Roy Ascott Quotes

Roy Ascott is a British artist, who works with cybernetics and telematics, on an art which is technoetic, focusing on the impact of digital and telecommunications networks on consciousness.

Ascott exhibits internationally , and is collected by Tate Britain and Arts Council England. He is recognised by Ars Electronica as the “visionary pioneer of media art”, and widely seen as a radical innovator in arts education and research, having occupied leading academic roles in England, Europe, North America, and China, and currently establishing his Technoetic Arts studio in Shanghai; directing a worldwide doctoral research network. In 2018 he became the sole subject of Cybernetics & Human Knowing: A Journal of Second Order Cybernetics, Autopoiesis and Cybersemiotics entitled "A Tribute to the Messenger Shaman: Roy Ascott".He is President of the Planetary Collegium, Professor of Technoetic Arts Plymouth University, and the De Tao Master of Technoetic Arts at the DeTao Masters Academy in Shanghai. He is the founding editor of the research journal Technoetic Arts, an honorary editor of Leonardo Journal, and author of the book Telematic Embrace: Visionary Theories of Art, Technology and Consciousness. University of California Press

He is recipient of the Prix Ars Electronica Golden Nica award for Visionary Pioneer of Media Art 2014. The award is for “those men and women whose artistic, technological and social achievements have decisively influenced and advanced the development of new artistic directions.” He is a Doctor Honoris Causa of Ionian University, Corfu, Greece; Honorary Professor at Aalborg University Copenhagen; Honorary Professor at University of West London.

✵ 26. October 1934
Roy Ascott: 2 quotes0 likes

Roy Ascott Quotes

“When art is a form of behaviour, software predominates over hardware in the creative sphere. Process replaces product in importance, just as system supersedes structure.”

Roy Ascott

Behaviourables and Futuribles, manifesto, 1967; as cited in: Edward A. Shanken. " Cybernetics and Art: Cultural Convergence in the 1960s http://www.responsivelandscapes.com/readings/CyberneticsArtCultConv.pdf." 2002

“Recognition that art was located in an interactive system rather than residing in a material object… provid[ed] a discipline as central to an art of interactivity as anatomy and perspective had been to the renaissance vision.”

Roy Ascott

“Interactive Art,” unpublished manuscript, 1994, p. 3; as cited in: Edward A. Shanken. " Cybernetics and Art: Cultural Convergence in the 1960s http://www.responsivelandscapes.com/readings/CyberneticsArtCultConv.pdf." 2002

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