“The louder a sound is, the more we recognize it as being near, so the louder the "tone" of objects that is, the blacker or whiter the nearer they seem; and so if in our picture we wish to give a sense of distance, we must see that the darkest shadows and highest lights are in the foreground : and because we may not be able to materially alter things as the undiscriminating process gives them to us, we must seek for and select those scenes, those subjects, in which this arrangement of highest and deepest tones do come in the foreground, and then take care that our process renders them with fidelity, so that we may not lose the sense of their nearness or the feeling of greater distance of other planes which it is intended they shall give.”

Source: Practical Pictorial Photography, 1898, Tone and atmoshphere, p. 44-45

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Alfred Horsley Hinton64

British photographer 1863–1908

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“In selecting our subject then we have two things to consider. First, is it as good as the conditions will let it be - that is, have we chosen the point of view which, with the present conditions, shows at its best pictorially, and secondly, if taken from this point now, are the alterations we would like, weather or light, to make for us of such a kind that we can introduce them for ourselves when printing, and, if so, what are those alterations.”

Alfred Horsley Hinton (1863–1908) British photographer

Part II : Practical Pictorial Photography, Some practical suggestions on the selection of the subject and a note on the subject of motive

“Atmosphere is the medium through which we see all things. In order, therefore, to see them in their true value on a photograph, as we do in Nature, atmosphere must be there. Atmosphere softens all lines; it graduates the transition from light to shade; it is essential to the reproduction of the sense of distance. That dimness of outline which is characteristic for distant objects is due to atmosphere. Now, what atmosphere is to Nature, tone is to a picture.”

Alfred Stieglitz (1864–1946) American photographer

Source: 'A Plea for Art Photography in America', Alfred Stieglitz, in 'Photographic Mosaics,' Vol 28, 1892: About Pictorialism.

“We must be as courteous to a man as we are to a picture, which we are willing to give the advantage of a good light.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

“Not only do we have no real right to the things of the world, because belonging always essentially to God they can never belong to creatures; but we are also limited by the laws of God in the use of those possessions; for it must not be imagined that God gives them to us so that we may dispose of them as we wish. He is too just to have made such an unequal distribution. These goods being the means destined by his Providence for the subsistence of men, he gives to some more than they need only so that they may distribute it to others. A rich man, in so far as he is rich, is thus no more than steward of God's good things.”

Pierre Nicole (1625–1695) French Jansenists

Essais de Morale (1753), XII, p. 371, as quoted in The Bourgeois: Catholicism vs. Capitalism in Eighteenth-Century France (1968), p. 141

“It is during our darkest moments that we must focus to see the light.”

Aristotle (-384–-321 BC) Classical Greek philosopher, student of Plato and founder of Western philosophy

“The dark shadow we seem to see in the distance is not really a mountain ahead, but the shadow of the mountain behind - a shadow from the past thrown forward into our future. It is a dark sludge of historical sectarianism. We can leave it behind us if we wish.”

David Trimble (1944–2022) Northern Irish politician

David Trimble in: Peace 1996-2000 http://books.google.com/books?id=zCmliED4M_UC&pg=PA114, World Scientific, 2005, p. 114

“We live in an age of science and abounding accumulation of material things. These did not create the Declaration. Our Declaration created them. The things of the spirit come first. Unless we cling to that, all of our material prosperity, overwhelming though it may appear, will turn to a barren scepter in our grasp. If we are to maintain the great heritage bequeathed to us, we must be like minded as the Founders who created. We must not sink into a pagan materialism. We must cultivate the reverence which they had and for the things that are holy. We must follow the spiritual and moral leadership which they showed. We must keep replenished, that they may glow with a more compelling flame, the altar fires before which they worshipped.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

1920s, Speech on the Anniversary of the Declaration of Independence (1926)

“All warfare is based on deception. Hence, when we are able to attack, we must seem unable; when using our forces, we must appear inactive; when we are near, we must make the enemy believe we are far away; when far away, we must make him believe we are near.”

Sun Tzu (-543–-495 BC) ancient Chinese military general, strategist and philosopher from the Zhou Dynasty

Variant translations
A military operation involves deception. Even though you are competent, appear to be incompetent. Though effective, appear to be ineffective.
Source: The Art of War, Chapter I · Detail Assessment and Planning

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"We are Power" speech (1980)

“If we are to select our subjects or arrange our groups with a pictorial motive we must absolutely and entirely sacrifice every other consideration, and be prepared to cut out of our composition the prettiest and most interesting item, if by so doing composition pure and simple is improved. And if some subject you are attached to will not admit of composition or will not admit of your treating it pictorially, then photograph it if you wish, but never suppose that it will form a picture.”

Alfred Horsley Hinton (1863–1908) British photographer

Source: Practical Pictorial Photography, 1898, Methods - The practical application of means to end, p. 29

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