Quotes about story
page 28

Ian Paisley photo
William Moulton Marston photo

“If children will read comics […] isn't it advisable to give them some constructive comics to read? […] The wish to be super strong is a healthy wish, a vital compelling, power-producing desire. The more the Superman-Wonder Woman picture stories build this innner compulsion by stimulating the child's natural longing to battle and overcome obstacles, particularly evil ones, the better the better chance your child has for self-advancement in the world. Certainly there can be no arguement about the advisability of strengthening the fundamental human desire, too often buried beneath stultifying divertissments and disguises, to see god overcome evil.”

William Moulton Marston (1893–1947) American psychologist, lawyer, inventor and comic book writer

"Why 100,000,000 Americans Read Comics", The American Scholar, 13.1 (1943): p 40, as quoted in The Ages of Wonder Woman: Essays on the Amazon Princess in Changing Times, edited by Joeph J Darowski, pp. 9-10; in the essay "William Marston's Feminist Agenda" by Michelle R. Finn, as quoted in The Ages of Wonder Woman: Essays on the Amazon Princess in Changing Times, edited by Joeph J Darowski, p.9; in the essay "William Marston's Feminist Agenda" by Michelle R. Finn,

Tom Rath photo
Halldór Laxness photo
Count Basie photo
Nicholas Murray Butler photo

“Man's conception of what is most worth knowing and reflecting upon, of what may best compel his scholarly energies, has changed greatly with the years. His earliest impressions were of his own insignificance and of the stupendous powers and forces by which he was surrounded and ruled. The heavenly fires, the storm-cloud and the thunderbolt, the rush of waters and the change of seasons, all filled him with an awe which straightway saw in them manifestations of the superhuman and the divine. Man was absorbed in nature, a mythical and legendary nature to be sure, but still the nature out of which science was one day to arise. Then, at the call of Socrates, he turned his back on nature and sought to know himself; to learn the secrets of those mysterious and hidden processes by which he felt and thought and acted. The intellectual centre of gravity had passed from nature to man. From that day to this the goal of scholarship has been the understanding of both nature and man, the uniting of them in one scheme or plan of knowledge, and the explaining of them as the offspring of the omnipotent activity of a Creative Spirit, the Christian God. Slow and painful have been the steps toward the goal which to St. Augustine seemed so near at hand, but which has receded through the intervening centuries as the problems grew more complex and as the processes of inquiry became so refined that whole worlds of new and unsuspected facts revealed themselves. Scholars divided into two camps. The one would have ultimate and complete explanations at any cost; the other, overcome by the greatness of the undertaking, held that no explanation in a large or general way was possible. The one camp bred sciolism; the other narrow and helpless specialization.
At this point the modern university problem took its rise; and for over four hundred years the university has been striving to adjust its organization so that it may most effectively bend its energies to the solution of the problem as it is. For this purpose the university's scholars have unconsciously divided themselves into three types or classes: those who investigate and break new ground; those who explain, apply, and make understandable the fruits of new investigation; and those philosophically minded teachers who relate the new to the old, and, without dogma or intolerance, point to the lessons taught by the developing human spirit from its first blind gropings toward the light on the uplands of Asia or by the shores of the Mediterranean, through the insights of the world's great poets, artists, scientists, philosophers, statesmen, and priests, to its highly organized institutional and intellectual life of to-day. The purpose of scholarly activity requires for its accomplishment men of each of these three types. They are allies, not enemies; and happy the age, the people, or the university in which all three are well represented. It is for this reason that the university which does not strive to widen the boundaries of human knowledge, to tell the story of the new in terms that those familiar with the old can understand, and to put before its students a philosophical interpretation of historic civilization, is, I think, falling short of the demands which both society and university ideals themselves may fairly make.
A group of distinguished scholars in separate and narrow fields can no more constitute a university than a bundle of admirably developed nerves, without a brain and spinal cord, can produce all the activities of the human organism.”

Nicholas Murray Butler (1862–1947) American philosopher, diplomat, and educator

Scholarship and service : the policies of a national university in a modern democracy https://archive.org/details/scholarshipservi00butluoft (1921)

Geert Wilders photo
Mahendra Chaudhry photo
Ray Bradbury photo
Ellen Willis photo
Edmund Burke photo
Nick Cave photo
Clive Staples Lewis photo

“I am almost inclined to set it up as a canon that a children’s story which is enjoyed only by children is a bad children’s story. The good ones last. A waltz which you can like only when you are waltzing is a bad waltz.”

