Quotes about sound
page 24

Eduardo Torroja photo
Marco Girolamo Vida photo

“While the hoarse ocean beats the sounding shore,
Dashed from the strand, the flying waters roar.”

Tunc longe sale saxa sonant, tunc et freta ventis Incipiunt agitata tumescere: littore fluctus Illidunt rauco.

Marco Girolamo Vida (1485–1566) Italian bishop

Book III, line 388. Compare:
But when loud surges lash the sounding shore,
The hoarse rough verse should like the torrent roar.
Alexander Pope, An Essay on Criticism, Part II, line 168
De Arte Poetica (1527)

John Flavel photo

“Consult the honor of religion more, and your personal safety less. Is it for the honor of religion (think you) that Christians should be as timorous as hares to start at every sound?”

John Flavel (1627–1691) English Presbyterian clergyman

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 166.

“It may sound paradoxical, but verbal fluency is the product of many hours spent writing about nothing, just as musical fluency is the product of hours spent repeating scales.”

Stanley Fish (1938) American academic

Source: How To Write A Sentence And How To Read One (2011), Chapter 3, It's Not The Thought That Counts, p. 26

Letitia Elizabeth Landon photo
Carlos Santana photo

“Blues was my first love. It was the first thing where I said "Oh man, this is the stuff." It just sounded so raw and honest, gut-bucket honest. From then I started rebelling.”

Carlos Santana (1947) Mexican and American rock musician

http://findarticles.com/p/articles/mi_m0GER/is_2000_Summer/ai_63500762

Jerry Coyne photo
Mike Oldfield photo
Wassily Kandinsky photo

“I am working again on my painting 'Moscow' ['Moscow I' ('Mockba I'), 1916]. It is slowly taking shape in my imagination. And what was in the realm of wishing is now assuming real forms. What I have been lacking with this idea was depth and richness of sound, very earnest, complex, and easy at the same time.”

Wassily Kandinsky (1866–1944) Russian painter

Quote in his letter to Gabriele Münter, September 4, 1916; as cited in Hans K. Rothel and Jean K. Benjamin, Kandinsky: Catalogue Raisonné of the Oil Paintings, Volume Two, 1916–1944; Cornell University Press, Ithaca, N.Y, 1984, p. 580
1916 -1920

Elon Musk photo

“I'm especially interested in the music of John Cage... I would like to do some experimenting with the relationship between his freeform sound and free-form art.”

Jasper Johns (1930) American artist

Quote of Johns, from: John Adds Plaster Casts To Focus Target Paintings, Donald Key, Milwaukee Journal, 19 June 1960, pt. 5, p. 6
1960s

Lin Yutang photo
Marshall McLuhan photo

“For me any of the little gestures I make are all tentative probes. That's why I feel free to make them sound as outrageous or extreme as possible. Until you make it extreme, the probe is not very efficient.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Marshall McLuhan: the man and his message, edited by George Sanderson and Frank MacDonald, Fulcrum, 1989, p. 32
1980s and later

Mo Brooks photo
Markos Moulitsas photo
Mel Brooks photo
William Wordsworth photo

“Stern Winter loves a dirge-like sound.”

William Wordsworth (1770–1850) English Romantic poet

On the Power of Sound, xii.
Bartlett's Familiar Quotations, 10th ed. (1919)

Bill Bryson photo
Dashiell Hammett photo
Robert M. Pirsig photo

“To an experienced Zen Buddhist, asking if one believes in Zen or one believes in the Buddha, sounds a little ludicrous, like asking if one believes in air or water. Similarly Quality is not something you believe in, Quality is something you experience.”

Robert M. Pirsig (1928–2017) American writer and philosopher

This appears in what could be either a paraphrase, a quote, or a re-translation of Pirsig in My Mercedes Is Not for Sale : From Amsterdam to Ouagadougou : An Auto-misadventure Across the Sahara (2006) by Jeroen van Bergeijk, in a 2008 translation books.google http://books.google.de/books?id=pIOcbS2Pl8kC&pg=PA26; Dutch original: books.google http://books.google.de/books?id=4zIzAgAAQBAJ&q=geoefende.
Disputed

