Quotes about string
page 3

“Flowers she would pick like guitar strings, for a real good whiff of how how life behind par seems.”

Lupe Fiasco (1982) rapper

"Life, Death, And Love in San Fransisco"
Mixtapes, Friend of the People: I Fight Evil (2011)

Life, Flowers

“Money is the string with which a sardonic destiny directs the motions of its puppets.”

W. Somerset Maugham (1874–1965) British playwright, novelist, short story writer

Quoted in Somerset Maugham (1980) by Ted Morgan

Money

“Bullshit bullshit bullshit… after a string of 'bullshit', he spat out spitefully, Can the cliches! That might work with most people, but not with me. Millions of people all around the world have suffered and been mistreated, but those who become men among men are as rare as phoenix feathers and unicorn horns. It's all a matter of fate, it's in your bones. If you're born with the bones of a beggar, that's what you'll spend you life as.”

Mo Yan book The Republic of Wine

Source: The Republic of Wine (1992), Chapter Five, Section IV, 'Yichi the Hero'

Life, Men, Fate, People

“It's a simple thing to break a string, but you cannot hope to break a rope.”

Henry Schriver (1914–2011) American politician

Cows, Kids, and Co-ops

Hope

“You a naughty girl and you're so fine
Liking em strings on your waist line
You mi desire, you ah hotter than fire
Gal I like di way you shake yuh behind”

Slim Burna (1988) Nigerian singer and record producer

"Bad Man" (track 8)
I'm On Fire (2013)

Way, Girl

“An ideal country means being able to equalize opportunity each Filipino so that if anyone should devote enough time and energy towards advancing himself, or improving the quality of life of his family or loved ones, he would be able to do so without any strings tying him down; without any hands holding him down. That would be the most ideal thing any official or president can give to his or her people.”

Francis Escudero (1969) Filipino politician

Kap Maceda Aguila, "The Substance of Chiz", People Asia, 2006 June, p. 51, ISSN 0119-657X.
2006

Love, Life, People, Family

“Did you see that wee church in Salamanca where the Virgin's statue had eyes that moved? Your priest there said it was a miracle, but you could see the string the fellow jerked to make the wooden eyeballs twitch! But why go to the trouble of having a string? I asked myself. Because the people want a miracle, that's why. And just because some people invent a miracle doesn't mean there aren't real ones, does it? It means the opposite, so it does, for why would you imitate something that doesn't exist?”

Bernard Cornwell (1944) British writer

Sergeant Patrick Harper, p. 186
Sharpe (Novel Series), Sharpe's Rifles (1988)

People, Jerk

“It was found [in the 1970s], unexpectedly and without anyone really having a concept for it, that the rules of perturbation theory can be changed in a way that makes relativistic quantum gravity inevitable rather than impossible. The change is made by replacing point particles by strings. Then Feynman graphs are replaced by Riemann surfaces, which are smooth - unlike the graphs, which have singularities at interaction vertices. The Riemann surfaces can degenerate to graphs in many different ways. In field theory, the interactions occur at the vertices of a Feynman graph. By contrast, in string theory, the interaction is encoded globally, in the topology of a Riemann surface, any small piece of which is like any other. This is reminiscent of how non-linearities are encoded globally in twistor theory.”

Edward Witten (1951) American theoretical physicist

"The Past and Future of String Theory" in The Future of Theoretical Physics and Cosmology: Celebrating Stephen Hawking's Contributions to Physics (2003) ed. G.W. Gibbons, E.P.S. Shellard & S.J. Rankin

Way, Change

“Propaganda is making puppets out of us. We are moved by hidden strings which the propagandist manipulates.”

Everett Dean Martin (1880–1941)

Source: Are We Victims of Propaganda, Our Invisible Masters: A Debate with Edward Bernays (1929), p. 142

“Many of us believed in the possibility of a principled explanation for the laws of nature. We hoped to discover a short list of principles, which could be realized in a unique theory, which would retrodict the standard model and uniquely predict the physics to be discovered beyond it. The shocking implication of the results of Strominger reported in 1986 was that it was not to be, at least within the confines of string theory. …String theory offered more, however… It offered the promise of a setting in which the different perturbative string theories are realized as expansions around solutions of a still more fundamental theory. …That more fundamental theory would have to be background independent…”

Lee Smolin (1955) American cosmologist

"A perspective on the landscape problem" arXiv (Feb 15, 2012)

Law, Hope, Nature

“How have you left the ancient love
That bards of old enjoyed in you!
The languid strings do scarcely move!
The sound is forced, the notes are few!”

William Blake To the Muses

To the Muses, st. 4
1780s, Poetical Sketches (1783)

Love

“What we hear about eternal inflation or the string landscape, seems somehow unavoidably to lead to some kind of multiverse. However, it seems to me there is a fundamental problem there. Once of course you have the multiverse, then you can start playing around and try to find probability or getting to the anthropic principle, or whatever. But the point is that the picture is essentially a classical one, and it is difficult to see that if you have many universes, coming essentially with an inflationary state, that there would not be plenty of horizons in this. Now the quantum mechanics of horizons is, I think, perfectly not understood. The simplest example is the black hole, where after all nobody knows really if the problem lies in the singularity or if it lies really already in the horizon.”

François Englert (1932) Belgian theoretical physicist

as quoted in: [Gross, David; Henneaux, Marc; Sevrin, Alexander, eds., The Theory of the Quantum World: Proceedings of the 25th Solvay Conference on Physics, Brussels, Belgium 19-22 October 2011, World Scientific, 2013, 309, https://books.google.com/books/about/The_Theory_of_the_Quantum_World.html?id=0o-6CgAAQBAJ&pg=PA309]

Problem, Thinking, Universe

“The Hindu was taxed to the extent of half the produce of his land, and had to pay duties on all his buffaloes, goats, and other milk-cattle. The taxes were to be levied equally on rich and poor, at so much per acre, so much per animal. Any collectors or officers taking bribes were summarily dismissed and heavily punished with sticks, pincers, the rack, imprisonment and chains. The new rules were strictly carried out, so that one revenue officer would string together 20 Hindu notables and enforce payment by blows. No gold or silver, not even the betelnut, so cheering and stimulative to pleasure, was to be seen in a Hindu house, and the wives of the impoverished native officials were reduced to taking service in Muslim families. Revenue officers came to be regarded as more deadly than the plague; and to be a government clerk was disgrace worse than death, in so much that no Hindu would marry his daughter to such a man. … [These edicts] were so strictly carried out that the chaukidars and khuts and muqad-dims were not able to ride on horseback, to find weapon, to wear fine clothes, or to indulge in betel.. …. No Hindu could hold up his head. ….. Blows, confinement in the stocks, imprisonment and chains were all employed to enforce payment.”

Stanley Lane-Poole (1854–1931) British orientalist

Lane Poole : Medieval India, quoted from B.R. Ambedkar, Pakistan or The Partition of India (1946)

Death, Pleasure, Family, Animals

“As the screams in the water multiplied, another sound was heard, strong and clear at first, then fainter in the distance. It was the melody of the hymn “Nearer, My God, To Thee,” played by the string orchestra in the dining saloon.”

