Quotes about sequence
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Richard L. Daft photo

“The management science approach to organizational decision making is the analog to the rational approach by individual managers. Management science came into being during World War II. At that time, mathematical and statistical techniques were applied to urgent, large-scale military problems that were beyond the ability of individual decision makers. Mathematicians, physicists, and operations researchers used systems analysis to develop artillery trajectories, antisubmarine strategies, and bombing strategies such as salvoing (discharging multiple shells simultaneously). Consider the problem of a battleship trying to sink an enemy ship several miles away. The calculation for aiming the battleship's guns should consider distance, wind speed, shell size, speed and direction of both ships, pitch and roll of the firing ship, and curvature of the earth. Methods for performing such calculations using trial and error and intuition are not accurate, take far too long, and may never achieve success.
This is where management science came in. Analysts were able to identify the relevant variables involved in aiming a ship's guns and could model them with the use of mathematical equations. Distance, speed, pitch, roll, shell size, and so on could be calculated and entered into the equations. The answer was immediate, and the guns could begin firing. Factors such as pitch and roll were soon measured mechanically and fed directly into the targeting mechanism. Today, the human element is completely removed from the targeting process. Radar picks up the target, and the entire sequence is computed automatically.”

Richard L. Daft (1964) American sociologist

Source: Organization Theory and Design, 2007-2010, p. 500

Thomas Carlyle photo
Shona Brown photo
Peter L. Berger photo
Waheeda Rehman photo
George Macaulay Trevelyan photo
Kenneth Arrow photo
Nicholas Sparks photo
Philip Roth photo
Ivar Jacobson photo

“When a user uses the system, she or he will perform a behaviorally related sequence of transactions in a dialogue with the system. We call such a special sequence a use case.”

Ivar Jacobson (1939) Swedish computer scientist

Source: Object-Oriented Software Engineering: A Use Case Driven Approach (1992), p. 127; as cited in: Journal of Object-oriented Programming Vol 10, Nr 2-9. p. 32.

Charles A. Beard photo
Henry Adams photo
J.M. Coetzee photo
Jean Miotte photo

“Painting is an act, a sequence of movements one bears within oneself, whose source is one's inner being.”

Jean Miotte (1926–2016) French painter

Quoted in: Ingo F. Walther Art of the 20th Century (2000), p. 264.

Leonard Mlodinow photo

“I do not see the marks left by man only as great works, but as love for what surrounds us, as a sequence of small and great actions lived with passion.”

Salvatore Garau (1953) Italian artist

Farnesina, as quoted in Italian Ministry of Foreign Affairs (2016).
Source: https://www.esteri.it/mae/en/sala_stampa/archivionotizie/approfondimenti/2016/10/brasile-aambasciata-e-istituto.html, Farnesina, Ministero degli Esteri, “Brazil – Italian Embassy and Cultural Institute organise a Solo Exhibition by Salvatore Garau in Brasilia", 10/26/2016, www.esteri.it

Jacques Bertin photo
Conrad Aiken photo
Neal Stephenson photo
Arthur F. Burns photo
Sviatoslav Richter photo
Géza Révész photo

“Ebbinghaus: Language is a system of conventional signs that can be voluntarily produced at any time.
Croce: Language is articulated, limited sound organized for the purpose of expression.
Dittrich: Language is the totality of expressive abilities of individual human beings and animals capable of being understood by at least one other individual.
Eisler: Language is any expression of experiences by a creature with a soul.
B. Erdmann: Language is not a kind of communication of ideas but a kind of thinking: stated or formulated thinking. Language is a tool, and in fact a tool or organ of thinking that is unique to us as human beings.
Forbes: Language is an ordered sequence of words by which a speaker expresses his thoughts with the intention of making them known to a hearer.
J. Harris : Words are the symbols of ideas both general and particular: of the general, primarily, essentially and immediately; of the particular, only secondarily, accidentally and mediately.
Hegel: Language is the act of theoretical intelligence in its true sense, for it is its outward expression.
Jespersen: Language is human activity which has the aim of communicating ideas and emotions.
Jodl: Verbal language is the ability of man to fashion, by means of combined tones and sounds based on a limited numbers of elements, the total stock of his perceptions and conceptions in this natural tone material in such a way that this psychological process is clear and comprehensible to others to its least detail.
Kainz : Language is a structure of signs, with the help of which the representation of ideas and facts may be effected, so that things that are not present, even things that are completely imperceptible to the senses, may be represented.
De Laguna: Speech is the great medium through which human co-operation is brought about.
Marty: Language is any intentional utterance of sounds as a sign of a psychic state.
Pillsbury-Meader: Language is a means or instrument for the communication of thought, including ideas and emotions.
De Saussure: Language is a system of signs expressive of ideas.
Schuchardt. The essence of language lies in communication.
Sapir: Language is a purely human and non-instinctive method of communicating ideas, emotions and desires by means of a system of voluntarily produced symbols.”

