
"Emancipation — Black and White" (1865)
1860s
"Emancipation — Black and White" (1865)
1860s
“He saw the beauties of his shape and face,
His female sweetness, and his manly grace”
Book I, lines 109-110
Davideis (1656)
“Sow good services: sweet remembrances will grow from them.”
Quoted in A Thousand Flashes of French Wit, Wisdom, and Wickedness (1880) collected and translated by J. D. Finod, p. 138
“The bird
That glads the night had cheer'd the listening groves with sweet complainings.”
The Chace (1735)
"Affirmations: As for Imagism", The New Age, January 1915
9th September 1826) Metrical Fragments No. IV. - The Redeemed Captive (under the pen name Iole
(16th September 1826) Metrical Fragments No. V. - The Frozen Ship (under the pen name Iole) see The Vow of the Peacock
The London Literary Gazette, 1826
Source: The Tales of Alvin Maker, Prentice Alvin (1989), Chapter 1.
“Pure and perfect, sweet arbutus
Twines her rosy-tinted wreath.”
The First Flowers; reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 39.
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 287.
Letter to his wife, Maria Bicknell (20 April 1821); as quoted in Leslie Parris and Ian Fleming-Williams, Constable (Tate Gallery Publications, London, 1993), p. 28
1820s
Source: The Hidden Goddess (2011), Chapter 1, “The Message in the Steam” (p. 17)
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 599.
(12th January 1822) Ten Years Ago.
The London Literary Gazette, 1821-1822
By Still Waters (1906)
The London Literary Gazette (10th January 1835) Versions from the German (Second Series.) 'Pauline's Price'— Goethe.
Translations, From the German
“Sweet Youth, in Colour no such trust repose.”
The Works of Publius Virgilius Maro (2nd ed. 1654), Virgil's Bucolicks
The Bridal Canopy https://books.google.it/books?id=wg4WAAAAMAAJ, translated by I. M. Lask, New York: Literary Guild of America, 1937, p. 222.
Robert Graves, letter to Idries Shah, September 6, 1968; published in Between Moon and Moon: Selected Letters of Robert Graves 1946-1972, (1984), p. 272.
Criticism
Ants Marching
Remember Two Things (1993)
Source: Uniqueness of Zakir Husain and His Contributions (1997), p. 18-19.
Song Morning Please Don't Come.
Source: Castle Series, House of Many Ways (2008), p. 99.
Source: The Chocolate War (1974), p. 235-236
No. 35, "Light Shining out of Darkness".
Olney Hymns (1779)
Vest, Stephen M., Spring 2008, "Welcome New Members Compatriots", The SAR Magazine, Vol. 102, No.4, p. 46.
Son of the American Revolution RI Chapter 2007 Ceremony.
A Village Tale. from The London Literary Gazette: 6th December 1823 Poetic Sketches. Fourth Series. Sketch IV.
The Vow of the Peacock (1835)
“Babydoll, when ain’nuthin funny, eat what’s sweet. That’s my philosophy.”
Source: From the Notebooks of Dr. Brain (2007), Chapter 2 “Facing the Ultimate Archenemy” (p. 45)
“Come calm content serene and sweet,
O gently guide my pilgrim feet
To find thy hermit cell.”
Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 161.
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 100.
Stanza vii.
A Little While, a Little While (1846)
'Leigh Hunt' Herbert and Daniel, London, 1913
“Opposition may become sweet to a man when he has christened it persecution.”
Janet's Repentance, Ch. 8
Scenes of Clerical Life (1858)
“Beautiful as sweet!
And young as beautiful! and soft as young!
And gay as soft! and innocent as gay.”
Source: Night-Thoughts (1742–1745), Night III, Line 81.
"Personal Narrative" (1739), from The Works of President Edwards (1830) Vol. I, edited by Sereno B. Dwight.
Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 123.
