Quotes about talk
page 36

David Cameron photo

“I want to talk about the future. He was the future once.”

David Cameron (1966) Former Prime Minister of the United Kingdom

On the subject of Tony Blair at Prime Minister's Question Time (7 December 2005)
2000s, 2005

Julia Stiles photo
Phil Brooks photo

“Punk: [after hearing John Laurinaitis propose a WWE Championship match at Survivor Series against Alberto Del Rio] Okay, pardon me for not being all smiles, that's exactly what I want, but… what's the catch? You gonna make it a handicap match, or is Ricardo Rodriguez the special guest referee? No, are you gonna be the special guest ring announcer with your majestic voice?
Laurinaitis: Punk, there's only one thing you have to do.
Punk: There's one thing I have to do… for you. I have to do something for you to get a title shot? Let me guess—I gotta re-grip your skateboard, you need new ball bearings?
Laurinaitis: You know what, Punk? I know you don't like me, okay? And that's okay. I'm not playing the part of Executive Vice President of Talent Relations, I am the Executive Vice President of Talent Relations and the General Manager of Raw. So in order for me to make it official, you need to tell me in front of the WWE Universe that you respect me. Tell me that you respect me.
Punk: Are you Aretha Franklin? You want me to tell these people I respect you when I know clearly that you don't respect me 'cause I don't wear a bourgeois suit and I don't tow the company line? You wanna talk about respect? Respect, Johnny, is earned, it isn't just given. And you're gonna come out here and say that when you're in charge, this place… this place is just oh so run like a tight ship. Have you watched the product? We've got rings collapsing, you got Kevin Nash interfering in every other match of mine; this place isn't any better with you in charge. How's that for respect?
Laurinaitis: Punk, you're about to make a big mistake. Okay, swallow your pride, stand up like a man, and tell me that you respect me.
Punk: Okay. All right. Don't get hot. [Imitating Laurinaitis] I respect you, Funk-man. That all right? Was that good enough?
Laurinaitis: I tell you what, Punk. You've got one more chance to show me and tell me you respect me, and I mean it.
Punk: Okay, Mr. Laurinaitis, sir, Executive Vice President of Talent Relations and interim Raw General Manager. I respect you. I respect the fact that each week, you come out here in front of the millions of fans in the WWE Universe, live on the USA Network, with this awesome, completely lost deer-in-the-headlights look on your face; I respect the fact that you don't know how close to hold the microphone to your mouth when you speak; I respect the fact that you used to compete in this ring with your awesome Kentucky waterfall mullet, and you were never any good, but you somehow still ascended to the top of the WWE corporate structure, showing the world new-found levels of brown-nosery; but above all, I respect the fact that never before in this business has somebody with so little done so much! I respect you! How's that sound?! Does that sound good enough for you?!”

Phil Brooks (1978) American professional wrestler and mixed martial artist

October 24, 2011
WWE Raw

Herman Wouk photo
Andrew S. Tanenbaum photo

“While most people can talk rationally about kernel design and portability, the issue of free-ness is 100% emotional.”

Andrew S. Tanenbaum (1944) Dutch computer scientist

In a Usenet message, 3 Feb 1992.
The "Linux is Obsolete" Debate

Richard Rodríguez photo
Björk photo

“I was talking to a friend about it recently and I told him that the thing about making that film that upset me most was how cruel Lars is to the woman he is working with. Not that I can't take it, because I'm pretty tough and completely capable of defending myself, but because my ideals of the ultimate creator were shattered. And my friend said "What did you expect? All major directors are "sexist", a maker is not necessarily an expert in human rights or female/male equality!
My answer was that you can take quite sexist film directors like Woody Allen or Stanley Kubrick and still they are the one that provide the soul to their movies. In Lars von Trier's case it is not so and he knows it. He needs a female to provide his work soul. And he envies them and hates them for it. So he has to destroy them during the filming. And hide the evidence. What saves him as an artist, though, is that he is so painfully honest that even though he will manage to cover up his crime in the "real" world (he is a genius to set things up that everybody thinks it is just his female-actress-at-the-moment imagination, that she is just hysterical or pre-menstrual), his films become a documentation of this "soul-robbery.”