Géza Révész (1878–1955) Hungarian psychologist and musicologist

Footnote at pp. 126-127; As cited in: Adam Schaff (1962). Introduction to semantics, p. 313-314
The Origins and Prehistory of Language, 1956

Timothy Leary photo
Charles Sanders Peirce photo
Leonard Mlodinow photo
George Marshall photo
Bill Mollison photo
Daniel Levitin photo
Marcus Aurelius photo
Annie Proulx photo
Thorstein Veblen photo
Roger Ebert photo
Eric Temple Bell photo
Jacques Plante photo

“Hockey is an art. It requires speed, precision, and strength like other sports, but it also demands an extraordinary intelligence to develop a logical sequence of movements, a technique which is smooth, graceful and in rhythm with the rest of the game.”

Jacques Plante (1929–1986) Canadian ice hockey player

Quoted in Kevin Shea, "One on One with Jacques Plante," http://www.legendsofhockey.net/html/spot_oneononep197802.htm Legends of Hockey.net (2005-05-24)

Hans Ruesch photo
Ken Wilber photo
Woodrow Wilson photo
Northrop Frye photo
Luis Buñuel photo

“The story is also a sequence of moral and surrealist aesthetic. The sexual instinct and the sense of death form its substance.”

Luis Buñuel (1900–1983) film director

The golden age
Mon Dernier soupir (My Last Sigh, 1983)

Denise Levertov photo
Nisargadatta Maharaj photo
Vyjayanthimala photo

“My first colour sequence was in what was then called ‘Geva Colour’ for the dream sequence in Nagin.”

Vyjayanthimala (1936) Indian actress, politician & dancer

Why Vyjayanthimala has 'nothing to say' about today's heroines

Theodore Wilbur Anderson photo
Henry George photo
André Malraux photo

“Our art culture makes no attempt to search the past for precedents, but transforms the entire past into a sequence of provisional responses to a problem that remains intact.”

André Malraux (1901–1976) French novelist, art theorist and politician

Part IV, Chapter VII
Les voix du silence [Voices of Silence] (1951)

Nicholas Sparks photo
Thomas Carlyle photo
Daniel Ellsberg photo
William Foote Whyte photo
Steve Jobs photo

“Playboy: Then for now, aren't you asking home-computer buyers to invest $3000 in what is essentially an act of faith?
Jobs: In the future, it won't be an act of faith. The hard part of what we're up against now is that people ask you about specifics and you can't tell them. A hundred years ago, if somebody had asked Alexander Graham Bell, "What are you going to be able to do with a telephone?" he wouldn't have been able to tell him the ways the telephone would affect the world. He didn't know that people would use the telephone to call up and find out what movies were playing that night or to order some groceries or call a relative on the other side of the globe. But remember that first the public telegraph was inaugurated, in 1844. It was an amazing breakthrough in communications. You could actually send messages from New York to San Francisco in an afternoon. People talked about putting a telegraph on every desk in America to improve productivity. But it wouldn't have worked. It required that people learn this whole sequence of strange incantations, Morse code, dots and dashes, to use the telegraph. It took about 40 hours to learn. The majority of people would never learn how to use it. So, fortunately, in the 1870s, Bell filed the patents for the telephone. It performed basically the same function as the telegraph, but people already knew how to use it. Also, the neatest thing about it was that besides allowing you to communicate with just words, it allowed you to sing.
Playboy: Meaning what?
Jobs: It allowed you to intone your words with meaning beyond the simple linguistics. And we're in the same situation today. Some people are saying that we ought to put an IBM PC on every desk in America to improve productivity. It won't work. The special incantations you have to learn this time are "slash q-zs" and things like that. The manual for WordStar, the most popular word-processing program, is 400 pages thick. To write a novel, you have to read a novel—one that reads like a mystery to most people. They're not going to learn slash q-z any more than they're going to learn Morse code. That is what Macintosh is all about. It's the first "telephone" of our industry. And, besides that, the neatest thing about it, to me, is that the Macintosh lets you sing the way the telephone did. You don't simply communicate words, you have special print styles and the ability to draw and add pictures to express yourself.”