Clive Staples Lewis (1898–1963) Christian apologist, novelist, and Medievalist

"On Three Ways of Writing for Children" (1952) — in Of Other Worlds: Essays and Stories (1967), p. 24

Richard Dawkins photo
John Byrne photo

“I’d go back to 1975. I commented elsewhere, recently, that pressing the “rewind” button would be a good idea, as long as it was done across the board, and not piecemeal or in stealth mode, a la “Birthright.” Take all the characters back to their status quo circa 1975, but set the stories now. Since the most anal-retentive fanboys need “explanations” for everything, have the Shaper of Worlds do it at M*****. Not sure who’d be up for the job at DC.”

John Byrne (1950) American author and artist of comic books

2004
https://web.archive.org/web/20090207020226/http://www.network54.com/Forum/248951/thread/1082467515/last-1082574445/Complete+DCU+And+M%2A%2A%2A%2A%2A++Universe++Overhauls.
On taking comics back to the basics; ‘rewinding’ or ‘resetting’ to the status quo

Ken Ham photo

“Sadly, many Christians openly embrace big bang cosmology (that the universe essentially created itself) but argue that God is the one who started the process. But this means that God really didn’t do much and was distant from His creation, which is not the way the God of the Bible says He created (this idea also has many other problems as mentioned earlier). But what many of these Christians don’t realize is that the big bang is not just a story about the past—it’s also a story about the future. As this news article reminds us, when scientists start with the presupposition that nature is all that there is and time will eventually take its course on the universe, they are left with bleak predictions. And the prediction of those who believe in the big bang is that the universe will slowly run out of energy and, eventually, became “cold, dark, and desolate.” This does not match with the future described in God’s Word! So what do Christians who have accepted the big bang do? If they (as many do) embrace the secular scientists’ ideas about the past (i. e., the big bang cosmology), then will they also embrace the rest of the secularist belief concerning the heat death in the future? The Christians I’ve met who have compromised God’s Word with the big bang concerning origins don’t accept the rest of the big bang idea concerning the future. Frankly, they are so inconsistent! This highlights why Christians shouldn’t pick and choose which parts of the Bible they want to accept and which ones we will reinterpret to fit fallible man’s ideas. If so, then man is really being an authority over God! This is back-to-front! We need to believe all of God’s Word from the very beginning.”

Ken Ham (1951) Australian young Earth creationist

The Universe Is “Dying” and It’s Because of Sin https://answersingenesis.org/blogs/ken-ham/2015/08/20/universe-dying-and-its-because-sin/, Around the World with Ken Ham (August 20, 2015)
Around the World with Ken Ham (May 2005 - Ongoing)

Paul Harvey photo

“Join me later today for this "Rest of the Story" story … over this ABC Radio Network station.”

Paul Harvey (1918–2009) American broadcaster

Regular tag lines

Ann Druyan photo
Malcolm Muggeridge photo
Ian McEwan photo

“Nearby, where the main road forked, stood an iron cross on a stone base. As the English couple watched, a mason was cutting in half a dozen fresh names. On the far side of the street, in the deep shadow of a doorway, a youngish woman in black was also watching. She was so pale they assumed at first she had some sort of wasting disease. She remained perfectly still, with one hand holding an edge of her headscarf so that it obscured her mouth. The mason seemed embarrassed and kept his back to her while he worked. After a quarter of an hour an old man in blue workman's clothes came shuffling along in carpet slippers and took her hand without a word and led her away. When the propriétaire came out he nodded at the other side of the street, at the empty space and murmured, 'Trois. Mari et deux frères,' as he set down their salads.This sombre incident remained with them as they struggled up the hill in the heat, heavy with lunch, towards the Bergerie de Tédenat. They stopped half way up in the shade of a stand of pines before a long stretch of open ground. Bernard was to remember this moment for the rest of his life. As they drank from their water bottles he was struck by the recently concluded war not as a historical, geopolitical fact but as a multiplicity, a near-infinity of private sorrows, as a boundless grief minutely subdivided without diminishment among individuals who covered the continent like dust, like spores whose separate identities would remain unknown, and whose totality showed more sadness than anyone could ever begin to comprehend; a weight borne in silence by hundreds of thousands, millions, like the woman in black for a husband and two brothers, each grief a particular, intricate, keening love story that might have been otherwise. It seemed as though he had never thought about the war before, not about its cost. He had been so busy with the details of his work, of doing it well, and his widest view had been of war aims, of winning, of statistical deaths, statistical destruction, and of post-war reconstruction. For the first time he sensed the scale of the catastrophe in terms of feeling; all those unique and solitary deaths, all that consequent sorrow, unique and solitary too, which had no place in conferences, headlines, history, and which had quietly retired to houses, kitchens, unshared beds, and anguished memories. This came upon Bernard by a pine tree in the Languedoc in 1946 not as an observation he could share with June but as a deep apprehension, a recognition of a truth that dismayed him into silence and, later, a question: what possible good could come of a Europe covered in this dust, these spores, when forgetting would be inhuman and dangerous, and remembering a constant torture?”

