The House in Paris (1935)
Quotes about tension
page 3
United States v. Germany http://www.listenonrepeat.com/watch/?v=gQC2SusDfIw (26 June 2014).
2010s, 2014, 2014 FIFA World Cup
2010s, Hard Truths: Law Enforcement (2015)
[Schwarz, J. H., The early history of string theory and supersymmetry, 2012, https://arxiv.org/abs/1201.0981]
Librarians and Information Systems (1995)
"Excerpts from the Teaching of Hans Hofmann", p. 66
Search for the Real and Other Essays (1948)
Report of the Independent Expert on the promotion of a democratic and equitable international order exploring the adverse impacts of military expenditures on the realization of a democratic and equitable international order http://www.ohchr.org/EN/Issues/IntOrder/Pages/Reports.aspx.
2015, Report submitted to the UN Human Rights Council
2010s, 2016, April, Foreign Policy Speech (27 April 2016)
as quoted in "'Not the true Republican Party': How the party of Lincoln ended up with Ted Cruz" http://www.salon.com/2014/09/29/not_the_true_republican_party_how_the_party_of_lincoln_ended_up_with_ted_cruz/ (29 September 2014), by Elias Isquith, Salon
Lloyd Schwartz, "Agonies and Ecstasies". The Boston Phoenix (April 9, 2004) http://www.bostonphoenix.com/boston/music/other_stories/multi_1/documents/03734446.asp
Source: The Next Development in Man (1948), p. 255
Quoted in Noël Barber, Pierre Jeannerat de Beerski, "Conversations with Painters" (1964), p. 45
Progress, Coexistence and Intellectual Freedom (1968), Dangers, Vietnam and the Middle East
in Tony Judt: the last interview http://www.prospectmagazine.co.uk/magazine/tony-judt-interview by Peter Jukes (2010)
Will Eisner, pp. 7-8
The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005)
Source: Art & Other Serious Matters, (1985), p. 316, "Metaphysical Feelings in Modern Art"
Your Job-Hunt Ltd – Advice from an Award-Winning Asian Headhunter (2003), Successful Recruitment in a Week (2012) https://books.google.ae/books?idp24GkAsgjGEC&printsecfrontcover&dqnigel+cumberland&hlen&saX&ved0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIGjAA#vonepage&qnigel%20cumberland&ffalse, 100 Things Successful People Do: Little Exercises for Successful Living (2016) https://books.google.ae/books?idnu0lCwAAQBAJ&dqnigel+cumberland&hlen&saX&ved0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIMjAE
"Why The System Is Tough", point 4
Hit Where It Hurts (2002)
On her relationship with Cass Elliot, The National (January 5, 2011)
Source: From Max Weber: Essays in Sociology (1946), p. 154; Essay: "The prestige and power of the “Great Powers."
"Interview: Steve Martin and Claire Danes" by Jeff Otto at IGN.com (19 October 2005) http://movies.ign.com/articles/659/659752p1.html
Source: Reflections on public administration, 1947, p. 1; Lead paragraph
As quoted in The Writer's Quotation Book : A Literary Companion (1980) by James Charlton, p. 43
Progress, Coexistence and Intellectual Freedom (1968), Dangers, International Tensions And New Principles
Quote in 'The end of Art', in De Stijl; Theo van Doesburg – series XII, 1924-5, pp. 135–136
1920 – 1926
“Sex alleviates tension. Love causes it.”
A Midsummer Night's Sex Comedy (1982).
The Book of Adler, by Søren Kierkegaard, Hong 1998 p. 127
1840s, The Book on Adler (1846-1847)
'Excerpts from the Teaching of Hans Hofmann', p. 66
Search for the Real and Other Essays (1948)
Speech http://hansard.millbanksystems.com/commons/1977/feb/24/instructions-for-voting-please-read-1 in the House of Commons (24 February 1977). Two days previously a guillotine motion for the Bill had been defeated and it was generally accepted that there was no chance of the Bill being passed that session.
