Quotes about symbol
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Hermann Hesse photo

“Beginners learned how to establish parallels, by means of the Game's symbols, between a piece of classical music and the formula for some law of nature. Experts and Masters of the Game freely wove the initial theme into unlimited combinations.”

The Glass Bead Game (1943)
Context: Under the shifting hegemony of now this, now that science or art, the Game of games had developed into a kind of universal language through which the players could express values and set these in relation to one another. Throughout its history the Game was closely allied with music, and usually proceeded according to musical and mathematical rules. One theme, two themes, or three themes were stated, elaborated, varied, and underwent a development quite similar to that of the theme in a Bach fugue or a concerto movement. A Game, for example, might start from a given astronomical configuration, or from the actual theme of a Bach fugue, or from a sentence out of Leibniz or the Upanishads, and from this theme, depending on the intentions and talents of the player, it could either further explore and elaborate the initial motif or else enrich its expressiveness by allusions to kindred concepts. Beginners learned how to establish parallels, by means of the Game's symbols, between a piece of classical music and the formula for some law of nature. Experts and Masters of the Game freely wove the initial theme into unlimited combinations.

Alan Watts photo

“That is an example of our perennial confusion of symbols with realities.”

Alan Watts (1915–1973) British philosopher, writer and speaker

Audio lecture "Individual and Society"
Context: I am amazed that Congressmen can pass a bill imposing severe penalties on anyone who burns the American flag, whereas they are responsible for burning that for which the flag stands: the United States as a territory, as a people, and as a biological manifestation. That is an example of our perennial confusion of symbols with realities.

Novalis photo

“Man has ever expressed some symbolical Philosophy of his Being in his Works and Conduct”

Novalis (1772–1801) German poet and writer

Novalis (1829)
Context: Man has ever expressed some symbolical Philosophy of his Being in his Works and Conduct; he announces himself and his Gospel of Nature; he is the Messiah of Nature.

Rollo May photo

“Symbol and myth do bring into awareness infantile, archaic dreads and similar primitive psychic content. This is their regressive aspect. But they also bring out new meaning, new forms, and disclose a reality that was literally not present before, a reality that is not merely subjective but has a second pole which is outside ourselves. This is the progressive side of symbol and myth.”

Rollo May (1909–1994) US psychiatrist

Source: The Courage to Create (1975), Ch. 4 : Creativity and the Encounter, p. 91
Context: Symbol and myth do bring into awareness infantile, archaic dreads and similar primitive psychic content. This is their regressive aspect. But they also bring out new meaning, new forms, and disclose a reality that was literally not present before, a reality that is not merely subjective but has a second pole which is outside ourselves. This is the progressive side of symbol and myth. This aspect points ahead. It is integrative. It is a progressive revealing of structure in our relation to nature and our own existence, as the French philosopher Paul Ricoeur so well states. It is a road to universals beyond discrete personal experience.

H.P. Lovecraft photo

“Among the agonies of these after days is that chief of torments — inarticulateness. What I learned and saw in those hours of impious exploration can never be told — for want of symbols or suggestions in any language.”

H.P. Lovecraft (1890–1937) American author

Fiction, Hypnos (1922)
Context: Among the agonies of these after days is that chief of torments — inarticulateness. What I learned and saw in those hours of impious exploration can never be told — for want of symbols or suggestions in any language. I say this because from first to last our discoveries partook only of the nature of sensations; sensations correlated with no impression which the nervous system of normal humanity is capable of receiving. They were sensations, yet within them lay unbelievable elements of time and space — things which at bottom possess no distinct and definite existence. Human utterance can best convey the general character of our experiences by calling them plungings or soarings...

Kurt Vonnegut photo

“Symbols can be so beautiful, sometimes.”

Breakfast of Champions (1973)
Context: I was on par with the Creator of the Universe there in the dark in the cocktail lounge. I shrunk the Universe to a ball exactly one light-year in diameter. I had it explode. I had it disperse itself again.
Ask me a question, any question. How old is the Universe? It is one half-second old, but the half-second has lasted one quintillion years so far. Who created it? Nobody created it. It has always been here.
What is time? It is a serpent which eats its tail, like this:
This is the snake which uncoiled itself long enough to offer Eve the apple, which looked like this:
What was the apple which Eve and Adam ate? It was the Creator of the Universe.
And so on.
Symbols can be so beautiful, sometimes.