Page 164-165.
Black Dogs (1992)

Daniel Kahneman photo
Ed Bradley photo
Neil Gaiman photo

“The simplest way to make sure that we raise literate children is to teach them to read, and to show them that reading is a pleasurable activity. And that means, at its simplest, finding books that they enjoy, giving them access to those books, and letting them read them. I don't think there is such a thing as a bad book for children.Every now and again it becomes fashionable among some adults to point at a subset of children's books, a genre, perhaps, or an author, and to declare them bad books, books that children should be stopped from reading…It's tosh. It's snobbery and it's foolishness. There are no bad authors for children, that children like and want to read and seek out, because every child is different. They can find the stories they need to, and they bring themselves to stories. A hackneyed, worn-out idea isn't hackneyed and worn out to them. This is the first time the child has encountered it. Do not discourage children from reading because you feel they are reading the wrong thing. Fiction you do not like is a route to other books you may prefer. And not everyone has the same taste as you.Well-meaning adults can easily destroy a child's love of reading: stop them reading what they enjoy, or give them worthy-but-dull books that you like, the 21st-century equivalents of Victorian "improving" literature. You'll wind up with a generation convinced that reading is uncool and worse, unpleasant.”

Neil Gaiman (1960) English fantasy writer

Why our future depends on libraries, reading and daydreaming (2013)

José Maria Eça de Queiroz photo

“My friends, young men of letters, look carefully upon this golden example! Be prudent, young man; never, when entering upon a literary career, publish poem or story without first taking the precaution of being for some years Prime Minister of England.”

Jovens de letras, meus amigos, ponde vossos olhos neste exemplo de ouro! Sê prudente, mancebo; nunca, ao entrar na carreira literária, publiques poema ou novela sem a antecipada precaução de ter sido durante alguns anos – primeiro-ministro de Inglaterra!
"Israelismo"; "Israelism" p. 56.
Cartas de Inglaterra (1879–82)

Isaac Asimov photo

“Science Digest asked me to see the movie Close Encounters of the Third Kind and write an article for them on the science it contained. I saw the picture and was appalled. I remained appalled even after a doctor’s examination had assured me that no internal organs had been shaken loose by its ridiculous soundwaves. (If you can’t be good, be loud, some say, and Close Encounters was very loud.) … Hollywood must deal with large audiences, most of whom are utterly unfamiliar with good science fiction. It has to bend to them, meet them at least half-way. Fully appreciating that, I could enjoy Planet of the Apes and Star Wars. Star Wars was entertainment for the masses and did not try to be anything more. Leave your sophistication at the door, get into the spirit, and you can have a fun ride. … Seeing a rotten picture for the special effects is like eating a tough steak for the smothered onions, or reading a bad book for the dirty parts. Optical wizardry is something a movie can do that a book can’t but it is no substitute for a story, for logic, for meaning. It is ornamentation, not substance. In fact, whenever a science fiction picture is praised overeffusively for its special effects, I know it’s a bad picture. Is that all they can find to talk about?”

Isaac Asimov (1920–1992) American writer and professor of biochemistry at Boston University, known for his works of science fiction …

"Editorial: The Reluctant Critic", in Isaac Asimov’s Science Fiction Magazine, Vol. 2, Issue 6, (12 November 1978) https://archive.org/stream/Asimovs_v02n06_1978-11-12/<!-- Asimovs_v02n06_1978-11-12_djvu.txt -->
General sources

Yehuda Ashlag photo

“"The whole Torah is the names of the Creator." All the stories and the laws and the sentences, all are His Holy Names.”