Steve Turner (1949) British writer

Source: The Band That Played On (Thomas Nelson, 2011), p. 10

God, Strong, Water

“The general ignorance of the visual arts, especially their theoretical bases, deplorable even in the so-called intellectual world; the artist’s well-founded despair of ever reaching the mythical “masses” with “advanced art”; the resulting ghetto mentality predominant in the narrow and incestuous art world itself, with its resentful reliance on a very small group of dealers, curators, critics, editors, and collectors who are all too frequently and often unknowingly bound by invisible apron strings to the “real world’s” power structure—all of these factors may make it unlikely that conceptual art will be any better equipped to affect the world any differently than, or even as much as, its less ephemeral counterparts.”

Lucy R. Lippard (1937) American art curator

John Chandler and Lucy R. Lippard, " The Dematerialization of Art http://www.c-cyte.com/OccuLibrary/Texts-Online/Lippard-Chandler_The_Dematerialization_of_Art.pdf," in Conceptual Art: A Critical Anthology, ed. Alexander Alberro and Blake Stimson (Cambridge, Mass.: MIT Press, 1999).

World, Art, Despair

“In spite of all the refinements of civilization that conspired to make art – the dizzying perfection of the string quartet or the sprawling grandeur of Fragonard's canvases – beauty was savage. It was as dangerous and lawless as the earth had been eons before man had one single coherent thought in his head or wrote codes of conduct on tablets of clay. Beauty was a Savage Garden.”

Anne Rice book The Vampire Lestat

The Vampire Lestat (1985)

Beauty, Art, Perfection

“[N]ot only must we seek the measure of motions and actions by themselves, but much more in comparison; for this is of excellent use and very general application. Now we find that the flash of a gun is seen sooner than its report is heard… and this is owing it seems to the motion of light being more rapid than that of sound. We find to that visible images are received by the sight faster than they are dismissed; thus the strings of the violin, when struck by the finger, are to appearance doubled and tripled, because the new image is received before the old one is gone; which is also why the reason why rings being spun round look like globes, and a lighted torch, carried hastily at night, seems to have a tail. And it was upon this inequality of motions in point of velocity that Galileo built his theory of flux and reflux of the sea; supposing that the earth revolved faster than the water could follow; and that the water was therefore first gathered in a heap and then fell down, as we see in a basin of water moved quickly. But this he devised upon an assumption which cannot be allowed, viz. that the earth moves; and also without being well informed as to the sexhorary motion of the tide.”

Francis Bacon book Novum Organum

Aphorism 46
Novum Organum (1620), Book II

Light, Water, Appearance, Sea

“While man regards his body as a harp of pleasure to be played upon so long as its strings can be made to vibrate, so long will he continue to travel down the hill of physical decadence and degeneration in spite of quarantine laws and the most minute sanitary regulations. But when he recognizes his divine origin and obligations, and himself as the crowning masterpiece of creation, his body a precious thing, to be sacredly preserved, developed, expanded, and purified for service for humanity in this world, and a never-ending opportunity for development and joyous existence in the world to come, then only will he begin to climb toward the heights from which he has fallen, where he may once more stand forth as the crowning glory of creation, the masterpiece of God, “the beauty of the world, the paragon of animals.””

John Harvey Kellogg (1852–1943) American physician

Source: The Living Temple, pp. 431-432

God, Pleasure, World, Law

“The political history of the 20th century is the history of social-engineering projects executed by well-intentioned people that began well and ended badly. There were big errors like communism, but also lesser ones, like a Vietnam War designed by the best and the brightest, urban renewal efforts that decimated neighborhoods, welfare policies that had the unintended effect of weakening families and development programs that left a string of white elephant projects across the world.These experiences drove me toward the crooked timber school of public philosophy: Michael Oakeshott, Isaiah Berlin, Edward Banfield, Reinhold Niebuhr, Friedrich Hayek, Clinton Rossiter and George Orwell. These writers — some left, some right — had a sense of epistemological modesty. They knew how little we can know. They understood that we are strangers to ourselves and society is an immeasurably complex organism. They tended to be skeptical of technocratic, rationalist planning and suspicious of schemes to reorganize society from the top down.”

David Brooks (1961) American journalist, commentator and editor

[David, Brooks, http://www.nytimes.com/2009/02/24/opinion/24brooks.html?_r=1&ref=opinion, The Big Test, New York Times, February 23, 2009, February 24, 2009]
2000s

War, People, School, Family

“HOW TO LEARN ANYTHINGAs far as I can tell these are the techniques used by bright people who want to learn something other than by taking courses in it. […]1. DECIDE WHAT YOU WANT TO LEARN. But you can't know this exactly, because you don't know exactly how any field is structured until you know all about it.2. READ EVERYTHING YOU CAN ON IT, especially what you enjoy, since that way you can read more of it and faster.3. GRAB FOR INSIGHTS. Regardless of points others are trying to make, when you recognize an insight that has meaning for you, make it your own […] Its importance is not how central it is, but how clear and interesting and memorable to you. REMEMBER IT. Then go for another.4. TIE INSIGHTS TOGETHER. Soon you will have your own string of insights in a field. […]5. CONCENTRATE ON MAGAZINES, NOT BOOKS. Magazines have far more insights per inch of text, and can be read much faster. But when a book really speaks to you, lavish attention on it.6. FIND YOUR OWN SPECIAL TOPICS, AND PURSUE THEM.7. GO TO CONVENTIONS. For some reason, conventions are a splendid concentrated way to learn things; talking to people helps. […]8. "FIND YOUR MAN." Somewhere in the world is someone who will answer your questions extraordinarily well. If you find him, dog him. […]9. KEEP IMPROVING YOUR QUESTIONS. Probably in your head there are questions that don't seem to line up with what your hearing. Don't assume that you don't understand; keep adjusting the questions till you get an answer that relates to what you wanted.10. YOUR FIELD IS BOUNDED WHERE YOU WANT IT TO BE. Just because others group and stereotype things in conventional ways does not mean they are necessarily right. Intellectual subjects are connected every which way; your field is what you think it is. […]”

Ted Nelson (1937) American information technologist, philosopher, and sociologist; coined the terms "hypertext" and "hypermedia"

Dream Machines
Computer Lib/Dream Machines (1974, rev. 1987)

People, Books, World, Dogs

“If you are a piano,
You will laugh on ev'ry string,
And if you are a girl or boy,
You'll sing.”

Malvina Reynolds (1900–1978) American folk singer

Song There's Music In The Air

Girl, Boy, Singing

“I find it breathtaking […] that when musical composition competitions are held, the contestants often do not submit tapes or records (or live performances) of their works they submit written scored, and the judges confidently make their aesthetic judgements on the basis of just reading the scores and hearing the music in their minds. How good are the best musical imaginations? Can a trained musician, swiftly reading a score tell just how that voicing of dissonant oboes and flutes over the massed strings will sound?”

