Quotes about story
page 28

“I have read in the Book of Revelation the power of the word of testimony, but I never realised what power was in a martyr's testimony. If I had brought a ton of explosives and let them off in that Assembly it could not have had a greater effect. That vast Assembly erupted, and the books started to fly and the punches started to be thrown, and the kicking started, but I held my ground and maintained my testimony. THERE IS NO DIFFERENCE BETWEEN EUROPE TODAY AND EUROPE IN REFORMATION TIMES. This afternoon I read again the story of Luther, at the Diet of Worms. Who presided over the Diet of Worms? The Emperor Charles, Head of the Holy Roman Empire. Who was he? He was a Habsburg. It is interesting to note that one of the men who attacked me is the last of the Habsburgs-Otto Habsburg, the Pretender to the Crown of Austria and Hungary. I said to myself, 'The Habsburgs are still lusting for Protestant blood. They are still the same as they were in the days of Luther.”

Ian Paisley (1926–2014) Politician and former church minister

The members of the Roman Catholic Party of Mr. Le Pen of which John Taylor is a member were round me battering away at me as hard as they could"
None Dare Call Him Antichrist Sermon, Martyrs' Memorial Free Presbyterian Church, October 16, 1988.

Men, Books, Time, Reading

“If children will read comics […] isn't it advisable to give them some constructive comics to read? […] The wish to be super strong is a healthy wish, a vital compelling, power-producing desire. The more the Superman-Wonder Woman picture stories build this innner compulsion by stimulating the child's natural longing to battle and overcome obstacles, particularly evil ones, the better the better chance your child has for self-advancement in the world. Certainly there can be no arguement about the advisability of strengthening the fundamental human desire, too often buried beneath stultifying divertissments and disguises, to see god overcome evil.”

William Moulton Marston (1893–1947) American psychologist, lawyer, inventor and comic book writer

"Why 100,000,000 Americans Read Comics", The American Scholar, 13.1 (1943): p 40, as quoted in The Ages of Wonder Woman: Essays on the Amazon Princess in Changing Times, edited by Joeph J Darowski, pp. 9-10; in the essay "William Marston's Feminist Agenda" by Michelle R. Finn, as quoted in The Ages of Wonder Woman: Essays on the Amazon Princess in Changing Times, edited by Joeph J Darowski, p.9; in the essay "William Marston's Feminist Agenda" by Michelle R. Finn,

God, Children, World, Nature

“Overcoming deficits is an essential part of the fabric of our culture. Our books, movies, and folklore are filled with stories of the underdog who beats one-in-a-million odds. And this leads us to celebrate those who triumph over their lack of natural ability even more than we recognize those who capitalize on their innate talents. As a result, millions of people see these heroes as being the epitome of the American Dream and set their sights on conquering major challenges. Unfortunately, this is taking the path of most resistance.”

Tom Rath (1975) American author

StrengthsFinder 2.0, 2007
Source: Tom Rath, "The Fallacy Behind the American Dream," Business Journal, Feb. 8, 2007 (Excerpted from StrengthsFinder 2.0)

People, Books, Dreams, Nature

“Why won't the king of Denmark leave us our names? We have done nothing against him. We deserve no less respect than he does. My forefathers were kings of land and sea... Our skalds composed poetry and told stories in the language of King Óðinn himself, who came from Ásgarður when Europe still spoke the language of slaves.”

Halldór Laxness (1902–1998) Icelandic author

Snæfríður
Íslandsklukkan (Iceland's Bell) (1946), Part III: Fire in Copenhagen

Sea

“Contrary to several conflicting stories, I got the name "Count" right in Kansas City in 1936 while at the Reno Club. I was known as Bill Basie at that time. One night, while we were broadcasting, the announcer called me to the microphone for those usual few words of introduction. He commented that Bill Basie was a rather ordinary name, and further that there were a couple of well-known bandleaders named Earl Hines and Duke Ellington. Then he said, "Bill, I think I'll call you Count Basie from now on. Is that all right with you?" I thought he was kidding, shrugged my shoulders and replied, "OK." Well that was the last time I was ever introduced as Bill Basie. From then on, it was Count Basie, and I never did lose that nickname. It's funny the way those things will stick.”

Count Basie (1904–1984) American jazz musician, bandleader, and composer

As quoted in Hear Me Talkin' to Ya : The Story of Jazz as Told by the Men who Made It (1966) by Nat Shapiro and Nat Hentoff, p. 301

Way, Thinking, Time, Night

“Man's conception of what is most worth knowing and reflecting upon, of what may best compel his scholarly energies, has changed greatly with the years. His earliest impressions were of his own insignificance and of the stupendous powers and forces by which he was surrounded and ruled. The heavenly fires, the storm-cloud and the thunderbolt, the rush of waters and the change of seasons, all filled him with an awe which straightway saw in them manifestations of the superhuman and the divine. Man was absorbed in nature, a mythical and legendary nature to be sure, but still the nature out of which science was one day to arise. Then, at the call of Socrates, he turned his back on nature and sought to know himself; to learn the secrets of those mysterious and hidden processes by which he felt and thought and acted. The intellectual centre of gravity had passed from nature to man. From that day to this the goal of scholarship has been the understanding of both nature and man, the uniting of them in one scheme or plan of knowledge, and the explaining of them as the offspring of the omnipotent activity of a Creative Spirit, the Christian God. Slow and painful have been the steps toward the goal which to St. Augustine seemed so near at hand, but which has receded through the intervening centuries as the problems grew more complex and as the processes of inquiry became so refined that whole worlds of new and unsuspected facts revealed themselves. Scholars divided into two camps. The one would have ultimate and complete explanations at any cost; the other, overcome by the greatness of the undertaking, held that no explanation in a large or general way was possible. The one camp bred sciolism; the other narrow and helpless specialization.
At this point the modern university problem took its rise; and for over four hundred years the university has been striving to adjust its organization so that it may most effectively bend its energies to the solution of the problem as it is. For this purpose the university's scholars have unconsciously divided themselves into three types or classes: those who investigate and break new ground; those who explain, apply, and make understandable the fruits of new investigation; and those philosophically minded teachers who relate the new to the old, and, without dogma or intolerance, point to the lessons taught by the developing human spirit from its first blind gropings toward the light on the uplands of Asia or by the shores of the Mediterranean, through the insights of the world's great poets, artists, scientists, philosophers, statesmen, and priests, to its highly organized institutional and intellectual life of to-day. The purpose of scholarly activity requires for its accomplishment men of each of these three types. They are allies, not enemies; and happy the age, the people, or the university in which all three are well represented. It is for this reason that the university which does not strive to widen the boundaries of human knowledge, to tell the story of the new in terms that those familiar with the old can understand, and to put before its students a philosophical interpretation of historic civilization, is, I think, falling short of the demands which both society and university ideals themselves may fairly make.
A group of distinguished scholars in separate and narrow fields can no more constitute a university than a bundle of admirably developed nerves, without a brain and spinal cord, can produce all the activities of the human organism.”

Nicholas Murray Butler (1862–1947) American philosopher, diplomat, and educator

Scholarship and service : the policies of a national university in a modern democracy https://archive.org/details/scholarshipservi00butluoft (1921)

Life, Men, God, Pain

“Throughout the Muslim rule destruction of Hindu shrines and construction of mosques and other building from their materials and at their very sites went on as a normal practice. From the Quwwal-ul-Islam mosque in Delhi built out of twenty-seven Hindu and Jain temples in the twelfth century to the Taj-ul-Masajid built from hundreds of Hindu and Jain temples at Bhopal in the eighteenth century, the story is the same everywhere.”

