Quotes about art (5831 quotes, page 19)

“When I used [in his speech] the word silent myths it was for a personal reason. I mean that the relations of pictorial art to the formation of myths has to be silent, consequently not illustrative. In this part of Jutland where the life of the myth has grown strongest and is kept deepest for millenniums, here where I come from and where I have known the richness of the narrative imagination of the people, here I wanted to place a monument to the anonymous strength of the word, not to a single myth, nor to a single cycle of myths, because the myths of the Edda, of the heroic poetry, yes perhaps particularly the myths of the Kalevala, have inspired me like the myth which is to be created today in the people who are glad to tell, racy and fertile.”

Asger Jorn (1914–1973) Danish artist

Quote from Jorn's speech at the library of Silkeborg, September l0th 1953 (translated from an unpublished Danish manuscript by Guy Atkins) ; as quoted on the website of the Jorn Museum Articles by Jorn http://www.museumjorn.dk/en/article_presentation.asp?AjrDcmntId=255
1949 - 1958, Various sources

Life , People , Imagination , Parting

“1948 Black Mountain College N. C. Disciplined by Albers. Learned photography. Worked hard but poorly for Albers. Made contact with music and modern dance. Felt too isolated, Sue [Weil, they married soon, then] and I moved to NYC. Went to Art Students League. Vytlacil & Kantor. Best work made at home. Wht. Painting with no.'s best example. Summer 1950, Outer Island Conn. Married Sue Weil. Christoher (son) Born July 16, 1951 in NYC. First one man show Betty Parsons's”

Robert Rauschenberg (1925–2008) American artist

Source: 1980's, Off the Wall: Robert Rauschenberg and the Art world of Our Time, 1980, pp. 55-56 : Autobiographic notes

Music , Home , Mountain , Learning

“I didn't even know that there was art until I left Texas when I was eighteen. The only painting I knew (and I didn't know it was a 'painting' until much later) was 'Hope' [of George Frederic Watts, 1886] the woman sitting on the globe with... that green [of the painting 'Hope'] you only get in reproductions]! I think that negates the idea of a painter's relation to official – old master art. It was neutral ground – that one picture – I responded to visual things...'Hope' was just sort of visual thing there, not art.”

Robert Rauschenberg (1925–2008) American artist

1950's, Is today's artist with or against the past, (1958)

Hope , Idea , Thinking , Painting

“He's a wonderful talker, who has the art
Of telling you nothing in a great harangue.”

Molière The Misanthrope

C'est un parleur étrange, et qui trouve toujours
L'art de ne vous rien dire avec de grands discours.
Act II, sc. iv
Le Misanthrope (1666)

“Beauty in art is truth bathed in an impression received from nature. I am struck upon seeing a certain place. While I strive for a conscientious imitation, I yet never for an instant lose the emotion that has taken hold of me. Reality is one part of art; feeling completes it... Before any site and any object, abandon yourself to your first impression. If you have really been touched, you will convey to others the sincerity of your emotion.”

Jean-Baptiste-Camille Corot (1796–1875) French landscape painter and printmaker in etching

Quote from Corot's 'Notebooks', ca. 1856, as quoted in Artists on Art – from the 14th – 20th centuries, ed. by Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, p. 241
1850s

Truth , Beauty , Feeling , Nature

“If the language of art is not accessible to ordinary language and ordinary experience, how can it be accessible to ordinary people?”

Daniel Bell book The Cultural Contradictions of Capitalism

Source: The Cultural Contradictions of Capitalism (1976), Chapter 3, The Sensibility of the Sixties, p. 131

People

“The true greatness of a Nation cannot be in triumphs of the intellect alone. Literature and art may widen the sphere of its influence; they may adorn it; but they are in their nature but accessaries. The true grandeur of humanity is in moral elevation, enlightened and decorated by the intellect of man. The truest tokens of this grandeur in a State are the diffusion of the greatest happiness among the greatest number, and that passionless God-like Justice, which controls the relations of the State to other States, and to all the people, who are committed to its charge.”

Charles Sumner (1811–1874) American abolitionist and politician

"True Grandeur of Nations," oration before the authorities of the City of Boston (July 4, 1845)

God , People , Justice , Literature

“The new plastic idea thus correctly represents actual aesthetic relationships. To the modern artist, it is a natural consequence of all the plastic ideas of the past. This is particularly true of painting, which is the art least bound to contingencies. The picture can be a pure reflection of life in its deepest essence.”

Piet Mondrian (1872–1944) Peintre Néerlandais

1910's, Natural Reality and Abstract Reality', 1919

Life , Idea , Nature , Past

“Each spiritual age expresses its special character in a form which corresponds exactly to its character. Each age in this way characterizes its true 'physiognomy', full of expression and strength. Thus in all spiritual areas 'yesterday' is transformed into 'today'. But apart from this, art possesses a further quality which it alone possesses: that quality which enables one to divine the 'tomorrow' today – a strength which is both creative and prophetic.”

Wassily Kandinsky (1866–1944) Russian painter

Kandinsky's last theoretical statement (Paris, 1942); in Kandinsky, Frank Whitford, Paul Hamlyn Ltd, London 1967, p. 38
1930 - 1944

Age , Way

“No style can have absolute significance in art theory; each one is rooted in its own time and locality and bound by conditions above which it is incapable of elevating itself no matter how great the content it carries.”

Hermann Laroche

Quoted in Vladimir Barsky, Chromaticism (1996, ISBN 371865704X)

Time

“The good taste we speak of, which is that of literature, is not limited to what we call the sciences, but extends itself imperceptibly to other arts, such as architecture, painting, sculpture, and music. 'Tis the same discerning faculty which introduces universally the same elegance, the same symmetry, and the same order in the disposition of the parts; which inclines us to a noble simplicity, to natural beauties, and a judicious choice of ornaments. On the other hand, the depravation of taste in arts has been always a mark and consequence of the depravation of taste in literature. … The good taste of literature reaches also to public customs, and the manner of living. An habit of consulting the best rules upon one subject, naturally leads to the doing it also upon others.”