Daniel Dennett book Consciousness Explained

Consciousness Explained (1991)

Music, Confidence, Imagination, Reading

“For ten years Caesar ruled with an iron hand. Then with a wooden foot, and finally with a piece of string.”

Spike Milligan (1918–2002) British-Irish comedian, writer, musician, poet, playwright, soldier and actor

The Goon Show, Season 7, Episode 25: "The Histories of Pliny the Elder" (28 March 1957)

“I think the best thing the Federal Gov. can do when it comes to education K-12 is to abolish the Federal Department of Education. The Federal Department of Education gives each state about 11 cents out of every school dollar that every state spends but it comes with about 16 cents worth of strings attached. So what I think the country … people do not understand is it’s a negative to take federal money… So just get the fed. govt. out of education completely. Leave education to the states. Fifty laboratories of innovation and best practice and in my opinion we would have some fabulous innovation that would get emulated because we are all so competitive.”

Gary Johnson (1953) American politician, businessman, and 29th Governor of New Mexico

Statement made to representatives of the Pagan Newswire Collective (PNC)
2011-10-16
http://www.patheos.com/blogs/paganswithdisabilities/2011/10/full-transcript-of-qa-with-presidential-candidate-gary-johnson/
2012-02-24
Sound Government

Money, People, Education, School

“Come, then, with what voice Thou wilt come, Thou power- clad Messenger of my Redeemer! Come with thunder on Thy tongue, or with a sweet "harp of ten strings;" come to us simple as a little child, or wise as a scribe instructed of God; but, O! let us only feel that fire in Thy message which lies not in sentences nor in tones, but in a heart itself inflamed from above, and pouring fire into our hearts.”

William Arthur (minister) (1819–1901) Wesleyan Methodist minister and author

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 323.

God, Feeling, Heart

“They discuss no strings. There, the people, they don’t discuss anything. You can’t beat the British, you’ve got to sit with them for hours. They talk about this, they talk about that.”

Jakaya Kikwete (1950) Tanzanian politician and president

On the fewer strings attached to China's assistance. Interviews, Interview with Financial Times, 2007-10-04 http://www.ft.com/cms/s/0/d8a07e28-72a3-11dc-b7ff-0000779fd2ac.html?nclick_check1/

People

“I lived in a town called New Canaan, which is just outside of Connecticut, where they are far too snobby to even mention celebrities. Many American towns are famous for things like, "See the World's Largest Ball of String!" I think my town's would probably have to be "Most Pretentious People".”

Katherine Heigl (1978) American actress and film producer

About New Canaan, her hometown, in an interview with FHM (October 2000)

People, World, Thinking

“And the single string of the marine trumpets.”

Guillaume Apollinaire book Alcools

Et l'unique cordeau des trompettes marines
"Chantre" (Singer), in its entirety; translations by William Meredith, from Francis Steegmuller Apollinaire: Poet Among the Painters (Harmondsworth: Penguin, 1973) p. 210.
Alcools (1912)

“Lord, for sixty-so years I've surrendered my love,
to emblems of kindness, and not the kindness they were emblems of,
Trammels and rings, with the strength of old strings,
and some hobble skirt spring, by the old problem caught,
Children, sometimes I think all our thoughts are just things,
and then sometimes think things are just thoughts"
and the rabble rang.”

Aaron Weiss

Elephant in the Dock.
Ten Stories

Love, Children, Spring, Problem

“The incompatibility between gravity and quantum coherence represented by black holes should be solved by a consistent quantum theory that contains gravity as superstring theory. Despite many encouraging results in that sense, I question here the general feeling of a naive resolution of the paradox. And indicate non trivial physical possibilities towards its solution that are suggested by string theory and may be further investigated in its context.”

Daniele Amati (1931) Italian physicist

[The information paradox, arXiv preprint arXiv:hep-th/0612061v2, 14 December 2006, http://arxiv.org/abs/hep-th/0612061] (See also Thorne-Hawking-Preskill bet.)

Feeling, Question, Sense

“Machine-held strings of binary digits can simulate a great many kinds of things, of which numbers are just one kind. For example, they can simulate automobiles on a freeway, chess pieces, electrons in a box, musical notes, Russian words, patterns on a paper, human cells, colors, electrical circuits, and so on. To think of a computer as made up essentially of numbers is simply a carryover from the successful use of mathematical analysis in studying models. Most of this series of lectures has been devoted to applications of computers, and this is not the time to give details about their usefulness. I merely wish to point out certain types of things being done with computers today that could not have been done in 1945. Some of these are technological, some are intellectual.”

George Forsythe (1917–1972) Stanford University computer scientist

As cited in: Zenon Pylyshyn (1970) Perspectives on the computer revolution. p. 379
"Educational implications of the computer revolution," 1963

Music, Color, Mathematics, Thinking

“Like enough, you won't be glad,
When they come to hang you, lad:
But bacon's not the only thing
That's cured by hanging from a string.”

Hugh Kingsmill (1889–1949) British writer and journalist

"Two Poems, After A. E. Housman", no. 1, line 5

“Language is an abominable misunderstanding which makes up a part of matter. The painters and the physicists have treated matter pretty well. The poets have hardly touched it. In March 1958, when I was living at the Beat Hotel, I proposed to Burroughs to at least make available to literature the means that painters have been using for fifty years. Cut words into pieces and scramble them. You'll hear someone draw a bow-string. Who runs may read, To read better, practice your running. Speed is entirely up to us, since machines have delivered us from the horse. Henceforth the question is to deliver us from that other so-called superior animal, man. It's not worth it to chase out the merchants: their temple is dedicated to the unsuitable lie of the value of the Unique. The crime of separation gave birth to the idea of the Unique which would not be separate. In painting, matter has seen everything: from sand to stuffed goats. Disfigured more and more, the image has been geometrically multiplied to a dizzying degree. A snow of advertising could fall from the sky, and only collector babies and the chimpanzees who make abstract paintings would bother to pick one up.”

Brion Gysin (1916–1986) Canadian artist

Cut-Ups: A Project for Disastrous Success.

Lie, Literature, Idea, Birth

“First of all, when you enter a conservatory, it’s already too late. The kind of connection that has to be made with an instrument, be it a piano, strings, a wind instrument, it really has to start much younger – five, six, seven - eight years-old is already getting late. The instrument must really become an extension of yourself. That neuromuscular connection between intention and realization is something that really has to be started very young. And the years between nine or ten and twenty, that’s when one should learn the whole repertoire.”

Leon Fleisher (1928) American conductor and pianist

Interview with pianist Leon Fleisher http://www.examiner.com/article/interview-with-pianist-leon-fleisher by Elijah Ho (October 1, 2014)

Learning

“[M]aybe the strings break, or maybe our ships sink, or maybe we're grass—our roots so interdependent that no one is dead as long as someone is still alive. We don't suffer from a shortage of metaphors, is what I mean. But you have to be careful which metaphor you choose, because it matters. If you choose the strings, then you're imagining a world in which you can become irreparably broken. If you choose the grass, you're saying that we are all infinitely interconnected, that we can use these root systems not only to understand one another but to become one another. The metaphors have implications.”

