Quotes about walk

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The Saviors of God (1923)
Context: It is not you talking, but innumerable ancestors talking with your mouth. It is not you who desire, but innumerable generations of descendants longing with your heart.
Your dead do not lie in the ground. They have become birds, trees, air. You sit under their shade, you are nourished by their flesh, you inhale their breathing. They have become ideas and passions, they determine your will and your actions.
Future generations do not move far from you in an uncertain time. They live, desire, and act in your loins and your heart.
In this lightning moment when you walk the earth, your first duty, by enlarging your ego, is to live through the endless march, both visible and invisible, of your own being.

Letter 14, 10; Translated by W.H. Fremantle, G. Lewis and W.G. Martley. From Nicene and Post-Nicene Fathers, Second Series, Vol. 6. Edited by Philip Schaff and Henry Wace. (Buffalo, NY: Christian Literature Publishing Co., 1893.) Revised and edited for New Advent by Kevin Knight. http://www.newadvent.org/fathers/3001.htm
Letters

The world is his, time is his, and I'm nothing but an insect.
Regina to herself, p. 28
All Men are Mortal (1946)

"Previous Thoughts" at rawilson.com
Context: I regard the two major male archetypes in 20th Century literature as Leopold Bloom and Hannibal Lecter. M. D. Bloom, the perpetual victim, the kind and gentle fellow who finishes last, represented an astonishing breakthrough to new levels of realism in the novel, and also symbolized the view of humanity that hardly anybody could deny c. 1900-1950. History, sociology, economics, psychology et al. confirmed Joyce’s view of Everyman as victim. Bloom, exploited and downtrodden by the Brits for being Irish and rejected by many of the Irish for being Jewish, does indeed epiphanize humanity in the first half of the 20th Century. And he remains a nice guy despite everything that happens...
Dr Lecter, my candidate for the male archetype of 1951-2000, will never win any Nice Guy awards, I fear, but he symbolizes our age as totally as Bloom symbolized his. Hannibal's wit, erudition, insight into others, artistic sensitivity, scientific knowledge etc. make him almost a walking one man encyclopedia of Western civilization. As for his "hobbies" as he calls them — well, according to the World Game Institute, since the end of World War II, in which 60,000,000 human beings were murdered by other human beings, 193, 000,000 more humans have been murdered by other humans in brush wars, revolutions, insurrections etc. What better symbol of our age than a serial killer? Hell, can you think of any recent U. S. President who doesn't belong in the Serial Killer Hall of Fame? And their motives make no more sense, and no less sense, than Dr Lecter's Darwinian one-man effort to rid the planet of those he finds outstandingly loutish and uncouth.

Variant translations: Are you really sure that a floor can't also be a ceiling?
I can't keep from fooling around with our irrefutable certainties. It is, for example, a pleasure knowingly to mix up two and three dimensionalities, flat and spatial, and to make fun of gravity.
1950's, On Being a Graphic Artist', 1953
Context: In my prints I try to show that we live in a beautiful and orderly world and not in a chaos without norms, as we sometimes seem to. My subjects are also often playful. I cannot help mocking all our unwavering certainties. It is, for example, great fun deliberately to confuse two and three dimensions, the plane and space, or to poke fun at gravity. Are you sure that a floor cannot also be a ceiling? Are you absolutely certain that you go up when you walk up a staircase? Can you be definite that it is impossible to eat your cake and have it?

Source: The Iron Man (1968), Ch. 1 : The Coming of the Iron Man
Context: The Iron Man came to the top of the cliff. How far had he walked? Nobody knows. Where did he come from? Nobody knows. How was he made? Nobody knows. Taller than a house the Iron Man stood at the top of the cliff, at the very brink, in the darkness.

Leaves Of Morya's Garden (1924 - 1925), Book I : The Call (1924)
Context: By holiness in life, guard the precious Gem of Gems.
Aum Tat Sat Aum!
I am thou, thou art I — parts of the Divine Self.
My Warriors! Life thunders — be watchful.
Danger! The soul hearkens to its warning!
The world is in turmoil — strive for salvation.
I invoke blessings unto you.
Salvation will be yours!
Life nourishes the soul.
Strive for the life glorified,
and for the realization of purity.
Put aside all prejudices — think freely.
Be not downcast but full of hope.
Flee not from life, but walk the path of salvation.

