Quotes about sound
page 24

“A. No matter what you do, you're always hearing something.
Q. You mean to say that all of the accidental environmental sounds that surround the piece become a part of the realization of the score?
A. Yes, that's right.
Q. In that case, even the chairs are musical?
A. Yes. In fact, there is perhaps nothing that is not musical. Perhaps there's no moment in life that's not musical.”

George Brecht (1926–2008) American artist and composer

Source: James Fitzsimmons, ‎Jim Fitzsimmons (1967). Art International. Vol. 11. p. 24

Life, Music, Parting

“Structural design is… very much concerned with art, common sense, sentiment, aptitude, and enjoyment of the task of creating opportune outlines to which scientific calculations will add finishing touches, substantiating that the structure is sound and strong…”

Eduardo Torroja (1899–1961) Spanish architect

p, 125
Philosophy of Structures (1958)

Art, Sense, Strong

“While the hoarse ocean beats the sounding shore,
Dashed from the strand, the flying waters roar.”
Tunc longe sale saxa sonant, tunc et freta ventis Incipiunt agitata tumescere: littore fluctus Illidunt rauco.

Marco Girolamo Vida (1485–1566) Italian bishop

Book III, line 388. Compare:
But when loud surges lash the sounding shore,
The hoarse rough verse should like the torrent roar.
Alexander Pope, An Essay on Criticism, Part II, line 168
De Arte Poetica (1527)

Water, Flying

“Consult the honor of religion more, and your personal safety less. Is it for the honor of religion (think you) that Christians should be as timorous as hares to start at every sound?”

John Flavel (1627–1691) English Presbyterian clergyman

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 166.

Religion, Thinking, Personality

“Tai chi (taìjí) is the universal principle behind birth and transformation. Though tai chi has no form, shape, sound nor colour; all forms, shapes sounds and colours are born and transformed through it. … And so tai chi simply refers to stillness and movement, while yīn and yáng refer to tai chi.
…
In tai chi chuan, because the principles are based on the transformation of tai chi (taìjí) - movement and stillness, yīn and yáng as well as opening and closing - one seeks stillness in movement and movement in stillness. Movement is primarily a study of empty and full, which refer back to yīn and yáng.”

Wu Kung-tsao (1902–1983) Chinese martial artist

Students should first know about the principles of stillness and movement in yīn and yáng before proceeding with their studies.
Wu Family T'ai Chi Ch'uan (1980)

Birth, Study, Universe

“It may sound paradoxical, but verbal fluency is the product of many hours spent writing about nothing, just as musical fluency is the product of hours spent repeating scales.”

Stanley Fish (1938) American academic

Source: How To Write A Sentence And How To Read One (2011), Chapter 3, It's Not The Thought That Counts, p. 26

Music

“I was borne on an eagle's wing,
Till with the noon-sun perishing;
Then I stood in a world alone,
From which all other life was gone,
Whence warmth, and breath, and light were fled,
A world o'er which a curse was said:
The trees stood leafless all, and bare,
The sky spread, but no sun was there:
Night came, no stars were on her way,
Morn came without a look of day,—
As night and day shared one pale shroud,
Without a colour or a cloud.
And there were rivers, but they stood
Without a murmur on the flood,
Waveless and dark, their task was o'er,—
The sea lay silent on the shore,
Without a sign upon its breast
Save of interminable rest:
And there were palaces and halls,
But silence reign'd amid their walls,
Though crowds yet fill'd them; for no sound
Rose from the thousands gather'd round;
All wore the same white, bloodless hue,
All the same eyes of glassy blue,
Meaningless, cold, corpse-like as those
No gentle hand was near to close.
And all seem'd, as they look'd on me,
In wonder that I yet could be
A moving shape of warmth and breath
Alone amid a world of death.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Canto III
The Troubadour (1825)

Life, Death, World, Way

“Blues was my first love. It was the first thing where I said "Oh man, this is the stuff." It just sounded so raw and honest, gut-bucket honest. From then I started rebelling.”

Carlos Santana (1947) Mexican and American rock musician

http://findarticles.com/p/articles/mi_m0GER/is_2000_Summer/ai_63500762

Love

“If you spend your life looking in vain for the Loch Ness Monster, stalking the lake with a camera, sounding it with sonar, and sending submersibles into its depths, and yet still find nothing, what is the more sensible view: to conclude provisionally that the monster simply isn’t there, or to throw up your hands and say, “It might be there; I’m not sure?””

Jerry Coyne book Faith vs. Fact: Why Science and Religion are Incompatible

Most people would give the first response—unless they’re talking about God.
Source: Faith vs. Fact (2015), p. 95

Life, God, People

“And the Man in the rain
Picked up his bag of secrets,
And journeyed up the mountainside
Far above the clouds;
And nothing was ever heard from him again,
Except for the sound of
Tubular Bells…”

Mike Oldfield (1953) English musician, multi-instrumentalist

Song lyrics, Tubular Bells III (1998)

Secret

“I am working again on my painting 'Moscow' ['Moscow I' ('Mockba I'), 1916]. It is slowly taking shape in my imagination. And what was in the realm of wishing is now assuming real forms. What I have been lacking with this idea was depth and richness of sound, very earnest, complex, and easy at the same time.”

Wassily Kandinsky (1866–1944) Russian painter

Quote in his letter to Gabriele Münter, September 4, 1916; as cited in Hans K. Rothel and Jean K. Benjamin, Kandinsky: Catalogue Raisonné of the Oil Paintings, Volume Two, 1916–1944; Cornell University Press, Ithaca, N.Y, 1984, p. 580
1916 -1920

Imagination, Idea, Time, Painting

“If we can be one of the companies that makes it possible for humans to become a multi-planetary species, that would be the Holy Grail. It sounds a bit crazy but it's going to happen, and only if people build the means to do so. We're making progress toward a greater philosophical goal while building a sound business.”