1970s
Said to the presenter of 'Cuatro', Iñaki Gabilondo, at the end of an interview, and referring to the 2008 general election. His words were captured by microphones when Zapatero presumed that he was no longer on air.
As President, 2008
Source: "A partir de este fin de semana, voy a dramatizar un poco" http://www.publico.es/048875/a/partir/semana/dramatizar/poco:
Martin Stadtfeld ( Hungarian Piano Tradition http://onlinepianomasterclass.com)
About
Source: Kritik der zynischen Vernunft [Critique of Cynical Reason] (1983), pp. 63-64
Source: The Romantic Rebellion (1973), Ch. 3: Goya
What Really Divides Us https://web.archive.org/web/20120127094927/http://www.ronpaularchive.com/2002/12/what-really-divides-us/ (23 December 2002).
2000s, 2001-2005
Person to person: The problem of being human: A new trend in psychology (1967)
Source: page 185-186.
Quote, Professor P.C. Mahalanobis and the Development of Population Statistics in lndia
Source: Capitalism and Modern Social Theory (1971), pp. 15-16.
Six Principles of Political Realism, § 4.
Politics Among Nations (1948)
Context: Political realism is aware of the moral significance of political action. It is also aware of the ineluctable tension between the moral command and the requirements of successful political action. And it is unwilling to gloss over and obliterate that tension and thus to obfuscate both the moral and the political issue by making it appear as though the stark facts of politics were morally more satisfying than they actually are, and the moral law less exacting than it actually is.
"Los Angeles", p. 161
Exhumations (1966)
Context: To live sanely in Los Angeles (or, I suppose, in any other large American city) you have to cultivate the art of staying awake. You must learn to resist (firmly but not tensely) the unceasing hypnotic suggestions of the radio, the billboards, the movies and the newspapers; those demon voices which are forever whispering in your ear what you should desire, what you should fear, what you should wear and eat and drink and enjoy, what you should think and do and be. They have planned a life for you – from the cradle to the grave and beyond – which it would be easy, fatally easy, to accept. The least wandering of the attention, the least relaxation of your awareness, and already the eyelids begin to droop, the eyes grow vacant, the body starts to move in obedience to the hypnotist’s command. Wake up, wake up – before you sign that seven-year contract, buy that house you don’t really want, marry that girl you secretly despise. Don’t reach for the whisky, that won’t help you. You’ve got to think, to discriminate, to exercise your own free will and judgment. And you must do this, I repeat, without tension, quite rationally and calmly. For if you give way to fury against the hypnotists, if you smash the radio and tear the newspapers to shreds, you will only rush to the other extreme and fossilize into defiant eccentricity.
“The inherent contradiction of human life has now reached an extreme degree of tension”
Source: A Letter to a Hindu (1908), VI
Context: The inherent contradiction of human life has now reached an extreme degree of tension: on the one side there is the consciousness of the beneficence of the law of love, and on the other the existing order of life which has for centuries occasioned an empty, anxious, restless, and troubled mode of life, conflicting as it does with the law of love and built on the use of violence. This contradiction must be faced, and the solution will evidently not be favourable to the outlived law of violence, but to the truth which has dwelt in the hearts of men from remote antiquity: the truth that the law of love is in accord with the nature of man. But men can only recognize this truth to its full extent when they have completely freed themselves from all religious and scientific superstitions and from all the consequent misrepresentations and sophistical distortions by which its recognition has been hindered for centuries.
The Search For Common Ground : An Inquiry Into The Basis Of Man's Experience Of Community (1971), p. 6
Context: In the conflicts between man and man, between group and group, between nation and nation, the loneliness of the seeker for community is sometimes unendurable. The radical tension between good and evil, as man sees it and feels it, does not have the last word about the meaning of life and the nature of existence. There is a spirit in man and in the world working always against the thing that destroys and lays waste. Always he must know that the contradictions of life are not final or ultimate; he must distinguish between failure and a many-sided awareness so that he will not mistake conformity for harmony, uniformity for synthesis. He will know that for all men to be alike is the death of life in man, and yet perceive harmony that transcends all diversities and in which diversity finds its richness and significance.
