“If each us had a different kind of sense perception — if we could only perceive things now as a bird, now as a worm, now as a plant, or if one of us saw a stimulus as red, another as blue, while a third even heard the same stimulus as a sound — then no one would speak of such a regularity of nature, rather, nature would be grasped only as a creation which is subjective in the highest degree. After all, what is a law of nature as such for us? We are not acquainted with it in itself, but only with its effects, which means in its relation to other laws of nature — which, in turn, are known to us only as sums of relations. Therefore all these relations always refer again to others and are thoroughly incomprehensible to us in their essence.”

On Truth and Lie in an Extra-Moral Sense (1873)

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Friedrich Nietzsche655

German philosopher, poet, composer, cultural critic, and cl… 1844–1900

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“We perceive nature through the senses, which give us images of forms of colour, sounds etc. A form which exists only in relation to another form on its own, it does not exist.”

Édouard Vuillard (1868–1940) French painter

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Private Journal - A collage of notes and images, sketches kept 1888-1895 & 1907 to 1940

“We should not speak of all subjects in one tone and in the same manner. We do not march at the head of a regiment as we walk on a promenade; and we should use the same style in which we should naturally speak of different things in the same way, with the same difference as we should walk, but always naturally, and as is suitable, either at the head of a regiment or on a promenade.”

François de La Rochefoucauld (1613–1680) French author of maxims and memoirs

Reflections on Various Subjects (1665–1678), VII. On Air and Manner

“Subjectively the possession of a role factor is felt as a 'mental set' which modifies all ordinary responses. The very same stimulus is perceived in a different way when one is in the role and when one is out of it… Technically, we handle this change of perception the same way in a role as in a mood—both of which can intrude on the ordinary personality — by this special factor, L, which can be called a modulator factor. A modulator factor comes into action only when the usual ordinary 'focal stimulus' comes into the orbit of a set of role cues which we may call the 'ambient' or surrounding stimulus.”

Raymond Cattell (1905–1998) British-American psychologist

Source: The Scientific Analysis of Personality, 1965, p. 160

“These philosophers of the world place contrarieties in the same subject; for the one attributed greatness to nature and the other weakness to this same nature, which could not subsist; whilst faith teaches us to place them in different subjects: all that is infirm belonging to nature, all that is powerful belonging to grace. Such is the marvelous and novel union which God alone could teach, and which he alone could make, and which is only a type and an effect of the ineffable union of two natures in the single person of a Man-God.”

Blaise Pascal (1623–1662) French mathematician, physicist, inventor, writer, and Christian philosopher

Conversation on Epictetus and Montaigne

“They may fight against greatness in us who are the children of men, but can they conquer? Even if they should destroy us every one, what then? Would it save them? No! For greatness is abroad, not only in us, not only in the Food, but in the purpose of all things! It is in the nature of all things, it is part of space and time.”

H. G. Wells book The Food of the Gods and How It Came to Earth

The Food of the Gods and How It Came to Earth (1904)
Context: They may fight against greatness in us who are the children of men, but can they conquer? Even if they should destroy us every one, what then? Would it save them? No! For greatness is abroad, not only in us, not only in the Food, but in the purpose of all things! It is in the nature of all things, it is part of space and time. To grow and still to grow, from first to last that is Being, that is the law of life. What other law can there be?

“Nature has only a limited number of procedures at her disposal and that the kinds of procedure which Nature uses at one level of reality are bound to reappear at different levels.”

Claude Lévi-Strauss (1908–2009) French anthropologist and ethnologist

Source: Myth and Meaning (1978), Chapter 1 : The Meeting of Myth and Science

“The law of nature […] is nothing other than the light of the intellect planted in us by God, by which we know what should be done and what should be avoided. God gave us this light or law in creation.”

Thomas Aquinas (1225–1274) Italian Dominican scholastic philosopher of the Roman Catholic Church

Original: (la) Lex naturae […] nihil aliud est nisi lumen intellectis insitum nobis a Deo, per quod cognoscimus quid agendum et quid vitandum. Hoc lumen et hanc legem dedit Deus homini in creatione.
Source: On the Ten Commandments (c. 1273) Art. 1

“Creation is dominated by three absolutely different factors: First, nature, which works upon us by its laws; second, the artist, who creates a spiritual contact with nature and his materials; third, the medium of expression through which the artist translates his inner world. Of those three components only one, the medium, is material.”

Hans Hofmann (1880–1966) American artist

As quoted in Hans Hofmann (1963) by William Chapin Seitz, p. 15
1960s

“…nothing in Nature stands still; everything strives and moves forward. If we could only view the first stages of creation, how the kingdoms of nature were built one upon the other, a progression of forward-striving forces would reveal itself in all evolution.”

Johann Gottfried Herder (1744–1803) German philosopher, theologian, poet, and literary critic

Book 5, as cited in Frank Teichmann (tr. Jon McAlice), "The Emergence of the Idea of Evolution in the Time of Goethe" http://www.waldorfresearchinstitute.org/pdf/BAIdeaEvolTeich.pdf <br class="br">Ideen zur Philosophie der Geschichte der Menschheit (1784-91)

“The different degree of light interference between blue and red also affords a power which we may be glad to avail ourselves, in some cases using the red where a very marked degree of lightening is desired, or blue where only a trifling difference is needed.”

Alfred Horsley Hinton (1863–1908) British photographer

Source: Part II : Practical Pictorial Photography, Fidelity to nature and justifiable untruth, p. 21

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