Yehuda Ashlag (1886–1954) Orthodox Jewish Rabbi and Kabbalist

Assorted Themes, On Torah

Chuck Palahniuk photo
Ursula Goodenough photo
Michel Faber photo
Herbert Giles photo
Phil Brooks photo
Hope Solo photo

“It’s been a crazy year, as always — the story of my life — but it’s been a great year. Right now, I’m the happiest I’ve ever been in my personal life. I’m happily married. Yeah, there’s lots of ups and downs, but that’s what makes us strong is getting through them all.”

Hope Solo (1981) American association football player

As quoted in "Hope Solo: 'I'm the happiest I’ve ever been in my personal life. I'm happily married'" http://www.seattletimes.com/sports/sounders/hope-solo-im-the-happiest-ive-ever-been-in-my-personal-life-im-happily-married/, Seattle Times (January 24, 2013)
2010s

Michelle Obama photo
Ira Glass photo

“What nobody tells people who are beginners — and I really wish someone had told this to me... is that all of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, and it’s just not that good. It’s trying to be good, it has potential, but it’s not.
But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase. They quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn’t have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know it’s normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story.
It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone I’ve ever met. It’s gonna take awhile. It’s normal to take awhile. You’ve just gotta fight your way through.”

Ira Glass (1959) American radio personality

The Taste Gap: Ira Glass on the Secret of Creative Success, Animated in Living Typography http://www.brainpickings.org/2014/01/29/ira-glass-success-daniel-sax/ at brainpickings.org
This American Life

Rex Stout photo

“There are only two kinds of books which you can write and be pretty sure you're going to make a living — cook books and detective stories.”

Rex Stout (1886–1975) American writer

Rex Stout, page 3
Royal Decree: Conversations with Rex Stout

Chauncey Depew photo

“A witty illustration or an apt story will accomplish more than columns of argument.”

Chauncey Depew (1834–1928) American politician

My Memories of Eighty Years (1922), p. 318

Nicholas Sparks photo
Richard Holbrooke photo
Daniel Handler photo
Bob Woodward photo
André Maurois photo
Lewis H. Lapham photo

“I sometimes think that the American story is the one about the reading of the will.”

Lewis H. Lapham (1935) American journalist

Source: Money And Class In America (1989), Chapter 2, Protocols of Wealth, p. 56

Paul Robeson photo

“I found it very offensive to my people. It makes the Negro childlike and innocent and is in the old plantation hallelujah shouter tradition… the same old story, the negro singing his way to glory.”

Paul Robeson (1898–1976) American singer and actor

Regarding the film Tales of Manhattan, as quoted in Paul Robeson (1989) by Martin Duberman, " The Discovery of Africa", p. 259

Shashi Tharoor photo
L. Frank Baum photo

“The scenery and costumes of 'The Wizard of Oz' were all made in New York — Mr. Mitchell was a New York favorite, but the author was undoubtedly a Chicagoan, and therefore a legitimate butt for the shafts of criticism. So the critics highly praised the Poppy scene, the Kansas cyclone, the Scarecrow and the Tin Woodman, but declared the libretto was very bad and teemed with 'wild and woolly western puns and forced gags.' Now, all that I claim in the libretto of 'The Wizard of Oz' is the creation of the characters of the Scarecrow and the Tin Woodman, the story of their search for brains and a heart, and the scenic effects of the Poppy Field and the cyclone. These were a part of my published fairy tale, as thousands of readers well know. I have published fifteen books of fairy tales, which may be found in all prominent public and school libraries, and they are entirely free, I believe, from the broad jokes the New York critics condemn in the extravaganza, and which, the New York people are now laughing over. In my original manuscript of the play were no 'gags' nor puns whatever. But Mr. Hamlin stated positively that no stage production could succeed without that accepted brand of humor, and as I knew I was wholly incompetent to write those 'comic paper side-splitters' I employed one of the foremost New York 'tinkerers' of plays to write into my manuscript these same jokes that are now declared 'wild and woolly' and 'smacking of Chicago humor.' If the New York critics only knew it, they are praising a Chicago author for the creation of the scenic effects and characters entirely new to the stage, and condemning a well-known New York dramatist for a brand of humor that is palpably peculiar to Puck and Judge. I am amused whenever a New York reviewer attacks the libretto of 'The Wizard of Oz' because it 'comes from Chicago.”

