Quotes about tin

A collection of quotes on the topic of tin, likeness, people, way.

Quotes about tin

Jacques Prevért photo
George Orwell photo

“[Hitler] has grasped the falsity of the hedonistic attitude to life. Nearly all western thought since the last war, certainly all "progressive" thought, has assumed tacitly that human beings desire nothing beyond ease, security, and avoidance of pain. In such a view of life there is no room, for instance, for patriotism and the military virtues. The Socialist who finds his children playing with soldiers is usually upset, but he is never able to think of a substitute for the tin soldiers; tin pacifists somehow won’t do. Hitler, because in his own joyless mind he feels it with exceptional strength, knows that human beings don’t only want comfort, safety, short working-hours, hygiene, birth-control and, in general, common sense; they also, at least intermittently, want struggle and self-sacrifice, not to mention drums, flags and loyalty-parades. However they may be as economic theories, Fascism and Nazism are psychologically far sounder than any hedonistic conception of life. The same is probably true of Stalin’s militarised version of Socialism. All three of the great dictators have enhanced their power by imposing intolerable burdens on their peoples. Whereas Socialism, and even capitalism in a grudging way, have said to people "I offer you a good time," Hitler has said to them "I offer you struggle, danger and death," and as a result a whole nation flings itself at his feet.”

George Orwell (1903–1950) English author and journalist

From a review of Adolf Hitler's Mein Kampf, New English Weekly (21 March 1940)

Terry Pratchett photo
Tennessee Williams photo
Terry Pratchett photo
Frank Zappa photo

“Scientology, how about that? You hold on to the tin cans and then this guy asks you a bunch of questions, and if you pay enough money you get to join the master race. How's that for a religion?”

Frank Zappa (1940–1993) American musician, songwriter, composer, and record and film producer

Concert address to audience at the Rockpile, Toronto (May 1969).

Jöns Jacob Berzelius photo
Nikola Tesla photo
Malcolm X photo
Benjamin Disraeli photo
Charlie Higson photo
Jack Kerouac photo
Louisa May Alcott photo
John Hersey photo
L. Frank Baum photo
L. Frank Baum photo

“Now I know I've got a heart because it is breaking.
- Tin Man”

Source: The Wonderful Wizard of Oz

Dorothy Parker photo
P.G. Wodehouse photo
Derren Brown photo

“(DVD introduction) Well, welcome to your very own DVD of me, DVB, and ‘Mind Control’. If you weren’t expecting me and thought you were buying Reginald Perrin, then press eject now before you begin vomiting. Otherwise, please, please ensure that you are sitting in an extreme level of comfort, preferably in pre-worn slippers and, I trust, with your extended family around you. If you have seen the film ‘Signs’ and would like to wear the pointy tin foil hats now would be a good time to put them on you can’t be too careful. Well, pphhh, goodness me, er, it’s been a meteoric rise over these last years. The money and sex are exhausting and I have you the viewer to thank. Thanks. We’ve put together some of the pieces from the specials and series in glistening digital format, each pixel hand picked and gently polished and brought to you in wide-sound, surround-screen enjoyment. I hope you enjoy watching them as much as I’ll enjoy the royalties from this, which is enormously. If you don’t like it and HMV won’t take it back because you’ve got sticky all over it then the disc makes an excellent beer coaster or wheels for a space truck or can be immense fun just putting it on your finger and [waggling it], like that. But I hope you do like it. When I first started developing these techniques I had no idea that they were going to prove at all popular and for all my nancing about and staring I’m actually really excited to have a DVD out and can’t wait to go and find it in Discount Books & Puzzles next to the Dizzie Gillespie CD box sets and disappointing erotica. I hope you like it and if you do, please go and buy another one.”

Derren Brown (1971) British illusionist

TV Series and Specials (Includes DVDs), Mind Control (1999–2000) or Inside Your Mind on DVD

Nick Drake photo

“And at the chime of the city clock
Put up your road block.
Hang on to your crown.
For a stone in a tin can
Is wealth to the city man
Who leaves his armour down.”

Nick Drake (1948–1974) British singer-songwriter

At the Chime of a City Clock
Song lyrics, Bryter Later (1970)

Fred Dibnah photo

“(About Hard Hats) "These tin hats get in the way a bit" "I shouldn't think for the life of me that if the whole thing came down it'd stop you getting a shorter neck"”

Fred Dibnah (1938–2004) English steeplejack and television personality, with a keen interest in mechanical engineering

Unsourced

Neal Stephenson photo
Neil Young photo

“Tin soldiers and Nixon's comin'.
We're finally on our own.
This summer I hear the drummin'.
Four dead in Ohio.”