Charles Rollin (1661–1741) French historian

The Method of Teaching and Studying the Belles Lettres, Vol. I, The Third Edition (1742), Part II, Ch. 2: 'General Reflections upon what is called good Taste', pp. 45–46

Beauty , Music , Literature , Nature

“It is wrong to expect a reward for your struggles. The reward is the act of struggle itself, not what you win. Even though you can't expect to defeat the absurdity of the world, you must make that attempt. That's morality, that's religion. That's art. That's life.”

Phil Ochs (1940–1976) American protest singer and songwriter

As quoted in The Complete Phil Ochs : Chords of Fame (1978) by Almo publications

Life , World , Religion

“When I first saw Calder's art very long ago [c. 1928 in Paris, Miro saw Calder performing his mechanical 'Circus' for the Paris' art scene, all puppets made from metal wire and wood] I thought it was good, but not art.”

Joan Miró (1893–1983) Catalan painter, sculptor, and ceramicist

1961 and later
Source: 'New York Times', 3 April 1969

“Architecture worth great attention. As we double our numbers every 20 years we must double our houses. Besides we build of such perishable materials that one half of our houses must be rebuilt in every space of 20 years. So that in that term, houses are to be built for three fourths of our inhabitants. It is then among the most important arts: and it is desireable to introduce taste into an art which shews so much.”

Thomas Jefferson (1743–1826) 3rd President of the United States of America

Hints to Americans travelling in Europe, letter to John Rutledge, Jr. (June 19, 1788); in The Papers of Thomas Jefferson, ed. Julian P. Boyd (1956), vol. 13, p. 269
1780s

Housing

“Energy is eternal delight; and from the earliest times human beings have tried to imprison it in some durable hieroglyphic. It is perhaps the first of all the subjects of art.”

Kenneth Clark (1903–1983) Art historian, broadcaster and museum director

Source: The Nude: A Study in Ideal Form (1951), Ch. V: Energy

Time

“ER is a pretty big deal in Croatia. When my agent called and told me about this show, I said, 'Are we talking about the same ER?' And I thought about it for half a second and then said, 'Yes, of course!' I was watching them in Croatia when I was still at the Academy of Dramatic Arts, and now I'm working with them.”

Goran Višnjić (1972) Croatian actor

“It is probably true that business corrupts everything it touches. It corrupts politics, sports, literature, art, labor unions and so on. But business also corrupts and undermines monolithic totalitarianism. Capitalism is at its liberating best in a noncapitalist environment.”

Eric Hoffer (1898–1983) American philosopher

"Thoughts of Eric Hoffer, Including: 'Absolute Faith Corrupts Absolutely'", The New York Times Magazine (April 25, 1971), p. 50.

Literature , Business , Sport

“Revolted by the butchery of the 1914 World War, we in Zurich devoted ourselves to the arts. While guns rumbled in the distance, we sang, painted, made collages and wrote poems with all our might. We were seeking an art based on fundamentals, to cure the madness of the age, and find a new order of things that would restore the balance between heaven and hell. We had a dim premonition that power-mad gangsters would one day use art itself as a way of deadening men's minds.”

Hans Arp (1886–1966) Alsatian, sculptor, painter, poet and abstract artist

Dadaland (1948); Quoted in: Cosana Maria Eram (2010) The autobiographical pact: otherness and redemption in four French avant-garde artists, p. 20
Quote of Jean Arp, referring to Swiss Dada in Zurich after 1914.
1940s

Men , War , Age , World

“Learn art and virtue, and, when times demand,
(So says the saw), you have them to your hand.”

Giovanni Maria Cecchi (1518–1587) Italian poet, playwright, writer and notary

(Dice il proverbio) impara arte e virtù,
E se il bisogno vien cavala su.
Le Rappresentazioni di Tobia, Act 7., Scene IV.
Translation reported in Harbottle's Dictionary of quotations French and Italian (1904), p. 323.

Learning , Time

“Yes, the aluminum paint... What happened, at least for me, is that when I first started painting I would see Pollock, de Kooning, and the one thing they all had that I didn't have was an art school background. They were brought up on drawing and they all ended up painting or drawing with the brush. They got away from the smaller brushes and, in an attempt to free themselves, they got involved in commercial paint and house-painting brushes, Still it was basically drawing with paint, which has the characterized almost all twentieth century painting. The way my own painting was going, drawing was less and less necessary. It was the one thing I wasn't going to do. I wasn't going to draw with the brush.”

Frank Stella (1936) American artist

Source: Quotes, 1960 - 1970, Questions to Stella and Judd' - September 1966, p. 120

School , Way , Drawing , Painting

“The arts have always transcended national boundaries as the haiku demonstrates.”

William J. Higginson (1938–2008) American writer

“I shall in future be obliged to resign myself to exhibiting them (her paintings) merely at the Grand Salon, Paris, of which I happen to be an Associate and the Salon de Tuileries known all over the world as the representative exhibition of Modern Art, and to which I have been invited to participate in the past, a distinction I may add that few can boast of.”

Amrita Sher-Gil (1913–1941) Hungarian Indian artist

Statement made when her painting was rejected by the Simla Fine Arts Society in 1935.
Sikh Heritage,Amrita Shergil

World , Past , Future , Painting

“One day I noticed that I could go on working art my motif no matter what the weather might be. I no longer needed the sun, for I took my light everywhere with me.”

Georges Braque (1882–1963) French painter and sculptor

Source: posthumous quotes, Braque', (1968), p. 30 - Braque's quote from the book, written by John Rusell, London 1959

Light , Sun , Weather

“Very few people know why art sells so high. I don’t even know.”

Ai Weiwei (1957) Chinese concept artist

Ai Weiwei, interview in “ Change http://www.pbs.org/art21/watch-now/episode-change,” Episode 1, Season Six, Art: 21—Art in the Twenty-First Century, PBS, April 2012.
2010-, 2012

People

“The more horrible this world (as today, for instance), the more abstract our art, whereas a happy world brings forth an art of the here and now.”

