Quotes about soundness (2837 quotes, page 3)

““I am pleading for my people, a poor downtrodden race
Who dwell in freedom’s boasted land with no abiding place
I am pleading that my people may have their rights restored,
For they have long been toiling, and yet had no reward
They are forced the crops to culture, but not for them they yield,
Although both late and early, they labor in the field.
While I bear upon my body, the scores of many a gash,
I’m pleading for my people who groan beneath the lash.
I’m pleading for the mothers who gaze in wild despair
Upon the hated auction block, and see their children there.
I feel for those in bondage—well may I feel for them.
I know how fiendish hearts can be that sell their fellow men.
Yet those oppressors steeped in guilt—I still would have them live;
For I have learned of Jesus, to suffer and forgive!
I want no carnal weapons, no machinery of death.
For I love to not hear the sound of war’s tempestuous breath.
I do not ask you to engage in death and bloody strife.
I do not dare insult my God by asking for their life.
But while your kindest sympathies to foreign lands do roam,
I ask you to remember your own oppressed at home.
I plead with you to sympathize with signs and groans and scars,
And note how base the tyranny beneath the stripes and stars.”

Sojourner Truth (1797–1883) African-American abolitionist and women's rights activist

Olive Gilbert & Sojourner Truth (1878), Narrative of Sojourner Truth, a Bondswoman of Olden Time, page 303.

Love , Life , Death , Men

“Another illustration. When for the first time I met Mister Clay, the other day in the cars, in front of us sat an old gentleman with an enormous wen upon his neck. Everybody would say the wen was a great evil, and would cause the man's death after a while. But you couldn't cut it out, for he'd bleed to death in a minute. But would you engraft the seeds of that wen on the necks of sound and healthy men? He must endure and be patient, hoping for possible relief. The wen represents slavery on the neck of this country. This only applies to those who think slavery is wrong. Those who think it right would consider the snake a jewel, and the wen an ornament.”

Abraham Lincoln (1809–1865) 16th President of the United States

1860s, Speech at Hartford (1860)

Death , Men , Hope , Cars

“At the mention of the name and offence of this degraded being a great sound went up from the entire multitude – a universal cry of execration, not greatly dissimilar from that which may be frequently heard in the crowded Temple of Impartiality when the one whose duty it is to take up, at a venture, the folded papers, announces that the sublime Emperor, or some mandarin of exalted rank, has been so fortunate as to hold the winning number in the Annual State Lottery.”

Ernest Bramah book The Wallet of Kai Lung

The Vision of Yin, the Son of Yat Huang
The Wallet of Kai Lung (1900)

Universe , Cry

“All that stuff about heavy metal and hard rock, I don't subscribe to any of that. It's all just music. I mean, the heavy metal from the Seventies sounds nothing like the stuff from the Eighties, and that sounds nothing like the stuff from the Nineties. Who's to say what is and isn't a certain type of music?”

Ozzy Osbourne (1948) English heavy metal vocalist and songwriter

Guitar World Issue 37, 2000

Music

“The aim of jazz is the mechanical reproduction of a regressive moment, a castration symbolism. 'Give up your masculinity, let yourself be castrated,' the eunuchlike sound of the jazz band both mocks and proclaims, 'and you will be rewarded, accepted into a fraternity which shares the mystery of impotence with you, a mystery revealed at the moment of the initiation rite.”

Theodor W. Adorno (1903–1969) German sociologist, philosopher and musicologist known for his critical theory of society

"Perennial Fashion — Jazz" (1978), Prisms, p. 129, as translated by Samuel Weber and Shierry Weber (1981)

“I hear no more sounds. Marie has finished. She comes up beside me. We have sought each other and come together as often as possible since the day when we saw so clearly that we no longer loved each other!”

Henri Barbusse (1873–1935) French novelist

Light (1919), Ch. XXIII - Face To Face

Love

“So, my instrument there is simply bamboo. The sound is straight from nature and it connects me to nature.”

Hariprasad Chaurasia (1938) Indian bansuri player

Music is a Prayer:An interview with Hariprasad Chaurasia by Ian Gottstein

Nature

“Which brings us to the arts, whose purpose, in common with astrology, is to use frauds in order to make human beings seem more wonderful than they really are. Dancers show us human beings who move much more gracefully than human beings really move. Films and books and plays show us people talking much more entertainingly than people really talk, make paltry human enterprises seem important. Singers and musicians show us human beings making sounds far more lovely than human beings really make. Architects give us temples in which something marvelous is obviously going on. Actually, practically nothing is going on inside. And on and on.”

Kurt Vonnegut (1922–2007) American writer

Bennington College address (1970)

Love , People , Books , Art

“There was a dodgy digital period when things didn't sound that great, but now we are figuring that out. The basics haven't changed, which is talented human beings playing together in a room.”

Hans Zimmer (1957) German film composer and music producer

Source http://www.bbc.co.uk/news/entertainment-arts-13964918.

Change

“That little, small voice in your mind and in your heart that makes you curious about being vegan is something you should listen to, because that’s the sound of your conscience making you be compassionate.”

Bellamy Young (1970) American artist

"Longtime Vegan Bellamy Young: Variety Is Infinite", video interview with PETA (10 February 2016) https://www.youtube.com/watch?v=cLjdSQqq52o.

Heart

“For example, a man who had seen a great many white swans might argue, by our principle, that on the data it was probable that all swans were white, and this might be a perfectly sound argument. The argument is not disproved by the fact that some swans are black, because a thing may very well happen in spite of the fact that some data render it improbable. In the case of the swans, a man might know that colour is a very variable characteristic in many species of animals, and that, therefore, an induction as to colour is peculiarly liable to error. But this knowledge would be a fresh datum, by no means proving that the probability relatively to our previous data had been wrongly estimated. The fact, therefore, that things often fail to fulfill our expectations is no evidence that our expectations will not probably be fulfilled in a given case or a given class of cases. Thus our inductive principle is at any rate not capable of being disproved by an appeal to experience. The inductive principle, however, is equally incapable of being proved by an appeal to experience.”

Bertrand Russell (1872–1970) logician, one of the first analytic philosophers and political activist

"On Induction"
1910s, The Problems of Philosophy (1912)

Error , Knowledge , Animals

“Love passed, the Muse appeared, the weather
of mind got clarity new-found;
now free, I once more weave together
emotion, thought, and magic sound.”

Aleksandr Pushkin book Eugene Onegin

Source: Eugene Onegin (1823), Ch. 1, st. 59.

Love , Appearance , Weather

“Empty heads make the best drums. And the emptier the head, the fuller the sound.”

Karlheinz Deschner (1924–2014) German writer and activist

Auf hohlen Köpfen ist gut trommeln. Und je hohler ein Kopf, desto voller das Echo.
Acceptance speech on receiving the Alternative Büchner Prize, 1993. MIZ - Materialien und Informationen zur Zeit. ISSN 0170-6748, Heft 3, 1993, ibka.org http://www.ibka.org/artikel/miz93/preis.html

“For a moment
The surrounding utters no sound.
Time ceases.
The Paradise of Dreams come true.”

Bruce Lee (1940–1973) Hong Kong-American actor, martial artist, philosopher and filmmaker

"For A Moment", Bruce Lee's hand-written poem, from Bruce Lee Papers — as quoted in Bruce Lee: Artist of Life (2001) edited by John Little, p. 100

Dreams , Time

“I want to emphasize the necessity for a sound mathematical basis for any fundamental physical theory. Any philosophical ideas that one may have play only a subordinate role. Unless such ideas have a mathematical basis they will be ineffective.”

Paul Dirac (1902–1984) theoretical physicist

The Mathematical Foundations of Quantum Theory (1978)

Mathematics , Idea

“Sometimes at dusk, when you were trying to relax and not think of the general stagnation, the Garbage God would gather a handful of those choked-off morning hopes and dangle them somewhere just out of reach; they would hang in the breeze and make a sound like delicate glass bells, reminding you of something you never quite got hold of, and never would.”