Björk (1965) Icelandic singer-songwriter

Breaking the Waves is the clearest example of that.
bjork."
From the www.bjork.com http://www.bjork.com 4um, posted by Björk in response to a question about her conflict with director Lars von Trier during the production of Dancer in the Dark.
Other quotes

Arthur James Balfour photo

“The General Strike has taught the working class more in four days than years of talking could have done.”

Arthur James Balfour (1848–1930) British Conservative politician and statesman

Speech (7 May 1926), reported in The Observer (14 November 1926), quoted in Robert Andrews, The New Penguin Dictionary of Modern Quotations (2003)

/ Lord President of the Council

Jean Paul Sartre photo

“The anti‐Semite understands nothing about modern society. He would be incapable of conceiving of a constructive plan; his action cannot reach the level of the methodical; it remains on the ground of passion. To a long‐term enterprise he prefers an explosion of rage analogous to the running amuck of the Malays. His intellectual activity is confined to interpretation; he seeks in historical events the signs of the presence of an evil power. Out of this spring those childish and elaborate fabrications which give him his resemblance to the extreme paranoiacs. In addition, anti‐Semitism channels evolutionary drives toward the destruction of certain men, not of institutions. An anti‐Semitic mob will consider it has done enough when it has massacred some Jews and burned a few synagogues. It represents, therefore, a safety valve for the owning classes, who encourage it and thus substitute for a dangerous hate against their regime a beneficent hate against particular people. Above all this naive dualism is eminently reassuring to he anti‐Semite himself. If all he has to do is to remove Evil, that means that the Good is already given. He has no need to seek it in anguish, to invent it, to scrutinize it patiently when he has found it, to prove it in action, to verify it by its consequences, or, finally, to shoulder he responsibilities of the moral choice be has made. It is not by chance that the great outbursts of anti‐Semitic rage conceal a basic optimism. The anti‐Semite as cast his lot for Evil so as not to have to cast his lot for Good. The more one is absorbed in fighting Evil, he less one is tempted to place the Good in question. One does not need to talk about it, yet it is always understood in the discourse of the anti‐Semite and it remains understood in his thought. When he has fulfilled his mission as holy destroyer, the Lost Paradise will reconstitute itself. For the moment so many tasks confront the anti‐Semite that he does not have time to think about it. He is in the breach, fighting, and each of his outbursts of rage is a pretext to avoid the anguished search for the Good.”

Pages 31-32
Anti-Semite and Jew (1945)

James K. Morrow photo

“The extravagant and ostentatious lifestyles that pass for charisma in a time when almost anybody talks about charisma but if you think about it there's precious little to be seen.”

Lester Bangs (1948–1982) American music critic and journalist

"James Taylor Marked for Death" (1971), p. 69
Psychotic Reactions and Carburetor Dung (1988)

Erwin Schrödinger photo
Jakaya Kikwete photo

“I’m not sure. I’m not sure if you talk to the opposition, they would consider that to be an insult. They think they are doing a tremendous job.”

Jakaya Kikwete (1950) Tanzanian politician and president

Regarding his Party's dominance as a one-party state.
Interviews, Interview with Financial Times, 2007-10-04 http://www.ft.com/cms/s/0/d8a07e28-72a3-11dc-b7ff-0000779fd2ac.html?nclick_check1/

Winston S. Churchill photo

“I do not like to hear people talking of England, Germany and Italy forming up against European communism.”

Winston S. Churchill (1874–1965) Prime Minister of the United Kingdom

Letter to Charles Corbin (French Ambassador to Britain) (31 July 1936), quoted in Martin Gilbert, Prophet of Truth: Winston S. Churchill, 1922–1939 (London: Minerva, 1990), p. 782
The 1930s

Harry Warner photo

“Who the hell wants to hear actors talk?”