K. S. Lal book The Legacy of Muslim Rule in India

Source: The Legacy of Muslim Rule in India (1992), Chapter 8

“We must defend freedom of speech, which is the most important of our liberties. So long as we are free to speak, we can tell people the truth and make them realize what's at stake. The truth is our only weapon—we must use it. The West's political, academic, and media establishment are concealing the true scope of the Islamic threat. But the people sense they are not getting the whole story, and they are eager to know more. We must spread the message.”

Geert Wilders (1963) Dutch politician

Source: 2010s, Marked for Death (2012), Ch. 13, p. 213

People, Truth, Sense, Freedom

“As a nation we have not progressed much, particularly after 1987 when we had the political upheaval. Last 18 years since has been a sad story where we have seen a nation which was happy, prosperous, and united flight back to poverty, misery, and division.”

Mahendra Chaudhry (1942) Fijian politician

Fiji Day address, 10 October 2005 (excerpts)

Happiness, Sadness

“I feel like I own all the kids in the world because, since I've never grown up myself, all my books are automatically for children. … It's mutual delight and love made manifest. For one thing, kids love me because I write stories that tell them about their capacity for evil. I'm one of the few writers who lets you cleanse yourself that way.”

Ray Bradbury (1920–2012) American writer

Playboy interview (1996)

Love, Children, Books, World

“To say that historical conditions made personal life possible, and with it the self-consciousness that allowed psychoanalysis to emerge, is to tell half the story: one also has to consider that the erotic impulse, ever pressing for satisfaction, had something to do with making the history that encouraged its expression.”

Ellen Willis (1941–2006) writer, activist

"Historical Analysis" http://journalism.nyu.edu/faculty/files/willis-zaretsky.pdf, Dissent (Winter 2005)

Life, History, Personality

“It's more like I'm having an experience than making a picture. So I've never had anyone around. I never have. People are different, but I have to really be with no interference. And it takes me hours. Painting a picture is a very short thing if it goes well, but the sitting and thinking... I usually go off on stories that have nothing to do with the painting, and sometimes I sit in the opposite room to where I work. If I can get a good hot story I can paint better, but sometimes I'm not thinking about the painting, I'm thinking about the subject. Lots of times I'll sit in another room and then I might just go in. It takes a lot of freedom. I'm working for two years on a subject now: ten paintings, and that can carry on for two years. I worked last summer and I started this summer and with just the simplest motif I just can't seem to do it. And everything slowed down.”

Cy Twombly (1928–2011) American painter

Source: 2000 - 2011, Cy Twombly, 2000', by David Sylvester (June 2000), pp. 179-180

People, Thinking, Freedom, Time

“Young man, there is America — which at this day serves for little more than to amuse you with stories of savage men and uncouth manners; yet shall, before you taste of death, show itself equal to the whole of that commerce which now attracts the envy of the world.”

Edmund Burke (1729–1797) Anglo-Irish statesman

Works of Edmund Burke Volume ii, p. 115
Second Speech on Conciliation with America (1775)

Death, Men, World, Envy

“The brutality of the Old Testament inspired me, the stories and grand gestures. I wrote that stuff up and it influenced the way I saw the world. What I'm trying to say is I didn't walk around in a rage thinking God is a hateful god. I was influenced by looking at the Bible, and it suited me in my life vision at the time to see things in that way. …. After a while I started to feel a little kinder and warmer to the world, and at the same time started to read the New Testament.”

Nick Cave (1957) Australian musician

"Interview with Old Nick" http://www.guardian.co.uk/music/2008/feb/23/popandrock.features, The Guardian (February 23, 2008) God and religion

Life, God, Hate, World

“I am almost inclined to set it up as a canon that a children’s story which is enjoyed only by children is a bad children’s story. The good ones last. A waltz which you can like only when you are waltzing is a bad waltz.”

Clive Staples Lewis (1898–1963) Christian apologist, novelist, and Medievalist

"On Three Ways of Writing for Children" (1952) — in Of Other Worlds: Essays and Stories (1967), p. 24

Children

“The four Gospels that made it into the official canon were chosen, more or less arbitrarily, out of a larger sample of at least a dozen … The gospels that didn't make it were omitted by those ecclesiastics perhaps because they included stories that were even more embarrassingly implausible than those in the four canonical ones.”

Richard Dawkins book The God Delusion

Source: The God Delusion (2006), p. 121

“I’d go back to 1975. I commented elsewhere, recently, that pressing the “rewind” button would be a good idea, as long as it was done across the board, and not piecemeal or in stealth mode, a la “Birthright.” Take all the characters back to their status quo circa 1975, but set the stories now. Since the most anal-retentive fanboys need “explanations” for everything, have the Shaper of Worlds do it at M*****. Not sure who’d be up for the job at DC.”

John Byrne (1950) American author and artist of comic books

2004
https://web.archive.org/web/20090207020226/http://www.network54.com/Forum/248951/thread/1082467515/last-1082574445/Complete+DCU+And+M%2A%2A%2A%2A%2A++Universe++Overhauls.
On taking comics back to the basics; ‘rewinding’ or ‘resetting’ to the status quo

World, Idea

“Sadly, many Christians openly embrace big bang cosmology (that the universe essentially created itself) but argue that God is the one who started the process. But this means that God really didn’t do much and was distant from His creation, which is not the way the God of the Bible says He created (this idea also has many other problems as mentioned earlier). But what many of these Christians don’t realize is that the big bang is not just a story about the past—it’s also a story about the future. As this news article reminds us, when scientists start with the presupposition that nature is all that there is and time will eventually take its course on the universe, they are left with bleak predictions. And the prediction of those who believe in the big bang is that the universe will slowly run out of energy and, eventually, became “cold, dark, and desolate.” This does not match with the future described in God’s Word! So what do Christians who have accepted the big bang do? If they (as many do) embrace the secular scientists’ ideas about the past (i. e., the big bang cosmology), then will they also embrace the rest of the secularist belief concerning the heat death in the future? The Christians I’ve met who have compromised God’s Word with the big bang concerning origins don’t accept the rest of the big bang idea concerning the future. Frankly, they are so inconsistent! This highlights why Christians shouldn’t pick and choose which parts of the Bible they want to accept and which ones we will reinterpret to fit fallible man’s ideas. If so, then man is really being an authority over God! This is back-to-front! We need to believe all of God’s Word from the very beginning.”

Ken Ham (1951) Australian young Earth creationist

The Universe Is “Dying” and It’s Because of Sin https://answersingenesis.org/blogs/ken-ham/2015/08/20/universe-dying-and-its-because-sin/, Around the World with Ken Ham (August 20, 2015) Around the World with Ken Ham (May 2005 - Ongoing)

Death, God, Way, Idea

“Join me later today for this "Rest of the Story" story … over this ABC Radio Network station.”

Paul Harvey (1918–2009) American broadcaster

Regular tag lines

“I think the roots of this antagonism to science run very deep. They're ancient. We see them in Genesis, this first story, this founding myth of ours, in which the first humans are doomed and cursed eternally for asking a question, for partaking of the fruit of the "Tree of Knowledge". It's puzzling that Eden is synonymous with paradise when, if you think about it at all, it's more like a maximum-security prison with twenty-four hour surveillance. It's a horrible place. Adam and Eve have no childhood. They awaken full-grown. What is a human being without a childhood? Our long childhood is a critical feature of our species. It differentiates us, to a degree, from most other species. We take a longer time to mature. We depend upon these formative years and the social fabric to learn many of the things we need to know.”