Hunter S. Thompson (1937–2005) American journalist and author

1990s, The Rum Diary (1998)

God , Hope , Thinking

“When the great truth accidentally revealed and experimentally confirmed is fully recognized, that this planet, with all its appalling immensity, is to electric currents virtually no more than a small metal ball and that by this fact many possibilities, each baffling imagination and of incalculable consequence, are rendered absolutely sure of accomplishment; when the first plant is inaugurated and it is shown that a telegraphic message, almost as secret and non-interferable as a thought, can be transmitted to any terrestrial distance, the sound of the human voice, with all its intonations and inflections, faithfully and instantly reproduced at any other point of the globe, the energy of a waterfall made available for supplying light, heat or motive power, anywhere — on sea, or land, or high in the air — humanity will be like an ant heap stirred up with a stick: See the excitement coming!”

Nikola Tesla (1856–1943) Serbian American inventor

"The Transmission of Electric Energy Without Wires" in Electrical World and Engineer (5 March 1904)

Truth , Secret , Imagination , Motivation

“He went; his piping took a troubled sound
Of storms that rage outside our happy ground;
He could not wait their passing, he is dead!”

Matthew Arnold Thyrsis

St. 5
Thyrsis (1866)

Rage , Waiting , Dead , Happiness

“So in the end when one is doing philosophy one gets to the point where one would like just to emit an inarticulate sound.”

Ludwig Wittgenstein book Philosophical Investigations

§ 261
Philosophical Investigations (1953)

“In her sepulcher there by the sea —
In her tomb by the sounding sea.”

Edgar Allan Poe Annabel Lee

St. 6.
Annabel Lee (1849)

Sea

“If one is to take Lulu's twelve-tone chord as the integral totality of complementary harmony, then Berg's allegorical genius proves itself within a historical perspective which makes the brain reel: just as Lulu in the world of total illusion longs for nothing but her murderer and finally finds him in that sound, so does all harmony of unrequited happiness long for its fatal chord as the cipher of fulfillment — twelve-tone music is not to be separated from dissonance. Fatal: because all dynamics come to a standstill within it without finding release. The law of complementary harmony already implies the end of the musical experience of time, as this was heralded in the dissociation of time according to Expressionistic extremes.”

Theodor W. Adorno (1903–1969) German sociologist, philosopher and musicologist known for his critical theory of society

Philosophy of Modern Music (1973) as translated by Anne G. Mitchell and Wesley V. Blomster

World , Law , Music , Time

“And now to explain colours. I suppose that as bodies excite sounds of various tones and consequently vibrations, in the air of various bignesses, so when rays of light by impinging on the stiff refracting superficies excite vibrations in the ether, these rays excite vibrations of various bignesses… therefore, the ends of the capillamenta of the optic nerve which front or face the retina being such refracting superficies, when the rays impinge on them they must there excite these vibrations, which vibrations (like those of sound in a trumpet) will run along the pores or crystalline pith of the capillamenta through the optic nerves into the sensorium (which light itself cannot do), and there, I suppose, affect the sense with various colours, according to their bigness and mixture—the biggest with the strongest colours, reds and yellows; the least with the weakest, blues and violets; middle with green; and a confusion of all with white, much after the manner, that in the sense of hearing, nature makes use of aereal vibrations of several bignesses to generate sounds of divers tones; for the analogy of nature is to be observed.”

Isaac Newton (1643–1727) British physicist and mathematician and founder of modern classical physics

"Hypothesis explaining the Properties of Light" (1675)

Nature , Sense , Light

“I can be manipulated only so many times
Before even 'I love you' starts to sound like a lie.”

Demi Lovato (1992) American singer, songwriter, actress, and author

For The Love Of A Daughter
Lyrics, Unbroken (2011)

Love , Lie , Time

“Chemistry without catalysis would be a sword without a handle, a light without brilliance, a bell without sound.”

Alwin Mittasch (1869–1953) German chemist

Alwin Mittasch, as cited in: Ralph Edward Oesper, "Alwin Mittasch," Journal of Chemical Education (1948), 25, 532.

Light

“When the lord, also known as god, realised that adam and eve, although perfect in every outward aspect, could not utter a word or make even the most primitive of sounds, he must have felt annoyed with himself, for there was no one else in the garden of eden whom he could blame for this grave oversight…”

José Saramago book Cain

Source: Cain (2009), p. 1

God , Perfection

“Inconceivable events and conditions form a class apart from all other story elements, and cannot be made convincing by any mere process of casual narration. They have the handicap of incredibility to overcome; and this can be accomplished only through a careful realism in every other phase of the story, plus a gradual atmospheric or emotional build-up of the utmost subtlety. The emphasis, too, must be kept right—hovering always over the wonder of the central abnormality itself. It must be remembered that any violation of what we know as natural law is in itself a far more tremendous thing than any other event or feeling which could possibly affect a human being. Therefore in a story dealing with such a thing we cannot expect to create any sense of life or illusion of reality if we treat the wonder casually and have the characters moving about under ordinary motivations. The characters, though they must be natural, should be subordinated to the central marvel around which they are grouped. The true "hero" of a marvel tale is not any human being, but simply a set of phenomena. Over and above everything else should tower the stark, outrageous monstrousness of the one chosen departure from Nature. The characters should react to it as real people would react to such a thing if it were suddenly to confront them in daily life; displaying the almost soul-shattering amazement which anyone would naturally display instead of the mild, tame, quickly-passed-over emotions prescribed by cheap popular convention. Even when the wonder is one to which the characters are assumed to be used, the sense of awe, marvel, and strangeness which the reader would feel in the presence of such a thing must somehow be suggested by the author.... Atmosphere, not action, is the thing to cultivate in the wonder story. We cannot put stress on the bare events, since the unnatural extravagance of these events makes them sound hollow and absurd when thrown into too high relief. Such events, even when theoretically possible or conceivable in the future, have no counterpart or basis in existing life and human experience, hence can never form the groundwork of an adult tale. All that a marvel story can ever be, in a serious way, is a vivid picture of a certain type of human mood. The moment it tries to be anything else it becomes cheap, puerile, and unconvincing. Therefore a fantastic author should see that his prime emphasis goes into subtle suggestion—the imperceptible hints and touches of selective and associative detail which express shadings of moods and build up a vague illusion of the strange reality of the unreal—instead of into bald catalogues of incredible happenings which can have no substance or meaning apart from a sustaining cloud of colour and mood-symbolism. A serious adult story must be true to something in life. Since marvel tales cannot be true to the events of life, they must shift their emphasis toward something to which they can be true; namely, certain wistful or restless moods of the human spirit, wherein it seeks to weave gossamer ladders of escape from the galling tyranny of time, space, and natural laws.”

H.P. Lovecraft (1890–1937) American author

"Some Notes on Interplanetary Fiction", Californian 3, No. 3 (Winter 1935): 39-42. Published in Collected Essays, Volume 2: Literary Criticism edited by S. T. Joshi, p. 178
Non-Fiction

Life , People , Law , Way

“It would be a considerable invention indeed, that of a machine able to mimic speech, with its sounds and articulations. … I think it is not impossible.”

