Quotes about symbol
page 5

Albert Camus photo
Raheem Kassam photo

“Insulting the hijab is also hardly Islamophobic. Indeed many in the West see the hijab as a symbol of oppression against women, and in opposing it are simply standing up for classical liberal, Western values.”

Raheem Kassam (1986) British journalist and politician

BBC Says Opposing Shariah Law Is ‘Islamophobic’ http://www.breitbart.com/london/2016/08/19/bbc-refusing-shariah-law-islamophobia/ (Aug 19, 2016)

Robert Kagan photo

“In this chapter I want to raise the question partly in jest but partly also in seriousness whether the concept of the image cannot become the abstract foundation of a new science, or at least a cross-disciplinary specialization. As I am indulging in the symbolic communication of an image of images I will even venture to give the science a name — Eiconics — hoping thereby to endow it in the minds of my readers with some of the prestige of classical antiquity. I run some risk perhaps of having my new science confused with the study of icons. A little confusion, however, and the subtle overtones of half-remembered associations are all part of the magic of the name.”

Kenneth E. Boulding (1910–1993) British-American economist

Robert A. Solo (1994) commented: "Curiously, and quite independently of the publication of the The Image, there did occur in the 1950s and in the decades that followed a revolutionary transformation of the social and behavioral sciences associated with the term structuralism, which hinged on the concept and study of the image (call it cognitive structure, or paradigm, or episteme, or ideology). This was the case in the work of Jean Piaget in psychology, of Thomas Kuhn and Michael Foucault in the history and philosophy of science, of Noam Chomsky in linguistics, of Claude Levi Strauss in anthropology, and others. Though The Image was the first and in my view by far the finest American structuralist essay, it had no visible impact on economics... The economist's image of his world is alas very difficult to penetrate and even more difficult to change."
Source: 1950s, The Image: Knowledge in Life and Society, 1956, p. 128

Ralph Ellison photo
Michael Bloomberg photo

“Government by three men in a room has turned New York State into a national symbol of governmental dysfunction. Enough is enough!”

Michael Bloomberg (1942) American businessman and politician, former mayor of New York City

http://www.gothamgazette.com/article/searchlight/20070117/203/2080
Election Reform

Alex Salmond photo
Rajiv Malhotra photo
Max Ernst photo

“A banal fever hallucination, soon obliterated and forgotten; it didn't reappear in M's memory until about thirty years later (on 10 August 1925), as he sat alone on a rainy day in a little inn by the seaside, staring at the wooden floor which had been scored by years of scrubbing, and noticed that the grain had started moving of its own accord (much like the lines on the [imitation] mahogany board of his childhood). As with the mahogany board back then, and as with visions seen between sleeping and waking, the lines formed shifting, changing images, blurred at first but then increasingly precise. Max {Ernst] decided to pursue the symbolism of this compulsory inspiration and, in order to sharpen his meditative and hallucinatory skills, he took a series of drawings from the floorboards. Letting pieces of paper drop at random on the floor, he rubbed over them with a black pencil. On careful inspection of the impressions made in this way, he was surprised by the sudden increase they produced in his visionary abilities. His curiosity was aroused. He was delighted, and began making the same type of inquiry into all sorts of materials, whatever caught his eye – leaves with their ribs, the frayed edges of sacking, the strokes of a palette knife in a 'modern' painting, thread rolling off a spool, and so forth. To quote 'Beyond Painting' These drawings, the first fruits of the frottage technique, were collected under the title 'Histoire Naturell.”

Max Ernst (1891–1976) German painter, sculptor and graphic artist

Quote in 'Biographical Notes. Tissue of truth, Tissue of Lies', 1929; as cited in Max Ernst. A Retrospective, Munich, Prestel, 1991, pp.283/284
1910 - 1935

George Boole photo

“Let x represent an act of the mind by which we fix our regard upon that portion of time for which the proposition X is true; and let this meaning be understood when it is asserted that x denote the time for which the proposition X is true. (...) We shall term x the representative symbol of the proposition X.”

George Boole (1815–1864) English mathematician, philosopher and logician

Source: 1850s, An Investigation of the Laws of Thought (1854), p. 165; As cited in: James Joseph Sylvester, ‎James Whitbread Lee Glaisher (1910) The Quarterly Journal of Pure and Applied Mathematics. p. 350

Jacob Bronowski photo
Will Eisner photo
Joyce Carol Oates photo

“Homo sapiens is the species that invents symbols in which to invest passion and authority, then forgets that symbols are inventions.”