Neil Young (1945) Canadian singer-songwriter

Ohio, from 4 Way Street (1971)
Song lyrics, With Crosby, Stills & Nash

Gay Talese photo
Bernard Cornwell photo
A.A. Milne photo
Constant Lambert photo
Baba Amte photo
Baba Amte photo
Jim Butcher photo

“Harry Dresden: Sometimes the most remarkable things seem commonplace. I mean, when you think about it, jet travel is pretty freaking remarkable. You get in a plane, it defies the gravity of a entire planet by exploiting a loophole with air pressure, and it flies across distances that would take months or years to cross by any means of travel that has been significant for more than a century or three. You hurtle above the earth at enough speed to kill you instantly should you bump into something, and you can only breathe because someone built you a really good tin can that seems tight enough to hold in a decent amount of air. Hundreds of millions of man-hours of work and struggle and research, blood, sweat, tears and lives have gone into the history of air travel, and it has totally revolutionized the face of our planet and societies.
But get on any flight in the country, and I absolutely promise you that you will find someone who, in the face of all that incredible achievement, will be willing to complain about the drinks. The drinks, people. That was me on the staircase to Chicago-Over-Chicago. Yes, I was standing on nothing but congealed starlight. Yes, I was walking up through a savage storm, the wind threatening to tear me off and throw me into the freezing waters of lake Michigan far below. Yes, I was using a legendary and enchanted means of travel to transcend the border between one dimension and the next, and on my way to an epic struggle between ancient and elemental forces. But all I could think to say, between panting breaths, was, "Yeah. Sure. They couldn't possibly have made this an escalator."”

The Dresden Files, Summer Knight (2002)

Neal Stephenson photo
Oliver Sacks photo
Carl Sagan photo
Paul Theroux photo

“I do not compare the past with the present without a prejudice for either, but, great as the improvement in country life is in many respects, it seems a pity the old cheap, wholesome dishes have gone to make way for tinned and preserved foods.”

Flora Thompson (1876–1947) English author and poet

August Chapter The Peverel Papers - A yearbook of the countryside ed Julian Shuckburgh Century Hutchinson 1986
The Peverel Papers

John L. Lewis photo
Andrew Ure photo

“The stanniferous small veins, or thin flat masses, though of small extent, are sometimes very numerous, interposed between certain rocks, parallel to their beds, and are commonly called tin-floors.”

Andrew Ure (1778–1857) Scottish doctor and chemist

1878, p. 1000.
A Dictionary of Arts, Manufactures, and Mines, 1844

Stephen Fry photo
John Dos Passos photo
L. Frank Baum photo
Ian Fleming photo
Wilfred Thesiger photo
Gerard O'Neill photo
Fred Dibnah photo

“The thing is nowadays, you'll have 20 men working, yet 60 men telling them 'You can't do that, you ain't got a tin hat on'.”

Fred Dibnah (1938–2004) English steeplejack and television personality, with a keen interest in mechanical engineering

Unsourced

Marc Chagall photo

“Two or three o'clock in the morning. The sky is blue. Dawn is breaking. Down there, a little way off, they slaughtered cattle, cows bellowed, and I painted them. I used to sit up like that all night long. It's already a week since the studio was cleaned out. Frames, eggshells, empty two-sou soup tins lie about higgledy-piggledy... On the shelves, reproductions of El Greco and Cézanne lay next tot the remains of a herring I had cut in two, the head for the first day, the tail for the next, and Thank God, a few crusts of bread.”

Marc Chagall (1887–1985) French artist and painter

Quote in Marc Chagall - the Russian years 1906 – 1922, editor Christoph Vitali, exhibition catalogue, Schirn Kunsthalle Frankfurt, 1991, pp. 29-30
Chagall describes a morning in his studio in Paris, c. 1911, in 'La Ruche' an old factory where many artists as Soutine, Archipenko, Léger and Modigliani had their studio
1920's, My life (1922)

Alan Ayckbourn photo
Emily Brontë photo
Jay Leiderman photo
Hans Christian Andersen photo
Anthony Burgess photo
Brandon Boyd photo

“Seeing you is like pulling teeth, and hearing your voice is like chewing tin foil!”

