Quotes about sweets
page 6

Israel Zangwill photo
William Carlos Williams photo

“Among
of
green stiff
old
bright broken
branch
come white
sweet
May again”

"The Locust Tree in Flower"
An Early Martyr and Other Poems (1935)

Herman Melville photo
Paul Newman photo

“Money won is twice as sweet as money earned.”

Paul Newman (1925–2008) American actor and film director

Quoted in "Paul Newman: A Life in Pictures" - Page 110 - by Yann-Brice Dherbier, Pierre-Henri Verlhac - 2006

Tanith Lee photo
Tanith Lee photo
John Gay photo

“The fly that sips treacle is lost in the sweets.”

John Gay (1685–1732) English poet and playwright

Act II, scene ii
The Beggar's Opera (1728)

John Fante photo
Henry Taylor photo

“Of all the uses of adversity which are sweet, none are sweeter than those which grow out of disappointed love…”

Henry Taylor (1800–1886) English playwright and poet

The Ways of the Rich and Great.
Notes from Life (1853)

Stephen King photo
Letitia Elizabeth Landon photo
Nikos Kazantzakis photo
Victor Villaseñor photo

“It was from this day on that I began to notice a real difference between our vaqueros on the ranch from Mexico and the gringo cowboys. The American cowboys always seemed so ready to act rough and tough, wanting to “break” the horse, cow, or goat or anything else. Where, on the other hand, our vaqueros—who used the word “amanzar,” meaning to make “tame,” for dealing with horses—had a whole different attitude towards everything. To “break” a horse, for the cowboys, actually, really meant to take a green, untrained horse and rope him, knock him down, saddle him while he fought to get loose, then mount him as he got up on all four legs, and ride the living hell out of the horse until you tired him out, taught him who was boss, and “broke” his spirit. To “amanzar” a horse, on the other hand, was a whole other approach that took weeks of grooming, petting, and leading the green horse around in the afternoon with a couple of well-trained horses. Then, after about a month, you began to put a saddle on the horse and tie him up in shade in the afternoon for a couple of hours until, finally, the saddle felt like just a natural part of him. Then, and only then, did a person finally mount the horse, petting and sweet-talking him the whole time, and once more the green horse was taken on a walk between two well-trained horses.”

Victor Villaseñor (1940) American writer

Burro Genius: A Memoir (2004)

Cat Stevens photo
Letitia Elizabeth Landon photo
Conrad Aiken photo
Julian of Norwich photo

“Glad and joyous and sweet is the Blissful lovely Cheer of our Lord to our souls.”

Julian of Norwich (1342–1416) English theologian and anchoress

The Sixteenth Revelation, Chapter 71

Hans Christian Andersen photo
Letitia Elizabeth Landon photo
Joseph Heller photo
Tom Robbins photo
Willa Cather photo

“What was any art but an effort to make a sheath, a mould in which to imprison for a moment the shining, elusive element which is life itself — life hurrying past us and running away, too strong to stop, too sweet to lose?”

Part IV, Ch. 3
Sometimes paraphrased: What was any art but a mould in which to imprison for a moment the shining elusive element which is life itself — life hurrying past us and running away, too strong to stop, too sweet to lose.
The Song of the Lark (1915)

Charles Kingsley photo

“Be good, sweet maid, and let who will be clever;
Do noble things, not dream them, all day long:
And so make life, death, and that vast for-ever
One grand, sweet song.”

Charles Kingsley (1819–1875) English clergyman, historian and novelist

A Farewell http://www.cs.rice.edu/~ssiyer/minstrels/poems/1191.html (1856), st. 2,

Sidney Lanier photo
Amit Chaudhuri photo
Edmund Spenser photo

“Sweete Themmes runne softly, till I end my Song.”

Edmund Spenser (1552–1599) English poet

The last line of each stanza
This is often attributed to T. S. Eliot, who does indeed quote it in The Waste Land
Prothalamion (1596)

Stevie Smith photo

“The religion of Christianity
Is mixed of sweetness and cruelty
Reject this Sweetness, for she wears
A smoky dress out of hell fires.”