Joyce Carol Oates (1938) American author

"The Calendar's New Clothes," New York Times (30 December 1999)

S. I. Hayakawa photo
Charles Taze Russell photo

“On June 20, 2009, twenty-six-year-old Neda Agha-Soltan was shot to death in Iran while participating in a peaceful demonstration in Tehran. Her death became a “galvanizing symbol, both within Iran and increasingly around the world,” Rachel Maddow said on MSNBC. Video images of her plight circled the globe. The same day Roger Cohen denounced the killing on the editorial page of the New York Times. Only fifteen days later, nineteen-year-old Isis Obed Murillo was shot dead by the Honduran military during a peaceful protest in Honduras. Like Agha-Soltan’s, his death was recorded in video images that circulated on the Internet. The differential media interest in US newspaper coverage was 736-8 in favor of Agha-Soltan; the TV differential was 231-1 in favor of Agha-Soltan. The dramatic video images of Murillo’s killing never caught hold in the world beyond Honduras. The social media, which had displayed such potential for organizing protest in Iran, failed to come to life in Honduras. The Propaganda Model is as strong and applicable as it was thirty years ago. […] the performance of the MSM [mainstream media] in treating the run-up to the Iraq War, the conflict with Iran, and Russia’s alleged election “meddling” and “aggression” in Ukraine and Crimea, offer case studies of biases as dramatic as those offered in the 1988 edition of Manufacturing Consent. The Propaganda Model lives on.”

Edward S. Herman (1925–2017) American journalist

the last published words in Herman’s lifetime
Herman (2017), “Still Manufacturing Consent: The Propaganda Model at Thirty” in Roth and Huffman, eds., Censored 2018. p. 221.
2010s

Jean Cocteau photo

“The ultimate politeness in art consists of speaking only to those who are able to uncover and measure its relationships. Anything else is symbolic, and symbolism is merely transcendental imagery.”

Jean Cocteau (1889–1963) French poet, novelist, dramatist, designer, boxing manager and filmmaker

Diary of an Unknown (1988)

Angela Merkel photo

“The Freedom Bell in Berlin is, like the Liberty Bell in Philadelphia, a symbol which reminds us that freedom does not come about of itself. It must be struggled for and then defended anew every day of our lives.”

Angela Merkel (1954) Chancellor of Germany

Remarks by German Chancellor Angela Merkel before a joint session of Congress on November 04, 2009. http://www.spiegel.de/international/europe/0,1518,659196,00.html
Dokumentation: Angela Merkels Rede im US-Kongress im Wortlaut http://www.welt.de/politik/ausland/article5079678/Angela-Merkels-Rede-im-US-Kongress-im-Wortlaut.html
2009

“…Once you entomb mathematics in an artificial language à la Hilbert, once you set up a completely formal axiomatic system, then you can forget that it has any meaning and just look at it as a game that you play with marks on paper that enable you to deduce theorems from axioms. You can forget about the meaning of the game, the game of mathematical reasoning, it's just combinatorial play with symbols! There are certain rules, and you can study these rules and forget that they have any meaning!”

Gregory Chaitin (1947) Argentinian mathematician and computer scientist

1999 Lecture—"A Century of Controversy over the Foundations of Mathematics" at U. Massachusetts at Lowell, quoted in [2012, Conversations with a Mathematician: Math, Art, Science and the Limits of Reason, Springer, https://books.google.com/books?id=DczTBwAAQBAJ&pg=PA15] p. 15

John F. Kennedy photo

“The green beret' is again becoming a symbol of excellence, a badge of courage, a mark of distinction in the fight for freedom. I know the United States Army will live up to its reputation for imagination, resourcefulness, and spirit as we meet this challenge.”

John F. Kennedy (1917–1963) 35th president of the United States of America

"Letter to the United States Army" (11 April 1962) http://www.jfklibrary.org/Research/Research-Aids/Ready-Reference/JFK-Quotations.aspx; Box 5, President's Outgoing Executive Correspondence, White House Central Chronological Files, Papers of John F. Kennedy, John F. Kennedy Presidential Library
1962

Philip K. Dick photo
Grady Booch photo
Michael Moorcock photo
Georges Braque photo
Corneliu Zelea Codreanu photo

“It is a new form of leadership of states, never encountered yet. I don't know what designation it will be given, but it is a new form. I think that it is based on this state of mind, this state of high national consciousness which, sooner or later, spreads to the periphery of the national organism. It is a state of inner light. What previously slept in the souls of the people, as racial instinct, is in these moments reflected in their consciousness, creating a state of unanimous illumination, as found only in great religious experiences. This state could be rightly called a state of national oecumenicity. A people as a whole reach self-consciousness, consciousness of its meaning and its destiny in the world. In history, we have met in peoples nothing else than sparks, whereas, from this point of view, we have today permanent national phenomena. In this case, the leader is no longer a 'boss' who 'does what he wants', who rules according to 'his own good pleasure': he is the expression of this invisible state of mind, the symbol of this state of consciousness. He does not do what he wants, he does what he has to do. And he is guided, not by individual interests, nor by collective ones, but instead by the interests of the eternal nation, to the consciousness of which the people have attained. In the framework of these interests and only in their framework, personal interests as well as collective ones find the highest degree of normal satisfaction.”