Brandon Boyd (1976) American rock singer, writer and visual artist

Lyrics, Morning View (2001)

Andrew Ure photo
Dylan Moran photo

“It sounds like typewriters eating tin foil being kicked down the stairs.”

Dylan Moran (1971) Irish actor and comedian

On the German language.
Like, Totally (2006)

Bruno Schulz photo
L. Frank Baum photo
Lupe Fiasco photo

“Come across as very calm, mental state is Zen like. Always had a lot of heart, never been the tin type”

Lupe Fiasco (1982) rapper

"Go To Sleep"
Albums, Food & Liquor II: The Great American Rap Album (2012)

Paul Robeson photo
Ray Comfort photo

“So, a talking parrot, three hundred people flying through the sky in a big tin can called a 747, a human being growing inside another person, and men walking on the moon don't contradict logic?”

Ray Comfort (1949) New Zealand-born Christian minister and evangelist

You Can Lead an Atheist to Evidence, But You Can't Make Him Think (2009)

Gwendolyn Brooks photo
Donald Barthelme photo
Joe Strummer photo
T. E. Lawrence photo

“To have news value is to have a tin can tied to one’s tail.”

T. E. Lawrence (1888–1935) British archaeologist, military officer, and diplomat

Letter (1 April 1935); published in The Letters of T.E. Lawrence (1988), edited by Malcolm Brown.

Rudyard Kipling photo

“There rise her timeless capitals of Empires daily born,
Whose plinths are laid at midnight, and whose streets are packed at morn;
And here come hired youths and maids that feign to love or sin
In tones like rusty razor-blades to tunes like smitten tin.”

Rudyard Kipling (1865–1936) English short-story writer, poet, and novelist

Naaman's Song http://whitewolf.newcastle.edu.au/words/authors/K/KiplingRudyard/prose/LimitsRenewals/naamansong.html, Stanza 2.
Other works

Robert E. Howard photo
Andrew Ure photo

“The final tin-dip is useful to remove the marks of the brush, and to make the surface uniformly bright.”

Andrew Ure (1778–1857) Scottish doctor and chemist

1844, p. 1259.
A Dictionary of Arts, Manufactures, and Mines, 1844

Marshall McLuhan photo

“One touch of nature makes the whole world tin.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

1970s, Culture Is Our Business (1970)

Elton John photo
Norah Jones photo

“I want to wake up with the rain
Falling on a tin roof
While I'm safe there in your arms
So all I ask is for you
To come away with me in the night
Come away with me”

Norah Jones (1979) American singer-songwriter and multi-instrumentalist

"Come Away With Me", Come Away With Me (2002)
Song lyrics

George Galloway photo

“We did not suspend our democracy in our darkest hours why are we suspending it now? the fawning over Thatcher had gone too far. We have had enough of this, It has gone on too long and it has gone too far. This put the tin hat on it the idea that we should suspend a vital part of our democratic process for a party political and private funeral, Mr Churchill didn’t ask for Parliament to be silenced, for confrontations across the House to be forbidden. When our soldiers were being laid waste in the Norway debate, the House of Commons perhaps rose to its finest 20th Century moment. Nobody said: ‘Our armed forces have suffered a disaster, the House of Commons cannot meet, the clash of ideas cannot be heard, we must muffle the drums and silence ourselves The so-called Beast of Bolsover said the argument was about class and that it was "one rule for those at the top and another for those at the bottom. We are here talking about the thing that we sometimes suggest has gone away class, That's what it is, it's about class. It's about the fact that people out there have to live their lives in a different way and there's one rule for those at the top and there's another for those at the bottom. It's never changed, I wish it had, but it hasn't. So when I heard about the chain of events it seemed to grow like topseed - first of all there was going to be some sort of ceremonial funeral, and then the next thing you (Mr Speaker) tell us that the chimes of Big Ben are going to stop and then we hear about the fact that we are going to abandon Prime Minister's question time, I mean, what's it all about? That's why the people out there are angry, a lot of them.”

