Quotes about beauty
page 47

Ackoff (1999). "Disciplines, the two cultures and the scianities". Systems Research and Behavioral Science. 16 (6), p. 537. Cited in: Sherryl Stalinski (2005) A Systems View of Social Systems, Culture and Communities. Saybrook Graduate School. p. 5.
1990s

The Yosemite http://www.sierraclub.org/john_muir_exhibit/writings/the_yosemite/ (1912), chapter 1: The Approach to the Valley
1910s

"Albert Einstein" in Biographical Memoirs (1980) Vol. 51, National Academy of Sciences.

C’est parce que la simplicité, parce que la grandeur est belle, que nous rechercherons de préférence les faits simples et les faits grandioses, que nous nous complairons tantôt à suivre la course gigantesque des astres, tantôt à scruter avec le microscope cette prodigieuse petitesse qui est aussi une grandeur, tantôt à rechercher dans les temps géologiques les traces d’un passé qui nous attire parce qu’il est lointain.
Part I. Ch. 1 : The Selection of Facts, p. 23
Science and Method (1908)

The Ballad of Dead Ladies http://www.theotherpages.org/poems/roset03.html#13, st. 1 (1870).

For My Legionaries: The Iron Guard (1936), The Legion

History of My Life (trans. Trask 1967), 1997 reprint, v. 7, chapter 2, p. 19
Referenced

Franziska was of somewhat sentimental disposition.
written text with brush, in her painting JHM no. 4175 https://commons.wikimedia.org/wiki/Category:Charlotte_Salomon#/media/File:Charlotte_Salomon_-_JHM_4175.jpg: in 'Life? or Theater..', p. 66
her mother committed suicide when Charlotte was still a young girl - as many in her family did, before or later
Charlotte Salomon - Life? or Theater?
Hindu Temples – What Happened to Them, Volume II (1993)

Five Holy Virgins, Five Sacred MythsOf Kunti and Satyawati Sexually Assertive Women of the Mahabharata

Source: 1961 - 1975, Art Talk, conversations with 15 woman artists', (1975), p. 19

Epilogue
The Flower of Old Japan and Other Poems (1907), The Flower of Old Japan

Woman and Her Era (1864), pt. 1, ch. 1

1917) as quoted by Gerald Holton, The Advancement of Science, and Its Burdens: the Jefferson Lecture and other Essays (1986
1910s
Stapel's own statement in De Volkskrant on 31 October 2011.

24th December 1825) Metrical Fragments - No.1 Anecdote of Canova (under the pen name Iole
The London Literary Gazette, 1825

A letter home, included in Joyce Kilmer, Poems, Essays and Letters (1918) edited by Robert Holliday
Chick tracts, " Why Should I? http://www.chick.com/reading/tracts/1079/1079_01.asp" (2012)

Quoted in Time Magazine, "To Catch the Instant" http://content.time.com/time/magazine/article/0,9171,874339,00.html, 7 April 1961

History of My Life (trans. Trask 1967), 1997 reprint, vol. 11, chap. 4, p. 112

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter II, Sec. 3

“Love of beauty is really only the sex instinct, which nothing but complete union satisfies.”
Saint's Progress (1919)

version in original Dutch (citaat van Gerrit Benner, in het Nederlands:) Ik hou van de natuur, wat is niet mooi in de natuur, er zijn geen lelijke dingen. Soms benauwt de wereld me en dan kom ik altijd terug bij de natuur, de bron van alle dingen.
as cited on website De Canon: ‘Gerrit Benner’ http://www.11en30.nu/de-canon-vensters/gerrit-benner
undated quotes

“What magic shall solve us the secret
Of beauty that’s born for an hour?”
Interpreted.
Bartlett's Familiar Quotations (1919)

Popularity had nothing to do with whether this avenue was worth taking.
Henry Flynt. " The Crystallization of Concept Art in 1961 http://www.henryflynt.org/meta_tech/crystal.html," at henryflynt.org, 1994.

Vol. 1: 'My beautiful One, My Unique!', pp. 130-140
1895 - 1905, Lettres à un Inconnu, 1901 – 1905; Museo Communale, Ascona

In an unpublished manuscript 'Die Arbeit E. L. Kirchners', by E. L. Kirchner 1925–1926; as quoted in Kirchner and the Berlin street, ed. Deborah Wye, Moma, New York, 2008, p. 36
1920's

"Schools and Universities on the Continent" (1868)

Vol. 1: 'My beautiful One, My Unique!', pp. 130-140
1895 - 1905, Lettres à un Inconnu, 1901 – 1905; Museo Communale, Ascona

Quote from: 'Looks on the past', Wassily Kandinsky; published in der Sturm, Berlin 1913
1910 - 1915

On being appreciated by women — Net-a-Porter "Gillian Anderson on finding Scully again and her chemistry with David Duchovny" https://www.net-a-porter.com/magazine/333/11 (January 14, 2016)
2010s

That is Architecture. Art enters in.
Vers une architecture [Towards an Architecture] (1923)

[http://www.kimwilde.com/articles/1981/00244/ New Musical Express (19 September 1981)
Interviews

“My skin is more beautiful than yours. I would be quite more popular in jail if I so chose.”
Fresh Air interview (February 4, 2002)

Exploring Magnificent Waterfalls http://wol.jw.org/en/wol/d/r1/lp-e/102004126?q=livingstone&p=par

in the last conversation Vollard had with Cezanne
Quote in a conversation in Cezanne's studio in Aix, End of 1905; as quoted in Cézanne, Ambroise Vollard, Dover publications Inc. New York, 1984, p. 112
Quotes of Paul Cezanne, after 1900

