Quotes about robe

A collection of quotes on the topic of robe, likeness, people, herring.

Quotes about robe

Rumi photo
Jacques Prevért photo
Gautama Buddha photo
Henri Barbusse photo

“I stood still, a prey to a thousand thoughts, stifled in the robe of the evening.”

Henri Barbusse (1873–1935) French novelist

The Inferno (1917), Ch. XVI

Thomas Campbell photo
Tipu Sultan photo

“In the whole of the territories of the Balaghat (i. e., in the country below the ghats) most of the Hindu women go about with their breasts and heads uncovered. This is animal-like. No one of these women should hereafter go out without a fuller robe and a veil.”

Tipu Sultan (1750–1799) Ruler of the Sultanate of Mysore

Circular of Tipu Sultan to local administrators, quoted by K.N.V. Sastri, in his essay Moral Laws under Tipu Sultan https://archive.org/details/in.ernet.dli.2015.100038/page/n292, in The Proceedings Of The Indian History Congress 6th Session, 1943
From Tipu Sultan's Decrees

Robert Browning photo
Richelle Mead photo
William Blake photo
Rick Riordan photo
Victor Hugo photo
Robin McKinley photo
Terry Goodkind photo
Philip Reeve photo
Cassandra Clare photo
Christopher Moore photo
Sherrilyn Kenyon photo
Phillips Brooks photo
Robert Greene (dramatist) photo
Sri Aurobindo photo
John Buchan photo

“The robe of flesh wears thin, and with the years God shines through all things.”

John Buchan (1875–1940) British politician

"The Wise Years", The Moon Endureth (1912)

Wallace Stevens photo
Isaac Watts photo
Clive Staples Lewis photo
Torquato Tasso photo

“The purple morning left her crimson bed,
And donned her robes of pure vermilion hue,
Her amber locks she crowned with roses red,
In Eden's flowery gardens gathered new.”

Torquato Tasso (1544–1595) Italian poet

Già l'aura messaggiera erasi desta
A nunziar che se ne vien l'aurora:
intanto s'adorna, e l'aurea testa
Di rose, colte in Paradiso, infiora.
Canto III, stanza 1 (tr. Fairfax)
Gerusalemme Liberata (1581)

Rebecca Latimer Felton photo
Martin Luther King, Jr. photo
Letitia Elizabeth Landon photo
Letitia Elizabeth Landon photo
Anthony Burgess photo
Bret Easton Ellis photo
Farrokh Tamimi photo
Gustave Nadaud photo
Isaac Watts photo

“Then will I set my heart to find
Inward adornings of the mind;
Knowledge and virtue, truth and grace,
These are the robes of richest dress.”

Isaac Watts (1674–1748) English hymnwriter, theologian and logician

Song 22: "Against Pride in Clothes".
1710s, Divine Songs Attempted in the Easy Language of Children (1715)

Sarvepalli Radhakrishnan photo

“The disciples surrounded with cheap marvels and wonders the lonely figure of that serene Soul, simple and austere in his yellow robes, walking with bared feet and bowed head towards Benares.”

Sarvepalli Radhakrishnan (1888–1975) Indian philosopher and statesman who was the first Vice President and the second President of India

His views on why the role of Buddhism diminished in India
Eminent Indians (1947)

“Where still the branches guarded the skin of ruddy hue, like to illumined cloud or to Iris when she ungirds her robe and glides to meet glowing Phoebus.”
Cuius adhuc rutilam servabant bracchia pellem, nubibus accensis similem aut cum veste recincta labitur ardenti Thaumantias obvia Phoebo.

Source: Argonautica, Book VIII, Lines 114–116

John Galt (novelist) photo

“The cloven-foot of self-interest was now and then to be seen aneath the robe of public principle.”

John Galt (novelist) (1779–1839) British writer

The Provost (Edinburgh: Blackwood, 1822) p. 20.

Thomas De Witt Talmage photo

“If your path had been smooth, you would have depended upon your own surefootedness; but God roughened the path, so you have to take hold of His hand. If the weather had been mild, you would have loitered along the watercourses, but at the first howl of the storm you quickened your pace heavenward and wrapped around you the warm robe of Saviour’s righteousness.”

Thomas De Witt Talmage (1832–1902) American Presbyterian preacher, clergyman and reformer during the mid-to late 19th century.

