The Reason and the objective of Education Reform
Quotes about series
A collection of quotes on the topic of series, time, timing, other.
Quotes about series
Teacher

“Education never ends, Watson. It is a series of lessons, with the greatest for the last.”
Source: His Last Bow: 8 Stories

This quotation's origin is actually unknown, however it is not found in the Dao De Jing.
生命是一连串的自发的自然变化。逆流而动只会徒增伤悲。接受现实,万物自然循着规律发展。
Misattributed
Variant: Life is a series of natural and spontaneous changes. Don't resist them — that only creates sorrow. Let reality be reality. Let things flow naturally forward in whatever way they like.

Source: All Art is Propaganda: Critical Essays

"Benefit Of Clergy: Some Notes On Salvador Dalí," Dickens, Dali & Others: Studies in Popular Culture (1944) http://orwell.ru/library/reviews/dali/english/e_dali

As quoted in "Clemente Says He is Very Happy" https://news.google.com/newspapers?id=42oeAAAAIBAJ&sjid=QckEAAAAIBAJ&pg=1983%2C4221206 by the Associated Press, in The Daytona Beach Morning Journal (October 16, 1971), p. 1-C
Other, <big><big>1970s</big></big>, <big>1971</big>

"The Theory of Numbers," Nature (Sep 16, 1922) Vol. 110 https://books.google.com/books?id=1bMzAQAAMAAJ p. 381

Interview: Tom Kenny talks voicing SpongeBob Squarepants and 'Mr. Show' http://www.metro.us/entertainment/interview-tom-kenny-talks-voicing-spongebob-squarepants-and-mr-show/zsJoba---UspN3mmMXb2BE (February 2, 2015)

True Hallucinations http://www.matrixmasters.com/takecharge/consciousness/mckenna2.html (1993)

“Fate seemed to be playing a series of extraordinarily unamusing jokes.”
Source: Down and out in Paris and London (1933), Ch. 7

From the letter to Hemantabala Sarkar, written on 16the October, 1933, quoted in Bengali weekly `Swastika', 21-6-1999 http://hindusamhati.blogspot.com/2013/05/thoughts-of-rabindranath-tagore-on.html

On working in webseries https://timesofindia.indiatimes.com/tv/news/hindi/sukriti-kandpal-except-for-supernatural-and-naagin-shows-i-dont-think-much-has-changed-on-tv/articleshow/70315084.cms/

Goel, Sita Ram (editor) (1998). Freedom of expression: Secular theocracy versus liberal democracy. https://web.archive.org/web/20171026023112/http://www.bharatvani.org:80/books/foe/index.htm Ch. 6

“Human life is but a series of footnotes to a vast obscure unfinished masterpiece”
Variant: Existence is a series of footnotes to a vast, obscure, unfinished masterpiece.
Source: Lolita
“A garden is always a series of losses set against a few triumphs, like life itself.”

"Modern Fiction"
The Common Reader (1925)
Context: Examine for a moment an ordinary mind on an ordinary day. The mind receives a myriad impressions — trivial, fantastic, evanescent, or engraved with the sharpness of steel. From all sides they come, an incessant shower of innumerable atoms; and as they fall, as they shape themselves into the life of Monday or Tuesday, the accent falls differently from of old; the moment of importance came not here but there; so that, if a writer were a free man and not a slave, if he could write what he chose, not what he must, if he could base his work upon his own feeling and not upon convention, there would be no plot, no comedy, no tragedy, no love interest or catastrophe in the accepted style, and perhaps not a single button sewn on as the Bond Street tailors would have it. Life is not a series of gig-lamps symmetrically arranged; life is a luminous halo, a semi-transparent envelope surrounding us from the beginning of consciousness to the end. Is it not the task of the novelist to convey this varying, this unknown and uncircumscribed spirit, whatever aberration or complexity it may display, with as little mixture of the alien and external as possible? We are not pleading merely for courage and sincerity; we are suggesting that the proper stuff of fiction is a little other than custom would have us believe it.