Joanna MacGregor photo
Charles Lamb photo
Michael Savage photo

“ You're listening to the sounds of the reason we're about to die as a nation. The vermin in the media…they all yesterday said it was a white man. There was Bloomberg saying it was a deranged man with a political agenda. Not one of them would say if it was a Muslim. Not one of them would say if it was a Middle-Easterner. Not one of them if it hit them in the face would acknowledge what's going on around them, which is why we must defend ourselves—we have a bunch of overly race-conscious government dupes running everything in this country. There were the news anchors and the reporters, you heard it with your own ears, just yesterday. Repeating "white male", "white male", "white male", "white male", "white male", "white male", "white male", "white male", "white male", "white male", "white male", "white male", "white male". Because they believe in blackmail, blackmail, blackmail, blackmail. They blackmail the entire white race into a corner. They blackmail the entire white race into a corner. And they're killing us. The Muslims are running wild in this country. The Muslims are running wild in this country, and the police are afraid of them. The police are afraid of CAIR. The police are afraid of the ACLU. The police are afraid of everybody but you. "White male", "white male", "white male", "white male", "white male", "white male". You haven't heard, "Muslim male", "Muslim male", "Muslim male", "Muslim male", "Muslim male", "Muslim male", "Muslim male", did you? After they found who it was? The guy gave himself up, and they won't say "Muslim male", "Muslim male", "links to Islam", "Islam", "Muslim", "Muslim", "Islam", "Islam", "Muslim!"”

Why won't they say it? Because they're a bunch of morons. And that's why we're in trouble. You heard it with your own damn ears, what more do I have to say to you?
The Savage Nation
The Savage Nation (1995- ), 2010-05-04
Radio (Audio: https://www.youtube.com/watch?v=iaE2YA8vFEs)
2010

Robert Hunter (author) photo
George Eliot photo
Susan Kay photo
David C. McClelland photo

“From the top of the campanile, or Giotto's bell tower, in Florence, one can look out over the city in all directions, past the stone banking houses where the rich Medici lived, past the art galleries they patronized, past the magnificent cathedral and churches their money helped to build, and on to the Tuscan vineyards where the contadino works the soil as hard and efficiently as he probably ever did. The city below is busy with life. The university halls, the shops, the restaurants are crowded. The sound of Vespas, the "wasps" of the machine age, fills the air, but Florence is not today what it once was, the center in the 15th century of a great civilization, one of the most extraordinary the world has ever known. Why? ­­What produced the Renaissance in Italy, of which Florence was the center? How did it happen that such a small population base could produce, in the short span of a few generations, great historical figures first in commerce and literature, then in architecture, sculpture and painting, and finally in science and music? Why subsequently did Northern Italy decline in importance both commercially and artistically until at the present time it is not particularly distinguished as compared with many other regions of the world? Certainly the people appear to be working as hard and energetically as ever. Was it just luck or a peculiar combination of circumstances? Historians have been fascinated by such questions ever since they began writing history, because the rise and fall of Florence or the whole of Northern Italy is by no means an isolated phenomenon.”

David C. McClelland (1917–1998) American psychological theorist

Source: The Archiving Society, 1961, p. 1; lead paragraph, about the problem

William Cowper photo

“The sounding jargon of the schools.”

William Cowper (1731–1800) (1731–1800) English poet and hymnodist

Truth, line 367.
Bartlett's Familiar Quotations, 10th ed. (1919)

Luigi Russolo photo
Andrew Sega photo
Phillip Guston photo
Chuck Jones photo
Neal Stephenson photo
Mike Oldfield photo
Robert Newman photo
Eugene V. Debs photo
Dylan Moran photo
Bob Woodward photo
Benjamin N. Cardozo photo
John Cage photo

“When I asked Sergio Mendes why he still called his group Brasil '66 in 1967, he said "'66 was a very good year!" That's his group and the French song from The Umbrellas of Cherbourg. It's not one of their better tracks. Some of the things they've done I have enjoyed tremendously, though it's getting to the point where he's had commercial success doing what he's doing, so it's now somewhere in between strong Brazilian music and quasi-rock. Joao Palma is an excellent drummer. Here they have John Pisano of the Tijuana Brass playing an amplified guitar. He is one of the few people who, on the regular amplified guitar, has really got the Brazilian thing down. He can play in the Baden Powell style, which is so compelling and so dynamic. Sergio is usually a much more melodic pianist, but here he's trying to give a hardness and vitality to the over-all commercial sound, and he comes out lacking what he usually has—his lines are usually very smoothly melodic. This has nothing to do with jazz, but I find it pleasant; on the other hand, some of the things they do, like O Pato [from Mendes' previous album], or some of the faster things, I enjoy much more. Two stars.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

Reviewing Mendes' recording of Michel Legrand's '"Watch What Happens," from the album Equinox; as quoted in "Clare Fischer: Blindfold Test" http://www.mediafire.com/view/fix6ane8h54gx/Clare_Fischer#2nmgk677qzm4cnu

Luigi Russolo photo
Calvin Coolidge photo
Richard Dawkins photo
Bashō Matsuo photo

“The old pond:
A frog jumps in,—
The sound of the water.”