Stevie Smith (1902–1971) poet, novelist, illustrator, performer

"Thoughts about the Christian Doctrine of Eternal Hell"
Selected Poems (1962)

John Milton photo
Bob Dylan photo

“Oh, but if I had the stars from the darkest night
And the diamonds from the deepest ocean
I'd forsake them all for your sweet kiss
For that's all I'm wishin' to be ownin.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Song lyrics, The Times They Are A-Changin (1964), Boots of Spanish Leather

Letitia Elizabeth Landon photo

“It shock'd me first to see the sun
Shine gladly o'er thy tomb;
To see the wild flowers o'er it run
In such luxuriant bloom.
Now I feel glad that they should keep
A bright sweet watch above thy sleep.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Forgotten One from The Keepsake, 1831 [Probably refers to Letitia’s little sister, Elizabeth]
The Vow of the Peacock (1835)

Francesco Petrarca photo

“If it is not love, what then is it that I feel? But if it is love, before God, what kind of thing is it? If it is good, whence comes this bitter mortal effect? If it is evil, why is each torment so sweet?”

S'amor non è, che dunque è quel ch'io sento?
Ma s'egli è amor, perdio, che cosa et quale?
Se bona, onde l'effecto aspro mortale?
Se ria, onde sí dolce ogni tormento?
Canzone 132, st. 1
Il Canzoniere (c. 1351–1353), To Laura in Life

George Gordon Byron photo

“Oh, talk not to me of a name great in story;
The days of our youth are the days of our glory;
And the myrtle and ivy of sweet two-and-twenty
Are worth all your laurels, though ever so plenty.”

George Gordon Byron (1788–1824) English poet and a leading figure in the Romantic movement

Stanzas Written on the Road Between Florence and Pisa http://readytogoebooks.com/LB-StanzaFP91.htm, st. 1 (1821).

Julian of Norwich photo
Avigdor Lieberman photo

“People can choose between the sweet lie or the bitter truth. I say the bitter truth, but many people don't want to hear it.”

Avigdor Lieberman (1958) Israeli politician

Answer to "Why are you always perceived as the bad guy?" "Spiegel Interview" http://www.spiegel.de/international/world/0,1518,684789-4,00.html

“During those years color seemed too sweet a medium to express the anger, disgust and fear that apartheid inspired, …”

David Goldblatt (1930–2018) South African photographer

In an interview, c. 2005, with photo historian Mark Haworth-Booth, as quoted in "The Camera Is Not a Machine Gun" http://designobserver.com/article.php?id=10557, Fred Ritchin, 1998

Joanna Newsom photo
Halldór Laxness photo
William Sharp (writer) photo
James Baldwin photo

“A typical example of such sufism was Shykh Nuruddin Mubarak Ghaznavi (died 1234-35 AD), a disciple of Shykh Shihabuddin Suhrawardi (1144-1234 AD), and one of the founders of the Suhrawardia sufi silsilã in India. He propounded the doctrine of Dîn Panãhî, and presented it to Sultan Iltutmish (1210-36 AD). This doctrine declared its very first principle as follows: “The kings should protect the religion of Islam with sincere faith. And kings will not be able to perform the duty of protecting the Faith unless for the sake of Allah and the Prophet’s creed, they overthrow and uproot kufr and kafirî, shirk and the worship of idols. But if the total uprooting of idolatry is not possible owing to the firm roots of kufr and the large number of kãfirs and mushriks, the kings should at least strive to insult, disgrace, dishonour and defame the mushrik and idol-worshipping Hindus, who are the worst enemies of Allah and the Prophet. The symptom of the kings being the protectors of religion is this: When they see a Hindu, their eyes grow red and they wish to bury him alive; they also desire to completely uproot the Brahmans, who are the leaders of kufr and shirk and owing to whom kufr and shirk are spread and the commandments of kufr are enforced. Owing to the fear and terror of the kings of Islam, not a single enemy of Allah and the Prophet can drink water that is sweet or stretch his legs on his bed and go to sleep in peace.””

Sita Ram Goel (1921–2003) Indian activist

Such statements from sufis can be multiplied. Amir Khusru, the dearest disciple of Nizamuddin Awliya (Chishtiyya luminary of Delhi), mourned loudly that if the Hanafi law (which accommodated Hindus as zimmîs) had not come in the way, the very name Hindu would not have survived.
Defence of Hindu Society (1983)

Larry the Cable Guy photo

“I went to the Talladega 500 with a girl I had just met. She was very sweet with childlike qualities. No titties!”

