“When some English moralists write about the importance of having character, they appear to mean only the importance of having a dull character.”

Source: Charles Dickens (1906), Ch. 10 "The Great Dickens Characters"

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G. K. Chesterton229

English mystery novelist and Christian apologist 1874–1936

Rudolfo Anaya (1937) Novelist, poet

On how his subconscious informs his writing in “Rudolfo Anaya: Man of visions” https://www.abqjournal.com/1074636/man-of.html in Albuquerque Journal (2017 Oct 7)

“Her one serious failing was that she could not write above love. She could not write a story with more than one important character in it, whom she thought of for the moment as herself; with love there had to be at least two important characters.”

Laura Riding Jackson (1901–1991) poet, critic, novelist, essayist and short story writer

"Daisy and Venison" from Progress of Stories (Deya, Majorca: Seizin Press; London, Constable, 1935)

“Place is important to my writing; I believe that if a reader gets a clear picture of the place where a character is from, then they can understand what motivates the character, what limits him or her…”

Jesmyn Ward (1977) American writer

Source: On using the setting to frame her novels in “Jesmyn Ward: ‘So much of life is pain and sorrow and wilful ignorance’” https://www.theguardian.com/books/2017/nov/12/jesmyn-ward-sing-unburied-sing-interview-meet-author in The Guardian (2017 Nov 12)

“I am staunchly opposed to presenting political opinions in mainstream comics. No manifestos from Spider-Man. The reader should be able to project themselves on these characters. That’s necessary when writing heroic escapist fiction. Superheroes are wish fulfillment characters. We want to be Superman. We hope we’re as principled as Captain America. It’s important that these characters portray only the most universal values.”

Chuck Dixon (1954) American comic book writer

TBU Exclusive: Chuck Dixon Talks The Batman Universe http://thebatmanuniverse.net/chuck-dixon/ (May 24, 2016)

“God' is the name given to the most ‘important’ human idea. In English, as in other languages, the original sense of the word is obscure. But the character of the name is the same in all languages: it is a question. 'God' is the question 'Is there something more important than, something besides, man?”

Laura Riding Jackson (1901–1991) poet, critic, novelist, essayist and short story writer

"The Idea of God" from Essays from Epilogue (Manchester: Carcanet, 2001)

“Proneness to changes and fondness for experiment have never been the character of the English nation.”

Henry Temple, 3rd Viscount Palmerston (1784–1865) British politician

Speech in the House of Commons (3 March 1831), quoted in George Henry Francis, Opinions and Policy of the Right Honourable Viscount Palmerston, G.C.B., M.P., &c. as Minister, Diplomatist, and Statesman, During More Than Forty Years of Public Life (London: Colburn and Co., 1852), pp. 159-160.
1830s
Context: Proneness to changes and fondness for experiment have never been the character of the English nation. They have, on the contrary, been remarkable for tenacious adherence to existing institutions, and for stubborn resistance even to plausible innovations. Striking, indeed, is the contrast which, in this respect, they exhibit with their next door neighbours of the continent; for while France boasts of the newness and freshness of her institutions, the people of England place their pride and attachment in the antiquity of theirs. So hard, indeed, is it to bring this nation to consent to great and important changes, that some of those measures which impartial posterity will stamp with the mint-mark of purest wisdom, and most unalloyed good, have only been wrung from the reluctant consent of England, after long and toilsome years of protracted discussion; and even such acts as the re-admission of the Catholics of the pale of the constitution, and the prohibition of the traffic in the flesh and blood of man, were each of them the achievement of a hard-fought contest of many years.

“I lack what the English call character, by which they mean the power to refrain.”

Alan Bennett (1934) English actor, author

An Englishman Abroad (1983).

“Is it important to show why a character is what he is? No. He is. That's all.”

Michelangelo Antonioni (1912–2007) Italian film director and screenwriter

Encountering Directors interview (1969)

“I really think that reading is just as important as writing when you're trying to be a writer. Because it's the only apprenticeship we have. It's the only way of learning how to write a story.”

John Green (1977) American author and vlogger

Nov. 26th: Writing Advice (And Notes on Surnameless Tiffany) http://www.youtube.com/watch?v=7Gf69J1Go98&feature=channel <br class="br">YouTube

“I live with them for a long time in my head. When I first start writing about a character, I don’t know them that well. It’s through the process of writing of putting them in scenes, and contemplating them—when I’ve spent more time with them—that they take on more flesh. When I start writing, I have a lot of characters that I’m not sure what their place in the novel will be…And some characters recede as I put more flesh on them. I think I don’t really need them; they’re not giving me anything. Or they’re there for a particular effect, and that’s it.”

Tracy Chevalier (1962) American writer

On how she formulates her characters in “An Interview with Tracy Chevalier” https://fictionwritersreview.com/interview/an-interview-with-tracy-chevalier/ in Fiction Writers Review (2019 Sep 23)

“When some English moralists write about the importance of having character, they appear to mean only the importance of having a dull character.”

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G. K. Chesterton229

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