John Green book Paper Towns

Quentin "Q" Jacobsen, p. 301
Paper Towns (2008)

World, Imagination, Understanding, Grass

“The fact that human intuition is ill suited to situations involving uncertainty was known as early as the 1930's, when researchers noted that people could neither make up a sequence of numbers that passed mathematical tests for randomness nor recognize reliably whether a given string was randomly generated.”

Leonard Mlodinow book The Drunkard's Walk

Prologue, p. ix
The Drunkard's Walk

People, Mathematics

“From 1860 to 1977, a string of Afghan monarchs imposed effective rule throughout their realm. But the monarchy was never absolute, if only because the loya jigrah, a high assembly of tribal and religious leaders, would restrain a despotic king or help a weak one.”

Amir Taheri (1942) Iranian journalist

"Myths of our Afghanistan debate" http://nypost.com/2009/10/15/myths-of-our-afghanistan-debate/, New York Post (October 15, 2009). New York Post

Help

“They made some low wide gallows on which the hanged victim's feet almost touched the ground, stringing up their victims in lots of thirteen, in memory of Our Redeemer and His twelve Apostles, then set burning wood at their feet and thus burned them alive.”

Bartolomé de las Casas (1474–1566) Spanish Dominican friar, historian, and social reformer

History of the Indies (1561)

Memory

“Elegance requires that the number of defining equations be small. Five is better than ten, and one is better than five. On this score, one might facetiously say that String Theory is the ultimate epitome of elegance. With all the years that String Theory has been studied, no one has found even a single defining equation! The number at present count is zero. We know neither what the fundamental equations of the theory are nor even if it has any.”

Leonard Susskind book The Cosmic Landscape

[The Cosmic Landscape: String Theory and the Illusion of Intelligent Design, 2008, Little, Brown, https://books.google.com/books?id=RIW9E1sOyxUC&q=epitome#v=snippet&q=epitome&f=false]

Study

“A planet of playthings
We dance on the strings of powers we cannot perceive
The stars aren't aligned or the gods are maligned
Blame is better to give than receive
-- Freewill (1980)”

Neil Peart (1952–2020) Canadian-American drummer , lyricist, and author

Rush Lyrics

God, Star, Dance

“There was about Alexandra something of the impervious calm of the fatalist, always disconcerting to very young people, who cannot feel that the heart lives at all unless it is still at the mercy of storms; unless its strings can scream to the touch of pain.”

Willa Cather book O Pioneers!

Part IV, Chapter 1 : "The White Mulberry Tree"
O Pioneers! (1913)

Pain, People, Feeling, Heart

“Power is mostly the illusion of power. The Pentagon demanded we destroy our publications. We kept publishing. Clinton denounced us and said we were an attack on the entire "international community". We kept publishing. I was put in prison and under house arrest. We kept publishing. We went head to head with the NSA getting Edward Snowden out of Hong Kong, we won and got him asylum. Clinton tried to destroy us and was herself destroyed. Elephants, it seems, can be brought down with string. Perhaps there are no elephants.”

Julian Assange (1971) Australian editor, activist, publisher and journalist

Repubblica.it interview, 23 Dec 2016 link http://www.repubblica.it/esteri/2016/12/23/news/assange_wikileaks-154754000/

Communication, Housing

“Good wrong ideas are extremely scarce… and good wrong ideas that even remotely rival the majesty of string theory have never been seen.”

Edward Witten (1951) American theoretical physicist

as quoted by John Horgan, The End of Science: Facing the Limits of Knowledge in the Twilight of the Scientific Age (1996)

Idea

“The technique used heavy, spiky pastes made of nothing other than ordinary oil paint, used thick and mixed with sand and gravel. I some cases – but these were the exception – a few miscellaneous objects were stuck into the wet paint, such as bits of string or little pieces of glass or mirror.”

Jean Dubuffet book Prospectus et tous écrits suivants

quote by Dubuffet on his technique, he used in his series Hautes Pâtes, exhibited in 1946
Source: 1960-70's, Prospectus et tous écrits suivants, 1967, p. 428

Past, Painting

“Three merry boys, and three merry boys,
And three merry boys are we,
As ever did sing in a hempen string
Under the gallow-tree.”

John Fletcher (1579–1625) English Jacobean playwright

Act III, scene 2. Song.
Rollo, Duke of Normandy, or The Bloody Brother, (c. 1617; revised c. 1627–30; published 1639)
Variant: Three merry boys, and three merry boys,
And three merry boys are we,
As ever did sing in a hempen string
Under the gallow-tree.

Boy, Tree, Singing

“Should a record setting year or string of them be cause for alarm? Personally I don't think so.”

Anthony Watts (1958) American television meteorologist

2006 Hottest Year on Record – So what? http://wattsupwiththat.com/2007/01/10/2006-hottest-year-on-record-so-what-part-1/, wattsupwiththat.com, January 10, 2007. Other

Thinking, Personality

“You can't push on a string.”

John Maynard Keynes (1883–1946) British economist

Attributed by [Hal R., Varian, http://www.ischool.berkeley.edu/~hal/people/hal/NYTimes/2003-06-04.html, Dealing with Deflation, The New York Times, June 5, 2003, 2007-01-11]
Attributed

“The guardians who have kindly undertaken the supervision will see to it that by far the largest part of mankind, including the entire "beautiful sex," should consider the step into maturity, not only as difficult but as very dangerous.
After having made their domestic animals dumb and having carefully prevented these quiet creatures from daring to take any step beyond the lead-strings to which they have fastened them, these guardians then show them the danger which threatens them, should they attempt to walk alone.”

Immanuel Kant (1724–1804) German philosopher

What is Enlightenment? (1784)

Beauty, Sex, Animals, Parting

“That being said, I think we should immediately deprecate any string concatenation that combines '19' with '99.”

Larry Wall (1954) American computer programmer and author, creator of Perl

[199811242002.MAA26850@wall.org, 1998]
Usenet postings, 1998

Thinking

“By the time of his Fourth String Quartet, inversional symmetry had become as fundamental a premise of Bartók's harmonic language as it is of the twelve-tone music of Schoenberg, Berg, and Webern. Neither he nor they ever realized that this connection establishes a profound affinity between them in spite of the stylistic features that so obviously distinguish his music from theirs…Nowhere does he [Bartók] recognize the communality of his harmonic language with that of the twelve-tone composers that is implied in their shared premise of the harmonic equivalence of inversionally symmetrical pitch-class relations.”

George Perle (1915–2009) American composer

Pages 46-47
The Listening Composer

Music, Communication, Time

“Still the Constitution tells us emphatically that the power of the purse belongs to Congress. It is hoped, Mr. President, distinguished colleagues, that with these proposed amendments in the Fiscal Year 2015 budget or GAA, Congress will adhere to the ruling of the highest Court in the land and regain its Constitutionally-mandated control over the purse strings.”