Larry the Cable Guy (1963) American stand-up comedian, actor, country music artist, voice artist

Source: Git-R-Done (book), p. 113

Letitia Elizabeth Landon photo
Horatius Bonar photo

“Thus while I journey on, my Lord to meet,
My thoughts and meditations are so sweet,
Of Him on whom I lean, my strength, my stay,
I can forget the sorrows of the way.”

Horatius Bonar (1808–1889) British minister and poet

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 434.

Samuel Rutherford photo

“There is nothing that will make you a Christian indeed, but a taste of the sweetness of Christ.”

Samuel Rutherford (1600–1661) Scottish Reformed theologian

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 105.

Henry Van Dyke photo
Henry Wadsworth Longfellow photo
Muhammad photo

“Whoever possesses the following three qualities will have the sweetness (delight) of faith:”

Muhammad (570–632) Arabian religious leader and the founder of Islam

1. The one to whom Allah and His Apostle becomes dearer than anything else
2. Who loves a person and he loves him only for Allah's sake
3. Who hates to revert to Atheism (disbelief) as he hates to be thrown into the fire.
Bukhari 1:15 http://www.sacred-texts.com/isl/bukhari/bh1/bh1_14.htm
Sunni Hadith

Kate Bush photo

“Sweet and gentle and sensitive man
With an obsessive nature and deep fascination
For numbers
And a complete infatuation with the calculation
Of π.”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, Aerial (2005), A Sea of Honey (Disc 1)

Guillaume de Machaut photo

“And since my malady
Will not be
Cured at all
Without you, sweet enemy.
Who are glad
At my torment.
With folded hands I pray
To your heart, since it forgets me.
That it should kill me quickly.
For I languish too long.
Sweet pretty lady.
For God's sake do not think
That any one has authority
Over me but you alone.”

Guillaume de Machaut (1300–1377) French poet and composer

Et quant ma maladie
Garie
Ne sera nullement
Sans vous, douce anemie,
Qui lie
Estes de mon tourment,
A jointes mains deprie
Vo cuer, puis qu'il m'oublie,
Que temprement m'ocie,
Car trop langui longuement.
Douce dame jolie,
Pour dieu ne penses mie
Que nulle ait signourie
Seur moy fors vous seulement.
"Douce dame jolie", line 33; translation by Jennifer Garnham. http://www.lib.latrobe.edu.au/MMDB/composer/H0033004.HTM

Smokey Robinson photo
Johannes Warnardus Bilders photo

“This afternoon I had put myself down on this sweet spot, very tired of painting [with a view of the old castle of Vorden].... I was completely immersed in thinking of You... I would rather like to.... thank you, dear and beloved Lady, for the right judgments and remarks which You gave me in this [your? ] sweet letter. I solemnly promise you that I will use them for my benefit, and will spent all my powers as an artist, to make your attentions more worthy to me.”

Johannes Warnardus Bilders (1811–1890) painter from the Northern Netherlands

translation from Dutch, Fons Heijnsbroek
version in original Dutch (citaat van Johannes Warnardus Bilders' brief, in het Nederlands:) Toen ik heden middag mij zeer vermoeid van 't schilderen op dit lieve plekje had neder gezet [met zicht op het oude kasteel van Vorden].. ..ik was namelijk geheel verdiept in de gedachte aan UE.. .Ik wil liever.. ..bedenken, hoe ik U veel beminde juffrouw, dank zou zeggen, voor de juiste oordeelvellingen en bemerkingen, welke UE mij in dit [uw[?] lieve schrijven gemaakt heb, Ik beloof u plechtig dat ik ze mij ten nutte zal maken, en al mijn krachten als kunstenaar zal in spannen, om uwe atenties mij meer waardig te maken.
J.W. Bilders, in his letter [including a sketch by pen of the landscape with the castle, seen from the garden of the hotel where he stayed] to Georgina van Dijk van 't Velde, from Vorden, 1 Sept. 1868; from an excerpt of the letter https://rkd.nl/nl/explore/excerpts/751236 in the RKD-Archive, The Hague
1860's + 1870's

George Lincoln Rockwell photo
Letitia Elizabeth Landon photo
Nicholas of Cusa photo
William Collins photo

“Sydneian showers
Of sweet discourse, whose powers
Can crown old Winter’s head with flowers.”