Age and Guile Beat Youth, Innocence, and a Bad Haircut (1996)

Time will come, no doubt,
When the sun too shall die; the planets will freeze,
and the air on them; frozen gases, white flasks of air
Will be dust: which no wind ever will stir: this very
dust in dim starlight glistening
Is dead wind, the white corpse of wind.
Also the galaxy will die; the glitter of the Milky Way,
our universe, all the stars that have names are dead.
Vast is the night. How you have grown, dear night,
walking your empty halls, how tall!
The Double Axe and Other Poems, including eleven suppressed poems (1977) II.The Inhumanist XLV
Context: Come little ones,
You are worth no more than the foxes and yellow
wolfkins, yet I will give you wisdom.
O future children:
Trouble is coming; the world as of the present time
Sails on its rocks; but you will be born and live
Afterwards. Also a day will come when the earth
Will scratch herself and smile and rub off humanity:
But you will be born before that.

The Figure a Poem Makes (1939)
Context: Scholars and artists thrown together are often annoyed at the puzzle of where they differ. Both work from knowledge; but I suspect they differ most importantly in the way their knowledge is come by. Scholars get theirs with conscientious thoroughness along projected lines of logic; poets theirs cavalierly and as it happens in and out of books. They stick to nothing deliberately, but let what will stick to them like burrs where they walk in the fields.

They ask if our nation wasn't using massive doses of violence to solve its problems to bring about the changes it wanted. Their questions hit home, and I knew that I could never again raise my voice against the violence of the oppressed in the ghettos without first having spoken clearly to the greatest purveyor of violence in the world today: my own government. For the sake of those boys, for the sake of this government, for the sake of the hundreds of thousands trembling under our violence I cannot be silent.
1960s, Why I Am Opposed to the War in Vietnam (1967)

James Baldwin at Yale University (2 November 1983)

Johnny Got His Gun (1938)
Context: Put the guns into our hands and we will use them. Give us the slogans and we will turn them into realities. Sing the battle hymns and we will take them up where you left off. Not one, not ten, not ten thousand, not a million, not ten millions, not a hundred millions but a billion, two billions of us all — the people of the world. We will have the slogans and we will have the hymns and we will have the guns and we will use them and we will live. Make no mistake of it, we will live. We will be alive and we will walk and talk and eat and sing and laugh and feel and love and bear our children in tranquillity, in security, in decency, in peace. You plan the wars, you masters of men — plan the wars and point the way and we will point the gun.

"Woodstock"
Songs
Context: I came upon a child of god,
He was walking along the road
And I asked him, where are you going
And this he told me:
"I’m going on down to Yasgur’s farm
I’m going to join in a rock ’n’ roll band
I’m going to camp out on the land,
I’m going to try an’ get my soul free.

Isha Insights Magazine, Spring Edition 2009
Sourced from newspapers and magazines
Context: Constantly all around us, one substance is being made into another. This transition and this transformation is happening all the time. If you make mud into food, that's called agriculture. If you make food into a human being, this is called digestion. If you make a human being into mud again, we call this cremation. If you transform the physical into the non-physical, that's called consecration. Why the need to transform the physical into non-physical? Because that's your longing. When you say ‘I want to walk the spiritual path’ what you're saying is, ‘I want to touch something which is non-physical.'–Sadhguru, Mahima Consecration, USA, Nov 7, 2008

Aviation, Geography, and Race (1939)
Context: A great industrial nation may conquer the world in the span of a single life, but its Achilles' heel is time. Its children, what of them? The second and third generations, of what numbers and stuff will they be? How long can men thrive between walls of brick, walking on asphalt pavements, breathing the fumes of coal and of oil, growing, working, dying, with hardly a thought of wind, and sky, and fields of grain, seeing only machine-made beauty, the mineral-like quality of life. This is our modern danger — one of the waxen wings of flight. It may cause our civilization to fall unless we act quickly to counteract it, unless we realize that human character is more important than efficiency, that education consists of more than the mere accumulation of knowledge.