“Great things are done by a series of small things brought together.”
In his letter to Theo, from The Hague, 22 October 1882, http://www.webexhibits.org/vangogh/letter/11/237.htm
1880s, 1882

Subject: Jane Goodall, primatologist and conservationist http://www.dailysummit.net/says/interview260802.htm, interviewed at the World Summit on Sustainable Development (2002)

“War is a series of catastrophes that results in a victory.”
Statement to Woodrow Wilson at the Paris Peace Conference (12 January 1919), as quoted in The Macmillan Dictionary of Political Quotations (1993) by Lewis D. Eigen and Jonathan Paul Siegel, p. 689
Prime Minister

“The living world is not a single array. . . connected by unbroken series of intergrades.”
Genetics and the Origin of Species (1951) p. 4.

Eight or Nine Wise Words About Letter-Writing (1890)

Source: Letter to Lady Chesterfield (19 July 1880), quoted in the Marquis of Zetland (ed.), The Letters of Disraeli to Lady Bradford and Lady Chesterfield. Vol. II, 1876 to 1881 (London: Ernest Benn Limited, 1929), p. 282.

The character of Karna in Mahabharata influenced him deeply.
Acharya Jagadish Chandra Bose in Vijayaprasara
second side of the first tape
1975 - 1992, Oral history interview with Joan Mitchell, 1986

Source: 1950s, Portraits from Memory and Other Essays (1956), p. 159

Source: 1910s, Theodore Roosevelt — An Autobiography (1913), Ch. XI : The Natural Resources of the Nation, p. 386

Source: 1930s-1950s, "The Nature of the Firm" (1937), p. 388

On filming a television production of Death of a Salesman, as quoted in The New York Times (15 September 1985) http://query.nytimes.com/gst/fullpage.html?res=9805E2DE133BF936A2575AC0A963948260&sec=&spon=&pagewanted=all

#4029, Part 41
Ten Thousand Flower Flames Part 1-100 (1979)

Quoted in: Pierre Cabanne (1977), Pablo Picasso: His Life and Times, p. 268.
Quotes, 1970's

"A Way Forward in Iraq", Remarks to the Chicago Council on Global Affairs (20 November 2006)
2006

Source: Speech to a banquet given to him in Knightsbridge, attacking William Gladstone for calling the Cyprus Convention an "insane covenant" (27 July 1878), quoted in William Flavelle Monypenny and George Earle Buckle, The Life of Benjamin Disraeli, Earl of Beaconsfield. Volume II. 1860–1881 (London: John Murray, 1929), pp. 1228-9.

“A series of congratulatory regrets.”
Source: Lord Hartington's Resolutions on the Berlin Treaty (30 July 1878).

Source: Consciencism (1964), Philosophy In Retrospect, pp. 5-6.

Section IV introduction.
Jack: Straight from the Gut (2001)

remark by Monet – between 1900 and 1920 – on his 'Water lilies' paintings; as quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 132
1900 - 1920

(ca. 1716) A Catalogue of the Portsmouth Collection of Books and Papers Written by Or Belonging to Sir Isaac Newton https://books.google.com/books?id=3wcjAAAAMAAJ&pg=PR18 (1888) Preface
Also partially quoted in Sir Sidney Lee (ed.), The Dictionary of National Biography Vol.40 http://books.google.com/books?id=NycJAAAAIAAJ (1894)

Zero can never be a unit.
Definition 3. Part 1. The Elementary Conjunctions of Extensive Magnitudes. Ch. 1. Addition, Subtraction, Multiples and Fractions of Extensive Magnitudes. 1. Concepts and laws of calculation. Extension Theory Hermann Grassman, History of Mathematics (2000) Vol. 19 Tr. Lloyd C. Kannenberg, American Mathematical Society, London Mathematical Society
Ausdehnungslehre (1844)