Corneliu Zelea Codreanu (1899–1938) Romanian politician

On the form of government he plans on creating.
For My Legionaries: The Iron Guard (1936), Politics

Stéphane Mallarmé photo
Steven Pinker photo
John Paul Stevens photo
Gloria E. Anzaldúa photo
Arthur Koestler photo
David Ben-Gurion photo

“I saw you then not only as the symbol of your people and its greatness, but as the voice of the invincible and uncompromising conscience of the human race at a time of danger to the dignity of man, created in the image of God. It was not only the liberties and the honor of your own people that you saved.”

David Ben-Gurion (1886–1973) Israeli politician, Zionist leader, prime minister of Israel

Letter to Winston Churchill on his leadership during World War II (1961), as quoted in "Churchill and the Jewish state" by Colin Shindle in The Jerusalem Post (27 December 2007) http://www.jpost.com/servlet/Satellite?cid=1198517221673&pagename=JPost%2FJPArticle%2FShowFull

Lev Leviev photo
Paolo Bacigalupi photo
J. R. D. Tata photo
Henry Adams photo
Joni Madraiwiwi photo
Sergio Leone photo

“Even in the greatest Westerns, the woman is imposed on the action, as a star, and is generally destined to be “had” by the male lead. But she does not exist as a woman. If you cut her out of the film, in a version which you can imagine, the film becomes much better. In the desert, the essential problem was to survive. Women were an obstacle to survival! Usually, the woman not only holds up the story, but she has no real character, no reality. She is a symbol. She is there without having any reason to be there, simply because one must have a woman, and because the hero must prove, in some way or another, that he has "sex-appeal."”

Sergio Leone (1929–1989) Italian film director, screenwriter and producer

Christopher Frayling, Spaghetti Westerns: Cowboys and Europeans from Karl May to Sergio Leone (1981), p. 129. Quoted in The Worlding Project: Doing Cultural Studies in the Era of Globalization (2007), ed. R. Wilson, ‎C. L. Connery, Ch. 6: "'But I Did Not Shoot the Deputy': Dubbing the Yankee Frontier" by Louis Chude-Sokei, pp. 158–159, as well as in The A to Z of Westerns in Cinema (2009) by Paul Varner, p. 198, and in The Quick, the Dead and the Revived: The Many Lives of the Western Film (2016) by Joseph Maddrey, p. 104.

“It is one thing to say that the dwelling has symbolic and cosmological aspects… and another to say that it has been erected for ritual purposes and is neither shelter nor dwelling but a temple.”

Anatol Rapoport (1911–2007) Russian-born American mathematical psychologist

Anatol Rapoport (1969:40); As quoted in: Michael Parker Pearson, ‎Colin Richards (2003) Architecture and Order: Approaches to Social Space. p. 49 : Commented on the theory of religious origin
1960s

P. D. Ouspensky photo
Mark Tobey photo

“Reality must be expressed by a physical symbol.”

Mark Tobey (1890–1976) American abstract expressionist painter

Bahai lecture, New York, October 30, 1951; as quoted in Abstract Expressionist Painting in America, W.C, Seitz, Cambridge Massachusetts, 1983, p. 10
1950's

Duncan Gregory photo

“There are a number of theorems in ordinary algebra, which, though apparently proved to be true only for symbols representing numbers, admit of a much more extended application. Such theorems depend only on the laws of combination to which the symbols are subject, and are therefore true for all symbols, whatever their nature may be, which are subject to the same laws of combination. The laws with which we have here concern are few in number, and may be stated in the following manner. Let a, b represent two operations, u, v two subjects on which they operate, then the laws are
(1) ab(u) = ba (u),
(2) a(u + v) = a (u) + a (v),
(3) am. an. u = am + n. u.
The first of these laws is called the commutative law, and symbols which are subject to it are called commutative symbols. The second law is called distributive, and the symbols subject to it distributive symbols. The third law is not so much a law of combination of the operation denoted by a, but rather of the operation performed on a, which is indicated by the index affixed to a. It may be conveniently called the law of repetition, since the most obvious and important case of it is that in which m and n are integers, and am therefore indicates the repetition m times of the operation a.”