Harry Warner (1881–1958) Film studio executive

Full comment: "Who the hell wants to hear actors talk? The music — that's the big plus about this."
Harry Warner, Warner Bros., as movies with sound made their debut in 1927 ( "Tech titans wish we wouldn't quote them on this baloney" http://www.usatoday.com/money/industries/technology/maney/2005-07-05-famous-quotes_x.htm)

W. H. Auden photo
Chuck Jones photo
Donald Rumsfeld photo

“I picked up a newspaper today and I couldn't believe it. I read eight headlines that talked about chaos, violence, unrest. And it just was Henny Penny -- "The sky is falling." I've never seen anything like it! And here is a country that's being liberated, here are people who are going from being repressed and held under the thumb of a vicious dictator, and they're free. And all this newspaper could do, with eight or 10 headlines, they showed a man bleeding, a civilian, who they claimed we had shot —one thing after another.
From the very beginning, we were convinced that we would succeed, and that means that that regime would end. And we were convinced that as we went from the end of that regime to something other than that regime, there would be a period of transition. And, you cannot do everything instantaneously; it's never been done, everything instantaneously. We did, however, recognize that there was at least a chance of catastrophic success, if you will, to reverse the phrase, that you could in a given place or places have a victory that occurred well before reasonable people might have expected it, and that we needed to be ready for that; we needed to be ready with medicine, with food, with water. And, we have been.
Freedom's untidy, and free people are free to make mistakes and commit crimes and do bad things. They're also free to live their lives and do wonderful things. And that's what's going to happen here.”

Donald Rumsfeld (1932) U.S. Secretary of Defense

DOD news briefing following the fall of Baghdad (11 April 2003) http://www.defenselink.mil/transcripts/2003/tr20030411-secdef0090.html

Johann Gottlieb Fichte photo

“If you want to influence him at all, you must do more than merely talk to him; you must fashion him, and fashion him in such a way that he simply cannot will otherwise than you wish him to will.”

Addresses to the German Nation (1807), Second Address : "The General Nature of the New Education". Chicago and London, The Open Court Publishing Company, 1922, p. 21
Paraphrased variant: The schools must fashion the person, and fashion him in such a way that he simply cannot will otherwise than what you wish him to will.

Sandra Fluke photo

“I do not sell out my personality. I represent views. I utter opinions. Let us talk about that! That should be the topic, not my personality! It is only a frame. A framework. Which does not deserve either attention, adoration, or love.”

Róbert Puzsér (1974) hungarian publicist

Én nem a személyiségemet árulom. Én álláspontokat képviselek. Véleményt mondok. Erről beszéljünk! Ez legyen a téma, ne az én egyéniségem! Az egy váz. Egy keretrendszer. Nem érdemes sem figyelemre, sem rajongásra, sem szeretetre. (Puzsér Róbert: "Én egy őrkutya vagyok"
Szily Nóra interjúja, life.hu, 2012. április 10.)
Quotes from him, Interviews

Chetan Bhagat photo
Colin Wilson photo
Jim Breuer photo

“Women are still a relative rarity in rock bands, and studies of women's experiences with pop and rock music have indicated that girls are socialized to pop and rock music differently from boys: boys and young men tend to learn songs by ear and talk about popular music's technical aspects, while girls and young women tend to focus on lyrics rather than on equipment and instrumentation, and to resist learning songs by ear. Miki Bernyi's experience testifies to the truthfulness of those findings:”

'Girls don't have the patience to spend six years learning someone else's music. Me and Emma [Anderson] can't jam because we only know how to play our own songs. Jamming's more of a boy's thing....I think that women play more imaginatively because they learn to play while they're writing songs, instead of waiting to be technically good first.'
Quoted in Evans, 1994, p. 44.

Ward Churchill photo
Phillip Guston photo
Clifford D. Simak photo
Halldór Laxness photo
J. R. D. Tata photo
Toby Keith photo
Carl Sagan photo
Nicholas Sparks photo
Sarah Palin photo

“What I think Americans at the end of the day are going to be able to go back and look at track records and see who's more apt to be talking about solutions and wishing for and hoping for solutions for some opportunity to change, and who’s actually done it.”

Sarah Palin (1964) American politician

Television interview http://www.cbsnews.com/stories/2008/09/24/eveningnews/main4476173.shtml with Katie Couric, CBS Evening News ()
Posed question: But polls have shown that Sen. Obama has actually gotten a boost as a result of this latest crisis, with more people feeling that he can handle the situation better than John McCain.
2008, 2008 interviews with Katie Couric

Henry Suso photo
David Cameron photo
E.M. Forster photo
Wendy Doniger photo
Bill Maher photo
Arthur Schopenhauer photo

“Others … are in the habit of teaching that religion and philosophy are really the same thing. Such a statement, however, appears to be true only in the sense in which Francis I is supposed to have said in a very conciliatory tone with reference to Charles V: ‘what my brother Charles wants is also what I want’, namely Milan. Others again do not stand on such ceremony, but talk bluntly of a Christian philosophy, which is much the same as if we were to speak of a Christian arithmetic, and this would be stretching a point. Moreover, epithets taken from such dogmas are obviously unbecoming of philosophy, for it is devoted to the attempt of the faculty of reason to solve by its own means and independently of all authority the problem of existence.”