“I was a victim of a series of accidents, as are we all.”
Source: The Sirens of Titan (1959), Chapter 11 “We Hate Malachi Constant Because...” (p. 253)
Interview with mobuta.com (2004)

Robert J. Barro, Xavier Sala-i-Martin, Economic growth 2nd ed. (2004), Ch. 7 : Technological Change: Schumpeterian Models of Quality Ladders

"Recollection", Collected Works, vol. 1 (1972), as translated by David Paul
Variant translations:
A poem is never finished; it's always an accident that puts a stop to it — i.e. gives it to the public.
As attributed in Susan Ratcliffe, Concise Oxford Dictionary of Quotations (2011), p. 385.
A poem is never finished; it is only abandoned.
Widely quoted, this is a paraphrase of Valéry by W. H. Auden in 1965. See W. H. Auden: Collected Poems (2007), ed. Edward Mendelson, "Author's Forewords", p. xxx.
An artist never finishes a work, he merely abandons it.
A paraphrase by Aaron Copland in the essay "Creativity in America," published in Copland on Music (1944), p. 53
In the eyes of those lovers of perfection, a work is never finished — a word that for them has no sense — but abandoned; and this abandonment, whether to the flames or to the public (and which is the result of weariness or an obligation to deliver) is a kind of an accident to them, like the breaking off of a reflection, which fatigue, irritation, or something similar has made worthless.

'Merlin' Katie McGrath Q&A: 'I've been privileged to be part of this' http://www.digitalspy.com/tv/merlin/interviews/a442593/merlin-katie-mcgrath-qa-ive-been-privileged-to-be-part-of-this/ (December 4, 2012)

Other

At the young age when she started developing her developing interest in occultism, quoted in "Birth and Girlhood". Also in 125th Birth Anniversary of The Mother, 21st February, 2003 by Mother (2003) http://books.google.co.in/books?id=gX7XAAAAMAAJ, p. 4

Source: A General View of Positivism (1848, 1856), p. 71
Source: "From Enlightenment to Revolution" (1975), p. 52
Context: The tenacity of faith in this complex of ideas is certainly not caused by its merits as an adequate interpretation of man and society. The inadequacy of a pleasure-pain psychology, the poverty of utilitarian ethics, the impossibility of explaining moral phenomena by the pursuit of happiness, the uselessness of the greatest happiness of the greatest number as a principle of social ethics - all these have been demonstrated over and over again in a voluminous literature. Nevertheless, even today this complex of ideas holds a fascination for a not inconsiderable number of persons. This fascination will be more intelligible if we see the complex of sensualism and utilitarianism not as number of verifiable propositions but as the dogma of a religion of socially immanent salvation. Enlightened utilitarianism is but the first in a series of totalitarian, sectarian movements to be followed later by Positivism, Communism and National Socialism.

Fiction, The Crawling Chaos (1921)
Context: There now ensued a series of incidents which transported me to the opposite extremes of ecstasy and horror; incidents which I tremble to recall and dare not seek to interpret. No sooner had I crawled beneath the overhanging foliage of the palm, than there dropped from its branches a young child of such beauty as I never beheld before. Though ragged and dusty, this being bore the features of a faun or demigod, and seemed almost to diffuse a radiance in the dense shadow of the tree. It smiled and extended its hand, but before I could arise and speak I heard in the upper air the exquisite melody of singing; notes high and low blent with a sublime and ethereal harmoniousness. The sun had by this time sunk below the horizon, and in the twilight I saw an aureole of lambent light encircled the child's head. Then in a tone of silver it addressed me: "It is the end. They have come down through the gloaming from the stars. Now all is over, and beyond the Arinurian streams we shall dwell blissfully in Teloe." As the child spoke, I beheld a soft radiance through the leaves of the palm tree, and rising, greeted a pair whom I knew to be the chief singers among those I had heard. A god and goddess they must have been, for such beauty is not mortal; and they took my hands, saying, "Come, child, you have heard the voices, and all is well...."