古池や
蛙飛び込む
水の音
furu ike ya
kawazu tobikomu
mizu no oto
Classical Japanese Database, Translation #64 http://carlsensei.com/classical/index.php/translation/view/64 (Translation: Reginald Horace Blyth)
At the ancient pond
the frog plunges into
the sound of water
Translation: Sam Hamill
Old pond,
leap-splash –
a frog.
Basho, On Love and Barley: Haiku of Basho, London, 1985, p. 58 (Translation: Lucien Stryk)
Breaking the silence
Of an ancient pond,
A frog jumped into water –
A deep resonance.
Matsuo Bashō, The Narrow Road to the Deep North and Other Travel Sketches, London, 1966, p. 9 (Translation: Nobuyuki Yuasa)
Individual poems

Piet Mondrian photo
James G. Watt photo

“Everything Cheney's saying, everything the president's saying — they're saying exactly what we were saying 20 years ago, precisely … Twenty years later, it sounds like they've just dusted off the old work.”

James G. Watt (1938) United States Secretary of the Interior

Praising George W. Bush's energy and environmental policies "Watt Applauds Bush Energy Strategy", Denver Post (16 May 2001)
2000s

J. B. S. Haldane photo
W. H. Auden photo

“Look, stranger, on this island now
The leaping light for your delight discovers,
Stand stable here
And silent be,
That through the channels of the ear
May wander like a river
The swaying sound of the sea.”

W. H. Auden (1907–1973) Anglo-American poet

Look, Stranger, on This Island Now (1936), first published in book form in Look, Stranger! (1936; US title On this Island)

Ravachol photo

“If I chose to speak, it is not to defend myself of the acts of which I'm accused, as only society, which by its organisation puts men into continual struggle each against the other, is responsible. Indeed, today do we not see in all classes and walks of life, people who desire, I will not say death as this sounds bad to the ear, but misfortune for their fellows if that can bring them advantages.”

Ravachol (1859–1892) French anarchist

Si je prends la parole, ce n'est pas pour me défendre des actes dont on m'accuse, car seule la société, qui, par son organisation, met les hommes en lutte continuelle les uns contre les autres, est responsable. En effet, ne voit-on pas aujourd'hui dans toutes les classes et dans toutes les fonctions des personnes qui désirent, je ne dirai pas la mort, parce que cela sonne mal à l'oreille, mais le malheur de leurs semblables, si cela peut leur procurer des avantages.
Trial statement

Dejan Stojanovic photo

“In every sound sleeps the silence.”

“Scream,” p. 34
The Creator (2000), Sequence: “Forest of the Universe”

Calvin Coolidge photo
John Fante photo
Henry David Thoreau photo
Charles Darwin photo

“With savages, the weak in body or mind are soon eliminated; and those that survive commonly exhibit a vigorous state of health. We civilised men, on the other hand, do our utmost to check the process of elimination; we build asylums for the imbecile, the maimed, and the sick; we institute poor-laws; and our medical men exert their utmost skill to save the life of every one to the last moment. There is reason to believe that vaccination has preserved thousands, who from a weak constitution would formerly have succumbed to small-pox. Thus the weak members of civilised societies propagate their kind. No one who has attended to the breeding of domestic animals will doubt that this must be highly injurious to the race of man. It is surprising how soon a want of care, or care wrongly directed, leads to the degeneration of a domestic race; but excepting in the case of man himself, hardly any one is so ignorant as to allow his worst animals to breed.

The aid which we feel impelled to give to the helpless is mainly an incidental result of the instinct of sympathy, which was originally acquired as part of the social instincts, but subsequently rendered, in the manner previously indicated, more tender and more widely diffused. Nor could we check our sympathy, even at the urging of hard reason, without deterioration in the noblest part of our nature. The surgeon may harden himself whilst performing an operation, for he knows that he is acting for the good of his patient; but if we were intentionally to neglect the weak and helpless, it could only be for a contingent benefit, with an overwhelming present evil. We must therefore bear the undoubtedly bad effects of the weak surviving and propagating their kind; but there appears to be at least one check in steady action, namely that the weaker and inferior members of society do not marry so freely as the sound; and this check might be indefinitely increased by the weak in body or mind refraining from marriage, though this is more to be hoped for than expected.”