Elon Musk (1971) South African-born American entrepreneur

Conversation: Elon Musk on Wired Science (2007)

People, Business

“So you know how it all works. How first you confess and then are given absolution. You have to admit your sins before you can be forgiven." Jason nodded, wondering what being a Catholic and going to confession had to do with his situation here, his sudden predicament. "Well, there is something you have to do before we can take steps to protect you." A dim warning sounded somewhere in Jason's mind, his body, his spirit- he wasn't sure which or where but he was suddenly jolted thoroughly. Confession. A different word from confess. He suddenly saw where this man was going. He wanted Jason to confess. To confess to killing Alicia Bartlett. Jason almost giggled his disbelief, a reaction that was as unpremeditated and unexpected as a belch. "You want me to say I killed Alicia Bartlett?”

Robert Cormier book The Rag and Bone Shop

Horror, disbelief in his voice.
Source: The Rag and Bone Shop (2000), p. 137-138

“I'm especially interested in the music of John Cage... I would like to do some experimenting with the relationship between his freeform sound and free-form art.”

Jasper Johns (1930) American artist

Quote of Johns, from: John Adds Plaster Casts To Focus Target Paintings, Donald Key, Milwaukee Journal, 19 June 1960, pt. 5, p. 6
1960s

Art, Music

“How many of us are able to distinguish between the odors of noon and midnight, or of winter and summer, or of a windy spell and a still one? If man is so generally less happy in the cities than in the country, it is because all these variations and nuances of sight and smell and sound are less clearly marked and lost in the general monotony of gray walls and cement pavements.”

Lin Yutang book The Importance of Living

Source: The Importance of Living (1937), p. 129

Winter, Summer, Country, Happiness

“For me any of the little gestures I make are all tentative probes. That's why I feel free to make them sound as outrageous or extreme as possible. Until you make it extreme, the probe is not very efficient.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Marshall McLuhan: the man and his message, edited by George Sanderson and Frank MacDonald, Fulcrum, 1989, p. 32
1980s and later

Feeling

“I want to be real clear about one thing: America will suffer a debilitating insolvency if we continue on this path…. We have been warned, but there are too many Congressmen and Senators who either lack the economic understanding or the political backbone to do what it takes to put the nation back on a sound financial footing…. Washington’s reckless spending habits have us on a path to destroy what took two centuries of sacrifice to build.”

Mo Brooks (1954) American politician

Mo Brooks Interview http://www.alreporter.com/2017/06/28/mo-brooks-interview/ (June 28, 2017)

Understanding, Suffering

“Well, there’s just no doubt [that fighting and winning the war on terror is in the top three priorities]. I mean, there’s a real disagreement about how to best do that obviously. I mean, this all sounds great and, and, and wonderful, and obviously we can all get to—you know, we can all come around inequalities and opportunity and, and energy independence and that sort of thing.”

Markos Moulitsas (1971) American blogger

MTP transcript for Aug. 12, 2007 - Meet the Press - NBC News, msnbc.com http://www.msnbc.msn.com/id/20214115/page/2/,

War, Fight

“Radar Officer: I've lost the sweeps, the bleeps, and the creeps! [Explains via vocal sound effects]
Dark Helmet [aside to Colonel Sandurz]: That's not all he's lost.”

Mel Brooks (1926) American director, writer, actor, and producer

Spaceballs

“Stern Winter loves a dirge-like sound.”

William Wordsworth (1770–1850) English Romantic poet

On the Power of Sound, xii.
Bartlett's Familiar Quotations, 10th ed. (1919)

Love, Winter

“I don't care how paranoid and irrational this makes me sound, but I know for a fact that the people of Paris want me dead.”

Bill Bryson book Neither Here nor There: Travels in Europe

Neither Here nor There: Travels in Europe (1991)

People, Dead

“If nothing happened, then there's nothing to remember," she told herself, trying to sound philosophical. "Of course there's nowhere to start.”

Diana Wynne Jones book Fire and Hemlock

Source: Fire and Hemlock (1985), p. 14.

“Stop, you idiot!" I bawled at her. Her face laughed over her shoulder at me. She walked without haste to the door, her short skirt of gray flannel shaping itself to the calf of each gray wool-stockinged leg as its mate stepped forward. Sweat greased the gun in my hand. When her right foot was on the doorsill, a little chuckling sound came from her throat. "Adieu!" she said softly.
And I put a bullet in the calf of her leg. She sat down--plump! Utter surprise stretched her white face. It was too soon for pain. I had never shot a woman before. I felt queer about it.
"You ought to have known I'd do it!”

Dashiell Hammett book The Gutting of Couffignal

My voice sounded harsh and savage and like a stranger's in my ears. "Didn't I steal a crutch from a cripple?"
final lines, The Gutting of Couffignal (published in Black Mask, December 1925)
Short Stories

Pain

“To an experienced Zen Buddhist, asking if one believes in Zen or one believes in the Buddha, sounds a little ludicrous, like asking if one believes in air or water. Similarly Quality is not something you believe in, Quality is something you experience.”