L. Frank Baum (1856–1919) Children's writer, editor, journalist, screenwriter

Letter to "Music and the Drama", The Chicago Record-Herald (3 February 1903)
Letters and essays

Ned Kelly photo

“Let the hand of the law strike me down if it will, but I ask that my story be heard and considered.”

Ned Kelly (1855–1880) Australian bushranger

Statements to the press (1880)

Herbert Spencer photo
Anthony Hamilton photo

“Sittin' here guess I didn't make bail,
Got time an' a story to tell.”

Anthony Hamilton (1971) American singer, songwriter, and record producer

Comin' From Where I'm From, written by Anthony Hamilton and Mark Batson
Song lyrics, Comin' from Where I'm From (2003)

Edgar Rice Burroughs photo
Tom Rath photo

“Hector had always been known as a great shoemaker. In fact, customers from such far-off places as France claimed that Hector made the best shoes in the world. Yet for years, he had been frustrated with his small shoemaking business. Although Hector knew he was capable of making hundreds of shoes per week, he was averaging just 30 pairs. When a friend asked him why, Hector explained that while he was great at producing shoes, he was a poor salesman -- and terrible when it came to collecting payments. Yet he spent most of his time working in these areas of weakness.
So, Hector's friend introduced him to Sergio, a natural salesman and marketer. Just as Hector was known for his craftsmanship, Sergio could close deals and sell. Given the way their strengths complemented one another, Hector and Sergio decided to work together. A year later, this strengths-based duo was producing, selling, and collecting payment for more than 100 pairs of shoes per week -- a more than threefold increase.
While this story may seem simplistic, in many cases, aligning yourself with the right task can be this easy. When we're able to put most of our energy into developing our natural talents, extraordinary room for growth exists. So, a revision to the "You-can-be-anything-you-want-to-be" maxim might be more accurate.”

Tom Rath (1975) American author

StrengthsFinder 2.0, 2007
Source: Tom Rath, "The Fallacy Behind the American Dream," Business Journal, Feb. 8, 2007 (Excerpted from StrengthsFinder 2.0)

Elizabeth Bisland Whetmore photo
Gene Wolfe photo
Eudora Welty photo
Mata Amritanandamayi photo
Jean Paul Sartre photo
Damon Runyon photo
Joseph Nye photo

“No one can tell the whole story of anything.”

Joseph Nye (1937) American political scientist

Source: Understanding International Conflicts: An Introduction to Theory and History (6th ed., 2006), Chapter 1, Is There an Enduring Logic of Conflict in World Politics?, p. 19.

Joey Comeau photo
Josh Groban photo
Ed Bradley photo

“For nearly forty years, Ed Bradley dedicated his life to journalism and uncovered some of history's greatest stories. His legacy, his life's work, is a story for all of us to admire. Ed was a man of journalistic integrity, he not only set a high standard for his fellow journalists; he also helped to break down barriers in a field that traditionally has not reflected the true diversity of our Nation.”

Ed Bradley (1941–2006) News correspondent

[Congresswoman Barbara Lee, Congressional Record, http://www.gpo.gov/fdsys/pkg/CREC-2006-12-06/html/CREC-2006-12-06-pt2-PgH8798-3.htm, Honoring the Contributions and Life of Edward R. Bradley, H8798-H8800; Volume 152, Number 133, December 6, 2006, United States House of Representatives , printed by the United States Government Printing Office]
About

Brian Clevinger photo
Daniel Handler photo
Walter Scott photo
John Crowley photo

“Seeing a woman's child is like seeing a woman naked, in the way it changes how her face looks to you, how her face becomes less the whole story.”