Duncan Gregory (1813–1844) British mathematician

That these are the laws employed in the demonstration of the principal theorems in Algebra, a slight examination of the processes will easily shew ; but they are not confined to symbols of numbers ; they apply also to the symbol used to denote differentiation.
p. 237 http://books.google.com/books?id=8lQ7AQAAIAAJ&pg=PA237; Highlighted section cited in: George Boole " Mr Boole on a General Method in Analysis http://books.google.com/books?pg=PA225-IA15&id=aGwOAAAAIAAJ&hl," Philosophical Transactions, Vol. 134 (1844), p. 225; Other section (partly) cited in: James Gasser (2000) A Boole Anthology: Recent and Classical Studies in the Logic of George Boole,, p. 52
Examples of the processes of the differential and integral calculus, (1841)

Antoni Tàpies photo
Arthur Koestler photo
Werner Heisenberg photo

“Modern positivism…expresses criticism against the naïve use of certain terms… by the general postulate that the question whether a given sentence has any meaning… should always be thoroughly and critically examined. This… is derived from mathematical logic. The procedure of natural science is pictured as an attachment of symbols to the phenomena. The symbols can, as in mathematics, be combined according to certain rules… However, a combination of symbols that does not comply with the rules is not wrong but conveys no meaning.
The obvious difficulty in this argument is the lack of any general criterion as to when a sentence should be considered meaningless. A definite decision is possible only when the sentence belongs to a closed system of concepts and axioms, which in the development of natural science will be rather the exception than the rule. In some case the conjecture that a certain sentence is meaningless has historically led to important progress… new connections which would have been impossible if the sentence had a meaning. An example… sentence: "In which orbit does the electron move around the nucleus?"”

Werner Heisenberg (1901–1976) German theoretical physicist

But generally the positivistic scheme taken from mathematical logic is too narrow in a description of nature which necessarily uses words and concepts that are only vaguely defined.
Physics and Philosophy (1958)

Nur Muhammad Taraki photo
Robinson Jeffers photo

“Here is a symbol in which
Many high tragic thoughts
Watch their own eyes.”

Robinson Jeffers (1887–1962) American poet

"Rock and Hawk" in Solstice and Other Poems (1935)

Artur Balder photo

“Little Spain is a symbol of the first attempt of a successful Hispanic immigration process to the United States … Almost no one knows that there was a "Little Spain" in Manhattan, just like there's a "Little Italy."”

Artur Balder (1974) Spanish film director

That's what's fascinating.
As quoted in "Artur Balder details Hispanic immigration documentary Little Spain" by Annie Martin at UPI (25 November 2014) http://www.upi.com/Entertainment_News/Movies/2014/11/25/Artur-Balder-details-Hispanic-immigration-documentary-Little-Spain/3261416930429/

Ralph Vary Chamberlin photo
Mark Rothko photo
Marianne Moore photo

“O to be a dragon,
a symbol of the power of Heaven — of silkworm
size or immense; at times invisible.
Felicitous phenomenon!”

Marianne Moore (1887–1972) American poet and writer

"O To Be A Dragon" in O To Be A Dragon (1957)
Poetry

Eric Hobsbawm photo
Shah Jahan photo
Burkard Schliessmann photo
Laurie Penny photo
Jacob Bronowski photo
Joseph Beuys photo
Joseph Massad photo
Amir Taheri photo
George Bernard Shaw photo
Michael Moorcock photo
Robert A. Heinlein photo
Martin Luther King, Jr. photo