Robert M. Pirsig (1928–2017) American writer and philosopher

This appears in what could be either a paraphrase, a quote, or a re-translation of Pirsig in My Mercedes Is Not for Sale : From Amsterdam to Ouagadougou : An Auto-misadventure Across the Sahara (2006) by Jeroen van Bergeijk, in a 2008 translation books.google http://books.google.de/books?id=pIOcbS2Pl8kC&pg=PA26; Dutch original: books.google http://books.google.de/books?id=4zIzAgAAQBAJ&q=geoefende. Disputed

Water

“I know I get up people's noses," "Everyone wants to pigeonhole you. Early on in my career I somehow got labelled 'Bach, John Cage and a bit of jazz'. But the fact that I love to play Beethoven, too, really infuriates people. It doesn't fit. They can't make sense of it. The received wisdom is that you can't possibly do all these things without it sounding terrible or crass or just plain wrong.”

Joanna MacGregor (1959) British musician

Musician's life

Love, Wisdom, People, Sense

“MY dearest friend — White or some of my friends or the public papers by this time may have informed you of the terrible calamities that have fallen on our family. I will only give you the outlines. My poor dear dearest sister in a fit of insanity has been the death of her own mother. I was at hand only time enough to snatch the knife out of her grasp. She is at present in a mad house, from whence I fear she must be moved to an hospital. God has preserved to me my senses, — I eat and drink and sleep, and have my judgment I believe very sound. My poor father was slightly wounded, and I am left to take care of him and my aunt. Mr. Norris of the Bluecoat school has been very very kind to us, and we have no other friend, but thank God I am very calm and composed, and able to do the best that remains to do. Write, —as religious a letter as possible— but no mention of what is gone and done with. —With me “the former things are passed away,” and I have something more to do that [than] to feel. God almighty have us all in his keeping.”

Charles Lamb (1775–1834) English essayist

Lamb in September 27, 1796. In his letter to Coleridge; after the family tragedy. As quoted in Works of Charles and Mary Lamb. Letters (1905).

Death, God, Fear, School

“ You're listening to the sounds of the reason we're about to die as a nation. The vermin in the media…they all yesterday said it was a white man. There was Bloomberg saying it was a deranged man with a political agenda. Not one of them would say if it was a Muslim. Not one of them would say if it was a Middle-Easterner. Not one of them if it hit them in the face would acknowledge what's going on around them, which is why we must defend ourselves—we have a bunch of overly race-conscious government dupes running everything in this country. There were the news anchors and the reporters, you heard it with your own ears, just yesterday. Repeating "white male", "white male", "white male", "white male", "white male", "white male", "white male", "white male", "white male", "white male", "white male", "white male", "white male". Because they believe in blackmail, blackmail, blackmail, blackmail. They blackmail the entire white race into a corner. They blackmail the entire white race into a corner. And they're killing us. The Muslims are running wild in this country. The Muslims are running wild in this country, and the police are afraid of them. The police are afraid of CAIR. The police are afraid of the ACLU. The police are afraid of everybody but you. "White male", "white male", "white male", "white male", "white male", "white male". You haven't heard, "Muslim male", "Muslim male", "Muslim male", "Muslim male", "Muslim male", "Muslim male", "Muslim male", did you? After they found who it was? The guy gave himself up, and they won't say "Muslim male", "Muslim male", "links to Islam", "Islam", "Muslim", "Muslim", "Islam", "Islam", "Muslim!"”

Michael Savage book The Savage Nation

Why won't they say it? Because they're a bunch of morons. And that's why we're in trouble. You heard it with your own damn ears, what more do I have to say to you? The Savage Nation The Savage Nation (1995- ), 2010-05-04 Radio (Audio: https://www.youtube.com/watch?v=iaE2YA8vFEs) 2010

Guy, Country

“A theory of knowledge is an answer to the question "What is knowledge?" This question, like many which are asked by philosophers, sounds very simple. We all know, at least roughly, what knowledge is. But difficulties appear the moment that we begin to fill in the details.”

David Pears

What is Knowledge? (1971)

Question, Knowledge, Appearance

“It was not until Mr. Charles Booth published in 1891 the results of his exhaustive inquiries that the actual conditions of poverty in London became known. …about 30 per cent of the entire population of London were found to be unable to obtain the necessaries for a sound livelihood. …About ten years later Mr. B. S. Rountree incited by the work of Mr. Booth undertook a similar inquiry in his native town York. …His comments are as follows: "…we are faced by the startling probability that from 25 to 30 per cent of the town populations of the United Kingdom are living in poverty."”

Robert Hunter (author) (1874–1942) American sociologist, author, golf course architect

Source: Poverty (1912), p. 17-19

“But these things are often unknown to the world; for there is much pain that is quite noiseless; and vibrations that make human agonies are often a mere whisper in the roar of hurrying existence. There are glances of hatred that stab and raise no cry of murder; robberies that leave man or woman for ever beggared of peace and joy, yet kept secret by the sufferer – committed to no sound except that of low moans in the night, seen in no writing except that made on the face by the slow months of suppressed anguish and early morning tears. Many an inherited sorrow that has marred a life has been breathed in no human ear.”

George Eliot book Felix Holt, the Radical

Introductory chapter (at page 11-12 – page numbers per the 'Wordsworth Classics' edition 1997.)
Felix Holt, the Radical (1866)

Life, Pain, Secret, World

“Night after night the nightingale came to beg for divine love, but though the rose trembled at the sound of his voice, her petals remained closed to him…
Flower and bird, two species never meant to mate. Yet at length the rose overcame her fear and from that single, forbidden union was born the red rose that Allah never intended the world to know.”

Susan Kay Phantom

Christine Daae (p. 433)
Phantom (1990)

Love, World, Fear, Flowers

“The duty and the right to express one's opinion freely may be meaningless—and on occasion even injurious to the best interests of the society—if those opinions are not based on sound thought, which, in its turn, presupposes the possession of sound knowledge.”