volume I, chapter V: "On the Development of the Intellectual and Moral Faculties during Primeval and Civilised Times" (second edition, 1874) pages 133-134 http://darwin-online.org.uk/content/frameset?pageseq=156&itemID=F944&viewtype=image
The last sentence of the first paragraph is often quoted in isolation to make Darwin seem heartless.
The Descent of Man (1871)

Franz Grillparzer photo
Margaret Thatcher photo
John Brown (abolitionist) photo
Andrei Tarkovsky photo
Herbert Marcuse photo
Martin Firrell photo
Ben Harper photo
Albert Jay Nock photo
Carl Barron photo

“My dad was proud of himself when he farted. He sounds like he's strangling a chicken when he farts.”

Carl Barron (1964) Australian comedian

Carl Barron Live (2003)

John Donne photo
George Carlin photo

“I, George Carlin, being of sound mind, do not wish, upon my demise, to be buried or cremated. I wish to be BLOWN UP.”

George Carlin (1937–2008) American stand-up comedian

Books, Last Words (2009)

Nick Cave photo
Elizabeth May photo

“Without sounding arrogant,” she says, “I’m good on my feet.”

Elizabeth May (1954) Canadian politician

The Walrus interview (2012)

Hugh Macmillan, Baron Macmillan photo
Mikhail Bulgakov photo
Hermann Hesse photo
Erik Naggum photo
Statius photo

“So when ebbing Nile hides himself in his great caverns and holds in his mouth the liquid nurture of an eastern winter, the valleys smoke forsaken by the flood and gaping Egypt awaits the sounds of her watery father, until at their prayers he grants sustenance to the Pharian fields and brings on a great harvest year.”
Sic ubi se magnis refluus suppressit in antris Nilus et Eoae liquentia pabula brumae ore premit, fumant desertae gurgite valles et patris undosi sonitus expectat hiulca Aegyptos, donec Phariis alimenta rogatus donet agris magnumque inducat messibus annum.

Source: Thebaid, Book IV, Line 705

Eric Holder photo
Janeane Garofalo photo

“It sounds like I'm always being facetious. That's why I never get voice over work. 'You sound like you hate the product.”

Janeane Garofalo (1964) comedian, actress, political activist, writer

"
self-titled TV comedy special, 1997
Standup routines

José Rizal photo
Merce Cunningham photo
T.S. Eliot photo
Hilaire Belloc photo
Albert Speer photo

“At this time a high-ranking SS leader hinted to me that Himmler was preparing decisive steps. In February 1945, the Reichsführer-SS had assumed command of the Vistula Army Group, but he was no better than his successor at stopping the Russian advance. Hitler was now berating him also. Thus what personal prestige Himmler had retained was used up by a few weeks of commanding frontline troops. Nevertheless, everyone still feared Himmler, and I felt distinctly shaky one day on learning that Himmler was coming to see me about something that evening. This, incidentally, was the only time he ever called on me. My nervousness grew when Theodor Hupfauer, the new chief of our Central Office- with whom I had several times spoken rather candidly- told me in some trepidation that Gestapo chief Kaltenbrunner would be calling on him at the same hour. Before Himmler entered, by adjutant whispered to me: "He's alone." My office was without window panes; we no longer bothered replacing them since they were blasted out by bombs every few days. A wretched candle stood at the center of the table; the electricity was out again. Wrapped in our coats, we sat facing one another. Himmler talked about minor matters, asked about pointless details, and finally made the witless observation: "When the course is downhill there's always a floor to the valley, and once it is reached, Herr Speer, the ascent begins again." Since I expressed neither agreement nor disagreement with this proverbial wisdom and remained virtually monosyllabic throughout the conversation, he soon took his leave. I never found out what he wanted of it, or why Kaltenbrunner called on Hupfauer at the same time. Perhaps t hey had heard about my critical attitude and were seeking allies; perhaps they merely wanted to sound us out.”

Albert Speer (1905–1981) German architect, Minister of Armaments and War Production for Nazi Germany

Source: Inside the Third Reich: Memoirs (1970), p. 427-428

Burkard Schliessmann photo
Lloyd Kenyon, 1st Baron Kenyon photo
James Thomson (B.V.) photo
Georgia O'Keeffe photo
Julian (emperor) photo
H.L. Mencken photo
Stanley Knowles photo
Morton Feldman photo

“People should love each other' sounds like Riis Park at sundown. It has very little meaning to the world at large.”

James H. Cone (1938–2018) American theologian

Source: Black Theology and Black Power (1969), p. 135

Pat Condell photo