Paul Klee (1879–1940) German Swiss painter

Diary entry (1915), # 951 , in The Diaries of Paul Klee, translation: Pierre B. Schneider, R. Y. Zachary and Max Knight; publisher, University of California Press, 1964
1916 - 1920
Variant: The more horrifying this world becomes (as it is these days) the more art becomes abstract; while a world at peace produces realistic art.
Variant: The more horrifying this world becomes, the more art becomes abstract; while a world at peace produces realistic art. (this variant was quoted in the speech "Between Two Ages: The Meaning Of Our Times" by Wm. Van Dusen Wishard) http://www.commonwealthnorth.org/transcripts/wishard.html

World , Happiness

“Liberal Arts may ultimately prove to be the most relevant learning model. People trained in the Liberal Arts learn to tolerate ambiguity and to bring order out of apparent confusion. They have the kind of sideways thinking and cross-classifying habit of mind that comes from learning, among other things, the many different ways of looking at literary works, social systems, chemical processes or languages.”

Roger Smith (executive) (1925–2007) CEO

Cited in: " Bachelor of Arts in Liberal Studies: What is Liberal Studies? http://scs.georgetown.edu/departments/4/bachelor-of-arts-in-liberal-studies/department-details.cfm#f2" on georgetown.edu about bachelor of arts in liberal studies, 2013.
The liberal arts and the art of management (1987)

People , Way , Thinking , Learning

“Whether people accept this music or not, I don’t give a damn. I know how good—and right—the group is. We all sell out to a point. And don’t get me wrong, I like living comfortably and having a nice car. But if money determines your art, then what’s the point?”

John McLaughlin (1942) guitarist, founder of the Mahavishnu Orchestra

On the criticism of his acoustic band Shakti, after temporarily retiring his electric period with the Mahavishnu Orchestra, as quoted in Jerome, Jim. "John McLaughlin Pulls the Plug on His Guitar, but He's as Electrifying as Ever", People Magazines. 21 June 1976. http://people.com/archive/john-mc-laughlin-pulls-the-plug-on-his-guitar-but-hes-as-electrifying-as-ever-vol-5-no-24/

Money , People , Music , Cars

“The adventurous state of / mind is a high house // To enjoy life the adventurous / state of mind must be / grasped and maintained // The essential feature of adventure is that it is a / going forward into / unknown territory // The joy of adventure is unaccountable // This is the attractiveness of / art work. It is adventurous, / strenuous and joyful.”

Agnes Martin (1912–2004) American artist

poem before 1973; in a exh. cat., ed. Suzanne Delehanty (1973; repr., Philadelphia: The Falcon Press, 1976), p. 40
1970's

Life , Joy , Housing

“A better name for scientific management is "measured functional management." It is not sufficient to call it " labor saving 'management " for it deals with more than labor and labor saving. It is a way for obtaining methods of least waste. It not only saves useless labor, but it improves labor conditions; improves quality of product; prolongs the period of the worker's productivity; conserves, teaches and transfers skill and experience. The committee have caused the Society and the world to recognize at last the importance of the feature of the transference of skill, but they apparently still lack appreciation of the even greater feature of the recording and transference of experience of Mr. Taylor's measured functional management and of micro-motion study. Mr. Taylor's system is best described in his writings entitled A Piece Kate System, Shop Management, and On the Art of Cutting Metals, published by the Society, and Principles of Scientific Management, published by Harper & Brothers.”

Frank Bunker Gilbreth, Sr. (1868–1924) American industrial engineer

Source: The present state of art of industrial management, 1913, p. 1224

World , Way , Study

“Oh dear, oh dear, how stupid men are when they get an idea into their heads! I tell you he's a good dragon, and a friend of mine, and tells me the most beautiful stories you ever heard, all about old times and when he was little. And he's been so kind to mother, and mother'd do anything for him. And father likes him too, though father doesn't hold with art and poetry much, and always falls asleep when the dragon starts talking about style. But the fact is, nobody can help liking him when once they know him. He's so engaging and so trustful, and as simple as a child!”

Kenneth Grahame book The Reluctant Dragon

The Boy to St. George
Dream Days (1898), The Reluctant Dragon

Men , Stupidity , Beauty , Idea

“advice to a young painter, (1896); as quoted in Painting Outside the lines, Patterns of Creativity in Modern Art, ed. David W. Galenson, Harvard University Press, 30 Jun 2009, pp. 84-85, note 40”

Camille Pissarro (1830–1903) French painter

1890's

Quotes , Universe , Painting

“The first thing that will strike you as odd in Japan is how polite everyone is. Quite apart from the neverending bowing, they have obsequiousness down to an art that even the Chinese haven't mastered.”

Jeremy Clarkson (1960) English broadcaster, journalist and writer

Source: Clarkson on Cars (1996), p. 58

“The purpose of consciousness is to illuminate the world. If we try to run consciousness at half its proper voltage, the result will be a 'devalued' world. But that is not the fault of the world; it is our fault. Low-voltage consciousness shows us less of the world that high-voltage consciousness, just as we would see an art gallery less clearly by candlelight than by sunlight.”

Colin Wilson (1931–2013) author

An Essay On the 'New' Existentialism (1986)

World

“I think of physics as the liberal arts of technology. You understand the fundamental aspects of physics, and then you can learn the technology and understand how it relates to current world problems. I'm teaching the elementary physics that is most useful for someone who is trying to live in a technological world, to contribute to that world, and to make correct decisions.”

Richard A. Muller

as quoted by Devi Mathieu, in Physicist Richard Muller helps prepare tomorrow’s leaders for a technological world http://berkeley.edu/news/berkeleyan/2003/02/26_.shtml, The Berkeleyan, 26 February 2003.

World , Understanding , Problem , Thinking

“The microbial brain—gifted with long-range transport, data trading, genetic variants… and the ability to reinvent genomes—began its operations some 91 trillion bacterial generations before the birth of the Internet. Ancient bacteria, if they functioned like those today, had mastered the art of worldwide information exchange. …The earliest microorganisms would have used planet-sweeping currents of wind and water to carry the scraps of genetic code…”

Howard Bloom (1943) American publicist and author

Source: Global Brain: The Evolution of Mass Mind from the Big Bang to the 21st Century (2000), Ch.1 Creative Nets in the Precambrian Era

Birth , Water

“The function of art is to struggle against obligation.”

Amedeo Modigliani (1884–1920) Italian painter and sculptor

Attributed without citation at History of Painters http://www.historyofpainters.com/modigliani.htm

“His imperial fancy has laid all Nature under tribute, and has collected riches from every scene of the creation and every walk of art.”