Muhammad Asad book The Principles of State and Government in Islam

Source: The Principles of State and Government in Islam (1961), Chapter 5: The Citizens And The Government, p 86

Knowledge

“From the top of the campanile, or Giotto's bell tower, in Florence, one can look out over the city in all directions, past the stone banking houses where the rich Medici lived, past the art galleries they patronized, past the magnificent cathedral and churches their money helped to build, and on to the Tuscan vineyards where the contadino works the soil as hard and efficiently as he probably ever did. The city below is busy with life. The university halls, the shops, the restaurants are crowded. The sound of Vespas, the "wasps" of the machine age, fills the air, but Florence is not today what it once was, the center in the 15th century of a great civilization, one of the most extraordinary the world has ever known. Why? What produced the Renaissance in Italy, of which Florence was the center? How did it happen that such a small population base could produce, in the short span of a few generations, great historical figures first in commerce and literature, then in architecture, sculpture and painting, and finally in science and music? Why subsequently did Northern Italy decline in importance both commercially and artistically until at the present time it is not particularly distinguished as compared with many other regions of the world? Certainly the people appear to be working as hard and energetically as ever. Was it just luck or a peculiar combination of circumstances? Historians have been fascinated by such questions ever since they began writing history, because the rise and fall of Florence or the whole of Northern Italy is by no means an isolated phenomenon.”

David C. McClelland (1917–1998) American psychological theorist

Source: The Archiving Society, 1961, p. 1; lead paragraph, about the problem

Life, Money, People, Age

“The sounding jargon of the schools.”

William Cowper (1731–1800) (1731–1800) English poet and hymnodist

Truth, line 367.
Bartlett's Familiar Quotations, 10th ed. (1919)

School

“Noise accompanies every manifestation of our life. Noise is familiar to us. Noise has the power to bring us back to life. On the other hand, sound, foreign to life, always a musical, outside thing, an occasional element, has come to strike our ears no more than an overly familiar face does our eye. Noise, gushing confusely and irregularly out of life, is never totally revealed to us and it keeps in store innumerable surprises for our benefit. We feel certain that in selecting and coordinating all noises we will enrich men with a voluptuousness they did not suspect.”

Luigi Russolo (1885–1947) Electronic music pioneer and Futurist painter

Source: 1910's, The Art of Noise', 1913, p. 9

Life, Men, Music, Feeling

“So, if you played a C major chord to pretty much any person on the planet, they'd say that it sounds "harmonious" (or pleasing, or happy, etc, etc). But now when you want to put chords and melodies in an ordering and make a larger piece called a "song", then that is a much more difficult process, and gets very subjective. At that point, it's not just the chords, it's the lyrics, rhythms, instrumentation, tempo, intensity, any number of other things that goes into a song… so many variables that it's almost impossible to predict how a song will affect a given person.”

Andrew Sega (1975) musician from America

Andrew Sega Shrine interview, 2011

Personality, Happiness

“Painting and sculpture are very archaic forms. It's the only thing left in our industrial society where an individual alone can make something with not just his own hands, but brains, imagination, heart maybe. It's a very archaic form. Same things can be said with words, writing poetry, making sounds, music. It is a unique thing.... I think that the original revolutionary impulse behind the New York School, as I felt it anyway, and as I think my colleagues felt and the way we talked all the time, was a kind of a.... you felt as if you were driven into a corner against the wall, with no place to stand, just the place you occupied as if the act of painting was not making a picture.... it was as if you had to prove to yourself that truly the act of creation was still possible.... I felt as if I was talking to myself, having a dialectical monologue with myself to see if I could create.”

Phillip Guston (1913–1980) American artist

Source: 1961 - 1980, transcript of a public forum at Boston university', conducted by Joseph Ablow 1966, p. 66

School, Music, Way, Imagination

“Animation in itself is an art form, and that's the point I think always needs clarification. True animation exists without any background, or any color, or any sound, or anything else; it exists in your hand. And you can take it and flip it. […] What makes animation is the fact that you have a series of drawings that move. You don't even have to have a camera, you see; animation exists without it. If you want to broaden your audience, or make it more colorful or add music, then you put it under a camera one frame at a time, and then you run it at the same speed as you flip it, and then you have animation. If it depends basically upon soundtrack, or basically upon music, or color, graphic design, or anything else to sustain itself, then it is not unique to animation.”

Chuck Jones (1912–2002) American animator, cartoon artist, screenwriter, producer, and director of animated films

Joe Adamson, "Witty Birds and Well-Drawn Cats: An Interview with Chuck Jones [1971]", in Chuck Jones: conversations, ed. Chuck Jones and Maureen Furniss (Univ. Press of Mississippi, 2005), 63.

Art, Music, Color, Thinking

“I can hardly believe we are talking about a possibility so inconceivable as that other universes exist—and that the Geometers originate there!"
In this, Zh'vaern seemed to speak for the entire table.
Except for Jad. "The words fail. There is one universe, by the definition of universe. It is not the cosmos we see through our eyes and our telescopes—that is but a single Narrative, a thread winding through a Hemn space shared by many other Narratives besides ours. Each Narrative looks like a cosmos alone, to any consciousness that partakes of it. The Geometers came from other Narratives—until they came here, and joined ours."
Having dropped this bomb, Fraa Jad excused himself, and went to the toilet.
"What on earth is he going on about?" Fraa Lodoghir demanded. "It sounded like literary criticism!”