Steve Jobs (1955–2011) American entrepreneur and co-founder of Apple Inc.

Steve Jobs, Playboy, Feb 1985, as quoted in “Steve Jobs Imagines 'Nationwide' Internet in 1985 Interview” https://paleofuture.gizmodo.com/steve-jobs-imagines-nationwide-internet-in-1985-intervi-1671246589, Matt Novak, 12/15/14 2:20pm Paleofuture, Gizmodo.
1980s

Michał Kalecki photo
Richard Cobden photo
William H. McNeill photo

“The 19th and first half of the 20th century conceived of the world as chaos. Chaos was the oft-quoted blind play of atoms, which, in mechanistic and positivistic philosophy, appeared to represent ultimate reality, with life as an accidental product of physical processes, and mind as an epi-phenomenon. It was chaos when, in the current theory of evolution, the living world appeared as a product of chance, the outcome of random mutations and survival in the mill of natural selection. In the same sense, human personality, in the theories of behaviorism as well as of psychoanalysis, was considered a chance product of nature and nurture, of a mixture of genes and an accidental sequence of events from early childhood to maturity.
Now we are looking for another basic outlook on the world -- the world as organization. Such a conception -- if it can be substantiated -- would indeed change the basic categories upon which scientific thought rests, and profoundly influence practical attitudes.
This trend is marked by the emergence of a bundle of new disciplines such as cybernetics, information theory, general system theory, theories of games, of decisions, of queuing and others; in practical applications, systems analysis, systems engineering, operations research, etc. They are different in basic assumptions, mathematical techniques and aims, and they are often unsatisfactory and sometimes contradictory. They agree, however, in being concerned, in one way or another, with "systems," "wholes" or "organizations"; and in their totality, they herald a new approach.”

Ludwig von Bertalanffy (1901–1972) austrian biologist and philosopher

Source: General System Theory (1968), 7. Some Aspects of System Theory in Biology, p. 166-167 as quoted in Lilienfeld (1978, pp. 7-8) and Alexander Laszlo and Stanley Krippner (1992) " Systems Theories: Their Origins, Foundations, and Development http://archive.syntonyquest.org/elcTree/resourcesPDFs/SystemsTheory.pdf" In: J.S. Jordan (Ed.), Systems Theories and A Priori Aspects of Perception. Amsterdam: Elsevier Science, 1998. Ch. 3, pp. 47-74.

Kent Hovind photo
Paul Karl Feyerabend photo
Leonhard Euler photo

“However useful it is for pedagogical purposes, the biological metaphor of style as a sequence of life-stages was historically misleading, for it bestowed upon the flux of events the shapes and behavior of organisms.”

George Kubler (1912–1996) American art historian

Source: The Shape of Time, 1982, p. 8 as cited in: Pamela M. Lee, " " Ultramoderne": Or, How George Kubler Stole the Time in Sixties Art. http://xenopraxis.net/readings/lee_ultramoderne.pdf" Grey Room (2001): 55.

Henry Adams photo

“In the same way he wills that his creation shall develop itself in time and space and sequence, but he creates these conditions as well as the events. He creates the whole, in one act, complete, unchangeable, and it is then unfolded like a rolling panorama with its predetermined contingencies.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

Mont Saint Michel and Chartres (1904)
Context: Creation was not successive; it was one instantaneous thought and act, identical with the will, and was complete and unchangeabble from end to end, including time as one of its functions. Thomas was as clear as possible on that point:— "Supposing God wills anything in effect, he cannot will not to will it, because his will cannot change." He wills that some things shall be contingent and others necessary, but he wills in the same act that the contingency shall be necessary. "They are contingent because God has willed them to be so, and with this object has subjected them to causes which are so." In the same way he wills that his creation shall develop itself in time and space and sequence, but he creates these conditions as well as the events. He creates the whole, in one act, complete, unchangeable, and it is then unfolded like a rolling panorama with its predetermined contingencies.Man's free choice — liberum arbitrium — falls easily into place as a predetermined contingency. God is the First Cause, and acts in all Secondary Causes directly; but while he acts mechanically on the rest of creation,— as far as is known,— he acts freely at one point, and this free action remains free as far as it extends on that line. Man's freedom derives from this source, but it is simply apparent, as far as he is a cause; it is a [... ] Reflex Action of the complicated mirror [... ] called Mind, and [... ] an illusion arising from the extreme delicacy of the machine.