Francis Escudero (1969) Filipino politician

2014, Speech: Sponsorship Speech for the FY 2015 National Budget

Hope

“O harp and altar, of the fury fused,
(How could mere toil align thy choiring strings!)
Terrific threshold of the prophet’s pledge,
Prayer of pariah, and the lover’s cry”

Hart Crane (1899–1932) American writer

To Brooklyn Bridge, Stanza 8; from The Bridge

Lovers, Cry

“Composers are not human; They can live on diminished sevenths, and be contented with a pianoforte for a wife, and a string quartet for a family.”

George Bernard Shaw (1856–1950) Irish playwright

1900s, Love Among the Artists (1900)

Family

“At Black Mountain College in 1952, I organized an event that involved the paintings of Bob Rauschenberg, the dancing of Merce Cunningham, films, slides, phonograph records, radios, the poetries of w:Charles Olson and M. C. Richards recited from the tops of ladders, and the pianism of David Tudor, together with my 'Juilliard lecture', which ends: 'A piece of string, a sunset, each acts.' The audience was seated in the center of all this activity. Later that summer, vacationing in New England, I visited America's first synagogue, to discover that the congregation was there seated precisely the way I had arranged the audience at Black Mountain.”

John Cage (1912–1992) American avant-garde composer

Quote in: 'Silence: lectures and writings by John Cage'; publisher Middletown, Conn. Wesleyan University Press, June 1961, Foreword/ix
1960s

Way, Mountain, Dance, Summer

“Music, also, the architect ought to understand so that he may have knowledge of the canonical and mathematical theory, and besides be able to tune ballistae, catapultae, and scorpiones to the proper key. For to the right and left in the beams are the holes in the frames through which the strings of twisted sinew are stretched by means of windlasses and bars, and these strings must not be clamped and made fast until they give the same correct note to the ear of the skilled workman.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter I, Sec. 8

Music, Mathematics, Understanding, Knowledge

“Both Abrams and Westmoreland would have been judged as authentic military "heroes" at a different time in history. Both men were outstanding leaders in their own right and in their own way. They offered sharply contrasting examples of military leadership, something akin to the distinct differences between Robert E. Lee and Ulysses S. Grant of our Civil War period. They entered the United States Military Academy at the same time in 1932- Westmoreland from a distinguished South Carolina family, and Abrams from a simpler family background in Massachusetts- and graduated together with the Class of 1936. Whereas Westmoreland became the First Captain (the senior cadet in the corps) during their senior year, Abrams was a somewhat nondescript cadet whose major claim to fame was as a loud, boisterous guard on the second-string varsity football squad. Both rose to high rank through outstanding performance in combat command jobs in World War II and the Korean War, as well as through equally commendable work in various staff positions. But as leaders they were vastly different. Abrams was the bold, flamboyant charger who wanted to cut to the heart of the matter quickly and decisively, while Westmoreland was the more shrewdly calculating, prudent commander who chose the more conservative course. Faultlessly attired, Westmoreland constantly worried about his public image and assiduously courted the press. Abrams, on the other hand, usually looked rumpled, as though he might have slept in his uniform, and was indifferent about his appearance, acting as though he could care less about the press. The sharply differing results were startling; Abrams rarely receiving a bad press report, Westmoreland struggling to get a favorable one.”

Bruce Palmer Jr. (1913–2000) United States Army Chief of Staff

Source: The 25-Year War: America's Military Role in Vietnam (1984), p. 134

Men, War, World, Family

“Sigmund Freud would have been a wonderful witness here. He would have explained the use of derivatives as denial and rationalization—the pretense that we are doing one thing when we really mean to do something else; the relationship between the banker and its client as one of ambivalence and reliance on the father figure; the use of accounting conventions as repression and the absence of reality testing; the work environment as the pleasure/pain principle—current pleasure for future damage, let someone else pick up the pieces; leveraging and doubling our bets as counter-phobic behavior; termination therapy as what happens when the CFO and Treasurer get caught; and, of course, transference—how the trader seeks to shift responsibility to his or her superior when the string runs out.”

Eugene Rotberg (1930)

Testimony before the U.S. House of Representatives Committee on Banking, Finance and Urban Affairs. http://3197d6d14b5f19f2f440-5e13d29c4c016cf96cbbfd197c579b45.r81.cf1.rackcdn.com/collection/papers/1990/1994_0623_RotbergTestimony.pdf, 23 June 1994

Pain, Pleasure, Behavior, Reality

“Our eye-beams twisted, and did thread
Our eyes, upon one double string;
So to entergraft our hands, as yet
Was all the means to make us one,
And pictures in our eyes to get
Was all our propagation.”

John Donne (1572–1631) English poet

The Extasy, line 7

“The Work is merely four questions; it's not even a thing. It has no motive, no strings. It's nothing without your answers. These four questions will join any program you've got and enhance it. Any religion you have - they'll enhance it. If you have no religion, they will bring you joy. And they'll burn up anything that isn't true for you. They'll burn through to the reality that has always been waiting.”

Byron Katie (1942) American spiritual writer

Loving What Is: Four Questions That Can Change Your Life (2002)

Religion, Motivation, Question, Reality

“Among the problems of the known string theories, as a theory of hadrons, was the fact that the spectrum of open strings contains massless spin 1 particles, and the spectrum of closed strings contains a massless spin 2 particle (as well as other massless particles), but there are no massless hadrons. In 1974, Joël Scherk and I decided to take string theory seriously as it stood, rather than forcing it to conform to our preconceptions. … Specifically, Scherk and Schwarz (1974) proposed trying to interpret string theory as a unified quantum theory of all forces including gravity. Neveu and Scherk (1972) had shown that string theory incorporates the correct gauge invariances to ensure agreement at low energies (compared to the scale given by the string tension) with Yang-Mills theory. Yoneya (1973,1974) and Scherk and Schwarz (1974) showed that it also contains gauge invariances that ensure agreement at low energies with general relativity.”

John Henry Schwarz (1941) American theoretical physicist

[Schwarz, J. H., The early history of string theory and supersymmetry, 2012, https://arxiv.org/abs/1201.0981]

Problem, Gauge

“We are only puppets, our strings are being pulled by unknown forces.”

Georg Büchner Danton's Death

Act II.
Dantons Tod (Danton's Death) (1835)

“Long before… our techniques of today, men could conceive and build structures adapted to the requirements of resistance… because he had observed… the branches of a tree bending under the weight of fruits and the tensioned cords of strings in which children have rocked from time immemorial…”

Eduardo Torroja (1899–1961) Spanish architect

p, 125
Philosophy of Structures (1958)

Men, Children, Tree, Time

“What is very important to me is two points: A theory should be internally consistent and it should have some contact with observation. Well, I’m told by all the experts that this theory [String theory] is internally consistent, although they think up new interpretations every time I turn my back. But contact with reality? Nobody’s given me anything. I just watch. I’m somewhat unhappy that so many people are working on it. To me, as a physicist, it’s sort of sad that so many people at the same time work at something that doesn’t seem to have any contact with experiment. But that, to some extent, is due to the fact that we don’t have any great experimental puzzle to be thinking about. We have to supply the puzzles, and there aren’t that many puzzles right now.”

