Quotes about writing
page 34

Vasil Bykaŭ photo
James Salter photo

“I have never been able to write the story. I reach a certain point and cannot go on. The death of kings can be recited, but not of one’s child.”

James Salter (1925–2015) American novelist and short-story writer

Burning the Days (1997 memoir)

Ausonius photo
Jaani Peuhu photo

“Today we play guitar. We shall not speak or write. We just play and maybe drink some blood of virgins.”

Jaani Peuhu (1978) Finnish musician

Iconcrash: Enochian Devices Blog, 2007-12-14 http://www.eurobands.us/2007/04/06/iconcrash-506,

Wassily Kandinsky photo
Eric Hoffer photo

“Good writing, like gold, combines lustrous lucidity with high density. What this means is good writing is packed with hints.”

Eric Hoffer (1898–1983) American philosopher

Entry (1957)
Eric Hoffer and the Art of the Notebook (2005)

Janusz Korwin-Mikke photo
John Cage photo

“I can't speak or write German, but I'am overjoyed because I have bought one of your pictures. Now it is in me. I write music. You are my teacher.”

John Cage (1912–1992) American avant-garde composer

Quote from his letter to Jawlensky, early Februari 1935; as cited in 'The shape of the Future 3: Art' in Where the Heart Beats: John Cage, Zen Buddhism, and the Inner Life of Artists, by Kay Larson, Penguin 2012, p. unknown
Cage bought one of the small 'Head' paintings of Jawlensky, via his art-agent Galka E. Scheyer who showed Cage some paintings of Jawlensky early 1935, and sold his choice very cheap for 25 dollars; Cage was then 25 years old and strongly inspired by images, as he told Scheyer and wrote Jawlensky
1930s

Maimónides photo
Dejan Stojanovic photo

“To write good poems is the secret of brevity.”

Dejan Stojanovic (1959) poet, writer, and businessman

Simplicity http://www.poetrysoup.com/famous/poem/21390/Simplicity
From the poems written in English

Jacoba van Heemskerck photo

“This evening the Anthroposophical Society invited me to give a lecture about modern art, on 13 March. They start to wake up here [in the Netherlands]… Please, tell me something, what I should emphasize, what you find most important. I shall also read something from 'The Spiritual in Art' by Kandinsky… But we still have other views on the whole, isn't it. I don't always agree with Kandinsky, and often more with your views. So please write a little much… You know, for me it is always easier to paint my principles.”

Jacoba van Heemskerck (1876–1923) Dutch painter

translation from German, Fons Heijnsbroek, 2018
(original version, written by Jacoba in German:) Heute abend bin ich durch den Anthroposophischen Verein eingeladen (worden) am 13. März einen Vortrag über moderne Kunst zu halten. Man fängt hier an zu erwachen.. .Bitte, sage mir einiges, was ich speziell betonen soll, was Du am wichtigsten findest. Ich werde dann auch aus 'Das Geistige in der Kunst' von Kandinsky.. ..etwas vorlesen. Aber wir haben doch in Ganzen noch andere Ansichten. Ich stimme nicht immer met Kandinsky überein, und oft mehr mit Deinen Ansichten. Also bitte schreibe ein bisschen viel.. .Du weisst, ich finde es immer einfacher, meine Prinzipien zu malen.
in a letter to Herwarth Walden, 28 Feb. 1916; from the 'Sturm'-Archive, Berlin
1910's

Rajiv Malhotra photo
Alexei Alexeyevich Abrikosov photo

“If they can in their proposals write the word Nano, the chances for funding increase.”

Alexei Alexeyevich Abrikosov (1928–2017) Soviet, Russian and American theoretical physicist

on the trends of scientific funding, especially all that relates to Nanotechnology, in an Interview http://nobelprize.org/nobel_prizes/physics/laureates/2003/abrikosov-interview.html with Nobel Laureates in Physics, Alexei Abrikosov and Anthony Leggett, December 9, 2003. The interviewer is Joanna Rose.

Ben Hecht photo
Richard Dawkins photo
Charles Darwin photo

“I have attempted to write the following account of myself, as if I were a dead man in another world looking back at my own life. Nor have I found this difficult, for life is nearly over with me. I have taken no pains about my style of writing.”