Arthur Stanley Eddington photo

“…The present revolution of scientific thought follows in natural sequence on the great revolutions at earlier epochs in the history of science.”

Arthur Stanley Eddington (1882–1944) British astrophysicist

Einstein's special theory of relativity, which explains the indeterminateness of the frame of space and time, crowns the work of Copernicus who first led us to give up our insistence on a geocentric outlook on nature; Einstein's general theory of relativity, which reveals the curvature or non-Euclidean geometry of space and time, carries forward the rudimentary thought of those earlier astronomers who first contemplated the possibility that their existence lay on something which was not flat. These earlier revolutions are still a source of perplexity in childhood, which we soon outgrow; and a time will come when Einstein's amazing revelations have likewise sunk into the commonplaces of educated thought.
The Theory of Relativity and its Influence on Scientific Thought (1922), p. 31-32

Richard Francis Burton photo

“The race of Be'ing from dawn of Life in an unbroken course was run;
What men are pleased to call their Souls was in the hog and dog begun: Life is a ladder infinite-stepped, that hides its rungs from human eyes;
Planted its foot in chaos-gloom, its head soars high above the skies: No break the chain of Being bears; all things began in unity;
And lie the links in regular line though haply none the sequence see.”

Richard Francis Burton (1821–1890) British explorer, geographer, translator, writer, soldier, orientalist, cartographer, ethnologist, spy, lin…

The Kasîdah of Hâjî Abdû El-Yezdî (1870)
Context: Words, words that gender things! The soul is a new-comer on the scene;
Sufficeth not the breath of Life to work the matter-born machine? The race of Be'ing from dawn of Life in an unbroken course was run;
What men are pleased to call their Souls was in the hog and dog begun: Life is a ladder infinite-stepped, that hides its rungs from human eyes;
Planted its foot in chaos-gloom, its head soars high above the skies: No break the chain of Being bears; all things began in unity;
And lie the links in regular line though haply none the sequence see.

“Conventional "requirements" …are systems of prescriptions and proscriptions intended solely to limit the physical and intellectual movements of students — to "keep them in line, in sequence, in order," etc.”

Neil Postman (1931–2003) American writer and academic

Teaching as a Subversive Activity (1969)
Context: Conventional "requirements" …are systems of prescriptions and proscriptions intended solely to limit the physical and intellectual movements of students — to "keep them in line, in sequence, in order," etc. They shift focus of attention from the learner (check [Goodwin] Watson again) to the "course." In the process, "requirements" violate virtually everything we know about learning because they comprise the matrix of an elaborate system of punishment, that in turn, comprise a threatening atmosphere in which positive learning cannot occur. The "requirements," indeed, force the teacher — and administrator — into the role of an authoritarian functionary whose primary task becomes that of enforcing the requirements rather than helping the learner to learn. The whole authority of the system is contingent upon the "requirements."

Michel Foucault photo

“The fear before the absolute limit of death becomes interiorised in a continual process of ironisation. Fear was disarmed in advance, made derisory by being tamed and rendered banal, and constantly paraded in the spectacle of life. Suddenly, it was there to be discerned in the mannerisms, failings and vices of normal people. Death as the destruction of all things no longer had meaning when life was revealed to be a fatuous sequence of empty words, the hollow jingle of a jester’s cap and bells. The death’s head showed itself to be a vessel already empty, for madness was the being-already-there of death.”

