Quotes about series

A collection of quotes on the topic of series, time, timing, other.

Quotes about series

Arthur Conan Doyle photo

“Education never ends, Watson. It is a series of lessons, with the greatest for the last.”

Arthur Conan Doyle (1859–1930) Scottish physician and author

Source: His Last Bow: 8 Stories

Helena Petrovna Blavatsky photo
Vladimir Lenin photo
Laozi photo

“Life is a series of natural and spontaneous changes. Don’t resist them – that only creates sorrow. Let reality be reality. Let things flow naturally forward in whatever way they like.”

Laozi (-604) semi-legendary Chinese figure, attributed to the 6th century, regarded as the author of the Tao Te Ching and fou…

This quotation's origin is actually unknown, however it is not found in the Dao De Jing.
生命是一连串的自发的自然变化。逆流而动只会徒增伤悲。接受现实,万物自然循着规律发展。
Misattributed
Variant: Life is a series of natural and spontaneous changes. Don't resist them — that only creates sorrow. Let reality be reality. Let things flow naturally forward in whatever way they like.

George Orwell photo

“A man who gives a good account of himself is probably lying, since any life when viewed from the inside is simply a series of defeats.”

George Orwell (1903–1950) English author and journalist

Source: All Art is Propaganda: Critical Essays

George Orwell photo

“Autobiography is only to be trusted when it reveals something disgraceful. A man who gives a good account of himself is probably lying, since any life when viewed from the inside is simply a series of defeats.”

George Orwell (1903–1950) English author and journalist

"Benefit Of Clergy: Some Notes On Salvador Dalí," Dickens, Dali & Others: Studies in Popular Culture (1944) http://orwell.ru/library/reviews/dali/english/e_dali

Roberto Clemente photo
Merce Cunningham photo
G. H. Hardy photo

“Mathematicians have constructed a very large number of different systems of geometry, Euclidean or non-Euclidean, of one, two, three, or any number of dimensions. All these systems are of complete and equal validity. They embody the results of mathematicians' observations of their reality, a reality far more intense and far more rigid than the dubious and elusive reality of physics. The old-fashioned geometry of Euclid, the entertaining seven-point geometry of Veblen, the space-times of Minkowski and Einstein, are all absolutely and equally real. …There may be three dimensions in this room and five next door. As a professional mathematician, I have no idea; I can only ask some competent physicist to instruct me in the facts.
The function of a mathematician, then, is simply to observe the facts about his own intricate system of reality, that astonishingly beautiful complex of logical relations which forms the subject-matter of his science, as if he were an explorer looking at a distant range of mountains, and to record the results of his observations in a series of maps, each of which is a branch of pure mathematics. …Among them there perhaps none quite so fascinating, with quite the astonishing contrasts of sharp outline and shade, as that which constitutes the theory of numbers.”

G. H. Hardy (1877–1947) British mathematician

"The Theory of Numbers," Nature (Sep 16, 1922) Vol. 110 https://books.google.com/books?id=1bMzAQAAMAAJ p. 381

Tom Kenny photo
Terence McKenna photo
Michel Bréal photo

“We define law, using the word in the philosophic sense, as the constant relation discoverable in a series of phenomena.”

Michel Bréal (1832–1915) French philologist

Source: Essai de semantique, 1897, p. 11

George Orwell photo

“Fate seemed to be playing a series of extraordinarily unamusing jokes.”

Source: Down and out in Paris and London (1933), Ch. 7

Rabindranath Tagore photo
Sukirti Kandpal photo
Swami Shraddhanand photo
Vladimir Nabokov photo

“Human life is but a series of footnotes to a vast obscure unfinished masterpiece”

Variant: Existence is a series of footnotes to a vast, obscure, unfinished masterpiece.
Source: Lolita

Hayao Miyazaki photo
Henry Ford photo
Terry Pratchett photo
Virginia Woolf photo

“Life is not a series of gig-lamps symmetrically arranged; life is a luminous halo, a semi-transparent envelope surrounding us from the beginning of consciousness to the end.”