Robert Hall (1764–1831) British Baptist pastor

On Burke; Apology for the Freedom of the Press, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Nature

“As Amish say "There is a vast difference between putting your nose in other people's business and putting your heart in other people's problems,” and there is also a vast difference between using the ‘grammar of language’ and the ‘grammar of painting’. In a language we have subjects, adjectives, verbs, and so on, and in painting we have light, composition, geometric planes, and lines. It is by using this grammar that one can understand a work of art. This is very similar to Ferdinand Saussure’s, distinction between “la langue” and “la parole” for interpretation of written words.”

Guity Novin (1944) artist

Dialogues on enlightenment and reason (2013)

People , Understanding , Business , Problem

“Here is an empire in which is the only relic of the oldest civilization of the world—one which, 2,700 years ago, according to some authorities, had a system of primary education—which had its system of logic before the time of Aristotle, and its code of morals before that of Socrates. Here is a country which has had its uninterrupted traditions and histories for so long a period—that supplied silks and other articles of luxury to the Romans 2,000 years ago! They are the very soul of commerce in the East, and one of the wealthiest nations in the world. They are the most industrious people in Asia, having acquired the name of the ants of the East…You find them not as barbarians at home, where they cultivate all the arts and sciences, and where they have carried all, except one, to a point of perfection but little below our own—but that one is war. You have there a people who have carried agriculture to a state of horticulture, and whose great cities rival in population those of the Western world. Now, there must be something in such a people deserving of respect. If in speaking of them we stigmatize them as barbarians, and threaten them with force because we say they are inaccessible to reason, it must be because we do not understand them; because their ways are not our ways, nor our ways theirs. Now, is not so venerable an empire as that deserving of some sympathy—at least of some justice—at the hands of conservative England?”

Richard Cobden (1804–1865) English manufacturer and Radical and Liberal statesman

Speech http://hansard.millbanksystems.com/commons/1857/feb/26/resolutions-moved-debate-adjourned in the House of Commons (26 February 1857) on China.
1850s

War , People , World , Education

“The desire for truth so prominent in the quest of science, a reaching out of the spirit from its isolation to something beyond, a response to beauty in nature and art, an Inner Light of conviction and guidance—are these as much a part of our being as our sensitivity to sense impressions?”

Arthur Stanley Eddington (1882–1944) British astrophysicist

Source: Science and the Unseen World (1929), Ch. IV, p.42-43

Truth , Beauty , Nature , Sense

“Art hath an enemy call'd ignorance.”

Ben Jonson Every Man out of His Humour

Every Man out of His Humour (1598), Act I, scene 1

“Compared with this art, Schoenberg’s Pierrot lunaire is lukewarm lemonade.”

Ferruccio Busoni (1866–1924) Italian composer, pianist, conductor, editor, writer, and piano teacher

On Alban Berg's Altenberg Lieder, Letter from Busoni to his wife, dated “(Paris, le), 23. Jn. 1913,” in Busoni: Briefe an seine Frau, ed. F. Schnapp (Erlenbach-Zürich/Leipzig: Rotapfel-Verlag, 1935), 279.

“Poetry, like Art, is the oneness of the permanent opposites in reality as seen by an individual.”

Eli Siegel (1902–1978) Latvian-American poet, philosopher

Definition 18 (c) Definition Press, (New York: Definition Press, 1964)

Reality

“If the image was sketched onto the canvas and spontaneously drawn, colour would often be restrained and unfree... The most important and the most difficult liberation process we went trough, the one that has distinguished our art, was the freeing of colour, the transition to a painterly spontaneity.”

Asger Jorn (1914–1973) Danish artist

Statement (c. 1944), on automatic drawing, quoted in Asger Jorn (2002) by Arken Museum of Modern Art, p. 162
1940 - 1948, Various sources

“Poetry will never win the war on terror
But neither will error abetted by error We girly men are not afraid
Of uncertainty or reason or interdependence
We think before we fight, then think some more
Proclaim our faith in listening, in art, in compromise So be a girly man
& sing this gurly song
Sissies & proud
That we would never lie our way to war”

Charles Bernstein (1950) American writer

"The Ballad of the Girlie Man" http://www.milkmag.org/CHBERNSTEIN6.html, Milk Magazine, no. 6, 2005. Anthologized in Girlie Man (2006), ISBN 0226044068.

Men , War , Lie , Faith

“I myself in my work tend to humanize everything, to relate mountains to people, tree trunks to the human body, pebbles to heads & figures, etc… To cut out & make a taboo any organic representational element or human reference & then say the artist has gained freedom, seems as silly as locking yourself up in a small cell & saying 'now I know where I am – this is freedom – freedom from the outside world”

Henry Moore (1898–1986) English artist

critic on the idea of pure Abstract art by Moore
1940 - 1955
Source: 'Unpublished notes' for 'Art and Life', 1941, HMR Archive; as quoted in Henry Moore writings and Conversations, edited by Alan Wilkinson, University of California Press, California 2002, p. 114

People , World , Mountain , Idea

“Art is only a means to life, to the life more abundant. It is not in itself the life more abundant. It merely points the way, something which is overlooked not only by the public, but very often by the artist himself. In becoming an end it defeats itself.”

Henry Miller (1891–1980) American novelist

Henry Miller on Writing (1964)

Life , Way

“Poetry is the universal art of the spirit which has become free in itself and which is not tied down for its realization to external sensuous material; instead, it launches out exclusively in the inner space and the inner time of ideas and feelings.”

Georg Wilhelm Friedrich Hegel book Lectures on Aesthetics

As quoted in the Introduction to Aesthetics (1842), translated by T. M. Knox, (1979), p. 89
Lectures on Aesthetics (1835)

Feeling , Idea , Universe , Time

“Poetry and the arts can’t exist in America. Mere exposure to the arts does nothing for a mentality which is incorrigibly dialectical. The vital tensions and nutritive action of ideogram remain inaccessible to this state of mind.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Letter to Ezra Pound (21 December 1948)
1940s

“An artist needs not so much an audience, as to feel a need to answer, a promise to respond…. a good feeling about his art.”

Robert Pinsky (1940) American poet, editor, literary critic, academic.

