Quotes about vision
page 9

Jean Chrétien photo

“Vision is not political rhetoric.”

Jean Chrétien (1934) 20th Prime Minister of Canada

Source: My Years As Prime Minister (2007), Chapter Eleven, No the Retiring Type, p. 264

Seymour Papert photo

“A mass culture is a culture which can be appropriated by the meanest capacities without any intellectual or moral effort whatsoever. … Liberal education is the counterpoison to mass culture, to the corroding effects of mass culture, to its inherent tendency to produce nothing but “specialists without spirit or vision and voluptuaries without heart.””

Leo Strauss (1899–1973) Classical philosophy specialist and father of neoconservativism

“What is liberal education,” p. 5 [The phrase “specialists without spirit or vision and voluptuaries without heart.” is from Max Weber]
Liberalism Ancient and Modern (1968)

Phillip Abbott Luce photo
Swami Vivekananda photo

“Whenever we attain a higher vision, the lower vision disappears of itself.”

Swami Vivekananda (1863–1902) Indian Hindu monk and phylosopher

Pearls of Wisdom

Kofi Annan photo
Wesley Clark photo
K. R. Narayanan photo
Gino Severini photo

“Once employees base their motivation on extrinsic factors they are much less likely to take chances, question established policies and practices, or explore the territory that lies beyond the company vision as defined by management.”

Chris Argyris (1923–2013) American business theorist/Professor Emeritus/Harvard Business School/Thought Leader at Monitor Group

Source: On organizational learning (1999), p. 236; as cited in: Edward D. Garten, ‎Delmus E. Williams (2008) Advances in Library Administration and Organization. p. 51

Margaret Atwood photo
Edward Hopper photo

“I could just go a few steps [from the house where he stayed in Paris in 1906- 1907] and I'd see the Louvre across the river. From the corner of the Rue de Bac and Lille (sic) you could see Sacré-Coeur. It hung like a great vision in the air above the city.”

Edward Hopper (1882–1967) prominent American realist painter and printmaker

1941 - 1967
Source: 'Portrait: Edward Hopper', Brian O'Doherty, 'Art in America', 1952 (December 1964), p. 73

Nisargadatta Maharaj photo
Cesar Chavez photo
John Howard Yoder photo

“It will say that in peace we have time that a man has vision, has been fed, has worked..
.. That hands and minds and tools and material made a symbol to the elevation of vision”

David Smith (1906–1965) American visual artist (1906-1965)

1940s, The Question – What is your Hope' (c. 1940s)

“Some one wrote to me upon the publication of my book two years ago: “But you live in England! Poor man: then you are a preacher in the desert!” So I am. But I owe something to my desert. The desert is an excellent place for anybody who can make use of it, as biblical and post-biblical experience proves. Without my desert I should not have written my book. Without coming to England I should have become a modern creature, going in for money and motor-cars. For I was born with a fatal inclination for such lighter and brighter kind of things. I was born under a lucky star, so to say: I was born with a warm heart and a happy disposition; I was born to play a good figure in one of those delightful fêtes champêtres of Watteau, Lancret, and Boucher, with a nice little shepherdess on my arm, listening to the sweet music of Rossini and drinking the inspiring “Capri bianco” or “Verona soave” of that beautiful country Italy. But the sky over here is not blue—nor grows there any wine in England—and no Rossini ever lived here; and towards the native shepherdesses I adopted the ways of the Christian towards his beautiful ideals: I admired them intensely but kept myself afar. So there was nothing to console your thirsty and disenchanted traveller in the British Sahara. In the depths of his despair, there was sent to him, as to the traveller in the desert, an enchanting vision, a beautiful fata Morgana rising on the horizon of the future, a fertile and promising Canaan of a new creed that had arisen in Germany (there too as a revulsion against the desert): the philosophy of Friedrich Nietzsche.
So I owe something to the desert. Had I not wandered there so long, I could never have fervently wished to escape nor finally succeeded in coming out of it.”

Oscar Levy (1867–1946) German physician and writer

Preface, pp. xii-xiii.
The Revival of Aristocracy (1906)

Nick Zedd photo
Ramakrishna photo
Whittaker Chambers photo
Laisenia Qarase photo
Thomas Gray photo

“If you want to build a major firm, you cannot do it by having a modest vision.”

Ronald Cohen (1945) British businessman

Book The Second Bounce of the Ball (2007)

Harold Macmillan photo

“It is always a matter of regret from the personal point of view when divergences arise between colleagues, but it is the team that matters and not the individual, and I am quite happy about the strength and the power of the team, and so I thought the best thing to do was to settle up these little local difficulties, and then turn to the wider vision of the Commonwealth.”

Harold Macmillan (1894–1986) British politician

"Mr Macmillan sets out", The Times, 8 January 1958, p. 8
Statement to the press at Heathrow Airport, 7 January 1958. Macmillan was refusing to postpone a Commonwealth tour despite the resignation of the entire Treasury team of ministers.
1920s-1950s

Jane Roberts photo
Elaine Chao photo

“The President-elect has outlined a clear vision to transform our country’s infrastructure, accelerate economic growth and productivity, and create good paying jobs across the country. I am honored to be nominated by the President-elect to serve my beloved country as Transportation Secretary.”

