

"Schools and Universities on the Continent" (1868)

Marianne von Werefkin photo
Wassily Kandinsky photo
Gillian Anderson photo
Ursula K. Le Guin photo
Le Corbusier photo

“You employ stone, wood and concrete, and with these materials you build houses and palaces. That is construction. Ingenuity is at work.
But suddenly you touch my heart, you do me good, I am happy and I say: "This is beautiful."”

Le Corbusier (1887–1965) architect, designer, urbanist, and writer

That is Architecture. Art enters in.
Vers une architecture [Towards an Architecture] (1923)

Kim Wilde photo
Gene Simmons photo

“My skin is more beautiful than yours. I would be quite more popular in jail if I so chose.”

Gene Simmons (1949) Israeli-born American rock bass guitarist, singer-songwriter, record producer, entrepreneur, and actor

Fresh Air interview (February 4, 2002)

David Livingstone photo

“The islands above the falls are covered with foliage as beautiful as can be seen anywhere. Viewed from the mass of rock which overhangs the fall, the scenery was the loveliest I had seen.”

David Livingstone (1813–1873) Scottish explorer and missionary

Exploring Magnificent Waterfalls http://wol.jw.org/en/wol/d/r1/lp-e/102004126?q=livingstone&p=par

Max Frisch photo
Paul Cézanne photo

“Alas! The memories that are swallowed up in the abyss of the years! I'm all alone now and I would never be able to escape from the self-seeking of human kind anyway. Now it's theft, conceit, infatuation, and now it's rapine or seizure of one's production. But Nature is very beautiful. They can't take that away from me.”

Paul Cézanne (1839–1906) French painter

in the last conversation Vollard had with Cezanne
Quote in a conversation in Cezanne's studio in Aix, End of 1905; as quoted in Cézanne, Ambroise Vollard, Dover publications Inc. New York, 1984, p. 112
Quotes of Paul Cezanne, after 1900

Imelda Marcos photo
Göran Persson photo

“I'm not leading the world's most brilliant cabinet. The ministers don't belong to the most outstanding intellectual elite and we're not particularly beautiful either.”

Göran Persson (1949) Swedish politician, Swedish Social Democratic Party, thirty-second Prime minister of Sweden

Said in a speech to Komvux (adult secondary education) students in Norrköping in 2002, according to the Swedish news agency TT.

James Thomson (poet) photo

“The beauty of mathematics often makes the subject matter much more attractive and easier to master.”

Richard Hamming (1915–1998) American mathematician and information theorist

Methods of Mathematics Applied to Calculus, Probability, and Statistics (1985)

Pat Paulsen photo
Lyndall Urwick photo
Joseph Joubert photo

“Dear beautiful one, I praise the stars for the song's end. Farewell!”

Olaf Stapledon (1886–1950) British novelist and philosopher

Other texts
Source: Far Future Calling http://web.archive.org/web/20090721194935/http://olafstapledonarchive.webs.com/farfuturecalling.html

Patrick Matthew photo
Alanis Morissette photo
Paul Morphy photo
John Constable photo

“I have been living a hermit-life, though always with my pencil in my hand... How much real delight have I had with the study of landscape this summer! Either I am myself improved in the art of seeing nature, which Sir Joshua call painting, or nature has unveiled her beauties to me less fastidiously. Perhaps there is something of both, so we will divide the compliment.”

John Constable (1776–1837) English Romantic painter

Quote from Constable's letter to Rev. John Fisher (22 July 1812), as quoted in Richard Friedenthal, Letters of the great artists – from Blake to Pollock (Thames and Hudson, London, 1963), p. 40
1800s - 1810s

Jopie Huisman photo

“One afternoon I went to visit him. [Jacob, an older and close friend of Jopie - a real freebooter]. I knew he was home, I took pen, ink and my sketchbook with me and did half a liter of gin in my pocket. He lived in the back of an alley and was sitting in his chair by the window.... I told him, 'You will get the whole bottle, but one condition. I want to make a beautiful drawing of you, so first you have to sit still for twenty minutes and look at me closely. If I look at you and you don't look at me, the deal is over....'Okay', he said. I never had a model like him before... Stock-still he sat.... and looked at me without a single blink of his eyes. Within half an hour he was there on the paper - razor-sharp... While I am writing this down, it is as if he is sitting in front of me again..”