Poetry and the World, Ecco Press,1988

Feeling

“And amid the thunderous roar of a world in collision WE, ON THE LAST STAGE OF THE PATH TO SUPREMATISM BLASTED ASIDE THE OLD WORK OF ART LIKE A BEING OF FLESH AND BLOOD AND TURNED IT INTO A WORLD FLOATING IN SPACE. WE CARRIED BOTH PICTURE AND VIEWER OUT BEYOND THE CONFINES OF THIS SPHERE AND IN ORDER TO COMPREHEND IT FULLY THE VIEWER MUST CIRCLE LIKE A PLANET ROUND THE PICTURE WHICH REMAINS IMMOBILE IN THE CENTER. The empty phrase 'art for art's sake' had already been wiped out.”

El Lissitsky (1890–1941) Soviet artist, designer, photographer, teacher, typographer and architect

1915 - 1925, Suprematism' in World Reconstruction (1920)

World

“I'm an excuse for medical experiments and art theory. You must get me out of here and out of the hospital.”

Peter Greenaway (1942) British film director

A Zed and Two Noughts

“The work of art is, after all, an act of faith in our ability to communicate symbolically.”

Ralph Ellison (1914–1994) American novelist, literary critic, scholar and writer

"The Little Man at Chehaw Station" (1978), in The Collected Essays, ed. John F. Callahan (New York: Modern Library, 1995), p. 503.

Faith , Communication

“Believe me, if all those endearing young charms
Which I gaze on so fondly to-day,
Were to change by to-morrow and fleet in my arms,
Like fairy gifts fading away.
Thou wouldst still be adored as this moment thou art,
Let thy loveliness fade as it will,
And around the dear ruin each wish of my heart,
Would entwine itself verdantly still.”

Thomas Moore (1779–1852) Irish poet, singer and songwriter

Believe Me, If All Those Endearing Young Charms, st. 1.
Irish Melodies http://www.musicanet.org/robokopp/moore.html (1807–1834)

Change , Heart

“There are in the Exhibition some beautiful examples of such lace amongst the productions of other countries as well as of our own. They are made by the united labour of many women. The cost of a piece of lace will consist of:
# The remuneration to the artist who designs the pattern.
# The cost of the raw material.
# The cost of the labour of a large number of women working on it for many months.
Let us compare this with the cost of a piece of statuary, which is undoubtedly of a much higher class of art; it will consist of:
# The remuneration to the artist who makes the model.
# The cost of the raw material.
# The cost of labour, by assistants in cutting the block to the pattern of the model.
# Finishing the statue by the artist himself.
In lace making the skill of the artist is required only for the production of the first example. Every succeeding copy is made by mere labour: each copy may be considered as an individual, and will cost the same amount of time.
In sculpture the three first processes are quite analogous to those in lace-making. But the fourth process requires the taste and judgment of the artist. It is this which causes it to retain its rank amongst the fine arts, whilst lacemaking must still be classed amongst the industrial.”

Charles Babbage (1791–1871) mathematician, philosopher, inventor and mechanical engineer who originated the concept of a programmable c…

Source: The Exposition of 1851: Views Of The Industry, The Science, and the Government Of England, 1851, p. 49-50

Women , Beauty , Time , Country

“Marxism is a flight from the magic of the person and the mystique of hierarchy. It distorts the character of western culture, which is based on the charismatic power of person. Marxism can work only in pre-industrial societies of homogeneous populations. Raise the standard of living, and the rainbow riot of individualism will break out. Personality and art, which Marxism fears and censors, rebound from every effort to oppress them.”

Camille Paglia (1947) American writer

Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 36

Fear , Effort , Personality

“All human race, from China to Peru,
Pleasure, howe’er disguis’d by art, pursue.”

Thomas Warton (1728–1790) English literary historian, critic, poet

Universal Love of Pleasure, Reported in Bartlett's Familiar Quotations, 10th ed. (1919). Compare: "Let observation with extensive view/ Survey mankind, from China to Peru", Samuel Johnson, Vanity of Human Wishes, Line 1.

Pleasure

“Those who are concerned with the arts are often asked questions, not always sympathetic ones, about the use or value of what they are doing. It is probably impossible to answer such questions directly, or at any rate to answer the people who ask them.”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

"Quotes", Anatomy of Criticism: Four Essays (1957), Polemical Introduction

People , Question

“Primitivism has become the vulgar cliche of much modern art and speculation.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1960s, The Gutenberg Galaxy (1962), p. 77

“The modern world is still suffering from the native incapacity of the Jews to be political. The art of making and preserving a City, which we call be the Greek name, “Politics,” was never an indigenous growth among the Hebrews. The City of the Greeks and the other civilized nations of antiquity was hateful to them. Their ideas were essentially anti-political. The politics of Judaea, when there were any, were borrowed from the Egyptians and Babylonians and, later, from the Greeks. These borrowings were regarded with violent disapproval by the champions of Hebrew orthodoxy, who objected to organized civilization on two grounds. Some, like Amos, hated it just because it was civilization and not nomadic barbarism. It was in the desert that God had made his covenant with the Chosen Race, and in the desert there was nothing else to think about but God. So, Back to the Desert! was their war-cry. Others, the Ebionites, objected to civilization because it was hierarchical, because it made for social inequality. They gave prophetically indignant utterance to the envious hatred of the poor in cash and in spirit against the rich and talented and cultured. A pious and universal mediocrity was their ideal.”

Aldous Huxley (1894–1963) English writer

“One and Many,” pp. 17–18
Do What You Will (1928)

God , Hate , War , World

“I think art has a right—not an obligation—to be difficult if it wishes. And, since people generally go on from this to talk about elitism versus democracy, I would add that genuinely difficult art is truly democratic.”

Geoffrey Hill (1932–2016) English poet and professor

Interview, The Paris Review No. 80, Spring 2000 http://www.theparisreview.org/interviews/730/the-art-of-poetry-no-80-geoffrey-hill

People , Democracy , Thinking

“The human race, in its intellectual life, is organized like the bees: the masculine soul is a worker, sexually atrophied, and essentially dedicated to impersonal and universal arts; the feminine is a queen, infinitely fertile, omnipresent in its brooding industry, but passive and abounding in intuitions without method and passions without justice.”