Andere wieder, von diesen Wahrheitsforschern, schmelzen Philosophie und Religion zu einem Kentauren zusammen, den sie Religionsphilosophie nennen; Pflegen auch zu lehren, Religion und Philosophie seien eigentlich das Selbe;—welcher Sah jedoch nur in dem Sinne wahr zu seyn scheint, in welchem Franz I., in Beziehung auf Karl V., sehr versöhnlich gesagt haben soll: „was mein Bruder Karl will, das will ich auch,”—nämlich Mailand, Wieder andere machen nicht so viele Umstände, sondern reden geradezu von einer Christlichen Philosophie;—welches ungefähr so herauskommt, wie wenn man von einer Christlichen Arithmetik reden wollte, die fünf gerade seyn ließe. Dergleichen von Glaubenslehren entnommene Epitheta sind zudem der Philosophie offenbar unanständig, da sie sich für den Versuch der Vernunft giebt, aus eigenen Mitteln und unabhängig von aller Auktorität das Problem des Daseyns zu lösen.
Sämtliche Werke, Bd. 5, p. 155, E. Payne, trans. (1974) Vol. 1, pp. 142-143
Parerga and Paralipomena (1851), On Philosophy in the Universities

Max Born photo
Thomas Carlyle photo
Tyra Banks photo

“I was embarrassed when a businessman friend asked, 'What's the yearly budget of your talk show? What's the per-episode budget?' And I looked at him with these blank, typical-model eyes and said, 'I don't know.' I call myself a businesswoman and I don't know that? So that is my goal next year--to really dissect the budget.”

Tyra Banks (1973) American model, author and television personality

Kiri Blakeley (July 3, 2006) "Celebrity 100: Tyra Banks On It" http://www.forbes.com/free_forbes/2006/0703/120.html, Forbes, Forbes.com LLC.

George Washington Carver photo
Antonio Sabàto Jr. photo

“I think this country allows you freedom of speech. Anybody should be allowed to say whatever they want. When you’re in my business, you can’t talk about [conservative] politics. You just can’t. You’re attacked viciously in a way that I’ve never been attacked before.”

Antonio Sabàto Jr. (1972) American actor and model

Antonio Sabato Jr. Says Hollywood is Blacklisting Him for Supporting Donald Trump http://variety.com/2016/film/news/antonio-sabato-jr-blacklisted-for-supporting-donald-trump-republican-1201829791/ (August 3, 2016)

Ingmar Bergman photo

“Winter Light — suppose we discuss that now?… The film is closely connected with a particular piece of music: Stravinski's A Psalm Symphony. I heard it on the radio one morning during Easter, and it struck me I'd like to make a film about a solitary church on the plains of Uppland. Someone goes into the church, locks himself in, goes up to the altar, and says: 'God, I'm staying here until in one way or another You've proved to me You exist. This is going to be the end either of You or of me!' Originally the film was to have been about the days and nights lived through by this solitary person in the locked church, getting hungrier and hungrier, thirstier and thirstier, more and more expectant, more and more filled with his own experiences, his visions, his dreams, mixing up dream and reality, while he's involved in this strange, shadowy wrestling match with God.
We were staying out on Toro, in the Stockholm archipelago. It was the first summer I'd had the sea all around me. I wandered about on the shore and went indoors and wrote, and went out again. The drama turned into something else; into something altogether tangible, something perfectly real, elementary and self-evident.
The film is based on something I'd actually experienced. Something a clergyman up in Dalarna told me: the story of the suicide, the fisherman Persson. One day the clergyman had tried to talk to him; the next, Persson had hanged himself. For the clergyman it was a personal catastrophe.”