In "Audio Commentary with Writer/Director Patricia Rozema" on Mansfield Park DVD (2000)
Context: I believe in tension and release, in that if you stay in the the same tone and mode and intensity for too long, it actually becomes monotonous. When you change up your pace or your humour level, then the release is welcome. … I believe that's my biggest job: tone control, and maintaining enough unity so that it all feels like one movie and all the scenes belong together, and yet diversity so that emotional and narrative interest is maintained.
"Classical and Baroque Sex in Everyday Life" (1979), Beginning To See the Light: Pieces of a Decade (1981)
Context: There are two kinds of sex, classical and baroque. Classical sex is romantic, profound, serious, emotional, moral, mysterious, spontaneous, abandoned, focused on a particular person, and stereotypically feminine. Baroque sex is pop, playful, funny, experimental, conscious, deliberate, amoral, anonymous, focused on sensation for sensation's sake, and stereotypically masculine. The classical mentality taken to an extreme is sentimental and finally puritanical; the baroque mentality taken to an extreme is pornographic and finally obscene. Ideally, a sexual relation ought to create a satisfying tension between the two modes (a baroque idea, particularly if the tension is ironic) or else blend them so well that the distinction disappears (a classical aspiration).
Source: Letter to his daughter (1978), p. 15.
Context: What gift can I give you from this cell out of which my hand cannot pass? I give you the hand of the people. What celebration can I hold for you? I give you the celebration of a celebrated memory and a celebrated name. You are the heir to and inheritor of the most ancient civilization. Please make your full contribution to making this ancient civilization the most progressive and the most powerful. By progressive and powerful I do not mean the most dreaded. A dreaded society is not a civilized society. The most progressive and powerful society in the civilized sense, is a society which has recognized its ethos, and come to terms with the past and the present, with religion and science, with modernism and mysticism, with materialism and spirituality; a society free of tension, a society rich in culture. Such a society cannot come with hocus-pocus formulas and with fraud. It has to flow from the depth of a divine search. In other words, a classless society has to emerge but not necessarily a Marxist society. The Marxist society has created its own class structure.
Technopoly: the Surrender of Culture to Technology (1992)
Context: Two opposing world-views — the technological and the traditional — coexisted in uneasy tension. The technological was the stronger, of course, but the traditional was there — still functional, still exerting influence... This is what we find documented not only in Mark Twain but in the poetry of Walt Whitman, the speeches of Abraham Lincoln, the prose of Thoreau, the philosophy of Emerson, the novels of Hawthorne and Melville, and, most vividly of all, in Alexis de Tocqueville's monumental Democracy in America. In a word, two distinct thought-worlds were rubbing against each other in nineteenth-century America.
“Those two seemingly contradictory attitudes are, though, in some tension.”
Source: The Demon-Haunted World : Science as a Candle in the Dark (1995), Ch. 17 : The Marriage of Skepticism and Wonder
Context: At the heart of science is an essential balance between two seemingly contradictory attitudes - an openness to new ideas, no matter how bizarre or counterintuitive, and the most ruthlessly skeptical scrutiny of all ideas, old and new. This is how deep truths are winnowed from deep nonsense. The collective enterprise of creative thinking and skeptical thinking, working together, keeps the field on track. Those two seemingly contradictory attitudes are, though, in some tension.
1960s, Letter from a Birmingham Jail (1963)
Context: You may well ask: "Why direct action? Why sit ins, marches and so forth? Isn't negotiation a better path?" You are quite right in calling for negotiation. Indeed, this is the very purpose of direct action. Nonviolent direct action seeks to create such a crisis and foster such a tension that a community which has constantly refused to negotiate is forced to confront the issue. It seeks so to dramatize the issue that it can no longer be ignored. My citing the creation of tension as part of the work of the nonviolent resister may sound rather shocking. But I must confess that I am not afraid of the word "tension." I have earnestly opposed violent tension, but there is a type of constructive, nonviolent tension which is necessary for growth. Just as Socrates felt that it was necessary to create a tension in the mind so that individuals could rise from the bondage of myths and half truths to the unfettered realm of creative analysis and objective appraisal, so must we see the need for nonviolent gadflies to create the kind of tension in society that will help men rise from the dark depths of prejudice and racism to the majestic heights of understanding and brotherhood. The purpose of our direct action program is to create a situation so crisis packed that it will inevitably open the door to negotiation.