George Santayana (1863–1952) 20th-century Spanish-American philosopher associated with Pragmatism

The Life of Reason: The Phases of Human Progress (1905-1906), Vol. II, Reason in Society

Life , Justice , Soul , Universe

“In the artist/theorist tradition of Robert Smithson, Joseph Nechvatal is a pioneer in the field of digital image making who challenges our perceptions of nature by altering conventional notions of space and time, gender, and self… Nechvatal successfully plunged into the depths where art, technology and theory meet.”

Joe Lewis (artist) (1953) American photographer

"Joseph Nechvatal at Universal Concepts Unlimited," in: Art in America Magazine, March 2003. pp.123-124.

Nature , Time

“Being funny is a gift, and, when done well, is an art form.”

Craig Ferguson book American on Purpose

American on Purpose (2009)

“The problems we face as a world feed off of ignorance and isolation. Art is the indelibly effective medium by which to combat it. Perhaps it is time that we focus less on the art of diplomacy and more on artistic diplomacy.”

Lydia Canaan Lebanese singer-songwriter

From Diplomacy and Art http://diplomatartist.com/diplomacy-art/, a contributer article for Diplomat Artist, October 10, 2015

World , Problem , Time

“Art has no end in view save the emphasising and recording in the most effective way some strongly felt interest or affection.”

Samuel Butler (1835–1902) novelist

Great Art and Sham Art
The Note-Books of Samuel Butler (1912), Part IX - A Painter's Views on Painting

Way

“We're adapted to the meta-reality, which means that we're adapted to that which remains constant across the longest spans of time. And that's not the same things that you see around you day to day. They're just like clouds, they're just evaporating, you know? There are things underneath that that are more fundamental realities, like the dominance hierarchy, like the tribe, like the danger outside of society, like the threat that other people pose to you, and the threat that you pose to yourself. Those are eternal realities, and we're adapted to those. That's our world, and that's why we express all those things in stories. Then you might say, well how do you adapt yourself to that world? The answer, and I believe this is a neurological answer, is that your brain can tell you when you're optimally situated between chaos and order. The way it tells you that is by producing the sense of engagement and meaning. Let's say that there's a place in the environment that you should be. So what should that place be? Well, you don't want to be terrified out of your skull. What good is that? And you don't want to be so comfortable that you might as well sleep. You want to be somewhere where you are kind of on firm ground with both of your feet, but you can take a step with one leg and test out new territory. Some of you who are exploratory and emotionally stable are going to go pretty far out there into the unexplored territory without destabilizing yourself. And some people are just going to put a toe in the chaos, and that's neuroticism basically - your sensitivity to threat that is calibrated differently in different people. And some people are more exploratory than others. That's extroversion and openness, and intelligence working together. Some people are going to tolerate more chaos in their mixture of chaos and order. Those are often liberals, by the way. They're more interested in novel chaos, and conservatives are more interested in the stabilization of the structures that already exist. Who's right? It depends on the situation. That's why liberals and conservatives have to talk to each other, because one of them isn't right and the other is wrong. Sometimes the liberals are right and sometimes the liberals are right, because the environment is unpredictable and constantly changing, so that's why you have to communicate. That's what a democracy does. It allows people of different temperamental types to communicate and to calibrate their societies. So let's say you're optimally balanced between chaos and order. What does that mean? Well, you're stable enough, but you're interested. A little novelty heightens your anxiety. It wakes you up a bit. That's the adventure part of it. But it also focuses the part of your brain that does exploratory activity, and that's associated with pleasure. That's the dopamine circuit. So if you're optimally balanced - and you know you're there if you're listening to an interesting conversation or you're engaged in one…you're saying some things that you know, and the other person is saying some things that they know - and what both of you know is changing. Music can model that. It provides you with multi-level predictable forms that can transform just the right amount. So music is a very representational art form. It says, 'this is what the universe is like.' There's a dancing element to it, repetitive, and then little variations that surprise you and produce excitement in you. In doesn't matter how nihilistic you are, music still infuses you with a sense of meaning because it models meaning. That's what it does. That's why we love it. And you can dance to it, which represents you putting yourself in harmony with these multiple layers of reality, and positioning yourself properly.”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

"The selection pressure that women placed on men developed the entire species. There's two things that happened. The men competed for competence, since the male hierarchy is a mechanism that pushes the best men to the top. The effect of that is multiplied by the fact that women who are hypergamous peel from the top. And so the males who are the most competent are much more likely to leave offspring, which seems to have driven cortical expansion."
Concepts

Love , Women , Men , People

“By viewing Nature, Nature's handmaid Art,
Makes mighty things from small beginnings grow.”

John Dryden Annus Mirabilis

Annus Mirabilis (1667), stanza 155.

Nature

“Poetry, perhaps the finest of fine arts, certainly the shynest and most elusive?, poetry which must have listeners, which cannot sing into a void.”

Harriet Monroe (1860–1936) American poet and editor

'A Poets life, Seventy Years in changing world' Macmillan, New York 1938
A Poet 's Life (1938)

Singing

“The art of seeing Nature, or in other words, the art of using Models, is in reality the great object, the point to which all our studies are directed.”

Joshua Reynolds (1723–1792) English painter, specialising in portraits

Discourse no. 12; vol. 2, p. 104.
Discourses on Art

Nature , Reality , Study

“Our country needs a truly great leader, and we need a truly great leader now. We need a leader that wrote “The Art of the Deal.” We need a leader that can bring back our jobs, can bring back our manufacturing, can bring back our military, can take care of our vets. Our vets have been abandoned. And we also need a cheerleader…. We need somebody that can take the brand of the United States and make it great again. It’s not great again.”

Donald J. Trump (1946) 45th President of the United States of America

2010s, 2015, Presidential Bid Announcement (June 16, 2015)

Country

“Albers [on Black Mountain College ] was a beautiful teacher and an impossible person. He wasn't easy to talk to, and I found his criticism so excruciating and so devastating that I never asked for it. Years later, though, I'm still learning what he taught me, because what he taught me had to do with the entire visual world. He didn't teach you how to 'do art'. The focus was always on your personal sense of looking… I consider Albers the most important teacher I've ever had, and I'm sure that he considers me one of his poorest students.”

Robert Rauschenberg (1925–2008) American artist

Source: 1960's, The Bride and the Bachelors, (1962), p. 198

World , Beauty , Mountain , Sense

“You calculated how to be uncalculating, and are natural by art!”

