Quotes about writing
page 34

“How to define the moment that I write?”

Michel Foucault (1926–1984) French philosopher

Qui définit le moment où j'écris?
"Un cours inedit" in Magazine littéraire (May 1984), page 34.

“Being and writing, the road asked nothing more.”

Roger Kahn (1927–2020) American baseball writer

Source: The Boys Of Summer, Chapter 2, Ceremonies of Innocence, p. 125

“I cannot write in Minsk. Firstly, I have a cold apartment. I will die there with my sick lungs soon. Because the presidential decree introduced the maximum temperature in Minsk… He [Lukashenka] does not need Bykau. He has a close-knit and strong cohort of own writers, who write his biographies. They write about him, describe his life. And it's enough for Lukashenka. He does not perceive anything else. The things that Lukashenko is doing are aimed at the complete elimination of the sovereignty of Belarus. He completely enslaves the people.”

Vasil Bykaŭ (1924–2003) Belarusian writer

“Ён Прыехаў, Сам Памёр, Усё Спакойна…” Апошнія Тыдні Васіля Быкава https://www.svaboda.org/amp/24853764.html // svaboda.org (in Belarusian)

Life, People, Strong

“I have never been able to write the story. I reach a certain point and cannot go on. The death of kings can be recited, but not of one’s child.”

James Salter (1925–2015) American novelist and short-story writer

Burning the Days (1997 memoir)

Death

“In the history of versification did anyone ever juggle so wildly well with iambics, sapphics, dactylics, anapestics, and all the rest? He fabricated verses most ingeniously, most enthusiastically. His virtuosity is amazing. Almost every line he wrote was a tour de force. And in spite of all this highly self-conscious technical facility he managed occasionally to write poetry.”

Ausonius (310–395) poet

Edward Townsend Booth, God Made the Country (1946), p. 37.
Criticism

History

“Today we play guitar. We shall not speak or write. We just play and maybe drink some blood of virgins.”

Jaani Peuhu (1978) Finnish musician

Iconcrash: Enochian Devices Blog, 2007-12-14 http://www.eurobands.us/2007/04/06/iconcrash-506,

Drink

“The geometric point is an invisible thing. Therefore, it must be defined as an incorporeal thing. Considered in terms of substance, it equals zero… Thus we look upon the geometric point as the ultimate and most singular union of silence and speech. The geometric point has, therefore, been given its material form, in the first instance, in writing. It belongs to language and signifies silence.”

Wassily Kandinsky (1866–1944) Russian painter

1920 - 1930, Point and line to plane, 1926

Silence

“[Elizabeth Moon's] antagonists are always evil moustache-twirlers. She could write a book about a golf open and the main rival to the hero would turn out to have clubs made from compressed kittens.”

James Nicoll (1961) Canadian fiction reviewer

[efprv2$bpa$1@reader1.panix.com, 2006]
2000s

Books, Evil

“Good writing, like gold, combines lustrous lucidity with high density. What this means is good writing is packed with hints.”

Eric Hoffer (1898–1983) American philosopher

Entry (1957)
Eric Hoffer and the Art of the Notebook (2005)

“The purpose of this book is to show how economic analysis can be used in formulating business policies. It is therefore a departure from the main stream of economic writings on the theory of the firm, much of which is too simple in its assumptions and too complicated in its logical development to be managerially useful. The big gap between the problems of logic that intrigue economic theorists and the problems of policy that plague practical management needs to be bridged in order to give executives access to the practical contributions that economic thinking can make to top-management policies.”

Joel Dean (1906–1979) American economics wrtier

Preface
Managerial Economics, 1951

Books, Departure, Business, Problem

“German erudition of his time he held in little esteem. “They go to work like galley slaves,” was his charge. “They do not write on a theme because inspired; but the theme comes first, and with assiduous and laborious study they hope to evolve something brilliant out of it.””

Oscar Levy (1867–1946) German physician and writer

describing the view of Stendhal, p. 84.
The Revival of Aristocracy (1906)

Hope, Study, Time

“A scientist who writes for a grant has to write subpar papers - so that the grant giver will understand what the paper is about.”

Janusz Korwin-Mikke (1942) polish politician

Source: blog, 8 February 2007

Understanding

“I can't speak or write German, but I'am overjoyed because I have bought one of your pictures. Now it is in me. I write music. You are my teacher.”

John Cage (1912–1992) American avant-garde composer

Quote from his letter to Jawlensky, early Februari 1935; as cited in 'The shape of the Future 3: Art' in Where the Heart Beats: John Cage, Zen Buddhism, and the Inner Life of Artists, by Kay Larson, Penguin 2012, p. unknown
Cage bought one of the small 'Head' paintings of Jawlensky, via his art-agent Galka E. Scheyer who showed Cage some paintings of Jawlensky early 1935, and sold his choice very cheap for 25 dollars; Cage was then 25 years old and strongly inspired by images, as he told Scheyer and wrote Jawlensky
1930s

Music, Teachers

“In my larger work, the Mishnah Torah, I have contented myself with briefly stating the principles of our faith and its fundamental truths, together with such hints as approach a clear exposition. In this work, however, I address those who have studied philosophy and have acquired sound knowledge, and who while firm in religious matters are perplexed and bewildered on account of the ambiguous and figurative expressions employed in the holy writings.”

Maimónides book The Guide for the Perplexed

Guide for the Perplexed (c. 1190), Introduction

Truth, Faith, Knowledge, Study

“To write good poems is the secret of brevity.”

Dejan Stojanovic (1959) poet, writer, and businessman

Simplicity http://www.poetrysoup.com/famous/poem/21390/Simplicity From the poems written in English

Secret

“This evening the Anthroposophical Society invited me to give a lecture about modern art, on 13 March. They start to wake up here [in the Netherlands]… Please, tell me something, what I should emphasize, what you find most important. I shall also read something from 'The Spiritual in Art' by Kandinsky… But we still have other views on the whole, isn't it. I don't always agree with Kandinsky, and often more with your views. So please write a little much… You know, for me it is always easier to paint my principles.”