"Modern Fiction"
The Common Reader (1925)
Context: Examine for a moment an ordinary mind on an ordinary day. The mind receives a myriad impressions — trivial, fantastic, evanescent, or engraved with the sharpness of steel. From all sides they come, an incessant shower of innumerable atoms; and as they fall, as they shape themselves into the life of Monday or Tuesday, the accent falls differently from of old; the moment of importance came not here but there; so that, if a writer were a free man and not a slave, if he could write what he chose, not what he must, if he could base his work upon his own feeling and not upon convention, there would be no plot, no comedy, no tragedy, no love interest or catastrophe in the accepted style, and perhaps not a single button sewn on as the Bond Street tailors would have it. Life is not a series of gig-lamps symmetrically arranged; life is a luminous halo, a semi-transparent envelope surrounding us from the beginning of consciousness to the end. Is it not the task of the novelist to convey this varying, this unknown and uncircumscribed spirit, whatever aberration or complexity it may display, with as little mixture of the alien and external as possible? We are not pleading merely for courage and sincerity; we are suggesting that the proper stuff of fiction is a little other than custom would have us believe it.

Vincent Van Gogh photo

“Great things are done by a series of small things brought together.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

In his letter to Theo, from The Hague, 22 October 1882, http://www.webexhibits.org/vangogh/letter/11/237.htm
1880s, 1882

Denis Diderot photo

“Life is but a series of misunderstandings.”

Source: Jacques the Fatalist

Vladimir Nabokov photo
Jane Goodall photo

“Lasting change is a series of compromises. And compromise is alright, as long your values don't change.”

Jane Goodall (1934) British primatologist, ethologist, and anthropologist

Subject: Jane Goodall, primatologist and conservationist http://www.dailysummit.net/says/interview260802.htm, interviewed at the World Summit on Sustainable Development (2002)

Christopher Paolini photo
Georges Clemenceau photo

“War is a series of catastrophes that results in a victory.”

Georges Clemenceau (1841–1929) French politician

Statement to Woodrow Wilson at the Paris Peace Conference (12 January 1919), as quoted in The Macmillan Dictionary of Political Quotations (1993) by Lewis D. Eigen and Jonathan Paul Siegel, p. 689
Prime Minister

Theodosius Dobzhansky photo
Lewis Carroll photo
Benjamin Disraeli photo
Daniel Handler photo

“If you have ever peeled an onion, then you know that the first thin, papery layer reveals another thin, papery layer, and that layer reveals another, and another, and before you know it you have hundreds of layers all over the kitchen table and thousands of tears in your eyes, sorry that you ever started peeling in the first place and wishing that you had left the onion alone to wither away on the shelf of the pantry while you went on with your life, even if that meant never again enjoying the complicated and overwhelming taste of this strange and bitter vegetable.

In this way, the story of the Baudelaire orphans is like an onion, and if you insist on reading each and every thin, papery layer in A Series of Unfortunate Events, your only reward will be 170 chapters of misery in your library and countless tears in your eyes. Even if you have read the first twelve volumes of the Baudelaires' story, it is not too late to stop peeling away the layers, and to put this book back on the shelf to wither away while you read something less complicated and overwhelming. The end of this unhappy chronicle is like its bad beginning, as each misfortune only reveals another, and another, and another, and only those with the stomach for this strange and bitter tale should venture any farther into the Baudelaire onion. I'm sorry to tell you this, but that is how the story goes.”