"That's Me"
Song lyrics, Surprise (2006)
Context: I am walking up the face of the mountain. Counting every step I climb. Remembering the names of the constellations. Forgotten is a long, long time.

Eat, Pray, Love (2006)
Context: I walk up the stairs to my fourth-floor apartment, all alone. I let myself into my tiny little studio, all alone. I shut the door behind me. Another early bedtime in Rome. Another long night's sleep ahead of me, with nobody and nothing in my bed except a pile of Italian phrase books and dictionaries.
I am alone, I am all alone, I am completely alone.
Grasping this reality, I let go of my bag, drop to my knees, and press my forehead against the floor. There I offer up to the universe a fervent prayer of thanks.
First in English.
Then in Italian.
And then — just to get the point across — in Sanskrit. 
And since I am already down there in supplication on the floor, let me hold that position as I reach back in time three years earlier to the moment where this entire story began — a moment that also found me in this exact same posture: on my knees, on a floor, praying.

Cassandra (1860)
Context: Society triumphs over many. They wish to regenerate the world with their institutions, with their moral philosophy, with their love. Then they sink to living from breakfast till dinner, from dinner till tea, with a little worsted work, and to looking forward to nothing but bed.
When shall we see a life full of steady enthusiasm, walking straight to its aim, flying home, as that bird is now, against the wind — with the calmness and the confidence of one who knows the laws of God and can apply them?

Though Costello's cover became a hit, "(What's So Funny 'Bout) Peace, Love, and Understanding", was actually written by Nick Lowe.
Misattributed
Context: As I walk through
This wicked world
Searchin' for light in the darkness of insanity,
I ask myself
Is all hope lost?
Is there only pain and hatred, and misery?
And each time I feel like this inside,
There's one thing I wanna know:
What's so funny 'bout Peace, Love, & Understanding?

Rolling Stone #1078 (14 May 2009), p. 45
Context: It's peculiar and unnerving in a way to see so many young people walking around with cellphones and iPods in their ears and so wrapped up in media and video games. It robs them of their self-identity. It's a shame to see them so tuned out to real life. Of course they are free to do that, as if that's got anything to do with freedom. The cost of liberty is high, and young people should understand that before they start spending their life with all those gadgets.

"(What's So Funny 'Bout) Peace, Love, and Understanding" on The New Favourites of Brinsley Schwarz (1974); the song later became a hit as sung by Elvis Costello. ( Nicke Lowe performance http://www.youtube.com/watch?v=P7txCdLCP9U - Elvis Costello & Nick Lowe joint performance http://www.youtube.com/watch?v=dWdh7ERLb3E)
Context: As I walk through
This wicked world
Searchin' for light in the darkness of insanity,
I ask myself
Is all hope lost?
Is there only pain and hatred, and misery? And each time I feel like this inside,
Theres one thing I wanna know:
What's so funny 'bout Peace, Love, and Understanding?

" In Time of 'The Breaking Of Nations'" http://www.victorianweb.org/authors/hardy/poems/breaking.html (1915), lines 1-12, from Moments of Vision (1917); the title is derived from lines of Jeremiah 51:20: "Thou art my battle ax and weapons of war: for with thee will I break in pieces the nations."
Context: p>Only a man harrowing clods
In a slow silent walk
With an old horse that stumbles and nods
Half asleep as they stalk.Only thin smoke without flame
From the heaps of couch-grass;
Yet this will go onward the same
Though Dynasties pass.Yonder a maid and her wight
Come whispering by:
War's annals will cloud into night
Ere their story die.</p

" The Chantry Of The Cherubim http://www.bartleby.com/236/219.html" in The Oxford Book of English Mystical Verse (1917) by D. H. S. Nicholson.
Context: p>I walk as one unclothed of flesh,
I wash my spirit clean;
I see old miracles afresh,
And wonders yet unseen.
I will not leave Thee till Thou give
Some word whereby my soul may live!I listened — but no voice I heard;
I looked — no likeness saw;
Slowly the joy of flower and bird
Did like a tide withdraw;
And in the heaven a silent star
Smiled on me, infinitely far.</p

Nurse.
Hérodiade (1898)
Context: Are you a living princess or her shadow?
Let me kiss your fingers and their rings, and bid you
Walk no longer in an unknown age...