Thomas De Witt Talmage (1832-1902), The Pathway of Life, New York: The Christian Herald, 1894 p 100.
The Pathway of Life, New York: The Christian Herald, 1894

Ben Carson photo

“The reason that [political correctness] is very troubling to me is that it’s the very same thing that happened to the Roman Empire. They were extremely powerful. There was no way anybody could overcome them. But these philosophers, with the long flowing white robes and the long white beards, they could wax eloquently on every subject, but nothing was right and nothing was wrong. They soon completely lost sight of who they were.”

Ben Carson (1951) 17th and current United States Secretary of Housing and Urban Development; American neurosurgeon

As quoted in "Ben Carson thinks “political correctness” could lead U.S. to collapse like Rome" http://www.salon.com/2014/10/15/ben_carson_thinks_political_correctness_could_lead_u_s_to_collapse_like_rome/, Salon (October 15, 2014)

Stephen Vincent Benét photo
Alan Bennett photo
Joyce Kilmer photo

“I saw him through a thousand veils,
And has not this sufficed?
Now, must I look on the Devil robed
In the radiant Robe of Christ?”

Joyce Kilmer (1886–1918) American poet, editor, literary critic, soldier

Main Street and Other Poems (1917), The Robe of Christ
Context: Oh, he can be the forest,
And he can be the sun,
Or a buttercup, or an hour of rest
When the weary day is done.
I saw him through a thousand veils,
And has not this sufficed?
Now, must I look on the Devil robed
In the radiant Robe of Christ?

Percy Bysshe Shelley photo

“The seed ye sow another reaps;
The wealth ye find another keeps;
The robes ye weave another wears;
The arms ye forge another bears.”

Percy Bysshe Shelley (1792–1822) English Romantic poet

Song to the Men of England (1819), st. 5

William Burges photo

“Nothing is more perishable than worn-out apparel, yet, thanks to documentary evidence, to the custom of burying people of high rank in their robes, and to the practice of wrapping up relics of saints in pieces of precious stuffs, we are enabled to form a veiy good idea of what these stuffs were like and where they came from. In the first instance they appear to have come from Byzantium, and from the East generally; but the manufacture afterwards extended to Sicily, and received great impetus at the Norman conquest of that island; Roger I. even transplanting Greek workmen from the towns sacked by his army, and settling them in Sicily. Of course many of the workers would be Mohammedans, and the old patterns, perhaps with the addition of sundry animals, would still continue in use; hence the frequency of Arabic inscriptions in the borders, the Cufic character being one of the most ornamental ever used. In the Hotel de Clu^ny at Paris are preserved the remains of the vestments of a bishop of Bayonne, found when his sepulchre was opened in 1853, the date of the entombment being the twelfth century. Some of these remains are cloth of gold, but the most remarkable is a very deep border ornamented with blue Cufic letters on a gold ground; the letters are fimbriated with white, and from them issue delicate red scrolls, which end in Arabic sort of flowers: this tissue probably is pure Eastern work. On the contrary, the coronation robes of the German emperors, although of an Eastern pattern, bear inscriptions which tell us very clearly where they were manufactured: thus the Cufic characters on the cope inform us that it was made in the city of Palermo in the year 1133, while the tunic has the date of 1181, but then the inscription is in the Latin language. The practice of putting Cufic inscriptions on precious stuffs was not confined to the Eastern and Sicilian manufactures; in process of time other Italian cities took up the art, and, either because it was the fashion, or because they wished to pass off" their own work as Sicilian or Eastern manufacture, imitations of Arabic characters are continually met with, both on the few examples that have come down to us of the stuffs themselves, or on painted statues or sculptured effigies. These are the inscriptions which used to be the despair of antiquaries, who vainly searched out their meaning until it was discovered that they had no meaning at all, and that they were mere ornaments. Sometimes the inscriptions appear to be imitations of the Greek, and sometimes even of the Hebrew. The celebrated ciborium of Limoges work in the Louvre, known as the work of Magister G. Alpais, bears an ornament around its rim which a French antiquary has discovered to be nothing more than the upper part of a Cufic word repeated and made into a decoration.”