Source: The End (2006), Chapter 1

Jagadish Chandra Bose photo
Bertrand Russell photo

“Those who advocate common usage in philosophy sometimes speak in a manner that suggests the mystique of the 'common man.' They may admit that in organic chemistry there is need of long words, and that quantum physics requires formulas that are difficult to translate into ordinary English, but philosophy (they think) is different. It is not the function of philosophy – so they maintain – to teach something that uneducated people do not know; on the contrary, its function is to teach superior persons that they are not as superior as they thought they were, and that those who are really superior can show their skill by making sense of common sense. No one wants to alter the language of common sense, any more than we wish to give up talking of the sun rising and setting. But astronomers find a different language better, and I contend that a different language is better in philosophy. Let us take an example, that of perception. There is here an admixture of philosophical and scientific questions, but this admixture is inevitable in many questions, or, if not inevitable, can only be avoided by confining ourselves to comparatively unimportant aspects of the matter in hand. Here is a series of questions and answers.
Q. When I see a table, will what I see be still there if I shut my eyes?
A. That depends upon the sense in which you use the word 'see.'
Q. What is still there when I shut my eyes?
A. This is an empirical question. Don't bother me with it, but ask the physicists.
Q. What exists when my eyes are open, but not when they are shut?
A. This again is empirical, but in deference to previous philosophers I will answer you: colored surfaces.
Q. May I infer that there are two senses of 'see'? In the first, when I 'see' a table, I 'see' something conjectural about which physics has vague notions that are probably wrong. In the second, I 'see' colored surfaces which cease to exist when I shut my eyes.
A. That is correct if you want to think clearly, but our philosophy makes clear thinking unnecessary. By oscillating between the two meanings, we avoid paradox and shock, which is more than most philosophers do.”

Bertrand Russell (1872–1970) logician, one of the first analytic philosophers and political activist

Source: 1950s, Portraits from Memory and Other Essays (1956), p. 159

Theodore Roosevelt photo
Erwin Schrödinger photo
Ronald H. Coase photo
Ludwig Wittgenstein photo
Arthur Miller photo
Sri Chinmoy photo

“Since life is but a continuous series of experiences, everything ultimately helps me towards my final enlightenment.”

Sri Chinmoy (1931–2007) Indian writer and guru

#4029, Part 41
Ten Thousand Flower Flames Part 1-100 (1979)

C.G. Jung photo
Pablo Picasso photo

“To contradict. To show one eye full face and one in profile. Nature does many things the way I do, but she hides them! My painting is a series of non-sequiturs. …”

Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer

Quoted in: Pierre Cabanne (1977), Pablo Picasso: His Life and Times, p. 268.
Quotes, 1970's

Barack Obama photo
Hermann Minkowski photo
Françoise Sagan photo
Slavoj Žižek photo

“Darcy wants to present himself to Elizabeth as a proud gentleman, and he gets from her the message 'your pride is nothing but contemptible arrogance.' After the break in their relationship each discovers, through a series of accidents, the true nature of the other - she the sensitive and tender nature of Darcy, he her real dignity and wit - and the novel ends as it should, with their marriage. The theoretical interest of this story lies in the fact that the failure of their first encounter, the double misrecognition concerning the real nature of the other, functions as a positive condition of the final outcome: we cannot say 'if, from the very beginning, she had recognized his real nature and he hers, their story could have ended at once with their marriage.' Let us take a comical hypothesis that the first encounter of the future lovers was a success - that Elizabeth had accepted Darcy's first proposal. What would happen? Instead of being bound together in true love they would become a vulgar everyday couple, a liaison of an arrogant, rich man and a pretentious, every-minded young girl… If we want to spare ourselves the painful roundabout route through the misrecognition, we miss the truth itself: only the working-through of the misrecognition allows us to accede to the true nature of the other and at the same time to overcome our own deficiency - for Darcy, to free himself of his false pride; for Elizabeth, to get rid of her prejudices.”

67
The Sublime Object of Ideology (1989)

Benjamin Disraeli photo

“Which do you believe most likely to enter an insane convention, a body of English gentlemen honoured by the favour of their Sovereign and the confidence of their fellow-subjects, managing your affairs for five years, I hope with prudence, and not altogether without success, or a sophistical rhetorician, inebriated with the exuberance of his own verbosity, and gifted with an egotistical imagination that can at all times command an interminable and inconsistent series of arguments to malign an opponent and to glorify himself?”

