Quotes about tin
A collection of quotes on the topic of tin, likeness, people, way.
Quotes about tin

From a review of Adolf Hitler's Mein Kampf, New English Weekly (21 March 1940)

Concert address to audience at the Rockpile, Toronto (May 1969).

Jöns Jacob Berzelius, Essay on the Cause of Chemical Proportions, and on some circumstances relating to them: together with a short and easy method of expressing them', Annals of Philosophy, 1814, 3,51-2.

The Ballot or the Bullet (1964), Speech in Cleveland, Ohio (April 3, 1964)

Letter to Lady Londonderry (22 February 1854), in Benjamin Disraeli, Letters: 1852-1856 (1997), p. 405.
1850s
Source: The Ghost's Child

TV Series and Specials (Includes DVDs), Mind Control (1999–2000) or Inside Your Mind on DVD

At the Chime of a City Clock
Song lyrics, Bryter Later (1970)

Unsourced

Ohio, from 4 Way Street (1971)
Song lyrics, With Crosby, Stills & Nash

Interview with Gay Talese, David Shankbone, Wikinews, October 27, 2007.

Lieutenant Richard Sharpe, p. 136
Sharpe (Novel Series), Sharpe's Havoc (2003)

Anthony Burgess Little Wilson and Big God ([1987] 1988) pp. 110-11.
Criticism

An incident which he often narrated which profoundly affected him, page=4
Baba Amte: A Vision of New India

Source: Pale Blue Dot: A Vision of the Human Future in Space (1994), p. 227
August Chapter The Peverel Papers - A yearbook of the countryside ed Julian Shuckburgh Century Hutchinson 1986
The Peverel Papers

1878, p. 1000.
A Dictionary of Arts, Manufactures, and Mines, 1844

Interview with The Daily Telegraph promoting his book The Ode Less Travelled. http://www.telegraph.co.uk/culture/books/3647424/The-would-be-don.html
2000s

Unsourced

Quote in Marc Chagall - the Russian years 1906 – 1922, editor Christoph Vitali, exhibition catalogue, Schirn Kunsthalle Frankfurt, 1991, pp. 29-30
Chagall describes a morning in his studio in Paris, c. 1911, in 'La Ruche' an old factory where many artists as Soutine, Archipenko, Léger and Modigliani had their studio
1920's, My life (1922)

As stated on the Jay Leiderman Law Blog December 11, 2014 http://jayleiderman.com/blog/jay-leiderman-quoted-part-10-tin-foil-as-reality/

“Seeing you is like pulling teeth, and hearing your voice is like chewing tin foil!”
Lyrics, Morning View (2001)

1878, p. 999.
A Dictionary of Arts, Manufactures, and Mines, 1844

“It sounds like typewriters eating tin foil being kicked down the stairs.”
On the German language.
Like, Totally (2006)

“August” http://www.schulzian.net/translation/shops/august1.htm
His father, Living things

"Go To Sleep"
Albums, Food & Liquor II: The Great American Rap Album (2012)
[Key Terms in Popular Music and Culture, ISBN 0631212639, Middleton, Richard, 1999]

You Can Lead an Atheist to Evidence, But You Can't Make Him Think (2009)

Joe Strummer and Bono, "46664", written for Nelson Mandela's HIV/AIDS festival in 2003.
Lyrics

“To have news value is to have a tin can tied to one’s tail.”
Letter (1 April 1935); published in The Letters of T.E. Lawrence (1988), edited by Malcolm Brown.

Naaman's Song http://whitewolf.newcastle.edu.au/words/authors/K/KiplingRudyard/prose/LimitsRenewals/naamansong.html, Stanza 2.
Other works

From a letter to Tevis Clyde Smith (week of February 20, 1928)
Letters

1844, p. 1259.
A Dictionary of Arts, Manufactures, and Mines, 1844

“One touch of nature makes the whole world tin.”
1970s, Culture Is Our Business (1970)

Nikita
Song lyrics, Ice on Fire (1985)

"Come Away With Me", Come Away With Me (2002)
Song lyrics

The Mirror http://www.mirror.co.uk/news/uk-news/margaret-thatcher-fawning-gone-far-1836314 George Galloway blasts cancellation of PMQs for Margret Thatchers funeral 16 April, 2013

"Nights in Copenhagen with Van Morrison" (1985) interview by Al Jones
Source: 'Sculpture of Rotterdam', ed. Jan van Adrichem / Jelle Bouwhuis / Mariëtte Dulle, Center for the Art, 010 Publishers, Rotterdam, 2002, p. 198.

Letter to "Music and the Drama", The Chicago Record-Herald (3 February 1903)
Letters and essays
Source: How Europe Underdeveloped Africa (1972), p. 365.