Song Walk Right In (1927)
Context: Walk right in, sit right down, baby let your hair hang down.
Everybody's talking 'bout a new way of walking;
Do you want to lose you mind?

On Writing Poetry (1995)
Context: My English teacher from 1955, run to ground by some documentary crew trying to explain my life, said that in her class I had showed no particular promise. This was true. Until the descent of the giant thumb, I showed no particular promise. I also showed no particular promise for some time afterwards, but I did not know this. A lot of being a poet consists of willed ignorance. If you woke up from your trance and realized the nature of the life-threatening and dignity-destroying precipice you were walking along, you would switch into actuarial sciences immediately. If I had not been ignorant in this particular way, I would not have announced to an assortment of my high school female friends, in the cafeteria one brown-bag lunchtime, that I was going to be a writer. I said "writer," not "poet;" I did have some common sense. But my announcement was certainly a conversation-stopper. Sticks of celery were suspended in mid-crunch, peanut-butter sandwiches paused halfway between table and mouth; nobody said a word. One of those present reminded me of this incident recently — I had repressed it — and said she had been simply astounded. "Why?," I said. "Because I wanted to be a writer?" "No," she said. "Because you had the guts to say it out loud."

Context: Years later, when "Dilbert" was in thousands of newspapers, people often asked me if I ever imagined being so lucky. I usually said no, because that's the answer people expected. The truth is that I imagined every bit of good fortune that has come my way. But in my imagination I also invented a belt that would allow me to fly and had special permission from Congress to urinate like a bird wherever I wanted. I wake up every morning disappointed that I have to wear pants and walk. Imagination has a way of breeding disappointment.

To My People (July 4, 1973)
Context: we who rip off billions of dollars every year through tax evasions, illegal price fixing, embezzlement, consumer fraud, bribes, kickbacks, and swindles. They call us bandits, yet every time most Black people pick up our paychecks we are being robbed. Every time we walk into a store in our neighborhood we are being held up. And every time we pay our rent the landlord sticks a gun into our ribs.

D-503
We (1921)

Part Troll (2004)

Inaugural Address (1989)
Context: I come before you and assume the Presidency at a moment rich with promise. We live in a peaceful, prosperous time, but we can make it better. For a new breeze is blowing, and a world refreshed by freedom seems reborn; for in man's heart, if not in fact, the day of the dictator is over. The totalitarian era is passing, its old ideas blown away like leaves from an ancient, lifeless tree. A new breeze is blowing, and a nation refreshed by freedom stands ready to push on. There is new ground to be broken, and new action to be taken. There are times when the future seems thick as a fog; you sit and wait, hoping the mists will lift and reveal the right path. But this is a time when the future seems a door you can walk right through into a room called tomorrow.
Great nations of the world are moving toward democracy through the door to freedom. Men and women of the world move toward free markets through the door to prosperity. The people of the world agitate for free expression and free thought through the door to the moral and intellectual satisfactions that only liberty allows.
We know what works: Freedom works. We know what's right: Freedom is right. We know how to secure a more just and prosperous life for man on Earth: through free markets, free speech, free elections, and the exercise of free will unhampered by the state.

The Dreamstone, Book One : The Gruagach, Ch. 1 : Of Fish and Fire
Arafel's Saga (1983)
Context: Things there are in the world which have never loved Men, which have been in the world far longer than humankind, so that once when Men were newer on the earth and the woods were greater, there had been places a Man might walk where he might feel the age of the world on his shoulders. Forests grew in which the stillness was so great he could hear stirrings of a life no part of his own. There were brooks from which the magic had not gone, mountains which sang with voices, and sometimes a wind touched the back of his neck and lifted the hairs with the shiver of a presence at which a Man must never turn and stare.
But the noise of Men grew more and more insistent. Their trespasses became more bold. Death had come with them, and the knowledge of good and evil, and this was a power they had, both to be virtuous and to be blind.