Benjamin Disraeli (1804–1881) British Conservative politician, writer, aristocrat and Prime Minister

Source: Speech to a banquet given to him in Knightsbridge, attacking William Gladstone for calling the Cyprus Convention an "insane covenant" (27 July 1878), quoted in William Flavelle Monypenny and George Earle Buckle, The Life of Benjamin Disraeli, Earl of Beaconsfield. Volume II. 1860–1881 (London: John Murray, 1929), pp. 1228-9.

Benjamin Disraeli photo

“A series of congratulatory regrets.”

Benjamin Disraeli (1804–1881) British Conservative politician, writer, aristocrat and Prime Minister

Source: Lord Hartington's Resolutions on the Berlin Treaty (30 July 1878).

Kwame Nkrumah photo

“I learnt to see philosophical systems in the context of the social milieu which produced them. I therefore learnt to look for social contention in philosophical systems. It is of course possible to see the history of philosophy in diverse ways, each way of seeing it being in fact an illumination of the type of problem dealt with in this branch of human thought. It is possible, for instance, to look upon philosophy as a series of abstract systems. When philosophy is so seen, even moral philosophers, with regrettable coyness, say that their preoccupation has nothing to do with life. They say that their concern is not to name moral principles or to improve anybody's character, but narrowly to elucidate the meaning of terms used in ethical discourse, and to determine the status of moral principles and ru1es, as regards the obligation which they impose upon us. When philosophy is regarded in the light of a series of abstract systems, it can be said to concern itself with two fundamental questions: first, the question 'what there is'; second, the question how 'what there is' may be explained. The answer to the first question has a number of aspects. It lays down a minimum number of general under which every item in the world can and must be brought. It does this without naming the items themselves, without furnishing us with an inventory, a roll-call of the items, the objects in the world. It specifies, not particu1ar objects, but the basic types of object. The answer further implies a certain reductionism; for in naming only a few basic types as exhausting all objects in the world, it brings object directly under one of the basic types.”

Kwame Nkrumah (1909–1972) Pan Africanist and First Prime Minister and President of Ghana

Source: Consciencism (1964), Philosophy In Retrospect, pp. 5-6.

Jack Welch photo
Claude Monet photo
Isaac Newton photo

“In the beginning of the year 1665 I found the method of approximating Series and the Rule for reducing any dignity of any Binomial into such a series. The same year in May I found the method of tangents of Gregory and Slusius, and in November had the direct method of Fluxions, and the next year in January had the Theory of Colours, and in May following I had entrance into the inverse method of Fluxions. And the same year I began to think of gravity extending to the orb of the Moon, and having found out how to estimate the force with which [a] globe revolving within a sphere presses the surface of the sphere, from Kepler's Rule of the periodical times of the Planets being in a sesquialterate proportion of their distances from the centers of their orbs I deduced that the forces which keep the Planets in their Orbs must [be] reciprocally as the squares of their distances from the centers about which they revolve: and thereby compared the force requisite to keep the Moon in her orb with the force of gravity at the surface of the earth, and found them answer pretty nearly. All this was in the two plague years of 1665 and 1666, for in those days I was in the prime of my age for invention, and minded Mathematicks and Philosophy more than at any time since. What Mr Hugens has published since about centrifugal forces I suppose he had before me. At length in the winter between the years 1676 and 1677 I found the Proposition that by a centrifugal force reciprocally as the square of the distance a Planet must revolve in an Ellipsis about the center of the force placed in the lower umbilicus of the Ellipsis and with a radius drawn to that center describe areas proportional to the times. And in the winter between the years 1683 and 1684 this Proposition with the Demonstration was entered in the Register book of the R. Society. And this is the first instance upon record of any Proposition in the higher Geometry found out by the method in dispute. In the year 1689 Mr Leibnitz, endeavouring to rival me, published a Demonstration of the same Proposition upon another supposition, but his Demonstration proved erroneous for want of skill in the method.”