Elaine Chao (1953) 18th and current United States Secretary of Transporation and 24th United States Secretary of Labor

President-Elect Donald J. Trump to Nominate Elaine Chao as Secretary of the Department of Transportation https://greatagain.gov/president-elect-trump-to-nominate-elaine-chao-as-transportation-secretary-4735342c5a0e#.y53wy7u2j (November 29, 2016)

Isaiah Berlin photo
Calvin Coolidge photo

“Newspaper men, therefore, endlessly discuss the question of what is news. I judge that they will go on discussing it as long as there are newspapers. It has seemed to me that quite obviously the news-giving function of a newspaper cannot possibly require that it give a photographic presentation of everything that happens in the community. That is an obvious impossibility. It seems fair to say that the proper presentation of the news bears about the same relation to the whole field of happenings that a painting does to a photograph. The photograph might give the more accurate presentation of details, but in doing so it might sacrifice the opportunity the more clearly to delineate character. My college professor was wont to tell us a good many years ago that if a painting of a tree was only the exact representation of the original, so that it looked just like the tree, there would be no reason for making it; we might as well look at the tree itself. But the painting, if it is of the right sort, gives something that neither a photograph nor a view of the tree conveys. It emphasizes something of character, quality, individuality. We are not lost in looking at thorns and defects; we catch a vision of the grandeur and beauty of a king of the forest.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

1920s, The Press Under a Free Government (1925)

Penn Jillette photo
José Luis Rodríguez Zapatero photo
George Santayana photo
Diane Ackerman photo
Vincent Van Gogh photo
Usher photo

“[I'm] a sponge, the more I absorb, the more I am able to articulate my vision, as artists do, like Picasso. I'm an artist in that light. I went from being an artist to an artiste.”

Usher (1978) American singer, songwriter, dancer and actor

From " Usher ‘experimental’ in relationships http://www.music-news.com/shownews.asp?H=Usher-%EF%BF%BDexperimental%EF%BF%BD-in-relationships&nItemID=52417", Q Magazine (May 25, 2012).

“Live your vision and demand your success.”

Source: Life, the Truth, and Being Free (2010), p. 26

Thomas Carlyle photo
Rahm Emanuel photo
Ben Croshaw photo

“Consider how The Dark Knight got away with a rating of PG-13 in the US by skilfully not showing any blood. Does that make it any more suitable for children? Or will there be a generation of youngsters haunted by visions of white-faced sadists brandishing pencils?”

Ben Croshaw (1983) English video game journalist

http://web.archive.org/web/20081015182445/http://www.news.com.au/technology/story/0,25642,24493980-5014239,00.html
Other Articles

Lord Dunsany photo
Burkard Schliessmann photo
Jack Kerouac photo
George Bernard Shaw photo
William Wordsworth photo
Edmund Burke photo

“Blair is not at his best when his vision of what is right is blurred.”

Irwin Stelzer (1932) American economist and columnist

Letter from Londonistan (2005)

Paul Allen photo

“I’m trying to transmit the visions of creativity and build institutions that are incredibly catalytic to their fields.”

Paul Allen (1953–2018) American inventor, investor and philanthropist

The New York Times: "Paul Allen’s Philanthropy Mirrors His Passions and Business Approach" https://www.nytimes.com/2015/11/08/giving/paul-allens-philanthropy-mirrors-his-passions-and-business-approach.html (02 November 2015)

Edgar Guest photo
Heather Langenkamp photo
Gary Hamel photo
Ilana Mercer photo
Stephen King photo
Clive Staples Lewis photo

“When I attempted, a few minutes ago, to describe our spiritual longings, I was omitting one of their most curious characteristics. We usually notice it just as the moment of vision dies away, as the music ends or as the landscape loses the celestial light. What we feel then has been well described by Keats as “the journey homeward to habitual self.” You know what I mean. For a few minutes we have had the illusion of belonging to that world. Now we wake to find that it is no such thing. We have been mere spectators. Beauty has smiled, but not to welcome us; her face was turned in our direction, but not to see us. We have not been accepted, welcomed, or taken into the dance. We may go when we please, we may stay if we can: “Nobody marks us.” A scientist may reply that since most of the things we call beautiful are inanimate, it is not very surprising that they take no notice of us. That, of course, is true. It is not the physical objects that I am speaking of, but that indescribable something of which they become for a moment the messengers. And part of the bitterness which mixes with the sweetness of that message is due to the fact that it so seldom seems to be a message intended for us but rather something we have overheard. By bitterness I mean pain, not resentment. We should hardly dare to ask that any notice be taken of ourselves. But we pine. The sense that in this universe we are treated as strangers, the longing to be acknowledged, to meet with some response, to bridge some chasm that yawns between us and reality, is part of our inconsolable secret. And surely, from this point of view, the promise of glory, in the sense described, becomes highly relevant to our deep desire. For glory meant good report with God, acceptance by God, response, acknowledgment, and welcome into the heart of things. The door on which we have been knocking all our lives will open at last.”