Jacoba van Heemskerck (1876–1923) Dutch painter

translation from German, Fons Heijnsbroek, 2018
(original version, written by Jacoba in German:) Heute abend bin ich durch den Anthroposophischen Verein eingeladen (worden) am 13. März einen Vortrag über moderne Kunst zu halten. Man fängt hier an zu erwachen.. .Bitte, sage mir einiges, was ich speziell betonen soll, was Du am wichtigsten findest. Ich werde dann auch aus 'Das Geistige in der Kunst' von Kandinsky.. ..etwas vorlesen. Aber wir haben doch in Ganzen noch andere Ansichten. Ich stimme nicht immer met Kandinsky überein, und oft mehr mit Deinen Ansichten. Also bitte schreibe ein bisschen viel.. .Du weisst, ich finde es immer einfacher, meine Prinzipien zu malen.
in a letter to Herwarth Walden, 28 Feb. 1916; from the 'Sturm'-Archive, Berlin
1910's

Art, Reading, Painting

“… acting on Hacker's wishes, the editor of his collected works excluded the author's polemical Christian writings from the compilation…. Many such polemical writings also appeared in fringe religious pamphlets and propaganda literature which are unknown to most scholars…. Hacker's suppression of this material compromised his integrity as an objective scholar, as it misled readers into thinking his writings on Hinduism were objective evaluations when in fact they were, in Andrew Nicholson's words, the work of a 'Christian polemicist'. In his posthumously published wrigings, Hacker is as explicit in his support for Christianity as he is in his attack on contemporary Hinduism.”

Rajiv Malhotra book Indra's Net

Indra's Net (2014)

Literature, Support, Thinking, Appearance

“If they can in their proposals write the word Nano, the chances for funding increase.”

Alexei Alexeyevich Abrikosov (1928–2017) Soviet, Russian and American theoretical physicist

on the trends of scientific funding, especially all that relates to Nanotechnology, in an Interview http://nobelprize.org/nobel_prizes/physics/laureates/2003/abrikosov-interview.html with Nobel Laureates in Physics, Alexei Abrikosov and Anthony Leggett, December 9, 2003. The interviewer is Joanna Rose.

Chance

“Writing a good movie brings a writer about as much fame as steering a bicycle. It gets him, however, more jobs. If his movie is bad it will attract only critical tut-tut for him. The producer, director, and stars are the geniuses who get the hosannas when it's a hit. Theirs are also the heads that are mounted on spears when it's a flop.”

Ben Hecht (1894–1964) American screenwriter

from Let's Make the Hero a MacArthur
Books

Star

“Three imaginary readers looked over my shoulder while I was writing, and I now dedicate the book to them. […] First the general reader, the layman […] second the expert [and] third the student.”

Richard Dawkins book The Selfish Gene

Preface
The Selfish Gene (1976, 1989)

Books

“I have attempted to write the following account of myself, as if I were a dead man in another world looking back at my own life. Nor have I found this difficult, for life is nearly over with me. I have taken no pains about my style of writing.”

Charles Darwin (1809–1882) British naturalist, author of "On the origin of species, by means of natural selection"

volume I, chapter II: "Autobiography", page 27 http://darwin-online.org.uk/content/frameset?pageseq=45&itemID=F1452.1&viewtype=image The Life and Letters of Charles Darwin (1887)

Life, Pain, World, Dead

“What it talks about is stuff that I've gone through, like, in the past year, which is, you know, a lot, and some of it's good, and some of it's bad, and a lot of it's, like, a big learning experience. And I got to write a lot about that with people that I've worked with before, so I felt completely comfortable.”

Hilary Duff (1987) American actress and singer

"Hilary Duff Says New Album Is More Personal" http://launch.yahoo.com/read/story/12065060. Yahoo! Music. September 27 2004. Retrieved October 25 2006. On the album Hilary Duff (2004).

People, Learning, Past

“Like writing, reading is a protest against the insufficiencies of life. When we look in fiction for what is missing in life, we are saying, with no need to say it or even to know it, that life as it is does not satisfy our thirst for the absolute – the foundation of the human condition – and should be better. We invent fictions in order to live somehow the many lives we would like to lead when we barely have one at our disposal.”

Mario Vargas Llosa (1936) Peruvian writer, politician, journalist, and essayist

Nobel Lecture (2010)

Life, Reading

“People who don’t read are brutes. It is better to write than to make war, isn’t it?”

Eugéne Ionesco (1909–1994) Romanian playwright

The Paris Review interview (1984)

War, People, Reading

“You are writing for yourself.”

William Zinsser (1922–2015) writer, editor, journalist, literary critic, professor

Source: On Writing Well (Fifth Edition, orig. pub. 1976), Chapter 5, The Audience, p. 26.

“In the piano writing of the Romantic generation of the 1830s, in fact, a fully pedalled sonority becomes the norm: the piano is expected to vibrate fairly constantly, and an unpedalled sonority is an exception, almost a special effect. Furthermore, the phrase is now shaped at least partially by changes in this full vibration. The change of pedal is crucial to the conception of rhythmic movement and to the sustaining of the melodic line over the bass.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 1 : Music and Sound

Change

“Teachers of every kind are to be sternly ordered not to thrust precious stones down the throats of dogs… that is, to the mean, the ignoble, the worthless. To shopkeepers and the low born they are to teach nothing more than the rules about prayer, fasting, religious charity and the Hajj pilgrimage along with some chapters of the Quran and some doctrines of the faith without which their religion cannot be correct and valid prayers are not possible. They are to be instructed in nothing more. They are not to be taught reading and writing for plenty of disorders arise owing to the skill of the low-born in knowledge…”