The Analects, The Doctrine of the Mean
Context: The superior man does what is proper to the station in which he is; he does not desire to go beyond this. In a position of wealth and honor, he does what is proper to a position of wealth and honor. In a poor and low position, he does what is proper to a poor and low position. Situated among barbarous tribes, he does what is proper to a situation among barbarous tribes. In a position of sorrow and difficulty, he does what is proper to a position of sorrow and difficulty. The superior man can find himself in no situation in which he is not himself. In a high situation, he does not treat with contempt his inferiors. In a low situation, he does not court the favor of his superiors. He rectifies himself, and seeks for nothing from others, so that he has no dissatisfactions. He does not murmur against Heaven, nor grumble against men. Thus it is that the superior man is quiet and calm, waiting for the appointments of Heaven, while the mean man walks in dangerous paths, looking for lucky occurrences.

Vol. I, p. 113 <!-- 90? intellectual cleverness that remains merely cynical and confined to the personal or partisan contrasted with wise compassionate awareness which transcends such bounds and abides with the eternal and universal qualities and vital resolutions beyond all mortal aims. -->
1980s, Letters to the Schools (1981, 1985)
Context: The very nature of intelligence is sensitivity, and this sensitivity is love. Without this intelligence there can be no compassion. Compassion is not the doing of charitable acts or social reform; it is free from sentiment, romanticism and emotional enthusiasm. It is as strong as death. It is like a great rock, immovable in the midst of confusion, misery and anxiety. Without this compassion no new culture or society can come into being. Compassion and intelligence walk together; they are not separate. Compassion acts through intelligence. It can never act through the intellect. Compassion is the essence of the wholeness of life.

George Fox
Context: There's an ocean of darkness and I drown in the night
till I come through the darkness to the ocean of light,
for the light is forever and the light it is free,
"And I walk in the glory of the light," said he.

1960s, A Christian Movement in a Revolutionary Age (1965)
Context: When Moses walked into the courts of Pharaoh and thundered forth with the call to "Let my people go," he introduced into history the concept of a God who was concerned about the freedom and dignity of all his children and who was willing to turn heaven and earth that freedom might be a realty. Throughout the history of Israel as recorded in the Old Testament, we see God active in the affairs of men, struggling relentlessly against the forces of evil that beset them and seeking to mold a people who will serve as his children, as partners in the building of His kingdom here on earth. The God of our fathers is a God of revolution. He will not be content with anything less than perfection in His children and in their society. It is this strong biblical tradition which has been the foundation of the freedom struggle for the past three centuries. As far as back as the early days of slavery black men heard the story of Mosees and learned of this great God who would lead his people to freedom, and so they sang, "Go Down Moses." They sang of a "Balm in Gilead" that would "heal the sin-sick soul" and "make the wounded whole." They sand of Ezekial's dry bones and prophesied the day when the dry bones of the valleys of our land would rise up and become men and stand tall for freedom and dignity.

Journals 1A 68 (29 July 1835)
1830s, The Journals of Søren Kierkegaard, 1830s
Context: In order to learn true humility (I use this expression to describe the state of mind under discussion), it is good for a person to withdraw from the turmoil of the world (we see that Christ withdrew when the people wanted to proclaim him king as well as when he had to walk the thorny path), for in life either the depressing or the elevating impression is too dominant for a true balance to come about. Here, of course, individuality is very decisive, for just as almost every philosopher believes he has found the truth, just as almost every poet believes he has reached Mount Parnassus, just so we find on the other hand many who link their lives entirely to another, like a parasite to a plant, live in him, die in him (for example, the Frenchman in relation to Napoleon). But in the heart of nature, where a person, free from life's often nauseating air, breathes more freely, here the soul opens willingly to every noble impression. Here one comes out as nature's master, but he also feels that something higher is manifested in nature, something he must bow down before; he feels a need to surrender to this power that rules it all. (I, of course, would rather not speak of those who see nothing higher in nature than substance — people who really regard heaven as a cheese-dish cover and men as maggots who live inside it.) Here he feels himself great and small at one and the same time, and feels it without going so far as the Fichtean remark (in his Die Bestimmung des Menschen) about a grain of sand constituting the world, a statement not far removed from madness.