John Crowley (1942) American writer

Bk. 2, Ch. 3
Little, Big: or, The Fairies' Parliament (1981)

Christopher Moore photo
Daniel Handler photo
Sarah Dessen photo
Arundhati Roy photo

“He is Karna, whom the world has abandoned. Karna Alone. Condemned goods. A prince raised in poverty. Born to die unfairly, unarmed and alone at the hands of his brother. Majestic in his complete despair. Praying on the banks of the Ganga. Stoned out of his skull.
Then Kunti appeared. She too was a man, but a man grown soft and womanly, a man with breasts, from doing female parts for years. Her movements were fluid. Full of women. Kunti, too, was stoned. High on the same shared joints. She had come to tell Karna a story.
Karna inclined his beautiful head and listened.
Red-eyed, Kunti danced for him. She told him of a young woman who had been granted a boon. A secret mantra that she could use to choose a lover from among the gods. Of how, with the imprudence of youth, the woman decided to test it to see if it really worked. How she stood alone in an empty field, turned her face to the heavens and recited the mantra. The words had scarcely left her foolish lips, Kunti said, when Surya, the God of Day, appeared before her. The young woman, bewitched by the beauty of the shimmering young god, gave herself to him. Nine months later she bore him a son. The baby was born sheathed in light, with gold earrings in his ears and a gold breastplate on his chest, engraved with the emblem of the sun.
The young mother loved her first-born son deeply, Kunti said, but she was unmarried and couldn't keep him. She put him in a reed basket and cast him away in a river. The child was found downriver by Adhirata, a charioteer. And named Karna.
Karna looked up to Kunti. Who was she? Who was my mother? Tell me where she is. Take me to her.
Kunti bowed her head. She's here, she said. Standing before you.
Karna's elation and anger at the revelation. His dance of confusion and despair. Where were you, he asked her, when I needed you the most? Did you ever hold me in your arms? Did you feed me? Did you ever look for me? Did you wonder where I might be?
In reply Kunti took the regal face in her hands, green the face, red the eyes, and kissed him on his brow. Karna shuddered in delight. A warrior reduced to infancy. The ecstasy of that kiss. He dispatched it to the ends of his body. To his toes. His fingertips. His lovely mother's kiss. Did you know how much I missed you? Rahel could see it coursing through his veins, as clearly as an egg travelling down an ostrich's neck.
A travelling kiss whose journey was cut short by dismay when Karna realised that his mother had revealed herself to him only to secure the safety of her five other, more beloved sons - the Pandavas - poised on the brink of their epic battle with their one hundred cousins. It is them that Kunti sought to protect by announcing to Karna that she was his mother. She had a promise to extract.
She invoked the Love Laws.”

pages 232-233.
The God of Small Things (1997)

Hideo Kojima photo
Ernest Hemingway photo
Heather Brooke photo
Christopher Hitchens photo

“If you think that the intifada in France is about housing, go and try covering the story wearing a yarmulka.”

Christopher Hitchens (1949–2011) British American author and journalist

2005-11-07

The Laura Ingraham Show, quoted in * 2005-11-10

http://leninology.blogspot.com/2005/11/christopher-hitchens-bad-language.html

Christopher Hitchens' Bad Language

Lenin's Tomb

2011-12-19
2000s, 2005

Douglas Bader photo

“Lucas, Laddie. Flying Colours: The Epic Story of Douglas Bader. London: Hutchinson Publishing Group, 1981.”

Douglas Bader (1910–1982) British World War II flying ace

References

George W. Bush photo
Taylor Swift photo
Arun Shourie photo
Bob Woodward photo

“I think that the decision to nominate the story for a Pulitzer is of minimal consequence. I also think that it won is of little consequence. It is a brilliant story — fake and fraud that it is.”

Bob Woodward (1943) American journalist

Post Reporter's Pulitzer Prize Is Withdrawn; Pulitzer Board Withdraws Post Reporter's Prize (19 April 1981)

Neville Chamberlain photo
Neil Munro (Hugh Foulis) photo
E.M. Forster photo
Arthur Conan Doyle photo

“The highest morality may prove also to be the highest wisdom when the half-told story comes to be finished.”

Arthur Conan Doyle (1859–1930) Scottish physician and author

The Boer War (1902)

Nicolas Chamfort photo
Koenraad Elst photo
Paul Lazarsfeld photo
Ben Hecht photo
Paramahansa Yogananda photo
Clive Staples Lewis photo

“Every story of conversion is the story of a blessed defeat.”

Clive Staples Lewis (1898–1963) Christian apologist, novelist, and Medievalist

Foreword to Joy Davidman's Smoke on the Mountain (1954)

Dorothy Day photo