That which is seen and that which is not seen (Ce qu'on voit et ce qu'on ne voit pas, 1850), the Introduction.
Context: In the department of economy, an act, a habit, an institution, a law, gives birth not only to an effect, but to a series of effects. Of these effects, the first only is immediate; it manifests itself simultaneously with its cause — it is seen. The others unfold in succession — they are not seen: it is well for us, if they are foreseen. Between a good and a bad economist this constitutes the whole difference: the one takes account only of the visible effect; the other takes account of both the effects which are seen and those which it is necessary to foresee. Now this difference is enormous, for it almost always happens that when the immediate consequence is favourable, the ultimate consequences are fatal, and the converse. Hence it follows that the bad economist pursues a small present good, which will be followed by a great evil to come, while the true economist pursues a great good to come, at the risk of a small present evil.

“There are ideal series of events which run parallel with the real ones. They rarely coincide.”
As quoted in "The Mystery Of Marie Rogêt" (1842) by Edgar Allan Poe, adapted from Fragments from German Prose Writers (1841) by Sarah Austin
Context: There are ideal series of events which run parallel with the real ones. They rarely coincide. Men and circumstances generally modify the ideal train of events, so that it seems imperfect, and its consequences are equally imperfect. Thus with the Reformation; instead of Protestantism came Lutheranism.

The Art of Persuasion

An Outline of Philosophy Ch.4 Language (1927)
1920s
Context: Written words differ from spoken words in being material structures. A spoken word is a process in the physical world, having an essential time-order; a written word is a series of pieces of matter, having an essential space-order.

Source: The Montessori Method (1912), Ch. 1 : A Critical Consideration of the New Pedagogy in its Relation to Modern Science, p. 7.
Context: To prepare teachers in the method of the experimental sciences is not an easy matter. When we shall have instructed them in anthropometry and psychometry in the most minute manner possible, we shall have only created machines, whose usefulness will be most doubtful. Indeed, if it is after this fashion that we are to initiate our teachers into experiment, we shall remain forever in the field of theory. The teachers of the old school, prepared according to the principles of metaphysical philosophy, understood the ideas of certain men regarded as authorities, and moved the muscles of speech in talking of them, and the muscles of the eye in reading their theories. Our scientific teachers, instead, are familiar with certain instruments and know how to move the muscles of the hand and arm in order to use these instruments; besides this, they have an intellectual preparation which consists of a series of typical tests, which they have, in a barren and mechanical way, learned how to apply.
The difference is not substantial, for profound differences cannot exist in exterior technique alone, but lie rather within the inner man. Not with all our initiation into scientific experiment have we prepared new masters, for, after all, we have left them standing without the door of real experimental science; we have not admitted them to the noblest and most profound phase of such study, — to that experience which makes real scientists.

About
Source: https://www.japantimes.co.jp/culture/2016/08/06/books/book-reviews/life-japans-god-manga/#.XSjK_VVKi70 "The life of Osamu Tezuka, Japan’s ‘god of manga’"

Preface to the First Edition, Capital Volume 1, Peinguin Classics edition 1976.
Das Kapital (Buch I) (1867)

Hall-of-Fame player Dolph Schayes
http://www.nba.com/encyclopedia/players/bill_russell.html
“The growth of love is not a straight line, but a series of hills and valleys.”
Source: Two-Part Invention: The Story of a Marriage
Source: Pussy, King of the Pirates
Source: The Music Lesson

“Cirque du Freak' is the best vampire series ever.”

In Defense of Women (1918)
1910s
Variant: The whole aim of practical politics is to keep the populace alarmed (and hence clamorous to be led to safety) by menacing it with an endless series of hobgoblins, all of them imaginary.
Source: In Defense Of Women
Context: Civilization, in fact, grows more and more maudlin and hysterical; especially under democracy it tends to degenerate into a mere combat of crazes; the whole aim of practical politics is to keep the populace alarmed (and hence clamorous to be led to safety) by menacing it with an endless series of hobgoblins, most of them imaginary.