The Captive Mind (1953)
Context: The pressure of an all-powerful totalitarian state creates an emotional tension in its citizens that determines their acts. When people are divided into "loyalists" and "criminals" a premium is placed on every type of conformist, coward, and hireling; whereas among the "criminals" one finds a singularly high percentage of people who are direct, sincere, and true to themselves.
How to Understand Politics: What the Humanities Can Say to Science (2007)
Context: The simplified notion of self-interest used by our political and social science cannot tolerate the tension between one’s own and the good, for that tension leaves human behavior unpredictable. One cannot penetrate into every individual’s private thoughts, and there is no clear way to judge among different conceptions of the good. So in order to overcome the tension, science tries to combine one’s own and the good in such a way as to preserve neither. It generalizes one’s own as the interest of an average or, better to say, predictable individual who lives his life quantifiably so as to make its study easier for the social scientist. And for the same purpose it vulgarizes the good by eliminating the high and the mighty in our souls (not to mention the low and vicious), transforming our aspiration to nobility and truth into personal preferences of whose value science is incognizant, to which it is indifferent.
Travis McGee series, The Deep Blue Good-by (1964)
Context: These are the playmate years, and they are demonstrably fraudulent. The scene is reputed to be acrawl with adorably amoral bunnies to whom sex is a pleasant social favor. The new culture. And they are indeed present and available, in exhausting quantity, but there is a curious tastelessness about them. A woman who does not guard and treasure herself cannot be of much value to anyone else. They become a pretty little convenience, like a guest towel. And the cute little things they say, and their dainty little squeals of pleasure and release are as contrived as the embroidered initials on the guest towels. Only a woman of pride, complexity and emotional tension is genuinely worthy of the act of love, and there are only two ways to get yourself one of them. Either you lie, and stain the relationship with your own sense of guile, or you accept the involvement, the emotional responsibility, the permanence she must by nature crave. I love you can be said only two ways.
The Varieties of Scientific Experience: A Personal View of the Search for God (2006)
“Tension is something I have plenty of in life. I don't need it elsewhere.”
Strange Horizons interview (2008)
Context: I never read an author twice if I can't trust him or her to make it come out right. I never read an author twice if he writes the kind of books where everyone and everything is in tension from page one to the last paragraph of the last page, like that dreadful TV show, 24. Tension is something I have plenty of in life. I don't need it elsewhere.
David Bomberg "The Bomberg Papers", ed. Patrick Swift, X: A Quarterly Review, Vol 1, No 3, June 1960
Context: Speaking generally Art endevours to reveal what is true and needs to be free. All things said regarding Art are subject to contradiction. An artist whose integrity sustains his strength to make no compromise with expediency is never degraded. His life work will resemble the integrating character of the primaries in the Spectrum. At the beginning, of the middle period, and at the end… I approach drawing solely for structure. I am perhaps the most unpopular artist in England – and only because I am draughtsman first and painter second. Drawing demands a theory of approach, until good drawing becomes habit – it denies all rules. It requires high discipline… Drawing demands freedom, freedom demands liberty to expand in space – this is progress. By the extension of democracy – good draughtsmanship is – Democracy’s visual sign. To draw with integrity replaces bad habits with good, youth preserved from corruption. The hand works at high tension and organises as it simplifies, reducing to barest essentials, stripping all irrelevant matter obstructing the rapidly forming organisation which reveals the design. This is drawing.