Leonhard Euler (1707–1783) Swiss mathematician

La construction d'une machine propre à exprimer tous les sons de nos paroles , avec toutes les articulations , seroit sans-doute une découverte bien importante. … La chose ne me paroît pas impossible.
Letter to Friederike Charlotte of Brandenburg-Schwedt (16 June 1761)
Lettres à une Princesse d'Allemagne sur différentes questions de physique et de philosophie, Royer, 1788, p. 265
As quoted in An Introduction to Text-to-Speech Synthesis (2001) by Thierry Dutoit, p. 27; also in Fabian Brackhane and Jürgen Trouvain "Zur heutigen Bedeutung der Sprechmaschine Wolfgang von Kempelens" (in: Bernd J. Kröger (ed.): Elektronische Sprachsignalverarbeitung 2009, Band 2 der Tagungsbände der 20. Konferenz "Elektronische Sprachsignalverarbeitung" (ESSV), Dresden: TUDpress, 2009, pp. 97–107)

Thinking

“How grievously I was disappointed! …I found my philosopher altogether forsaking mind and any other principle of order, but having recourse to air, and ether, and water, and other eccentricities. I might compare him to a person that began by maintaining generally that mind is the cause of the actions of Socrates, but who, when endeavored to explain the causes of my several actions in detail, went on to show that I sit here because my body is made up of bones and muscles; and the bones he would say, are hard and have ligaments which divide them, and the muscles are elastic, and they cover the bones, which also have a covering or environment of flesh and skin which contains them; and as the bones are lifted at their joints by the contraction or relaxation of the muscles, I am able to bend my limbs, and this is why I an sitting here in a curved posture… and he would have a similar explanation of my talking to you, which he would attribute to sound, and air, and hearing, and he would assign ten thousand other causes of the same sort, forgetting to mention the true cause, which is that Athenians have thought fit to condemn me, and accordingly I have thought it better and more right to remain here and undergo my sentence; for I am inclined to think that these muscles and bones of mine would have gone off to Megara or Boeotia… if they had been guided only by their idea of what was best, and if I had not chosen as the better and nobler part… to undergo any punishment that the State inflicts.”

Socrates (-470–-399 BC) classical Greek Athenian philosopher

Plato, Phaedo

Disappointment , Idea , Thinking , Water

“"In God We Trust." It is the choicest compliment that has ever been paid us, and the most gratifying to our feelings. It is simple, direct, gracefully phrased: it always sounds well — In God We Trust. I don't believe it would sound any better if it were true. And in a measure it is true — half the nation trusts in Him. That half has decided it.”

Mark Twain (1835–1910) American author and humorist

Source: Mark Twain's Notebook (1935), p. 394.

God , Feeling

“I always believed that at some time fate would take from me the terrible effort and duty of educating myself. I believed that, when the time came, I would discover a philosopher to educate me, a true philosopher whom one could follow without any misgiving because one would have more faith in him than one had in oneself. Then I asked myself: what would be the principles by which he would educate you?—and I reflected on what he might say about the two educational maxims which are being hatched in our time. One of them demands that the educator should quickly recognize the real strength of his pupil and then direct all his efforts and energy and heat at them so as to help that one virtue to attain true maturity and fruitfulness. The other maxim, on the contrary, requires that the educator should draw forth and nourish all the forces which exist in his pupil and bring them to a harmonious relationship with one another. … But where do we discover a harmonious whole at all, a simultaneous sounding of many voice in one nature, if not in such men as Cellini, men in whom everything, knowledge, desire, love, hate, strives towards a central point, a root force, and where a harmonious system is constructed through the compelling domination of this living centre? And so perhaps these two maxims are not opposites at all? Perhaps the one simply says that man should have a center and the other than he should also have a periphery? That educating philosopher of whom I dreamed would, I came to think, not only discover the central force, he would also know how to prevent its acting destructively on the other forces: his educational task would, it seemed to me, be to mould the whole man into a living solar and planetary system and to understand its higher laws of motion.”

Friedrich Nietzsche Untimely Meditations

“Schopenhauer as educator,” § 3.2, R. Hollingdale, trans. (1983), pp. 130-131
Untimely Meditations (1876)

Love , Men , Hate , Fate

““Thank God!” said Unk.
Redwine raised his eyebrows quizzically. “Why?” he said.
“Pardon me?” said Unk.
“Why thank God?” said Redwine. “He doesn’t care what happens to you. He didn’t go to any trouble to get you here safe and sound, any more than He would go to the trouble to kill you.””

Kurt Vonnegut book The Sirens of Titan

Source: The Sirens of Titan (1959), Chapter 10 “An Age of Miracles” (p. 226)

God

“The reason that I call my doctrine logical atomism is because the atoms that I wish to arrive at as the sort of last residue in analysis are logical atoms and not physical atoms. Some of them will be what I call "particulars" – such things as little patches of color or sounds, momentary things – and some of them will be predicates or relations and so on.”

Bertrand Russell (1872–1970) logician, one of the first analytic philosophers and political activist

1910s, The Philosophy of Logical Atomism (1918)

Color

“Nature consists of the elements given by the senses. Primitive man first takes out of them certain complexes of these elements that present themselves with a certain stability and are most important to him. The first and oldest words are names for "things". … The sensations are no "symbols of things". On the contrary the "thing" is a mental symbol for a sensation-complex of relative stability. Not the things, the bodies, but colours, sounds, pressures, times (what we usually call sensations) are the true elements of the world.”

Ernst Mach (1838–1916) Austrian physicist and university educator

Source: 20th century, The Analysis of Sensations (1902), p. 23, as quoted in Lenin as Philosopher: A Critical Examination of the Philosophical Basis of Leninism (1948) by Anton Pannekoek, p. 454

World , Nature , Sense , Time

“Actors didn't use to be celebrities. A hundred years ago, they put the theaters next to the brothels. Actors were poor. Celebrities used to be kings and queens. Then the United States abolished monarchy, and now there's this coming together of show business and celebrity. I don't think it's healthy. I don't want to sound self-important, but all these celebrity shows and magazines—it comes from us, from Hollywood, from our country. We're the ones creating it. And I think it works in close step with a lot of other bad things that are happening in the world. It promotes greed, it promotes being selfish and it promotes this ladder, where you're a better person if you have more money. It's not at all about the work itself. Don't get me wrong. I love movies. But this myth of celebrity has nothing to do with movies.”

Joseph Gordon-Levitt (1981) American actor, director, producer, and writer

Newsweek, March 31, 2006

Love , Money , World , Business

“I believe that one of the things Christianity says is that sound doctrines are all useless. That you have to change your life.”

Ludwig Wittgenstein (1889–1951) Austrian-British philosopher

Or the direction of your life.
Source: Culture and Value (1980), p. 53e

Life , Change

“Let us… be careful of admitting into our souls the notion that there is no truth or health or soundness in any arguments at all; but let us rather say that there is as yet no health in us, and that we must quit ourselves like men and do our best to gain health—you and all other men with a view to the whole of your future life, and I myself with a view to death.”

Socrates (-470–-399 BC) classical Greek Athenian philosopher

Plato, Phaedo

Life , Death , Men , Health

“The universe is deathless; Is deathless because, having no finite self, it stays infinite. A sound man by not advancing himself stays the further ahead of himself, By not confining himself to himself sustains himself outside himself: By never being an end in himself he endlessly becomes himself.”

Laozi book Tao Te Ching

Source: Tao Te Ching, Ch. 7

Universe

“Harry Dresden: There was a sound of impact, a raspy, dry scream, and the vampire went down hard. It lay on the ground like a butterfly pinned to a card, arms and legs thrashing uselessly. Its chest and collarbone had been crushed. By an entire frozen turkey. A twenty-pounder. The plucked bird must have fallen from an airplane overhead, doubtlessly manipulated by the curse. By the time it got to the ground, the turkey had already reached its terminal velocity, and was still hard as a brick. The drumsticks poked up above the vampire's crushed chest, their ends wrapped in red tinfoil. The vampire gasped and writhed a little more. The timer popped out of the turkey. Everyone stopped to blink at that for a second. I mean, come on. Impaled by a guided frozen turkey missile. Even by the standards of the quasi-immortal creatures of the night, that ain't something you see twice. "For my next trick," I panted into the startled silence, "anvils."”

Jim Butcher The Dresden Files

The Dresden Files, Blood Rites (2004)

Bird , Silence , Time , Night

“Guitars are fun. There are plenty of different kinds to play. They look cool. They sound cool. Don't *you* want to play guitar?”

Joe Satriani (1956) American guitar player

As quoted in Musician magazine (November 1996).