Epicurus photo

“Natural justice is a symbol or expression of usefulness, to prevent one person from harming or being harmed by another.”

Epicurus (-341–-269 BC) ancient Greek philosopher

31
Sovereign Maxims
Variant: Natural justice is a pledge of reciprocal benefit, to prevent one man from harming or being harmed by another.

Alan Watts photo
P. D. Ouspensky photo

“When I possessed the keys, read the book and understood the symbols, I was permitted to lift the curtain of the Temple and enter.”

P. D. Ouspensky (1878–1947) Russian esotericist

Card XI : Justice http://www.sacred-texts.com/tarot/sot/sot22.htm
The Symbolism of the Tarot (1913)
Context: When I possessed the keys, read the book and understood the symbols, I was permitted to lift the curtain of the Temple and enter. its inner sanctum. And there I beheld a Woman with a crown of gold and a purple mantle. She held a sword in one hand and scales in the other. I trembled with awe at her appearance, which was deep and mysterious, and drew me like an abyss.
"You see Truth," said the voice. "On these scales everything is weighed. This sword is always raised to guard justice, and nothing can escape it."
"But why do you avert your eyes from the scales and the sword? They will remove the last illusions. How could you live on earth without these illusions?
"You wished to see Truth and now you behold it! But remember what happens to the mortal who beholds a Goddess!"

Barack Obama photo

“For over two decades, bin Laden has been al Qaeda’s leader and symbol, and has continued to plot attacks against our country and our friends and allies. The death of bin Laden marks the most significant achievement to date in our nation’s effort to defeat al Qaeda.
Yet his death does not mark the end of our effort.”

Barack Obama (1961) 44th President of the United States of America

2011, Remarks on death of Osama bin Laden (May 2011)
Context: For over two decades, bin Laden has been al Qaeda’s leader and symbol, and has continued to plot attacks against our country and our friends and allies. The death of bin Laden marks the most significant achievement to date in our nation’s effort to defeat al Qaeda.
Yet his death does not mark the end of our effort. There’s no doubt that al Qaeda will continue to pursue attacks against us. We must — and we will — remain vigilant at home and abroad.
As we do, we must also reaffirm that the United States is not — and never will be — at war with Islam. I’ve made clear, just as President Bush did shortly after 9/11, that our war is not against Islam. Bin Laden was not a Muslim leader; he was a mass murderer of Muslims. Indeed, al Qaeda has slaughtered scores of Muslims in many countries, including our own. So his demise should be welcomed by all who believe in peace and human dignity.

H.P. Lovecraft photo

“I really agree that Yog-Sothoth is a basically immature conception, & unfitted for really serious literature. The fact is, I have never approached serious literature yet. But I consider the use of actual folk-myths as even more childish than the use of new artificial myths, since in the former one is forced to retain many blatant peurilities & contradictions of experienced which could be subtilised or smoothed over if the supernaturalism were modelled to order for the given case. The only permanently artistic use of Yog-Sothothery, I think, is in symbolic or associative phantasy of the frankly poetic type; in which fixed dream-patterns of the natural organism are given an embodiment & crystallisation... But there is another phase of cosmic phantasy (which may or may not include frank Yog-Sothothery) whose foundations appear to me as better grounded than those of ordinary oneiroscopy; personal limitations regarding the sense of outsideness. I refer to the aesthetic crystallisation of that burning & inextinguishable feeling of mixed wonder & oppression which the sensitive imagination experiences upon scaling itself & its restrictions against the vast & provocative abyss of the unknown. This has always been the chief emotion in my psychology; & whilst it obviously figures less in the psychology of the majority, it is clearly a well-defined & permanent factor from which very few sensitive persons are wholly free.... Reason as we may, we cannot destroy a normal perception of the highly limited & fragmentary nature of our visible world of perception & experience as scaled against the outside abyss of unthinkable galaxies & unplumbed dimensions—an abyss wherein our solar system is the merest dot... The time has come when the normal revolt against time, space, & matter must assume a form not overtly incompatible with what is known of reality—when it must be gratified by images forming supplements rather than contradictions of the visible & measurable universe. And what, if not a form of non-supernatural cosmic art, is to pacify this sense of revolt—as well as gratify the cognate sense of curiosity?”