Valentine Telegdi (1922–2006) American physicist

Telegdi, Valentine L. Interview by Sara Lippincott. Pasadena, California, March 4 and 9, 2002. Oral History Project, California Institute of Technology Archives. Retrieved January 11, 2010 from the World Wide Web: http://resolver.caltech.edu/CaltechOH:OH_Telegdi_V

People, Sadness, Thinking, Reality

“It is very possible that a proper understanding of string theory will make the space-time continuum melt away…. String theory is a miracle through and through.”

Edward Witten (1951) American theoretical physicist

as quoted by K.C. Cole, "A Theory of Everything" New York Times Magazine (1987) Oct.18

Understanding, Time

“The idea of having an ambient space-time of some specific dimension seems to play less of a role of string theory than in conventional physics, and certainly less than the kind of role that I would myself feel comfortable with. It is particularly difficult to assess the functional freedom that is involved in a physical theory unless one has a clear idea of its actual space-time dimensionality.”

Roger Penrose book Fashion, Faith, and Fantasy in the New Physics of the Universe

Ch. 1, Mathematical Elegance as a Driving Force, p. 62 https://books.google.com/books?id=T09kCwAAQBAJ&pg=PA62. Fashion, Faith, and Fantasy in the New Physics of the Universe (2016)

Feeling, Idea, Freedom, Time

“I have never worked as hard as now. I go for a brief walk in the morning. Then I come home and sit in my room without interruption until about three o’clock. My eyes can barely see. Then with my walking stick in hand I sneak off to the restaurant, but am so weak that I believe that if somebody were to call out my name, I would keel over and die. Then I go home and begin again. In my indolence during the past months I had pumped up a veritable shower bath, and now I have pulled the string and the ideas are cascading down upon me: healthy, happy, merry, gay, blessed children born with ease and yet all of them with the birthmark of my personality.”

Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism

Letter from Berlin to Emil Boesen, May 25, 1843, Letter 82
1840s, The Journals of Søren Kierkegaard, 1840s

Happiness, Children, Home, Idea

“Grouse shooting is what it is for you, not for someone in some fabulous faraway place. Grouse gunning can be either a game of numbers or identification with a live bird somewhere ahead. It can be a mindless urge to wipe out a string of birds, or it can be the instant when one bird and the dog and the gun exist in unity.”

George Bird Evans (1906–1998) American writer

An Affair with Grouse (1982)

Dogs, Game, Bird

“On notable classmate was Dan Friedan. Friedan stunned me, and I think everyone else, at his Ph. D. seminar, when he showed that Einstein's equation, the basic equation of general relativity, could be interpreted in terms of one of the basic objects in QFT, the β function that governs the energy scale. I did not see what this could possibly mean, but a few years later it showed up as one of the key ideas in string theory.”

Joseph Polchinski Memories of a Theoretical Physicist

Memories of a Theoretical Physicist, arXiv preprint arXiv:1708.09093, 2017 https://arxiv.org/abs/1708.09093, (pp. 30–31)

Idea, Thinking

“At bottom, it is the Poet's first gift, as it is all men's, that he have intellect enough. He will be a Poet if he have: a Poet in word; or failing that, perhaps still better, a Poet in act. Whether he write at all; and if so, whether in prose or in verse, will depend on accidents: who knows on what extremely trivial accidents, — perhaps on his having had a singing-master, on his being taught to sing in his boyhood! But the faculty which enables him to discern the inner heart of things, and the harmony that dwells there (for whatsoever exists has a harmony in the heart of it, or it would not hold together and exist), is not the result of habits or accidents, but the gift of Nature herself; the primary outfit for a Heroic Man in what sort soever. To the Poet, as to every other, we say first of all, See. If you cannot do that, it is of no use to keep stringing rhymes together, jingling sensibilities against each other, and name yourself a Poet; there is no hope for you. If you can, there is, in prose or verse, in action or speculation, all manner of hope. The crabbed old Schoolmaster used to ask, when they brought him a new pupil, 'But are ye sure he's not a dunce?”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

Why, really one might ask the same thing, in regard to every man proposed for whatsoever function; and consider it as the one inquiry needful: Are ye sure he's.
1840s, Heroes and Hero-Worship (1840), The Hero as Poet

Men, Hope, Nature, Singing

“The scope of an intellect is not to be measured with a tape-string, or a character deciphered from the shape or length of a nose.”

Christian Nestell Bovee (1820–1904) American writer

Source: Intuitions and Summaries of Thought (1862), Volume II, p. 82.

“Responsibility's like a string we can only see the middle of. Both ends are out of sight.”

William McFee (1881–1966) American writer

Book II: The City, Ch. VI
Casuals of the Sea (1916)

“It is Nixon himself who represents that dark, venal and incurably violent side of the American character that almost every country in the world has learned to fear and despise. Our Barbie-doll president, with his Barbie-doll wife and his boxful of Barbie-doll children is also America's answer to the monstrous Mr. Hyde. He speaks for the Werewolf in us; the bully, the predatory shyster who turns into something unspeakable, full of claws and bleeding string-warts on nights when the moon comes too close…”

Hunter S. Thompson book The Great Shark Hunt

"Ask Not for Whom the Bell Tolls… (October 1973), also published in Gonzo Papers, Vol I : The Great Shark Hunt: Strange Tales from a Strange Time (1979)
1970s

Children, World, Fear, Learning

“Merz paintings are abstract works of art. The word 'Merz' essentially means the totality of all imaginable materials that can be used for artistic purposes and technically the principle that all of these individual materials have equal value. Merz art makes use not just of paint and canvas, brush and palette, but all the materials visible to the eye and all tools needed.... the wheel off a pram, wire mesh, string and cotton balls – these are factors of equal value to paints. The artist creates by choosing, distributing and reshaping the materials.”

Kurt Schwitters (1887–1948) German artist

1910s
Source: 'Merz Painting' (1919); as quoted in I is Style, ed. Siegfried Gohr & Gunda Luyken, NAI Publishers, Rotterdam 2000, p. 91.

Art, Imagination, Painting

“I wouldn’t play it in public — you need different muscles, you can’t use the upper arm, just the fingers. But the sound has a glow, because the strings aren’t damped, as on a piano. I wanted to visit Bach’s sound world, then apply those ideas to the piano.”