Ziauddin Barani (1285–1357) Indian Muslim historian and political thinker (1285–1357)

Quoted from Lal, K. S. (1990). Indian muslims: Who are they. Chapter 2.
Fatawa-i-Jahandari

Faith, Religion, Dogs, Knowledge

“Right here I might offer a word of advice to the Ivory-billed Woodpecker, now the rarest bird on the North American continent and one that is going to come in for more and more attention. Keep away from bird lovers, fellows, or you'll be standing on a little wooden pedestal with a label containing your full name in Latin: Campephilus principalis. People will be filing past admiring your glossy blue-black feathers, your white stripes and patches, your nasal plumes in front of lores, your bright red crest and your beady yellow eyes. You'll be in the limelight, but you won't know it. I don't want to alarm you fellows, but there are only about twenty of you alive as I write these lines, but there are more than two hundred of you in American museums and in collections owned by Ivory-billed Woodpecker enthusiasts. Get it?”

Will Cuppy (1884–1949) American writer

And I Ought to Know
How to Become Extinct (1941)

People, Lovers, Bird, Past

“You complain, friend Swift, of the length of my epigrams, but you yourself write nothing. Yours are shorter.”

Martial book Epigrammata

I, 110.
Epigrams (c. 80 – 104 AD)

“You can see for what reason I commend the study of eloquence to you—because we can neither explain what we ourselves want, nor understand the surviving writing written by our ancestors, unless we have thoroughly studied a fixed rule for speaking. For my part, I do not see how there could be others who wish neither to explain what they think, nor to understand what is excellently said.”

Philip Melanchthon (1497–1560) German reformer

Source: Praise of Eloquence (1523), p. 64

Understanding, Thinking, Study, Parting

“I write not for your farthing, but to try / How I your farthing writers, may outvie.”

Isaac Watts (1674–1748) English hymnwriter, theologian and logician

An early couplet,quoted in Christian Hymn Writers,(ed Elsie Houghton) Evangelical Press of Wales, Bridgend,Wales 1982 ISBN 0 900898 66 6.
Attributed from postum publications, Hymns and Spiritual Songs (1773)

“Poets, essayists, chroniclers, wags, and wise men write often about death but have rarely seem it. Physicians and nurses, who see it often, rarely write about it.”

Sherwin B. Nuland (1930–2014) American surgeon

[How we die: reflections on life's final chapter, Vintage, 1995, Random House, 1995, 8, https://books.google.com/books?id=ffj03ghdnqwC&pg=PA8]
How We Die (1994)

Death, Men

“Writers don’t so much write about their own lives as create them, Barthes said; it’s an oddly modern idea. Bengalis, similarly, had to make their own history. They did it in houses, tenements, and in neighbourhoods connected by stifling alleys that are no wider than a small room … And this is why I feel, even now, that the most revealing places in Calcutta are not the museums or the great monuments … but the houses and lanes in which people live.”

Amit Chaudhuri (1962) contemporary Indian-English novelist

Calcutta: Two Years in The City (2013)

People, Feeling, History, Idea

“Van Gogh writing his brother for paints
Hemingway testing his shotgun
Celine going broke as a doctor of medicine
the impossibility of being human
Shakespeare a plagiarist
Beethoven with a horn stuck into his head against deafness
the impossibility the impossibility
Nietzsche gone totally mad
the impossibility of being human
all too human
this breathing
in and out
out and in
these punks
these cowards
these champions
these mad dogs of glory
moving this little bit of light toward us
impossibly.”

Charles Bukowski (1920–1994) American writer

"Beasts Bounding Through Time" (1986)

Dogs, Light, Painting, Madness

“As time has shifted, The Times and all the other media outlets recognize how important Wikipedia is. It's not the same hurdle anymore. I don't have to sort of say: 'Wow look at this strange thing going on, can I write some weird story about it?' Instead it's like: 'This is hugely important, and of course, write, we want to know every change.”

Noam Cohen (1999) American journalist

Interviewed as part of panel discussion —

Change, Time

“One of the most common failings [when writing a drum track] is repetition. Nobody wants to hear that same stupid 16-line bass-snare pattern throughout the WHOLE song. Didn't your mother ever teach you that variety is the spice of life?”

Andrew Sega (1975) musician from America

"Melodic Structure", Necros, TraxWeekly #15, 1995

Life, Stupidity

“I am, constitutionally, an actress and I think to be an actor is not only a different kind of discipline, but it’s completely introspective. So the solitude which is absolutely mandatory to write well is, I think, is hard for me. It’s training muscles I haven’t used very much. I love to write. I can write. But I’ve done nothing like this before and it will be a challenge.”

Kate Mulgrew (1955) American actress

Catching Up with Kate Mulgrew http://www.startrek.com/article/catching-up-with-kate-mulgrew-part-2 (January 19, 2011)

Love, Thinking, Solitude, Training

“They insist that an author should write in the strictest, purest and noblest language: in short, they expect the Russian language to drop from the clouds, already refined, and that it should come naturally to the lips, so that all they have to do is to open their mouth and stick out their tongue. It goes without saying, of course, that the feminine half of the human species is very wise; but it must be confessed that our respected readers are even wiser.”

Nikolai Gogol book Dead Souls

Dead Souls (1842)

Nature

“I'm looking for the novelists whose writing is an extension of their intellect rather than an extension of their neurosis.”

Tom Robbins Fierce Invalids Home from Hot Climates

Fierce Invalids Home from Hot Climates (2000)

“Sometimes I am so full of music, and so overflowing with melody, that I find it simply impossible to write down anything.”