H.P. Lovecraft (1890–1937) American author

Letter to Frank Belknap Long (27 February 1931), in Selected Letters III, 1929-1931 edited by August Derleth and Donald Wandrei, p. 293
Non-Fiction, Letters, to Frank Belknap Long

Indíra Gándhí photo
Bahá'u'lláh photo
Frithjof Schuon photo

“The beauty of the sacred is a symbol or a foretaste of, and sometimes a means for, the joy that God alone procures.”

Frithjof Schuon (1907–1998) Swiss philosopher

[2012, Echoes of Perennial Wisdom, World Wisdom, 38, 978-1-93659700-0]
God, Beauty

Jacques Lacan photo

“The real is what resists symbolization absolutely.”

Jacques Lacan (1901–1981) French psychoanalyst and psychiatrist

Source: The Seminar of Jacques Lacan: Freud's Papers on Technique

Roger Ebert photo

“If you have to ask what it symbolizes, it didn't.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter
Jim Morrison photo
Suzanne Collins photo
E.E. Cummings photo
Stephen King photo

“Symbolism exists to adorn and enrich, not to create an artificial sense of profundity.”

Stephen King (1947) American author

Source: On Writing: A Memoir of the Craft

Gene Wolfe photo

“We believe that we invent symbols. The truth is that they invent us; we are their creatures, shaped by their hard, defining edges.”

Gene Wolfe (1931–2019) American science fiction and fantasy writer

Source: Shadow & Claw

Jacques Lacan photo

“But what Freud showed us… was that nothing can be grasped, destroyed, or burnt, except in a symbolic way, as one says, in effigie, in absentia.”

Jacques Lacan (1901–1981) French psychoanalyst and psychiatrist

Source: The Seminar of Jacques Lacan: The Four Fundamental Concepts of Psychoanalysis

Sherrilyn Kenyon photo
Thomas Merton photo
Dan Brown photo
Jorge Luis Borges photo
Rebecca Solnit photo

“A labyrinth is a symbolic journey… but it is a map we can really walk on, blurring the difference between map and world.”

Rebecca Solnit (1961) Author and essayist from United States

Source: Wanderlust: A History of Walking

Jeff Lindsay photo
Brandon Mull photo
Suzanne Collins photo
Martin Luther King, Jr. photo
Jodi Picoult photo
Rick Warren photo
Ayn Rand photo

“I don't wish to be the symbol of anything. I'm only myself.”

Source: The Fountainhead

Dave Eggers photo
Aldous Huxley photo
Ambrose Bierce photo
George Carlin photo

“I would never want to be a member of a group whose symbol was a man nailed to two pieces of wood. Especially if it's me!”

George Carlin (1937–2008) American stand-up comedian

"Interview With Jesus"
A Place for My Stuff (1981)

Ian McEwan photo
Simone Weil photo

“Art is the symbol of the two noblest human efforts: to construct and to refrain from destruction.”

Simone Weil (1909–1943) French philosopher, Christian mystic, and social activist

The Pre-War Notebook (1933-1939), published in First and Last Notebooks (1970) edited by Richard Rees

Flannery O’Connor photo
Helen Gurley Brown photo

“If you're not a sex symbol, you're in trouble.”

Helen Gurley Brown (1922–2012) American author, editor, publisher, and businesswoman
Stephen R. Donaldson photo
Charles Stross photo

“Any civilization where the main symbol of religious veneration is a tool of execution is a bad place to have children.”

Charles Stross (1964) British science fiction writer and blogger

Source: Toast, and Other Stories

Haruki Murakami photo
Marilyn Monroe photo

“A sex symbol becomes a thing. I hate being a thing.”

Marilyn Monroe (1926–1962) American actress, model, and singer

Comment on her sex symbol status, quoted in Ms. magazine (August 1972) p. 40
Context: That's the trouble, a sex symbol becomes a thing. But if I'm going to be a symbol of something, I'd rather it be sex than some of the things we've got symbols of... I just hate to be a thing.