Thomas Hardy book The Hand of Ethelberta

The Hand of Ethelberta (1876), ch. 20

Nature

“Paris with its multitude of art directions calls continuously to the deepest penetration and recognition of your inner essence. Only in this way it is possible to create work that refers the time span.”

Bram van Velde (1895–1981) Dutch painter

in his letter to H. E. Kramer, 25-10-1926, as quoted in: Bram van Velde, A Tribute, Municipal Museum De Lakenhal Leiden, Municipal Museum Schiedam, Museum de Wieger, Deurne 1994, p. 44 (English translation: Charlotte Burgmans)
1920's

Way , Time

“Mrs. Joe was a very clean housekeeper, but had an exquisite art of making her cleanliness more uncomfortable and unacceptable than the dirt itself. Cleanliness is next to Godliness, and some people do the same by religion.”

Charles Dickens book Great Expectations

Source: Great Expectations (1860-1861), Ch. 4

People , Religion

“Feelings, the most diverse, very strong and very weak, very significant and very worthless, very bad and very good, if only they infect the reader, the spectator, the listener, constitute the subject of art.”

Leo Tolstoy (1828–1910) Russian writer

Чувства, самые разнообразные, очень сильные и очень слабые, очень значительные и очень ничтожные, очень дурные и очень хорошие, если только они заражают читателя, зрителя, слушателя, составляют предмет искусства.
What is Art? (1897)

Feeling , Strong

“In the end nobody knows how it's done — how art is made. It can't be explained. Optical devices are just tools. Understanding a tool doesn't explain the magic of creation. Nothing can.”

David Hockney (1937) British artist

Interview with Martin Gayford, "Hockney and the secrets of the Old Masters" http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2001/09/22/bagay22.xml The Telegraph(22 September 2001)
2000s

Understanding

“But, thou art ever there, to bring
The hovering vision back, and breathe
New glories o'er the blighted spring,
And call a lovelier Life from Death,
And whisper, with a voice divine,
Of real worlds, as bright as thine.”

Emily Brontë (1818–1848) English novelist and poet

To Imagination (1846)

Life , Death , World , Spring

“They say state-of-the-art special effects can create the illusion of anything on the screen, and now we have proof: It's possible for the Jim Henson folks and Industrial Light and Magic to put their heads together and come up with the most repulsive single creature in the history of special effects, and I am not forgetting the Chucky doll or the desert intestine from Star wars.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

To see the snowman is to dislike the snowman. It doesn't look like a snowman, anyway.
Review http://www.rogerebert.com/reviews/jack-frost-1998 of Jack Frost (11 December 1998)
Reviews, One-star reviews

War , History , Star , Light

“All art is the struggle to be, in a particular sort of way, virtuous.”

Iris Murdoch book The Black Prince

The Black Prince (1973); 2003, p. 181.

Way

“QUESTION: A well-known saying of yours asserts that 'Every man is an artist.' If every man is an artist, then why have art academies and art professors at all?
BEUYS: To be sure, 'every man is an artist' in a general sense: one must be an artist for example, to create self-determination. But at a certain stage in his life every man becomes a specialist in a certain way; one studies chemistry, another sculpture or painting, a third becomes doctor, and so on. For this reason we understandably need special schools.”

Joseph Beuys (1921–1986) German visual artist

Götz Adriani, ‎Joseph Beuys, ‎Winfried Konnertz (1979) Joseph Beuys, life and works. p. 255
1970's

Life , School , Way , Understanding

“The tri-coloured play with music begins' (in Deutsch: Das Drei Farben Singespiel beginnt..)
the cast is as follows
Dr. and MRS. Knarre, a married couple
Franziska and Charlotte, their daughters
Dr. Kahn, a physician
Charlotte Kahn, his daughter
Paulinka Bimbam, a singer
Dr. Singsong, a versatile person
Professor Klingklang, a famous conductor
An Art teacher
Professor and Students at an art academy
and Chorus..
.. The action takes places during the years 1913 to 1940 in Germany, later in Nice, France”

Charlotte Salomon (1917–1943) German painter

Charlotte's 3rd introduction page, related to image JHM no. 4155-3 https://charlotte.jck.nl/detail/M004155-c/part/character/theme/keyword: 'The tri-coloured play with music begins..', p. 43
the quote is written in brush, over the whole page of the painting, with a rough painted gate above
Charlotte Salomon - Life? or Theater?

Music , Teachers , Personality , Daughters

“Whenever a work's structure is intentionally one of its own themes, another of its themes is art.”

Annie Dillard (1945) American writer

Quoted by Ted Nelson in Literary Machines (1982)

“One writes out of one thing only — one's own experience. Everything depends on how relentlessly one forces from this experience the last drop, sweet or bitter, it can possibly give. This is the only real concern of the artist, to recreate out of the disorder of life that order which is art.”

James Baldwin (1924–1987) (1924-1987) writer from the United States

Autobiographical Notes (1952)

Life , Dependency

“I see in painters prose writers and poets. Rhyme, measure, and the turning of verses, which is indispensable and which gives them so much vigor, are analogous to the hidden symmetry, to the equilibrium at once wise and inspired, which governs the meeting or separation of lines and spaces, the echoes of color, etc….. but the beauty of verse does not consist of exactitude in obeying rules... It resides in a thousand secret harmonies and conventions which make up the power of poetry and which go straight to the imagination; in just the same way the happy choice of forms and the right understanding of their relationship act on the imagination in the art of painting.”

Eugène Delacroix (1798–1863) French painter

Quote in Delacroix's Journal of 19 September 1847; as cited in Artists on Art – from the 14th – 20th centuries, ed. by Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, p. 229
1831 - 1863

Secret , Beauty , Color , Way

“What renders man an imaginative and moral being is that in society he gives new aims to his life which could not have existed in solitude: the aims of friendship, religion, science, and art.”

George Santayana (1863–1952) 20th-century Spanish-American philosopher associated with Pragmatism

Source: The Life of Reason: The Phases of Human Progress (1905-1906), Vol. II, Reason in Society, Ch. V: Democracy

Life , Friendship , Religion , Imagination

“But it is not an exaggeration to say that mystical experience is everywhere unitary in the same sense that everywhere aesthetic experience is unitary. British, American, German, Indian, Chinese, Japanese art are of course very different from one another. Yet they have one root in their basic experience of beauty.”