Robert Schumann (1810–1856) German composer, aesthete and influential music critic

Early Letters of Robert Schumann (1888), p. 82

Music

“What the BJP government claims to offer, what all scholarly historians want, and what is loathed by the Marxists who have dominated the cultural and educational establishment since decades, is glasnost: openness, an end to the dead hand of Marxist dogma in Indian history-writing. However, it is quite wrong to say that the Sangh Parivar takes this job “very seriously”. It took three years before relieving leading Marxists of their influential positions (Prasar Bharati, NCERT, IHC). Most of its new nominees were not up to the job, some because of ill-health (e. g. K. S. Lal and B. R. Grover, both now deceased), some because they had never functioned in an academic setting. It should not be forgotten that for decades, at least since ca. 1970 when the Marxists led by P. N. Haksar and Nurul Hasan were given a lot of effective power in this sector in return for their support to Indira Gandhi, distinctly non-Marxist young historians found their access to an academic career blocked by the Marxist hegemons. Of the new textbooks, some are impeccable and are welcomed as undeniable improvements, e. g. Meenakshi Jain’s presentation of the Muslim period, arguably the most sensitive and controversial part of the series. Some of the others, by contrast, have been criticized or ridiculed even by fair-minded observers.”

Koenraad Elst (1959) orientalist, writer

2000s, The Problem with Secularism (2007)

Health, Education, History, Support

“If you write something wrong enough, I'll be glad to make up a new witticism just for you.”

Larry Wall (1954) American computer programmer and author, creator of Perl

[199702221943.LAA20388@wall.org, 1997]
Usenet postings, 1997

“I agree. When I hear a player talking about how he "needs" to know about all the other details, I hear a player who is being adversarial to the GM and simply not trusting him to "get it right." Players like that make baby seals die and cause cancer with prolonged exposure. I don't write books for them.”

Sean Punch (1967) Canadian editor

Steve Jackson Games Forums http://forums.sjgames.com

Books, Baby

“Burn worldly love,
rub the ashes and make ink of it,
make the heart the pen,
the intellect the writer,
write that which has no end or limit.”

Nanak (1469–1539) Founder of Sikhism

Guru Nanak quotes

Love, Heart

“There’s no way to please everyone, because that mythical book with the ending that every single person wants can’t exist—you want different things, each one of you. The only thing I can do, in light of that fact, is write an honest story as best I can.”

Veronica Roth (1988) American author

About the End of Allegiant (SPOILERS), Roth, Veronica, Veronica Roth, October 28, 2013, November 3, 2013 http://veronicarothbooks.blogspot.com/2013/10/about-end-of-allegiant-spoilers.html, Quoted at: Veronica Roth offers huge explanation for 'Allegiant's' big twist – will it appease you?, Sims, Andrew, Hypable, October 28, 2013, November 6, 2013 http://www.hypable.com/2013/10/28/allegiant-review-tris-dies-veronica-roth-response/,

Books, Way, Light, Personality

“Mantle played ball almost under a shroud of depression, because he always thought he was going to die an early death. But Mays probably thinks he's going to live forever. Mantle acted like a man who was doomed. Mays never did, even though he played long beyond his ability. I talked to Willie after the 1973 World Series, in which he looked terrible. I said, "What were you doing out there, Willie?" "Oh, I was having fun!" he told me. Mantle never had fun. Mays, on the other hand, seemed to be inoculated from all the pressure. He simply went beyond the usual frames of reference. If I were writing this, I'd say that he went beyond the usual frames of reverence. That's the way we all felt, and I think it was true for not only the press, but also for managers and other players. And this bled into the other pages of the newspaper.”

Arnold Hano (1922) American writer

As quoted in "In Willie's time, he was No. 1" http://static.espn.go.com/mlb/columns/neyer_rob/1191263.html Sports-related

Death, World, Way, Thinking

“Hebrews. This book is much superior to most of the writings attributed to St. Paul, though passages in the other books are very admirable.”

James Fenimore Cooper (1789–1851) American author

Journal kept by Cooper from January to May 1848
Correspondence of James Fenimore-Cooper (1922)

Books

“So then how have irony, irreverence, and rebellion come to be not liberating but enfeebling in the culture today’s avant-garde tried to write about? One clue’s to be found in the fact that irony is still around, bigger than ever after 30 long years as the dominant mode of hip expression. It’s not a rhetorical mode that wears well. As [Lewis] Hyde… puts it, "Irony has only emergency use. Carried over time, it is the voice of the trapped who have come to enjoy the cage." This is because irony, entertaining as it is, serves an almost exclusively negative function. It’s critical and destructive, a ground-clearing. Surely this is the way our postmodern fathers saw it. But irony’s singularly unuseful when it comes to constructing anything to replace the hypocrisies it debunks. This is why Hyde seems right about persistent irony being tiresome. It is unmeaty. Even gifted ironists work best in sound bites. I find gifted ironists sort of wickedly funny to listen to at parties, but I always walk away feeling like I’ve had several radical surgical procedures. And as for actually driving cross-country with a gifted ironist, or sitting through a 300-page novel full of nothing by trendy sardonic exhaustion, one ends up feeling not only empty but somehow… oppressed.”

David Foster Wallace (1962–2008) American fiction writer and essayist

E Unibus Pluram: Television and U.S. Fiction
Essays

Way, Feeling, Time, Country

“I suspect S. F. has an individualistic, antiauthoritarian trend to it not least because so many of the people who read and write it (not all by any means, but quite a few) are innerdirected introverts who make neither good leaders nor good followers. Am I talking about myself? Well, now that you mention it, yes. But I ain’t the only one, not even close.”

Harry Turtledove (1949) American novelist, short story author, essayist, historian

Tor's Worlds Without Death or Taxes (December 2008) http://www.reason.com/news/show/129996.html

People, Reading

“Writing music for a picture means you have to compromise with a given reference to a movie or the advice coming from the director and producer. Working on your own material, you have to be just authentic with yourself, following your subjective perspectives and ideas. There is no-one who will judge what you are doing as long as you are in the composing process. Both ways are very different but can support your input learning about the musical universe immensely.”