Ingmar Bergman (1918–2007) Swedish filmmaker

Jonas Sima interview <!-- pages 173-174 -->
Bergman on Bergman (1970)

Jordan Peterson photo

“Partly what you need to do is decide what your highest value is. It's the star. What are you aiming for? You can decide. But there are some criteria. It should be good for you in a way that facilitates your moving forward. Maybe it should be good for you in a way that's also good for your family, as well as for the larger community. It should cover the domain of life. There's constraints on what you should regard as a value, but within those constraints you have the choice. You have choice. The thing is that people will carry a heavy load if they get to pick the load. And they think, 'well, I won't carry any load.' Ok, fine, but then you'll be like the slead dog that has nothing to pull. You'll get bored. People are pack animals. They need to pull against a wait. And that's not true for everyone. It's not true for conscientious people. For the typical person, they'll eat themselves up unless they have a load. This is why there's such an opiate epidemic among so many dispossessed white, middle aged, unemployed men in the U. S. They lose their job, and then they're done. They despise themselves. They develop chronic pain syndromes and depression. And the chronic pain is treated with opiates. That's what we're doing. And you should watch when you talk to young men about responsibility. They're so thrilled about it. It just blows me away. Really?! That's what the counter-culture is? Grow up and do something useful. Really? I can do that? Oh, I'm so excited by that idea. No one ever mentioned that before. Rights, rights, rights, rights. Jesus. It's appalling. People have had enough of that. And they better have, because it's a non-productive mode of being. Responsibility, man. That's where the meaning in life is.”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

Concepts

Johann Wolfgang von Goethe photo

“Talking is a necessity, listening is an art.”

Johann Wolfgang von Goethe (1749–1832) German writer, artist, and politician

Reden ist uns ein Bedürfnis, Zuhören ist eine Kunst.
According to http://falschzitate.blogspot.de/2017/04/reden-ist-uns-ein-bedurfnis-zuhoren-ist.html pure invention.
Misattributed

Christopher Hitchens photo

“Not all monotheisms are exactly the same, at the moment. They're all based on the same illusion, they're all plagiarisms of each other, but there is one in particular that at the moment is proposing a serious menace not just to freedom of speech and freedom of expression, but to quite a lot of other freedoms too. And this is the religion that exhibits the horrible trio of self-hatred, self-righteousness and self-pity. I am talking about militant Islam. Globally it's a gigantic power. It controls an enormous amount of oil wealth, several large countries and states, with an enormous fortune it's pumping the ideologies of wahhabism and salafism around the world, poisoning societies where it goes, ruining the minds of children, stultifying the young in its madrassas, training people in violence, making a cult of death and suicide and murder. That's what it does globally, it's quite strong. In our societies it poses as a cringing minority, whose faith you might offend, who deserves all the protection that a small and vulnerable group might need. Now, it makes quite large claims for itself, doesn't it? It says it's the Final Revelation. It says that God spoke to one illiterate businessman – in the Arabian Peninsula – three times through an archangel, and that the resulted material, which as you can see as you read it is largely plagiarized ineptly from the Old…and The New Testament, is to be accepted as the Final Revelation and as the final and unalterable one, and that those who do not accept this revelation are fit to be treated as cattle infidels, potential chattel, slaves and victims. Well I tell you what, I don't think Muhammad ever heard those voices. I don't believe it. And the likelihood that I am right – as opposed to the likelihood that a businessman who couldn't read, had bits of the Old and The New Testament re-dictated to him by an archangel, I think puts me much more near the position of being objectively correct. But who is the one under threat? The person who promulgates this and says I'd better listen because if I don't I'm in danger, or me who says "no, I think this is so silly you can even publish a cartoon about it"? And up go the placards and the yells and the howls and the screams – this is in London, this is in Toronto, this is in New York, it's right in our midst now – "Behead those who cartoon Islam". Do they get arrested for hate speech? No. Might I get in trouble for saying what I just said about the prophet Muhammad? Yes, I might. Where are your priorities ladies and gentlemen? You're giving away what is most precious in your own society, and you're giving it away without a fight, and you're even praising the people who want to deny you the right to resist it. Shame on you why you do this. Make the best use of the time you've got left. This is really serious. … Look anywhere you like for the warrant for slavery, for the subjection of women as chattel, for the burning and flogging of homosexuals, for ethnic cleansing, for antisemitism, for all of this, you look no further than a famous book that's on every pulpit in this city, and in every synagogue and in every mosque. And then just see whether you can square the fact that the force that is the main source of hatred, is also the main caller for censorship.”