Neal Stephenson book Anathem

Part 10, "Messal"
Anathem (2008)

Universe

“The biggest problems were to do with… well, to get that successful when you're so young, it attracts hangers-on, parasites, people who want to feed off you. I thought people actually liked me, but they actually liked my money. I'd probably say to my younger self, get yourself a whole collection of lawyers. Which is what I have now. I don't have any friends; I just have lawyers. At the last count I had about 15 different sets of them for all kinds of problems. And you can trust them because you're paying them. I know that sounds very negative, but that's the world we live in.”

Mike Oldfield (1953) English musician, multi-instrumentalist

The Telegraph Interview, 10 june 2009

Money, People, World, Problem

“[At an anti-vivisection demonstration]I went up to the ringleader, a tall, thin crusty with little braided beaded fussiness in his hair.'I can't express to you all just how diametrically opposed I am to what you're saying. I mean, this sounds like a rhetorical figure, but it's not - I really mean this: I would genuinely go into any field and kill every single horse, cow, goat, sheep, dog, cat, rabbit, gerbil, if I honestly believed in my heart for just one moment, just one moment, that it might be a bit of a laugh.' By now, I had the fellow's Oxfam lapels in my fists. 'BECAUSE I AM SO BORED AND TIRED OF EVERYTHING SINCE SHE LEFT!!'Dropping my head onto his bony vegan shoulder, I sobbed loud and long, in great, wracking heaves and gasps. When I finally ceased and straightened up, my hands were full of small, plastic lapel-badges.”

Robert Newman (1964) British comedian, born 1964

Dependence Day (1994).

Dogs, Cats, Heart, Horse

“The sound education of the workers and their thorough organization, both economic and political, on the bassis of the class struggle, must precede their emancipation. Without such education and organization they can mke no substantial progress, and they will be robbed of the fruits of any temporary victory they may achieve, as they have been through all the centuries of the past.”

Eugene V. Debs (1855–1926) American labor and political leader

Sound Socialist Tactics (1912)

Education, Past, Victory

“The other morning, I woke up. I was frightened – I’m always frightened in the morning, I don’t know where I am. But I heard this beautiful reassuring sound, it sounded like my childhood. I thought, what’s that? Is it? Church bells behind the hill? Or, no – it’s an ice cream van, in the rain. It was me, BREATHING!”

Dylan Moran (1971) Irish actor and comedian

What It Is (2009)

Beauty, Childhood

“I believed it, we published it. Official questions had been raised, but we stood by the story and her. Internal questions had been raised, but none about her other work. The reports were about the story not sounding right, being based on anonymous sources, and primarily about purported lies [about] her personal life -- [told by men reporters], two she had dated and one who felt in close competition with her.”

Bob Woodward (1943) American journalist

Post Reporter's Pulitzer Prize Is Withdrawn; Pulitzer Board Withdraws Post Reporter's Prize (19 April 1981)

Life, Men, Question, Personality

“I sometimes think that we worry ourselves overmuch about the enduring consequences of our errors. They may work a little confusion for a time. In the end, they will be modified or corrected or their teachings ignored. The future takes care of such things. In the endless process of testing and retesting, there is a constant rejection of the dross, and a constant retention of whatever is pure and sound and fine.”

Benjamin N. Cardozo (1870–1938) United States federal judge

Page 179
Other writings, The Nature of the Judicial Process (1921)

Error, Thinking, Time, Future

“In homes, a haunted apparatus sleeps,
That snores when you pick it up.
If the ghost cries, they carry it
To their lips and soothe it to sleep
With sounds. And yet, they wake it up
Deliberately, by tickling with a finger.”

Craig Raine (1944) Poet

"A Martian Sends a Postcard Home", line 19.

Home, Sleep

“The composer (organizer of sound) will be faced not only with the entire field of sound but also with the entire field of time. The 'frame' or fraction of a second, following established film technique, will probably be the basic unit in the measurement of time. No rhythm will be beyond the composer's reach.
NEW METHODS WILL BE DISCOVERED, BEARING A DEFINITE RELATION TO SCHOENBERG'S TWELVE-TONE SYSTEM”

John Cage (1912–1992) American avant-garde composer

1930s
Source: 'The Future of Music: Credo' (1937); in: 'Silence: lectures and writings by Cage, John', Publisher Middletown, Conn. Wesleyan University Press, June 1961, 4/SILENCE

Time

“When I asked Sergio Mendes why he still called his group Brasil '66 in 1967, he said "'66 was a very good year!" That's his group and the French song from The Umbrellas of Cherbourg. It's not one of their better tracks. Some of the things they've done I have enjoyed tremendously, though it's getting to the point where he's had commercial success doing what he's doing, so it's now somewhere in between strong Brazilian music and quasi-rock. Joao Palma is an excellent drummer. Here they have John Pisano of the Tijuana Brass playing an amplified guitar. He is one of the few people who, on the regular amplified guitar, has really got the Brazilian thing down. He can play in the Baden Powell style, which is so compelling and so dynamic. Sergio is usually a much more melodic pianist, but here he's trying to give a hardness and vitality to the over-all commercial sound, and he comes out lacking what he usually has—his lines are usually very smoothly melodic. This has nothing to do with jazz, but I find it pleasant; on the other hand, some of the things they do, like O Pato [from Mendes' previous album], or some of the faster things, I enjoy much more. Two stars.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

Reviewing Mendes' recording of Michel Legrand's '"Watch What Happens," from the album Equinox; as quoted in "Clare Fischer: Blindfold Test" http://www.mediafire.com/view/fix6ane8h54gx/Clare_Fischer#2nmgk677qzm4cnu

People, Music, Star, Strong

“This revolution of music is paralleled by the increasing proliferation of machinery sharing in human labor. In the pounding atmosphere of great cities as well as in the formerly silent countryside, machines create today such a large number of varied noises that pure sound, with its littleness and its monotony, now fails to arouse any emotion.”