Edgar Froese (1944–2015) German musician and founder of Tangerine Dream

Music, Way, Idea, Support

“God is love, but get it in writing.”

Gypsy Rose Lee (1911–1970) American burlesque performer, actress, author

As quoted in The New York Times (1 Decemeber 1988), and The Yale Book of Quotations (2006) edited by Fred R. Shapiro

Love, God

“My approach to politics is that I never said I'm smart. But why aren't I allowed to write about my experience?”

M.I.A. (1975) British recording artist, songwriter, painter and director

Interview to Rolling Stone (2010)
Sourced quotes
Source: [2010, August, M.I.A. Radical Chic, Rolling Stone]

“A match as a pen
Blood on the floor as ink
The forgotten gauze cover as paper
But what should I write?
I might just manage my address.
This ink is strange; it clots.
I write you from a prison
in Greece.”

Alexandros Panagoulis (1939–1976) Greek politician and poet

My Address, written in Military Prisons of Bogiati, 5 June 1971 – After beating.
Poetry, Vi scrivo da un carcere in Grecia (I write you from a prison in Greece) (1974)

“Avoid all controversy in preaching, talking, or writing; preach nothing down but the devil, and nothing up but Jesus Christ.”

John Berridge (1716–1793) British priest

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 480.

Christ

“I have gone to the set and you’re kind of around in this—it’s kind of combat writing when you do rewriting and stuff, and I feel like it’s a kind of ambulance chasing. Recently, I did this kind of a (laughing) where you go, “Oh, my God, it’s bleeding from the second act. Quick! Quick! Give me a suture! No, give me the paddles! This is the third act that’s having a heart attack!! The star is coming! The star is coming!"”

Carrie Fisher (1956–2016) American actress, screenwriter and novelist

And it's this incredibly intense process!
From the filmmaking documentary Dreams on Spec

God, Feeling, Star, Heart

“August olst. Camp Tiverton. I wrote the foregoing, and intended to have sent it by the express that went off in the morning, but while I was writing, I was informed the express was gone; and the change of situation and round of events that have since taken place, have prevented my forwarding what I had wrote, as matters seemed to be coming to a crisis.”

Nathanael Greene (1742–1786) American general in the American Revolutionary War

Letter to George Washington (August 1778)

Change

“Forbidden to write anything critical of the Fascist regime, they could only report what the hierarchy wanted them to report. The clever and honest American and British journalists, however, did insinuate startling facts in their stories; these insinuations, unfortunately, were between the lines and not for those who read as they run, and the American public is mostly a running reading public.”

George Seldes (1890–1995) American journalist

Can These Things Be! (1931)

Reading

“Command & Conquer is very much a part of what my style…was founded on, combining the various elements of rock, electronic, hip-hop, and contemporary edge with some orchestral and some what-not—it comes down to not having limitations on what it is you can do, and when you have a project like this that allows you that freedom and that creativity to thrive, you can really take advantage…I think the biggest difference now is, imagine my mindset and the way I was thinking and writing when Command & Conquer first came out, and add about fifteen years experience to that—I think that's what you can expect from Universe at War.”

Frank Klepacki (1974) American musician, video game music composer and sound director

Petroglyph Video Podcast Source: [Kevin Yu, Frank Klepacki = date=2007-03-27, http://www.petroglyphgames.com/news/index.php?id=149&year=2007, VIDEO PODCAST: THE KING IS BACK TO PREVIEW THE MUSIC IN UAW!, Petroglyph Games http://www.petroglyphgames.com/, 22 April, 2007]

War, Way, Imagination, Thinking

“I write worstsellers. I guess most of my readers are themselves writers. Myself, for example.”

Tarik Gunersel (1953) Turkish actor

"Same interview.
Other

“I did not write it. God wrote it. I merely did his dictation.”

Harriet Beecher Stowe book Uncle Tom's Cabin

Introduction to an 1879 edition.
Uncle Tom's Cabin (1852)

God

“Writing is not "the establishment of a professional reputation" as if one were a doctor or lawyer; it is not properly in the sentence with creation of a family and the purchase of a home.”

Elizabeth Hardwick (1916–2007) Novelist, short story writer, literary critic

"Cheever, or, The Ambiguities" (p. 244)
American Fictions (1999)

Family, Home

“It is understandable but implausible…to insist upon prominent media accounts about law-abiding citizens and quotidian virtue; this is a bit like the airline industry complaining that the press does not write stories about airplanes that land safely.”

Dinesh D'Souza (1961) Indian-American political commentator, filmmaker, author

Source: Books, The End of Racism (1995), Ch. 7

Law, Understanding

“What we know of the world comes to us through words, or, to look at it from the other direction, when we write a sentence, we create a world, which is not the world, but the world as is appears within a dimension of assessment.”

Stanley Fish (1938) American academic

Source: How To Write A Sentence And How To Read One (2011), Chapter 4, What Is A Good Sentence?, p. 39

World, Appearance

“Tom Strong and the rest of the ABC bunch leave me cold for a lot of reasons. First—and I realize this is purely subjective, but what isn’t?—I find a smugness, a condescension that reads to me as nostalgia being done by someone who is not in the least bit nostalgic. Almost as if Moore sits down to write and flips his brain 180°, so he’s not really writing what he feels or what he likes, just the exact opposite of what he would usually write.

Also, there is the whole pastiche/homage/whatever thing. I find this really annoying. Not just when Moore does it. I can look back on elements of my own work and be annoyed at myself for going down that path. I only did it on rare occasions, tho. Moore has turned it into a career. So much so, that in the post-Watchmen era I have trouble calling to mind much that he has done that was not based on someone else’s previous work. I am not the most original guy on the block, but at least when I do Superman, I do Superman.

I suppose a lot of this could simply be the bad taste his earlier work left for me. All that tearing down and “deconstructionism.””