Iain Banks photo
John Dominic Crossan photo
Margaret Atwood photo
Eric R. Kandel photo
Evelyn Waugh photo

“Art is the symbol of the two noblest human efforts: to construct and to refrain from destruction.”

Evelyn Waugh (1903–1966) British writer

Simone Weil, The Pre-War Notebook (1933-1939), published in First and Last Notebooks (1970) edited by Richard Rees
Misattributed

S. I. Hayakawa photo
Talcott Parsons photo
Talcott Parsons photo
Jane Roberts photo
Salma Hayek photo

“I'd hear, "Because they paid the man, there's no money for the woman." How many times do you think I heard this? Over and over. Then I became a sex symbol. Now, how the hell did that happen? I don't exactly know the moment when it happened, but all of a sudden I'm a bombshell. The way I discovered this was I did Desperado. I had a very hard time with the love scene. I cried throughout the love scene. That's why you never see long pieces of the love scene — it's little pieces cut together. I'm crying most of the time so they have to take little pieces. It took eight hours instead of an hour. I nearly got fired. … Because I didn't want to be naked in front of a camera. The whole time, I'm thinking of my father and my brother… And then when the movie comes out, I read the first review. What do they say about me. "Salma Hayek is a bombshell." I had heard that when a movie does badly here, they say it bombs. So I'm crying. Thinking they're saying, "That terrible actress! It's a bomb! Salma Hayek is the worst part of the movie!" I called my friend and said, "The critics are destroying me!" She says, "No, they're saying you're very sexy." And then I look at all the reviews, and everybody said I was very sexy. So I'm very confused. I said, "I wonder if that's good or bad." I hear, "Yes, that's good." Then I do Fools Rush In, and I'm a pregnant woman. And they say I'm sexy again! I go, "But I'm pregnant!"”

Salma Hayek (1966) Mexican-American actress and producer

I'm not even naked in this movie, and they still say I'm sexy. And then it became very depressing — I thought, I guess I'm reduced to that now. That's all I am in the perception of these people.
O interview (2003)

E.M. Forster photo
L. David Mech photo

“The protections offered to private landowners are a lot like having the French on your side in war – largely symbolic.”

National Center for Public Policy Research press release, July 26, 2005.
Referring to the initial draft of an Endangered Species Act reform bill.

Roger Scruton photo
Ramakrishna photo

“Honour both spirit and form, the sentiment within as well as the symbol without.”

Ramakrishna (1836–1886) Indian mystic and religious preacher

Source: Sayings of Sri Ramakrishna (1960), p. 308

Grant Morrison photo
Hermann Hesse photo
Colin Wilson photo
Mary Midgley photo
Auguste Rodin photo
Franz Marc photo
Alan Charles Kors photo
S. I. Hayakawa photo
James Whitbread Lee Glaisher photo
Leo Tolstoy photo
Vannevar Bush photo

“As an appeal to hope the symbol of the kingdom of God is utopic.”

Roger Haight (1936) American theologian

Source: Dynamics Of Theology, Chapter Eight, Symbolic Religious Communication, p. 155

Henry Burchard Fine photo
William H. Starbuck photo
Calvin Coolidge photo
Evelyn Underhill photo
Benjamin Peirce photo
George Boole photo

“If we don’t view our fellow activists as human beings rather than symbols of what’s right or wrong with the movement, then whom are we fighting for?”

Remembering Pioneering Feminist Shulamith Firestone http://blogs.forward.com/sisterhood-blog/174721/jewish-feminist-shulamith-firestones-lessons/?utm_source=t.co&utm_campaign=&utm_content=general-general&utm_medium=jd.fo-other#ixzz2QH2HKUQg "Jewish Daily Forward," April 11, 2013

Alex Haley photo

“Roots is not just a saga of my family. It is the symbolic saga of a people.”

Alex Haley (1921–1992) African American biographer, screenwriter, and novelist

A plausible statement, but no published source as yet located for it prior to 2007, and though most cite Haley as the author the earliest of these cites it with an obscure attribution to "Benhur R".[citation needed]
Disputed

Robinson Jeffers photo
Lucian Freud photo
Zbigniew Brzeziński photo
Camille Paglia photo
Patrick White photo
Herbert Marcuse photo
Jane Roberts photo
Heinrich Heine photo