“"Mulla, I want to borrow your donkey."
"I am sorry," said the Mulla, "but I have already lent it out."
As soon as he had spoken, the donkey brayed. The sound came from Nasrudin's stable.
"But Mulla, I can hear the donkey, in there!"
As he shut the door in the man's face, Nasrudin said, with dignity, "A man who believes the word of a donkey in preference to my word does not deserve to be lent anything."”

Nasreddin (1208–1284) philosopher, Sufi and wise man from Turkey, remembered for his funny stories and anecdotes

Idries Shah, The Pleasantries of the Incredible Mulla Nasrudin (1968), , p. 62

“Do not several sorts of Rays make Vibrations of several bignesses, which according to their bigness excite Sensations of several Colours, much after the manner that the Vibrations of the Air, according to their several bignesses excite Sensations of several Sounds? And particularly do not the most refrangible Rays excite the shortest Vibrations for making a Sensation of deep violet, the least refrangible the largest form making a Sensation of deep red, and several intermediate sorts of Rays, Vibrations of several intermediate bignesses to make Sensations of several intemediate Colours?”

Isaac Newton book Opticks, or a Treatise of the Reflections, Refractions, Inflections and Colours of Light

Query 13
Opticks (1704)

“Pointless but intense excitement holds us in TV dramas. We hear threatening music. A killer with a gun steals into the bedroom of a sleeping woman. More subliminal sounds of danger, pointlessly ominous. The woman wakes and runs into the kitchen for a knife. The cops are on the case. We watch as the criminal is pursued through night streets; shots, a death; a body falls from a roof. Then time is up, another drama begins. Now we are in a church. No, we are in a lecture hall; no again — a drawer opens in a morgue. A woman is looking for her kidnapped child. Then that ends, and we are on the veld with zebras and giraffes. Then with Lenin at a mass meeting. And suddenly we flash away to a cooking school; we are shown how to stuff a turkey. Next the Berlin Wall comes down. Or flags are burning. Or a panel is worrying about the rug crisis. More and more public themes, with less and less personal consciousness. Clearly, personal consciousness is shrinking.”

Saul Bellow (1915–2005) Canadian-born American writer

"The Distracted Public" (1990), pp. 159-160
It All Adds Up (1994)

Death , School , Music , Sleep

““[W]e consciously or unconsciously pay more attention to tuning our opinions to our neighbor’s pitch and preserving his approval than we do to examining the opinions searchingly and seeing to it that they are right and sound.”

Mark Twain (1835–1910) American author and humorist

"The Privilege of the Grave" (1905)

“If each us had a different kind of sense perception — if we could only perceive things now as a bird, now as a worm, now as a plant, or if one of us saw a stimulus as red, another as blue, while a third even heard the same stimulus as a sound — then no one would speak of such a regularity of nature, rather, nature would be grasped only as a creation which is subjective in the highest degree. After all, what is a law of nature as such for us? We are not acquainted with it in itself, but only with its effects, which means in its relation to other laws of nature — which, in turn, are known to us only as sums of relations. Therefore all these relations always refer again to others and are thoroughly incomprehensible to us in their essence.”

Friedrich Nietzsche (1844–1900) German philosopher, poet, composer, cultural critic, and classical philologist

On Truth and Lie in an Extra-Moral Sense (1873)

Law , Nature , Bird , Sense

“Strange as these words may sound I often play with the idea that when all the social theories collapse and wars and revolutions leave humanity in utter gloom, the poet — whom Plato banned from his Republic — may rise up to save us all.”

Isaac Bashevis Singer (1902–1991) Polish-born Jewish-American author

Nobel lecture (1978)

War , Idea

“A kind of music far superior, in my opinion, to that of operas, and which in all Italy has not its equal, nor perhaps in the whole world, is that of the 'scuole'. The 'scuole' are houses of charity, established for the education of young girls without fortune, to whom the republic afterwards gives a portion either in marriage or for the cloister. Amongst talents cultivated in these young girls, music is in the first rank. Every Sunday at the church of each of the four 'scuole', during vespers, motettos or anthems with full choruses, accompanied by a great orchestra, and composed and directed by the best masters in Italy, are sung in the galleries by girls only; not one of whom is more than twenty years of age. I have not an idea of anything so voluptuous and affecting as this music; the richness of the art, the exquisite taste of the vocal part, the excellence of the voices, the justness of the execution, everything in these delightful concerts concurs to produce an impression which certainly is not the mode, but from which I am of opinion no heart is secure. Carrio and I never failed being present at these vespers of the 'Mendicanti', and we were not alone. The church was always full of the lovers of the art, and even the actors of the opera came there to form their tastes after these excellent models. What vexed me was the iron grate, which suffered nothing to escape but sounds, and concealed from me the angels of which they were worthy. I talked of nothing else. One day I spoke of it at Le Blond's; "If you are so desirous," said he, "to see those little girls, it will be an easy matter to satisfy your wishes. I am one of the administrators of the house, I will give you a collation [light meal] with them." I did not let him rest until he had fulfilled his promise. In entering the saloon, which contained these beauties I so much sighed to see, I felt a trembling of love which I had never before experienced. M. le Blond presented to me one after the other, these celebrated female singers, of whom the names and voices were all with which I was acquainted. Come, Sophia, — she was horrid. Come, Cattina, — she had but one eye. Come, Bettina, — the small-pox had entirely disfigured her. Scarcely one of them was without some striking defect.
Le Blond laughed at my surprise; however, two or three of them appeared tolerable; these never sung but in the choruses; I was almost in despair. During the collation we endeavored to excite them, and they soon became enlivened; ugliness does not exclude the graces, and I found they possessed them. I said to myself, they cannot sing in this manner without intelligence and sensibility, they must have both; in fine, my manner of seeing them changed to such a degree that I left the house almost in love with each of these ugly faces. I had scarcely courage enough to return to vespers. But after having seen the girls, the danger was lessened. I still found their singing delightful; and their voices so much embellished their persons that, in spite of my eyes, I obstinately continued to think them beautiful.”

Jean Jacques Rousseau (1712–1778) Genevan philosopher

Confessions of Jean-Jacques Rousseau (1765-1770; published 1782), On the musicians of the Ospedale della Pieta (book VII)

Love , Marriage , Age , World

“Music is the cup which holds the wine of silence. Sound is that cup, but empty. Noise is that cup, but broken.”

Robert Fripp (1946) English guitarist, composer and record producer

“The Vinyl Solution.” in Musician, Player, and Listener 24 (April-May 1980): 34.
Elsewhere

Music , Silence , Wine

“If religion be false, it is the basest imposition under heaven; but if the religion of Christ be true, it is the most solemn truth that ever was known! It is not a thing that a man dares to trifle with if it be true, for it is at his soul's peril to make a jest of it. If it be not true it is detestable, but if it be true it deserves all a man's faculties to consider it, and all his powers to obey it. It is not a trifle. Briefly consider why it is not. It deals with your soul. If it dealt with your body it were no trifle, for it is well to have the limbs of the body sound, but it has to do with your soul. As much as a man is better than the garments that he wears, so much is the soul better than the body. It is your immortal soul it deals with. Your soul has to live for ever, and the religion of Christ deals with its destiny. Can you laugh at such words as heaven and hell, at glory and at damnation? If you can, if you think these trifles, then is the faith of Christ to be trifled with. Consider also with whom it connects you—with God; before whom angels bow themselves and veil their faces. Is HE to be trifled with? Trifle with your monarch if you will, but not with the King of kings, the Lord of lords. Recollect that those who have ever known anything of it tell you it is no child's play. The saints will tell you it is no trifle to be converted. They will never forget the pangs of conviction, nor the joys of faith. They tell you it is no trifle to have religion, for it carries them through all their conflicts, bears them up under all distresses, cheers them under every gloom, and sustains them in all labour. They find it no mockery. The Christian life to them is something so solemn, that when they think of it they fall down before God, and say, "Hold thou me up and I shall be safe." And sinners, too, when they are in their senses, find it no trifle. When they come to die they find it no little thing to die without Christ. When conscience gets the grip of them, and shakes them, they find it no small thing to be without a hope of pardon—with guilt upon the conscience, and no means of getting rid of it. And, sirs, true ministers of God feel it to be no trifle. I do myself feel it to be such an awful thing to preach God's gospel, that if it were not "Woe unto me if I do not preach the gospel," I would resign my charge this moment. I would not for the proudest consideration under heaven know the agony of mind I felt but this one morning before I ventured upon this platform! Nothing but the hope of winning souls from death and hell, and a stern conviction that we have to deal with the grandest of all realities, would bring me here.”