“I must say that when my Southern Christian Leadership Conference began its work in Birmingham, we encountered numerous Negro church reactions that had to be overcome. Negro ministers were among other Negro leaders who felt they were being pulled into something that they had not helped to organize. This is almost always a problem. Negro community unity was the first requisite if our goals were to be realized. I talked with many groups, including one group of 200 ministers, my theme to them being that a minister cannot preach the glories of heaven while ignoring social conditions in his own community that cause men an earthly hell. I stressed that the Negro minister had particular freedom and independence to provide strong, firm leadership, and I asked how the Negro would ever gain freedom without his minister's guidance, support and inspiration. These ministers finally decided to entrust our movement with their support, and as a result, the role of the Negro church today, by and large, is a glorious example in the history of Christendom. For never in Christian history, within a Christian country, have Christian churches been on the receiving end of such naked brutality and violence as we are witnessing here in America today. Not since the days of the Christians in the catacombs has God's house, as a symbol, weathered such attack as the Negro churches.
I shall never forget the grief and bitterness I felt on that terrible September morning when a bomb blew out the lives of those four little, innocent girls sitting in their Sunday-school class in the 16th Street Baptist Church in Birmingham. I think of how a woman cried out, crunching through broken glass, "My God, we're not even safe in church!" I think of how that explosion blew the face of Jesus Christ from a stained-glass window. It was symbolic of how sin and evil had blotted out the life of Christ. I can remember thinking that if men were this bestial, was it all worth it? Was there any hope? Was there any way out?… time has healed the wounds -- and buoyed me with the inspiration of another moment which I shall never forget: when I saw with my own eyes over 3000 young Negro boys and girls, totally unarmed, leave Birmingham's 16th Street Baptist Church to march to a prayer meeting -- ready to pit nothing but the power of their bodies and souls against Bull Connor's police dogs, clubs and fire hoses. When they refused Connor's bellowed order to turn back, he whirled and shouted to his men to turn on the hoses. It was one of the most fantastic events of the Birmingham story that these Negroes, many of them on their knees, stared, unafraid and unmoving, at Connor's men with the hose nozzles in their hands. Then, slowly the Negroes stood up and advanced, and Connor's men fell back as though hypnotized, as the Negroes marched on past to hold their prayer meeting. I saw there, I felt there, for the first time, the pride and the power of nonviolence.
Another time I will never forget was one Saturday night, late, when my brother telephoned me in Atlanta from Birmingham -- that city which some call "Bombingham" -- which I had just left. He told me that a bomb had wrecked his home, and that another bomb, positioned to exert its maximum force upon the motel room in which I had been staying, had injured several people. My brother described the terror in the streets as Negroes, furious at the bombings, fought whites. Then, behind his voice, I heard a rising chorus of beautiful singing: "We shall overcome."”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

Tears came into my eyes that at such a tragic moment, my race still could sing its hope and faith.
Interview in Playboy (January 1965) https://web.archive.org/web/20080706183244/http://www.playboy.com/arts-entertainment/features/mlk/04.html
1960s

Howard Bloom photo

“Is A=A useful? Does logic come in handy? Is math a magnificent symbolic system with which to comprehend what's around us? And is math based on A=A? Yes. Absolutely. But math and logic are… very, very simplified representations.”

Howard Bloom (1943) American publicist and author

When a Frog is a River? Aristotle Wrestles Heraclitus
The God Problem: How a Godless Cosmos Creates (2012)

Henry Adams photo
Honoré de Balzac photo

“Tyranny produces two results, exactly opposite in character, and which are symbolized in those two great types of the slave in classical times — Epictetus and Spartacus. The one is hatred with its evil train, the other meekness with its Christian graces.”

La tyrannie produit deux effets contraires dont les symboles existent dans deux grandes figures de l'esclavage antique: Epictète et Spartacus, la haine et ses sentiments mauvais, la résignation et ses tendresses chrétiennes.
Source: A Daughter of Eve (1839), Ch. 3: The Story of a Happy Woman.

Andrei Tarkovsky photo
Amit Ray photo
Norman Lamm photo
Philip K. Dick photo
Augustus De Morgan photo
Robert Chambers (publisher, born 1802) photo
Ezra Pound photo

“A pity that poets have used symbol and metaphor and no man learned anything from them for their speaking in figures”

Ezra Pound (1885–1972) American Imagist poet and critic

Addendum for C
Drafts and Fragments of Cantos CX-CXVII

Tibor Fischer photo
Haruki Murakami photo
Lewis Mumford photo
Gene Wolfe photo

“It is well not to spend one's symbols improvidently.”

Gene Wolfe (1931–2019) American science fiction and fantasy writer

Volume 1, Ch. 9
Fiction, The Book of the Short Sun (1999–2001)

Martin Buber photo
Stuart Davis photo
Hans Frank photo
Stanley Baldwin photo
Noam Chomsky photo
Richard Strauss photo
Marianne Moore photo

“A symbol from the first, of mastery,
experiments such as Hippocrates made
and substituted for vague
speculation stayed
the ravages of plague.”

Marianne Moore (1887–1972) American poet and writer

"The Staff of Aesculapius"
The Poems of Marianne Moore (2003)

George Peacock photo
George Peacock photo
André Malraux photo
Theodor Reuss photo
Ai Weiwei photo

“"It became like a symbolic thing, to be “an artist.” After Duchamp, I realized that being an artist is more about a lifestyle and attitude than producing some product."”

Ai Weiwei (1957) Chinese concept artist

Karen Smith et al. Ai Weiwei (Contemporary Artists (Phaidon), London: Phaidon Press, 2009.
2000-09, 2009