Ann Druyan (1949) American author and producer

Ann Druyan interviewed by the Committee for Skeptical Inquiry. — "Ann Druyan Talks About Science, Religion, Wonder, Awe … and Carl Sagan" http://www.csicop.org/si/show/ann_druyan_talks_about_science_religion/. Skeptical Inquirer 27 (6). November–December 2003.

Question, Knowledge, Thinking, Tree

“We foreign journalists in Moscow used to amuse ourselves, as a matter of fact, by competing with one another as to who could wish upon one of these intelligentsia visitors to the USSR the most outrageous fantasy…One story I floated myself, for which I received considerable acclaim, was that the huge queues outside food shops came about because the Soviet workers were so ardent in building Socialism that they just wouldn't rest, and the only way the government could get them to rest for even two or three hours was organizing a queue for them to stand in. I laugh at it all now, but at the time you can imagine what a shock it was to someone like myself, who had been brought up to regard liberal intellectuals as the samurai, the absolute elite, of the human race, to find that they could be taken in by deceptions which a half-witted boy would see through in an instant…I could never henceforth regard the intelligentsia as other than credulous fools who nonetheless became the media's prophetic voices, their heirs and successors remaining so still.”

Malcolm Muggeridge (1903–1990) English journalist, author, media personality, and satirist

The Great Liberal Death Wish, lecture at Hillsdale College, Hillsdale, Michigan, USA, March 1979. Transcript in Imprimis http://imprimisarchives.hillsdale.edu/file/archives/pdf/1979_05_Imprimis.pdf May 1979 (pdf).

Food, Fools, Way, Imagination

“Nearby, where the main road forked, stood an iron cross on a stone base. As the English couple watched, a mason was cutting in half a dozen fresh names. On the far side of the street, in the deep shadow of a doorway, a youngish woman in black was also watching. She was so pale they assumed at first she had some sort of wasting disease. She remained perfectly still, with one hand holding an edge of her headscarf so that it obscured her mouth. The mason seemed embarrassed and kept his back to her while he worked. After a quarter of an hour an old man in blue workman's clothes came shuffling along in carpet slippers and took her hand without a word and led her away. When the propriétaire came out he nodded at the other side of the street, at the empty space and murmured, 'Trois. Mari et deux frères,' as he set down their salads.This sombre incident remained with them as they struggled up the hill in the heat, heavy with lunch, towards the Bergerie de Tédenat. They stopped half way up in the shade of a stand of pines before a long stretch of open ground. Bernard was to remember this moment for the rest of his life. As they drank from their water bottles he was struck by the recently concluded war not as a historical, geopolitical fact but as a multiplicity, a near-infinity of private sorrows, as a boundless grief minutely subdivided without diminishment among individuals who covered the continent like dust, like spores whose separate identities would remain unknown, and whose totality showed more sadness than anyone could ever begin to comprehend; a weight borne in silence by hundreds of thousands, millions, like the woman in black for a husband and two brothers, each grief a particular, intricate, keening love story that might have been otherwise. It seemed as though he had never thought about the war before, not about its cost. He had been so busy with the details of his work, of doing it well, and his widest view had been of war aims, of winning, of statistical deaths, statistical destruction, and of post-war reconstruction. For the first time he sensed the scale of the catastrophe in terms of feeling; all those unique and solitary deaths, all that consequent sorrow, unique and solitary too, which had no place in conferences, headlines, history, and which had quietly retired to houses, kitchens, unshared beds, and anguished memories. This came upon Bernard by a pine tree in the Languedoc in 1946 not as an observation he could share with June but as a deep apprehension, a recognition of a truth that dismayed him into silence and, later, a question: what possible good could come of a Europe covered in this dust, these spores, when forgetting would be inhuman and dangerous, and remembering a constant torture?”

Ian McEwan book Black Dogs

Page 164-165.
Black Dogs (1992)

Love, Life, Death, War

“We often interact with professionals who exercise their judgment with evident confidence, sometimes priding themselves on the power of their intuition. In a world rife with illusions of validity and skill, can we trust them? How do we distinguish the justified confidence of experts from the sincere overconfidence of professionals who do not know they are out of their depth? We can believe an expert who admits uncertainty but cannot take expressions of high confidence at face value. As I first learned on the obstacle field, people come up with coherent stories and confident predictions even when they know little or nothing. Overconfidence arises because people are often blind to their own blindness.”

Daniel Kahneman (1934) Israeli-American psychologist

Don’t Blink! The Hazards of Confidence, The New York Times, 19 October 2011, 15 May 2014 http://www.nytimes.com/2011/10/23/magazine/dont-blink-the-hazards-of-confidence.html?pagewanted=all&_r=0, "Don't Blink! The Hazards of Confidence" (2011)

People, World, Exercises, Confidence

“The CBS crew had arrived: Ed Bradley; his producer, David Gelber; and a cameraman. The 60 Minutes people had government permission to work on other stories in Beijing, but they went first to Shanghai as tourists, which gave them cover to work on the real story. Ordinary Chinese did not recognize Ed Bradley as a television star as he walked down the streets of Shanghai.”

Ed Bradley (1941–2006) News correspondent

[Troublemaker: One Man's Crusade Against China's Cruelty, 120, 0970402996, Harry Wu, ‎Hongda Harry Wu, ‎George Vecsey, 1996, Newsmax Media Inc]
About

People, Star

“The simplest way to make sure that we raise literate children is to teach them to read, and to show them that reading is a pleasurable activity. And that means, at its simplest, finding books that they enjoy, giving them access to those books, and letting them read them. I don't think there is such a thing as a bad book for children.Every now and again it becomes fashionable among some adults to point at a subset of children's books, a genre, perhaps, or an author, and to declare them bad books, books that children should be stopped from reading…It's tosh. It's snobbery and it's foolishness. There are no bad authors for children, that children like and want to read and seek out, because every child is different. They can find the stories they need to, and they bring themselves to stories. A hackneyed, worn-out idea isn't hackneyed and worn out to them. This is the first time the child has encountered it. Do not discourage children from reading because you feel they are reading the wrong thing. Fiction you do not like is a route to other books you may prefer. And not everyone has the same taste as you.Well-meaning adults can easily destroy a child's love of reading: stop them reading what they enjoy, or give them worthy-but-dull books that you like, the 21st-century equivalents of Victorian "improving" literature. You'll wind up with a generation convinced that reading is uncool and worse, unpleasant.”

Neil Gaiman (1960) English fantasy writer

Why our future depends on libraries, reading and daydreaming (2013)

Love, Children, Pleasure, Books

“My friends, young men of letters, look carefully upon this golden example! Be prudent, young man; never, when entering upon a literary career, publish poem or story without first taking the precaution of being for some years Prime Minister of England.”

José Maria Eça de Queiroz book Cartas de Inglaterra

Jovens de letras, meus amigos, ponde vossos olhos neste exemplo de ouro! Sê prudente, mancebo; nunca, ao entrar na carreira literária, publiques poema ou novela sem a antecipada precaução de ter sido durante alguns anos – primeiro-ministro de Inglaterra!
"Israelismo"; "Israelism" p. 56.
Cartas de Inglaterra (1879–82)

Men

“Science Digest asked me to see the movie Close Encounters of the Third Kind and write an article for them on the science it contained. I saw the picture and was appalled. I remained appalled even after a doctor’s examination had assured me that no internal organs had been shaken loose by its ridiculous soundwaves. (If you can’t be good, be loud, some say, and Close Encounters was very loud.) … Hollywood must deal with large audiences, most of whom are utterly unfamiliar with good science fiction. It has to bend to them, meet them at least half-way. Fully appreciating that, I could enjoy Planet of the Apes and Star Wars. Star Wars was entertainment for the masses and did not try to be anything more. Leave your sophistication at the door, get into the spirit, and you can have a fun ride. … Seeing a rotten picture for the special effects is like eating a tough steak for the smothered onions, or reading a bad book for the dirty parts. Optical wizardry is something a movie can do that a book can’t but it is no substitute for a story, for logic, for meaning. It is ornamentation, not substance. In fact, whenever a science fiction picture is praised overeffusively for its special effects, I know it’s a bad picture. Is that all they can find to talk about?”