Charles Spurgeon (1834–1892) British preacher, author, pastor and evangelist

Religion—a Reality part II. Secondly, "It is not a vain thing"—that is, IT IS NO TRIFLE. (June 22nd, 1862) http://www.biblebb.com/files/spurgeon/0457.HTM

Life , Death , God , Truth

“I'll tell you about punk rock: punk rock is a word used by dilettantes and, uh… and, uh… heartless manipulators, about music… that takes up the energies, and the bodies, and the hearts and the souls and the time and the minds, of young men, who give what they have to it, and give everything they have to it. And it's a… it's a term that's based on contempt; it's a term that's based on fashion, style, elitism, satanism, and, everything that's rotten about rock 'n' roll. I don't know Johnny Rotten.. but I'm sure, I'm sure he puts as much blood and sweat into what he does as Sigmund Freud did. You see, what, what sounds to you like a big load of trashy old noise… is in fact… the brilliant music of a genius… myself. And that music is so powerful, that it's quite beyond my control. And, ah… when I'm in the grips of it, I don't feel pleasure and I don't feel pain, either physically or emotionally. Do you understand what I'm talking about? Have you ever, have you ever felt like that? When you just, when you just, you couldn't feel anything, and you didn't want to either. You know, like that? Do you understand what I'm saying, sir?”

Iggy Pop (1947) American rock singer-songwriter, musician, and actor

Peter Gzowski's 90 Minutes Live interview (1977)

Men , Pain , Pleasure , Music

“Willy consulted a book called I-ching. Florrie suggested calamine lotion to stop it…. Henry suggested it sounded like something a gentleman would do behind a handkerchief”

Vivian Stanshall (1943–1995) English musician, artist and author

John Peel Sessions 1975-1991
Others

Books

“It is forbidden to kill; therefore all murderers are punished unless they kill in large numbers and to the sound of trumpets.”

Voltaire (1694–1778) French writer, historian, and philosopher

Il est défendu de tuer; tout meurtrier est puni, à moins qu’il n’ait tué en grande compagnie, et au son des trompettes.
"Rights" (1771)
Citas, Questions sur l'Encyclopédie (1770–1774)

Funny

“I am so afraid of people's words.
They describe so distinctly everything:
And this they call dog and that they call house,
here the start and there the end.I worry about their mockery with words,
they know everything, what will be, what was;
no mountain is still miraculous;
and their house and yard lead right up to God.I want to warn and object: Let the things be!
I enjoy listening to the sound they are making.
But you always touch: and they hush and stand still.
That's how you kill.”

Rainer Maria Rilke (1875–1926) Austrian poet and writer

Translated by Annemarie S. Kidder
In Celebration of Me (1909)

People , Dogs , Mountain , Housing

“Judy Garland was the singer I most wanted to sound like then, not to copy, but to get some of her soul and purity. A wonderful young voice.”

Sarah Vaughan (1924–1990) American jazz singer

Interview, The Los Angeles Times, 1969

Soul

“We feel the necessity of deceiving ourselves, of even grossly deceiving ourselves, and of believing, when we are doing wrong, that we are doing right. When we do not succeed in reaching such persuasion, merely by sounding our own reason and conscience, we look about for something or some person to aid us in the attempt.”

Alexandre Vinet (1797–1847) Swiss theologian

Evangelical Meditations (1858)

Feeling , Personality

“Jed Exodus, sounds like he's gonna go get changed in a phone box [heroic American accent] "WATCH OUT FOR JED EXODUS… I AM THE PISSER… I CAN FILL A HOLE IN NO TIME." That's where he's probably just gone now, out to prevent a crime. "HEY YOU, GET AWAY FROM THAT WOMAN AND STOP MUGGING HER." "All right mate, all right." "THERE YOU GO, MADAM, YOU CAN GO ON YOUR WAY, PISS, PISS, PISS, PISS, PISS, PISS, PISS."”

Lee Evans (1964) English stand-up comedian and actor

The Different Planet Tour (1996)

Way , Change , Time , Box

“In the evening you hear the scream of bats,
Two black horses jump in the meadow,
The red maple rustles.
To the traveller the small inn appears by the wayside.
Wonderful the taste of young wine and nuts,
Wonderful: stumbling drunk into darkening wood.
Through black branches painful bells sound,
On the face dew drips.”

Georg Trakl (1887–1914) austrian poet

"Towards Evening My Heart," Poems (1913)
Source: http://publicdomainreview.org/2014/10/29/wild-heart-turning-white-georg-trakl-and-cocaine/

Pain , Travel , Appearance , Wine

“Silently as a dream the fabric rose —
No sound of hammer or of saw was there.”

William Cowper The Task

Source: The Task (1785), Book V, The Winter Morning Walk, Line 144.

Dreams

“If you take the plea of the defence, that I am not responsible for my acts, acquit me completely, since I have been quarrelling with an insane and irresponsible Government. If you pronounce in favour of the Crown, which contends that I am responsible, acquit me all the same. You are perfectly justified in declaring that having my reason and sound mind I have acted reasonably and in self-defence, while the Government, my accuser, being irresponsible and consequently insane, cannot but have acted wrong, and if high treason there is, it must be on its side and not on my part.”

Louis Riel (1844–1885) Canadian politician

Address to Grand Jury (1885)

Parting

“Recently, while I was in the street, my eye was caught by a poulterer's shop; I stared unthinkingly at his piled-up wares, neatly and appetizingly laid out, when I became aware of a man at the side busily plucking a hen, while another man was just putting his hand in a cage, where he seized a live hen and tore its head off. The hideous scream of the animal, and the pitiful, weaker sounds of complaint that it made while being overpowered transfixed my soul with horror. Ever since then I have been unable to rid myself of this impression, although I had experienced it often before. It is dreadful to see how our lives—which, on the whole, remain addicted to pleasure—rest upon such a bottomless pit of the cruellest misery! This has been so self-evident to me from the very beginning, and has become even more central to my thinking as my sensibility has increased … I have observed the way in which I am drawn in the [direction of empathy for misery] with a force that inspires me with sympathy, and that everything touches me deeply only insofar as it arouses fellow-feeling in me, i. e. fellow-suffering. I see in this fellow-suffering the most salient feature of my moral being, and presumably it is this that is the well-spring of my art.”

Richard Wagner (1813–1883) German composer, conductor

Selected Letters of Richard Wagner, translated by Stewart Spencer and Barry Millington (New York: W. W. Norton & Company, 1987), pp. 422-424 http://www.animal-rights-library.com/texts-c/wagner02.htm

Pleasure , Art , Way , Feeling

“You should pray for a sound mind in a sound body.”
Orandum est ut sit mens sana in corpore sano.

Juvenal book Satires

X, line 356; see mens sana in corpore sano.
Variant translation: One should pray to have a sound mind in a sound body.
Satires, Satire X

“True prayer requires no word, no chant
no gesture, no sound.
It is communion, calm and still
with our own godly Ground”

Angelus Silesius (1624–1677) German writer

The Cherubinic Wanderer

“The more that TV pundits reduce serious debates into silly arguments, and big issues into sound bites, our citizens turn away.”