The Stark Munro Letters (1894)
Context: The more we progress the more we tend to progress. We advance not in arithmetical but in geometrical progression. We draw compound interest on the whole capital of knowledge and virtue which has been accumulated since the dawning of time. Some eighty thousand years are supposed to have existed between paleolithic and neolithic man. Yet in all that time he only learned to grind his flint stones instead of chipping them. But within our father's lives what changes have there not been? The railway and the telegraph, chloroform and applied electricity. Ten years now go further than a thousand then, not so much on account of our finer intellects as because the light we have shows us the way to more. Primeval man stumbled along with peering eyes, and slow, uncertain footsteps. Now we walk briskly towards our unknown goal.

Essentials to Peace (1953)
Context: We have walked blindly, ignoring the lessons of the past, with, in our century, the tragic consequences of two world wars and the Korean struggle as a result.
In my country my military associates frequently tell me that we Americans have learned our lesson. I completely disagree with this contention and point to the rapid disintegration between 1945 and 1950 of our once vast power for maintaining the peace. As a direct consequence, in my opinion, there resulted the brutal invasion of South Korea, which for a time threatened the complete defeat of our hastily arranged forces in that field. I speak of this with deep feeling because in 1939 and again in the early fall of 1950 it suddenly became my duty, my responsibility, to rebuild our national military strength in the very face of the gravest emergencies.

The Living Reminder: Service and Prayer in Memory of Jesus Christ (1977)
Context: When we walk in the Lord's presence, everything we see, hear, touch, or taste reminds us of Him. This is what is meant by a prayerful life. It is not a life in which we say many prayers but a life in which nothing, absolutely nothing, is done, said, or understood independently of Him who is the origin and purpose of our existence.

Notes Toward a Supreme Fiction (1942), It Must Be Abstract
Context: p>What chieftain, walking by himself, crying
Most miserable, most victorious,Does not see these separate figures one by one,
And yet see only one, in his old coat,
His slouching pantaloons, beyond the town,Looking for what was, where it used to be?</p

Zen Poetics of Ryokan (2006)

On considering his wife's suggestion that he write his autobiography, Prologue, p. xiii
A Tale of Two Continents (1997)
Context: I made a discovery, perhaps known to others but new to me: I need not put myself center stage but can rather place myself at the side, like a Greek chorus. As the curtain rises, I can walk to the center and can speak as follows: I wish to tell you of happenings in the twentieth century, as I witnessed them and reflected upon them. You will see me return to center stage, but only occasionally. Once that imagery had gotten hold of me, I went back to Ida and said yes, I shall try.

"Flight", pp.125, Harper Row 1966
Native Son (1940)

I'll walk alone (1944)
Song lyrics

1880s, Reminiscences (1881)

The Sense of Wonder (1965)
Context: A rainy day is the perfect time for a walk in the woods. I always thought so myself; the Maine woods never seem so fresh and alive as in wet weather. Then all the needles on the evergreens wear a sheath of silver; ferns seem to have grown to almost tropical lushness and every leaf has its edging of crystal drops. Strangely colored fungi — mustard-yellow and apricot and scarlet — are pushing out of the leaf mold and all the lichens and the mosses have come alive with green and silver freshness.

"Well, you didn't send any ammunition."
Source: Calculated Risk (1950), p. 477

The Medals of Creation or First Lessons in Geology (1854)
Context: Every walk we take offers subjects for profound meditation,—every pebble that attracts our notice, matter for serious reflection; and contemplating the incessant dissolution and renovation which are taking place around us in the organic and inorganic kingdoms of nature, we are struck by the force and beauty of the exclamation of the poet—
"My heart is awed within me, when I think
Of the great miracle which still goes on
In silence round me—the perpetual work
Of Thy Creation, finished, yet renewed
For ever!"

PENN Address (2004)
Context: America is an idea, but it's an idea that brings with it some baggage, like power brings responsibility. It's an idea that brings with it equality, but equality even though it's the highest calling, is the hardest to reach. The idea that anything is possible, that's one of the reasons why I'm a fan of America. It's like hey, look there's the moon up there, lets take a walk on it, bring back a piece of it. That's the kind of America that I'm a fan of.