“What is the Ninth Symphony compared to a Tin Pan Alley hit played on a hurdy-gurdy and a memory?”
Sprüche und Widersprüche (Dicta and Contradictions)

Space Oddity
Song lyrics, Space Oddity (1969)
The Diary of Samuel Marchbanks (1947)
The Expanding Universe (1963)
Context: Because of the very nature of the world as it is today our children receive in school a heavy load of scientific and analytic subjects, so it is in their reading for fun, for pleasure, that they must be guided into creativity. There are forces working in the world as never before in the history of mankind for standardization, for the regimentation of us all, or what I like to call making muffins of us, muffins all like every other muffin in the muffin tin. This is the limited universe, the drying, dissipating universe, that we can help our children avoid by providing them with “explosive material capable of stirring up fresh life endlessly.”
So how do we do it? We can’t just sit down at our typewriters an turn out explosive material. I took a course in college on Chaucer, one of the most explosive, imaginative, and far-reaching in influence of all writers. And I’ll never forget going to the final exam and being asked why Chaucer used certain verbal devices, certain adjectives, why he had certain characters behave in certain ways. And I wrote in a white heat of fury, “I don’t think Chaucer had any idea why he did any of these thing. That isn’t the way people write.”
I believe this as strongly now as I did then. Most of what is best in writing isn’t done deliberately.

The Wonderful Wizard of Oz (1900)
Context: The Tin Woodman knew very well he had no heart, and therefore he took great care never to be cruel or unkind to anything.
"You people with hearts," he said, "have something to guide you, and need never do wrong; but I have no heart, and so I must be very careful. When Oz gives me a heart of course I needn't mind so much."

Source: Letter to his daughter (1978), p. 63.
Context: Tin-pot dictators have ravaged Asia, Latin America and Africa. In the aftermath, they have done more to promote communism than the works of Marx and Engels, Lenin and Mao. They are the worst tyrants of the post-colonial period. They have destroyed time-honoured institutions and treated their people like animals. They have caused internal divisions and external confusion. The dictator is the one animal who needs to be caged. He betrays his profession and his constitution. He betrays the people and destroys human values. He destroys culture. He binds the youth. He makes the structure collapse. He rules by fluke and freak. He is the scourge and the ogre. He is a leper. Anyone who touches him also becomes a leper. He is the upstart who is devoid of ideals and ideology. Not a single one of them has made a moment's contribution to history.

A phrase Jay Leiderman whipped out during a panel for “The Hacker Wars,” permeated this year's South By Southwest Interactive Festival in Austin http://www.occupy.com/article/snowden-assange-and-greenwald-live-streaming-sxsw

Source: Letter to his daughter (1978), p. 69.
Context: in Western estimation it is preferable to be a communist leader of a communist state, than to be a non-communist leader of a non-communist state having friendly relations with communist states. The anomaly does not cease here. It is even more dangerous to be pro-West. One disagreement in defence of a national cause, and out goes that civilian leader by a coup d'etat. He gets replaced by a tin-pot military dictator who would not dare to disagree about anything, including the vital national interests of his country.

Opening Chapter
Naked Lunch (1959)
Context: Shooting PG is a terrible hassle, you have to burn out the alcohol first, then freeze out the camphor and draw this brown liquid off with a dropper—have to shoot it in the vein or you get an abscess, and usually end up with an abscess no matter where you shoot it. Best deal is to drink it with goof balls … So we pour it in a Pernod bottle and start for New Orleans past iridescent lakes and orange gas flares, and swamps and garbage heaps, alligators crawling around in broken bottles and tin cans, neon arabesques of motels, marooned pimps scream obscenities at passing cars from islands of rubbish … New Orleans is a dead museum. We walk around Exchange Place breathing PG and find The Man right away. It’s a small place and the fuzz always knows who is pushing so he figures what the hell does it matter and sells to anybody. We stock up on H and backtrack for Mexico. Back through Lake Charles and the dead slot-machine country, south end of Texas, nigger-killing sheriffs look us over and check the car papers. Something falls off you when you cross the border into Mexico, and suddenly the landscape hits you straight with nothing between you and it, desert and mountains and vultures; little wheeling specks and others so close you can hear wings cut the air (a dry husking sound), and when they spot something they pour out of the blue sky, that shattering bloody blue sky of Mexico, down in a black funnel … Drove all night, came at dawn to a warm misty place, barking dogs and the sound of running water.

He undertook to be the protector of the poor, and this principle has been followed by our later kings. At their throne suffering has always found a refuge and a hearing. ... Our kings have secured the emancipation of the serfs, they have created a thriving peasantry, and they may possibly be successful—the earnest endeavour exists, at any rate—in improving the condition of the working classes somewhat. To have refused access to the throne to the complaints of these operatives would not have been the right course to pursue, and it was, moreover, not my business to do it. The question would afterwards have been asked: “How rich must a deputation be in order to its reception by the King?”
Speech to the Prussian United Diet in answer to the petition of Wüstegiersdorf weavers (1865), quoted in W. H. Dawson, Bismarck and State Socialism: An Exposition of the Social and Economic Legislation of Germany since 1870 (London: Swan Sonnenschein & Co., 1891), p. 31
1860s
“From the age of eight or nine my mother had me washing dishes on a biscuit tin at the Holyrood.”
McEniff, the Sunday Tribune, 2004.

"Get Down" (song)
Song lyrics
Source: Gilbert O'Sullivan, "Get Down" https://www.youtube.com/watch?v=nXl5P2xO9-o (song on YouTube)
Source: (+ Duet with Lulu. On YouTube) https://www.youtube.com/watch?v=HlqoiBV6ETs