Isaac Newton (1643–1727) British physicist and mathematician and founder of modern classical physics

(ca. 1716) A Catalogue of the Portsmouth Collection of Books and Papers Written by Or Belonging to Sir Isaac Newton https://books.google.com/books?id=3wcjAAAAMAAJ&pg=PR18 (1888) Preface
Also partially quoted in Sir Sidney Lee (ed.), The Dictionary of National Biography Vol.40 http://books.google.com/books?id=NycJAAAAIAAJ (1894)

Hermann Grassmann photo

“I define as a unit any magnitude that can serve for the numerical derivation of a series of magnitudes, and in particular I call such a unit an original unit if it is not derivable from another unit. The unit of numbers, that is one, I call the absolute unit, all others relative.”

Hermann Grassmann (1809–1877) German polymath, linguist and mathematician

Zero can never be a unit.
Definition 3. Part 1. The Elementary Conjunctions of Extensive Magnitudes. Ch. 1. Addition, Subtraction, Multiples and Fractions of Extensive Magnitudes. 1. Concepts and laws of calculation. Extension Theory Hermann Grassman, History of Mathematics (2000) Vol. 19 Tr. Lloyd C. Kannenberg, American Mathematical Society, London Mathematical Society
Ausdehnungslehre (1844)

Kurt Vonnegut photo

“I was a victim of a series of accidents, as are we all.”

Source: The Sirens of Titan (1959), Chapter 11 “We Hate Malachi Constant Because...” (p. 253)

Xavier Sala-i-Martin photo
Paul Valéry photo

“A work is never completed except by some accident such as weariness, satisfaction, the need to deliver, or death: for, in relation to who or what is making it, it can only be one stage in a series of inner transformations.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

"Recollection", Collected Works, vol. 1 (1972), as translated by David Paul
Variant translations:
A poem is never finished; it's always an accident that puts a stop to it — i.e. gives it to the public.
As attributed in Susan Ratcliffe, Concise Oxford Dictionary of Quotations (2011), p. 385.
A poem is never finished; it is only abandoned.
Widely quoted, this is a paraphrase of Valéry by W. H. Auden in 1965. See W. H. Auden: Collected Poems (2007), ed. Edward Mendelson, "Author's Forewords", p. xxx.
An artist never finishes a work, he merely abandons it.
A paraphrase by Aaron Copland in the essay "Creativity in America," published in Copland on Music (1944), p. 53
In the eyes of those lovers of perfection, a work is never finished — a word that for them has no sense — but abandoned; and this abandonment, whether to the flames or to the public (and which is the result of weariness or an obligation to deliver) is a kind of an accident to them, like the breaking off of a reflection, which fatigue, irritation, or something similar has made worthless.

Katie McGrath photo
Jordan Peterson photo
The Mother photo
Alfred Kinsey photo
Auguste Comte photo

“Enlightened utilitarianism is but the first in a series of totalitarian, sectarian movements to be followed later by Positivism, Communism and National Socialism.”

Eric Voegelin (1901–1985) American philosopher

Source: "From Enlightenment to Revolution" (1975), p. 52
Context: The tenacity of faith in this complex of ideas is certainly not caused by its merits as an adequate interpretation of man and society. The inadequacy of a pleasure-pain psychology, the poverty of utilitarian ethics, the impossibility of explaining moral phenomena by the pursuit of happiness, the uselessness of the greatest happiness of the greatest number as a principle of social ethics - all these have been demonstrated over and over again in a voluminous literature. Nevertheless, even today this complex of ideas holds a fascination for a not inconsiderable number of persons. This fascination will be more intelligible if we see the complex of sensualism and utilitarianism not as number of verifiable propositions but as the dogma of a religion of socially immanent salvation. Enlightened utilitarianism is but the first in a series of totalitarian, sectarian movements to be followed later by Positivism, Communism and National Socialism.

H.P. Lovecraft photo

“There now ensued a series of incidents which transported me to the opposite extremes of ecstasy and horror; incidents which I tremble to recall and dare not seek to interpret.”