William Burges (1827–1881) English architect

Quote was introduced with the phrase:
In the lecture on the weaver's art, we are reminded of the superiority of Indian muslins and Chinese and Persian carpets, and the gorgeous costumes of the middle ages are contrasted with our own dark ungraceful garments. The Cufic inscriptions that have so perplexed antiquaries, were introduced with the rich Eastern stuffs so much sought after by the wealthy class, and though, as Mr. Burges observes
Source: Art applied to industry: a series of lectures, 1865, p. 85; Cited in: " Belles Lettres http://books.google.com/books?id=0EegAAAAMAAJ&pg=PA143" in: The Westminster Review, Vol. 84-85. Baldwin, Cradock, and Joy, 1865. p. 143

Huston Smith photo
George Lippard photo
Letitia Elizabeth Landon photo
Arnobius photo
Dylan Moran photo
Scott Lynch photo

“When you’re a priest, people tend to see the robe rather than the man.”

Interlude “The Half-Crown War” section 1 (p. 414)
The Lies of Locke Lamora (2006)

Theodor Mommsen photo

“.. whatever may have been the style and title, the sovereign ruler was there, and accordingly the court established itself at once with all its due accompaniments of pomp, insipidity, and emptiness. Caesar appeared in public not in the robe of the consuls which was bordered with purple stripes, but in the robe wholly of purple which was reckoned in antiquity as the proper regal attire, and received, sitting on his golden chair and without rising from it, the solemn procession of the senate. The festivals in his honour commemorative of birthday, of victories, and of vows, filled the calendar. When Caesar came to the capital, his principal servants marched forth in trips to great distances so as to meet and escort him. To be near to him began to be of such importance, that the rents rose in the quarter of the city where he lived. Personal interviews with him were rendered so difficult by the multitude of individuals soliciting audience, that Caesar found himself compelled in many cases to communicate even with his intimate friends in writing, and that persons even of the highest rank had to wait for hours in the ante-chamber. People felt, more clearly than was agreeable to Caesar himself, that they no longer approached a fellow-citizen. There arose a monarchical aristocracy, which was a remarkable manner at once new and old, and which had sprung out of the idea of casting into the shade the aristocracy of the oligarchy by that of the royalty, the nobility of the patriciate. The patrician body still subsisted, although without essential privileges as an order, in the character of a close aristocratic guild; but as it could receive no new gentes it had dwindled away more and more in the course of centuries, and in Caesar's time there were not more than fifteen or sixteen patrician gentes still in existence. Caesar, himself sprung from one of them, got the right of creating new patrician gentes conferred on the Imperator by decree of the people, and so established, in contrast to the republican nobility, the new aristocracy of the patriciate, which most happily combined all the requisites of a monarchichal aristocracy - the charm of antiquity, entire dependence on the government, and total insignificance. On all sides the new sovereignty revealed itself.”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

Vol. 4, Part 2. Translated by W.P. Dickson.
The New Court.
The History of Rome - Volume 4: Part 2

Robert G. Ingersoll photo
Algernon Charles Swinburne photo
Francis Miles Finch photo
Ben Jonson photo
Victor Hugo photo

“Whether we be Italians or Frenchmen, misery concerns us all. Ever since history has been written, ever since philosophy has meditated, misery has been the garment of the human race; the moment has at length arrived for tearing off that rag, and for replacing, upon the naked limbs of the Man-People, the sinister fragment of the past with the grand purple robe of the dawn.”

Victor Hugo (1802–1885) French poet, novelist, and dramatist

Italiens ou français, la misère nous regarde tous. Depuis que l'histoire écrit et que la philosophie médite, la misère est le vêtement du genre humain; le moment serait enfin venu d'arracher cette guenille, et de remplacer, sur les membres nus de l'Homme-Peuple, la loque sinistre du passé par la grande robe pourpre de l'aurore.
Letter To M. Daelli on Les Misérables (1862)

Rumi photo
Henry Campbell-Bannerman photo
Edgar Degas photo

“Draw all kind of everyday object placed, in such a way that they have in them the life of the man or woman – corsets that have just been removed, for example, and which retain the form of the body. Do a series in aquatint on mourning, different blacks – black veils of deep mourning floating on the face – black gloves – mourning carriages, undertaker’s vehicles – carriages like Venetian gondolas. On smoke – smoker’s smoke, pipes, cigarettes, cigars – smoke from locomotives, from tall factory chimneys, from steam boats, etc. On evening – infinite variety of subjects in cafes, different tones of glass robes reflected in the mirrors. On bakery, bread. Series of baker's boys, seen in the cellar itself or through the basement windows from the street – backs the colour of the pink flour – beautiful curves of dough – still-life's of different breads, large, oval, long, round, etc. Studies in color of the yellows, pinks, grays, whites of bread…… Neither monuments nor houses have ever been done from below, close up as they appear when you walk down the street. [a working note in which Degas planned series of views of modern Paris, the same time when he sketched the backstreet brothels, making graphic unflinching and even his realistic 'pornographic' sketches he called his 'glimpses through the keyhole', in which he also experimented with perspectives]”