Richard Crashaw (1612–1649) British writer

Wishes for the Supposed Mistress

William Lisle Bowles photo
John Keats photo

“The day is gone, and all its sweets are gone!
Sweet voice, sweet lips, soft hand, and softer breast.”

John Keats (1795–1821) English Romantic poet

Sonnet, The Day is gone; reported in Bartlett's Familiar Quotations, 10th ed. (1919)

Thomas Brooks photo
J. M. Barrie photo
Heinrich Heine photo

“The whole system of symbolism impressed on the art and the life of the Middle Ages must awaken the admiration of poets in all times. In reality, what colossal unity there is in Christian art, especially in its architecture! These Gothic cathedrals, how harmoniously they accord with the worship of which they are the temples, and how the idea of the Church reveals itself in them! Everything about them strives upwards, everything transubstantiates itself; the stone buds forth into branches and foliage, and becomes a tree; the fruit of the vine and the ears of corn become blood and flesh; the man becomes God; God becomes a pure spirit. For the poet, the Christian life of the Middle Ages is a precious and inexhaustibly fruitful field. Only through Christianity could the circumstances of life combine to form such striking contrasts, such motley sorrow, such weird beauty, that one almost fancies such things can never have had any real existence, and that it is all a vast fever-dream the fever-dream of a delirious deity. Even Nature, during this sublime epoch of the Christian religion, seemed to have put on a fantastic disguise; for oftentimes though man, absorbed in abstract subtilties, turned away from her with abhorrence, she would recall him to her with a voice so mysteriously sweet, so terrible in its tenderness, so powerfully enchanting, that unconsciously he would listen and smile, and become terrified, and even fall sick unto death.”

Heinrich Heine (1797–1856) German poet, journalist, essayist, and literary critic

Religion and Philosophy in Germany, A fragment https://archive.org/stream/religionandphilo011616mbp#page/n5/mode/2up, p. 26

Ben Harper photo
Jerome K. Jerome photo
Ben Jonson photo

“Preserving the sweetness of proportion and expressing itself beyond expression.”

Ben Jonson (1572–1637) English writer

The Masque of Hymen (1606)

Aldo Capitini photo

“I wanted to go away, in the midst of something entirely different,
I had been there, in the house of torture,
I have seen people being kicked, men’s bodies scorched,
nails pulled out with pliers.
Armed with flame and cudgels, grinning men in shirt sleeves.
Where I could hear my friends being thrown headlong
down the stairs.
Night was as day, and long shrieks wounded me.
In vain I tried to think of wooded lanes and flowers,
a serene life and human words.
The thought seized up, it was as if a wound were opened up
again and again and endlessly searched.
From the mouth struck, teeth and blood came out,
and lamenting moans from the deep throat.
Away, away from that house, from that street and town,
from anything similar to it.
I must save myself, keep up my mind,
that I should not be led to madness by these memories.
Oh, if we could go back to a void, from which a new order,
a maternal opening could come forth,
if I hear a certain tone of voice even in jest, I shudder.
My unhappiness is that I avoid the sight of suffering,
hospitals and prisons.
I have yearned for high solitudes, lands of still sunshine
and sweet shadows,
but I would always be pursued by the ghosts of human beings.
All of a sudden I feel the need of distraction and play,
to lose myself in the noise of the fairground.
I remain with you, but forgive me
if you see me sometimes act like a madman.
I try to heal myself by myself, as an animal,
trusting that the wounds will close.
I stop to listen to the simple conversations of the women
in the marketplace, with their dialectical lilt.
I rejoice at the footsteps of running children,
their overpowering calls.
Because you do not know the absurdity of my dreams,
the fixed expressions, the incomprehensible gestures.
There is turmoil inside me, which seems to ridicule me.
And I cannot cry out, not to be like them.
Tomorrow I will go towards some music, now I am getting ready.”