Charles Darwin (1809–1882) British naturalist, author of "On the origin of species, by means of natural selection"

volume I, chapter II: "Autobiography", page 27 http://darwin-online.org.uk/content/frameset?pageseq=45&itemID=F1452.1&viewtype=image
The Life and Letters of Charles Darwin (1887)

Hilary Duff photo

“What it talks about is stuff that I've gone through, like, in the past year, which is, you know, a lot, and some of it's good, and some of it's bad, and a lot of it's, like, a big learning experience. And I got to write a lot about that with people that I've worked with before, so I felt completely comfortable.”

Hilary Duff (1987) American actress and singer

"Hilary Duff Says New Album Is More Personal" http://launch.yahoo.com/read/story/12065060. Yahoo! Music. September 27 2004. Retrieved October 25 2006.
On the album Hilary Duff (2004).

Mario Vargas Llosa photo
Eugéne Ionesco photo

“People who don’t read are brutes. It is better to write than to make war, isn’t it?”

Eugéne Ionesco (1909–1994) Romanian playwright

The Paris Review interview (1984)

“You are writing for yourself.”

William Zinsser (1922–2015) writer, editor, journalist, literary critic, professor

Source: On Writing Well (Fifth Edition, orig. pub. 1976), Chapter 5, The Audience, p. 26.

Will Cuppy photo
Martial photo
Philip Melanchthon photo
Isaac Watts photo

“I write not for your farthing, but to try / How I your farthing writers, may outvie.”

Isaac Watts (1674–1748) English hymnwriter, theologian and logician

An early couplet,quoted in Christian Hymn Writers,(ed Elsie Houghton) Evangelical Press of Wales, Bridgend,Wales 1982 ISBN 0 900898 66 6.
Attributed from postum publications, Hymns and Spiritual Songs (1773)

“Poets, essayists, chroniclers, wags, and wise men write often about death but have rarely seem it. Physicians and nurses, who see it often, rarely write about it.”

Sherwin B. Nuland (1930–2014) American surgeon

[How we die: reflections on life's final chapter, Vintage, 1995, Random House, 1995, 8, https://books.google.com/books?id=ffj03ghdnqwC&pg=PA8]
How We Die (1994)

Amit Chaudhuri photo
Charles Bukowski photo
Noam Cohen photo
Andrew Sega photo
Kate Mulgrew photo
Nikolai Gogol photo
Tom Robbins photo
Robert Schumann photo

“Sometimes I am so full of music, and so overflowing with melody, that I find it simply impossible to write down anything.”

Robert Schumann (1810–1856) German composer, aesthete and influential music critic

Early Letters of Robert Schumann (1888), p. 82

Koenraad Elst photo
Larry Wall photo

“If you write something wrong enough, I'll be glad to make up a new witticism just for you.”

Larry Wall (1954) American computer programmer and author, creator of Perl

[199702221943.LAA20388@wall.org, 1997]
Usenet postings, 1997

Nanak photo
Veronica Roth photo

“There’s no way to please everyone, because that mythical book with the ending that every single person wants can’t exist—you want different things, each one of you. The only thing I can do, in light of that fact, is write an honest story as best I can.”

Veronica Roth (1988) American author

About the End of Allegiant (SPOILERS), Roth, Veronica, Veronica Roth, October 28, 2013, November 3, 2013 http://veronicarothbooks.blogspot.com/2013/10/about-end-of-allegiant-spoilers.html,
Quoted at:
Veronica Roth offers huge explanation for 'Allegiant's' big twist – will it appease you?, Sims, Andrew, Hypable, October 28, 2013, November 6, 2013 http://www.hypable.com/2013/10/28/allegiant-review-tris-dies-veronica-roth-response/,

James Fenimore Cooper photo

“Hebrews. This book is much superior to most of the writings attributed to St. Paul, though passages in the other books are very admirable.”

James Fenimore Cooper (1789–1851) American author

Journal kept by Cooper from January to May 1848
Correspondence of James Fenimore-Cooper (1922)

David Foster Wallace photo
Harry Turtledove photo
Edgar Froese photo
Gypsy Rose Lee photo

“God is love, but get it in writing.”

Gypsy Rose Lee (1911–1970) American burlesque performer, actress, author

As quoted in The New York Times (1 Decemeber 1988), and The Yale Book of Quotations (2006) edited by Fred R. Shapiro

M.I.A. photo

“My approach to politics is that I never said I'm smart. But why aren't I allowed to write about my experience?”