Christopher Hitchens (1949–2011) British American author and journalist

https://www.youtube.com/watch?v=jyoOfRog1EM&feature=youtu.be&t=16m36s
"Be It Resolved: Freedom of Speech Includes the Freedom to Hate", 15/11/2006.
2000s, 2006

Jon Courtenay Grimwood photo
Abby Stein photo
Ernst Kaltenbrunner photo

“Where do you think I was today? I stood straight in front of him (Himmler) for a whole hour and talked, and he… he played with a puzzle the whole time – you know, this glass cube with three balls on the inside… When I finished, he took off his pince-nez, wiped it with a handkerchief – he has a skull even on his handkerchief – and said, "Listen, Ernst! Have you by any chance, ever had a dream, where you're riding in the back of a ragged truck to who knows where, and some monsters are sitting around you?" I didn’t say anything. Then he smiled and said, "Ernst, you know, I know as well as you that no astral exists. But what do you think, if you, and even Canaris, have your own people in 'Annenerbe', shouldn’t I have my own people there as well?" I did not understand what he meant. "Think Ernst, think!" he said. I kept silent. Then he smiled and asked, "Whose man do you think is Kröger?" …Yes, Emma… It seems I'm too simple for all these intrigues… But I know that while the Führer needs me, my heart will keep beating… You know, Emma… Sometimes it seems to me, that it's not me who is alive, but it's the Führer who is living inside me…”

Ernst Kaltenbrunner (1903–1946) Austrian-born senior official of Nazi Germany executed for war crimes

To Emma, recorded by secret spy listening device WS-M/13 located in Kaltenbrunner's bedroom, 1/14/1935. Quoted in "Kröger's Revelation" - by Viktor Pelevin - 1991 - Page 277

Bawa Muhaiyaddeen photo
Anton Chekhov photo
Bruce Springsteen photo
Joe Biden photo
Woody Allen photo
James Meade photo
David Dixon Porter photo
Sam Houston photo
Prem Rawat photo
Elliott Smith photo
François de La Rochefoucauld photo
Ron Paul photo
Jodie Marsh photo

“They build people up into this huge thing on the front pages that's talked about every day, like Sienna Miller, say, and then they just turn, they have had enough of you.”

Jodie Marsh (1978) English glamour model and television personality

Interview in The Guardian, 25 January 2006 http://www.guardian.co.uk/media/2006/jan/25/broadcasting.bigbrother

Greg Bear photo

“When evenly matched, you cannot win against your enemy unless you understand them. And if you truly understand, why are you fighting and not talking?”

Greg Bear (1951) American writer best known for science fiction

Source: Short fiction, Hardfought (1983), p. 69

Thomas Jefferson photo

“[I]f the present Congress errs in too much talking, how can it be otherwise in a body to which the people send 150 lawyers, whose trade it is to question everything, yield nothing, and to talk by the hour?”

Thomas Jefferson (1743–1826) 3rd President of the United States of America

1782, reported in Henry Brougham, Baron Brougham and Vaux, Historical Sketches of Statesmen who Flourished in the Time of George III (1845), Vol. II, p. 62.
1780s

Denis Leary photo

“(talking about Marv Albert) Marv, Marv, Marv, Marv, Marv, Marv, Marv. This is God, what the HELL were you thinking?!?”

Denis Leary (1957) American actor and comedian

Standup routines, Lock 'n Load (1997)

Emily Brontë photo
Antoni Tàpies photo
Tara Subkoff photo

“We were talking about waste, throwing things away, and taking something that’s old and making it new again, putting the human hand back into a world that reeks of manufacturing. It felt very appropriate to do that in 2000.”

Tara Subkoff (1972) American actress

On her Imitation of Christ project, interview http://www.blouinartinfo.com/news/story/825182/this-is-not-a-fashion-show-accidental-designer-tara-subkoffs# with Blouinartinfo, September 2012

Jiddu Krishnamurti photo
Joan Robinson photo

“In all the talk in the Principles (as opposed to the formal analysis) it is not the saving of rentiers but the energy of entrepreneurs which governs accumulation.”