H.P. Lovecraft (1890–1937) American author

Fiction, The Crawling Chaos (1921)
Context: There now ensued a series of incidents which transported me to the opposite extremes of ecstasy and horror; incidents which I tremble to recall and dare not seek to interpret. No sooner had I crawled beneath the overhanging foliage of the palm, than there dropped from its branches a young child of such beauty as I never beheld before. Though ragged and dusty, this being bore the features of a faun or demigod, and seemed almost to diffuse a radiance in the dense shadow of the tree. It smiled and extended its hand, but before I could arise and speak I heard in the upper air the exquisite melody of singing; notes high and low blent with a sublime and ethereal harmoniousness. The sun had by this time sunk below the horizon, and in the twilight I saw an aureole of lambent light encircled the child's head. Then in a tone of silver it addressed me: "It is the end. They have come down through the gloaming from the stars. Now all is over, and beyond the Arinurian streams we shall dwell blissfully in Teloe." As the child spoke, I beheld a soft radiance through the leaves of the palm tree, and rising, greeted a pair whom I knew to be the chief singers among those I had heard. A god and goddess they must have been, for such beauty is not mortal; and they took my hands, saying, "Come, child, you have heard the voices, and all is well...."

Frédéric Bastiat photo

“In the department of economy, an act, a habit, an institution, a law, gives birth not only to an effect, but to a series of effects.”

Frédéric Bastiat (1801–1850) French classical liberal theorist, political economist, and member of the French assembly

That which is seen and that which is not seen (Ce qu'on voit et ce qu'on ne voit pas, 1850), the Introduction.
Context: In the department of economy, an act, a habit, an institution, a law, gives birth not only to an effect, but to a series of effects. Of these effects, the first only is immediate; it manifests itself simultaneously with its cause — it is seen. The others unfold in succession — they are not seen: it is well for us, if they are foreseen. Between a good and a bad economist this constitutes the whole difference: the one takes account only of the visible effect; the other takes account of both the effects which are seen and those which it is necessary to foresee. Now this difference is enormous, for it almost always happens that when the immediate consequence is favourable, the ultimate consequences are fatal, and the converse. Hence it follows that the bad economist pursues a small present good, which will be followed by a great evil to come, while the true economist pursues a great good to come, at the risk of a small present evil.

Novalis photo

“There are ideal series of events which run parallel with the real ones. They rarely coincide.”

Novalis (1772–1801) German poet and writer

As quoted in "The Mystery Of Marie Rogêt" (1842) by Edgar Allan Poe, adapted from Fragments from German Prose Writers (1841) by Sarah Austin
Context: There are ideal series of events which run parallel with the real ones. They rarely coincide. Men and circumstances generally modify the ideal train of events, so that it seems imperfect, and its consequences are equally imperfect. Thus with the Reformation; instead of Protestantism came Lutheranism.

Blaise Pascal photo
Bertrand Russell photo

“A spoken word is a process in the physical world, having an essential time-order; a written word is a series of pieces of matter, having an essential space-order.”

Bertrand Russell (1872–1970) logician, one of the first analytic philosophers and political activist

An Outline of Philosophy Ch.4 Language (1927)
1920s
Context: Written words differ from spoken words in being material structures. A spoken word is a process in the physical world, having an essential time-order; a written word is a series of pieces of matter, having an essential space-order.

Maria Montessori photo

“The teachers of the old school, prepared according to the principles of metaphysical philosophy, understood the ideas of certain men regarded as authorities, and moved the muscles of speech in talking of them, and the muscles of the eye in reading their theories. Our scientific teachers, instead, are familiar with certain instruments and know how to move the muscles of the hand and arm in order to use these instruments; besides this, they have an intellectual preparation which consists of a series of typical tests, which they have, in a barren and mechanical way, learned how to apply.
The difference is not substantial, for profound differences cannot exist in exterior technique alone, but lie rather within the inner man.”