Barack Obama (1961) 44th President of the United States of America

2010, State Of The Union (January 2010)

“Port-wine, he says, when rich and sound,
Warms his old bones like nectar:
And as the inns, where it is found,
Are his especial hunting-ground,
We call him the INN-SPECTRE.”

Lewis Carroll (1832–1898) English writer, logician, Anglican deacon and photographer

Of "Inspector Kobold", a spectre
Canto 3, "Scarmoges"
Phantasmagoria (1869)

Wine

“The bassoon is one of my favorite instruments. It has the medieval aroma, like the days when everything used to sound like that. Some people crave baseball…I find this unfathomable, but I can easily understand why a person could get excited about playing the bassoon.”

Frank Zappa (1940–1993) American musician, songwriter, composer, and record and film producer

Source: The Real Frank Zappa Book (1989), p. 144.

People , Understanding , Personality

“We are ready to work with the U. S. side in a spirit of seeking mutual benefit and win-win outcomes to properly address each other's concerns and facilitate the sound and the steady growth of bilateral economic cooperation and trade.”

Hu Jintao (1942) former General Secretary of the Communist Party of China

2000s, White House speech (2006)

“We came to a tree which was still bare, and on which the birds were singing out gaily in the morning, without any fear of us. Then stooping over like an Indian on the hunt, my companion placed a pebble in the leather of his sling and stretched it. Obeying his peremptory glance I did the same, with frightful twinges of conscience, vowing firmly that I would shoot when he did. At that very moment the church bells began to sound, mingling with the song of the birds in the sunshine. It was the warning bell that came a half-hour before the main bell. For me it was a voice from heaven. I threw the sling down, scaring the birds away, so that they were safe from my companion's sling, and fled home. And ever afterwards when the bells of Holy Week ring out amidst the leafless trees in the sunshine I remember with moving gratitude how they rang into my heart at that time the commandment: Thou shalt not kill.”

Albert Schweitzer (1875–1965) French-German physician, theologian, musician and philosopher

Memoirs of Childhood and Youth (1924)

Fear , Home , Bird , Tree

“A sound body keeps a sound mind.”

Joe Frazier (1944–2011) American boxer

Wise words from Frazier. http://www.nytimes.com/2006/10/18/sports/othersports/18frazier.html?pagewanted=2&ei=5090&en=a3509c26258f5380&ex=1318824000&partner=rssuserland&emc=rss

“Wagner's music is better than it sounds.”

Mark Twain (1835–1910) American author and humorist

Actually by Bill Nye, possibly confused due to Nye quoting Twain in More Tramps Abroad, 1897. (See also autobiography, vol. 1, p. 288.)
Misattributed

Music

“Metaphysical assertions, however, are statements of the psyche, and are therefore psychological. … Whenever the Westerner hears the word “psychological,” it always sounds to him like “only psychological.””

C.G. Jung (1875–1961) Swiss psychiatrist and psychotherapist who founded analytical psychology

Psyche and Symbol (1958), p. 285

“These rules will enable you to have a free and sound judgment; since good judgment is born of clear understanding, and a clear understanding comes of reasons derived from sound rules, and sound rules are the issue of sound experience — the common mother of all the sciences and arts. Hence, bearing in mind the precepts of my rules, you will be able, merely by your amended judgment, to criticise and recognise every thing that is out of proportion in a work, whether in the perspective or in the figures or any thing else.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo da Vinci (1883), I Prolegomena and General Introduction to the Book on Painting

Art , Understanding , Science

“It must be immense, this silence, in which sounds and movements have room, and if one thinks that along with all this the presence of the distant sea also resounds, perhaps as the innermost note in this prehistoric harmony, then one can only wish that you are trustingly and patiently letting the magnificent solitude work upon you, this solitude which can no longer be erased from your life; which, in everything that is in store for you to experience and to do, will act as an anonymous influence, continuously and gently decisive, rather as the blood of our ancestors incessantly moves in us and combines with our own to form the unique, unrepeatable being that we are at every turning of our life.”

Rainer Maria Rilke book Letters to a Young Poet

Letter Ten (26 December 1908)
Letters to a Young Poet (1934)

Life , Thinking , Decision , Solitude

“We meet neath the sounding rafter,
And the walls around are bare;
As they shout back our peals of laughter
It seems that the dead are there.
Ho! stand to your glasses steady!
'T is all we have left to prize.
A cup to the dead already,—
Hurrah for the next that dies!”

Bartholomew Dowling (1823–1863) Irish poet

The Revel: Time of the Famine and Plague in India, reported in Bartlett's Familiar Quotations, 10th ed. (1919); alternately attributed to Alfred Domett.

Laughter , Dead

“Moscow… how many strains are fusing
in that one sound, for Russian hearts!
what store of riches it imparts!”

Aleksandr Pushkin book Eugene Onegin

Original: (ru) Москва… как много в этом звуке Для сердца русского слилось! Как много в нем отозвалось!
Source: Eugene Onegin (1823), Ch. 7, st. 36.

Heart

“The book, as it stands, seems to me to be one of the most frightful muddles I have ever read, with scarcely a sound proposition in it beginning with page 45 [Hayek provided historical background up to page 45; after that came his theoretical model], and yet it remains a book of some interest, which is likely to leave its mark on the mind of the reader. It is an extraordinary example of how, starting with a mistake, a remorseless logician can end up in bedlam.”

John Maynard Keynes (1883–1946) British economist

On Friedrich Hayek's Prices and Production, in Collected Writings, vol. XII, p. 252

Books , Reading

“I never take offence at any genuine effort to wrest the truth or deduce a rational set of values from the confused phenomena of the external world. It never occurs to me to look for personal factors in the age-long battle for truth. I assume that all hands are really trying to achieve the same main object—the discovery of sound facts and the rejection of fallacies—and it strikes me as only a minor matter that different strivers may happen to see a different perspective now and then. And in matters of mere preference, as distinguished from those involving the question of truth versus fallacy, I do not see any ground whatever for acrimonious feeling. Knowing the capriciousness and complexity of the various biological and psychological factors determining likes, dislikes, interests, indifferences, and so on, one can only be astonished that any two persons have even approximately similar tastes. To resent another's different likes and interests is the summit of illogical absurdity. It is very easy to distinguish a sincere, impersonal difference of opinion and tastes from the arbitrary, ill-motivated, and irrational belittlement which springs from a hostile desire to push another down and which constitutes real offensiveness. I have no tolerance for such real offensiveness—but I greatly enjoy debating questions of truth and value with persons as sincere and devoid of malice as I am. Such debate is really a highly valuable—almost indispensable—ingredient of life; because it enables us to test our own opinions and amend them if we find them in any way erroneous or unjustified.”

H.P. Lovecraft (1890–1937) American author

Letter to Robert E. Howard (7 November 1932), in Selected Letters 1932-1934 edited by August Derleth and Donald Wandrei, p. 102
Non-Fiction, Letters

Life , Hostility , Truth , Age

“I give the degrees of things seen by the eye as the musician does of the sounds heard by the ear.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo Da Vinci (1938), XXIX Precepts of the Painter

“I think the way that you develop your own sound is you go through a process by which you imitate people sometimes very closely. With me, I would mimic people to the note. And then I think you form a collage of all these different players that you imitate, that you learn, and you form your own recipe. I think anybody that has an originality to them, it came from a pool of taking stuff from their predecessors.”

Eric Johnson

"Eric Johnson's Guitar Gets to Austin's Roots" at NPR (13 August 2005) http://www.wbur.org/npr/4795689&ft=3&f=15403510

People , Way , Thinking , Learning

“In order to do a good job a person must like what he or she is doing… If you do things just because you have to, then you will never enjoy work. Nor will you do a good job if you do it simply out of a sense of duty. Stress is often a by-product of such passive or negative attitudes toward work. Paradoxically as it may sound, love of work can be the best medicine for workaholism.”

Matsushita Konosuke (1894–1989) Japanese businessman

Kōnosuke Matsushita in: The Mirror, (1989), Vol. 25, p. 18

Love , Sense , Personality

“I think I had it in the back of my mind that I wanted to sound like a dry martini.”