Jopie Huisman (1922–2000) Dutch painter

translation, Fons Heijnsbroek, 2018
version in original Dutch / citaat van Jopie Huisman, in het Nederlands: Op een middag ging ik bij hem op bezoek. [bij Jacob, een oudere en hechte vriend van Jopie en een echte vrijbuiter]. Ik wist dat hij thuis was, nam pen en inkt en mijn schetsboek mee en deed een halve liter jenever in mijn zak. Hij woonde achter in een steegje en zat in zijn stoel bij het raam.. .Ik zei: 'Je krijgt de hele fles van me, onder één voorwaarde. Ik wil een prachtige tekening van je maken en daarvoor moet je eerst twintig minuten doodstil zitten en me strak aankijken. Als ik naar jou kijk en jij kijkt niet naar mij, dan gaat het over.. ..'Afgesproken', zei hij. Ik heb nog nooit zo’n model gehad!.. .Doodstil zat hij.. ..en keek me zonder ook maar één keer met zijn ogen te knipperen strak in mijn gezicht. Binnen een half uur stond hij haarscherp op het papier.. .Terwijl ik dit opschreef was het net alsof hij weer voor me zat.
Source: Jopie de Verteller' (2010) - postumous, p. 58

Donald J. Trump photo
Katharine Hepburn photo
Ralph Ellison photo

“Every serious novel is, beyond its immediate thematic preoccupations, a discussion of the craft, a conquest of the form, a conflict with its difficulties and a pursuit of its felicities and beauty.”

Ralph Ellison (1914–1994) American novelist, literary critic, scholar and writer

"Society, Morality and the Novel" (1957), in The Collected Essays, ed. John F. Callahan (New York: Modern Library, 1995), p. 699.

George William Russell photo
Conrad Aiken photo
T.S. Eliot photo
Wilkie Collins photo

“It is not Beauty I demand,
A crystal brow, the moon's despair,
Nor the snow's daughter, a white hand,
Nor mermaid's yellow pride of hair.”

George Darley (1795–1846) Irish poet, novelist, and critic

Poem The Loveliness of Love http://www.umiacs.umd.edu/~ridge/local/iinbid.html

Jean-François Millet photo
Fred Astaire photo
Halldór Laxness photo

“b>The love which demands nothing but beauty itself and lives in selfless worship... is the love that no disappointment can ever conquer, perhaps not even death itself”

Halldór Laxness (1902–1998) Icelandic author

if that existed
Heimsljós (World Light) (1940), Book One: The Revelation of the Deity

Conrad Aiken photo
Piet Mondrian photo

“[Paris, as modern city] is beautiful in its perfection, but perfection means death and decay. Thus interfering with the process of dying is a crime against perfection: it stands in the way of a higher perfection.”

Piet Mondrian (1872–1944) Peintre Néerlandais

Quote of Mondrian in 'Natuurlijke en abstracte realiteit', Piet Mondriaan, in 'De Stijl' III, 1920, p. 75
1920's

Tessa Virtue photo
Hayley Jensen photo
Paula Modersohn-Becker photo

“Last year I wrote: 'the intensity with which a subject is grasped, that is what makes for beauty in art'. Isn't it also true for love?”

Paula Modersohn-Becker (1876–1907) German artist

excerpt of her Journal, Worpswede 1899; as quoted in Voicing our visions, – Writings by women artists; ed. Mara R. Witzling, Universe New York, 1991
1899

Donald J. Trump photo

“Well, I think that she's got a lot of Marla [Maples, Trump's second wife], she's a really beautiful baby, and she's got Marla's legs. We don't know whether she's got this part yet [gestures toward own chest], but time will tell…”

Donald J. Trump (1946) 45th President of the United States of America

On his then-one year old daughter Tiffany http://www.slate.com/blogs/the_slatest/2016/04/06/video_donald_trump_on_his_one_year_old_daughter_s_brests.html, Lifestyles of the Rich and Famous, 1994
1990s

Henry Adams photo

“She fell in love with the cataract and turned to it as a confidant, not because of its beauty or power, but because it seemed to tell her a story which she longed to understand.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

Esther Dudley's reaction to Niagara Falls, in Ch. IX
Esther: A Novel (1884)

Lucy Maud Montgomery photo
Joseph Addison photo
Pliny the Younger photo

“Generosity, when once she is set forward, knows not how to stop her progress; as her beauty is of that order which grows the more engaging upon nearer acquaintance.”
Nescit enim semel incitata liberalitas stare, cuius pulchritudinem usus ipse commendat.

Pliny the Younger (61–113) Roman writer

Letter 11, 3.
Letters, Book V

Angela of Foligno photo
Robert Murray M'Cheyne photo
Nathaniel Hawthorne photo
Sathya Sai Baba photo
Russell Brand photo
Peter Greenaway photo

“Farewells can be both beautiful and despicable. Saying farewell to one who is loved is very complicated.”

Peter Greenaway (1942) British film director

, quoted in Peter Greenaway's The
The Pillow Book

Stevie Wonder photo
Gloria Estefan photo

“Music should always be a means of bridging gaps and uniting people. The beauty of music is that it can -- and should -- gather a wide variety of concepts in a way that's universal.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

www.internationalspeakers.com February 1, 2007
2007, 2008

John Lancaster Spalding photo
Aristide Maillol photo
Justin D. Fox photo
Greil Marcus photo
Dejan Stojanovic photo

“While gazing at myself from yourself, I was beautiful.”

Dejan Stojanovic (1959) poet, writer, and businessman

"The Shape of Greatness," p. 49
The Shape (2000), Sequence: “Pit of the Stone”

Ernest Flagg photo
John Lydgate photo
François Bernier photo