Said in a speech to Komvux (adult secondary education) students in Norrköping in 2002, according to the Swedish news agency TT.
I'm Tired (February 19, 2009)
Methods of Mathematics Applied to Calculus, Probability, and Statistics (1985)

CS Monitor Story 'Paulsen's Running - But Where Is He?" http://www.csmonitor.com/1992/0205/05091.html

Vol II. p. 18as cited in: Hopf (1947).
1940s, The Making Of Scientific Management, 1945
“Dear beautiful one, I praise the stars for the song's end. Farewell!”
Other texts
Source: Far Future Calling http://web.archive.org/web/20090721194935/http://olafstapledonarchive.webs.com/farfuturecalling.html

Joining You
Supposed Former Infatuation Junkie (1998)

J. A. Galbreath (American Chess Bulletin, October, 1909)
About

Quote from Constable's letter to Rev. John Fisher (22 July 1812), as quoted in Richard Friedenthal, Letters of the great artists – from Blake to Pollock (Thames and Hudson, London, 1963), p. 40
1800s - 1810s

translation, Fons Heijnsbroek, 2018
version in original Dutch / citaat van Jopie Huisman, in het Nederlands: Op een middag ging ik bij hem op bezoek. [bij Jacob, een oudere en hechte vriend van Jopie en een echte vrijbuiter]. Ik wist dat hij thuis was, nam pen en inkt en mijn schetsboek mee en deed een halve liter jenever in mijn zak. Hij woonde achter in een steegje en zat in zijn stoel bij het raam.. .Ik zei: 'Je krijgt de hele fles van me, onder één voorwaarde. Ik wil een prachtige tekening van je maken en daarvoor moet je eerst twintig minuten doodstil zitten en me strak aankijken. Als ik naar jou kijk en jij kijkt niet naar mij, dan gaat het over.. ..'Afgesproken', zei hij. Ik heb nog nooit zo’n model gehad!.. .Doodstil zat hij.. ..en keek me zonder ook maar één keer met zijn ogen te knipperen strak in mijn gezicht. Binnen een half uur stond hij haarscherp op het papier.. .Terwijl ik dit opschreef was het net alsof hij weer voor me zat.
Source: Jopie de Verteller' (2010) - postumous, p. 58

On Stage: Kate Hepburn, Richard Rauh and old Nixon Pittsburgh Post-Gazette July 9, 2003. http://old.post-gazette.com/ae/20030709rawson0709p5.asp

"Society, Morality and the Novel" (1957), in The Collected Essays, ed. John F. Callahan (New York: Modern Library, 1995), p. 699.

The Nuts of Knowledge (1903)
Poem The Loveliness of Love http://www.umiacs.umd.edu/~ridge/local/iinbid.html

Quote from Millet's first letter to fr:Alfred_Sensier, from Barbizon, 28 June 1849; as cited by Julia Cartwright in Jean Francois Millet, his Life and Letters, Swan Sonnenschein en Co, Lim. London / The Macmillian Company, New York; second edition, September 1902, p. 95
1835 - 1850
(GCA Interview with Aberjhani).
From Articles, Essays, and Poems, Gale Contemporary Authors http://en.wikipedia.org/wiki/Contemporary_Authors

Kirk Douglas in Douglas, Kirk. Let's Face It. Wiley, 2007. ISBN 9780470084694, p. 26.

if that existed
Heimsljós (World Light) (1940), Book One: The Revelation of the Deity

Quote of Mondrian in 'Natuurlijke en abstracte realiteit', Piet Mondriaan, in 'De Stijl' III, 1920, p. 75
1920's

Tessa Virtue, Interview with Kristina Rutherford for Sportsnet.ca (January 2018)
1980 - 2000, Perfection Is in the Mind', 1995
Spraycan Art by Henry Chalfant & James Prigoff ISBN 0-500-27469-X

excerpt of her Journal, Worpswede 1899; as quoted in Voicing our visions, – Writings by women artists; ed. Mara R. Witzling, Universe New York, 1991
1899

On his then-one year old daughter Tiffany http://www.slate.com/blogs/the_slatest/2016/04/06/video_donald_trump_on_his_one_year_old_daughter_s_brests.html, Lifestyles of the Rich and Famous, 1994
1990s

Esther Dudley's reaction to Niagara Falls, in Ch. IX
Esther: A Novel (1884)

No. 291 (2 February 1712).
The Spectator (1711–1714)

“Generosity, when once she is set forward, knows not how to stop her progress; as her beauty is of that order which grows the more engaging upon nearer acquaintance.”
Nescit enim semel incitata liberalitas stare, cuius pulchritudinem usus ipse commendat.
Letter 11, 3.
Letters, Book V

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 94.

"The Artist of the Beautiful" (1844)

www.internationalspeakers.com February 1, 2007
2007, 2008

Source: Aphorisms and Reflections (1901), p. 168

Quote in 'Aristide Maillol', ed. Andrew C. Ritchie, Albright Art Gallery N. Y. 1945, p. 31 + 45; as cited by Angelo Carnafa, in 'A sculpture of interior Solitude', Associated University Presse, 1999, p. 167

Cape Town Calling (2007)

Marcus on Robert Johnson in Mystery Train: Images of America in Rock 'n' Roll Music (1975, fourth revision May, 1997) p. 31.

“While gazing at myself from yourself, I was beautiful.”
"The Shape of Greatness," p. 49
The Shape (2000), Sequence: “Pit of the Stone”

Small Houses: Their Economic Design and Construction (1922)

Thomas Gray "Some Remarks on the Poems of Lydgate", in The Works of Thomas Gray (1858) vol. 5, pp. 308-9.
Criticism

Quoted from Lal, K. S. (1992). The legacy of Muslim rule in India. New Delhi: Aditya Prakashan.
Travels in the Mogul Empire (1656-1668)