Paul Desmond (1924–1977) American jazz musician

About his distinctive light sound
Unsourced

Thinking

“Death isn't online. If he was, there would be a sudden drop in the death rate. Although it'd be interesting to see if he'd post things like: DON'T YOU THINK I SOUND LIKE JAMES EARL JONES?”

Terry Pratchett (1948–2015) English author

Usenet

Death , Thinking

“The little engine labors and grows, performs more and more involved operations, becomes sensitive to ever subtler influences and now there manifests itself in the fully developed being — Man — a desire mysterious, inscrutable and irresistible: to imitate nature, to create, to work himself the wonders he perceives.
Inspired to this task he searches, discovers and invents, designs and constructs, and covers with monuments of beauty, grandeur and awe, the star of his birth. He descends into the bowels of the globe to bring forth its hidden treasures and to unlock its immense imprisoned energies for his use. He invades the dark depths of the ocean and the azure regions of the sky. He peers in the innermost nooks and recesses of molecular structure and lays bare to his gaze worlds infinitely remote. He subdues and puts to his service the fierce, devastating spark of Prometheus, the titanic forces of the waterfall, the wind and the tide. He tames the thundering bolt of Jove and annihilates time and space. He makes the great Sun itself his obedient toiling slave. Such is his power and might that the heavens reverberate and the whole earth trembles by the mere sound of his voice.”

Nikola Tesla (1856–1943) Serbian American inventor

Man's Greatest Achievement (1908; 1930)

World , Beauty , Search , Star

“The spirit of Poesy is the morning light, which makes the Statue of Memnon sound.”

Novalis (1772–1801) German poet and writer

Novalis (1829)

Light

“If one watches whence the notion ‘I’ arises, the mind gets absorbed there; that is tapas. When a mantra is repeated, if one watches whence that mantra sound arises, the mind gets absorbed there; that is tapas.”

Ramana Maharshi (1879–1950) Indian religious leader

Abide as the Self

“When does the soul obtain truth?—for in attempting to consider anything in company with the body she is obviously deceived. …Then must not existence be revealed to her in thought, if at all? …And thought is best when the mind is gathered into herself and none of these things trouble her—neither sounds nor sights nor pain nor any pleasure—when she has as little as possible to do with the body, and has no bodily sense or feeling, but is aspiring after being? …And in this the philosopher dishonors the body; his soul runs away from the body and desires to be alone and by herself?”

Socrates (-470–-399 BC) classical Greek Athenian philosopher

Plato, Phaedo

Pain , Pleasure , Truth , Feeling

“The brave Norwegian drove his vessel head on against the pursuing jelly which rose above the unclean froth like the stern of a daemon galleon. The awful squid-head with writhing feelers came nearly up to the bowsprit of the sturdy yacht, but Johansen drove on relentlessly. There was a bursting as of an exploding bladder, a slushy nastiness as of a cloven sunfish, a stench as of a thousand opened graves, and a sound that the chronicler could not put on paper. For an instant the ship was befouled by an acrid and blinding green cloud, and then there was only a venomous seething astern; where — God in heaven!”

H.P. Lovecraft (1890–1937) American author

the scattered plasticity of that nameless sky-spawn was nebulously recombining in its hateful original form...
Fiction, The Call of Cthulhu (1926)

God , Hate

“The best critics of the nineteenth and twentieth centuries demand perfect rhyming, and no aspirant for fame can afford to depart from a standard so universal. It is evidently the true goal of the English, as well as of the French bard; the goal from which we are but temporarily deflected during the preceding age.
But exceptions should and must be made in the case of a few who have somehow absorbed the atmosphere of other days, and who long in their hearts for the stately sound of the old classic cadences. Well may their predilection for imperfect rhyming be discouraged to a limited extent, but to chain them wholly to modern rules would be barbarous. Every limited mind demands a certain freedom of expression, and the man who cannot express himself satisfactorily without the stimulation derived from the spirited mode of two centuries ago should certainly be permitted to follow without undue restraint a practice so harmless, so free from essential error, and so sanctioned by precedent, as that of employing in his poetical compositions the smooth and inoffensive allowable rhyme.”

H.P. Lovecraft (1890–1937) American author

The Allowable Rhyme (1915)
Non-Fiction

Age , Error , Freedom , Universe

“First of all, this is Duke's band, and this is Tchaikovsky. Knowing things in their original sources, I abhor taking a concert thing and trying to treat it in a jazz light. In the beginning they have a very nice orchestral usage, but the minute they start going into Johnny Hodges and 4/4, it just doesn't fit. It comes out neither fowl nor fish. The orchestration is enjoyable because, for one reason, they've done a nice job of getting nice, legitimate, straight-sounding things. The melodies are very lovely, but, of course, Duke is the master in this type of thing. But over-all, from a jazz standpoint, I don't appreciate it at all. If I didn't know it was Tchaikovsky, for instance, with the tambourine bit and all, I would feel it was straight out of an MGM Arabian movie. The harmonies he used, particularly some of the background things, interested me more than the melodies, probably because the harmonic part of music interests me more than any. From an orchestrational standpoint I would give this somewhere around 3½ stars; but from a jazz standpoint, none.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

Reviewing "Arabesque Cookie" https://www.youtube.com/watch?v=GJtWZ771OqA from Ellington's The Nutcracker Suite; as quoted in "Clare Fischer: Blindfold Test" http://www.mediafire.com/view/fix6ane8h54gx/Clare_Fischer#rjvay58eo774rhe by Leonard Feather, in Downbeat (October 25, 1962), p. 39

Love , Music , Feeling , Star

“I like the natural sound of a room. All the rooms have their own sound, so it's a matter of putting it where you like and seeing what it sounds like.”

Jeff Lynne (1947) British rock musician

On the placement of microphones in the production of the album Zoom, in "An Electric return for Jeff Lynne" at CNN (3 September 2001) http://archives.cnn.com/2001/SHOWBIZ/Music/09/03/jeff.lynne/

Nature

“The interdependence of word and idea shows clearly that languages are not actually means of representing a truth already known, but rather of discovering the previously unknown. Their diversity is not one of sounds and signs, but a diversity of world perspectives. … The sum of the knowable, as the field to be tilled by the human mind, lies among all languages, independent of them, in the middle. Man cannot approach this purely objective realm other than through his cognitive and sensory powers, that is, in a subjective manner.”

Wilhelm Von Humboldt (1767–1835) German (Prussian) philosopher, government functionary, diplomat, and founder of the University of Berlin

As quoted in The Linguistic Relativity Principle and Humboldtian Ethnolinguistics : A History And Appraisal (1963) by Robert Lee Miller, and The Linguistic Turn in Hermeneutic Philosophy (2002) by Cristina Lafont
Context: The interdependence of word and idea shows clearly that languages are not actually means of representing a truth already known, but rather of discovering the previously unknown. Their diversity is not one of sounds and signs, but a diversity of world perspectives [Weltansichten]. … The sum of the knowable, as the field to be tilled by the human mind, lies among all languages, independent of them, in the middle. Man cannot approach this purely objective realm other than through his cognitive and sensory powers, that is, in a subjective manner.

Idea , Truth , World

“It seems that if one is working from the point of view of getting beauty in one's equations, and if one has really a sound insight, one is on a sure line of progress.”

Paul Dirac (1902–1984) theoretical physicist

The Evolution of the Physicist's Picture of Nature (1963)
Context: It seems that if one is working from the point of view of getting beauty in one's equations, and if one has really a sound insight, one is on a sure line of progress. If there is not complete agreement between the results of one's work and experiment, one should not allow oneself to be too discouraged, because the discrepancy may well be due to minor features that are not properly taken into account and that will get cleared up with further development of the theory.

Beauty

“On electronic music: "The source is electronic, but what you do with it is the same as with acoustic instruments. Sound is sound and vibration is vibration, whether from an electronic source or an acoustic instrument.”