Isaac Asimov (1920–1992) American writer and professor of biochemistry at Boston University, known for his works of science fiction …

"Editorial: The Reluctant Critic", in Isaac Asimov’s Science Fiction Magazine, Vol. 2, Issue 6, (12 November 1978) https://archive.org/stream/Asimovs_v02n06_1978-11-12/ General sources

War, Books, Way, Star

“"The whole Torah is the names of the Creator." All the stories and the laws and the sentences, all are His Holy Names.”

Yehuda Ashlag (1886–1954) Orthodox Jewish Rabbi and Kabbalist

Assorted Themes, On Torah

Law

“Centuries ago, sailors on long voyages used to leave a pair of pigs on every deserted island. Or they'd leave a pair of goats. Either way, on any future visit, the island would be a source of meat. These islands, they were pristine. These were home to breeds of birds with no natural predators. Breeds of birds that lived nowhere else on earth. The plants there, without enemies they evolved without thorns or poisons. Without predators and enemies, these islands, they were paradise. The sailors, the next time they visited these islands, the only things still there would be herds of goats or pigs. …. Does this remind you of anything? Maybe the ol' Adam and Eve story? …. You ever wonder when God's coming back with a lot of barbecue sauce?”

Chuck Palahniuk book Lullaby

Source: Lullaby (2002), Chapter 23

God, Way, Home, Nature

“The Big Bang, the formation of stars and planets, the origin and evolution of life on this planet, the advent of human consciousness and the resultant evolution of cultures — this is the story, the one story, that has the potential to unite us, because it happens to be true.”

Ursula Goodenough book The Sacred Depths of Nature

Source: The Sacred Depths of Nature (1998), p. xv

Life, Star

“The main characters in this story, with whom you want to become intimate, are nowhere near here. They aren't expecting you; you mean nothing to them. If you think they're going to get out of their warm beds and travel miles to meet you, you are mistaken.”

Michel Faber book The Crimson Petal and the White

Source: The Crimson Petal and the White (2002), Ch. 1

Travel, Thinking

“It would be obviously unfair to describe the Chinese people as wanting in humour simply because they are tickled by jests which leave us comparatively unmoved. Few of our own most amusing stories will stand conversion into Chinese terms.”

Herbert Giles book A History of Chinese Literature

"Wit and Humour", p. 430
A History of Chinese Literature (1901)

People

“People like to come up to me and tell me that I've got nice ink. Except these tattoos aren't just decorations. They are declarations. Every tattoo I have tells its own story about who I am. Drug-free. Honor. And a war against the system. See I'm not some punk kid looking for the next thrill. I'm a highly disciplined athlete, craving to compete with the very best. My obsession is competition and my addiction is wrestling. My name, is C…M… Punk.”

Phil Brooks (1978) American professional wrestler and mixed martial artist

Extreme Championship Wrestling. July 11th, 2006.
Extreme Championship Wrestling

War, People, Tattoo

“It’s been a crazy year, as always — the story of my life — but it’s been a great year. Right now, I’m the happiest I’ve ever been in my personal life. I’m happily married. Yeah, there’s lots of ups and downs, but that’s what makes us strong is getting through them all.”

Hope Solo (1981) American association football player

As quoted in "Hope Solo: 'I'm the happiest I’ve ever been in my personal life. I'm happily married'" http://www.seattletimes.com/sports/sounders/hope-solo-im-the-happiest-ive-ever-been-in-my-personal-life-im-happily-married/, Seattle Times (January 24, 2013) 2010s

Life, Strong, Personality

“…if you truly wish to carry on the Oberlin legacy of service and social justice, then you need to run to, and not away from, the noise. Today, I want to urge you to actively seek out the most contentious, polarized, gridlocked places you can find. Because so often, throughout our history, those have been the places where progress really happens—the places where minds are changed, lives transformed, where our great American story unfolds.”

Michelle Obama (1964) lawyer, writer, wife of Barack Obama and former First Lady of the United States

2010s, Commencement speech for Oberlin College Prep graduates (2015)

Justice, History, Change

“Included in this “almost nothing,” as a kind of geological afterthought of the last few million years, is the first development of self-conscious intelligence on this planet—an odd and unpredictable invention of a little twig on the mammalian evolutionary bush. Any definition of this uniqueness, embedded as it is in our possession of language, must involve our ability to frame the world as stories and to transmit these tales to others. If our propensity to grasp nature as story has distorted our perceptions, I shall accept this limit of mentality upon knowledge, for we receive in trade both the joys of literature and the core of our being.”

Stephen Jay Gould (1941–2002) American evolutionary biologist

"Literary bias on the slippery slope", p. 252
Bully for Brontosaurus (1991)

World, Intelligence, Literature, Nature

“What nobody tells people who are beginners — and I really wish someone had told this to me... is that all of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, and it’s just not that good. It’s trying to be good, it has potential, but it’s not.
But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase. They quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn’t have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know it’s normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story.
It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone I’ve ever met. It’s gonna take awhile. It’s normal to take awhile. You’ve just gotta fight your way through.”

Ira Glass (1959) American radio personality

The Taste Gap: Ira Glass on the Secret of Creative Success, Animated in Living Typography http://www.brainpickings.org/2014/01/29/ira-glass-success-daniel-sax/ at brainpickings.org This American Life

People, Disappointment, Way, Game

“There are only two kinds of books which you can write and be pretty sure you're going to make a living — cook books and detective stories.”

Rex Stout (1886–1975) American writer

Rex Stout, page 3
Royal Decree: Conversations with Rex Stout

Books, Cooking

“This reminds one of the story of two eminent surgeons who were leaving the operation room, and one turned to the other and said, 'That was a close one, one inch either way and I would have been out of my speciality.”

Peter de Noronha (1897–1970) Indian businessman

The Pageant of Life (1964), On Doctors

Way

“A witty illustration or an apt story will accomplish more than columns of argument.”

Chauncey Depew (1834–1928) American politician

My Memories of Eighty Years (1922), p. 318

“Where does a story truly start? In life, there are seldom clear-cut beginnings, those moments when we can, in looking back, say that everything started. Yet these are moments when fate intersects with our daily lives, setting in motion a sequence of events whose outcome we could never have foreseen”

Nicholas Sparks (1965) American writer and novelist

Narrator, Prologue, p. 1
2000s, A Bend in the Road (2001)

Life, Fate

“There was also a real Dayton out there, a charming small Ohio city, famous as the birthplace of the Wright Brothers. Its citizens energized us from the outset. Unlike the population of, say, Noew York, Geneva or Washington, which would scarcely notice another conference, Daytonians were proud to be part of history. Large signs at the commercial airport hailed Dayton as the "temporary center of international peace". The local newspapers and television stations covered the story from every angle, drawing the people deeper into the proceedings. When we ventured into a restaurant or a shopping center downtown, people crowded around, aying that they were praying for us. Warren Christopher was given at least one standing ovation in a restaurant. Families on the air base placed "candles of peace" in their front windows, and people gathered in peace vigils outside the base. One day they formed a "peace chain", although it was not large enough to surround the sprawling eight-thousand-acre base. Ohio's famous ethnic diversity was only on display. We did everything possible to emphasize the fact that in the American heartland people from every part of southeastern Europe lived together in peace, their competition restricted to softball games, church rivalries, and the occasional barroom fight. (…)”

Richard Holbrooke (1941–2010) American diplomat

Source: 1990s, To End a War (1998), p. 234

People, Family, Peace, History

“Like all fairy tales, the story of Sleeping Beauty begins with "Once upon a time," and continues with a foolish young princess who makes a witch very angry, and then takes a nap until her boyfriend wakes her up with a kiss and insists on getting married, at which point the story ends with the phrase "happily ever after."”