Source: Dictionary of Burning Words of Brilliant Writers (1895), p. 118
Interview, New York Times, Dec 1, 2015. http://www.nytimes.com/2015/12/22/business/international/indonesia-economy-interest-rates.html?_r=0
2015
What Life Means to Me (1905), in Revolution and Other Essays (Macmillan, 1909)
“What is a kiss? Why this, as some approve:
The sure, sweet cement, glue, and lime of love.”
"A Kiss".
Hesperides (1648)
"The Preacher and the Slave" http://en.wikisource.org/wiki/The_Preacher_and_the_Slave (1911)
1840s, Heroes and Hero-Worship (1840), The Hero as Prophet
Penelope Cruz, on working with Berry in Gothika — reported in Los Angeles Daily News staff (November 20, 2003) "American Gothika; Halle Berry overcomes her career fear to take first marquee role in horror film", The Guelph Mercury, p. F12.
About
“It is only in the case of musical instruments that I find any commendable diligence in the [Irish] people. They seem to me to be incomparably more skilled in these than any other people that I have seen. The movement is not, as in the British instrument to which we are accustomed, slow and easy, but rather quick and lively, while at the same time the melody is sweet and pleasant. It is remarkable how, in spite of the great speed of the fingers, the musical proportion is maintained. The melody is kept perfect and full with unimpaired art through everything – through quivering measures and the involved use of several instruments – with a rapidity that charms, a rhythmic pattern that is varied and a concord achieved through elements discordant.”
In musicis solum instrumentis commendabilem invenio gentis istius diligentiam. In quibus, prae omni natione quam vidimus, incomparabiliter instructa est. Non enim in his, sicut in Britannicis quibus assueti sumus instrumentis, tarda et morosa est modulatio, verum velox et praeceps, suavis tamen et jocunda sonoritas. Mirum quod, in tanta tam praecipiti digitorum rapacitate, musica servatur proportio; et arte per omnia indemni inter crispatos modulos, organaque multipliciter intricata, tam suavi velocitate, tam dispari paritate, tam discordi concordia, consona redditur et completur melodia.
Topographia Hibernica (The Topography of Ireland) Part 3, chapter 11 (94); translation from Gerald of Wales (trans. John J. O'Meara) The History and Topography of Ireland ([1951] 1982) p. 103.
1906 - 1911
Source: a letter to Alexej von Jawlensky, between December 1909 and Spring 1910; as quoted in 'Ambiguity of Home: Identity and Reminiscence in Marianne Werefkin's Return Home, c. 1909', Adrienne Kochman http://www.19thc-artworldwide.org/spring06/52-spring06/spring06article/171-ambiguity-of-home-identity-and-reminiscence-in-marianne-werefkins-return-home-c-1909
“Among all the languages we know, we do not see anywhere, any as sweet as Tamil.”
As quoted in Freedom Fighters of India, Vol. 3, Lion M. G. Agrawal (2008), "Subramaniya Bharathi", p. 235
The Teares of an Affectionate Shepheard Sicke for Love, or the Complaint of Daphnis for the Love of Ganimede.
The Affectionate Shepheard http://www.gutenberg.org/etext/19902 (1594)
Source: The Note Book of Elbert Hubbard (1927), p. 61.
Poem Sweet Content http://www.bartleby.com/101/204.html
“I am glad that my Adonis hath a sweete tooth in his head.”
Source: Euphues and his England, P. 308.
Liking Ike: Eisenhower, Advertising and the Rise of Celebrity Politics (2016) David Haven Blake
The "Camelot" interview (29 November 1963)
“And snatched sweet grapes from the hills.”
Et dulces rapuit de collibus uvas.
ii, line 103
Silvae, Book II
“Sweet are the thoughts that savour of content;
The quiet mind is richer than a crown.”
Song, "Sweet are the thoughts that savour of content", line 1, from Farewell to Folly (1591); Dyce p. 309.