Walter Terence Stace (1886–1967) British civil servant, educator and philosopher.

p. 16

Beauty , Sense

“I now began to search for a new path in art [from 1914, with the outbreak of World War 1. ]. It was a major task. I understood that I did not have to paint what I saw, not even what I felt, but only that which lived within me, in my soul. To put it in symbolic terms, it is like this: I felt within myself, within my breast, the keyboard of an organ and I had to make it resonate. And the nature that was in front of me served me only as a prompter. And that was a key that unlocked this organ and made it resonate. In the beginning it was very difficult. But little by little, it became easy for me to use colours and forms to find what was within my soul.”

Alexej von Jawlensky (1864–1941) Russian painter

In his letter, 12 June, 1938 to P. Willibrord Verkade, as quoted in Alexej von Jawlensky, der Maler und Mensch, , Clemens Weiler; Wiesbaden 1955, pp. 39 ff
1936 - 1941

War , World , Soul , Search

“The art of living easily as to money, is to pitch your scale of living one degree below your means.”

Henry Taylor (1800–1886) English playwright and poet

Money.
Notes from Life (1853)

Money

“There is only one type of decadence which is dangerous in art and literature, and unfortunately critics seldom scourge it as it deserves: it consists in being conventional and imitative, in tritely expressing cheap and superficial emotions.”

Henri Peyre (1901–1988) American linguist

Writers & Their Critics, Ithaca, New York, 1944.

Literature

“What makes art interesting is the fact that anyone can realize it as soon as the idea has been formulated. That’s the point.”

Lawrence Weiner (1942) American artist

" Art Dictionary: Lawrence Weiner, A Sculptor of Language http://www.hatjecantz.de/lawrence-weiner-5098-1.html," at hatjecantz.de. 2012.

Idea

“Works of art are analytic propositions. That is, if viewed within their context – as art – they provide no information whatsoever about any matter of fact. A work of art is a tautology in that it is a presentation of the artist’s intention, that is, he is saying that that particular work of art is art, which means, is a definition of art.”

Joseph Kosuth (1945) American conceptual artist

Art after Philosophy, 1969

“Art shouldn’t be only the aesthetics we hang on the wall, but a dynamic to shape the society.”

Genco Gulan (1969) contemporary artist

Graf, Marcus. Concepual Colors of Genco Gulan, Revolver Publishing http://www.revolver-books.de/, 2012. ISBN-13: 978-3868952049.

“Anywhere I found wood I took it home and started working with it.. to show the world that art is everywhere, except it has to pass through a creative mind.”

Louise Nevelson (1899–1988) American sculptor

Dawns and Dusks, reprinted in Theories and documents of contemporary art: A sourcebook of artists' writings edited by Kristine Stiles, Peter Howard Selz, p. 511

World , Home

“The digital revolution changed my process early on in terms of technique, but my early analog drawings and paintings had the same thematic intention as my latest digital work: the attempt to conjure, or render, a glimpse into an enigmatically layered and lively world that I sense and know to be reality, an energetic vibratory world of almost dreadful depth. In this respect, my process of making computer-robotic assisted paintings and animations have, until recently, been made up of an excessive concoction of ambiguous sexual body parts (morphed from both sexes) tied to the viral form. Philosophy has been, and is, a way of freeing myself enough to connect with this depth so as to process the phantasmagorical aspects of reality into art. This process of art making, for me, must hinge on a dynamic engagement and then wedding of image production and image resistance. The idea is to encourage subversive readings of computational media by presenting an artistic consciousness that articulates contemporary concerns regarding safety, truth, identity and objectivity.”

Joseph Nechvatal (1951) American artist

" An Interview with Joseph Nechvatal http://versejunkies.com/?p=6110#," at versejunkies.com. Posted On 10 August 2013.

Truth , World , Sex , Way

“The characteristics of the struggle, in which territory had to be given to the enemy and many years had to pass in order to achieve final victory, with fluctuations, ebb and flow, was that of a protracted war. During the entire struggle one could say that the front lines were where the enemy was. At a given moment, the enemy occupied almost the entire territory and the front was spread to wherever the enemy was. Later the lines of combat were delimited and a main front was established. But the enemy's rear guard constituted another front; it was a total war and the colonialists were never able to mobilize their forces with ease against the liberated zones. The slogan "dynamism, initiative, mobility, and quick decision in new situations" is in synthesis the guerrilla tactic. These few words expressed the tremendously difficult art of popular war.”

Ernesto Che Guevara (1928–1967) Argentine Marxist revolutionary

People's War, People's Army (1964)

War , Decision , Victory

“It must be said that an authentic work of art needs no philosophical justification. In principle, if Philosophical Treatises could explain a work of art then there would be no justification for the existence of that work art. Put it differently, a work of art precisely enters into the scene when philosophy and other experimental sciences are inept of representing or elucidating an artistic vision.”

Guity Novin (1944) artist

Dialogues on enlightenment and reason (2013)

Science

“All of us have an artist inside us. It's part of our DNA as human beings. We have all witnessed the power of the arts to deeply connect people, to open our minds to new ideas and express our innermost sacred selves. The imagination isn't just simply reserved for children. The imagination can be, for all of us, a very real gateway to joy, understanding, liberation and peace.”

Jennifer Beals (1963) American actress and a former teen model

Speech at The Dalai Lama Public Talk, University of Illinois at Chicago Pavilion, Chicago, Illinois (17 July 2011) http://www.jennifer-beals.com/media/speeches/dalailama.html.

Children , People , Peace , Imagination

“It does not make such a difference whether you are simply mute or employ no art for speaking. For it is not feasible that you can express what you think as it should be understood unless you acquire and strengthen the ability to speak by art.”

Philip Melanchthon (1497–1560) German reformer

Source: Praise of Eloquence (1523), p. 61

Thinking

“It often happens that we are most touched by what we are least capable of. Evanescent delicacy is not the quality in the arts that I admire most, but it is often the characteristic by which I am most reduced to envy.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

Source: Memoirs, Unreliable Memoirs (1980), p. 64

Envy

Quotes about art page 19

Quotes about art
page 19