Murray Perahia (1947) American classical pianist and conductor

Of playing the harpsichord. Jewish Chronicle interview http://thejc.com/home.aspx?ParentId=m14s150&AId=57994&ATypeId=1&search=true2&srchstr=murray%20perahia&srchtxt=1&srchhead=1&srchauthor=1&srchsandp=1&scsrch=999 (8 February 2008)

World, Idea

“One thing you must know: Just as there is no comparison between actually hearing the sound of harp-strings sweetly plucked and listening to someone talking about it, so too there is no comparison between words which are received in pure grace, issuing from a living heart, spoken by living lips, and those self-same words committed to dry parchment — especially words in German. For these somehow grow chill, losing their vitality like roses cut. For the enchanting melody which, more than anything else, moves human hearts, then fades away, so that the words are received now into the dryness of dry hearts. No harp-strings were ever so sweet but, when stretched across dry timber, they fall silent. An unloving heart can no more understand a love-filled speaker than a German an Italian. Therefore, an eager enquirer should hasten to the out-flowing streams of these sweet teachings so that she may see and observe them at their source in all its living and wondrous beauty – that is, the in-flowing of present grace which is able to restore dead hearts to life.”

Henry Suso (1295–1366) Dominican friar and mystic

The Exemplar, The Little Book of Eternal Wisdom

Love, Life, Beauty, Understanding

“When Galilei let balls of a particular weight, which he had determined himself, roll down an inclined plain, or Torricelli made the air carry a weight, which he had previously determined to be equal to that of a definite volume of water; or when, in later times, Stahl changed metal into lime, and lime again into metals, by withdrawing and restoring something, a new light flashed on all students of nature. They comprehended that reason has insight into that only, which she herself produces on her own plan, and that she must move forward with the principles of her judgments, according to fixed law, and compel nature to answer her questions, but not let herself be led by nature, as it were in leading strings, because otherwise accidental observations made on no previously fixed plan, will never converge towards a necessary law, which is the only thing that reason seeks and requires. Reason, holding in one hand its principles, according to which concordant phenomena alone can be admitted as laws of nature, and in the other hand the experiment, which it has devised according to those principles, must approach nature, in order to be taught by it: but not in the character of a pupil, who agrees to everything the master likes, but as an appointed judge, who compels the witnesses to answer the questions which he himself proposes. Therefore even the science of physics entirely owes the beneficial revolution in its character to the happy thought, that we ought to seek in nature (and not import into it by means of fiction) whatever reason must learn from nature, and could not know by itself, and that we must do this in accordance with what reason itself has originally placed into nature. Thus only has the study of nature entered on the secure method of a science, after having for many centuries done nothing but grope in the dark.”

Immanuel Kant book Critique of Pure Reason

Preface to 2nd edition, Tr. F. Max Müller (1905)
Critique of Pure Reason (1781; 1787)

Happiness, Law, Question, Nature

“Did you deem yourself strong, because you were able to twist the heads off civilized folk, poor weaklings with muscles like rotten string? Hell! Break the neck of a wild Cimmerian bull before you call yourself strong. I did that, before I was a full-grown man - like this!”

Robert E. Howard (1906–1936) American author

"Shadows in Zamboula" (1935)

Hell, Strong

“The first song I ever wrote back then was the song that landed me the job as composer at Westwood Studios, which was remarkable for me at the time. It was basically an acoustic guitar song with electric guitar leads and keyboard strings, and raining sound effects in the background. If I had to compare it to anything, it was probably similar to an interlude Queensryche song. I never released this song before, but I've recently been thinking about re-recording it with the experience I have now and really making it sound proper. Maybe one day.”

Frank Klepacki (1974) American musician, video game music composer and sound director

Gameplay magazine

Thinking, Time

“I don't think that any physicist would have been clever enough to have invented string theory on purpose… Luckily, it was invented by accident.”

Edward Witten (1951) American theoretical physicist

as quoted by K.C. Cole, "A Theory of Everything" New York Times Magazine (1987) Oct.18

Thinking

“I covered the walls of both basement rooms with Milino, a cheap substitute for canvas, stretched string backwards and forwards across the rooms and attached widths of packing-paper to them, so that they reached down to the floor and as far as the walls that I wanted to paint. I wanted to create a labyrinth which would somehow help to prevent a compositional idea from establishing itself all too quickly. I had the idea of working on all the walls pretty well at the same time, as if they were one large painting completely surrounding me. By constantly wandering in the labyrinth I sought to realise a form of “de-composition.””

Günter Brus (1938) Austrian artist

Source: Nervous Stillness on the Horizon (2006), P. 114 (1985)

Idea, Time, Help, Painting

“Hence the ancient architects, following in the footsteps of nature, perfected the ascending rows of seats in theatres from their investigations of the ascending voice, and by means of the canonical theory of the mathematicians and that of the musicians, endeavoured to make every voice uttered on the stage come with greater clearness and sweetness to the ears of the audience. For just as musical instruments are brought to perfection of clearness in the sound of their strings by means of bronze plates or horn, so the ancients devised methods of increasing the power of the voice in theatres through the application of harmonics.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book V, Chapter IV, Sec. 8

Music, Nature, Perfection

“Even in this world more things exist without our knowledge than with it and the order in creation which you see is that which you have put there, like a string in a maze, so that you shall not lose your way. For existence has its own order and that no man’s mind can compass, that mind itself being but a fact among others.”

Cormac McCarthy book Blood Meridian

Blood Meridian (1985)

World, Way, Knowledge

“For the roar of Godzilla, I took out the lowest string of a contrabass and then ran a glove that had resin on it across the string. The different kinds of roars were created by playing the recording of the sound that I'd made at different speeds. Toho's sound engineers previously had tried to use the roars of many different animals for Godzilla's roar. They went to a zoo and recorded the roars of many different mammals, but no matter how the sounds were manipulated, they seemed too much like the roars of each of the animals. The sound engineers also tried to alter the call of a night heron bird, but that also was not successful.”

Akira Ifukube (1914–2006) Japanese composer

As quoted by David Milner, "Akira Ifukube Interview I" http://www.davmil.org/www.kaijuconversations.com/ifukub.htm, Kaiju Conversations (December 1992)

Bird, Success, Animals, Speed

“It’s not too difficult to find a string player who really sings on his instrument, but it’s very rare to find a string player who speaks on his instrument.”

Sándor Végh (1912–1997) Hungarian violinist

Quoted in Interview with pianist Leon Fleisher http://www.examiner.com/article/interview-with-pianist-leon-fleisher by Elijah Ho (October 1, 2014)

Singing

“As a violin string or a harpsichord key vibrates and gives forth sound, so the cerebral fibres, struck by waves of sound, are stimulated to render or repeat the words that strike them.”

Julien Offray de La Mettrie book Man a Machine

p, 125
Man a Machine (1747)

“The proverbial German phenomenon of the verb-at-the-end about which droll tales of absentminded professors who would begin a sentence, ramble on for an entire lecture, and then finish up by rattling off a string of verbs by which their audience, for whom the stack had long since lost its coherence, would be totally nonplussed, are told, is an excellent example of linguistic recursion.”

Douglas Hofstadter book Gödel, Escher, Bach: an Eternal Golden Braid

"Recursive Structures and Processes"
Gödel, Escher, Bach: an Eternal Golden Braid (1979)

“A lad changed to a shrub in spring,
the shrub into a shepherd boy,
A fine hair to a lyre string,
snow into snow on hair piled high.”