Michel Foucault (1926–1984) French philosopher

Part One: 1. Stultifera Navis
History of Madness (1961)
Context: From the knowledge of that fatal necessity that reduces man to dust we pass to a contemptuous contemplation of the nothingness that is life itself. The fear before the absolute limit of death becomes interiorised in a continual process of ironisation. Fear was disarmed in advance, made derisory by being tamed and rendered banal, and constantly paraded in the spectacle of life. Suddenly, it was there to be discerned in the mannerisms, failings and vices of normal people. Death as the destruction of all things no longer had meaning when life was revealed to be a fatuous sequence of empty words, the hollow jingle of a jester’s cap and bells. The death’s head showed itself to be a vessel already empty, for madness was the being-already-there of death. Death’s conquered presence, sketched out in these everyday signs, showed not only that its reign had already begun, but also that its prize was a meagre one. Death unmasked the mask of life, and nothing more: to show the skull beneath the skin it had no need to remove beauty or truth, but merely to remove the plaster or the tawdry clothes. The carnival mask and the cadaver share the same fixed smile. But the laugh of madness is an anticipation of the rictus grin of death, and the fool, that harbinger of the macabre, draws death’s sting.

Timothy Leary photo
William Crookes photo

“Most students of nature sooner or later pass through a process of writing off a large percentage of their supposed capital of knowledge as a merely illusory asset. As we trace more accurately certain familiar sequences of phenomena we begin to realize how closely these sequences, or laws, as we call them, are hemmed round by still other laws of which we can form no notion.”

William Crookes (1832–1919) British chemist and physicist

Address to the Society for Psychical Research (1897)
Context: The most helpful quality which has aided me in psychical problems and has made me lucky in physical discoveries (sometimes of rather unexpected kinds) has simply been my knowledge — my vital knowledge, if I may so term it — of my own ignorance.
Most students of nature sooner or later pass through a process of writing off a large percentage of their supposed capital of knowledge as a merely illusory asset. As we trace more accurately certain familiar sequences of phenomena we begin to realize how closely these sequences, or laws, as we call them, are hemmed round by still other laws of which we can form no notion. With myself this writing off of illusory assets has gone rather far and the cobweb of supposed knowledge has been pinched (as some one has phrased) into a particularly small pill.

Martin Fowler photo
William Osler photo

“And the master-word is Work, a little one, as I have said, but fraught with momentous sequences if you can but write it on the tablets of your hearts and bind it upon your foreheads.”

William Osler (1849–1919) Canadian pathologist, physician, educator, bibliophile, historian, author, cofounder of Johns Hopkins Hospi…

The Master-Word In Medicine (1903)
Context: Though a little one, the master-word looms large in meaning. It is the open sesame to every portal, the great equalizer in the world, the true philosopher's stone, which transmutes all the base metal of humanity into gold. The stupid man among you it will make bright, the bright man brilliant, and the, brilliant student steady. With the magic word in your heart all things are possible, and without it all study is vanity and vexation. The miracles of life are with it; the blind see by touch, the deaf hear with eyes, the dumb speak with fingers. To the youth it brings hope, to the middle-aged confidence, to the aged repose. True balm of hurt minds, in its presence the heart of the sorrowful is lightened and consoled. It is directly responsible for all advances in medicine during the past twenty-five centuries. Laying hold upon it Hippocrates made observation and science the warp and woof of our art. Galen so read its meaning that fifteen centuries stopped thinking, and slept until awakened by the De Fabrica, of Vesalius, which is the very incarnation of the master-word. With its inspiration Harvey gave an impulse to a larger circulation than he wot of, an impulse which we feel to-day. Hunter sounded all its heights and depths, and stands out in our history as one of the great exemplars of its virtues With it Virchow smote the rock, and the waters of progress gushed out while in the hands of Pasteur it proved a very talisman to open to us a new heaven in medicine and a new earth in surgery. Not only has it been the touchstone of progress, but it is the measure of success in every-day life. Not a man before you but is beholden to it for his position here, while he who addresses you has that honor directly in consequence of having had it graven on his heart when he was as you are to-day. And the master-word is Work, a little one, as I have said, but fraught with momentous sequences if you can but write it on the tablets of your hearts and bind it upon your foreheads. But there is a serious difficulty in getting you to understand the paramount importance of the work-habit as part of your organization. You are not far from the Tom Sawyer stage with its philosophy "that work consists of whatever a body is obliged to do, and that play consists of whatever a body is not obliged to do."
A great many hard things may be said of the work-habit. For most of us it means a hard battle; the few take to it naturally; the many prefer idleness and never learn to love labor.

Ingmar Bergman photo

“I suppose that's what the final sequence tries to express. The notion of love as the only thinkable form of holiness.”