“Here sweet Meads, cool Fountains be,
Here Groves where I could spend my Age with thee.”
The Works of Publius Virgilius Maro (2nd ed. 1654), Virgil's Bucolicks
After Moore's speech at the 75th Academy Awards, in 2003.
Source: The Tales of Alvin Maker, Seventh Son (1987), Chapter 10.
“"El comedulce, Bobby Abreu is as sweet as candy!*" (Bobby Abreu)”
Serby, Steve. (June 11, 2017). John Sterling reveals his all-time favorite call in Yankees booth https://nypost.com/2017/06/11/john-sterling-reveals-his-all-time-favorite-call-in-yankees-booth/. New York Post.
Specific home run calls
Quote in Hopper's letter to his mother, Paris, October 30, 1906; as cited in Edward Hopper, Gail Levin, Bonfini Press, Switzerland 1984, p. 13
1905 - 1910
"Why Surfer Tia Blanco Is Vegan" https://web.archive.org/web/20170315222610/http://www.mensjournal.com:80/health-fitness/articles/why-surfer-tia-blanco-is-vegan-w471552, interview with Men's Journal (March 2017).
“Hail, ye small, sweet courtesies of life! for smooth do ye make the road of it.”
The Pulse, Paris.
A Sentimental Journey Through France and Italy (1768)
Source: Drenai series, Legend, Pt 1: Against the Horde, Ch. 18
Yeah, it felt good on my lips.
Felt Good on My Lips
Song lyrics, Number One Hits (2010)
"Sweet Baby James"
Song lyrics, Sweet Baby James (1970)
“Break my hard heart,
Jesus my Lord;
In the inmost part
Hide Thy sweet word.”
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 449.
No. 2. Waverley — ROSE BRADWARDINE.
Literary Remains
“o, I need
the darkness
the sweetness
the sadness
the weakness
I need this”
Song lyrics, Ophelia (1998), My Skin
1870s, The Unknown Loyal Dead (1871)
Summations, Chapter 48
Context: Mercy is a sweet gracious working in love, mingled with plenteous pity: for mercy worketh in keeping us, and mercy worketh turning to us all things to good. Mercy, by love, suffereth us to fail in measure and in as much as we fail, in so much we fall; and in as much as we fall, in so much we die: for it needs must be that we die in so much as we fail of the sight and feeling of God that is our life. Our failing is dreadful, our falling is shameful, and our dying is sorrowful: but in all this the sweet eye of pity and love is lifted never off us, nor the working of mercy ceaseth.
For I beheld the property of mercy, and I beheld the property of grace: which have two manners of working in one love. Mercy is a pitiful property which belongeth to the Motherhood in tender love; and grace is a worshipful property which belongeth to the royal Lordship in the same love. Mercy worketh: keeping, suffering, quickening, and healing; and all is tenderness of love. And grace worketh: raising, rewarding, endlessly overpassing that which our longing and our travail deserveth, spreading abroad and shewing the high plenteous largess of God’s royal Lordship in His marvellous courtesy; and this is of the abundance of love. For grace worketh our dreadful failing into plenteous, endless solace; and grace worketh our shameful falling into high, worshipful rising; and grace worketh our sorrowful dying into holy, blissful life.
For I saw full surely that ever as our contrariness worketh to us here in earth pain, shame, and sorrow, right so, on the contrary wise, grace worketh to us in heaven solace, worship, and bliss; and overpassing. And so far forth, that when we come up and receive the sweet reward which grace hath wrought for us, then we shall thank and bless our Lord, endlessly rejoicing that ever we suffered woe. And that shall be for a property of blessed love that we shall know in God which we could never have known without woe going before.
And when I saw all this, it behoved me needs to grant that the mercy of God and the forgiveness is to slacken and waste our wrath.
The Nice Valor (1647), Melancholy. Compare: "Naught so sweet as melancholy", Robert Burton, Anatomy of Melancholy.
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 369.