Joan Robinson (1903–1983) English economist

Source: Economic Heresies (1971), Chapter I, Stationary States, p. 14

Oprah Winfrey photo
James Taylor photo

“My belief is that "recluse" is a code word generated by journalists… meaning, "doesn't like to talk to reporters."”

Thomas Pynchon (1937) American novelist

Phone call to CNN (5 June 1997)

“It's bad to use words like 'genius' unless you are talking about the late Jean-Michel Basquiat, the black Chatterton of the 80s who, during a picturesque career as sexual hustler, addict and juvenile art-star, made a superficial mark on the cultural surface by folding the conventions of street graffiti into those of art brut before killing himself with an overdose at the age of twenty-seven. The first stage of Basquiat's fate, in the mid-80s, was to be effusively welcomed by an art industry so trivialized by fashion and blinded by money that it couldn't tell a scribble from a Leonardo. Its second stage was to be dropped by the same audience, when the novelty of his work wore off. The third was an attempt at apotheosis four years after his death, with a large retrospective at the Whitney Museum designed to sanitise his short, frantic life and position him as a kind of all-purpose, inflatable martyr-figure, thus restoring the dollar value of his oeuvre in a time of collapsing prices for American contemporary art. One contributor to the catalogue proclaimed that "Jean remains wrapped in the silent purple toga of immortality"; another opined that "he is as close to Goya as American painting has ever produced." A third, not to be outdone, extolled Basquiat's "punishing regime of self-abuse" as part of "the disciplines imposed by the principle of inverse ascetism to which he was so resolutely committed."”

Robert Hughes (1938–2012) Australian critic, historian, writer

These disciplines of inverse ascetism, one sees, mean shooting smack until you drop dead.
Page 195
Culture of Complaint (1993)

Antonio Di Pietro photo

“Today, like it or not, Hamas is a force that has as its goal the overthrow of the State of Israel. With terrorism. Do not you talk to who has not abandoned terrorism and still does not recognize Israel. I would say more … What to talk should melt. The terrorist is a terrorist.”

Antonio Di Pietro (1950) Italian politician, magistrate and lawyer

Corriere dell Sera http://archiviostorico.corriere.it/2007/agosto/15/errore_non_dialoga_coi_terroristi_co_9_070815102.shtml (17th August 2007)

Henry Fountain Ashurst photo

“But he discovered his success later, when he began to write just like he talked.”

William McKeen (1954) American academic

Source: Outlaw Journalist (2008), Chapter 5, Observer, p. 74

Joseph Arch photo
Alanis Morissette photo
David Lloyd George photo

“[The House of Lords] is the right hon. Gentleman's poodle. It fetches and carries for him. It barks for him. It bites anybody that he sets it on to. And we are told that this is a great revising Chamber, the safeguard of liberty in the country. Talk about mockeries and shams. Was there ever such a sham as that?”

David Lloyd George (1863–1945) Former Prime Minister of the United Kingdom

Speech http://hansard.millbanksystems.com/commons/1907/jun/26/house-of-lords in the House of Commons (26 June 1907)
President of the Board of Trade

Roger Ebert photo
Mohamed Al-Fayed photo

“If this planet lasts for another thousand years people will still be talking about the terrible event we are now living through.”

Mohamed Al-Fayed (1933) Egyptian businessman

On the truth about the Death of Diana, Princess of Wales and Dodi Fayed Quoted in [Nick, Cohen, http://politics.guardian.co.uk/columnist/story/0,,1973868,00.html, Why are we so hooked on conspiracies?, The Guardian, December 17, 2006, 2006-12-18]

Nora Perry photo

“They sat and combed their beautiful hair,
Their long, bright tresses, one by one,
As they laughed and talked in the chamber there,
After the revel was done.”

Nora Perry (1831–1896) American writer

After the Ball, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Anita Pallenberg photo
Ernest Bramah photo
Conor Oberst photo
Imre Kertész photo

“Hitler explained quietly that he wanted these things done. It is of interest that no one objected or talked back. It was law and it was genius speaking.”

Rudolf Mildner (1902) Chief of the Gestapo at Katowice

To Leon Goldensohn (12 February 1946). Quoted in "The Nuremberg Interviews" - by Leon Goldensohn, Robert Gellately - History - 2004