George Galloway (1954) British politician, broadcaster, and writer

The Mirror http://www.mirror.co.uk/news/uk-news/margaret-thatcher-fawning-gone-far-1836314 George Galloway blasts cancellation of PMQs for Margret Thatchers funeral 16 April, 2013

William Styron photo

“When I was first aware that I had been laid low by the disease, I felt a need, among other things, to register a strong protest against the word “depression.” Depression, most people know, used to be termed “melancholia,” a word which appears in English as early as the year 1303 and crops up more than once in Chaucer, who in his usage seemed to be aware of its pathological nuances. “Melancholia” would still appear to be a far more apt and evocative word for the blacker forms of the disorder, but it was usurped by a noun with a bland tonality and lacking any magisterial presence, used indifferently to describe an economic decline or a rut in the ground, a true wimp of a word for such a major illness. It may be that the scientist generally held responsible for its currency in modern times, a Johns Hopkins Medical School faculty member justly venerated — the Swiss-born psychiatrist Adolf Meyer — had a tin ear for the finer rhythms of English and therefore was unaware of the semantic damage he had inflicted by offering “depression” as a descriptive noun for such a dreadful and raging disease. Nonetheless, for over seventy-five years the word has slithered innocuously through the language like a slug, leaving little trace of its intrinsic malevolence and preventing, by its very insipidity, a general awareness of the horrible intensity of the disease when out of control.
As one who has suffered from the malady in extremis yet returned to tell the tale, I would lobby for a truly arresting designation. “Brainstorm,” for instance, has unfortunately been preempted to describe, somewhat jocularly, intellectual inspiration. But something along these lines is needed. Told that someone’s mood disorder has evolved into a storm — a veritable howling tempest in the brain, which is indeed what a clinical depression resembles like nothing else — even the uninformed layman might display sympathy rather than the standard reaction that “depression” evokes, something akin to “So what?” or “You’ll pull out of it” or “We all have bad days.””

The phrase “nervous breakdown” seems to be on its way out, certainly deservedly so, owing to its insinuation of a vague spinelessness, but we still seem destined to be saddled with “depression” until a better, sturdier name is created.
Source: Darkness Visible (1990), IV

John Fante photo
Nick Cave photo
L. Frank Baum photo
Van Morrison photo

“Stone is the only true material for the sculptor. All others, tin, iron bars, tin cans and coiled springs are merely poor substitutes”

Fritz Wotruba (1907–1975) Austrian sculptor (23 April 1907, Vienna – 28 August 1975, Vienna)

Source: 'Sculpture of Rotterdam', ed. Jan van Adrichem / Jelle Bouwhuis / Mariëtte Dulle, Center for the Art, 010 Publishers, Rotterdam, 2002, p. 198.

L. Frank Baum photo

“The scenery and costumes of 'The Wizard of Oz' were all made in New York — Mr. Mitchell was a New York favorite, but the author was undoubtedly a Chicagoan, and therefore a legitimate butt for the shafts of criticism. So the critics highly praised the Poppy scene, the Kansas cyclone, the Scarecrow and the Tin Woodman, but declared the libretto was very bad and teemed with 'wild and woolly western puns and forced gags.' Now, all that I claim in the libretto of 'The Wizard of Oz' is the creation of the characters of the Scarecrow and the Tin Woodman, the story of their search for brains and a heart, and the scenic effects of the Poppy Field and the cyclone. These were a part of my published fairy tale, as thousands of readers well know. I have published fifteen books of fairy tales, which may be found in all prominent public and school libraries, and they are entirely free, I believe, from the broad jokes the New York critics condemn in the extravaganza, and which, the New York people are now laughing over. In my original manuscript of the play were no 'gags' nor puns whatever. But Mr. Hamlin stated positively that no stage production could succeed without that accepted brand of humor, and as I knew I was wholly incompetent to write those 'comic paper side-splitters' I employed one of the foremost New York 'tinkerers' of plays to write into my manuscript these same jokes that are now declared 'wild and woolly' and 'smacking of Chicago humor.' If the New York critics only knew it, they are praising a Chicago author for the creation of the scenic effects and characters entirely new to the stage, and condemning a well-known New York dramatist for a brand of humor that is palpably peculiar to Puck and Judge. I am amused whenever a New York reviewer attacks the libretto of 'The Wizard of Oz' because it 'comes from Chicago.”