Notebooks
Context: What trace of the creature subsists in the work. It is a way of staying alone, passing the time subjected to the object — silent, still. Walk with humility in the landscape. To be some natural thing — an ancient tree — no thinking — not to think is central to the activity.

Card XII : The Hanged Man http://www.sacred-texts.com/tarot/sot/sot23.htm
The Symbolism of the Tarot (1913)
Context: And then I saw a man in terrible suffering, hung by one leg, head downward, to a high tree. And I heard the voice: —
"Look! This is a man who saw Truth. Suffering awaits the man on earth, who finds the way to eternity and to the understanding of the Endless.
"He is still a man, but he already knows much of what is inaccessible even to Gods. And the incommensurableness of the small and the great in his soul constitutes his pain and his golgotha.
"In his own soul appears the gallows on which he hangs in suffering, feeling that he is indeed inverted.
"He chose this way himself.
"For this he went over a long road from trial to trial, from initiation to initiation, through failures and falls.
"And now he has found Truth and knows himself.
"He knows that it is he who stands before an altar with magic symbols, and reaches from earth to heaven; that he also walks on a dusty road under a scorching sun to a precipice where a crocodile awaits him; that he dwells with his mate in paradise under the shadow of a blessing genius; that he is chained to a black cube under the shadow of deceit; that he stands as a victor for a moment in an illusionary chariot drawn by sphinxes; and that with a lantern in bright sunshine, he seeks for Truth in a desert.
"Now he has found Her."

As quoted in Cnaan Liphshiz. Obama ‘chickened out’ of confronting mullahs http://www.jpost.com/LandedPages/PrintArticle.aspx?id=272989. The Jerusalem Post. July 6, 2012.
Interviews, 2012

How to be Lovely‎ (2005)

"we don't even notice hell itself rising up against us" https://www.youtube.com/watch?v=CWiiQjv8UfU, The Alex Jones Show, January 28, 2017.
2017

translation from original Dutch: Fons Heijnsbroek

(original Dutch: citaat van Jan Mankes, in het Nederlands:) Ik houd van Thijs Maris en zijn dingen bezitten voor mij een eigenaardige bekooring.. .U zult zelf zeker van Thijs Maris houden en dan weet u.. ..hoe heerlijk het is mee te leven in zijn [Thijs!] kinderlijke innigheid.

In his letter to artist and art-critic Augustine Obreen, 16/19 June 1915; as cited in Jan Mankes – in woord en beeld, ed. Sjoerd van Faassen; Museum Bèlvédère, Heerenveen, 2015 ISBN 1877-0983, n. 22, p. 26
1915 - 1920

Middlemarch (1871)

Voltaire's poem, as quoted in António Damásio's Looking for Spinoza: Joy, Sorrow, and the Feeling Brain (Orlando, FL: Harcourt, 2003)
S - Z

Closing words, p. 554
A Soldier's Story (1951)

Source: Reasons and Persons (1984), p. 220

On the limited opportunities in her country of origin in “Jamaica Kincaid: Does Truth Have a Tone?” https://www.guernicamag.com/does-truth-have-a-tone/ in Guernica (2013 Jun 17)

On her obsession with writing in “Jamaica Kincaid: Does Truth Have a Tone?” https://www.guernicamag.com/does-truth-have-a-tone/ in Guernica (2013 Jun 17)

On desiring to be asked about her writing style in interviews in “Meet National Book Award Finalist Elizabeth Acevedo” https://lithub.com/meet-national-book-award-finalist-elizabeth-acevedo/ in LitHub (2018 Oct 29)

On how Asians might fit into the Black-White dichotomy in the United States in “Philip Kan Gotanda by David Henry Hwang” https://bombmagazine.org/articles/philip-kan-gotanda-1/ in BOMB Magazine (1997 Jan 1)

Cutting Through Spiritual Materialism

Refuge Recovery (2014)