John Byrne (1950) American author and artist of comic books

All that revealing of the flaws and feet of clay, not a bit of which has served the industry in any positive way, and, in fact, has left huge scars across it, like the ones left in the landscape by open pit mining.
Alan Moore

Way, Guy, Feeling, Tear

“It is dangerous these days for a male to write even glancingly on feminist themes. Did anyone attack Margaret Atwood’s right to extrapolate religio-machismo in The Handmaid’s Tale? Women writers appear vouchsafed insight into the souls of men—credit that seldom flows the other way. It is a sexist and offensive assumption, which does not advance understanding.”

David Brin book Glory Season

Afterword (p. 561)
Glory Season (1993)

Women, Men, Way, Soul

“I write
to astonish myself”

Geoffrey Hill (1932–2016) English poet and professor

The Orchards of Syon XXIII.20-21.
Poetry

“Excuse me pal! This is IELTS; you understand? This is International English Language Testing System…not a Bihar Board exam where candidates are accompanied by their friends, neighbours and relatives until they finish writing the test.”

Gaurav Sharma (author) (1992) Author and novelist

Gone are the Days (2016)

Understanding

“But, listen, let's review the rules. Here's how it works: the president makes decisions. He's the Decider. The press secretary announces those decisions, and you people of the press type those decisions down. Make, announce, type. Just put 'em through a spell check and go home. Get to know your family again. Make love to your wife. Write that novel you got kicking around in your head. You know, the one about the intrepid Washington reporter with the courage to stand up to the administration. You know — fiction.”

Stephen Colbert (1964) American political satirist, writer, comedian, television host, and actor

White House Correspondents' Association Dinner (2006)

Love, People, Making love, Family

“Ideas and techniques known in quantum electrodynamics have been applied to the Bardeen-Cooper-Schrieffer theory of superconductivity. In an approximation which corresponds to a generalization of the Hartree-Fock fields, one can write down an integral equation defining the self-energy of an electron in an electron gas with phonon and Coulomb interaction. The form of the equation implies the existence of a particular solution which does not follow from perturbation theory, and which leads to the energy gap equation and the quasi-particle picture analogous to Bogolyubov's.”

Yoichiro Nambu (1921–2015) American physicist

[Quasi-particles and gauge invariance in the theory of superconductivity, Physical Review, 117, 3, February 1960, 648–663, 10.1103/PhysRev.117.648]

Idea

“In 1948 I addressed some students at Washington and Lee University, and in the question-answer period one young man observed with asperity, "But it's easy for you to write. You've traveled."”

James A. Michener book Return to Paradise

Return to Paradise (1951) First lines

Travel, Question, Universe

“The Volta is taken from a Federico Fellini book about his films, what he characterizes as a changing of scene, or a turnaround; a new scene to him is called Volta. Y'know, changing of time and the changeover. And Mars, we're just fascinated by science fiction so and it's something that ultimately looked as in anything I write, its meaning is always up to the listener. As the way we write songs and words, if it looks great on paper then to us it's like painting, so if it looks good meaning the second then people usually have a better interpretation than we ever would.”

Cedric Bixler-Zavala (1974) American singer

Bixler-Zavala about the bandname The Mars Volta http://www.experiencefestival.com/a/The_Mars_Volta_-_Etymology_and_trivia/id/2070708

People, Books, Way, Science

“Every writer, like everybody else, thinks he's living through the crisis of the ages. To write honestly and with all our powers is the least we can do, and the most.”

Eudora Welty (1909–2001) American author

On Writing (2002)

Age, Thinking

“It was during that same week that I was up there [In Seattle rehearsing with Pearl Jam]. Day four maybe, or day five, they did a Temple [of the Dog] rehearsal after our afternoon rehearsal. I got to watch these songs, and watch how Chris [Cornell] was working, and watch Matt [Cameron] play drums. It got to "Hunger Strike" - I was sitting in the corner, putting duck tape on a little African drum. About two-thirds of the way though, he was having to cut off the one line, and start the other. I'm not now, and certainly wasn't then, self-assured or cocky, but I could hear what he was trying to do, so I walked up to the mic - which I'm really surprised I did - and sang the other part, "Going hungry, going hungry." The next time I was up, he asked if I'd record it - so it was just me and Chris in the same studio that we made [1991's] Ten record. I really like hearing that song. I feel like I could be real proud of it - because one, I didn't write it, and two, it was such a nice way to be ushered onto vinyl for the first time. I'm indebted to Chris time eternal for being invited onto that track.”

Eddie Vedder (1964) musician, songwriter, member of Pearl Jam

Hunger, Dogs, Way, Feeling

“If man merely sat back and thought about his impending termination, and his terrifying insignificance and aloneness in the cosmos, he would surely go mad, or succumb to a numbing sense of futility. Why, he might ask himself, should he bother to write a great symphony, or strive to make a living, or even to love another, when he is no more than a momentary microbe on a dust mote whirling through the unimaginable immensity of space?…
Those of us who are forced by their own sensibilities to view their lives in this perspective — who recognize that there is no purpose they can comprehend and that amidst a countless myriad of stars their existence goes unknown and unchronicled — can fall prey all too easily to the ultimate anomie. … The world's religions, for all their parochialism, did supply a kind of consolation for this great ache … This shattering recognition of our mortality is at the root of far more mental illness than I suspect even psychiatrists are aware.”

Stanley Kubrick (1928–1999) American film director, screenwriter, producer, cinematographer and editor

Interviewed by Eric Nordern, Playboy (September 1968)

Love, World, Religion, Star

“In an essay entitled ‘The Poet’, published in 1844, the American writer Ralph Waldo Emerson lamented the narrow definition of beauty subscribed to by his peers, who tended to reserve the term exclusively for the bucolic landscapes and unspoilt pastoral scenes celebrated in the works of well-known artists and poets of the past. Emerson himself, however, writing at the dawn of the industrial age, observing with interest the proliferation of railways, warehouses, canals and factories, wished to make room for the possibility of alternative forms of beauty. He contrasted the nostalgic devotees of old-fashioned poetry with those whom he judged to be true contemporary poetic spirits, deserving of the title less by virtue of anything they had actually written than for their willingness to approach the world without prejudice or partiality. The former camp, he averred, ‘see the factory-village and the railway, and fancy that the beauty of the landscape is broken up by these, for they are not yet consecrated in their reading. But the true poet sees them fall within the great order of nature not less than the beehive or the spider’s geometrical web.”