M.I.A. (1975) British recording artist, songwriter, painter and director

Interview to Rolling Stone (2010)
Sourced quotes
Source: [2010, August, M.I.A. Radical Chic, Rolling Stone]

Alexandros Panagoulis photo

“A match as a pen
Blood on the floor as ink
The forgotten gauze cover as paper
But what should I write?
I might just manage my address.
This ink is strange; it clots.
I write you from a prison
in Greece.”

Alexandros Panagoulis (1939–1976) Greek politician and poet

My Address, written in Military Prisons of Bogiati, 5 June 1971 – After beating.
Poetry, Vi scrivo da un carcere in Grecia (I write you from a prison in Greece) (1974)

John Berridge photo

“Avoid all controversy in preaching, talking, or writing; preach nothing down but the devil, and nothing up but Jesus Christ.”

John Berridge (1716–1793) British priest

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 480.

Carrie Fisher photo
Nathanael Greene photo
Frank Klepacki photo
Tarik Gunersel photo

“I write worstsellers. I guess most of my readers are themselves writers. Myself, for example.”

Tarik Gunersel (1953) Turkish actor

"Same interview.
Other

Harriet Beecher Stowe photo

“I did not write it. God wrote it. I merely did his dictation.”

Introduction to an 1879 edition.
Uncle Tom's Cabin (1852)

“Writing is not "the establishment of a professional reputation" as if one were a doctor or lawyer; it is not properly in the sentence with creation of a family and the purchase of a home.”

Elizabeth Hardwick (1916–2007) Novelist, short story writer, literary critic

"Cheever, or, The Ambiguities" (p. 244)
American Fictions (1999)

Dinesh D'Souza photo
John Byrne photo
David Brin photo

“I write
to astonish myself”

Geoffrey Hill (1932–2016) English poet and professor

The Orchards of Syon XXIII.20-21.
Poetry

Gaurav Sharma (author) photo
Stephen Colbert photo
Yoichiro Nambu photo
James A. Michener photo
Cedric Bixler-Zavala photo
Eudora Welty photo
Eddie Vedder photo
Stanley Kubrick photo
Alain de Botton photo
Amit Ray photo

“Exercises are like prose, whereas yoga is the poetry of movements. Once you understand the grammar of yoga; you can write your poetry of movements.”

Amit Ray (1960) Indian author

Yoga and Vipassana: An Integrated Lifestyle (2012) https://books.google.co.in/books?id=sBsG9V1oVdMC,

Arthur Guirdham photo
Anna Akhmatova photo
E.M. Forster photo
Charles Lamb photo

“When my sonnet was rejected, I exclaimed, 'Damn the age; I will write for Antiquity!”

Charles Lamb (1775–1834) English essayist

Letter to Proctor (January 22, 1829), in Oxford Dictionary of Quotations by Subject (2000), p. 526

Garrison Keillor photo
Henry Miller photo
Peter Greenaway photo

“The book to end all books. The final book. After this, there is no more writing, no more publishing.”