Edgar Degas (1834–1917) French artist

Quote from Degas' Notebooks; Clarendon Press, Oxford 1976, nos 30 & 34 circa 1877; as quoted in The private lives of the Impressionists, Sue Roe, Harpen Collins Publishers, New York 2006, p. 182
quotes, undated

Henry Van Dyke photo
Gautama Buddha photo
Edwin Hubbell Chapin photo
Eric Maisel photo
Muhammad bin Bakhtiyar Khalji photo
Henry Timrod photo
Li Bai photo

“Her robe is a cloud, her face a flower;
Her balcony, glimmering with the bright spring dew,
Is either the tip of earth's Jade Mountain,
Or a moon-edged roof of paradise.”

Li Bai (701–762) Chinese poet of the Tang dynasty poetry period

"A Song Of Pure Happiness I" (清平调之一)

“Why like a tender girl dost thou complain!
That strives to reach the mother's breast in vain;
Mourns by her side, her knees embraces fast,
Hangs on her robes, and interrupts her haste;
Yet, when with fondness to her arms she's rais'd,
Still mourns and weeps, and will not be appeas'd!”

Thomas Yalden (1670–1736) English poet

"Patroclus's Request to Achilles for his Arms; Imitated from the Beginning of the Sixteenth Iliad of Homer", in Tonson's The Annual Miscellany for the Year 1694.

Han-shan photo
Scott Lynch photo

“Most of us find it starkly ludicrous that the height of all possible ambition, to the ungifted, must be to drape oneself in crowns and robes.”

Source: The Republic of Thieves (2013), Chapter 4 “Across the Amathel” section 3 (p. 191)

Basil of Caesarea photo
Joseph Rodman Drake photo
The Mother photo
Sathya Sai Baba photo
Jerome K. Jerome photo
Abu Nuwas photo

“You, mad to expect repentance,
Tear your robe all you want;
I will never repent!”

Abu Nuwas (762–814) Arabic poet

Diwan, 11–12.

Paramahansa Yogananda photo

“It is the call of the beauty — robed ones
To worship the great Beauty.
It is the call of God
Through silent intelligences
And starburst of feelings.”

Paramahansa Yogananda (1893–1952) Yogi, a guru of Kriya Yoga and founder of Self-Realization Fellowship

Songs of the Soul by Paramahansa Yogananda, Quotes drawn from the poem "What is Love?"

Edwin Hubbell Chapin photo
George William Russell photo
Geoffrey Chaucer photo
Michael Crichton photo
Mahmud of Ghazni photo
Conrad Aiken photo
Frederick William Robertson photo
Arthur Guirdham photo
Bill Whittle photo
Letitia Elizabeth Landon photo
Mahmud of Ghazni photo
James Wilde, 1st Baron Penzance photo
Ambrose Philips photo

“He the robe of justice wore,
Sully'd not, as heretofore,
When the magistrate was sought
With yearly gifts. Of what avail
Are guilty hoards? for life is frail;
And we are judg'd where favour is not bought.”

Ambrose Philips (1674–1749) Anglo-Irish poet and politician

Ode: "On the Death of the Right Honourable William Earl Cowper" (1723), line 137.

Brett Kavanaugh photo
Silius Italicus photo

“The appearance of [Virtue] was far different: her hair, seeking no borrowed charm from ordered locks, grew freely above her forehead; her eyes were steady; in face and gait she was more like a man; she showed a cheerful modesty; and her tall stature was set off by the snow-white robe she wore.”
[Virtutis] dispar habitus: frons hirta nec umquam composita mutata coma, stans vultus, et ore incessuque viro propior laetique pudoris celsa umeros niveae fulgebat stamine pallae.

Book XV, lines 28–31
Punica