Alain de Botton (1969) Swiss writer

Source: The Pleasures and Sorrows of Work (2009), p. 216.

Age, World, Beauty, Fashion

“Exercises are like prose, whereas yoga is the poetry of movements. Once you understand the grammar of yoga; you can write your poetry of movements.”

Amit Ray (1960) Indian author

Yoga and Vipassana: An Integrated Lifestyle (2012) https://books.google.co.in/books?id=sBsG9V1oVdMC,

Exercises, Understanding

“Philippe Durance: … How does one become Michel Crozier?
Michel Crozier: I'm going to give you an absurd answer. One becomes Michel Crozier by accident. I never had a vision of what I wanted to do, nor what I was going to become. I suppose there were a certain number of opportunities which presented themselves, but I hadn't expected any of them.
My first revelation was in America. I was living and working in United States with the aid of a scholarship which I hadn't really requested and just sort of fell into my lap by luck. There were even a few colleagues who said that there must have been an error. That was 1947 and at that time, I considered myself a poet. I didn't know anything about sociology, and I had a grant to study the labour movement in the United States. I discovered both. I forgot how to be a poet and I became passionate for what I had to do. Without any preparation, I interviewed heaps of union members. That allowed me to write a book on American labour unions [1951] and pass my doctoral thesis… So, I found myself to be a sociologist.”

Michel Crozier (1922–2013) French sociologist

Michel Crozier in: " The Foresight Interviews Michel Crozier, sociologist and member of the Institute Philippe Durance http://en.laprospective.fr/dyn/anglais/memoire/interview_croziereng.pdf," at en.laprospective.fr, translated by Adam Gerber July 2007

Books, Error, Study, Passion

“Twenty-six years ago knew and noted in writing what was unknown to any of those who had written on the subject in any language, in the seven centuries which have elapsed since the eclipse of this so-called heresy. All writers who mentioned the subject insisted that the robes of Cathar priests were inevitably black. For twenty-six years, including her six years of correspondence with me, she stubbornly maintained that they were dark blue. She was proved correct by Jean Duvernoy of Toulouse but only in the last four years. In editing the register of the Inquisition of Jacques Fournier, Monsieur Duvernoy revealed that Cathar priests wore sometimes dark blue or dark green. This book was published in 1965. She expressed it in writing more than a year before publication of Duvornoy's book.”

Arthur Guirdham (1905–1992) British physician, psychiatrist and writer

Source: The Cathars and Reincarnation (1970), p. 10-11

Books

“You…
you are as old as the Mamre oak,
ancient interrogator of the moon,
whose feigned groans cannot take us in.
You write laws of iron.”

Anna Akhmatova (1889–1966) Russian modernist poet

Poem without a Hero (1963)

Law

“No newspaper or periodical worth its name in India will publish what I write in the lines that follow. Not because the subject matter is seditious…, but simply because it defies the Emergency imposed on this country by Muslim theologians and politicians backed by 'secularist' intellectuals and politicians and riotous Muslim mobs and plain terrorists.”

Sita Ram Goel (1921–2003) Indian activist

Freedom of expression - Secular Theocracy Versus Liberal Democracy (1998)

Country

“Peacefulness to be found in writing. Why do I not write every day? Partly because I feel I ought to write well and know I can't. But that is not a good enough reason for not writing, if it gains me poise & peace.”

E.M. Forster (1879–1970) English novelist

Source: Commonplace Book (1985), p. 219 (1960)

Peace, Feeling

“When my sonnet was rejected, I exclaimed, 'Damn the age; I will write for Antiquity!”

Charles Lamb (1775–1834) English essayist

Letter to Proctor (January 22, 1829), in Oxford Dictionary of Quotations by Subject (2000), p. 526

Age

“Well, they're taking kids out of the country and sending them over there, National Guard kids and Army Reserve. They're sending kids who are barely prepared for this, and they're sending them over there to kill people, which is a serious thing. And to kill not terrorists, but to kill insurgents. I sort of find myself in agreement, uncomfortably, with Patrick Buchanan, who writes about this in his book, Where The Right Went Wrong. And writes that great powers, the way they skidded off the road, was getting involved in wars. That it's the role of great powers to stay out of wars.”

Garrison Keillor (1942) American radio host and writer

Real Time with Bill Maher (15 October 2004)

War, People, Books, Way

“The truly great writer does not want to write. He wants the world to be a place in which he can live the life of the imagination.”

Henry Miller (1891–1980) American novelist

Henry Miller on Writing (1964)

Life, World, Imagination

“[Black Jade] had her lamp relit and began to compose a series of quatrains, writing them directly on the handkerchiefs that Pao-yu had sent. After writing three stanzas, she began to feel exhausted and feverish. Going to her mirror, she found her cheeks flushed as if they were afire. She thought nothing of it, but from that moment on, her illness entered a more critical stage.”

Wang Chi-chen (1899–2001)

Source: Dream of the Red Chamber (1958), p. 178

Feeling

“I said I would write a introduction on one condition, that you people don't send me emails telling me liking war is a sign of unhealthiness or some psychoanalytical crap. I'm a war nerd. A backseat sergeant. I know what I am.”

John Dolan (1955) American journalist

Gary Brecher at exile.ru/authors, 2002

War, People

“The book to end all books. The final book. After this, there is no more writing, no more publishing.”