10
Leaves of Morya’s Garden: Book Two: Illumination (1925)

19 April 1938

Speech to the American Legion convention, New York City (27 August 1952); as quoted in "Democratic Candidate Adlai Stevenson Defines the Nature of Patriotism" in Lend Me Your Ears : Great Speeches In History (2004) by William Safire, p. 79 - 80

Source: Hugo Chávez message to George Bush during his television/radio show ¡Aló Presidente! on February 20, 2005. https://www.theguardian.com/world/2005/feb/22/venezuela.julianborger

Collected Works of G.K. Chesterton : The Illustrated London News, 1905-1907 (1986), p. 190

Balsamo the Magician (or The Memoirs of a Physician) by Alex. Dumas (1891)

You Cannot Get Away From Evil
Autobiography of Swami Sivananda

Introduction
Autobiography of Swami Sivananda

On the challenges of a journalist writing a book in “Malcolm Gladwell on Talking to Strangers and how podcasting changed his approach to writing” https://ew.com/books/2019/09/09/malcolm-gladwell-talking-to-strangers-interview/ in EW (2019 Sep 9)

On his research process in “"a cautionary tale" part II: Interview with Playwright Christopher Oscar Peña” http://www.theaterspeak.org/2013/07/part-ii-of-cautionary-tale-at-flea.html (Theaterspeak; 2013 Jul 15)

On thinking about kids who are different in “Author R.J. Palacio talks to LI kids” https://www.newsday.com/lifestyle/family/kidsday/rj-palacio-wonder-author-interview-1.20364470 in Newsday (2018 Aug 8)

On her initial struggles to become a novelist in “Ruth Ozeki: Neither here nor there” https://www.writermag.com/writing-inspiration/author-interviews/ruth-ozeki-neither/ in The Writer (2017 Feb 24)

Pakistan or The Partition of India (1946)

Sophie Heawood from 23 June, 2016 article on The Guardian.

On being chosen for the role of Krull in Planet of the Apes in “Comic-Con 2001: An Interview With Cary-Hiroyuki Tagawa” http://fanboyplanet.com/comic-con-2001-an-interview-with-cary-hiroyuki-tagawa/ in Fanboy Planet (2001 Jul 27)

On the state of Black Art in https://www.sampsoniaway.org/interviews/2014/01/10/in-memoriam-an-interview-with-the-late-amiri-baraka/

Source: The Laundry Files, The Apocalypse Codex (2012), Chapter 5, “Bashful Incendiary” (p. 75)

"Conclusion", p. 328
The Universal Kinship (1906), The Ethical Kinship

"Conclusion", p. 101
The Universal Kinship (1906), The Physical Kinship

On how she hopes to change poetry by bringing it towards visual art in “A Graphic Revolution Talking Poetry & Politics with Giannina Braschi” https://www.academia.edu/36916781/A_Graphic_Revolution_Talking_Poetry_and_Politics_with_Giannina_Braschi in Chiricú Journal (2018)

Miracle Cures (2009)

On his experiences with segregation (as quoted in “Ernest J. Gaines: A Great American Author Pays It Forward to a New Generation of Black Writers” https://www.theroot.com/ernest-j-gaines-a-great-american-author-pays-it-forwa-1790858566 in The Root; 2015 Jan 22)

News of the World, November 1999 https://rikmayallinterviews.wordpress.com/category/1999/

Source: Tunnel in the Sky (1955), Chapter 2, “The Fifth Way” (p. 42)

Speaking in 2014 on her first visit back to Northwestern University since she graduated in 2003 (a promotional visit for Suits) as quoted in Northwestern Now, a university publication http://archive.today/Vj26m
Prior to royal marriage

Hsu Kuo-yung (2019) cited in " Taiwan's interior minister gets in shouting match with pro-China reporter over HK suspect https://www.taiwannews.com.tw/en/news/3802992" on Taiwan News, 25 October 2019.

12 Rules for Life: An Antidote to Chaos, Rule 1: Stand up straight with your shoulders back

Hugo Chávez message to George Bush during his television/radio show ¡Aló Presidente! on Febraury 20, 2005. https://www.theguardian.com/world/2005/feb/22/venezuela.julianborger
2005