Aldo Capitini (1899–1968) Italian philosopher and political activist
Stephen King photo
Bob Seger photo
Letitia Elizabeth Landon photo
Percy Bysshe Shelley photo
Sara García photo

“Spanish for, Ask me to talk about Mexican cinema? is like requesting my autobiography, what i have not lived, what i have not seen, and in how many different ways have you seen me? without going any further tender as in "La gallina clueca", tearful as in "Cuando los hijos se van", sweet as in "El baisano Jalil", and energetic and dominant and at the same time affectionate as in "Los tres García" you have seen me very alive and very dead”

Sara García (1895–1980) Mexican actress

Pedirme a mi que hable del cine Mexicano? es como solicitar mi autobiografía, que no habré vivido, que no habré visto, y de cuantas maneras distintas me han visto a mi? sin ir mas lejos tierna como en "La gallina clueca", llorosa como en "Cuando los hijos se van", dulce como en "El baisano Jalil", y enérgica y dominante y al mismo tiempo cariñosa como en "Los tres García" me han visto muy viva y muy muerta.
Sara answering when she was told to talk about Mexican cinema. Doña Sara Garcia habla del Cine Mexicano https://www.youtube.com/watch?v=DXlz7AznYxA

Percy Bysshe Shelley photo

“Once, early in the morning,
Beelzebub arose,
With care his sweet person adorning,
He put on his Sunday clothes.”

Percy Bysshe Shelley (1792–1822) English Romantic poet

The Devil's Walk http://www.rc.umd.edu/editions/shelley/devil/br-text.html (1812), st. 1

Jonathan Swift photo
Scott Lynch photo
John Greenleaf Whittier photo
Branwell Brontë photo
Sylvia Plath photo
José Rizal photo

“No good water comes from a muddy spring. No sweet fruit comes from a bitter seed.”

José Rizal (1861–1896) Filipino writer, ophthalmologist, polyglot and nationalist

Letter to the Young Women of Malolos

Letitia Elizabeth Landon photo

“I love you because
You're a sweet little fool!”

John Henry Boner (1845–1903) American writer

The sweet little Fool (The Sequel), reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Letitia Elizabeth Landon photo
James Thomson (B.V.) photo
Robert Williams Buchanan photo

“Full of a sweet indifference.”

Robert Williams Buchanan (1841–1901) Scottish poet, novelist and dramatist

Charmian.

Hoyt Axton photo
John Ruskin photo
Jon Anderson photo

“Sweet songs of youth, the wise, the meeting of all wisdom
To believe in the good in man.”

Jon Anderson (1944) English singer

Lyrics of "Loved by the Sun", on the soundtrack of the film Legend (1986).

Natalie Merchant photo

“I need
a lullaby
a kiss goodnight
angel sweet
love of my life
o, I need this”

Natalie Merchant (1963) American singer-songwriter

Song lyrics, Ophelia (1998), My Skin

John Hagee photo

“God says in Jeremiah 16 — "Behold I will bring them the Jewish people again unto their land that I gave unto their fathers" — that would be Abraham, Isaac and Jacob - "Behold I will send for many fishers and after will I send for many hunters. And they the hunters shall hunt them" — that will be the Jews — "from every mountain and from every hill and from out of the holes of the rocks." If that doesn't describe what Hitler did in the Holocaust — you can't see that. So think about this — I will send fishers and I will send hunters. A fisher is someone who entices you with a bait. How many of you know who Theodore Herzl was? How many of you don't have a clue who he was? Woo, sweet God! Theodore Herzl is the father of Zionism. He was a Jew that at the turn of the 19th century said, "this land is our land, God wants us to live there". So he went to the Jews of Europe and said, "I want you to come and join me in the land of Israel". So few went, Herzl went into depression. Those who came founded Israel; those who did not went through the hell of the Holocaust. Then God sent a hunter. A hunter is someone who comes with a gun and he forces you. Hitler was a hunter. And the Bible says — Jeremiah righty? — "they shall hunt them from every mountain and from every hill and out of the holes of the rocks", meaning: there's no place to hide. And that will be offensive to some people. Well, dear heart, be offended: I didn't write it. Jeremiah wrote it. It was the truth and it is the truth. How did it happen? Because God allowed it to happen. Why did it happen? Because God said, "my top priority for the Jewish people is to get them to come back to the land of Israel". Today Israel is back in the land and they are at Ezekiel 37 and 8. They are physically alive but they're not spiritually alive. Now how is God going to cause the Jewish people to come spiritually alive and say, "the God of Abraham, Isaac and Jacob, He is God"?”

John Hagee (1940) American pastor, theologian and saxophonist

late 2005 sermon at Cornerstone Church, quoted in

Frances Ridley Havergal photo
Bruno Schulz photo
Jacopone da Todi photo
Edward Thomas photo
Iris DeMent photo