Daniel Handler book The Hostile Hospital

Lemony Snicket
The Hostile Hospital (2001)

Beauty, Kiss, Sleep, Time

“I believed it, we published it. Official questions had been raised, but we stood by the story and her. Internal questions had been raised, but none about her other work. The reports were about the story not sounding right, being based on anonymous sources, and primarily about purported lies [about] her personal life -- [told by men reporters], two she had dated and one who felt in close competition with her.”

Bob Woodward (1943) American journalist

Post Reporter's Pulitzer Prize Is Withdrawn; Pulitzer Board Withdraws Post Reporter's Prize (19 April 1981)

Life, Men, Question, Personality

“Faults of the mind increase with old age as do those of the features. An old man is incapable of taking up new ideas because he lacks the power to assimilate them, so he clings with crabbed tenacity to the opinions of his maturity. He pompously believes himself able to deal with any problem. Contradiction infuriates him, and he regards it as lack of respect. "In my days," he says, "we never contradicted our elders." He forgets that in his day these same words were spoken to him by his grandfather. Unable to interest himself in what is happening round him and thereby keep himself up to date, he tells stories of his past over and over again; and these are so boring to his younger listeners that they end by avoiding him altogether. Solitude is the greatest evil of old age; one by one lifelong friends and relative disappear, and they cannot be replaced. The desert widens, and death would be pleasant if its rapid approach were not so curiously threatening.”

André Maurois (1885–1967) French writer

Un Art de Vivre (The Art of Living) (1939), The Art of Growing Old

Death, Age, Idea, Problem

“For a long time, the movie [Shrek] didn’t know what it wanted to be. One problem was unavoidable: Chris Farley had died, and the story had been geared around him, so when he went, the story kind of went with him. It went through an upheaval while they tried to find the right tone for it. I think they were really close to shelving the project when a few of us came into story to try and find a tone that we could work with. When Kelly Asbury moved on to Spirit: Stallion of the Cimarron I became head of story, along with Randy Cartwright. Along with Andrew Adamson, who stayed on as director, we started pulling little pieces together out of what remained, and part of the way through, Jeffrey [Katzenberg] decided that I should be directing. A few months later, we started production.”

Vicky Jenson (1960) American animator

Quoted by Michael Mallory in " Firsts Among Equals http://www.animationmagazine.net/top-stories/firsts-among-equals/", Animation Magazine (March 6th, 2014). Chris Farley was the original voice of Shrek.

Way, Problem, Thinking, Time

“I sometimes think that the American story is the one about the reading of the will.”

Lewis H. Lapham (1935) American journalist

Source: Money And Class In America (1989), Chapter 2, Protocols of Wealth, p. 56

Thinking, Reading

“I found it very offensive to my people. It makes the Negro childlike and innocent and is in the old plantation hallelujah shouter tradition… the same old story, the negro singing his way to glory.”

Paul Robeson (1898–1976) American singer and actor

Regarding the film Tales of Manhattan, as quoted in Paul Robeson (1989) by Martin Duberman, " The Discovery of Africa", p. 259

People, Way, Singing

“We Indians are notoriously good at being resigned to our lot. Our fatalism goes beyond, even if it springs from, the Hindu acceptance of the world as it is ordained to be. I must tell you a little story - a marvellous fable from our puranas that illustrates our resilience and self-absorption in the face of circumstances. A man is pursued by a tiger. He runs fast, but his panting heart tells him that he cannot run much longer. He sees a tree. Relief! He accelerates and gets to it in one last despairing stride. He climbs the tree. The tiger snarls below him, but he feels that he has at last escaped its snapping jaws…”

Shashi Tharoor book The Great Indian Novel

The Great Indian Novel (1989)

World, Feeling, Spring, Tree

“God's openness to human critique is reiterated throughout the rabbinic stories of disputations between God and Jewish religious heroes. For example, in protest against God's threatening imprecations toward those who worshipped the golden calf, Moses argues against God's punitive intent: "Sovereign of the Universe, how can Israel realize what they have done, seeing that they have been raised in Egypt?" Moses reminds God that the Ten Commandments were not given to the Children of Israel, but to Moses himself, and that therefore the Children of Israel should not stand in violation of the law. It is Moses alone who may be judged culpable. Hearing the argument, God concedes, "By your life, Moses, you have spoken well."”

Harold M. Schulweis (1925–2014) American rabbi and theologian

Conscience: The Duty to Obey and the Duty to Disobey (2008)

Life, God, Children, Law

“The scenery and costumes of 'The Wizard of Oz' were all made in New York — Mr. Mitchell was a New York favorite, but the author was undoubtedly a Chicagoan, and therefore a legitimate butt for the shafts of criticism. So the critics highly praised the Poppy scene, the Kansas cyclone, the Scarecrow and the Tin Woodman, but declared the libretto was very bad and teemed with 'wild and woolly western puns and forced gags.' Now, all that I claim in the libretto of 'The Wizard of Oz' is the creation of the characters of the Scarecrow and the Tin Woodman, the story of their search for brains and a heart, and the scenic effects of the Poppy Field and the cyclone. These were a part of my published fairy tale, as thousands of readers well know. I have published fifteen books of fairy tales, which may be found in all prominent public and school libraries, and they are entirely free, I believe, from the broad jokes the New York critics condemn in the extravaganza, and which, the New York people are now laughing over. In my original manuscript of the play were no 'gags' nor puns whatever. But Mr. Hamlin stated positively that no stage production could succeed without that accepted brand of humor, and as I knew I was wholly incompetent to write those 'comic paper side-splitters' I employed one of the foremost New York 'tinkerers' of plays to write into my manuscript these same jokes that are now declared 'wild and woolly' and 'smacking of Chicago humor.' If the New York critics only knew it, they are praising a Chicago author for the creation of the scenic effects and characters entirely new to the stage, and condemning a well-known New York dramatist for a brand of humor that is palpably peculiar to Puck and Judge. I am amused whenever a New York reviewer attacks the libretto of 'The Wizard of Oz' because it 'comes from Chicago.”

L. Frank Baum (1856–1919) Children's writer, editor, journalist, screenwriter

Letter to "Music and the Drama", The Chicago Record-Herald (3 February 1903)
Letters and essays

People, Books, School, Search

“Let the hand of the law strike me down if it will, but I ask that my story be heard and considered.”

Ned Kelly (1855–1880) Australian bushranger

Statements to the press (1880)

Law

“We have, indeed, in the part taken by many scientific men in this controversy of "Law versus Miracle," a good illustration of the tenacious vitality of superstitions. Ask one of our leading geologists or physiologists whether he believes in the Mosaic account of the creation, and he will take the question as next to an insult. Either he rejects the narrative entirely, or understands it in some vague non-natural sense. …Whence …this notion of "special creations"…Why, after rejecting all the rest of the story, he should strenuously defend this last remnant of it, as though he had received it on valid authority, he would be puzzled to say.”

Herbert Spencer (1820–1903) English philosopher, biologist, sociologist, and prominent classical liberal political theorist

The Development Hypothesis (1852)

Men, Law, Understanding, Question

“Sittin' here guess I didn't make bail,
Got time an' a story to tell.”