Luigi Russolo (1885–1947) Electronic music pioneer and Futurist painter

Source: 1910's, The Art of Noise', 1913, p. 5

Music

“These are points to consider when we put our house in order for the advancing hordes of aliens. Experience has taught us to have faith in the bulk of our people. The great decisions in American history have always been right. The heart of the nation is sound and must be kept sound. It is a characteristic of ours that we are ashamed not to be right. I believe that our present concern about immigration is a fear that we will not be able to protect ourselves and at the same time discharge our obligations.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

1920s, Whose Country Is This? (1921)

People, Fear, Faith, History

“I don't want to sound callous. I mean, even if I have nothing to offer, that doesn't matter, because that still doesn't mean that what anybody else has to offer therefore has to be true.”

Richard Dawkins (1941) English ethologist, evolutionary biologist and author

An Interview by Sheena McDonald (1995)

“The old pond:
A frog jumps in,—
The sound of the water.”

Bashō Matsuo Frog Poem

古池や 蛙飛び込む 水の音 furu ike ya kawazu tobikomu mizu no oto Classical Japanese Database, Translation #64 http://carlsensei.com/classical/index.php/translation/view/64 (Translation: Reginald Horace Blyth) At the ancient pond the frog plunges into the sound of water Translation: Sam Hamill Old pond, leap-splash &ndash; a frog. Basho, On Love and Barley: Haiku of Basho, London, 1985, p. 58 (Translation: Lucien Stryk) Breaking the silence Of an ancient pond, A frog jumped into water &ndash; A deep resonance. Matsuo Bashō, The Narrow Road to the Deep North and Other Travel Sketches, London, 1966, p. 9 (Translation: Nobuyuki Yuasa) Individual poems

Water

“Ru-h-ru-h-ru-h-h-h-h. Pooh-ooh-ooh. Tick-tick-tick-tick. Pre. R-r-r-r-r-uh-h. Huh! Bang. Su-su-su-ur. Booh-a-ah. R-r-r-r. Pooh…multitude of sounds, all mixed together. Motorcars, buses, carts, carriages, people, lamp-posts, trees.. all mixed together; in front of cafés, shops, offices, posters, shop windows: multitude of things. Motion and standstills: different movement. Movement in space and movement in time. Multitude of images and all sorts of ideas. Images are veiled truths. All different truths form what is true. What is individual does not display all in a single image.... Ru-ru-ru-u-u. Pre. Images are boundaries. Multitude of images and all sorts of boundaries. Elimination of images and boundaries through all sorts of images. Boundary clouds what is true. Rebus: where is what is true? Boundaries are just as relative as images, as time and space.”

Piet Mondrian (1872–1944) Peintre Néerlandais

Mondrian's poem has strong connections with 'dynamism' of Futurism
Quote from his article 'The Grand Boulevards', Piet Mondriaan, in Dutch magazine 'De Groene Amsterdammer', 27 March 1920 pp. 4-5
1920's

People, Truth, Idea, Tree

“Everything Cheney's saying, everything the president's saying — they're saying exactly what we were saying 20 years ago, precisely … Twenty years later, it sounds like they've just dusted off the old work.”

James G. Watt (1938) United States Secretary of the Interior

Praising George W. Bush's energy and environmental policies "Watt Applauds Bush Energy Strategy", Denver Post (16 May 2001)
2000s

“It seems to me immensely unlikely that mind is a mere by-product of matter. For if my mental processes are determined wholly by the motions of atoms in my brain I have no reason to suppose that my beliefs are true. They may be sound chemically, but that does not make them sound logically. And hence I have no reason for supposing my brain to be composed of atoms.”

J. B. S. Haldane (1892–1964) Geneticist and evolutionary biologist

"When I am Dead" in Possible Worlds (1927)

“Look, stranger, on this island now
The leaping light for your delight discovers,
Stand stable here
And silent be,
That through the channels of the ear
May wander like a river
The swaying sound of the sea.”

W. H. Auden (1907–1973) Anglo-American poet

Look, Stranger, on This Island Now (1936), first published in book form in Look, Stranger! (1936; US title On this Island)

Light, Sea

“If I chose to speak, it is not to defend myself of the acts of which I'm accused, as only society, which by its organisation puts men into continual struggle each against the other, is responsible. Indeed, today do we not see in all classes and walks of life, people who desire, I will not say death as this sounds bad to the ear, but misfortune for their fellows if that can bring them advantages.”

Ravachol (1859–1892) French anarchist

Si je prends la parole, ce n'est pas pour me défendre des actes dont on m'accuse, car seule la société, qui, par son organisation, met les hommes en lutte continuelle les uns contre les autres, est responsable. En effet, ne voit-on pas aujourd'hui dans toutes les classes et dans toutes les fonctions des personnes qui désirent, je ne dirai pas la mort, parce que cela sonne mal à l'oreille, mais le malheur de leurs semblables, si cela peut leur procurer des avantages.
Trial statement

Life, Death, Men, People

“In every sound sleeps the silence.”