Maria Montessori (1870–1952) Italian pedagogue, philosopher and physician

Source: The Montessori Method (1912), Ch. 1 : A Critical Consideration of the New Pedagogy in its Relation to Modern Science, p. 7.
Context: To prepare teachers in the method of the experimental sciences is not an easy matter. When we shall have instructed them in anthropometry and psychometry in the most minute manner possible, we shall have only created machines, whose usefulness will be most doubtful. Indeed, if it is after this fashion that we are to initiate our teachers into experiment, we shall remain forever in the field of theory. The teachers of the old school, prepared according to the principles of metaphysical philosophy, understood the ideas of certain men regarded as authorities, and moved the muscles of speech in talking of them, and the muscles of the eye in reading their theories. Our scientific teachers, instead, are familiar with certain instruments and know how to move the muscles of the hand and arm in order to use these instruments; besides this, they have an intellectual preparation which consists of a series of typical tests, which they have, in a barren and mechanical way, learned how to apply.
The difference is not substantial, for profound differences cannot exist in exterior technique alone, but lie rather within the inner man. Not with all our initiation into scientific experiment have we prepared new masters, for, after all, we have left them standing without the door of real experimental science; we have not admitted them to the noblest and most profound phase of such study, — to that experience which makes real scientists.

Osamu Tezuka photo
Karl Marx photo
Bill Russell photo

“How much does that guy make a year? It would be to our advantage if we paid him off for five years to get away from us in the rest of this series.”

Bill Russell (1934) American professional basketball player and coach

Hall-of-Fame player Dolph Schayes

http://www.nba.com/encyclopedia/players/bill_russell.html

“The growth of love is not a straight line, but a series of hills and valleys.”

Madeleine L'Engle (1918–2007) American writer

Source: Two-Part Invention: The Story of a Marriage

Alfred North Whitehead photo

“The safest general characterization of the European philosophical tradition is that it consists of a series of footnotes to Plato.”

Pt. II, ch. 1, sec. 1.
Source: 1920s, Process and Reality: An Essay in Cosmology (1929)

Charles Bukowski photo

“I am a series of small victories and large defeats.”

Source: The People Look Like Flowers at Last

George Bernard Shaw photo
Stephen Fry photo
Lurlene McDaniel photo

“i am a limitless series of natural disasters and all of these disasters have been unnaturally repressed.”

Kathy Acker (1947–1997) American novelist, playwright, essayist, and poet

Source: Pussy, King of the Pirates

F. Scott Fitzgerald photo
P.G. Wodehouse photo

“A man who has spent most of his adult life trying out a series of patent medicines is always an optimist.”

P.G. Wodehouse (1881–1975) English author

Source: The Most of P.G. Wodehouse

Meg Cabot photo
Aaron Allston photo
Darren Shan photo

“Cirque du Freak' is the best vampire series ever.”

Darren Shan (1972) Irish writer of English-language fiction under pen name, real name Darren O'Shaughnessy
Jeff Lindsay photo
H.L. Mencken photo

“The whole aim of practical politics is to keep the populace alarmed (and hence clamorous to be led to safety) by an endless series of hobgoblins, most of them imaginary.”

H.L. Mencken (1880–1956) American journalist and writer

In Defense of Women (1918)
1910s
Variant: The whole aim of practical politics is to keep the populace alarmed (and hence clamorous to be led to safety) by menacing it with an endless series of hobgoblins, all of them imaginary.
Source: In Defense Of Women
Context: Civilization, in fact, grows more and more maudlin and hysterical; especially under democracy it tends to degenerate into a mere combat of crazes; the whole aim of practical politics is to keep the populace alarmed (and hence clamorous to be led to safety) by menacing it with an endless series of hobgoblins, most of them imaginary.

John Irving photo
Katherine Mansfield photo
James Boswell photo

“We cannot tell the precise moment when friendship is formed. As in filling a vessel drop by drop, there is at last a drop which makes it run over. So in a series of acts of kindness there is, at last, one which makes the heart run over.”

(19 September 1777)
The Life of Samuel Johnson, LL.D. (1791)
Variant: We cannot tell the precise moment when friendship is formed. As in filling a vessel drop by drop, there is at last a drop which makes it run over; so in a series of kindnesses there is at last one which makes the heart run over.

P.G. Wodehouse photo
Alfred Hitchcock photo