Anthony Hamilton (1971) American singer, songwriter, and record producer

Comin' From Where I'm From, written by Anthony Hamilton and Mark Batson
Song lyrics, Comin' from Where I'm From (2003)

Time

“I had been trying to find a publisher who would put some of my stuff into book form, but I met with no encouragement. Every well-known publisher in the United States turned down Tarzan of the Apes, including A. C. McClurg & Co., who finally issued it, my first story in book form.”

Edgar Rice Burroughs (1875–1950) American writer

How I Wrote the Tarzan Books (1929)

Books

“Hector had always been known as a great shoemaker. In fact, customers from such far-off places as France claimed that Hector made the best shoes in the world. Yet for years, he had been frustrated with his small shoemaking business. Although Hector knew he was capable of making hundreds of shoes per week, he was averaging just 30 pairs. When a friend asked him why, Hector explained that while he was great at producing shoes, he was a poor salesman -- and terrible when it came to collecting payments. Yet he spent most of his time working in these areas of weakness.
So, Hector's friend introduced him to Sergio, a natural salesman and marketer. Just as Hector was known for his craftsmanship, Sergio could close deals and sell. Given the way their strengths complemented one another, Hector and Sergio decided to work together. A year later, this strengths-based duo was producing, selling, and collecting payment for more than 100 pairs of shoes per week -- a more than threefold increase.
While this story may seem simplistic, in many cases, aligning yourself with the right task can be this easy. When we're able to put most of our energy into developing our natural talents, extraordinary room for growth exists. So, a revision to the "You-can-be-anything-you-want-to-be" maxim might be more accurate.”

Tom Rath (1975) American author

StrengthsFinder 2.0, 2007
Source: Tom Rath, "The Fallacy Behind the American Dream," Business Journal, Feb. 8, 2007 (Excerpted from StrengthsFinder 2.0)

World, Shoe, Way, Business

“The record of the race, hitherto accepted as the truth about ourselves, has been the story of facts and conditions as the male saw them – or wished to see them.... No secret has been so well-kept as the secret of what women have thought about life.”

Elizabeth Bisland Whetmore (1861–1929) American writer and journalist

On men and women, A Candle of Understanding.

Life, Women, Truth, Secret

“My definition of a great story has nothing to do with "a varied and interesting background." It is: One that can be read with pleasure by a cultivated reader and reread with increasing pleasure. The business about a varied and interesting background belongs to my definition of a good story.”

Gene Wolfe (1931–2019) American science fiction and fantasy writer

"From a Chain letter to George R. R. Martin and Greg Benford", 10 July 1982; as published in Castle of Days (1992)
Nonfiction

Pleasure, Business, Reading

“One of the biggest pieces of bunkum shoved down the American throat was the story of the 1929 Italian election. For this I cannot blame my colleagues.”

George Seldes (1890–1995) American journalist

Can These Things Be! (1931)

“Long before I wrote stories, I listened for stories. Listening for them is something more acute than listening to them. I suppose it’s an early form of participation in what goes on. Listening children know stories are there. When their elders sit and begin, children are just waiting and hoping for one to come out, like a mouse from its hole.”

Eudora Welty book One Writer's Beginnings

One Writer's Beginnings(1984)

Children, Hope, Waiting

“When fire breaks out in a ten-story building, the person living on the first floor cries out for help. The person living on the tenth floor says that it is not his problem. But it soon will become his problem too. He does not realize that. Amma always says that there is harmony in the universe. Everything in the universe is interconnected. The universe is a net held by each of us. When there is movement in the corner of a net held by four people, it will reflect everywhere. All actions we perform knowingly or unknowingly, alone or as a group is being reflected in the corners of the universe. It will not work if we wait for others to change. Even if they do not change, we should be willing to change. We should see what we can do.”

Mata Amritanandamayi (1953) Hindu spiritual leader and guru

From Amritanandamayi's Message for Summit of Conscience for Climate (2015)

People, Problem, Universe, Change

“When you live alone you no longer know what it is to tell a story: the plausible disappears at the same time as the friends. You let events flow by too: you suddenly see people appear who speak and then go away; you plunge into stories of which you can't make head or tail: you'd make a terrible witness.”

Jean Paul Sartre book Nausea

Diary entry of Tuesday, 30 January
Nausea (1938)

People, Appearance, Time

“My initial thoughts about what a title can do was to set mood and the prime underlying core of the film's story, to express the story in some metaphorical way. I saw the title as a way of conditioning the audience, so that when the film actually began, viewers would already have an emotional resonance with it.”

Saul Bass (1920–1996) American graphic designer and filmmaker

Haskins, Pamela (Autumn 1996). "Saul, Can You Make Me a Title? Interview with Saul Bass". Film Quarterly. pp. 12–13.

Way, Mood

“Some day, somewhere … a guy is going to come to you and show you a nice brand-new deck of cards on which the seal is never broken, and this guy is going to offer to bet you that the jack of spades will jump out of this deck and squirt cider in your ear. But, son … do not bet him, for as sure as you do you are going to get an ear full of cider. (From the short story The Idyll of Miss Sarah Brown, Collier's Weekly, January 28, 1933. Used with slightly different wording in the musical Guys and Dolls -- both the 1950 stage and the 1955 film versions.)”

Damon Runyon (1880–1946) writer

Music, Guy

“No one can tell the whole story of anything.”

Joseph Nye (1937) American political scientist

Source: Understanding International Conflicts: An Introduction to Theory and History (6th ed., 2006), Chapter 1, Is There an Enduring Logic of Conflict in World Politics?, p. 19.

“I would keep writing even without the eventual possibility of glory. Really, with writing, the idea that I was going to be able to support myself was a long shot. I’m living off my writing now, without grants or a part time job, and it feels so tenuous. It could go downhill tomorrow, you know? I was writing before I thought it was even a real possibility to support myself with my writing, and I’ll keep writing after it becomes clear that it isn’t a real possibility after all. Not because I “must write” or because it’s “in my blood” or anything poetic like that. Or maybe those are just fancy ways of describing this certainty I have that all of my worth is wrapped up in my writing. From very young it seemed to me that writing was the only thing I did that was worthwhile. That had a chance of lasting. So, my work is something I have always given priority. The rest of my life can be falling apart, and it often seems to be, and I still take the time to work on the comic, or short stories. I am always moving forward with my writing. In a way I do treat everything else as a support system for the writing, but it isn’t really. And by treating it that way, I tend to neglect it.”

Joey Comeau (1980) writer

Interview with Hamilton Chu.
I Am Other People

Life, Way, Feeling, Idea

“I hoped to sell 50,000 records. My main goals were to sing my heart out, to challenge myself vocally, to find beautiful music that has great stories and to express what I love about the musicality of different languages. And if 10 people bought it, I'd be thrilled that 10 people listened to it. And if it was 10 million, I'd be thrilled that 10 million people listened to it. This is just beyond any dream that I could have possibly had.”

Josh Groban (1981) American musician and actor

Love, People, Beauty, Dreams

“For nearly forty years, Ed Bradley dedicated his life to journalism and uncovered some of history's greatest stories. His legacy, his life's work, is a story for all of us to admire. Ed was a man of journalistic integrity, he not only set a high standard for his fellow journalists; he also helped to break down barriers in a field that traditionally has not reflected the true diversity of our Nation.”