Dejan Stojanovic book The Creator

“Scream,” p. 34
The Creator (2000), Sequence: “Forest of the Universe”

Sleep, Silence

“Lafayette was always an interested student of our affairs. Though he distrusted the effort to make France a republic, he believed greatly in our Republic and our Constitution. He had fought to establish American independence, in order that these might come into being. That independence to which he contributed has come to be with us a national axiom. We have always guarded it with the utmost jealousy. We have sought to strengthen it with the Monroe Doctrine. We have refrained from treaties of offensive and defensive alliance. We have kept clear from political entanglements with other countries. Under this wise and sound policy America has been a country on the whole dedicated to peace, through honorable and disinterested relations with the other peoples of the earth. We have always been desirous not to participate in controversies, but to compose them. What a success this has brought to us at home, and what a place of respect and moral power it has gained for us abroad, is known of all men.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

1920s, Ordered Liberty and World Peace (1924)

Men, People, Jealousy, Peace

“Every move she made, the soft turn of her neck, the large breasts swelling under the smock, her fine hands upon the bed, the fingers spread out, these things disturbed me, a sweet painful heaviness dragging me into stupor. Then the sound of her voice, restrained, hinting of mockery, a voice that talked to my blood and bones.”

John Fante book Ask the Dust

Ask the Dust (1939)

Pain

“Sphere Music — Some sounds seem to reverberate along the plain, and then settle to earth again like dust; such are Noise, Discord, Jargon. But such only as spring heavenward, and I may catch from steeples and hilltops in their upward course, which are the more refined parts of the former, are the true sphere music — pure, unmixed music — in which no wail mingles.”

Henry David Thoreau (1817–1862) 1817-1862 American poet, essayist, naturalist, and abolitionist

August 5, 1838
Journals (1838-1859)

Music, Spring, Parting

“With savages, the weak in body or mind are soon eliminated; and those that survive commonly exhibit a vigorous state of health. We civilised men, on the other hand, do our utmost to check the process of elimination; we build asylums for the imbecile, the maimed, and the sick; we institute poor-laws; and our medical men exert their utmost skill to save the life of every one to the last moment. There is reason to believe that vaccination has preserved thousands, who from a weak constitution would formerly have succumbed to small-pox. Thus the weak members of civilised societies propagate their kind. No one who has attended to the breeding of domestic animals will doubt that this must be highly injurious to the race of man. It is surprising how soon a want of care, or care wrongly directed, leads to the degeneration of a domestic race; but excepting in the case of man himself, hardly any one is so ignorant as to allow his worst animals to breed.

The aid which we feel impelled to give to the helpless is mainly an incidental result of the instinct of sympathy, which was originally acquired as part of the social instincts, but subsequently rendered, in the manner previously indicated, more tender and more widely diffused. Nor could we check our sympathy, even at the urging of hard reason, without deterioration in the noblest part of our nature. The surgeon may harden himself whilst performing an operation, for he knows that he is acting for the good of his patient; but if we were intentionally to neglect the weak and helpless, it could only be for a contingent benefit, with an overwhelming present evil. We must therefore bear the undoubtedly bad effects of the weak surviving and propagating their kind; but there appears to be at least one check in steady action, namely that the weaker and inferior members of society do not marry so freely as the sound; and this check might be indefinitely increased by the weak in body or mind refraining from marriage, though this is more to be hoped for than expected.”

Charles Darwin book The Descent of Man, and Selection in Relation to Sex

volume I, chapter V: "On the Development of the Intellectual and Moral Faculties during Primeval and Civilised Times" (second edition, 1874) pages 133-134 http://darwin-online.org.uk/content/frameset?pageseq=156&itemID=F944&viewtype=image The last sentence of the first paragraph is often quoted in isolation to make Darwin seem heartless. The Descent of Man (1871)

Life, Men, Marriage, Health

“Why do comparisons of words and tone poems (poetry and music) never take into consideration that the word is a mere signifier, but that the sound, aside from being a signifier, is also an object?”

Franz Grillparzer (1791–1872) austrian dramatic and writer

Notebooks and Diaries (1820).

Music

“Last week, Mr President, I seemed to hear a strange sound emanating from Blackpool. And I thought at first it was seagulls. [laughter] Then I remembered that Labour was holding its annual Conference there. And I realised it wasn't seagulls, it was chickens—[laughter and applause] chickens being counted before they were hatched—[laughter and applause] except for Labour's call to enter the ERM and cut interest rates. That was a case of counting chickens after they'd flown the coop. Then, I heard voices getting all worked up about someone they kept calling the “Prime Minister in Waiting”. [laughter] It occurs to me, Mr President, that he might have quite a wait. [applause] I can see him now, like the people queuing up for the Winter sales. All got up with his camp bed, hot thermos, woolly balaclava, CND badge… [laughter and applause] Waiting, waiting, waiting… And then when the doors open, in he rushes—only to find that, as always, there's “that woman” ahead of him again. [applause and laughter] I gather there may be an adjective between “that” and “woman” [laughter] only no-one will tell me what it is. [laughter and applause]”

Margaret Thatcher (1925–2013) British stateswoman and politician

Speech to Conservative Party Conference (12 October 1990) http://www.margaretthatcher.org/document/108217 Third term as Prime Minister

People, Laughter, Winter, Waiting

“All persons known to be of good character and of sound mind and suitable age, who are connected with this organization, whether male or female, shall be encouraged to carry arms openly.”

John Brown (abolitionist) (1800–1859) American abolitionist

Article XLIII.
Provisional Constitution and Ordinances (1858)

Age, Personality

“Above all, I feel that the sounds of this world are so beautiful in themselves that if only we could listen to them properly, cinema would have no need for music at all.”