Vangelis (1943) Greek composer of electronic, progressive, ambient, jazz, pop rock, and orchestral music

The way we use these sources is the key in order to define the required musical result. Without neglecting the acoustic conventional instruments, I spend a fair amount of time dealing with the electronic sources of sound. But please do not think computers! Computers are extremely helpful and amazing for a multitude of scientific areas, but for me, when it comes to creation, they are insufficient and slow. Therefore all of my efforts are to stay away from that beast".
2012

“I like silent pictures and I always have. They are often so much more beautiful than sound pictures are. Perhaps they had to be.”

Akira Kurosawa (1910–1998) Japanese film maker

On the style of the film Rashomon, as quoted in The Films of Akira Kurosawa (1998) by Donald Richie, 3rd edition, p. 79
Context: I like silent pictures and I always have. They are often so much more beautiful than sound pictures are. Perhaps they had to be. At any rate I wanted to restore some of this beauty. I thought of it, I remember in this way: one of techniques of modern art is simplification, and that I must therefore simplify this film.

Beauty

“The characteristic role of language with respect to thought is not to create a material phonic means for expressing ideas but to serve as a link between thought and sound,”

Ferdinand de Saussure book Course in General Linguistics

Source: Cours de linguistique générale (1916), p. 112
Context: The characteristic role of language with respect to thought is not to create a material phonic means for expressing ideas but to serve as a link between thought and sound, under conditions that of necessity bring about the reciprocal delimitations of units. Thought, chaotic by nature, has to become ordered in the process of its decomposition. Neither are thoughts given material form nor are sounds transformed into mental entities; the somewhat mysterious fact is rather that "thought-sound" implies division, and that language works out its units while taking shape between two shapeless masses. Visualize the air in contact with a sheet of water; if the atmospheric pressure changes, the surface of the water will be broken up into a series of divisions, waves; the waves resemble the union or coupling of thought with phonic substance.

Idea

“The knell of capitalist private property sounds.”

Karl Marx book Das Kapital

Vol. I, Ch. 32, p. 837.
Das Kapital (Buch I) (1867)
Context: The monopoly of capital becomes a fetter upon the mode of production, which has sprung up and flourished along with, and under it. Centralisation of the means of production and socialisation of labour at last reach a point where they become incompatible with their capitalist integument. This integument is burst asunder. The knell of capitalist private property sounds. The expropriators are expropriated.

“Shh. Listen to the sounds that surround you. Notice the pitches, the volume, the timbre, the many lines of counterpoint. As light taught Monet to paint, the earth may be teaching you music.”

Pete Seeger (1919–2014) American folk singer

How Can I Keep from Singing: Pete Seeger (1981)

“We went from the silent era to the sound era, and now we’ve done it again.”

J. J. Abrams (1966) American film and television producer and director

Pirelli interview (2015)
Context: We went from the silent era to the sound era, and now we’ve done it again. Now that we’re digital, I assume we will stay digital for at least 50 years. Everybody says, "Oh, you’re going to replace actors." You can’t replace actors. We’ve created duplicates, clones, but they can’t act. They’re a computer, for God’s sake. If you think back to what was done in the Star Wars films, it unbridled people’s imaginations. That of course fueled the business at ILM because they were being approached more and more to keep raising the bar. Actors will not be replaced: worst case scenario, they’ll have to wear a lycra leotard!

“Sound policy and our imperative duty to these wards of the Government demand our anxious and constant attention to their material well-being, to their progress in the arts of civilization, and, above all, to that moral training which under the blessing of Divine Providence will confer upon them the elevated and sanctifying influences, the hopes and consolations, of the Christian faith.”

Abraham Lincoln (1809–1865) 16th President of the United States

Lincoln's Annual Message (9 December 1863), published in the Journal of the House of Representatives : First Session of the Thirty-eighth Congress (1863), p. 30 http://books.google.es/books?id=bKAFAAAAQAAJ&pg=PA30&q=influences, United States Congressional Serial set, N° 1179
Posthumous attributions
Context: The measures provided at your last session for the removal of certain Indian tribes have been carried into effect. Sundry treaties have been negotiated, which will in due time be submitted for the constitutional action of the Senate. They contain stipulations for extinguishing the possessory rights of the Indians to large and valuable tracts of lands. It is hoped that the effect of these treaties will result in the establishment of permanent friendly relations with such of these tribes as have been brought into frequent and bloody collision with our outlying settlements and emigrants. Sound policy and our imperative duty to these wards of the Government demand our anxious and constant attention to their material well-being, to their progress in the arts of civilization, and, above all, to that moral training which under the blessing of Divine Providence will confer upon them the elevated and sanctifying influences, the hopes and consolations, of the Christian faith. I suggested in my last annual message the propriety of remodeling our Indian system. Subsequent events have satisfied me of its necessity. The details set forth in the report of the Secretary evince the urgent need for immediate legislative action.

Faith , Hope , Art , Training

“Passion has helped us; but can do so no more. It will in future be our enemy. Reason, cold, calculating, unimpassioned reason, must furnish all the materials for our future support and defence. — Let those materials be moulded into general intelligence, sound morality, and in particular, a reverence for the constitution and laws”

Abraham Lincoln (1809–1865) 16th President of the United States

1830s, The Lyceum Address (1838)
Context: Passion has helped us; but can do so no more. It will in future be our enemy. Reason, cold, calculating, unimpassioned reason, must furnish all the materials for our future support and defence. — Let those materials be moulded into general intelligence, sound morality, and in particular, a reverence for the constitution and laws: and, that we improved to the last; that we remained free to the last; that we revered his name to the last; that, during his long sleep, we permitted no hostile foot to pass over or desecrate his resting place; shall be that which to learn the last trump shall awaken our WASHINGTON.
Upon these let the proud fabric of freedom rest, as the rock of its basis; and as truly as has been said of the only greater institution, "the gates of hell shall not prevail against it".

Law , Intelligence , Support , Passion

“The grace described in one of my favorite hymnals -- the one we all know: Amazing grace, how sweet the sound that saved a wretch like me. I once was lost, but now I’m found; was blind but now I see. According to the Christian tradition, grace is not earned. Grace is not merited. It’s not something we deserve. Rather, grace is the free and benevolent favor of God as manifested in the salvation of sinners and the bestowal of blessings.”

Barack Obama (1961) 44th President of the United States of America

2015, Eulogy for the Honorable Reverend Clementa Pinckney (June 2015)
Context: This whole week, I’ve been reflecting on this idea of grace. The grace of the families who lost loved ones. The grace that Reverend Pinckney would preach about in his sermons. The grace described in one of my favorite hymnals -- the one we all know: Amazing grace, how sweet the sound that saved a wretch like me. I once was lost, but now I’m found; was blind but now I see. According to the Christian tradition, grace is not earned. Grace is not merited. It’s not something we deserve. Rather, grace is the free and benevolent favor of God as manifested in the salvation of sinners and the bestowal of blessings.

God

“I buoyed me on the wings of dream,
Above the world of sense;
I set my thought to sound the scheme,
And fathom the Immense”

Francis William Bourdillon (1852–1921) British poet

"The Chantry Of The Cherubim" in The Oxford Book of English Mystical Verse (1917) by D. H. S. Nicholson.
Context: p>I buoyed me on the wings of dream,
Above the world of sense;
I set my thought to sound the scheme,
And fathom the Immense;
I tuned my spirit as a lute
To catch wind-music wandering mute.Yet came there never voice nor sign;
But through my being stole
Sense of a Universe divine,
And knowledge of a soul
Perfected in the joy of things,
The star, the flower, the bird that sings.Nor I am more, nor less, than these;
All are one brotherhood;
I and all creatures, plants, and trees,
The living limbs of God;
And in an hour, as this, divine,
I feel the vast pulse throb in mine.</p

World , Dreams , Sense

Quotes about soundness page 3

Quotes about soundness
page 3