Ingmar Bergman (1918–2007) Swedish filmmaker

On the ideas of God presented in Hour of the Wolf (1968); Torsten Manns interview <!-- pages 164-167 -->
Bergman on Bergman (1970)
Context: As far as I recall, it's a question of the total dissolution of all notions of an other-worldly salvation. During those years this was going on in me all the time and being replaced by a sense of the holiness — to put it clumsily — to be found in man himself. The only holiness which really exists. A holiness wholly of this world. And I suppose that's what the final sequence tries to express. The notion of love as the only thinkable form of holiness.
At the same time another line of development in my idea of God begins here, one that has perhaps grown stronger over the years. The idea of the Christian God as something destructive and fantastically dangerous, something filled with risk for the human being and bringing out in him dark destructive forces instead of the opposite.

“Hopi culture… instead thinks… The span of time the growing takes is not the important thing, but rather the way in which the event of growth follows the event of planting. The Hopi is concerned that the sequence of events in the construction of a building be in the correct order, not that it takes a certain amount of time to complete the job.”

Peter Farb (1929–1980) American academic and writer

Word Play (1974)
Context: Whorf asked... Do the Hopi and European cultures... conceptualize reality in different ways? And his answer was that they do. Whereas European cultures are organized in terms of space and time, the Hopi culture, Whorf believed, emphasizes events. To speakers of European languages, time is a commodity that occurs between fixed points and can be measured. Time is said to be wasted or saved... their economic systems emphasize wages paid for the amount of time worked, rent for the time a dwelling is occupied, interest for the time money is loaned. Hopi culture... instead thinks... The span of time the growing takes is not the important thing, but rather the way in which the event of growth follows the event of planting. The Hopi is concerned that the sequence of events in the construction of a building be in the correct order, not that it takes a certain amount of time to complete the job.

“Listen, are we helpless? Are we doomed to do it again and again and again? Have we no choice but to play the Phoenix in an unending sequence of rise and fall?”

Ch 25
A Canticle for Leibowitz (1959), Fiat Voluntas Tua
Context: Listen, are we helpless? Are we doomed to do it again and again and again? Have we no choice but to play the Phoenix in an unending sequence of rise and fall? Assyria, Babylon, Egypt, Greece, Carthage, Rome, the Empires of Charlemagne and the Turk: Ground to dust and plowed with salt. Spain, France, Britain, America — burned into the oblivion of the centuries. And again and again and again. Are we doomed to it, Lord, chained to the pendulum of our own mad clockwork, helpless to halt its swing? This time, it will swing us clean to oblivion, he thought.

Karl Pearson photo
Fiona Hill (presidential advisor) photo
Baruch Spinoza photo

“The shortcoming thus acknowledged to attach to the content turns out at the same time to be a shortcoming in respect of form. Spinoza puts substance at the head of his system, and defines it to be the unity of thought and extension, without demonstrating how he gets to this distinction, or how he traces it back to the unity of substance. The further treatment of the subject proceeds in what is called the mathematical method. Definitions and axioms are first laid down: after them comes a series of theorems, which are proved by an analytical reduction of them to these unproved postulates. Although the system of Spinoza, and that even by those who altogether reject its contents and results, is praised for the strict sequence of its method, such unqualified praise of the form is as little justified as an unqualified rejection of the content. The defect of the content is that the form is not known as immanent in it, and therefore only approaches it as an outer and subjective form. As intuitively accepted by Spinoza without a previous mediation by dialectic, Substance, as the universal negative power, is as it were a dark shapeless abyss which engulfs all definite content as radically null, and produces from itself nothing that has a positive subsistence of its own.”

Baruch Spinoza (1632–1677) Dutch philosopher

Georg Wilhelm Friedrich Hegel, Encyclopedia of Philosophical Sciences: The Logic
G - L, Georg Wilhelm Friedrich Hegel

B.K.S. Iyengar photo
Rani Mukerji photo
Will Durant photo

“Time, subjectively, is the conscious sequence of perceptions.”

Will Durant (1885–1981) American historian, philosopher and writer

Source: Fallen Leaves (2014), Ch. 6 : Our Souls

“There are always a few people for whom the most obvious sequences of technical cause and effect have no meaning.”

J.E. Gordon (1913–1998) Materials scientist

Source: The New Science of Strong Materials (or, Why You Don't Fall Through the Floor) (1976), Chapter 7, Glue and Plywood (or, Mice in the gliders)