Writing and Being (1991)
Context: I have said that nothing factual that I write or say will be as truthful as my fiction. The life, the opinions, are not the work, for it is in the tension between standing apart and being involved that the imagination transforms both. Let me give some minimal account of myself. I am what I suppose would be called a natural writer. I did not make any decision to become one. I did not, at the beginning, expect to earn a living by being read. I wrote as a child out of the joy of apprehending life through my senses — the look and scent and feel of things; and soon out of the emotions that puzzled me or raged within me and which took form, found some enlightenment, solace and delight, shaped in the written word.
“I think there's a real tension between sophistication and accessibility.”
interview with Locus Magazine, June 2008
Context: Writers are a basically insecure bunch. We are convinced that everything we do sucks, all the time. It's something you have to fight. The best way to make sure that your writing will never be particularly good is to use it for something besides telling the story. And I think there's a real tension between sophistication and accessibility.
"For the Defense Written for the Associated Press, for use in my obituary" (20 November 1940)
1940s–present
Context: Having lived all my life in a country swarming with messiahs, I have been mistaken, perhaps quite naturally, for one myself, especially by the others. It would be hard to imagine anything more preposterous. I am, in fact, the complete anti-Messiah, and detest converts almost as much as I detest missionaries. My writings, such as they are, have had only one purpose: to attain for H. L. Mencken that feeling of tension relieved and function achieved which a cow enjoys on giving milk. Further than that, I have had no interest in the matter whatsoever. It has never given me any satisfaction to encounter one who said my notions had pleased him. My preference has always been for people with notions of their own. I have believed all my life in free thought and free speech—up to and including the utmost limits of the endurable.
All for Australia (1984)
On the benefits of being a musician in “Drummer Pete Escovedo will stick with what he knows at Thornton Winery” https://www.pe.com/2017/07/06/drummer-pete-escovedo-will-stick-with-what-he-knows-at-thornton-winery/ in The Press-Enterprise (2017 Jul 6)
Source: Pakistan or The Partition of India (1946), Chapter 7
Trump Must Not Be Allowed to Use Gulf of Oman Incidents as 'Pretext for Illegal War With Iran': Bernie Sanders, Common Dreams, Andrea Germanos, https://www.commondreams.org/news/2019/06/14/trump-must-not-be-allowed-use-gulf-oman-incidents-pretext-illegal-war-iran-bernie (14 June 2019)
2010s, 2019, June 2019
1960s, Letter from a Birmingham Jail (1963)
Vince Cable warns inherited wealth is fuelling inequality https://www.bbc.co.uk/news/uk-politics-41168093, BBC News, 6 September 2017
2017
The Theosophist (October 1914)
Plaid Cymru's Leanne Wood: Legislate for more women AMs https://www.bbc.co.uk/news/uk-wales-politics-21550495, BBC News, 24 February 2013
2013
Der Totalkrieg (Berlin, 1933), quoted in W. W. Coole (ed.), Thus Spake Germany (London: George Routledge & Sons, 1941), p. 139
Source: Looking Backward, 2000-1887 http://www.gutenberg.org/ebooks/25439 (1888), Ch. 1.
To achieve this control, one may employ what Kenneth Burke has called "symbolic strategies" -- that is, ways of reclassifying our experiences so that they are "encompassed" and easier to bear. Whether by processes of "pouring out one's heart" or by "symbolic strategies" or by other means, we may employ symbolizations as mechanisms of relief when the pressures of a situation become intolerable. </SPAN>
Source: Language in Thought and Action (1949), Bearing the Unbearable, p. 144-145
2000s, Newsweek interview (2002)
Chap. 1 : Master Your Emotional Self
The Laws of Human Nature (2018)
Chap. 3 : See Through People’s Masks
The Laws of Human Nature (2018)
Chap. 3 : See Through People’s Masks
The Laws of Human Nature (2018)
On how migrant workers benefit Mexico in some way in “INTERVIEWS: Luis Alberto Urrea” https://bookpage.com/interviews/8248-luis-alberto-urrea-nonfiction#.XcMKh7lKjcs in BookPage (April 2004)