Ed Bradley (1941–2006) News correspondent

[Congresswoman Barbara Lee, Congressional Record, http://www.gpo.gov/fdsys/pkg/CREC-2006-12-06/html/CREC-2006-12-06-pt2-PgH8798-3.htm, Honoring the Contributions and Life of Edward R. Bradley, H8798-H8800; Volume 152, Number 133, December 6, 2006, United States House of Representatives , printed by the United States Government Printing Office]
About

Life, History, Help

“I ate soup from a bowl made of bread. This is the kind of heady decadance that will be detailed in the webcomic history books. My decline into soupy madness will be but a footnote of the 8BT story, itself a footnote. But the bread, man. You can eat your soup, and then eat the bowl. There's no turning back now. A decent life in the light of, uh, decency is behind me. Now it's wall-to-wall bread bowls and hookers.”

Brian Clevinger (1978) writer

http://www.nuklearpower.com/daily.php?date=060216

Life, Books, History, Light

“Money money money money money money money money money. Let no one say it has no place in a love story. It has a particular place. It is something on the right shelf.”

Daniel Handler book Adverbs

Adverbs (2006), Arguably

Love, Money

“T is an old tale and often told;
But did my fate and wish agree,
Ne'er had been read, in story old,
Of maiden true betray'd for gold,
That loved, or was avenged, like me.”

Walter Scott Marmion

Canto II, stanza 27.
Marmion (1808)

Love, Fate, Reading

“Seeing a woman's child is like seeing a woman naked, in the way it changes how her face looks to you, how her face becomes less the whole story.”

John Crowley (1942) American writer

Bk. 2, Ch. 3
Little, Big: or, The Fairies' Parliament (1981)

Way, Change

“This book you've read is just a story. I made it up. It is not designed to change anyone's beliefs or worldview, unless after reading it you've decided to be kinder to your fellow humans (which is okay), or you decide you really would like to teach yoga to an elephant, in which case, please get videotape.”

Christopher Moore book Lamb: The Gospel According to Biff, Christ's Childhood Pal

Afterword : Teaching Yoga to an Elephant
Lamb: The Gospel According to Biff, Christ's Childhood Pal (2002)

Books, Change, Reading

“Adam hates Tomas and tried to get Eddie to join him in hate. It hasn't worked, although Eddie will admit certain shortcomings, and the two men have not met until now, in the forest, when Adam has decided that Tomas in Eddie's stories and the Tomas in this story are the same man.”

Daniel Handler book Adverbs

Adverbs (2006), Clearly

Men, Hate

“Despite my dad's assurances I was strangely nervous my stomach tight ever since we'd hung up. Maybe Deb had picked up on this and it was why she'd pretty much talked nonstop since I'd approached her and asked for a ride. I'd barely had time to explain the situation before she had launched into a dozen stories to illustrate the point that Things Happened But People Were Okay in the End.”

Sarah Dessen (1970) American writer

What Happened To Goodbye (2011)

People, Time

“He is Karna, whom the world has abandoned. Karna Alone. Condemned goods. A prince raised in poverty. Born to die unfairly, unarmed and alone at the hands of his brother. Majestic in his complete despair. Praying on the banks of the Ganga. Stoned out of his skull.
Then Kunti appeared. She too was a man, but a man grown soft and womanly, a man with breasts, from doing female parts for years. Her movements were fluid. Full of women. Kunti, too, was stoned. High on the same shared joints. She had come to tell Karna a story.
Karna inclined his beautiful head and listened.
Red-eyed, Kunti danced for him. She told him of a young woman who had been granted a boon. A secret mantra that she could use to choose a lover from among the gods. Of how, with the imprudence of youth, the woman decided to test it to see if it really worked. How she stood alone in an empty field, turned her face to the heavens and recited the mantra. The words had scarcely left her foolish lips, Kunti said, when Surya, the God of Day, appeared before her. The young woman, bewitched by the beauty of the shimmering young god, gave herself to him. Nine months later she bore him a son. The baby was born sheathed in light, with gold earrings in his ears and a gold breastplate on his chest, engraved with the emblem of the sun.
The young mother loved her first-born son deeply, Kunti said, but she was unmarried and couldn't keep him. She put him in a reed basket and cast him away in a river. The child was found downriver by Adhirata, a charioteer. And named Karna.
Karna looked up to Kunti. Who was she? Who was my mother? Tell me where she is. Take me to her.
Kunti bowed her head. She's here, she said. Standing before you.
Karna's elation and anger at the revelation. His dance of confusion and despair. Where were you, he asked her, when I needed you the most? Did you ever hold me in your arms? Did you feed me? Did you ever look for me? Did you wonder where I might be?
In reply Kunti took the regal face in her hands, green the face, red the eyes, and kissed him on his brow. Karna shuddered in delight. A warrior reduced to infancy. The ecstasy of that kiss. He dispatched it to the ends of his body. To his toes. His fingertips. His lovely mother's kiss. Did you know how much I missed you? Rahel could see it coursing through his veins, as clearly as an egg travelling down an ostrich's neck.
A travelling kiss whose journey was cut short by dismay when Karna realised that his mother had revealed herself to him only to secure the safety of her five other, more beloved sons - the Pandavas - poised on the brink of their epic battle with their one hundred cousins. It is them that Kunti sought to protect by announcing to Karna that she was his mother. She had a promise to extract.
She invoked the Love Laws.”

Arundhati Roy book The God of Small Things

pages 232-233.
The God of Small Things (1997)

Love, Women, God, Secret

“Storytelling is very difficult. But adding the flavor helps to relay the storytelling, meaning in a cut scene, with a set camera and effects, you can make the users feel sorrow, or make them happy or laugh. This is an easy approach, which we have been doing. That is one point, the second point is that if I make multiple storylines and allow the users to select which story, this might really sacrifice the deep emotion the user might feel; when there's a concrete storyline, and you kind of go along that rail, you feel the destiny of the story, which at the end, makes you feel more moved. But when you make it interactive — if you want multiple stories where you go one way or another — will that make the player more moved when he or she finishes the game? These two points are really the key which I am thinking about, and if this works, I think I could probably introduce a more interactive storytelling method.”

Hideo Kojima (1963) Japanese video game designer

Source: "Hideo Kojima: The Kikizo Interview 2008 (Page 3)". https://web.archive.org/web/20111009180041/http://archive.videogamesdaily.com/features/hideo-kojima-interview-2008-p3.asp Kikizo. August 24, 2008. Archived from the original on October 9, 2011. Retrieved August 7, 2009.

Happiness, Way, Feeling, Game

“Every culture has a Story of the People to give meaning to the world. Part conscious and part unconscious, it consists of a matrix of agreements, narratives, and symbols that tell us why we are here, where we are headed, what is important, and even what is real. I think we are entering a new phase in the dissolution of our Story of the People, and therefore, with some lag time, of the edifice of civilization built on top of it….
But the new mythos has not yet emerged. We will abide for a time in the space between stories. Those of you who have been through it on a personal level know that it is a very precious - some might say sacred - time. Then we are in touch with the real. Each disaster lays bare the real underneath our stories. The terror of a child, the grief of a mother, the honesty of not knowing why. In such moments we discover our humanity. We come to each other’s aid, human to human. We take care of each other. That’s what keeps happening every time there is a calamity, before the beliefs, the ideologies, the politics take over again.
How can we prepare? We cannot prepare. But we are being prepared.”

Charles Eisenstein (1967) American writer

Charles Eisenstein, 2013:The Space Between Stories http://charleseisenstein.net/2013-the-space-between-stories/, Charleseisenstein.net, 2013

People, World, Thinking, Time

“But that story has in it the only constructive thing I ever learned about women - that no matter what happened to them and how they turned, you should try to disregard all that and remember them only as they were on the best day they ever had.”