L. Frank Baum (1856–1919) Children's writer, editor, journalist, screenwriter

Letter to "Music and the Drama", The Chicago Record-Herald (3 February 1903)
Letters and essays

Harry Turtledove photo

“"The ability to see what is, sir, is essential for the leader of a great nation," the British minister said. He wanted to let Lincoln down easy if he could. "I see what is, all right. I surely do," the president said. "I see that you European powers are taking advantage of this rebellion to meddle in America, the way you used to before the Monroe Doctrine warned you to keep your hands off. Napoleon props up a tin-pot emperor in Mexico, and now France and England are in cahoots"- another phrase that briefly baffled Lord Lyons- "to help the Rebels and pull us down. All right, sir." He breathed heavily. "If that's the way the game's going to be played, we aren't strong enough to prevent it now. But I warn you, Mr. Minister, we can play, too." "You are indeed a free and independent nation," Lord Lyons agreed. "You may pursue diplomacy to the full extent of your interests and abilities." "Mighty generous of you," Lincoln said with cutting irony. "And one fine day, I reckon, we'll have friends in Europe, too, friends who'll help us get back what's rightfully ours and what you've taken away." "A European power- to help you against England and France?" For the first time, Lord Lyons was undiplomatic enough to laugh. American bluster was bad enough most times, but this lunacy- "Good luck to you, Mr. President. Good luck."”

Source: The Great War: American Front (1998), p. 9

P.G. Wodehouse photo
Karl Kraus photo
David Bowie photo

“There are forces working in the world as never before in the history of mankind for standardization, for the regimentation of us all, or what I like to call making muffins of us, muffins all like every other muffin in the muffin tin. This is the limited universe, the drying, dissipating universe, that we can help our children avoid by providing them with “explosive material capable of stirring up fresh life endlessly.””

Madeleine L'Engle (1918–2007) American writer

The Expanding Universe (1963)
Context: Because of the very nature of the world as it is today our children receive in school a heavy load of scientific and analytic subjects, so it is in their reading for fun, for pleasure, that they must be guided into creativity. There are forces working in the world as never before in the history of mankind for standardization, for the regimentation of us all, or what I like to call making muffins of us, muffins all like every other muffin in the muffin tin. This is the limited universe, the drying, dissipating universe, that we can help our children avoid by providing them with “explosive material capable of stirring up fresh life endlessly.”
So how do we do it? We can’t just sit down at our typewriters an turn out explosive material. I took a course in college on Chaucer, one of the most explosive, imaginative, and far-reaching in influence of all writers. And I’ll never forget going to the final exam and being asked why Chaucer used certain verbal devices, certain adjectives, why he had certain characters behave in certain ways. And I wrote in a white heat of fury, “I don’t think Chaucer had any idea why he did any of these thing. That isn’t the way people write.”
I believe this as strongly now as I did then. Most of what is best in writing isn’t done deliberately.

L. Frank Baum photo

“The Tin Woodman knew very well he had no heart, and therefore he took great care never to be cruel or unkind to anything.”

The Wonderful Wizard of Oz (1900)
Context: The Tin Woodman knew very well he had no heart, and therefore he took great care never to be cruel or unkind to anything.
"You people with hearts," he said, "have something to guide you, and need never do wrong; but I have no heart, and so I must be very careful. When Oz gives me a heart of course I needn't mind so much."

Zulfikar Ali Bhutto photo

“Tin-pot dictators have ravaged Asia, Latin America and Africa. In the aftermath, they have done more to promote communism than the works of Marx and Engels, Lenin and Mao.”

Zulfikar Ali Bhutto (1928–1979) Fourth President and ninth Prime Minister of Pakistan

Source: Letter to his daughter (1978), p. 63.
Context: Tin-pot dictators have ravaged Asia, Latin America and Africa. In the aftermath, they have done more to promote communism than the works of Marx and Engels, Lenin and Mao. They are the worst tyrants of the post-colonial period. They have destroyed time-honoured institutions and treated their people like animals. They have caused internal divisions and external confusion. The dictator is the one animal who needs to be caged. He betrays his profession and his constitution. He betrays the people and destroys human values. He destroys culture. He binds the youth. He makes the structure collapse. He rules by fluke and freak. He is the scourge and the ogre. He is a leper. Anyone who touches him also becomes a leper. He is the upstart who is devoid of ideals and ideology. Not a single one of them has made a moment's contribution to history.

Jay Leiderman photo

“Tin foil as reality.”

Jay Leiderman (1971) lawyer

A phrase Jay Leiderman whipped out during a panel for “The Hacker Wars,” permeated this year's South By Southwest Interactive Festival in Austin http://www.occupy.com/article/snowden-assange-and-greenwald-live-streaming-sxsw

Zulfikar Ali Bhutto photo

“It is even more dangerous to be pro-West. One disagreement in defence of a national cause, and out goes that civilian leader by a coup d'etat. He gets replaced by a tin-pot military dictator who would not dare to disagree about anything, including the vital national interests of his country.”