Peter Greenaway (1942) British film director

From the thirteenth book, "The Book of the Dead"
The Pillow Book

Books

“time in an allegory of itself imparts to us lessons of wisdom which the moment they are formulated are immediately destroyed by the merest flickers of light or shadow which are nothing more than time in its incarnations and disincarnations which are the phrases that I am writing on this paper and that disappears as I read them:
they are not the sensations, the perceptions, the mental images, and the thoughts which flare up and die away here, now, as I write or as I read what I write: they are not what I see or what I have seen, they are the reverse of what is seen and of the power of sight—but they are not the invisible: they are the unsaid residuum;
they are not the other side of reality but, rather, the other side of language, what we have on the tip of our tongue that vanishes before it is said, the other side that cannot be named because it is the opposite of a name:
what is not said is not this or that which we leave unsaid, nor is it neither-this-nor-that: it is not the tree that I say I see but the sensation that I feel on sensing that I see it at the moment when I am just about to say that I see it, an insubstantial but real conjunction of vibrations and sounds and meanings that on being combined suggest the configuration of a green-bronze-black-woody-leafy-sonorous-silent presence;
no, it is not that either, if it is not a name it surely cannot be the description of a name or the description of the sensation of the name or the name of the sensation:
a tree is not the name tree, nor is it the sensation of tree: it is the sensation of a perception of tree that dies away at the very moment of the perception of the sensation of tree;
names, as we already know, are empty, but what we did not know, or if we did know, had forgotten, is that sensations are perceptions of sensations that die away, sensations that vanish on becoming perceptions, since if they were not perceptions, how would we know that they are sensations?;
sensations that are not perceptions are not sensations, perceptions that are not names—what are they?
if you didn’t know it before, you know now: everything is empty;
and the moment I say everything-is-empty, I am aware that I am falling into a trap: if everything is empty, this everything-is-empty is empty too;
no, it is full, full to overflowing, everything-is-empty is replete with itself, what we touch and see and taste and smell and think, the realities that we invent and the realities that touch us, look at us, hear us, and invent us, everything that we weave and unweave and everything that weaves and unweaves us, momentary appearances and disappearances, each one different and unique, is always the same full reality, always the same fabric that is woven as it is unwoven: even total emptiness and utter privation are plenitude (perhaps they are the apogee, the acme, the consummation and the calm of plenitude), everything is full to the brim, everything is real, all these invented realities and all these very real inventions are full of themselves, each and every one of them, replete with their own reality;
and the moment I say this, they empty themselves: things empty themselves and names fill themselves, they are no longer empty, names are plethoras, they are donors, they are full to bursting with blood, milk, semen, sap, they are swollen with minutes, hours, centuries, pregnant with meanings and significations and signals, they are the secret signs that time makes to itself, names suck the marrow from things, things die on this page but names increase and multiply, things die in order that names may live:”

Octavio Paz (1914–1998) Mexican writer laureated with the 1990 Nobel Prize for Literature

Source: The Monkey Grammarian (1974), Ch. 9

Wisdom, Secret, Feeling, Thinking

“He would have died of loneliness and other things if the divine Omnipotence had not called him whenever It had the chance and invited him to become one with the radiant glory of heaven and earth. He tried whenever the opportunity occurred to obey this call and allow his soul to become one with a higher world beyond this world. He did not compose poetry openly now—his first experience at that had taught him a lesson; he resolved not to compose poetry openly until he was grown up and living among good and high-minded men, whom he imagined must exist elsewhere. But that did not stop him composing poetry; he composed just for himself now. Sometimes he scratched out a whole verse on the ice. He committed to memory every scrap of poetry he heard, and absorbed everything to do with knowledge, and was determined to write it all down in books later on—you see, he had the idea that there were too few books in the world, and that somewhere in the world there were people waiting impatiently, hungry for more books to be written.</b”

Halldór Laxness (1902–1998) Icelandic author

Heimsljós (World Light) (1940), Book One: The Revelation of the Deity

Men, People, Books, World

“[A]fter I got evicted from the Republican Party, I began reading considerably more of the works of American anarchists, thanks largely to Murray Rothbard…and I was just amazed.When I read Emma Goldman, it was as though everything I had hoped that the Republican Party would stand for suddenly came out crystallised. It was a magnificently clear statement. And another interesting things about reading Emma Goldman is that you immediately see that, consciously or not, she's the source of the best in Ayn Rand. She has the essential points that the Ayn Rand philosophy thinks, but without any of this sort of crazy solipsism that Rand is so fond of, the notion that people accomplish everything all in isolation. Emma Goldman understands that there’s a social element to even science, but she also writes that all history is a struggle of the individual against the institutions, which of course is what I’d always thought Republicans were saying, and so it goes.In other words, in the Old Right, there were a lot of statements that seemed correct, and they appeal to you emotionally, as well; it was why I was a Republican—isolationist, anti-authoritarian positions, but they’re not illuminated by anything more than statement. They just are good statements. But in the writings of the anarchists the same statements are made, but with this long illumination out of experience, analysis, comparison…it's rock-solid, and so I immediately realised that I'd been stumbling around inventing parts of a tradition that was old and thoughtful and already existed, and that's very nice to discover that—I don't think it's necessary to invent everything.”

Karl Hess (1923–1994) American journalist

Anarchism in America http://alexpeak.com/art/films/aia/ (15 January 1983)

People, Hope, History, Understanding

“I'm just producing and writing for all my new artists I signed, Weirdo King and my nephews The Seed of 6ix. Also been writing a lot of EDM for kids. Doing more cooking videos and TV.”

DJ Paul (1977) American rapper and record producer

Interview with DJ Paul – Stream DJ Paul Kom's 'Undergroud, Vol. 17 – For da Summa Album http://www.xxlmag.com/news/2017/09/dj-paul-underground-vol-17-for-da-summa-album/

Cooking