Andrei Tarkovsky book Sculpting in Time

Source: Sculpting in Time (1986), p. 162

World, Beauty, Music, Feeling

“Can the human appropriation of nature ever achieve the elimination of violence, cruelty, and brutality in the daily sacrifice of animal life for the physical reproduction of the human race? To treat nature "for its own sake" sounds good, but it is certainly not for the sake of the animal to be eaten, nor probably for the sake of the plant. The end of this war, the perfect peace in the animal world — this idea belongs to the Orphic myth, not to any conceivable historical reality. In the face of the suffering inflicted by man on man, it seems terribly "premature" to campaign for universal vegetarianism or synthetic foodstuffs; as the world is, priority must be on human solidarity among human beings. And yet, no free society is imaginable which does not, under its "regulative idea of reason," make the concerted effort to reduce consistently the suffering which man imposes on the animal world.”

Herbert Marcuse book Counterrevolution and Revolt

Source: Counterrevolution and Revolt (1972), Chapter "Nature and Revolution," in The Essential Marcuse: Selected Writings of Philosopher and Social Critic Herbert Marcuse, edited by Andrew Feenberg and ‎William Leiss, Beacon Press, 2007, pp. 240 https://books.google.it/books?id=JqoyBgAAQBAJ&pg=PA240-241

Life, War, World, Peace

“My heart pumping 70 times a minute every minute my whole life. What a task! To reach any age in those terms sounds miraculous!”

Martin Firrell (1963) British artist and activist

"Complete Hero" (2009)

Life, Age, Time, Heart

“Now I love to feel that warm southern rain,
Just to hear it fall is the sweetest sounding thing.
And to see it fall on your simple country dress
It's like heaven to me I must confess.”

Ben Harper (1969) singer-songwriter and musician

Steal My Kisses.
Song lyrics, Burn to Shine (1999)

Love, Feeling, Country

“"Democratic" State practice is nothing more or less than State practice. It does not differ from Marxist State practice, Fascist State practice, or any other. Here is the Golden Rule of sound citizenship, the first and greatest lesson in the study of politics: you get the same order of criminality from any State to which you give power to exercise it; and whatever power you give the State to do things for you carries with it the equivalent power to do things to you.”

Albert Jay Nock (1870–1945) American journalist

"The Criminality of the State" in American Mercury (March 1939). A similar statement was later made by Jerry Ford

Exercises, Study

“My dad was proud of himself when he farted. He sounds like he's strangling a chicken when he farts.”

Carl Barron (1964) Australian comedian

Carl Barron Live (2003)

“A man that is not afraid of a Lion is afraid of a Cat; not afraid of starving, and yet is afraid of some joint of meat at the table, presented to feed him; not afraid of the sound of drums, and trumpets, and shot, and those, which they seek to drown, the last cries of men, and is afraid of some particular harmonious instrument; so much afraid, as that with any of these the enemy might drive this man, otherwise valiant enough, out of the field.”

John Donne (1572–1631) English poet

VI. Metuit. The physician is afraid
Devotions Upon Emergent Occasions (1624)

Men, Cats

“I, George Carlin, being of sound mind, do not wish, upon my demise, to be buried or cremated. I wish to be BLOWN UP.”

George Carlin (1937–2008) American stand-up comedian

Books, Last Words (2009)

“The sound is beautiful, it's perfect!
The sound of her young legs in stockings,
The rhythm of her walk, it's beautiful!
Just let it twist, let it break,
Let it buckle, let it bend,
I want to hear the noise of my Zoo-Music Girl.”

Nick Cave (1957) Australian musician

Song lyrics, Prayers on Fire (1981), Zoo-Music Girl

Beauty, Music, Girl, Perfection

“Without sounding arrogant,” she says, “I’m good on my feet.”

Elizabeth May (1954) Canadian politician

The Walrus interview (2012)

“The wide experience to be gained at the Scots Bar has its advantages. It does not enable one to become such an expert in any single department as the English specialist… but it tends to a sound knowledge of the legal principles common to all branches of the law. The Scottish Judges have always been more interested in principle than in precedent and the Bar have conformed to this lead. In the House of Lords this feature of Scottish advocacy has been often remarked and admired.”

Hugh Macmillan, Baron Macmillan (1873–1952) British judge

Source: A Man of Law's Tale (1952), At the Scottish bar, p. 48

Law, Knowledge, Housing

“What's the use of dying in a ward surrounded by a lot of groaning and croaking incurables? Wouldn't it be much better to throw a party with that twenty-seven thousand and take poison and depart for the other world to the sound of violins, surrounded by lovely drunken girls and happy friends?”

Mikhail Bulgakov book The Master and Margarita

Book One in 'Unwelcome Visitors', MG
The Master and Margarita (1967)

Love, World, Girl, Happiness

“The "music of decline" had sounded, as in that wonderful Chinese fable; like a thrumming bass on the organ its reverberations faded slowly out over decades; its throbbing could be heard in the corruption of the schools, periodicals, and universities, in melancholia and insanity among those artists and critics who could still be taken seriously; it raged as untrammeled and amateurish overproduction in all the arts.”

Hermann Hesse book The Glass Bead Game

The Glass Bead Game (1943)

School, Art, Music, Universe

“They don't make poles long enough for me want to touch Microsoft products, and I don't want any mass-marketed game-playing device or Windows appliance near my desk or on my network. This is my workbench, dammit, it's not a pretty box to impress people with graphics and sounds. When I work at this system up to 12 hours a day, I'm profoundly uninterested in what user interface a novice user would prefer.”

Erik Naggum (1965–2009) Norwegian computer programmer

Re: Why lisp failed in the marketplace http://groups.google.com/group/comp.lang.lisp/msg/6dd13ffe0e273031 (Usenet article). Usenet articles, Miscellaneous

People, Game, Box