Clive Staples Lewis (1898–1963) Christian apologist, novelist, and Medievalist

The Weight of Glory (1949)

Max Beckmann photo

“The metaphysics of substance. The strange feeling which comes over us when we sense: this is skin – this is bone – all in a single vision that is completely unearthly. The dreaminess of our existence mixed at the same time with the indescribably sweet illusion of reality.”

Max Beckmann (1884–1950) German painter, draftsman, printmaker, sculptor and writer

Beckmann's sketchbook - probably referring to his last triptych painting 'The Argonauts', he painted in 1950, the year Beckmann died
1940s

“Recognition that art was located in an interactive system rather than residing in a material object… provid[ed] a discipline as central to an art of interactivity as anatomy and perspective had been to the renaissance vision.”

Roy Ascott (1934) British academic

“Interactive Art,” unpublished manuscript, 1994, p. 3; as cited in: Edward A. Shanken. " Cybernetics and Art: Cultural Convergence in the 1960s http://www.responsivelandscapes.com/readings/CyberneticsArtCultConv.pdf." 2002

Stanley Hauerwas photo
Don Soderquist photo
Samuel C. Florman photo
Bawa Muhaiyaddeen photo

“We are now committed to an unqualified art, not illustrating outworn myths or contemporary alibis. One must accept total responsibility for what he executes. And the measure of his greatness will be in the depth of his insight and his courage in realizing his own vision.”

Clyfford Still (1904–1980) American artist

Letter to Dorothy Miller February 5, 1952; as quoted in Abstract Expressionism Creators and Critics, edited by Clifford Ross, Abrams Publishers New York 1990, p. 193
1950s

Washington Irving photo
Joseph Joubert photo
James Anthony Froude photo
Junot Díaz photo
Woodrow Wilson photo

“I always remember that America was established not to create wealth—though any nation must create wealth which is going to make an economic foundation for its life—but to realize a vision, to realize an ideal. America has put itself under bonds to the earth to discover and maintain liberty now among men, and if she cannot see liberty now with the clear, unerring vision she had at the outset, she has lost her title, she has lost every claim to the leadership and respect of the nations of the world.”

Woodrow Wilson (1856–1924) American politician, 28th president of the United States (in office from 1913 to 1921)

“The Coming On of a New Spirit”, speech to Chicago Democrat's Iriquois Club (12 February 1912), The Politics of Woodrow Wilson, p. 180 http://books.google.com/books?id=rxC4IG60KTwC&pg=PA180&dq=%22America+was+established+not+to+create+wealth%22
Sometimes abbreviated to: “America was established not to create wealth but to realize a vision, to realize an ideal—to discover and maintain liberty among men.”
1910s

David Graeber photo
Nichelle Nichols photo

“Star Trek represented, and still does represent, the future we can have, a future that is beyond the petty squabbles we are dealing with here on Earth, now as much as ever, and are able to devote ourselves to the betterment of all human kind by doing what we do so well: explore. This kind of a future isn't impossible - and we need to all rethink our priorities to really bring that vision to life.”

Nichelle Nichols (1932) American actress, singer and voice artist

Uhura Fest: 'Star Trek' legend Nichelle Nichols talks Wizard World Philly and transcending race http://www.philly.com/philly/entertainment/geek/Uhura-Star-Trek-Nichelle-Nichols-Wizard-World-Philly.html (May 29, 2017)

Daniel Pipes photo
James C. Collins photo
Giorgio de Chirico photo

“To become truly immortal a work of art must escape all human limits: logic and common sense will only interfere. But once these barriers are broken it will enter the regions of childhood vision and dream.”

Giorgio de Chirico (1888–1978) Italian artist

as quoted in Letters of the great artists – from Ghiberti to Gainsborough, Richard Friedenthal, Thames and Hudson, London, 1963, p . 231
1908 - 1920, On Mystery and Creation, Paris 1913

Norman Mailer photo
José Ortega Y Gasset photo
Denise Scott Brown photo
Mehdi Akhavan-Sales photo
Ritwik Ghatak photo

“Film-making is not an esoteric thing to me. I consider film-making – to start with – a personal thing. If a person does not have a vision of his own, he cannot create.”

Ritwik Ghatak (1925–1976) Bengali filmmaker and script writer

[Ghatak, Ritwik, Cinema and I, 1987, Ritwik Memorial Trust, 65]

William Morris photo
Bob Dylan photo

“But these visions of Johanna, they make it all seem so cruel.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Song lyrics, Blonde on Blonde (1966), Visions of Johanna

Robert Crumb photo
Nicholas of Cusa photo
Charlotte Brontë photo
Freeman Dyson photo
George Eliot photo