Peter Greenaway (1942) British film director

From the thirteenth book, "The Book of the Dead"
The Pillow Book

Octavio Paz photo

“time in an allegory of itself imparts to us lessons of wisdom which the moment they are formulated are immediately destroyed by the merest flickers of light or shadow which are nothing more than time in its incarnations and disincarnations which are the phrases that I am writing on this paper and that disappears as I read them:
they are not the sensations, the perceptions, the mental images, and the thoughts which flare up and die away here, now, as I write or as I read what I write: they are not what I see or what I have seen, they are the reverse of what is seen and of the power of sight—but they are not the invisible: they are the unsaid residuum;
they are not the other side of reality but, rather, the other side of language, what we have on the tip of our tongue that vanishes before it is said, the other side that cannot be named because it is the opposite of a name:
what is not said is not this or that which we leave unsaid, nor is it neither-this-nor-that: it is not the tree that I say I see but the sensation that I feel on sensing that I see it at the moment when I am just about to say that I see it, an insubstantial but real conjunction of vibrations and sounds and meanings that on being combined suggest the configuration of a green-bronze-black-woody-leafy-sonorous-silent presence;
no, it is not that either, if it is not a name it surely cannot be the description of a name or the description of the sensation of the name or the name of the sensation:
a tree is not the name tree, nor is it the sensation of tree: it is the sensation of a perception of tree that dies away at the very moment of the perception of the sensation of tree;
names, as we already know, are empty, but what we did not know, or if we did know, had forgotten, is that sensations are perceptions of sensations that die away, sensations that vanish on becoming perceptions, since if they were not perceptions, how would we know that they are sensations?;
sensations that are not perceptions are not sensations, perceptions that are not names—what are they?
if you didn’t know it before, you know now: everything is empty;
and the moment I say everything-is-empty, I am aware that I am falling into a trap: if everything is empty, this everything-is-empty is empty too;
no, it is full, full to overflowing, everything-is-empty is replete with itself, what we touch and see and taste and smell and think, the realities that we invent and the realities that touch us, look at us, hear us, and invent us, everything that we weave and unweave and everything that weaves and unweaves us, momentary appearances and disappearances, each one different and unique, is always the same full reality, always the same fabric that is woven as it is unwoven: even total emptiness and utter privation are plenitude (perhaps they are the apogee, the acme, the consummation and the calm of plenitude), everything is full to the brim, everything is real, all these invented realities and all these very real inventions are full of themselves, each and every one of them, replete with their own reality;
and the moment I say this, they empty themselves: things empty themselves and names fill themselves, they are no longer empty, names are plethoras, they are donors, they are full to bursting with blood, milk, semen, sap, they are swollen with minutes, hours, centuries, pregnant with meanings and significations and signals, they are the secret signs that time makes to itself, names suck the marrow from things, things die on this page but names increase and multiply, things die in order that names may live:”

Octavio Paz (1914–1998) Mexican writer laureated with the 1990 Nobel Prize for Literature

Source: The Monkey Grammarian (1974), Ch. 9

Halldór Laxness photo

“[A]fter I got evicted from the Republican Party, I began reading considerably more of the works of American anarchists, thanks largely to Murray Rothbard…and I was just amazed.When I read Emma Goldman, it was as though everything I had hoped that the Republican Party would stand for suddenly came out crystallised. It was a magnificently clear statement. And another interesting things about reading Emma Goldman is that you immediately see that, consciously or not, she's the source of the best in Ayn Rand. She has the essential points that the Ayn Rand philosophy thinks, but without any of this sort of crazy solipsism that Rand is so fond of, the notion that people accomplish everything all in isolation. Emma Goldman understands that there’s a social element to even science, but she also writes that all history is a struggle of the individual against the institutions, which of course is what I’d always thought Republicans were saying, and so it goes.In other words, in the Old Right, there were a lot of statements that seemed correct, and they appeal to you emotionally, as well; it was why I was a Republican—isolationist, anti-authoritarian positions, but they’re not illuminated by anything more than statement. They just are good statements. But in the writings of the anarchists the same statements are made, but with this long illumination out of experience, analysis, comparison…it's rock-solid, and so I immediately realised that I'd been stumbling around inventing parts of a tradition that was old and thoughtful and already existed, and that's very nice to discover that—I don't think it's necessary to invent everything.”

Karl Hess (1923–1994) American journalist

Anarchism in America http://alexpeak.com/art/films/aia/ (15 January 1983)

DJ Paul photo

“I'm just producing and writing for all my new artists I signed, Weirdo King and my nephews The Seed of 6ix. Also been writing a lot of EDM for kids. Doing more cooking videos and TV.”

DJ Paul (1977) American rapper and record producer

Interview with DJ Paul – Stream DJ Paul Kom's 'Undergroud, Vol. 17 – For da Summa Album http://www.xxlmag.com/news/2017/09/dj-paul-underground-vol-17-for-da-summa-album/

William Saroyan photo

“All I can do is write my stories for mankind, and rest easy.”

William Saroyan (1908–1981) American writer

Three Times Three (1936)

Johannes Brahms photo
Henry Stephens Salt photo

“Writing should generate ideas into matter, and not the other way around.”

Robert Smithson (1938–1973) American artist

Cultural Confinement, 1972

Frank Wilczek photo
Brian K. Vaughan photo
Joseph Priestley photo
Ken Thompson photo

“I think the major good idea in Unix was its clean and simple interface: open, close, read, and write.”

Ken Thompson (1943) American computer scientist, creator of the Unix operating system

"Unix and Beyond: An Interview with Ken Thompson," 1999

John Lancaster Spalding photo
John Dos Passos photo
Brion Gysin photo

“I may write only what I know in space: I am that I am.”

Brion Gysin (1916–1986) Canadian artist

Notes on Painting, Tuning in to the Multimedia Age, p. 96.