Ernest Hemingway (1899–1961) American author and journalist

On his short story A Clean, Well-Lighted Place. Pt. 2, Ch. 9
Papa Hemingway (1966)

Women, Learning

“We seek a saviour, someone to rescue us from the problems of the world. A saviour is the simple story, the easy option and that is why it is so compelling. You don't have to do anything except believe. There's no need to negotiate with other people, or figure out how to create a robust system within the bizarre and contradictory parameters of human nature. I must admit I fell prey to this when I first met Julian Assange. He was going to lead the way to a bold new age. Instead I learned that power when concentrated is dangerous no matter who holds it or for whatever good intention. The real revolution happens in our own minds, when we stop believing there is someone or some agency who has all the answers, who is infallible and will save us, and instead come to realise we have that ability within ourselves. We may be susceptible to cults of personality, but we can build a check against this into our political systems.”

Heather Brooke (1970) American journalist

Pages 237-238.
The Revolution Will Be Digitised: Dispatches From the Information War, 1st Edition

People, Age, World, Way

“The story of Rachel’s unique illness was no secret in Crawford, of course. The fact of it had spread through the college the first year of Rachel’s return and the entire town knew soon after. Crawford reacted in the fashion of small towns immemorial—some tongues wagged constantly, some people could not keep the pity and pleasure at someone else’s misfortune out of their voices and gazes—but mostly the community had folded its protective wings around the Weintraub family like an awkward mother bird shielding its young.”

Dan Simmons book Hyperion

Source: Hyperion (1989), Chapter 4 (p. 286)

People, Pleasure, Secret, Family

“If you think that the intifada in France is about housing, go and try covering the story wearing a yarmulka.”

Christopher Hitchens (1949–2011) British American author and journalist

2005-11-07

The Laura Ingraham Show, quoted in * 2005-11-10

http://leninology.blogspot.com/2005/11/christopher-hitchens-bad-language.html

Christopher Hitchens' Bad Language

Lenin's Tomb

2011-12-19
2000s, 2005

Thinking, Housing

“Lucas, Laddie. Flying Colours: The Epic Story of Douglas Bader. London: Hutchinson Publishing Group, 1981.”

Douglas Bader (1910–1982) British World War II flying ace

References

Flying

“After the Declaration of Independence was signed, Virginia statesman John Page wrote to Thomas Jefferson, 'We know the race is not to the swift nor the battle to the strong. Do you not think an angel rides in the whirlwind and directs this storm?' Much time has passed since Jefferson arrived for his inauguration. The years and changes accumulate. But the themes of this day he would know, our nation's grand story of courage and its simple dream of dignity.”

George W. Bush (1946) 43rd President of the United States

2000s, 2001, First inaugural address (January 2001)

Dreams, Angels, Courage, Thinking

“Now I'm standing alone in a crowded room
And we're not speaking.
And I'm dyin' to know:
Is it killing you
Like it's killing me?
Yeah.
I don't know what to say since a twist of fate, when it all broke down
And the story of us looks a lot like a tragedy now.”

Taylor Swift (1989) American singer-songwriter

The Story of Us.
Song lyrics, Speak Now (2010)

Fate

“I would like to review your book myself,’ said the editor of one of our principal newspapers about Worshipping False Gods. ‘But if I praise it, they will be after me also. I too will be called communal, high-caste and all that.’ ‘Brilliant, Arun, it was fascinating,’ said a leading commentator who had written a review that inclined to the positive. ‘But, you’ll understand, I couldn’t say all that in print. But it really is brilliant. How do you manage to put in this much work?’ The very selection of reviewers tells the same story. If there is a book by a leftist, editors will be loath to give it to a person of a different point of view: ‘They will say, I have deliberately given it to a rightist,’ the editors are liable to explain. On the other hand, if it is a book by a person they have decided is a rightist, they will be loath to give it to a reviewer who also has been branded a rightist: ‘They will denounce me for deliberately giving the book to a person who is bound to praise it,’ they will bleat. Therefore, in such cases they deliberately give the book to a person who ‘is bound to condemn it’!”

Arun Shourie (1941) Indian journalist and politician

Eminent Historians: Their Technology, Their Line, Their Fraud

God, Books, Communication, Understanding

“I think that the decision to nominate the story for a Pulitzer is of minimal consequence. I also think that it won is of little consequence. It is a brilliant story — fake and fraud that it is.”

Bob Woodward (1943) American journalist

Post Reporter's Pulitzer Prize Is Withdrawn; Pulitzer Board Withdraws Post Reporter's Prize (19 April 1981)

Fraud, Thinking, Decision

“In 1932 many dark clouds still hung round the horizon. In 1933, although the outlook was distinctly brighter, there was no settled feeling that we were about to enjoy a spell of fine weather. To-day the atmosphere is distinctly brighter. The events of the last 12 months have shown gratifying evidence that the efforts of His Majesty's Government are bearing fruit…If you look to what I might call the telltale statistics, the unemployment figures and statistics of such things as retail trade, consumption of electricity, transport, iron and steel production and house building, in every case you see a definite revival of activity…If I might borrow an illustration from the titles of two well-known works of fiction, I would say that we have now finished the story of "Bleak House" and that we are sitting down this afternoon to enjoy the first chapter of "Great Expectations."”

Neville Chamberlain (1869–1940) Former Prime Minister of the United Kingdom

Budget speech http://hansard.millbanksystems.com/commons/1934/apr/17/financial-statement in the House of Commons (17 April 1934) Chancellor of the Exchequer

Feeling, Effort, Housing, Weather

“The most difficult lie I have ever contended with is this: Life is a story about me.”

Donald Miller book Blue Like Jazz: nonreligious thoughts on Christian spirituality

Blue Like Jazz (2003, Nelson Books)

Life, Lie

“It must be the old, darling, foolish Highlands in us, my dear, the old people and the old stupid stories they are telling us for generations round he fire, and it must be the hills about us, and the constant complaint of the sea.”

Neil Munro (Hugh Foulis) (1863–1930) Journalist, author, critic

Gilian the Dreamer, ch. 5.

People, Stupidity, Sea

“As for 'story' I never yet did enjoy a novel or play in which someone didn't tell me afterward that there was something wrong with the story, so that's going to be no drawback as far as I'm concerned. "Good Lord, why am I so bored"—"I know; it must be the plot developing harmoniously." So I often reply to myself, and there rises before me my special nightmare—that of the writer as craftsman, natty and deft.”

E.M. Forster (1879–1970) English novelist

Letter 104, to Forrest Reid, 19 June 1912
Selected Letters (1983-1985)

“The highest morality may prove also to be the highest wisdom when the half-told story comes to be finished.”

Arthur Conan Doyle (1859–1930) Scottish physician and author

The Boer War (1902)

Wisdom

“A man well-known to be a liar had just told a most improbable story. “Sir, while I believe you,” someone said, “you must admit that it's very wrong of truth not to condescend to be more plausible.””

Nicolas Chamfort (1741–1794) French writer

Reflections

Truth

“The Islamic claim to the Temple Mount in Jerusalem is even more transparently fraudulent… Any secularist willing to uphold this claim as historical? Or otherwise ready to show the courage of his conviction and demand that the Muslims relinquish their claim to the Temple Mount so as to be morally in a poistion to demand a similar abandonment of "mythical" claims from the Hindus?… In the case of Christians and Muslims, no one demands that they prove the historicity of the stories underlying the sacred status of their places of pilgrimage. Demanding the same of Hindus is an insulting display of double standards.”

Koenraad Elst (1959) orientalist, writer

K. Elst : The Ayodhya Demolition: an Evaluation, in India., & Dasgupta, S. (1995). The Ayodhya reference: The Supreme Court judgement and commentaries.
1990s, The Ayodhya Demolition: an Evaluation (1995)

Courage