Jaroslav Seifert (1901–1986) Czechoslovak poet, Nobel prize laureate

Transformations translated by Edward Osers
An Apple from your Lap (1933)

Spring, Boy, Change

“Isn't this the prettiest little thing you've ever seen? It was over a year ago I held this belt high in the air after I fought for it for the first time in Dayton, Ohio against Samoa Joe and I proclaimed this belt the most important thing to me. Right now, in my hands, as of this day 6/18/05, THIS becomes the most important belt in the world! This belt in the hands of any other man is just a belt, but in my hands it becomes power. Just like this microphone in the hands of any of the boys in the back is just a microphone, but in the hands of a dangerous man like myself it becomes a pipe-bomb. These words that I speak spoken by anybody else are just words strung loosely together to form sentences. What I say I mean, and what I mean I say, and they become anthems! You see, if I could be afforded the time here a little bit of a story. There was once an old man, walking home from work. He was walking in the snow, and he stumbled upon a snake frozen in the ice. He took that snake, and he brought it home, and he took care of it, and he thawed it out, and he nursed it back to health. And as soon as that snake was well enough, it bit the old man. And as the old man lay there dying he asked the snake, 'Why? I took care of you. I loved you. I saved your life.' And that snake looked that man right in the eye and said, 'You stupid old man. I'm a snake.' The greatest thing the devil ever did was make you people believe he didn't exist… and you're looking at him right now! I AM THE DEVIL HIMSELF! And all of you stupid, mindless people fell for it! You all believed in the same make-believe superhero that the legendary Ricky 'The Dragon' Steamboat saw some year ago today. No, you see, you don't know anything. You followed me hook-line and sinker, all of you did, and I'm not mad at you… I just feel sorry for you. This belongs to me! Everything you see here belongs to me, and I did what I had to do to get my hands on this. Now I am the GREATEST PRO WRESTLER walkin' the Earth today! This is my stage, this is my theater, you are my puppets! When I pulled those marionette strings, and I moved your emotions, and I played with them, and honestly it's 'cause I get off on it. I hate each and every single one of you with a thousand burns and I will not stop… I will not stop until I prove that I am better than you, that I am better than Low Ki, that I am better than AJ Styles! I'm better than Samoa Joe. Ladies and gentlemen, the champ is here! You don't have to love it, but you better learn to accept it. 'Cause I'm taking this with me, and there's not a single person in that locker room that can stop me!”

Phil Brooks (1978) American professional wrestler and mixed martial artist

Ring of Honor, Death Before Dishonor III. June 18th, 2005. This promo took place directly after Punk defeated Austin Aries for the ROH World Championship proceeding to turn the, at the time face, Punk heel. Directly after this promo Christopher Daniels made his first appearance in ROH in over a year to challenge for the belt. This promo also made reference to an old parable http://www.snopes.com/critters/malice/scorpion.htm about an animal doing an act of kindness to another creature that is venomous and being surprised when the animal injects the venom to the creature after the act of kindness who then proceeds to explain it is their nature to perform the act. Ring of Honor

Love, Life, Hate, People

“I have always felt rather badly for orchestra musicians, especially the stringed instrument player who certainly in his youth expected to be a virtuoso… I admire their patience and ability, and through the years have made the effort to show them my respect and – love in many instances.”

Pierre Monteux (1875–1964) French conductor

From Monteux, Doris G (1965). It's All in the Music: The Life and Work of Pierre Monteux. New York: Farrar, Straus and Giroux. OCLC 604146, p. 197

Love, Youth, Effort, Patience

“In string theory one studies strings moving in a fixed classical spacetime. …what we call a background-dependent approach. …One of the fundamental discoveries of Einstein is that there is no fixed background. The very geometry of space and time is a dynamical system that evolves in time. The experimental observations that energy leaks from binary pulsars in the form of gravitational waves—at the rate predicted by general relativity to the… accuracy of eleven decimal places—tell us that there is no more a fixed background of spacetime geometry than there are fixed crystal spheres holding the planets up.”

Lee Smolin (1955) American cosmologist

"Loop Quantum Gravity," The New Humanists: Science at the Edge (2003)

Study, Time, Dependency

“2942. It is good to have two Strings to one's Bow.”

Thomas Fuller (writer) (1654–1734) British physician, preacher, and intellectual

Introductio ad prudentiam: Part II (1727), Gnomologia (1732)

“Bob Hope: [finding some coins tied with string in Jack's trousers] When you ask this kid for a loan, and he says his money is tied up, he isn't kidding. This is an obstacle course for pickpockets.”

Jack Benny (1894–1974) comedian, vaudeville performer, and radio, television, and film actor

The Jack Benny Program (Radio: 1932-1955), The Jack Benny Program (Television: 1950-1965)

Money, Hope

“India provides a particularly soft target. The Christian missions are welcome to open their purse strings in the Islamic and Communist countries of Asia. But the missions there are barred from winning new converts. Hindu India, drowned in poverty and suffering from cultural self-forgetfulness, is the only country in Asia which provides the quid pro quo.”

Sita Ram Goel (1921–2003) Indian activist

Hindu Society under Siege (1981, revised 1992)

Suffering, Country, Forgetting

“Joni uses a lot of alternate tunings; that is, instead of tuning the guitar in the customary way, she tunes the strings to pitches of her own choosing. …Joni will talk compellingly and passionately about alternate tunings for hours, comparing them to different colors that van Gogh used in his paintings.”

Daniel Levitin (1957) American psychologist

This is Your Brain on Music (2006)

Color, Way, Passion, Painting

“At an unknown hour, from a source that is still sealed to us, but inexorable, the Work comes into the world. Cold calculations, splashes leaping up without plan, mathematically accurate construction (laid bare or concealed) silent, screaming drawing, scrupulous finish, colour in fanfares or played pianissimo on the strings, large, serene, cradling, fragmented planes. Isn’t that a Form? Aren't those the means?
Suffering, seeking, tormented souls with a deep fissure, caused by the collision of the spiritual with the material... Shame on him who turns his soul's ear away from the mouth of art. A human being speaks to human beings about the superhuman – the language of art.”

Wassily Kandinsky (1866–1944) Russian painter

Quote of Kandinsky, from the catalog of the second exhibition of the 'Neue Künstlervereinigung', München, August, 1910; as cited by de:Wolf-Dieter Dube, in Expressionism; Praeger Publishers, New York, 1973, p. 95
1910 - 1915

World, Art, Soul, Mathematics

“Physics is by no means "finished". But the part of it that explains almost everything in the universe—including us—is finished, and much of it has been finished for a century or more. This includes the physics that we are going to need. Nothing at the unsettled frontiers of physics challenges the parts we're going to make use of. What's more, the physics we need is easy to understand, certainly far easier than quantum mechanics, general relativity, or string theory.”

Alexander Rosenberg (1946) American philosopher

The Atheist's Guide to Reality (2011)

Understanding, Universe, Parting