Zulfikar Ali Bhutto (1928–1979) Fourth President and ninth Prime Minister of Pakistan

Source: Letter to his daughter (1978), p. 69.
Context: in Western estimation it is preferable to be a communist leader of a communist state, than to be a non-communist leader of a non-communist state having friendly relations with communist states. The anomaly does not cease here. It is even more dangerous to be pro-West. One disagreement in defence of a national cause, and out goes that civilian leader by a coup d'etat. He gets replaced by a tin-pot military dictator who would not dare to disagree about anything, including the vital national interests of his country.

William S. Burroughs photo

“So we pour it in a Pernod bottle and start for New Orleans past iridescent lakes and orange gas flares, and swamps and garbage heaps, alligators crawling around in broken bottles and tin cans, neon arabesques of motels, marooned pimps scream obscenities at passing cars from islands of rubbish …”

Opening Chapter
Naked Lunch (1959)
Context: Shooting PG is a terrible hassle, you have to burn out the alcohol first, then freeze out the camphor and draw this brown liquid off with a dropper—have to shoot it in the vein or you get an abscess, and usually end up with an abscess no matter where you shoot it. Best deal is to drink it with goof balls … So we pour it in a Pernod bottle and start for New Orleans past iridescent lakes and orange gas flares, and swamps and garbage heaps, alligators crawling around in broken bottles and tin cans, neon arabesques of motels, marooned pimps scream obscenities at passing cars from islands of rubbish … New Orleans is a dead museum. We walk around Exchange Place breathing PG and find The Man right away. It’s a small place and the fuzz always knows who is pushing so he figures what the hell does it matter and sells to anybody. We stock up on H and backtrack for Mexico. Back through Lake Charles and the dead slot-machine country, south end of Texas, nigger-killing sheriffs look us over and check the car papers. Something falls off you when you cross the border into Mexico, and suddenly the landscape hits you straight with nothing between you and it, desert and mountains and vultures; little wheeling specks and others so close you can hear wings cut the air (a dry husking sound), and when they spot something they pour out of the blue sky, that shattering bloody blue sky of Mexico, down in a black funnel … Drove all night, came at dawn to a warm misty place, barking dogs and the sound of running water.

Piero Manzoni photo
Neil Gaiman photo
Clifford D. Simak photo
Otto von Bismarck photo

“I ask you what right had I to close the way to the throne against these people? The kings of Prussia have never been by preference kings of the rich. Frederick the Great said when Crown Prince: “Quand je serai rot, je serai tin vrai rot des gueux.””

Otto von Bismarck (1815–1898) German statesman, Chancellor of Germany

He undertook to be the protector of the poor, and this principle has been followed by our later kings. At their throne suffering has always found a refuge and a hearing. ... Our kings have secured the emancipation of the serfs, they have created a thriving peasantry, and they may possibly be successful—the earnest endeavour exists, at any rate—in improving the condition of the working classes somewhat. To have refused access to the throne to the complaints of these operatives would not have been the right course to pursue, and it was, moreover, not my business to do it. The question would afterwards have been asked: “How rich must a deputation be in order to its reception by the King?”

Speech to the Prussian United Diet in answer to the petition of Wüstegiersdorf weavers (1865), quoted in W. H. Dawson, Bismarck and State Socialism: An Exposition of the Social and Economic Legislation of Germany since 1870 (London: Swan Sonnenschein & Co., 1891), p. 31
1860s

“From the age of eight or nine my mother had me washing dishes on a biscuit tin at the Holyrood.”

Brian McEniff (1942) Irish Gaelic football player and manager

McEniff, the Sunday Tribune, 2004.

Gilbert O'Sullivan photo

“Once upon a time I drank a little wine,
was as happy as could be, happy as could be,
Now I'm just like a cat on a hot tin roof,
Baby, what do you think you're doing to me?
Told you once before
and I won't tell you no more,
so get down, get down, get down
You're a bad dog, Baby
but I still want you around, around
I still want you around
Hey hey hey”

Gilbert O'Sullivan (1946) Irish singer-songwriter

"Get Down" (song)
Song lyrics
Source: Gilbert O'Sullivan, "Get Down" https://www.youtube.com/watch?v=nXl5P2xO9-o (song on YouTube)
Source: (+ Duet with Lulu. On YouTube) https://www.youtube.com/watch?v=HlqoiBV6ETs